UPE URBAN PERCEPTION’S EXPERIENCE

The methods of presenting the actions that are observed as an observer or in person cause us to look from the point of view of the artists.

The experience experienced as a result of the narrative of the artists is valuable in terms of the filters it passes through. Filtered content may also be missing. On the other hand, although being involved in the actions to be experienced seems to increase the experience, what makes the experience intense is not that it appeals to our more sense organs, but that it appeals to our necessary sense organs.

Experience is in uenced by its context in every sense, both in terms of spatial placement and mobility.

Activism can be defined as the deliberate action to bring about social or political change. Could witnessing or giving testimony be a form of activism? What is the place of activism in the experience? But what if architecture could become the original creator of experience activism?

These questions are discussed through some of the places that are included in the scope of the 2023/Biennale and the structures based on experience around the world. With these studies, we state that the focus is on observing and being observed, and we believe that we have witnessed both ends of the experience. We see that the artists of the works aimed to convey similar messages with an activist aspect in their previous works.

Experience

Process Diagram

Art is seen as the ultimate way to express an emotion and often appears as a carrier of meaning in Biannels and exhibitions. These experience rooms, which belong to the plans written in the drawing, contain some experiences and have evolved to show the atmosphere and the organs of experience, to make it feel and to create the connection of the opposite in the mind.

UPE was designed to protect the fair share of his word:

‘’It is said that only art carries meaning, but, surprisingly, architecture may be the best answer to carry meaning.’’

Daniel Libeskind