Erin Pellegrino - Works by Erin Pellegrino

ERIN PELLEGRINO Selected Works

Erin Pellegrino is currently a designer practicing in New York City. She is a graduate of the Harvard Graduate School of Design with a Masters of Architecture II and Cornell University’s College of Architecture, Art and Planning with a professional Bachelors of Architecture. With a varied and vast background in Design+Build projects and small scale interventions, Erin’s work has been recognized internationally. Recently, she was awarded a Design Honor Award by the American Institute of Architects, New England for the Alpine Shelter project in Slovenia. She was also awarded the Paul M. Heffernan Travel Fellowship, to travel and build the project in the Julian Alps. She has participated in lectures at IUAV in Venice, Italy, the Harvard Graduate School of Design, UVA in Charlottesville, Virginia, and at the Anchorage Museum in Alaska. Most recently, Alpine Shelter Skuta was awared a Core77 Award for architecture in the built environment, and was featured on the cover of Phaidon Press’s publication, Environmental Living. Described as a “maker and a thinker with a strong emotive dimension to her work”, Erin Pellegrino is interested in the human qualities of space. She graduated from Cornell University’s Bachelor of Architecture in 2014 where her design excellence was recognized with the Charles Goodwin Sands Memorial Medal for her thesis on architecture and perfume. MiniCity Detroit was awarded first prize in Redesigning Detroit, a competition for the redesign of a vacant city block in Detroit, Michigan. In spring 2013, she was nominated to represent Cornell University’s Bachelor of Architecture program for the AIANYS student work competition. She has also been awarded both the Seipp Prize and York Prize, also from Cornell University. In the summer of 2011, Erin traveled to South Africa as a part of a Design + Build team to construct an early education crèche in Johannesburg. Other projects include a collaboration with Jake Rudin on a renovation of a Richard Meier home in Ithaca, NY, which was awarded a Historic Ithaca Preservation Award.

ALPINE SHELTER SKUTA

Project Type: Design/Build Collaboration with OFIS Arhitekti, Frederick Kim and Katie MacDonald Summer 2015 The bivak is an object that represents a basic human necessity, a shelter. It is a symbol of refuge. The outer form and choice of materials were chosen to respond to the extreme mountain conditions, and also provide views to the greater landscape. Its position within the wilderness requires respect for natural resources, so the foundations are as minimal as possible as the object is temporary in nature. The design of the interior dictates modesty, totally subordinate to the function of the shelter. It provides shelter and accommodation for up to eight mountaineers. The project developed from a design studio led by OFIS partners Rok Oman and Spela Videcnik at the Harvard Graduate School of Design. In fall 2014, a studio of thirteen students tackled the challenges of designing an innovative yet practical shelter to meet the needs of the harsh alpine climate. Inspired by the vernacular architecture of Slovenia with its rich and diverse architectural heritage, the chosen project was designed by Frederick Kim, Katie MacDonald, and myself. The design consists of three modules, in part to allow for transport and also to programmatically divide the space The first module is designated for entry, storage and preparation of a modest dinner. The second module allows for both sleeping and socializing, with beds that face each other for communal eating and gathering.. The last is module is dedicated to sleeping, and from both sides of the shelter, one can experience the panoramic views of both Skuta, the valley, and the city of Ljubljana.

01.01 01.07 02.04

A201.00 03.02

85.52

85.70

85.98

86.26

86.84

86.57

87.16

87.44

87.77

88.74

88.37

88.10

90.02 90.30

89.69

89.37

89.04

90.66

1 A314

91.41

91.05

03.07 05.02 06.03

92.13

91.76

01.01

93.10

92.70

92.44

06.05 06.06 06.09 06.10

5.59

135A OFFICE 06.11 06.16

11.02 03.02 05.02

5.92

11.01

06.17

4 A314

+ 97'-3 3/4"

06.18 06.20

+ 98'-8"

6.36

5A + 97'-3 3/4"

1:20

6.83

EX100 BRUSH ARCADE

03.07

09.01

+ 98'-8"

08.13 1A

125 CORRIDOR

1:12

FLA

87.58

A505

FAA

A502

06.17

UP FLA

SEE LANDSCAPE DRAWINGS

FLA

FAA

23.02

88.81

1 A312

3 A314

06.24 10.08 06.21

32.01 32.03

SEAL & SIGNATURE:

