ERIQUE VOL. 2020
Portfolio PER SONAL PROJECTS ILLUSTRATIONS ANIMATIONS
100 CREATURE DESIGNS CORONAVIRUS GRADUATES ARE TRYING TO GET A JOB
目錄
C O N T E N T
32
個 人 簡 歷
動 畫 系 列
插 畫 系 列
Brief Introduction
2
Illustrations
8
Animations
4
74
個 人 系 列
外 包 委 托
個 人 展 覽
Pe r s o n a l P r o j e c t s
3
Exhibitions
64
Freelance Projects
52
4
5
6
我來自馬來西亞，從小自學插畫。就 讀國立台灣藝術大學，多媒體動畫藝 術學系的原因純粹以爲“動畫”是 指“會動的插畫”。然後懵懵懂懂上 了四年的大學最後以個人畢業製作完 成了大學。
I’m from Malaysia. I self study illustration since i was a kid. Reason I’m taking animation studies is because i thought “animation” was “animated illustration”. Then I enrolled to this course and finish this whole degree with an indie short.
我很喜歡插畫也很喜歡動畫。喜歡插 畫是因爲他可以無邊無際地發展，是 我釋放壓力和情緒的管道。
I love illustration, so as animation. You can have limitless imagination and be wild in illustration. Itt helps me to release my emotion and stress. However, to be able to make a pretty much non-alive object alive is a very great acheivement to me, that’s why i love animation since.
喜歡動畫，是因爲看著自己把一個不 會動的物體賦予性格變得活靈活現， 那種成就感很實在。 在專心學習動畫之餘，我也很努力地 學習插畫。自從2011年開始，我就 成立了 “Erique-KiddoArt”，并且 很常發佈新的插畫和動畫作品。努力 經營的這9年時間，他除了是我做作 品的動力，他也讓我學會如何分配時 間和自律。
Beside animation studies, I still keep track on improving my illustration. I started “Erique-KiddoArt” since 2011, and I have been posting illustrations frequently. It’s not just a reputation that I built, but also a motivation for me to keep creating and also a way for me to learn time management and disciplinary.
我的作品一直以來都希望能夠保持一 種童真的樂趣和感覺。隨著現實的到 來，能夠保持兒時的童真與純粹的快 樂并不簡單，因此利用作品，把這一 份感覺保留起來。除了希望能夠時時 刻刻提醒自己莫忘那一份單純的自 己，也希望能夠透過作品把這種感覺 感染給觀看者。
Sense of pure innocence has always been an important element of my works. As time goes by, it’s harder to feel positive. I use art as a way to keep those feelings, in order to remind myself to keep a room for that sense. Not just for myself, I hope those works help people to feel the same way, too.
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動畫 系列 A N I M A T I O N
個人畢製：草字頭 Graduation film: ia ilusi? 少女的十二法則 Ani maidens 騎遇記 Ubike tours : Taiwan
Flirt Flirt 我真的想不到 I have no idea 光説 All Talk
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草字頭 / ia ilusi? 2D動畫 / 2020 / 個人製作 / 4mins 18secs
擔任
Role
Director
動畫表演
Animation
後製
Post Production
角色設計
Character Design
“草字頭” 是一個個人製作的畢
“ia ilusi?” is an indie graudation
業動畫作品。故事講述主角每次驚 film. It is about a character named 醒都會發現自己身在一個似曾相似 Patrick, he realizes himself waking 卻又陌生的環境。圍繞著他的草也 up in a place that loo ks familiar 隨著每一次的驚醒改變了他們的形 but different. During each wake up, 式。直到有一次，主角開始領悟甚 grasses that Patrick surrounded by will change its form. Until one 至質疑這些草的存在。
moment, he started to suspect the existense of the grass.
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導演
作品海報 Poster 11
動畫系列-草字頭
分鏡 Storyboard
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Animation - ia ilusi?
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動畫系列-草字頭
製作流程 Breakdown
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Animation - ia ilusi?
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動畫系列-草字頭
主角 Main Character - Patrick
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Animation - ia ilusi?
