Esau J Hernandez Residential Unit House
Residential Unit House
Chicago, IL
Architecture Portfolio
Chicago, IL
Fall 2018
Fall 2018
Esau J Hernandez
Architecture Portfolio
Model - Concrete
Model - Concrete
Elevation
Elevation
Section
Professor: Julia Campomaggi & Grant Gibson
Professor: Julia Campomaggi & Grant Gibson
EE
AA
Summer 2014
Section
Table of Contents
Academic Projects Concrete Living Units Fun House Center Bespoke Net-Zero Rehabilitation Institute RiverKeeper Cube School
Professional Work Overton Section 3 CHA New Office - Chicago IL Norwegian Americam Hospital, Chicago IL Episcopal School of Dallas TX Cloud, San Antonio TX Furniture, New Braunfels TX
Other Work
Academic Projects
Graduate
Concrete Living Units - Julia Capomaggi & Grant Gibson Fun House Center - Andew Zago & Robert Somol Bespoke - Thomas Kelley
Project Description Concrete Living Units
The over-scale furniture’s are built out of colored dyed concrete, making them look like mini-buildings or superfurnitures. It was an experiment to explore the possibility of fragmenting the domestic spaces into multiple “ living units” instead of the conventional rooms. As a contemporary version of Joe Colombo’s units ( but without its mechanic ambition). Each piece has a dual function one of circulation and the other as amenity.
Residential Unit House
Chicago, IL
Fall 2018
Professor: Julia Campomaggi & Grant Gibson
Model - Concrete
Elevation
Section
Residential Unit House
Fall 2018
Elevation
Section
Professor: Julia Campomaggi & Grant Gibson
Model - Concrete
Chicago, IL
Residential Unit House
Chicago, IL
Fall 2018
Professor: Julia Campomaggi & Grant Gibson
+ 13’-0”
Ground Plan First Floor Plan
Residential Unit House
Fall 2018
Professor: Julia Campomaggi & Grant Gibson
Elevation
Chicago, IL
Column/ glass meets footing
Concrete unit meets footing
Column meets footing
Parapet/glass detail
Residential Unit House
Chicago, IL
Fall 2018 A
N
Second Floor Plan
Section D
E
Section B
B
Section
Professor: Julia Campomaggi & Grant Gibson
A
Project Description Fun House Center
The design of a new building for the Phi Foundation on a heavily sloped site with four manyhundred-year-old buildings in Old Montreal provided a multitude of unique challenges. To incorporate the four buildings and their varied histories into the needs of a twenty-first century arts center, this project embraced the multiplicities of identities, ground-lines, histories, and uses of the site for the Phi Foundation.
Fun House Center
Chicago, IL
Spring 2020
Professor: Andew Zago & Robert Somol
Fun House Center
Fun House Center
Chicago, IL
Spring 2020
Professor: Andew Zago & Robert Somol
Fun House Center
Fun House Center
Chicago, IL
Spring 2020
Professor: Andew Zago & Robert Somol
Project Description Bespoked
The Studio looked at 6 elements or objects to be investigated, one building upon the other: a figure, object, room, building, landscape, and world. Each element was bespoked, through and by looking closely at one of Jeff Wall’s photographsin this case I looked at the Mimic photograph taken 1982. Depicting a white couple and an Asian man in where the boyfriend makes an ambiguous but apparently obscene and racist gesture. The picture resembles a candid shot that captures the moment and its implicit social tensions. Later a shaker chair is introduced was modeled from a cut sheet and modified. Adapting to the figure and later to a room that was visited in the Chicago area: Known today as the Richard H Driehaus Museum. House, Landscape and world also carry on attributed from the figure that are embedded within the space.
1
FIGURE FIGURE
2
OBJECT OBJECT
3
ROOM
3 3
ROOM
RM OOM ROO
4 4
HOUSE
H O UHSOE U S E
5
5
LANDSCAPE
AC NA D PS EC A P E L A N DL S
6
6
WORLD
W O R LWDO R L D
Professor: Thomas Kelley 1year grad studio
CT
Fall 2017
3
BJECT
ROOM ROOM
5
4
HOUSE
LANDSCAPE
Known today as the Richard H Driehaus Museum. Here I bespoke the room by stamping my figure’s image in every portraiture whether painting or sculpture and to subtlety misalign the 3 horizontal datums of maple wood, Japanese tile and wall paper in all four elevations causing an elongating effect. In doing so I intent that the architecture will pressure the figure now owner of the home to empose power. and to give the visitor( the gentleman of business) a surreal effect and awkwardness that the space.
14
CAPTION
6
WORLD
ard e I ing ery or isof nd ns ct. the the me ive of nd .
