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MASTERPLAN
MULTI PURPOSE HALL
MONTPELLIER ARENA, FRANCE
international competition status 2008 year public facility category 14 000 seats in show con¿guration size 9 000 in sport con¿guration 13 500 sqm for exhibition con¿guration 54 M € cost montpellier, france location in architecture studio of¿ce, paris, france of¿ce project leader position
On the ¿eld the Parc des Expositions de Montpellier Languedoc-Roussillon, this new Hall will perform both functions exhibition hall and congress hall entertainment and sports arena with a capacity of 14,000 spectators, standing con¿guration show, 9,000 fans in sports and con¿guration capability exhibition of 13,500 sqm. This project complements the existing infrastructures. The redevelopment of the exhibition marks a willingness to strengthen the image of excellence attached to the site. The aim of the project is based primarily on the consideration of the performance of such tool, its integration and its remarkable character. In this sense, we have focused our thinking, not the image instant of a “hall for a day”, but on the daily life, quality of the organization, functional rigor and usability spaces. It seemed to us that it was through this work set coherence between the different components of the site, the synergy that could be created between the different entities, the project naturally ¿nd its architectural strength and quality of its insertion. In this eclectic site, it was necessary to signal a building representative of changes in exposure practices but also its opening activities shows large magnitudes.
CONFIGURATIONS
SOUTH FACADE
ENTRANCE VIEW
SECTION
BARVIHA DEVELOPMENT PROJECT
MOSCOW, RUSSIA
international competition status 2008 year urban planing category residential, sanatorium, conference center 250 000 sqm size cost / moscow, russia location in architecture studio of¿ce, paris, france of¿ce design architect position
The site will accommodate a sanatorium, a conference centre, villas connected to of¿ces and a shopping area. The outdoor public areas will link the different elements of the programme. Considerations of topography are essential in our architectural approach. The uneven topography – already mentioned above- combined with the canyon, appeared to be a constraint and a source of inspiration simultaneously. Therefore, we have re-interpreted the contour lines and transformed them into housing areas. This approach offers a dual advantage – it provides a gradual entry into the project on the site, and offers a considerable surface area. In order to maintain the quietness of the area, we propose to create an underground street which will serve underground car parks. We consider the river to be an advantage. When it is developed and channelled, the riverbanks will be established as pedestrian walkways. The entire project has been conceived by taking into consideration the advantages of the site: the views, the topography, the orientation, and the proximity to Lake Barviha. To a large extent, the architectural and landscape concepts have been inspired by the surrounding green environment. A combination of all these elements offers the most peaceful, pleasant and innovative form of living for the future and its occupants.
VILLA A
APPART. BUILDING
SANATORIUM
VILLA D
BAMIYAN CULTURAL CENTER BAMIYAN , AFGHANISTAN
competition entry status 2015 year mixed use category 2200 sqm size cost / bamiyan, afghanistan location etienne champenois office + atelier mars paris position COURTYARD VIEW
EXHIBITION SPACE VIEW
FLOOR PLAN
MASTER PLAN
SECTION
