Bodrum

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ORJIN BODRUM PROJECT |


ISTANBUL


Welcome to Bodrum, an exclusive retreat on Turkey’s most talked about shoreline The setting for an extraordinary collection of architecture designed by Martín Gomez Arquitectos 53 LUXURY HOMES A BOUTIQUE HOTEL ON THE SHORE A YOUNG COMPLEX OF 20 HOUSES Orjin Bodrum represents a commitment to the very highest standards of contemporary design and nature conservation


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MASTERPLAN LUXURY VILLAS 18. HOUSE I: Villa Bebek 30. HOUSE II: Villa Goksu 42. HOUSE III: Villa Kuckusu 52. HOUSE IV: Villa Kandilli 62. HOUSE V: Villa Kanlica

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BOUTIQUE HOTEL

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YOUNG COMPLEX 102. BIOGRAPHY


_ At Orjin Bodrum, privacy means letting yourself out, not locking yourself in.

01 | MASTER PLAN

It offers a natural, tranquil escape at any time of the year. You can leave stress at the front gate. The amazing views will provide you with the relaxing mood you have been looking for.


ORJIN BODRUM PROJECT | MASTER PLAN

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ORJIN BODRUM PROJECT | MASTER PLAN

House type I 591m²

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House type II 493m²

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House type III 311m²

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House type IV 456m²

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House type V 394m²

06 53 / Total number of houses

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PARTIAL VIEWS OF THE LUXURY HOUSES


INTRODUCTION _

02 | LUXURY VILLAS

Picture a house of the purest design. Flat planes of stone and glass, infinite pools and courtyards, cushioned by rolling green slopes. Terrace, cloisters and entertaining spaces that blur the division between indoors and out. A home of flawless luxury and style set in extravagant, sweeping grounds. The simple, minimal design of the houses is the embodiment of Martin Gomez’s architecture over the past 20 years of practice in Punta del Este and the world. Orthogonal geometry reigns supreme in the definition of the volumes; the resulting objects conceal their function while flaunting the geometric purity of their forms.

Maximalist Austerity Martin has flared for harmony, materials, textures, colors, warmth and detail, and understands how to deliberately showcase some elements and conceal others. Bodrum’s architecture is human, It possesses many qualities that we value in people. It is calm, yet determined. It is reliable yet surprising Is it sensual, but discreetly so. It is sober yet spirited In other words it is like a good friend.


ORJIN BODRUM PROJECT | LUXURY VILLAS

HOUSE I VILLA BEBEK _

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Pรกgina de croquis en papel calco

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Retiración croquis en papel calco

_ Beauty is such a still thing that it requires stillness to be recognized. The beauty in Martin Gomez’s work is the natural outcome of a conceptual process, which focuses on achieving maximum depuration without any sort of design trickery.

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Authenticity, we might call it. After all, we don’t always have to wait for time to pass to know something will last. _

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ORJIN BODRUM PROJECT | LUXURY VILLAS

Enjoying outdoors spaces. _

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GROUND FLOOR PLAN

4. MASTER BEDROOM/ 5. MASTER BATHROOM/ 6. DRESSING ROOM/ 7. OUTDOOR SHOWER/ 8. TV ROOM/ 9. LIVING ROOM/ 10. DINING ROOM/ 11. TOILETTE/ 12. TERRACE/ 13. BARBECUE/ 14. FIREPLACE/ 15. SWIMMING POOL/ 16.SERVICE BATHROOM/ 17. SERVICE BEDROOM/ 18. STORAGE/ 19. LAUNDRY ROOM/ 20. OUTDOOR LAUNDRY/ 21. KITCHEN

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TOP FLOOR PLAN

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1. ENTRANCE/ 2. HALL/ 3. GARAGE 23

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BASEMENT FLOOR PLAN

21. MECHANICAL ROOM/ 22. BATHROOM/ 23. BEDROOM/ 24. HAMMAN/ 25. DRESSING ROOM/ 26. HALLWAY

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FRONT FACADE

SECTION PLAN


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HOUSE II VILLA Gร KSU _

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Pรกgina de croquis en papel calco

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Retiraci贸n croquis en papel calco

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It is a genuine drive to create an elevating experience for people, beyond stylistic concerns, that brings us together.


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A rigorous and logical design, and also very beautiful.