2
Fall 2017
Professor: Thomas Kelley 1year grad studio
Room
CAPTION
15
or: Thomas Kelley
Room
Fall 2017
4
5
6
HOUSE
WORLD
5
WORLD
6
The interior rooms offset vertically and in plan, my bespoking was driven by the Pinwheel Enfilade in where my room from the previous lesson helped unify a continuous pinwheel movement when placed in one of the spaces. In addition my bespoking extended to the brick detailing, each room has a different orientation, texture and color both inside and outside as to reinforce the differentiation of each different space/ function that can be scanned through openings or experienced by the mover, a unified yet distinct space
LANDSCAPE
LANDSCAPE
HOUSE
Part 4- House
Fall 2017
House
Fall 2017
Professor: Thomas Kelley
Professor: Thomas Kelley 1year grad studio
RENDER WITH LESSON 5 - LIVING-ROOM LOOKING TOWARD STUDIO(LEFT), BEDROOM (RIGHT)
19
4
4
HOUSE
OUSE
5
5 Project Description
LANDSCAPE
LANDSCAPE LANDSCAPE
essaycomic comiclines linesbyby In Inthetheessay Robin Evans, states that Robin Evans, states that “Ronchamp exterior walls “Ronchamp exterior walls wereconstrued construedbybyreceptors receptors were “fourhorizons” horizons”onontop top of of thethe“four the hill. In a similar manner the hill. In a similar manner I I bespoked each roof respond bespoked each roof totorespond to its context, landscape, solar to its context, landscape, solar orientation in relation to each orientation in relation to each room’s function and needs. room’s function and needs. Lighting was closely studied Lighting was closely studied with solar studies. The intention with solar studies. The intention is that these ceiling height and is that these ceiling height and lighting effects will inspire the lighting effects will inspire the dweller ‘s spirit and creativity dweller ‘s spirit and creativity breaking away from the low breaking away fromheights. the low melancholy ceiling melancholy ceiling heights.
6
6
WORLD
WORLD
Part 5- Landscape Landscape
Fall 2017 Fall 2017
Professor: Thomas Kelley
Professor: Thomas Kelley 1year grad studio
RENDER - VIEW TOWARD STUDIO FRAMED BY DINING ROOM(LEFT), LIVING ROOM(RIGHT)
25
5
Project Description
6
WORLD SCAPE
WORLD
WORLD
The room I choose to couple The room choose with this painting wasIthe studioto couple with this was the studio space in where the painting architecture, space in where the architecture, volume and lighting pressure volume and the lighting my figure to become artist pressure my figure to become of the room, Here the artist the artist room, Here the artist paints theof the mountain peaks paints the mountain peaks of Huascaran in Peru but not of Huascaran in Peru but not the one’s the through the window one’s through the window infront butinfront ratherbut through rather the through the enfilade, the adjacent as room as enfilade, the room adjacent shown in shown painting canvas in painting in canvas in where the where peaksthe arepeaks reversed are reversed and the tallest is crooked. and peak the tallest peak is crooked.
Part 6- World
Fall 2017
Professor: Thomas Kelley World
Fall 2017
Professor: Thomas Kelley 1year grad studio
RENDER - STUDIO
33
Academic Projects
Undergraduate
Riverkeeper - Alan Frost Rosecrance Institution - Robin Randall, AIA, Cube Adaptive School - Jae Cha
Rosecrance Institute FALL 2014
Chicago, IL
Moods/ Journey Roscrance is a private non-profit organization that offers health services to teenagers and young adults that suffer specifically from drug abuse. This new institute at the corner of w. Van Buren & Desplaines in Chicago is to accommodate 22 young adults. The design is a Net Zero project. But with a greater emphasis is moods ,journey and adaptivity to guide the process of healing and revovery. Professor: Robin Randall, AIA, LEED AP BD+ C
Process Diagram
Site at the corner of Van Buren and Displaines
Maximizing site & circulation
Minimizing east & west exposure
Mood color bridges
Dormitory separation:
Mountain like form
Rosecrance Institute
Chicago, IL
Fall 2014
Professor: Robin Randall, AIA, LEED AP BD+ C
Sustainable Diagram
Rosecrance Institute
Level 1
Level 3
Professor: Robin Randall, AIA, LEED AP BD+ C
Level 2
Riverkeeper
Fall 2013
St. Charles, IL
Connect/ Anchor
Connecting
Riverkeeper is an institute/organization that educates the community on the preservation and importance of rivers and its ecology, many times gone unknown throughout history. My goal was to transform the way we treat our J rivers and give value to the leadership and the role of the Riverkeeper
H H
H H
Professor: Alan Frost, RA, LEED AP
My attitude toward RiverKeeper is to connect to the community in such a way that is permanent . Connecting the community to the river through the RiverKeeper is essential for the preservation of water and ecological integrity. The 3D Diagrams explain or show my early iterations on how I want to connect the community to the river keeper through these massive pillars that are anchored on to the ground and the lighter frame envelops or wraps around my building The building is broken up in 3 main spaces: Community, RiverKeeper and Oratory which are represented by the different color scheme towers. A boat house is adjacent to the RiverKeeper.
My attitude toward Riverkeeper was to connect the program to the community in such a way that is permanent, meaningful, inviting and visual.
K
Cultivate/ Innovation Cultivate/ Innovation
This project is designed to accommodate world This project is third designed to countries in need third of schooling accommodate world for their young ones who countries in need of and schooling find them selves shortwho of for their young ones and resources. find them selves short of resources.
TheConcept goal was to adapt this The goal was to and adapt this concept of cultivate growth concept of cultivate and growth using local materials unique to usingsite. localStone materials unique to each is the primary each site. Stone is the primary source for the foundation and Bible Verse source for the foundation and cross laminated timber as a cross laminated timber as a lighter component for the outer lighter component for the outer envelope. envelope.