Facing the archaeological remains of the valley, which have seen many changes and attacks during history, we thought the building should have a minimum impact on the valley, although not be hidden, but should interact and share similarities with its environment. The building base is located in the height difference of the two plateaus of the site, in the recess of the topography, letting him half-buried, and facing the access road of the archaeological site. He arises entirely on the ground floor within a regular square grid, allowing a flexible subdivision of the space into rooms. His form is a reinterpretation of the Qala Fort, in which the towers volumes are however multiplied and moved inside the courtyard garden, defining a peaceful and protected fluid interior space, housing the special and assembly rooms of the building. The design offers clear interior circulation by combining the visual axis between the entrance and the two big Buddha’s statues, “Father” and “Mother”, by creating a strong visual connection with them. The different functions are displayed around the central space with both indoor and outdoor circulations, allowing and developing a maximum of contact and interactions between traditional and non-traditional learning, preservation work and community gathering, to enrich the history, identity and aspirations of the valley people. ENTRANCE VIEW
MUSEE DES CONFLUENCES
CONSTRUCTION SITE, LYON, FRANCE
construction phase status 2006/2007 year museum, plaza category 30 000 sqm size 150 M € cost lyon, france location in coop himmleb(l)au of¿ce, france of¿ce architect position The Musée des ConÀuences understands itself not as an exclusive “Temple of the Muses” for the educated elite, but as a public gateway to the knowledge of our time. It stimulates a direct, active use—not only as a place of contemplation, but also as a meeting place in the city. The striking interface situation of the construction site at the eponymous conÀuence of the Rhône and the Saône inspired the superposition in urban space of two complexly linked architectural units, crystal and cloud. The cloud structure, Àoating on pillars, contains a spatial sequence of black boxes— admitting no daylight, so as to achieve maximum Àexibility for exhibition design. By contrast, the crystal, rising towards the city side, functions as a transparent urban forum; it faces the city and receives visitors. “Its clear, readable forms stand for the world in which we move each day. The cloud, by contrast, holds the knowledge of the future. What is known and what is to be explored are understood in the Musée des ConÀuences as a spatial experimental design to stimulate public curiosity.” Also decisive in the selection of this concept was the manifold connection of these two units through the Espace Liant: It leads in a loop, as a corridor or over bridges and catwalks, from the crystal to the other end of the cloud. It functions as an additional means of access between the exhibition spaces that are directly connected to one another—a mellow space of hidden currents and countless transitions. In a continuation of the park from the southern tip of the island, an expansion of the urban space is formulated: a landscape of ramps and levels that dissolve the boundary between inside and outside into a dynamic sequence of spatial events. This movement continues on the inside in the alternating spatial structure of the exhibition spaces. ROOF PLAN
SECTIONS
VIEW FROM THE HIGHWAY
SKANDERBERG PLAZA, TIRANA
TIRANA, ALBANIA
international competition status 2008 year city center revitalization category size / cost / zagreb, croatia location in architecture studio of¿ce, paris, france of¿ce design architect position
MASTERPLAN
CONFIGURATIONS
Skanderbeg Square (Albanian: Sheshi Skënderbej) is the main plaza of Tirana, Albania named in 1968 after the Albanian national hero Skanderbeg. At the time of the Albanian monarchy, the square was composed of a number of buildings that would eventually be detonated during the communist period. The square was composed of a roundabout with a fountain in the middle. Tirana’s Old Bazaar used to be established on the grounds of modern-day Palace of Culture, the Orthodox Cathedral at present-day Tirana International Hotel, while the former Municipal building on the grounds of where the National History Museum is located nowadays. The question