REVISIONS:

A505

23.02 26.05

09.11 06.06

A502

06.10

FAA

2 A402.00

06.09

FLA

22.07

FAA

FLA

FAA

A504

22.05 22.06

5F 4G

06.06

+ 97'-3 3/4"

FLA

1 A303.00

A502

22.02 22.03

121 ELEC ROOM

06.20

FAA

FLA

EX101 SCHIFF ARCADE

88.34

22.01 3'-11 1/4" MIN 4E

FAA

132 CORRIDOR

11.02 12.01 4E

FAA

A505

FAA

09.11 09.12 09.15 10.08 11.01

126 RECEIVING

06.11

FAA

09.01

14.01

06.05 5F

A506

22.02

1:20

32.03 22.03 32.01

06.17 06.20

4A 22.03

A505

22.06

136 WC

+ 98'-8"

COURTYARD

09.15

140 WOMENS WC

22.05

141 4H MENS WC

22.07

A201.00

3'-8"

+ 97'-3 3/4"

UP 5A

+ 98'-8"

08.05

+ 98'-8"

A504

02.04

.24

06.24

22.01

23.02

06.21

142 2F WC

A450

20 5A

LINE OF WALL ABOVE LINE OF OPENING ABOVE DEMOLISH EXISTING DOORS, TRANSOM, AND SIDELIGHTS. REPAIR WALLS AND CEILING CAST-IN-PLACE CONCRETE STAIR, SEE FINISH SCHEDULE CAST-IN-PLACE CONCRETE STAIR STEEL STAIR CUSTOM SOLID RIFT CUT WHITE OAK AND CORIAN CIRCULATION DESK CUSTOM BRONZE AND TEMPERED GLASS CONFERENCE TABLE CUSTOM SOLID RIFT CUT WHITE OAK CONFERENCE/READING TABLE FURNISHINGS, NIC. CUSTOM BRONZE AND RIFT CUT WHITE OAK, LOW IRON LAMINATED SECURITY GLAZED DISPLAY VITRINE WITH FULL CLIMATE CONTROL CUSTOM SECURITY DESK/STATION CUSTOM WOOD DOOR, RIFT CUT WHITE OAK 84"H CUSTOM WOOD BOOKCASES, RIFT CUT WHITE OAK WOOD BOOKCASE WITH WOOD ADJ SHELVES AND FULL HT GLASS SLIDING DOORS, LOCKING CUSTOM WOOD CLADDING, RIFT CUT WHITE OAK 44"H CUSTOM SOLID RIFT CUT WHITE OAK WOOD BOOKCASE WITH WOOD ADJ SHELVES AND FULL HT GLASS SLIDING DOORS, LOCKING CUSTOM SOLID RIFT CUT WHITE OAK WOOD BOOKCASE SURROUND AT METAL BOOK SHELVES CUSTOM SOLID SURFACE CLADDING, CHEMICALLY WELDED SEAMS OVERHEAD COILING ST. STL. DOOR WITH RODENT-RESISTANT BOTTOM SEAL VERTICAL-ACTING COILING ST. STL. FIRE SHUTTER WITH CONCEALED CEILING-MOUNTED TRACK INTERIOR STONE PAVERS, SEE FINISH SCHEDULE WOOD FLOORING, SEE FINISH SCHEDULE CARPET, SEE FINISH SCHEDULE STONE COUNTERTOP 44"H ADJUSTABLE METAL BOOKCASE FOOD SERVICE EQUIPMENT, SEE FOOD SERVICE DWGS. LOADING DOCK BUMPERS FIXED AUDITORIUM SEATING - POLTRONA FRAU "PITAGORA" WITH FULL LEATHER UPHOLSTERY PASSENGER ELEVATOR, SEE SPECIFICATIONS ST. STL. WALL MOUNTED DRINKING FOUNTAIN MOP SINK AT JANITORS CLOSET, TYP. STORM WATER DETENTION TANK WITH ACCESS CHAMBER - SEE STRUCT, CIVIL, AND PLUMBING DWGS. WALL-MOUNTED SINK, SEE PLUMBING DWGS. WALL-MOUNTED TOILET, SEE PLUMBING DWGS. WALL-MOUNTED URINAL, SEE PLUMBING DWGS. CONTINUOUS CAST-IRON FLOOR GRILLE NEENAH HEAVY-DUTY TYPE Q RECESSED POWER AND DATA OUTLET WITH CUSTOM BRUSHED STAINLESS STEEL COVER PLANTINGS AT EXTERIOR COURTYARD, SEE LANDSCAPE DWGS. 18" X 36" X 1-1/2" GRANITE PAVERS WITH FLAMED FINISH, SEE DETAIL. PAVERS TO BE "GOLDEN SUN" AS SUPPLIED BY ABC WORLDWIDE STONE, INC.