Concept Diagrams
Bolivia
Site
Near Dwellings
Site
Near Dwellings
Site
Near Dwellings
Site
Near Dwellings
Site
Near Dwellings
Cube Adaptive School
Spring 2014
Professor: Jae Cha
Professional Work Overton Section 3 CHA New Office - Chicago IL Norwegian American Hospital- Chicago IL Episcopal School of Dallas TX Cloud- San Antonio TX Furniture - New Braunfels TX
0'-0"
16'-0"
32'-0"
64'-0"
1/32" = 1'-0"
16'-0"
0'-0"
8'-0"
1/16" = 1'-0"
16'-0"
32'-0"
8'-0"
0'-0"
4'-0"
1/8" = 1'-0"
8'-0"
16'-0"
4'-0"
0'-0"
2'-0"
4'-0"
8'-0"
2'-0"
0'-0"
1/4" = 1'-0"
1'-0"
2'-0"
4'-0"
1'-0"
0'-0"
1/2" = 1'-0"
0'-6"
1'-0"
0'-0"
2'-0"
0'-6"
1" = 1'-0"
1'-0"
2'-0"
0'-0"
0'-3"
1-1/2" = 1'-0"
TRAINING ENTRANCE - FIRST FLOOR
CONFERENCE ROOMS & PRINT AREA - FIRST FLOOR
TRAINING ROOM - FIRST FLOOR
INCUBATOR LOBBY - FIRST FLOOR
INCUBATOR LOBBY - FIRST FLOOR
OFFICES - FIRST FLOOR
0'-6"
0'-9"
0'-0"
1'-0"
0'-1-1/2"
3" = 1'-0"
0'-3"
0'-4-1/2"
0'-6"
6" = 1'-0"
CHA OVERTON SECTION 3 OFFICE BUILDOUT
32'-0"
ARCHITECT OF RECOR
ADDRESS: 223 WEST OHIO ST CHICAGO, IL 60654 PHONE: 312.895.4438 FAX: WEB: www.jgma.com
MEP/FP:
IMEG CORP.
231 South LaSalle, Site 600, Chicag
32'-0"
OPEN OFFICE WORK AREA - SECOND FLOOR
0'-0"
16'-0"
32'-0"
64'-0"
16'-0"
0'-0"
1/32" = 1'-0"
BREAK ROOM - SECOND FLOOR
D.1
D
8'-0"
16'-0"
32'-0"
8'-0"
C
0'-0"
4'-0"
8'-0"
16'-0"
4'-0"
0'-0"
1/8" = 1'-0"
1/16" = 1'-0"
B
A
A.1
2'-0"
4'-0"
8'-0"
2'-0"
0'-0"
1/4" = 1'-0"
1
2
1'-0"
2'-0"
4'-0"
1'-0"
0'-0"
1/2" = 1'-0"
LOUNGE AREA - SECOND FLOOR
3
0'-6"
1'-0"
0'-0"
2'-0"
1" = 1'-0"
4
5
0'-6"
1'-0"
2'-0"
0'-0"
0'-3"
1-1/2" = 1'-0"
6
0'-6"
0'-9"
1'-0"
0'-0"
0'
3" = 1'-0"
7
8
ROOF 44' - 0"
WARNING: ASBESTOS-CONTAINING B MATERIALS ARE OR MAY B THIS BUILDING. AN ASBES MANAGEMENT PLAN IS AV BUILDING FOR REVIEW UP NO PERSON MAY DISTURB ASBESTOS-CONTAINING M UNLESS THAT PERSON IS ASBESTOS WORKER OR C SUCH WORK IN ACCORDA SPECIFICATIONS(S) CONT PROJECT DOCUMENTS AN ROOF COMPLIANCE WITH ILLINO 44' - 0" DEPARTMENT OF HEALTH REGULATIONS.
ELEVATION DEMOLIT N.I.C.
N.I.C.
4RD FLOOR 34' - 0"
4RD FLOOR 34' - 0"
ISSUANCE 1
1 2 3RD FLOOR 24' - 0"
DwgStds_DwgShtXX.XTemp-V01_20180619.dwg
3RD FLOOR 24' - 0"
2ND FLOOR 14' - 0"
3 4
DESIGN DEVELOP REMOVE EXISTING LOAD B
ELECTRICAL. CAP ABANDO
60% PROGRESS S
REMOVE EXISTING OVERH
3
5PERMIT GC TO CLEAN AND PREP E
4
PACKAGE -D EXISTING01 STORE 6BIDREMOVE STRUCTURE.