of the revitalization of the square deals with issues concerning both the monumental and the everyday. A square only dealing with representing monumental ideologies is something of a past which we do not long to revitalize. On the other hand, we are convinced that a square only dealing with the everyday life, will not give any long term perspective to the development of Tirana and its citizens. The question is not to choose between the one and the other. The question is how the two of them can come together. This proposal creates a new starting point, rede¿ning the relation between the rigidity of the built environment and the fragility of everyday life. Given the chaotic and informal character of the city, a very simple and clear gesture will have a very strong impact. The city not de¿ned by its edges sprawling outwards, but by its core. We see the square as a space formed by the city surrounding it. The city giving way, like if it holds its breath for a moment. The square as a space where the chaos stops, allowing for something else to happen, whatever it might be. BUILDINGS
KIOSQUES
MIRROR
TREES
EXISTING BUILDINGS
GROUNDFLOOR
VIEWS
SECTIONS
COMPONENTS
CHINA CHARITY BUILDING
ИԢҸञⴽ ࢋ ⨝ם
tsinghua internal competition status 2012 year mixed use category 100 000 sqm, FAR 9.7 size cost / shenzhen, china location in wau design shenzhen, china office in collaboration with linshou wu project leader position 㛔㕡㟰㖐⛐⍹㋍⛘⛿䘬㚨⣏Ề≧ˤ ⮡⟼㤤徃埴㕳弔⎶炻ㆹẔᷢ⺢䫹㍸ὃḮ᷌᷒㚜⤥䘬㛅⎹ ℔⚕䘬奮奺炻性᷌㞳⟼㤤䘬⮡奮炻性䚜㍍大㗺ˤ ᷌᷒℔ℙ⸧⛢ᷢ⟼㤤㍸ὃḮℍ⎋䨢斜ˤġ ⛘⛿ᷕ⣖䘬忂 忻崟⇘徆㍍᷄大朊崘䘬ἄ䓐炻⎴㖞崘ἄᷢ⸧⛢䘬⺞ Ỡ炻ḇᷢ埴Ṣ㍸ὃḮⷎ⹕昊剙⚕䘬怖桶性暐䘬䨢斜炻 ⸞ᶼ㈲ᶨ⯪䘬⣏✳崭乏ⶪ⛢ᷢ㬳䕦Ṣ㚵≉䘬⯽奰䨢斜 俼䲣崟㜍ˤ⚈ᷢ䣦Ể㗗℟㚱⣂㟟⿏䘬炻ㆹẔ⺢孖⮮悐↮ 䩳朊 ㆸ⺨㔆䘬⼊⺷炻ἄᷢ剙⚕䨢斜ˤ剙⚕㖊㚱℔ℙ䘬 ḇ㚱䥩⭮䘬炻ᶶ䊔䩳䘬曚⎘䚠㭼炻⣏⯢⹎䘬剙⚕䨢斜傥 ㍸ὃ㚜⃭嵛䘬乧ẍ⍲㚜檀峐慷䘬䨢斜ṓ⍿ˤ≆℔㤤⍲ ỷ⬭㤤䘬䓐㇟⎴㟟⎗ẍἧ䓐℔ℙ䘬⯳栞剙⚕ˤ ❶ⶪ㗗ᶨ᷒傥ᷢᶵ⎴Ṣ佌㍸ὃ⃭㺉⎬䥵⎗傥⿏䘬Ṍ⼨䨢 斜䘬⛢炻ㆹẔ䘬⺢䫹ḇ㗗℞ᷕ䘬ᶨ悐↮ˤ This building is designed to play to the maximum advantage of the land. Rotating the two towers offers better perspective toward the park, and avoid a direct visual between them. Two public squares mark the towers entrances. A central passageway connects the squares as an extension, but also to provide pedestrian shelter with a patio and garden spaces, with large supermarkets and linking disabilities exhibition space. In order to stimulate social interractions and diversity, we recommend that part of the facades are made of open garden space. Gardens both public and private, compared with an independent terrace, large-scale garden space can provide plenty of light as well as higher-quality spaces. Both office and residential buildings, the users can use the same public roof garden. The city is a different populations communication space in the place is full of possibilities, our building is part of that.
CONCEPT SCHEMAS
GUIYANG BLOCK
)536+:/:/54 ,58 ' (25)1 /4 -;/?'4-
invited competition status 2012 year mixed use category 350 000 sqm, FAR 5.5 size cost / guiyang, china location in wau design shenzhen, china office in collaboration with linshou wu project leader position
The block is located in the hilly city of Guiyang, on the axis of the transtation on the east, along a big park on the west, and facing a residential area for administration people on the south side. The client, a producer of chinese rice wine, wanted 350 00 of office, residential, hotel and soho. The project should also contain a pedestrian leisure park with water and pavillions for selling and demonstrate the wine. One of the difficulties was a huge wine factory, standing in the middle of the block. We choosed to locate small residential towers along the park on the west, each with a private garden, with the two existing towers on south side. Their height gradually go down while the height of office towers gradually goes up. We used the topography to blend the facilities unto the landscape, respect the covering ration, and provide an important surface of green spaces. Between the residential and office “beads”, a soft and continuous leisure park connect all accesses and facilities. It contains pavillions, water attractions, and small intimate spaces.