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Everlasting _

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BASEMENT FLOOR PLAN

1. MAIN ENTRANCE/ 2. ENTRY HALL/ 3. GARAGE/ 4. HALL/ 5. MECHANICAL ROOM

GROUND FLOOR PLAN

6. TOILETTE/ 7. TV ROOM/ 8. LIVING ROOM/ 9. DINING ROOM/ 10. KITCHEN/ 11. STORAGE/ 12. SERVICE BATHROOM/ 13. SERVICE BEDROOM/ 14. OUTDOOR LAUNDRY/15. TERRACE/ 16. BARBECUE/ 17. SWIMMING POOL

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FIRST FLOOR PLAN

18. DRESSING ROOM/ 19. BEDROOM/ 20. BATHROOM/ 21. HALL

TOP FLOOR PLAN


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FRONT FACADE SECTION PLAN


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HOUSE III VILLA Kร CKUSU _

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Pรกgina de croquis en papel calco

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Retiraci贸n croquis en papel calco

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The mix of purity and energy forms the organic vision of space that respects the relationship between elements and architecture.


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A silent sophistication that does not show off. _


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TOP FLOOR PLAN

1. MAIN ENTRANCE/ 2. HALL/ 3. GARAGE/ 4. TERRACE

GROUND FLOOR PLAN

4. TERRACE/ 5. BEDROOM/ 6. BATHROOM/ 7. TOILETTE/ 8. TV ROOM/ 9. LIVING ROOM/ 10. DINING ROOM/ 11. KITCHEN/ 12. STORAGE/ 13. LAUNDRY/ 14. OUTDOOR LAUNDRY/ 15. FIREPLACE/ 16. BARBECUE/ 17. SWIMMING POOL


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FRONT FACADE

SECTION PLAN


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HOUSE IV VILLA KANDILLI _

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Pรกgina de croquis en papel calco

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Retiraci贸n croquis en papel calco

_ Simple, calm, harmonious, serene, lucid and sensual, not to mention luxurious, tasteful and extremely attentive to detail combines austerity and aestheticism, and brings both to bear in even measure. A preference for good quality, natural materials, ones that are honest, a bit rough around the edged, untreated if possible, and highly tactile.

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With a nod to the past, the houses are often traditional, but with a twist. _

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FIRST FLOOR PLAN

TOP FLOOR PLAN

1. MAIN ENTRANCE/ 2. HALL/ 3. GARAGE

4. SERVICE BEDROOM/ 5. SERVICE BATHROOM/ 6. STORAGE/ 7. LAUNDRY/ 8. OUTDOOR LAUNDRY/ 9. OUTDOOR SHOWER/ 10. GUEST BEDROOM/ 11. GUEST BATHROOM/ 12. KITCHEN/ 13. MAIN ENTRANCE/ 14. LIVING ROOM/ 15. TOILETTE/ 16. TERRACE/ 17. BARBECUE/ 18. SWIMMING POOL


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FRONT FACADE 60

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GROUND FLOOR PLAN

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19. HAMMAN/ 20. BEDROOM/ 21. BATHROOM/ 22. DRESSING ROOM/ 23. HALL

SECTION PLAN


ORJIN BODRUM PROJECT | LUXURY VILLAS

HOUSE V VILLA KANLICA _

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Pรกgina de croquis en papel calco

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Retiraci贸n croquis en papel calco

_ A house that makes time, light, space, proportion and nature present. Some things tend to fascinate us at first glance. Sometimes the fascination lasts throughout the first encounter.

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Sometimes it lasts through countless encounters from them on. So, do we love things that last, or do the things we love end up lasting? Eitherway, time can be taken as a measure, to determine the empathy level between us and what is around us. _

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BASEMENT FLOOR PLAN

1. MAIN TERRACE/ 2. HALL/ 3. GARAGE

GROUND FLOOR PLAN

4. SERVICE BATHROOM/ 5. SERVICE ROOM/ 6. TV ROOM/ 7. LIVING ROOM/ 8. DINING ROOM/ 9. KITCHEN 10. LAUNDRY/ 11. MECHANICAL ROOM/ 12. TERRACE/ 13. BARBECUE/ 14. SWIMMING POOL/ 15. TOILETTE/ 16. SERVICE BATHROOM/ 17. SERVICE BEDROOM


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FIRST FLOOR PLAN

18. MAIN BEDROOM/ 19. MAIN BATHROOM/ 20. DRESSING ROOM/ 21. HALL

TOP FLOOR PLAN


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FRONT FACADE

SECTION PLAN


03 | BOUTIQUE HOTEL

_ The luxury of open space and visual simplicity arrives through hidden complexity of meticulous planning and programming. The process of simplification is not a form of simplism or indolence. The decision to choose silence is a conscious one, and the power of the atmosphere is a direct result of the materials used and the opportunities offered by the space.