212.582.2385 T 212.245.1984 F E mail@twbta.com

1 A301.00

TOD WILLIAMS BILLIE TSIEN Architects | Partners

1 A304.00

222 CENTRAL PARK SOUTH NEW YORK, NY 10019

KEYNOTE LEGEND

2 A304.00

6D 4A

SIM

DOB B-SCAN STICKER: SIM

23.02

08.13

2 A311

26.05 TYP

9.82

09.01

A505

12 3A

A505

22.05 22.06

06.03 UP

10.08 06.21

1 FAA-1

A504

90.46

A503

+ 97'-3 3/4"

A505

+ 97'-3 3/4"

3A 6C

EX102 UNTERBERG ARC.

1:20

06.18

1A 09.11

+ 97'-6 7/8"

12 3A

+ 98'-8 7/8"

FQ-1

.95

A501 6D

A501

+ 95'-7 3/4"

NOT FOR CONSTRUCTION

SCALE: 3D

LINE OF DORMITORY ABOVE

+ 103'-10 3/16"

11/11/2016

DWN BY: TWBTA

A501

4I 3A

10'

LEVEL 1 FLOOR PLAN

+ 104'-6"

1/8" = 1'-0"

5 8

+ 98'-8 7/8"

FOR PERMIT

A450 8 A506 22.05

+ 97'-3 3/4"

+ 100'-9"

+ 97'-3 3/4"

FQ-1

4 A313

06.16

1:20

+ 97'-6 7/8"

3.49

4F FQ-1

A501

FQ-1

1 A305.00

09.12 12.01

92.95

1A 3A

FQ-1

STAIR F UP

+ 97'-3 3/4"

A504

3A 8

A504

A506

2C 1A

92.36

3 3A

PE-1

A505

3 A313

23.02

01.07

91.82

14 3A

PE-2

2 A403.00

2 A407.00

26.05 TYP

2 A314

6C 6D

5F 3A

10.08 06.21

5C 5F

+ 97'-3 3/4"

91.14

A450

2 3 A311

15 13

3080 BROADWAY NEW YORK, NY 10027

4A 3A

JEWISH THEOLOGICAL SEMINARY

9.26

94.89 4.09

95.55

96.59

97.12

97.77

98.27

98.91

99.52

100.14 100.76

101.49 102.23

103.48

102.94 1 A401.00

104.07

104.80

105.45 2 A325 A313

106.07

106.70

107.44

108.58

A201.00

108.04

109.30 1 A313

109.91

110.54 110.99 FLOOR PLAN LEGEND CONCRETE WALL CMU WALL EXISTING WALL SCOPE OF WORK

A101.00 (2 OF 29)

JEWISH THEOLOGICAL SEMINARY

Tod Williams Billie Tsien Architects

Project Type: New Construction/Renovation Role: Junior Designer New York, NY June 2016 - Ongoing The New JTS Building is designed to be an approximately 90,000gsf building located within the JTS campus on Broadway between 122nd Street and 123rd Street in Manhattan. The surrounding Morningside Heights neighborhood houses several other institutions of higher learning, including Columbia University, Barnard College, the Manhattan School of Music and The Union Theological Seminary. It is anticipated that, in terms of construction quality and operational efficiency, the project will equal or surpass comparable institutional buildings constructed in the vicinity during the past five to ten years. The project seeks to bring a sense of campus and community to JTS. The light court centralizes the community to access the new spaces for discussion and learning. These include a new Auditorium and Performance Space, Presentation and Seminar Rooms, an exterior courtyard space for the annual Sukkot, and a state of the art Library to house their rare book collection. My role in the project has seen both schematic design completion, design development completion, and various coordination roles.