MASTERPLAN
PLANS
BAIDU INTERNATIONAL TOWERS
घ֢چஎڏ⨝םউࠢھગઋ
international competition status 2011 year mixed use category 220 000 sqm, FAR 5 size cost / shenzhen, china location in aube design shenzhen, china office design architect position
Baidu.com, founded in 2000 by internet pioneer Robin Li, seeks to provide the best way for people to find what they are searching for on the internet. Its literal meaning in Chinese is “hundreds of times”, which represents persistency in every level. Baidu will start that construction of the South China headquarters in Shenzhen High Tech Industrial Park in Nanshan. Baidu headquarters will compose of two towers with an area of more than 220,000 square meters. The towers will also serve as the company’s international headquarters, their research and development center that features a combination of modern and traditional Chinese architectural styles. The building is planed to be finished in 2015 and can accommodate 10,000 employees. The company will be developing further their mobile Internet industry that will make their brand known globally. The Shenzhen headquarters will become the base camp for its platform for international development. The three centers (Baidu, Baidu southern China, Baidu scientific research center), two buildings, twins and connected with a footbridge, become a new complex in the city, a different scale, a different tone in the city center, open to the people to show. The facade is composed of a 1.4 meter modular frame, dividing each floor with three modules. Three kinds of glasses are used, according to orientation and functions : opaque, silkscreened glass, and transparent.
SITE STRATEGY MASTER PLAN
FACADE CONCEPT ORIENTATION AND VIEWS
TANGLANG TOWERS
घ֢چஎڏ⨝םউࠢھગઋ
international competition status 2011 year mixed use category 400 000 sqm, FAR 5 size cost / shenzhen, china location in aube design shenzhen, china office design architect position
As China’s first special economic zone, Shenzhen has brought miracles in urbanization, industrialization and modernization in the last 30 years. The overall competitive power of Shenzhen is second to Hong Kong, ranking first in mainland China. In this setting, we designed a 400 000 m2 of commercial, residential, hotel and facilities. Situated at the foot of the beautiful Tanglang Hills, Tanglang Towers are perfectly placed to capture the busy flows streaming along the number 5 Huan Zhong metro line and major new roads circling downtown Shenzhen. The skyline of the four towers’ differing heights (200m, 187m and 174m) echoes the mountainous landscape of the area. Together, they form a noble and elegant composition that will become the landmark of Tanglang. Tanglang Towers centre is also a world within itself in which the individual programmatic elements - hotel, commercial centre, offices, residences and underground parking - work harmoniously and synergistically. A series of stunning atria, a striking sky lobby, a rich green roof garden, and a spectacular central patio will turn Tanglang Towers into more than just a rest-stop along the Huan Zhong metro line or a local centre for the surrounding neighbourhoods; they will become a powerful, profitable and popular destination point.
SITE STRATEGY
VIEWS
SECTION
MASTER PLAN
SCHOOL AND REGION COUNCIL
HAGUENAU, FRANCE
international competition status 2008 year education, refurbishment category 2012 size cost / haguenau,france location in architecture studio office, paris, france office design architect position
The proposed restructuring of the island Foch in the heart of the city of Haguenau offers the opportunity to show the relevance of a policy that seeks to control urban development of a city shaped by a long history without refuse to project into the future. The design of the new high school in the heart of a complex of buildings built at different times is the expression of the development of the city in its history. Our proposal for the restructuring of the island Foch strives to enhance the buildings preservation. The layout of the house of the Department is thought of as a renaissance for these buildings, it can upgrade the interior spaces and define a new relationship with the urban space. The overall design of the island, where the old buildings are as important as new construction, can offer a new urbanity. The island is not considered as a closed space, such as a polycentric place with a separate street by walls and fences impassable heart, it loses its insularity island becomes an urban park designed as an ecological filter living the heart of the city that interacted with it.