上圖為配角們的角色設定。由於在 Pictures above are supporting roles 動畫片裏，配角們有明顯的個性， in animation. Due to their strong 因此賦予他們相對應的幾何圖形。 personality, I gave them a relatable 例如，藍色的角色個性古板膽怯， geometric shape. For example, the 因此給與他正方形。三角形角色是 blue character is an old fashioned
個愛冒險的角色，也是動畫裏，主 and timid role, so I gave it a square 角最後踏出去草原的啓發來源。主 outline. Triangle plays an adventur角由於在動畫裏的設定是個正在探 索自己的角色，於是他的幾何造型 相對不比配角們來得强烈。爲了讓 主角看起來更可愛，於是賦予他馬 鈴薯形狀的造型，製造出呆呆可愛 的感覺。
ous role and he is the inspiration
of why Patrick step into the grass eventually. I didn’t give Patrick a significant geometric shape because he plays a role that he’s still discovering himself. To make him look more cute, i decided to give him a potato shape.
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少女的十二法則 / Animaidens 2D動畫 / 2020 / 團體製作 / 1min 8secs
製作人員 Creators 曹丞媛 / 沈莉臻 / 張家寧 / 楊文瑄 / 范嘉媛 / 許嘉玲 / 李寬怡 / 張榮順
負責部分 Roles 後製合成，標準字動畫
Compositing, title animation
清晨的陽光裡迎接越來越接近的截 here we are welcoming due dates 稿日。四年後的今天我們帶著我們 with our pens in our hand when 的作品即將展開一場盛大的演出！ the sun rises up. After four years of preparation and training, we are 帶上你的應援小物！我們一起大 now presenting our animation on
喊：”少女的十二法則，Shine
stage! Put your hands up and let’s
Your Rules！”
scream “Animaidens, shine your rules!”
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熬過數不清的夜晚，手握電繪筆在 After countless of sleepless night,
主視覺海報 Poster
創作者：張家寧 19
動畫系列-少女的十二法則
分鏡 Storyboard
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Animation - Animaidens
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騎遇記
桌游募資動畫
/ Ubike tours: Taiwan board game fundraising an imation
2D動畫 / 2019 / 接案 / 1min 10secs
負責部分 Roles 分鏡，動畫
Storyboard, animation
備注 Note： 本製作僅參與分鏡與動畫部分，美術元件則由客戶方全權負責。 I have only taken part in storyboarding and animation part. The vector arts are all provided by the clients
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分鏡 Storyboard
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FLIRT / Flirt 2D動畫 / 2019 / 團體製作 / 1 min 16secs
製作人員 Creators 許煒莉 / 廖子涵 / 龔靖媛 / 洪俊諺 / 張榮順
負責部分 Roles 場景美術
Background arts
但無論如何，腦袋依舊無法擺脫前 with different ladies to forget about 女友。抽了事後煙的男主，最後看 his ex-girlfriend. However, no mat著窗外照射進來的月光，看著前女 ter how hard he tried, he still can’t get over with. He’s now sitting in 友的照片，繼續思念著她。 the corner of his bed, having a cigarette after sex, thinking of her while watching the moonlight and his ex-girlfriend picture. 24
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男主角試圖利用性來遺忘前女友。 A man who was trying to hook up
分鏡 Storyboard
25
動畫系列-Flirt
以上為男主角房内的場景美術。經過組 内討論，一致認爲依照導演的調性，采 用紫色和粉色之間的搭配，營造出魅惑 情欲的氛圍。此製作也是我第一次著手 擔任場景美術的部分。
These are the backgrounds and settings for the main character’s room. After discussions, the whole group decided to use purple and pink as the main colour for this film to create a lust atmosphere. This is also my first time in charge of background arts in a production.
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Animation - Flirt
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我真的想不到 / I have no idea 2D動畫 / 2018 / 個人製作 / 1 min
Literally, it means
想不到新點子的小
i can’t think of any
短片。透過作品描
new ideas. I was
述這種煩躁卻又無
trying to animate
奈的感覺。
the feeling and frustration of creative blocks.