5 2ND FLOOR 14' - 0"
REMOVE EXISTING DOOR,
MARK DESCRIPTION REMOVE EXISTING EXTERI 2
6
7 8
100% REVIEW
REMOVE EXISTING DOOR,
100% CD REMOVE EXISTING STORE
EXISTING ADJACENT STRU
CHA CONTRACT NO:12002
AOR/EOR PROJECT NO: 16
TITLE DEMOLITION GENERA 8
8
8
8
8
8
8
8
8 1ST FLOOR 0' - 0"
1ST FLOOR 0' - 0"
3 CONFERENCE - SECOND FLOOR
1
Demo Elevation South 1/8" = 1'-0"
1. CONTRACTOR SHALL SUPERV SKILL AND ATTENTION. THE CONT ALL CONSTRUCTION MEANS, MET PROCEDURES. THE CONTRACTOR ALL PORTIONS OF THE WORK UND
3D RENDER
2. VERIFY LOCATION AND ELEVA CONTACTING THE AUTHORITY HA
SHEETAND PROTECT UTILITIES THAT WI
Demo Elevation West
A11.1
1/8" = 1'-0"
3. THE CONTRACTOR SHALL AT A THE ACCUMULATION OF WASTE M OPERATIONS.
OFFICE ROOM - SECOND FLOOR
4. THE CONTRACTOR SHALL PR REMAIN FROM DEMOLITION SCAR RESPONSIBLE FOR THE REPAIR A REMAIN" THAT ARE DAMAGED BY PERFORMANCE OF THIS PARTICU REPORTED TO THE OWNER'S FIEL
A
B
C
D
D.1
8
7
6
5
4
3
2
1
5. NEW WORK ABUTTING OLD/EX AND PLANE OF THE EXISTING. WO FITTING.
6. ALL EXISTING AREAS TO REMA WORK, SHALL BE PATCHED AND R ORIGINAL EXISTING CONDITION, O CONSTRUCTION WORK IN THE AR
7. ALL DEMOLITION WORK SHALL
16'-0"0'-0"
8'-0" 8'-0"0'-0" 16'-0"
16'-0"32'-0"
32'-0"8'-0"
B B
4'-0"0'-0" 8'-0"4'-0"
LVT-5/LVT-1
18' - 18' 2" - 2"
A A
1/8" = 1'-0" 1/8" = 1'-0"
8'-0" 0'-0"
F1
3' - 0"
LVT-6 LVT-2
3' - 0" F5
LVT-2 LVT-1 F1
8'-0" 16'-0"
11' - 11' 2" - 2"
16'-0"4'-0"
A.1A.1
4'-0" 0'-0"
2'-0"0'-0" 4'-0"2'-0"
2' SUSPENDED CEILING GRID OR OTHER AS NEEDED
1/4" = 1'-0" 1/4" = 1'-0"
1 1
2 2
3 3
4 4
5 5
4'-0" 8'-0"
6"
D
8'-0" 2'-0"
D.1
8"
4"
1'-0"0'-0" 2'-0"1'-0"
18' - 2"
D.1
2'-0" 4'-0"
PNT-3/RB-3
8"
D C
1/2" = 1'-0" 1/2" = 1'-0"
2'-0" 0'-0"
PNT-3/RB-3
NEW ALUMINUM STOREFRONT TO MATCH LVT-4/LVT-1 EXISTING CONFIGURATION - SEE DEMOLITION PNT-8 SHEETS RB-8
GP-1
16 A8.3
102
C 68' - 2"
7' - 9"
LVT-4 LVT-1
105
PNT-8 LVT-1 PNT-8
1'-0" 0'-0"
F2-a 3' - 4"
B
T-1 LV
LVT-2
7
8
A8.2
M3-a
A8.2
4
3
T-1 LV
T-3 LV
T-1 LV
T-3 LV
A3.1
106
104 N.I.C.
4
68' - 2"
1" = 1'-0"
F2-a M3-a
103
M3-1
3' - 0" 2
F2-a
1
0'-0" 0'-6"
3' - 7" 3' - 0"
1' - 0"
TAG
0'-6" 1'-0"
SYMBOL
1'-0"
11' - 2"
2
3
4
5
6
7
8
A.1
2'-0"
2'-0" 0'-0"
1 096513
2 096813
099123
3 099123
4
0'-0" 0'-3"
0'-3" 0'-6"
3" = 1'-0"
3" =
LVT-4
LVT-3
LUXURY VINY
LUXURY VINY
4" RUBBER W
LUXURY VINY
4" RUBBER W
LUXURY VINY
4" RUBBER W
LUXURY VINY
RB-1
4" RUBBER W
LVT-5
RB-2
4" RUBBER W
LVT-7
RB-3
LVT-6
RB-4
RB-9
CARPET FLOO
4" RUBBER W
4" RUBBER W
4" RUBBER W
4" RUBBER W
RB-5 RB-6 RB-7
CPT-1
LUXURY VINY INTERIOR LOW
MASONRY CO
RB-8
ST-1
PNT-8
PNT-7
PNT-6
PNT-5
PNT-4
PNT-3
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
INTERIOR LOW
MASONRYLOW CO INTERIOR
LUXURY VINY INTERIOR LOW
PNT-1
PNT-9
PNT-2
PNT-11
PNT-10
FINISH PLAN SYMBOL LEGEND
AXIS S
MANU
ALTERN
ALTERN
ALTERN
ALTERN
ALTERN
BID ALT
BASE
WALL
FLOOR BASE MATERIAL
WALL MATERIAL
FLOOR MATERIAL
5
PNT-1/RB-1 AREA OF WALL/BASE FINISH, IF NOT APPLIED TO ENTIRE ROOM
6
7
8
9"
5' LED DIRECT/INDIRECT LINEAR PENDANT
6' LED DIRECT/INDIRECT LINEAR PENDANT
7' LED DIRECT/INDIRECT LINEAR PENDANT LVT 2
AXIS S
AXIS S
AXIS S
COLD WELD( CHARCOAL GREY)
LVT 1 8' LED DIRECT/INDIRECT LINEAR PENDANT
DESCRIPTION
NEW ALUMINUM STOREFRONT TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS
N.I.C.