04.04 04.05

BRICK WALL ASSEMBLY, SEE DETAIL BRICK-CLAD PARAPET WALL, BRICK BOTH SIDES, SEE DETAIL MECHANICAL ENCLOSURE, SEE MECH. DWGS. STANDING-SEAM COPPER CLADDING AT ROOF MONITOR, 20 OZ MIN. THERMALLY BROKEN ALUM. CURTAINWALL WITH LOW-IRON GLAZING, SEE DETAIL ALUMINUM-FRAMED SKYLIGHT, SEE DETAIL HOSEBIB 18" X 36" X 1-1/2" GRANITE PAVERS WITH FLAMED FINISH, SEE DETAIL. PAVERS TO BE "GOLDEN SUN" AS SUPPLIED BY ABC WORLDWIDE STONE, INC.

04.07 07.03 08.03 07.03

08.11

13'-8"

3'-6"

22.11 32.03

115'-10" T.O. PLAZA PARAPET

212.582.2385 T 212.245.1984 F E mail@twbta.com

KEYNOTE LEGEND

222 CENTRAL PARK SOUTH NEW YORK, NY 10019

TOD WILLIAMS BILLIE TSIEN Architects | Partners

112'-4" L2 107'-3" JTS GARDEN

97'-3 3/4" L1

4'-6 3/4"

11'-9 3/4"

1'-4 1/4"

98'-8" L1 - BRUSH

85'-6" CELLAR - LIBRARY 80'-11 1/4" CELLAR - MER

SEAL & SIGNATURE:

N-S BUILDING SECTION THROUGH COURTYARD SCALE :

1/8" = 1'-0"

11 20'-0 1/2"

10 21'-2"

11'-3 1/2"

20'-6"

7.5 13'-10 1/2"

7 7'-4"

6.1 18'-10 1/4"

6 3'-0"

5.5 10'-7"

5.2 5'-8"

5 4'-11"

7'-0"

3 13'-2"

2.5 8'-5"

2 9'-5 3/4"

1 15'-0"

REVISIONS:

7'-0"

199'-7" T.O. BULKHEAD PARAPET

12'-8"

192'-7" T.O. PARAPET

4'-7"

179'-11" MECH YARD PARAPET 175'-4" L8 9'-6"

DOB B-SCAN STICKER:

165'-10" L7 9'-6"

160'-11" T.O. L6 PARAPET

9'-6"

156'-4" L6

08.11

04.07

250 TERRACE LOBBY

04.05

132'-6" MONITOR TOS 133'-7 1/2" T.O. AUD. PARAPET 129'-0" T.O. AUD. ROOF 127'-10" L3

15'-6"

07.03

137'-4" L4 1'-2" 3'-6" 3'-8 1/2" 1'-1 1/2"

3 A313.00

04.05

22.11 32.03 2'-8"

112'-4" L2 109'-8" L2 - DORM ENTRY

04.04 08.03

103 LIGHT COURT

100% DESIGN DEVELOPMENT

11'-0"

EX100 BRUSH ARCADE

STAIR E.1

11/18/2016

NOT FOR CONSTRUCTION

97'-3 3/4" L1

DWN BY: TWBTA SCALE:

11'-9 3/4"

1'-4 1/4"

98'-8" L1 - BRUSH

1 A312.00

4'-6 3/4"

000 MER

85'-6" CELLAR - LIBRARY 80'-11 1/4" CELLAR - MER

1/8" = 1'-0"

10'

BUILDING SECTIONS

KEY PLAN

N-S SECTION THROUGH LOBBY SCALE :

3080 BROADWAY NEW YORK, NY 10027

9'-6"

JEWISH THEOLOGICAL SEMINARY

146'-10" L5

A304.00

3 A322.00

FLAT AND STANDING SEAM 20 OZ COPPER CLADDING

5 A322.00

212.582.2385 T 212.245.1984 F E mail@twbta.com

222 CENTRAL PARK SOUTH NEW YORK, NY 10019

23.01

4'-2"

09.20

STRUCTURAL STEEL, TYP. EMSEAL JOINT COVERS AT ALL EXPOSED PORTIONS OF SEISMIC JOINTS, TYP. STUCCO-CLAD SCREEN WALL AT MECHANICAL YARD, SEE DETAIL SOUND ISOLATION AT AUDITORIUM FLOOR - 4" TH. CONCRETE TOPPING SLAB OVER 1" ACOUSTIC ISOLATION MAT MECH. EQUIPMENT, SEE MECHANICAL DWGS.