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顧名思義就是真的
分鏡 Storyboard
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光説 / All Talk 2D動畫 / 2018 / 個人製作 / 2 mins 20 secs
A guy who has been
到處去旅游，卻
thinking of trav-
還是因爲現實以及
elling but due to
懶惰的因素，呆在
laziness and reality
辦公室繼續過著無
issue, eventually he
聊的日常生活。
ended up going back to his own boring daily routine.
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一個成天想著要
分鏡 Storyboard
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插畫 系列 ILLUSTRATION
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33
插畫系列 Illustration
我 SELF
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理查德和熒光豆子 Richard and his glowing bean
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插畫系列 Illustration
亞當 Adam
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37
插畫系列 Illustration
寂靜 Peace & Serenity 38
自愛 Self Love 39
插畫系列 Illustration
結晶 Crystallization
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41
插畫系列 Illustration
Broken A Little 42
43
插畫系列 Illustration
回音 I ECHO I 44
45
插畫系列 Illustration
What next
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因爲即將面對逃不了的畢業和面對 around the graduation period. I was 出社會的恐懼，已經干擾我好一陣 very confused and afraid of gradu子，因此利用這種插畫紀念當下的 ating from university and facing the reality and responsibility, so i made 感覺。2020年也因爲冠狀肺炎， 導致畢業典禮被取消。當下覺得很 this illustration to record down my 不踏實，也覺得被大自然玩弄。被 feeling at that moment, as a gradu迫即將出社會的我，一脚踏入新的 ation gift to myself as well. Due to 人生階段，諷刺的問了:”現在，要 Covid-19, my graduation ceremony
has cancelled, it doesn’t feel real but
幹嘛？“
it is. Now, i’m one step heading to a new phase in my life, sarcastically asking :” What next?”
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這是接近畢業季繪製的一張插畫。 This is an illustration illustrated
插畫系列 Illustration
逐夢 CHASING DREAM 48
回音 III ECHO III 49
插畫系列 Illustration
回音 II ECHO II 50
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個人 系列 PERSONAL PROJECT
怪物角色設計 CREA-TIVI-TURE FOTOON FOTOON
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怪物角色設計 / CREA-TIVI-TURE
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此個人系列“怪物角色設計”開
Crea-tivi-ture is a personal proj-
始于 2018年。 因爲我個人很喜
ect series started from year 2018.
歡製作一系列的作品，過去有
I personally love to to create a
過”一天一小圖“系列，長達1
set of works. In the past, i made
年之長，纍積了365張小圖。更
“A-business card size drawing-
早以前則是 FoToon 系列作品。
a-day” series that takes a year
中間也有陸續進行不少維持至少
to complete a whole set with
一個月的個人系列小品。主要目
365 pieces of tiny works. Earli-
的除了爲了纍計作品集以外，同
er, i started FoToon, which will
時也透過此方式訓練個人的自
be introduced on the next topic.
律。Crea-tivi-ture 系列目前已
There are plenty of small project
經完畢，也纍計了100個怪物角
series going on in between. The
色設計。每個角色也被賦予一定
reason I make personal project is
的名字，也依照各自的特色而賦
not just because to accumulate my
予的名稱。
quantity of drawings and designs but also to practice my discipline. Crea-tivi-ture has now completed with 100 designs. Each creature will be given a name based on their personality and style.
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個人系列-怪物角色設計
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Most inspiration comes from the objects from my surrounding and definitely combinations of geometry shapes. For example, sushi, Malaysia’s beverage take out package, favourite pet, attractiveness and etc.
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大部分的靈感來自於周圍的物件 和由幾何圖形曡合而成。比如壽 司，國家特色飲料袋子，喜歡的 寵物，吸引我的個人魅力等等。
FOTOON / FOTOON
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FoToon 是我第一個個人系列
FoToon is my very first person-
作品。主要是和全球各地的攝
al project series. It is a personal
影師合作，利用他們的攝影作
project that collaborates with
品加入我的插畫來說故事。
photographers all around the
此系列開始于2016年，結束
world with my illustration to
于2018年。透過此作品，我
tell a story. It started from 2016
和全球25個國家的68位業餘
to 2018. Through this project, i
與專業攝影師合作，也得到
have collaborated with 68 am-
不錯的回應。此系列作品也
ateur and professional photog-
在 “Erique-KiddoArt”以
raphers across 25 countries all
及”19, 20, 21”個人展覽中
around the world. This series
有展出。
of works was exhibited on my first two solo exhibitions and it
開始此系列的作品是爲了記錄
got positive feedbacks.