SUSTAINABLE SCHEMA ENLIGHTMENT
VIEW
WATER MANAGEMENT
BUSAN CINEMA COMPLEX
SEOUL
BUSAN, SOUTH KOREA
1 km
DIGITAL MEDIA ZONE
TRUMP WI
DIGITAL MEDIA ZONE
TRUMP WI
PUSAN
CENTUM CITY, HAEUNDAE-GU
LOTTE DEPT
URBAN TRIBUNES/ MIXED USE
URBAN ENTERTAINMENT CENTER
KYUNGNAM IT COLLEGE URBAN TRIBUNES/ MIXED USE
BUSAN CINEMA CENTER
OUTDOOR MULTI-FUNCTIONAL THEATER
URBAN ENTERTAINME CENTER URBAN TRIBUNES/ MIXED USE
BCC FUTURE EXPANSION
6)0 &/9%2
2%34!52!.4
international competition status 2005 year public facility category 58 000 sqm size cost / busan, south korea location in coop himmleb(l)au ofÂżce, vienna, austria ofÂżce architect/internship position
PIFF CANAL PARK
APEC PARK
PIFF SITE
The basic concept of this project was the discourse about the overlapping of open and closed spaces and of public and private areas. While the movie theaters are located in a mountain-like building, the Centerâ&#x20AC;&#x2122;s public space is shared between an outdoor cinema and a huge public space which is called Red Carpet Area â&#x20AC;&#x201C; i.e. reception area. The Red Carpet Area is actually three-dimensional: across a ramp which leads along a double cone the guests of honour reach the reception hall. Each of the two areas is overarched by a huge roof, one of them measuring 60 x 120 meters â&#x20AC;&#x201C; the size of a soccer Âżeld â&#x20AC;&#x201C; and cantilevering 85 meters. The project addresses the theme of the roof as an architectural element â&#x20AC;&#x201C; a topic which COOP HIMMELB(L) AU has been concerned with for a long time. Already in the Renaissance and the Baroque era the roof is transformed into a cupola, thereby achieving a particular signiÂżcance. But it was Oscar Niemeyer and Le Corbusier who deÂżne the roof not anymore as a mere element of protection, but as a frame for the most diverse concepts. In Niemeyerâ&#x20AC;&#x2122;s house in Rio de Janeiro the roof is no longer following the Ă&#x20AC;oor plan, but is framing the view on the surroundings and nature. The roof of the UnitĂŠ dâ&#x20AC;&#x2122;Habitation in Marseille of Le Corbusier is itself a landscape through its sculptural articulation. Based on these ideas COOP HIMMELB(L)AU developed the roofs of the BMW Welt in Munich and of the Busan Cinema Center. The construction as a column-free roof covering a space comes closest to the idea of a â&#x20AC;&#x153;Ă&#x20AC;yingâ&#x20AC;? roof, which is further differentiated by its three-dimensionally articulated ceiling and therefore not only a horizontal projection screen.
SPORT AND AQUATIC CENTER
SAINTE MENEHOULD, FRANCE
international competition status 2009 year public facility category 10 000 sqm size 13 M € cost sainte menehould, france location in dumont legrand of¿ce, paris, france of¿ce design architect position
The proposed aquatic sports center is implanted at the foothill of Sainte-Menehould between the train station and the Aisne river. To build a environmental friendly and energy ef¿cient building, we propose an architecture sensitive to the topography and natural light in building a harmonious sport and fun complex between urban and rural practice. The aquatic complex with mainly a competition pool, a leisure pool and learning pool have a water surface at about 640 square meters. The sports complex with mainly a tennis court, gyms, martial arts, ¿tness, dojo have an area of approximately 2045 square meters.