1
PROVIDE 24" X 24" CARPET TILE FINISH (INTERFACE OR APPROVED EQUAL) IN LIEU OF LV LEGEND AT ALL OFFICES AND CONFERENCE ROOMS. SYMBOL SPEC TAG DESCRIPTION REMOVE ALL DROPPED SOFFITS IN ROOMS 108, 109, 110, 111, 112, 113, 115 AND LE CEILINGS EXPOSED TO STRUCTURE ABOVE. LVT-1 LUXURY VINY 096519 PROVIDE 1/4" CLEAR GLAZING WITH APPLIED VINYL FRIT IN LEIU OF ACRYLIC LVT-2 LUXURY RES VINY PANELS AT ALL GP-1 PARTITIONS.
1-1/2" = 1'-0"1-1/2" = 1'-0"
3' - 4"
ELEC 221 18 SF
UP
BID ALTERNATES:
ALTERNATE 1: ALTERNATE 2:
A
ALTERNATE 3:
A.1
N.I.C.
N.I.C.
117
4"
M3-2
M3-a
M3-a
CONFERENCE 103 99 SF
GP-1
CONFERENCE 104 138 SF
M3-a
CONFERENCE 105 139 SF
GP-1
11' - 2" 18' - 2"
8 A8.4
116
114
112
111
M3-1
M3-a
6' - 6"
A8.2
M3-a
UP
CONFERENCE 102 176 SF GP-1 N.I.C.
NEW ALUMINUM DOOR TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS
M3-a
SEALANT JOINT AT BOTH SIDES OF PARTITION STUB WALL (TYP.) HEAD RECEPTOR - SHIM AS NECESSARY (TYP.) ALUMINUM ANGLE COMPASSO TRIM OR EQUAL. FASTEN TO WALL WHERE NEEDED
2'-0" 0'-0"
4"
N.I.C.
I.T. 121 48 SF
M3-a
OFFICE 120 197 SF
3' - 5"
4' - 8"
LVT-3/LVT-1
LVT-3/LVT-1 RB-8
113
102C PNT-8
PNT-1/RB-1
RB-8
RB-8
103C
115
PNT-8
LVT-3/LVT-1
PNT-1/RB-1
M3-a
F2-a
3' - 0"
V.I.F.
15' - 4"
OH2
A3.1
LVT-3/LVT-1 LVT-1 LVT-3M3-a PNT-8 16' - 2" LVT-2 LVT-1
3
B A
1'-0" 2'-0"
LVT-1
GP-1
N/A
PNT-8
M3-a
PNT-1/RB-1
7' - 9"
5' - 1"
0'-6"0'-0" 1'-0"0'-6"
2"
SECURITY 107 18 SF
N.I.C.
PRINT/STOR. 122 80 SF M3-a
M3-1
4' - 0"
UP
M3-1
CLOSET
PNT-8 LVT-1 LVT-3 RB-8 PRINT/ COPY 101C 108 39 SF
5' - 5"
A8.2
109
6' - 2"
108
7 A7.2
LVT-2 LVT-1 M3-a M3-a LVT-1 LVT-3
LVT-3 LVT-1
TRAINING 101 1268 SF
LVT-3 LVT-1
RECEPTION/LOBBY 109 PNT-1 180 SF RB-1
20' - 0" 18' - 2"
1" = 1'-0"
PNT-3/RB-3
M3-a LVT-4/LVT-1 PNT-8 OFFICE 119 RB-8 186 SF
5
6
GP-1
LVT-1 LVT-4
RECEPTION 115 51 SF
RB-8 M3-a
4"
PNT-1/RB-1
F2-a
KITCHENETTE 113 51 SF
N.I.C.
COMMUNITY WORK SPACE LVT-1 110 393 SF
UP WORK STATIONS 111 85 SF
6 A5.1
OH1
V.I.F.
17' - 2"
LVT-3
PNT-1/RB-1
8 A8.3
M3-a
OFFICE 118 190 SF
4'-0" 1'-0"
18' - 2" 20' - 0"
PNT-3/RB-3 F2-a M3-a
101
LVT-4/LVT-1 LVT-4/LVT-1 PNT-8 OFFICE PNT-8 117 RB-8 RB-8 191 SF
LVT-4 LVT-1 LVT-1 LVT-4
LVT-4/LVT-1
PNT-3/RB-3 LVT-4/LVT-1 PNT-8 RB-8
LVT-1COMMUNITY LVT-4 WORK SPACE 114 389 SF F2-a
PNT-8 LVT-4 LVT-1OFFICE RB-8 116 LVT-1 LVT-4 LVT-4 LVT-1 205 SF
PNT-4/RB-4
PNT-8
RB-8
WORK STATIONS 112 56 SF
PNT-8 RB-8
LVT-1 LVT-3
RB-8
PNT-8
LVT-1
LVT-3/LVT-1
LVT-3 LVT-1
PNT-8/RB-8 PNT-1/RB-1 1 A5.1
LVT-3 1 A8.5
LVT-3/LVT-1
PNT-9/RB-9
LVT-1/LVT-2
2
A8.4 PNT-4/RB-4
1
N.I.C.