It is rare to encounter an architect who consistently and rigorously seeks to reduce space to its most basic forms, while remaining acutely sensitive to the human experience of that space. The results are at once sublime and rich, minimal yet tactile. Martin celebrates the essence of form and the richness of space, the elegance of proportion and the refinement of materiality and hidden details.


ORJIN BODRUM PROJECT | BOUTIQUE HOTEL

we suggest solar powered golf cart for each guest room _

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HOTEL ROOMS

HOTEL HALL

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1. HOTEL RECEPTION/ 2. LUGGAGE ROOM/ 3. FRONT DESK/ 4. LOUNGE/ 5. KITCHEN/ 6. HOUSEKEEPING CHANGING ROOM/ 7. BREAKFAST AND DINING ROOM/ 8. OUTSIDE DINING VERANDA/ 9. OUTSIDE LOUNGE VERANDA/ 10. COURTYARD/ 11. HOT POOL/ 12. SWIMMING POOL

13. ENTRANCE WITH RELAXING, PATIO AND OUTDOOR SHOWER/ 14. HOTEL BEDROOM/ 15. BATHROOM/ 16. HOTEL BEDROOM TERRACE

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04 | YOUNG COMPLEX

_ Stone and drifts of flowers. Wood and water. Formal and casual. Substantial walls and willowing drapes. The stone vernacular of Bodrums architecture floats on flowers, touches the earth and provides a stylish home.


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MASTER PLAN


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YOUNG COMPLEX I

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GROUND FLOOR

1. MAIN ENTRANCE/ 2.TOILETTE/ 3. KITCHEN/ 4. STORAGE/ 5. WC/ 6. COVERED PARKING/ 7. BEDROOM/ 8. LIVING ROOM/ 9. DINING ROOM/ 10. VERANDA

TOP FLOOR


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SECTION PLAN

FRONT FACADE


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YOUNG COMPLEX II

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GROUND FLOOR

1. MAIN ENTRANCE/ 2.TOILETTE/ 3. KITCHEN/ 4. STORAGE/ 5. WC/ 6. COVERED PARKING/ 7. BEDROOM/ 8. LIVING ROOM/ 9. DINNING ROOM

TOP FLOOR


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SECTION PLAN

FRONT FACADE


ORJIN BODRUM PROJECT | YOUNG COMPLEX

AMENITIES

CHANGING ROOMS/ ROOF FLOOR

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SWIMMING POOL

CHANGING ROOMS/ GROUND FLOOR

OUTDOOR LOUNGE

1. WOMEN CHANGING ROOM / 2. MEN CHANGING ROOM

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ORJIN BODRUM PROJECT

The stillnes and calm from Bodrum nights somehow takes us to our magic land _

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ORJIN BODRUM PROJECT | BIOGRAPHY

MARTÍN GOMEZ _

A perfectionist in a natural way.

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An electrified tabula rasa. An attention on surface and the skin of things. An atemporal vision. Mistery resolved.

_ It is not usual to find that the same line of action and thought will impregnate a trademark in a city. Rarer still is that one person can exercise a decisive influence on it. However, that is the case of Punta del Este and the architect Martín Gomez. Obsessed by being able to contextualize his works within the landscape in which he is immersed, Martín Gomez takes his work for more than just simple orders. They turn into a complex process in which the architect, interior, landscape and graphic designer tasks overlap. His projects are tinted with an originality that mainly parts of the use of natural resources in direct communication with their surroundings. The most striking ability of his proposal is the talent to display in time a common thread throughout all of his projects, regardless of the type, the scale, the context or their materiality. Elegance, equilibrium and contemporaneity emerge from a volcanic, eruptive and energetic personality.

A still photograph cannot give a full sense of Martin’s spaces, which are only wholly appreciable through personal experience, with mutating light conditions. The refined use of light, shadow and filters are active elements of his projects. An architecture so modest and yet so present requires someone with equally strong personality to create with it. Buildings are seen but space is navigated and felt. To perceive space is to sense the void as well as the solid, the materiality of light, and the fluidity of volume. The work of Martin Gomez distils percep- tion within gestural vocabulary of light, movement and surface. Disarmingly simple at first glance, these projects possess a rigorous composition of layered depth, with a vein of playfulness, lurking, just beneath the surface.

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