當時的心情和事件，并且經過 消化后，找到適合的攝影作品
The reason I started this series,
開始製作，并且賦予一段故
is to record down my feeling
事。此故事，也希望能夠給觀
at that moment and try to tell
衆有所啓發，一同成長。
a story about it. Also, I hope to inspire the audience through all these stories.
58
來到這世界是美麗的。過程雖然艱辛,就像一 顆幼苗試圖想要茁壯成長。最後,開花的那一 刻是美麗的。那一刻雖然是奇跡的尾聲但同 時也是另一個奇跡的開始。
Every newborn is a miracle. Every tiny spirit comes to this world is beautiful.The whole process is tough, just like a sprout trying to grow taller. In the end, the moment when it blooms, it’s just beautiful, and it’s an end of a miracle but at the same time it’s a start of another miracle as well.
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每一個寶寶都是一個奇跡。每個幼小的靈魂
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個人系列-FoToon
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個人系列-FoToon
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外包 委托 FREELANCE PROJECT
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外包委托 001 -Freelance Project 001 内頁插畫 / 漫畫 Illustration / Comic
此外包是2018年與馬來西亞一家
I was in charge with all the illustra-
品牌代理公司合作的案子。這合作 tions and comic drawing parts in 項目主要是又政府希望透過漫畫和 this project. This project was collab插畫的形式來教育以及傳達有關家 orated with a branding company located in Penang, Malaysia in 2018. It 庭暴力，性騷擾，暴力等等的課
題。在此項目，我全權負責任何和 was a project from the government and they hope to educate the people 插畫及漫畫有關的部分。 about domestic abuse, harassment
and bully through illustrations and comic . 66
漫畫 Comic 67
内頁插畫 Content Illustration 此插畫主要表達的是青少年被强勢方霸凌有的無助感
In this illustration, is to portray a teenager feeling helpless when being bullied or harassed
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内頁插畫 Content Illustration 此插畫主要表達的家庭暴力。利用紙張排列出 S.O.S 的字母，表達他們的無助
In this illustration, is to portray domestic violence. Using papers to create “ S.O.S “ as a sign of teenager feeling helpless towards the violence
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外包委托 002 -Freelance Project 002 内頁插畫 Illustration
書籍封面 Book Cover 商英職人養成術 English for Success
此外包是2019年與創譯兄弟以及
This is a collaboration with Howard,
Dean 三人合作的案子。主要負責
Wesley and Dean. My responsibili-
的項目是繪製内頁的插畫。希望透 ty in this collaboration is to create 過比較新鮮的插畫風格搭配實用嚴 all of the illustrations based on the
肅的内容來作爲搭配，擺脫過去人 content in every chapter and topic. We hope to use a fresh illustration 們對於英文教科書的刻板印象。 style to get rid of the stereotypical English textbook style.
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外包委托 003 -Freelance Project 003 專輯封面設計 Album Cover Design
此外包是 2018年 與 2020年與一 位音樂家 Corey Laurey 所合作 的。主要負責的項目為專輯 “ Preston & Wolfie “ 的專輯封 面設計。 此專輯主要記載了音樂創作者這些 年來的心路歷程。利用對於音樂的 熱忱而創作出7首音樂。
This is a collaboration with a musician, Corey Laurey in 2018 and 2020. I was in charge with the album “Preston & Wolfie” cover design. This is an album that has been taking some years to complete. It is an album that carries all the musician’s feelings in this path he’s been trying to pursue.