A3.1
6 A8.4
2 RB-9 A5.1
PNT-8
LVT-1/LVT-2
PNT-1/RB-1 SEE ELEVATION
LVT-1 LVT-3
PNT-1/RB-1
T-2 LV
3 A9.2
6 6
7 7
LVT-1 LVT-3
LVT-3
PNT-1/RB-1
5"
64'-0"16'-0"
68' - 68' 2" - 2"
LVT-5/LVT-1 PNT-5 RB-5
10' - 0"
EXPOSED EXPOSED
10' - 0"
F1C
LVT-6 LVT-1 F1 F1 10' - 0"
EXPOSED
F1C
EXPOSED
LVT-3
1' - 8"
LVT-3 LVT-1
3 A5.1
NEOPRENE PADS OR MANUFACTURER RECOMMENDED ACOUSTICAL ISOLATION AT ALL CONTACT POINTS
LIGHT FIXTURE SCHEDULE
F1
F1A
UNDERSIDE OF CONCRETE DECK ABOVE
MIN.
32'-0"64'-0"
20' - 20' 0" - 0"
F1A PNT-6 RB-5
N.I.C.
LVT-5 LVT-1 LVT-1 LVT-5 10' - 0" F1
CLOSET EXPOSED
F5 CONCRETE
N.I.C.
EXIST LVT-1
1 A9.2
LVT-6
F1
F3D PNT-7/RB-7 F3D
LVT-6
RB-8
PNT-11
UP
N.I.C.
F1D
3' - 3" 8"
F1D
F3D
F1D F3D
F1D
F1D
UP
LVT-1 LVT-3
PNT-1/RB-1 6' - 8"
NEW ALUMINUM STOREFRONT TO MATCH EXISTING CONFIGURATION - SEE DEMOLITION SHEETS
1"
0'-0" 32'-0" 16'-0" 16'-0"
1/16" = 1'-0"1/16" = 1'-0"
C C
F1 LVT-5/LVT-1
10' - 0"
F1A
F1B
EQ EQ
F1
CONT. METAL FURRING
FIRST FLOOR FINISH PLAN 1/8" = 1'-0"
1/8" = 1'-0"
TYP.
32'-0"0'-0"
D D
18' - 18' 2" - 2"
F1B PNT-6 RB-5
F1
F3C
F1
3' - 0"
F1B
LVT-1 PNT-7/RB-7 LVT-6 F3C
PNT-7 RB-7 F2
EXPOSED EQ EQ
PNT-8/RB-8
PNT-8/RB-8
10' - 0"
EXPOSED
PNT-9/RB-9
EXPOSED
EQ
11' - 0"
6 A9.2
F1B
F3D
F1B F3D LVT-6 LVT-1 LVT-1 LVT-6 F1D F4
F4 LVT-6
9' - 0"
EQ
LVT-6/LVT-1
F1C LVT-6 LVT-1
LVT-1 LVT-6 F3C 3' - 1" F1D
F1D LVT-1 LVT-6
F1D
LVT-2
F1D LVT-1 LVT-2
F1C 8"
LVT-2
LVT-2 LVT-1
F1
RB-8
PNT-8
LVT-1
RB-9
PNT-9
LVT-1/LVT-2
LVT-1 11' - 0"
F1A
5' - 9"
F1B
7 A9.2
F1B
F1
N.I.C. N.I.C.
REFER TO RCP FOR HEIGHT
32'-0"
1/32" = 1'-0"1/32" = 1'-0"
D.1 D.1
LVT-5/LVT-1 PNT-5 RB-5
F1
F3D
F1
1' - 2"
LVT-1
LVT-6 LVT-1 F1D
LVT-6 PNT-8 F1C
F2
10' - 0"
F1C
F1C
F1D
F3D
LVT-5 LVT-1 LVT-1 LVT-5 10' - 0" 10' - 0"
LVT-1 LVT-6
EXPOSED
10' - 0"
F1C LVT-6
6' - 0"
F1
11' - 0"
PNT-5/RB-5
F3C
F3C
LVT-1 LVT-2
LVT-5 LVT-1
F3C
LVT-5 LVT-1 F1C
EXPOSED
10' - 0"
6' - 0"
LVT-5 LVT-1
F3C
N.I.C.
RB-5
10'PNT-5 - 0"
LVT-5/LVT-1
F3C
LVT-1 LVT-5
F3C
LVT-1 LVT-5 F2 PNT-5/RB-5
EXPOSED
F1B
F1B
F1B F1B LVT-6 LVT-1 LVT-1 LVT-6
11' - 0"
LVT-6
F1B
F1B
F3
10' - 0" LVT-1 RB-8
PNT-8
8 8
EXISTING MASONRY WALL
FIRST FLOOR PLAN@ STOREFRONT
17' - 7" 18' - 6" 18' - 6" 18' - 6"
HORIZONTAL CEILING SYSTEM - REFER TO RCP FOR LOCATIONS AND FINSHES, ACP-1
1
1
F1B F1C
127' - 8"
3" = 1'-0"
1/2" HANGER ROD EMBED IN EPOXY 3/4" HANGER ROD - EMBED IN EPOXY
3" = 1'-0"
127' - 8"
9
17' - 7" 18' - 6" 18' - 6" 18' - 6" 18' - 7" 18' - 5" 17' - 8"
18' - 6" 18' - 6" 17' - 7"
CONF. ROOMS - TRANSLUCENT WALL HEAD TO CEILING
7
TRANSLUCENT RESIN WALL PARTITION PANEL COLOR VARIES. REFER TO ELEVATIONS FOR SCHEDULE.