TOD WILLIAMS BILLIE TSIEN Architects | Partners

08.19

TOD WILLIAMS BILLIE TSIEN Architects | Partners

07.09

129'-0" T.O. AUD. ROOF 1'-2"

SPRAY FIREPROOFING, TYP SPRINKLER HEAD, SEE FP DRAWINGS ACOUSTIC PLASTER

127'-10" L3

STRUCTURAL COLD FORMED FRAMING - SEE STRUCTURAL

9'-0"

THERMALLY BROKEN STOREFRONT FRAMING FOR 1.5" IGU. OPTION 1: MODIFIED KAWNEER 1620 2" SIGHTLINE CUSTOM 316SS PRESSURE CAP, KYNAR PTD ALUMINUM FRAME; OPTION 2: MODIFIED TAJIMA 100 - 316 SS PRESSURE CAP, STANDARD 304 SS FRAME MOTORIZED ROLL DOWN SHADES WITH FASCIA

12'-0"

FIN TUBE RADIATOR, SEE MEP DRAWINGS

SEAL & SIGNATURE:

4 A322.00

SPRAY CEMENTITIOUS FIREPROOFING

REVISIONS:

LONG SPAN MTL DECK SEE STRUCTURAL RIGID INSULATION

2 A322.00

1 A322.00

SEAL & SIGNATURE:

5'-6"

M 8'-0"

L 10'-1"

1'-3"

K 5'-7"

H.1

H 1'-0"

25'-1"

2'-7"

115'-10" T.O. PLAZA PARAPET ''GOLDEN SUN' GRANITE PAVERS, ON PEDESTALS WITH FLAMED FINISH

CUSTOM PROFILE SOLID GRANITE BASE COURSE - LOW HONED 3'-6"

14'-7 1/4"

11'-6 1/2"

4'-6"

9'-8"

4'-9 1/4"

4'-6 3/4" 2'-10 1/2"

DOB B-SCAN STICKER:

112'-4" L2 ACOUSTIC PLASTER CEILING BEYOND DOMESTIC BRICK: NORMAN LENGTH ACOUSTIC PLASTER CEILING WATERPROOFING

7'-0" 3'-6"

12 A640.00

COLUMN BEYOND

OPH

192'-7" T.O. PARAPET

LIGHTING FIXTURE, SEE LIGHTING AND ELEC. DWGS MOTORIZED ROLL DOWN SHADES

3'-2"

1.5" IGU THERMALLY BROKEN STOREFRONT FRAMING FOR 1.5" IGU. OPTION 1: MODIFIED KAWNEER 1620 2" SIGHTLINE - CUSTOM 316SS PRESSURE CAP, KYNAR PTD ALUMINUM FRAME; OPTION 2: MODIFIED TAJIMA 100 - 316 SS PRESSURE CAP, STANDARD 304 SS FRAME

9'-2"

189'-1" T.O. ROOF

07.09

3 A320.00

CONTIUNOUS 6" W DEMOUNTABLE CAST IRON GRILL - NEENAH FOUNDRY OR URBAN ACCESSORIES, INC

OPH

179'-11" MECH YARD PARAPET

TURN DOWN FOOTING, SEE STRUCTURAL DRAWINGS

CIP CONC STRUCTURE - SEE STRUCTURAL

DRAIN, SEE CIVIL DRAWINGS FLUSH FLOOR DIFFUSER, SEE MECHANICAL DRAWINGS

GRAVEL FILL - SEE MECHANICAL DETAILS FOR EXTENT OF GRAVEL FILL AND TYPE/SIZE OF GRAVEL

RIGID INSULATION

BELOW GRADE PROPRIETARY FIBERGLASS SUPPLY AIR DUCT - SEE MECHANICAL

4'-7"

''GOLDEN SUN' GRANITE PAVERS, MUDSET WITH FLAMED FINISH

175'-4" L8

751 ACCESSIBLE SINGLE

165'-10" L7

SCALE :

3/4" = 1'-0"

552 SINGLE

453 DOUBLE

452 SINGLE

4'-7"

156'-4" L6

551 DOUBLE

146'-10" L5

451 DOUBLE

137'-4" L4

354 DOUBLE

352 SINGLE

353 DOUBLE

351 DOUBLE

1'-2"

04.03

4'-7 1/2"

3'-8 1/2"