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外包委托 004 -Freelance Project 004 插畫 / 肖像畫委托 Commissioned portraits / Illustration
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個人 展覽 SOLO EXHIBITION
Erique-KiddoArt Erique-KiddoArt 19 20 21 19 20 21 怪物工廠 Creature Factory
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Erique-KiddoArt / Erique-KiddoArt 年份 Year ：2018 年 9 月 地點 Venur : URBN Culture
“
Erique-KiddoArt 是我人生第
Erique-KiddoArt is my very
一個個展。主要展出的作品是
first solo exhibition. FoToon
過去兩三年所畫的作品。其中
was the main theme of this
FoToon 是展覽的重點作品系
exhibition.
列。 I named this exhibition 此主題為 Erique-KiddoArt 源
Erique-KiddoArt because it’s
自於我個人的繪圖臉書賬號。
also my Facebook art profile
海報的理念為：在這時而灰
name. The idea behind this
色且摸不着頭緒的現實世界，
poster was : No matter how
必須得保持那顆童真和善良的
dark and confusing the world
心。即使世界再如此灰暗，也
is, we must keep our inno-
必須保持自己的顔色。時而暗
cence and purity with us. Even
沉並無所謂，但是記得，別讓
though the world gets grayer,
一時的暗沉，造成永久回不去
we must maintain our own
的彩色。
colour. Sometimes we might be dull, but don’t let that moment lead us to a way that we can’t go back to where we were still bright and colourful.
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展覽海報 EXHIBITION POSTER 77
個人展覽-Erique-KiddoArt
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位於二樓（作圖藍色墻)的作品展 區，主要展出的是另一個個人系列 作品。每個月我會想新的主題，而 每一天則會花5到10分鐘的時間，依 照當月的主題在一張名片大小的紙 張畫圖。於是1年後，我有12個主題 的圖，總共為365張小圖。這是一個 很有趣的磨練自己的自律和練習自 己創意的小練習。 On the second floor, we have another personal project i gave myself. It took one year to finish this whole project. Each month i will give myself a new theme and each day i will draw something on a business card based on theme-of-the-month. Eventually, i accumulated 12 sets of topic and 365 pieces of tiny illustrations in your creativity and disciplinary.
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total. It’s a really fun way to practice
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19 20 21 / 19
20 21
年份 Year ：2019 年 1 月 地點 Venur : Red Room 紅坊國際村
“ 19 20 21 ” is my second mini
第二個小型個展。本次的展覽
exhibition. In this exhibition,
主要是展出好幾項個人系列作
i presented plenty of person-
品，比如 FoToon, 與大自然的
al projects such as, FoToon,
對話系列作品， Inktober 等
Talking with nature series,
等的系列作品。
Inktober and some other illustrations as well.
命名為 19 20 21 是因爲2019 年是我來台灣的第三年。從19
The reason i called it “19 20 21“
嵗開始來到台灣讀大學，因此
is because 2019 was my third
利用這三年的歲數最爲本次的
year in Taiwan. I came to Tai-
展覽主題。本主題除了總結我
wan when i was 19 to pursue
這三年在台灣的生活，也是我
my bachelor degree and never
這幾年來努力的成果。
thought i’ll be having my own mini exhibition. This exhibition not just only conclude three years of my life in Taiwan but also my hardworking.
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19 20 21 是我在2019年辦的
展覽海報 EXHIBITION POSTER 81
個人展覽-19 20 21
與大自然對話系列 TALKING WITH NATURE
FOTOON
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插畫作品 Illustrations
INKTOBER
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怪物工廠 / Creature Factory 年份 Year ：2020 年 6 月 地點 Venur : URBN Culture
A year later, i have finally com-
100只怪物角色設計都設計好
pleted my creature design with
了。恰巧，6月也是國際同志
100 designs. However, June is
驕傲日。每個怪物代表著不同
also known as the pride month,
的個性和特色，像人一樣。於
so i decided to show this se-
是乎，我把兩者搭配在一起，
ries of work and make it as the
作爲本次的展覽重點和主軸。
main theme of the exhibition.
所以大家一起和這些怪物們來
Every creature represents
慶祝吧！慶祝自己的不同和自
different personality and char-
己的魅力！
acteristic, just like human. So let’s celebrate the pride month and ourselves with the creatures!
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經歷了一年多的時間，終於把
展覽海報 EXHIBITION POSTER 85
個人展覽-怪物工廠
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