TRANSITION CEILING - LIGHT FIXTURE DETAIL 12' - 0" 12' - 0" 2' - 8"
EXIST LVT-1
HORIZONTAL CEILING SYSTEM - REFER TO RCP, ACP-1
LVT-1 EXIST
LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES
ALUMINUM TRIM ANGLE - FASTEN TO WALL AS REQUIRED
LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS
PNT-1/RB-1
LVT-1 LVT-4 PNT-3
ALUMINUM TRIM ANGLE FASTEN TO WALL WHERE NEEDED
CLOSET
LVT-3 LVT-1
PNT-1/RB-1 PNT-1/RB-1
11 LVT-2 LVT-1
4' - 10"
LVT-3 LVT-1
LVT-1 EXIST
LVT-3 LVT-1
PNT-8
3" = 1'-0" 3" = 1'-0"
PNT-3/RB-3 LVT-4
LVT-1 LVT-3 LVT-1 LVT-3
LVT-1 LVT-3
LVT-1 LVT-3
TRAINING ROOM - TRANSITION WALL HEAD TO CEILING
LVT-3 LVT-1
7' - 0"
LV T1 BUFFET
BUFFET
3" = 1'-0"
CONF. ROOMS - SOLID WALL WALL HEAD TO CEILING
8 WALL CEILING TRANSITION
10 1/2" GLASS DOOR - TYPE FG. REFER TO PLAN FOR SPECIFIC DOOR TYPE/SCHEDULE.
2" HEAD RECEPTOR - SHIM AS NECESSARY (TYP.)
LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS
SCHEDULED LINEAR LIGHT FIXTURE REFER TO RCP FOR SPECIFIC LOCATIONS
LVT-4 LVT-1
LINEAR LIGHT FIXTURE OR LINEAR DIFFUSER. REFER TO RCP FOR SPECIFIC LOCATIONS
PNT-1/RB-1 PNT-1/RB-1 PNT-9/RB-9 PNT-1 /RB-1
6' - 6"
F1B
F4
PNT-6
LVT-1/LVT-5
F3 RB-5
MANUFACTURER / BASIS OF DESIGN
4"
ACP-1
LVT-1CLOSET LVT-3
LVT-5 LVT-1 LVT-1 LVT-5 LVT-1/LVT-5
11' - 0" LVT-1/LVT-5
PNT-6 F1B RB-5
11'LVT-5 - 0" LVT-1 LVT-1 LVT-5
F1B
PNT-6 F1B RB-5
DESCRIPTION
SPACING VARIES SEE RCP
MTL. HAT CHANNELS AT 16" O.C. MAX
SEALANT JOINT AT BOTH SIDES OF PARTITION STUB WALL (TYP.)
LV T2
17' - 7"
(1) LAYER 5/8" GYP. BD. EXTENED ABOVE CLG.
LVT-3 LVT-1
LVT-1 LVT-6
LVT-1 LVT-5
LVT-1/LVT-5 PNT-5 F1B RB-5
SECOND FLOOR FINISH PLAN 1/8" = 1'-0"
1/8" = 1'-0"
FIRST FLOOR REFLECTED CEILING PLAN
TAG
127' - 8"
1'-0" 8'-0" 4'-0" 0'-0" 8'-0" 32'-0"
16'-0"
LAYER 5/8" GYP. BD. CEILINGREFER TO RCP FOR FINISHES
LVT-1 LVT-4 PNT-9/RB-9 PNT-9/RB-9
18' - 6" 18' - 6" 18' - 6"
18' - 6" 18' - 6"
8" 8"
2 2
SYMBOL
CEILING FINISH LEGEND
127' - 8"
1-1/2" = 1'-0" 1" = 1'-0"
0'-6" 0'-0" 2'-0" 1'-0" 0'-6" 0'-0" 1'-0" 4'-0" 2'-0" 1'-0" 0'-0" 2'-0" 8'-0" 4'-0" 2'-0" 0'-0" 4'-0" 16'-0"
1/2" = 1'-0" 17' - 7"
PNT-8/RB-8
1/4" = 1'-0" 1/8" = 1'-0" 1/16" = 1'-0"
17' - 7"
8'-0" 0'-0" 16'-0" 64'-0" 32'-0" 16'-0" 0'-0" 32'-0"
18' - 6" 1/32" = 1'-0"
18' - 7"
18' - 6" 18' - 5"
PNT-8/RB-8
LVT-1
LV SYSTEM - REFER TO HORIZONTAL CEILING T1 RCP, ACP-1 LV T4 LV T4 LV T1
LVT-1 LVT-3
5' - 5" 9' - 0"
LVT-6 LVT-1 9' - 0" 3' - 0"
LVT-6 LVT-1
4' - 0" 4' - 0"
PNT-8/RB-8
LVT-1 LVT-6 LVT-6 LVT-1 LVT-1 LVT-6
3' - 0" 5' - 7"
9' - 0" 3' - 0"
PNT-8/RB-8 9' - 0"
9' - 0" PNT-8/RB-8
3' - 0" 9' - 2"
1' - 0" TYP.