04.07

133'-7 1/2" T.O. AUD. PARAPET 129'-0" T.O. AUD. ROOF 127'-10" L3

15'-6"

07.01

STAIR H 201 DORM ENTRY

112'-4" L2 2'-8"

250 TERRACE LOBBY

106A STAGE

100% DESIGN DEVELOPMENT

STAIR E.1

104 AUD. VESTIBULE

109 WC

108 GREEN ROOM

1'-4 1/4"

11'-0"

106 AUDITORIUM

109'-8" L2 - DORM ENTRY

11/18/2016

98'-8" L1 - BRUSH

NOT FOR CONSTRUCTION DWN BY: TWBTA

97'-3 3/4" L1

012 SPECIAL COLLECTIONS

002 STORAGE

003 ELEV LOBBY

E-W BUILDING SECTION THROUGH AUDITORIUM SCALE :

1/8" = 1'-0"

SCALE:

11'-9 3/4"

09.20

4'-6 3/4"

000 MER

3080 BROADWAY NEW YORK, NY 10027

454 DOUBLE

553 ACCESSIBLE SINGLE

160'-11" T.O. L6 PARAPET

651 ACCESSIBLE SINGLE

9'-6"

554 DOUBLE

653 652 SINGLE SINGLE

JEWISH THEOLOGICAL SEMINARY

04.04

654 SINGLE

NOT FOR CONSTRUCTION

SCALE:

3/4" = 1'-0"

A312.00

GRAVEL FILL

WALL SECTION - LIGHT MONITOR

9'-6"

655 ACCESSIBLE SINGLE

11/18/2016

9'-6"

753 752 SINGLE SINGLE

4'-11"

754 SINGLE

100% DESIGN DEVELOPMENT

DWN BY: TWBTA

97'-3 3/4" L1

WALL SECTIONS - LIGHT MONITOR

DOB B-SCAN STICKER: 755 ACCESSIBLE SINGLE

3080 BROADWAY NEW YORK, NY 10027

PTD GWB

5 A320.00

15'-0 1/4"

199'-7" T.O. BULKHEAD PARAPET

9 1/4"

23.01

08.19

JEWISH THEOLOGICAL SEMINARY

2'-0"

STRUCTURAL COLD FORMED FRAMING REVISIONS: SEE STRUCTURAL

1'-8"

85'-6" CELLAR - LIBRARY

1/8" = 1'-0"

10'

BUILDING SECTION

KEY PLAN

80'-11 1/4" CELLAR - MER

A305.00

PITCH

Design Miami Finalist

Project Type: Competition Collaboration with Mikhail Grinwald, Katie MacDonald, & Jake Rudin; Engineering: AKT II Miami, Florida May 2015 Welcoming all to Design Miami, Pitch takes the vinyl tent as a provocation, not to reconsider the canopy as an overhead shelter, but to rethink the ground—to pitch the tent upsidedown as a landscape. Visitors enter and exit the fair over, under, and through a geometric landscape that is both familiar and unexpected: structurally and materially similar to the existing tents, yet habitable and spatial in new ways. Sloped surfaces provide shaded seating for events and leisure, framing a courtyard and reorienting the entrance toward the Botanic Garden, Convention Center and the ocean. The interior surfaces of the pavilion are covered in low-resilience polyurethane ‘memory’ foam, which provides a safe and comfortable surface for play and relaxation. During the week of the show, the constant deformation of the foam is gradually imprinted on its surface and becomes a record of the event. In addition to the two existing Design Miami tents, the underside of the large slope is used as a partially enclosed public exhibition space. This ‘third tent’ will feature work from the Harvard Graduate School of Design, and will extend the fair-going experience to all visitors. Pitch is a play on the materiality and geometry of the tents as its immediate context, but also as widely recognizable features of Design Miami. At the conclusion of the fair, the pavilion will be recycled; the steel and aluminum will be processed at local facilities and the PVC membrane will be cut and manufactured into Design-Miami branded umbrellas, as a final iteration of the tent particularly well-suited to Miami’s beach culture. Pitch is a mediating interface—a vibrant public platform for Design Miami. Like a landscape, Pitch is illusory. From one view, it seems to extend out from the tents. From another, it is an excavation. The Design Miami logo is similarly animated as an anamorphic projection, coming into and out of alignment as visitors approach and enter the pavilion. After circulating through the exhibitions, fair-goers exit the tent into a small oasis and join passersby on the slopes. This new terrain is a destination against the flat ocean horizon so familiar to Miami—a space of gathering and exploration.