PNT-9/RB-9
EXPOSED
LVT-2 LVT-2
6' - 0"
2' - 2" 6' - 10"
3' - 7" 3' - 2"
LVT-1 LVT-6
EXPOSED PNT-8/RB-8
LVT-1 LVT-6
18' - 6" 17' - 8"
Chicago Housing Authority has hired JGMA to design and renovate the existing Overton Hygienic Building to house their Section 3 new office, Currently under construction. The scheme uses material color to identify clusters of program and implements transparency of spaces by the use of colored resin panels. My Task was to work closely with the design team, to produce and document a set of construction documents, Along with coordinating with consultants and raps to present materials to the client. 2' - 9"
EXPOSED EXPOSED
PNT-8/RB-8
LVT-2 LVT-1
2019-2020 Chicago, IL PNT-9/RB-9 LVT-2
4' - 0" 1' - 2"
10' - 9"
PNT-8/RB-8
LVT-1 LVT-6
LVT-6 LVT-1
4' - 0"
EXPOSED
Firm: JGMA 1' - 2"
4' - 0" 4' - 0" 4' - 0" 4' - 0"
4' - 0"
LVT-5 LVT-1
135 °
PNT-7/RB-7
LVT-1 LVT-2
EXPOSEDPNT-8/RB-8 PNT-8/RB-8
4' - 0" LVT-6 LVT-1
LVT-5 LVT-1 LVT-1 LVT-5 LVT-6 LVT-1
LVT-1 LVT-6
Overton- CHA Office Section 3 LVT-1 LVT-5 LVT-1
LVT-1 LVT-5 EXPOSED EXPOSED
2' - 8" 5' - 5"
LVT-5 LVT-1 PNT-8/RB-8 PNT-8/RB-8 PNT-8/RB-8
Norwegian American Hospital
Firm: JGMA Chicago, IL
2016
Located at the southwest corner of Humboldt Park, Norwegian American Hospital serves a diverse population of people. The Hospital is looking to renovate its masterplan, Being initially built in 1894, three major additions have been added over time. But due to the rapid growth, program has been shifted and squeezed allowing confusion in finding services. The Hospital is asking JGMA to envision a solution to facilitate circulation and way-finding. Through entensive research, careful study and site analysis we have used, texture, pattern and color to define space. My Task was to assist the team with some design decisions, Research, SD sets, DD set, and CD set,
Episcopal School of Dallas
Firm: Overland Partners
2015 Dallas, TX The new Episcopal School of Dallas is looking to be a springboard for life-long curiosity and purposeful relationships. Their goal is to be a community of nested neighborhoods centered around a sacred space connected by paths and daylight, connected by relationships and community. In these neighborhoods, children and teachers will be honored as individuals and empowered as teams, Our goal like theirs is to execute this vision of community through nested neighborhoods. My Task was to assist the team by drawing Revit plans, making physical concept models, research, helping with some design decisions such as skylight options, chapel options and classrooms layout options. Nested Neighborhood
San Antonio & The Beanstalk Firm: Overland Partners San Antonio, TX
2016
Storybook Houses, is the fourth collaboration between the Garden and area architects and designers, for this year’s spring exhibit, which took place in SA Botanical Gardens. In our Design we decided to use the popular story of Jack and the Bean Stalk and offer not only a sustainable adaptive reuse installation, but to inverse the notion of the cloud up in the heaven . Five Steel frames form the beanstalk offering a frame view towards the sky right in the center of the Cloud.
Design Build Firm: TADA
New Braunfels, TX
2015
Other Work Competition Grid Studies Europe Study Abroad Sketches Paintings
Y.A.C.
Competition: Individual Trois-Moutiers, France
2020
Storybook Houses, is the fourth “Our treehouse design, in its global sense, is meant to cater to our childhood dreams of imaginary isolation. At a more local sense, it allows for a deep connection with nature while reminiscing on what it could have been and what it will be as the site is occupied. Our design is meant to complement the experience of the awe-inspiring edifice that currently stands on site. In our particular case, the treehouse will be an unobtrusive, simple, pure addition to the rough and poetic Château de la Mothe-Chandeniers. It will stand tall on a concrete plinth over the lush green land the encompasses the site; this is done by inciting the views while offering privacy- the program is cut in three and spaces shift vertically and as a result, each roof platform becomes a terrace/garden. Spaces can bleed to other spaces by folding glass doors. An extra layer of privacy is added: a perforated light filtering honeycomb cellular shade(weather resistant) that contracts and expands within a 60cmx60cm module (2’x2’).
Grid-Scapes
Grid-Scapes
Chicago, IL
Fall 2019
Professor: Paul Preissner & Sam Jacobs
Europe Architecture Study Tour
Summer 2014
Summer 2014
Untitled
Oil paint on wood panel l 36 X 48 inches
Spring 2012
Untitled
Fall 2011
Oil pastel/ Oil paint on canvas l 24 X 36 inches
Esau J Hernandez
210.510.9938 Woodstock IL, United States 60098 Esau.Unidos@gmail.com