SCHOOLHOUSE SOUTH AFRICA Project Type: Design+Build Cornell University Sustainable Design Structural Systems, Spring 2012 The built project is a product of a two year process orchestrated by Cornell University Sustainable Design, an interdisciplinary student-led organization at Cornell University. Students, with the help of academic advisors and industry professionals, executed the project through a semester of research, a semester of design development integrated into the Bachelor of Architecture comprehensive design studio curriculum, and three months of construction. My design was chosen to adapt into the final build project. We collaborated with local partners in construction and education to refine the design. I was one of thirty student volunteers traveled to South Africa to construct the school alongside local laborers from the surrounding neighborhood, Cosmo City. Strong emphasis was placed on sustainable passive sustainable technologies to decrease cost and energy dependency. Conscientious decisions in resiliency are found in all dimensions of the project: the architectural design, construction methods, material production and purchasing, included facilities, project financing and day-to-day operations. A year after construction, the ECD center was still not connected to the grid. However, teachers and students explained that these passive technologies create a bright, warm, and efficacious school without the use of electricity, regardless of the lack of local infrastructure. This project was completed with generous support from Cornell University, in partnership with Education Africa, PlayWith-A-Purpose, Basil Read Developments, and the City of Johannesburg.

SCHOOLHOUSE SOUTH AFRICA

Project Type: Competition, First Prize Collaboration with Davide Marchetti Architetto Spring 2013 Using the surrounding urban fabric as the generator for a new vision of the city, MiniCity Detroit utilizes the historic and present urban conditions to materialize a concept that directly responds to the site. Bringing the existing physical form and history into the plan, the conditions set by the site provide a framework for renewal. At the pedestrian level a new urban space is formed; conceived of as the extension of Woodward Avenue, providing a space for transition as well as an active urban core. Both above and below, an elevated platform for public events such as fairs, outdoor markets, music concerts and festivals is introduced to the proposal. The design pulls the existing urban grid into the site to generate the driving axes of the scheme, allowing for a merging of both the historic city and its potential as a new addition to the woodward avenue corridor. The high-rise extrudes from this framework in an industrial red brick-style, inserted as a new architectural addition to the Detroit skyline.

COFFEE TABLE

Collaboration with Jake Rudin

WORK SURFACE

Advisor: Bob Bertoia

EAMES RESTORATION

Restoring neglected icons

ASSOCIATION VOL... 6 Project Type: Publication Design Association, Editor-in-Chief Academic Year 2013-14 I served as Editor-in-Chief and head of branding and publication design for Association Vol..... 6. I designed and managed the production of 7000 copies of Cornell Universityâ&#x20AC;&#x2122;s student-run publication.

Project Type: Custom Branding Re: Designs Designed and manufactured the logo, business card, and marketing material for Re: Designs.

Packaging funded by Deborah Terhune of Development Consulting cc

Schoolhouse South Africa

SCHOOLHOUSE SOUTH AFRICA Project Type: Design Build / Volunteer CUSD: Schoolhouse South Africa Summer 2011 Marketing and branding for a school in Johannesburg, South Africa. I designed and assembled 200 custom press kits for the ground breaking ceremony of the Design+Build project of Schoolhouse South Africa.

Collaboration with Katie MacDonald Kirkland Gallery Cambridge, Massachusetts April 2015 Fossa Olfactoria manifests smell as both an olfactory and tactile experience. While scent is oft unexplored or completely omitted from serious discussions of architecture, scent and odor shape experience, occupancy, and comfort in powerful ways. This installation brings the viewer into the epicenter of olfactory experience - the spatial cavity where the olfactory bulb is located playing on notions of scale, phenomena, and bodily experience. An immersive, fleshy fabric membrane obscures an undulating massing of one thousand balloons. The balloons act as both sculptors of space and vessels of scent. Each balloon contains a drop of lavender oil which is released into the air as the balloons deflate, producing a pulsing wall that diffuses scent gradually.

FOSSA OLFACTORIA

Artist/Designer, Spring 2015

HABITATION IN EXTREME ENVIRONMENTS

Harvard GSD, Spring 2015

EDUCAT ION

DESIGN PRACTICE

H A R VA RD UNI V ER SIT Y - Master of A rchitec ture II Graduate School of Design | Cambridge, MA | August 2014 - May 2016 CORNEL L UNI V ER SIT Y - Bachelor of A rchitec ture College of Architecture, Art, & Planning | Ithaca, NY | August 2009 - May 2014 Concentration in Architectural Theory, Dean’s List, Charles Goodwin Sands Memorial Medal Winner SM A R T LY - Master of Business Administr ation Independently Studied | May 2016 - Present AWA RDS A RCHIT IZER A+ AWA RDS Architecture+Collaboration Jury Prize, Popular Choice Prize; Alpine Shelter Skuta, Summer 2016 A I A NE W ENGL A ND DE SIGN HONOR AWA RD Boston, Massachusetts. October 2015 PAUL M. HEFFERN A N IN T ERN AT ION A L T R AV EL FEL LOW Traveled to Slovenia to complete final documents on alpine shelter begun as studio project at the GSD, January 2015 CH A RL E S GOODW IN S A NDS MEMORI A L MEDA L Awarded to a bachelors thesis for work of exceptional merit in architectural design, Spring 2014 CORE77 DE SIGN AWA RDS Built Environment - Student Winner - Alpine Shelter Skuta, June 2015 DE SIGN MI A MI Finalist. ‘Pitch’ Short Listed for Final Pavilion Design, Spring 2015 RE-DE SIGNING DE T ROIT: IN T ERN ATION A L DE SIGN COMPE TIT ION First Prize, Collaboration with Davide Marchetti Architectto, Spring 2013 A RCHIT IZER A+ AWA RDS Popular Vote, Student Design/Build Category, Schoolhouse South Africa, Spring 2013. QUA L IFICAT IONS ASSOCIATE AIA, 2014 - Present NCARB INTERN DEVELOPMENT PROGRAM , Intern, 2011 - Present SK IL L S CAD: CODE: CRAFT: PRESENT: RENDER: OTHER:

Autocad, Rhinoceros, Revit Sketchup, Solidworks Dreamweaver, HTML, CSS CNC Milling, Lasercutting, Casting, Woodworking, Metalworking, Objet, Polyjet, ABS, Zcorp 3D Printing, Hand-Drafting InDesign, Illustrator, Photoshop, Photography, Final Cut Pro Film Editing, Stop Motion Animation V-Ray, Physical Modelling and Photography First Aid Certified, CPR Certified, Women’s Self Defense Certified

TOD W IL L I A MS BIL L IE T SIEN A RCHITECT S Designer New York, New York | May 2016 - Present OFIS A RHIT EK T I Ljubljana, Slovenia Designer January 2015 - April 2016 DAV IDE M A RCHE T T I A RCHIT E T TO, Rome, Italy Freelance Designer and Collaborator Rome, Italy | May 2013 - January 2015 M A X X I MUSEUM OF T HE 21S T CEN T URY A R T S, Rome Italy MAXXI ARCHITETTURA Publication/Exhibition Team Member May 2010 - August 2014 F X FOW L E A RCHIT ECT S New York, New York Intern May 2013 - August 2013 CORNEL L UNI V ER SIT Y SUS TA IN A BL E DE SIGN Johannesburg, South Afr ica May 2010 - August 2010 Design/Build Team Leader, Business Development and Marketing Team Member ACA DEMIC E X PERIENCE A MERICA N SCHOOL OF BOMBAY Mumbai, India Visiting Faculty March 2016 BOS TON A RCHIT ECT UR A L COL L EGE Boston, M A . Invited Critic Architectural Design Option Studio, September 2015 Architectural Design Core Studio, December 2015 Architectural Design Option Studio, November 2015 W EN T WOR T H INSIT U T E OF TECHNOLOGY Boston, M A . Invited Critic Architectural Design Option Studio, September 2015 Architectural Design Core Studio, December 2015 Architectural Design Option Studio, January 2015 Architectural Design Option Studio, March 2015 H A R VA RD GR A DUAT E SCHOOL OF DE SIGN Cambr idge, M A . Teaching Associate August 2014 - Present NUVU STUDIO , Cambr idge, M A . Studio Instructor, July 2015 - May 2016 CORNEL L UNI V ER SIT Y Ithaca, N Y. Invited Critic Architectural Design I, December 2014 Architectural Design II, May 2014

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