MASTERPLAN
PLAN LEVEL 0
INDOOR SPORT HALL
The building, compact and designed on a rectangular plan, ¿ts naturally into the site. Games enliven the roof silhouette sports and aquatic center and echoes reÀections and hilly landscape. The wood material predominates and is implemented for the structure, framing and insulation. In addition, the general organization of the building is based on an optimal response to sunshine expected for each activity. Finally, we propose that the site is a highlight of the experience for both residents and building an event that allows everyone to take ownership of the future public building.
INDOOR SPORT HALL
FRENCH ARCHAEOLOGICAL MISSION IN BAMIYAN, AFGHANISTAN PROSPECTING AND EXCAVATING BAMIYAN
2008 year archaeological mission category size / cost / bamiyan, afghanistan location
national geographic society, d.a.f.a., association scienti¿c for the protection of afghan archaeology partners
ORIENTAL MONASTERY REMAINS PLAN
ROYAL MONASTERY - BIG STUPA
architect position Bamiyan (Pushto:Ώϡ̵ϥ Persian: Ώϡ̵ϥ BƗmyƗn˪), a Àagship site in Central Asia, located on an ancient road between India and China and famous for its Buddhist antiquities, owes its archaeological reputation to the giant Buddha statues (55 m and 38 m in height) carved into the north Great Cliff of the valley. It was also famous for its troglodyte occupation: cells of Buddhist monks, sanctuaries, chapels built into the rocky walls of the Bamiyan Valley and adjacent Foladi, Kakrak and Khwadja Ghar, etc. valleys. According to a Muslim chronicler, there were twelve thousand of these types of rupestrian excavations at Bamiyan - most of the caves being stuccoed and decorated with wall paint or with clay or stucco modelling. The tale of the famous Chinese pilgrim, Xuanzang who visited Bamiyan in 632 tells of the existence of resplendent giant Buddha statues and a city surrounded by ramparts like the capital of a kingdom (the “Royal City”) partly backing up against the mountain on the north side. He also tells of several dozen monasteries, one of which housed a one-thousand foot long Buddha lying in a state of parinirvana. Several soundings were also carried out by French archaeologists in cave G, on the citadel of Zohak and Gholghola, but no extensive excavations were conducted. As the architect of the mission, my task was to create a grid on the complex topography of the valley and cliffs, as a tool to locate the remains and decide the future excavations with Prof. Tarzi. I had to secure the excavations, make drawings of the remains, and make hypothesis about what we found. We worked mainly on the Oriental Monastery area, and excavated a new site between the two big Buddhas, called the Royal Monastery.
GROUND FLOOR PLAN 1/500
DIAMONDS / БУБНЫ
A101 URBAN BLOCK COMPETITION, MOSCOW
international competition status 2010 year masterplaning category 36 000 sqm / block size cost / moscow, russia location
B4B4B4
TYPICAL PLAN 1/500
in collaboration with antoine brochard office design architect position
PLANS
APPARTMENTS TYPES CONFIGURATIONS
MASTER PLAN
The design challenge is housing 150,000 people for a new city near Moscow.The buildings forming a typical neighborhood can be united in various combinations – a significant number of variations can be created with the use of a limited quantity of blocks. Thus, it makes the project truly typical, affordable and multi–functional on the one hand and on the other hand it avoids dull and ordinary architectural solutions that are common for residential districts. This allows each neighborhood to develop individually according to its needs. This solution offers new opportunities for perfecting of low-cost but high quality municipal buildings technologies and also enables the solution of the issue of typical building aesthetics. DIAMONDS is more than a simple plot in a housing area. It’s a city in itself. It includes two alleys, a square, a mixed-use base, four community gardens and four housing units with private balconies. While the perimeter of the plot is clearly defined by retail shops, public facilities and offices, the project creates a subtle gradation between a vivid public space and more and more private spaces. Design comes out of an X-shaped car park which enables a pleasant pedestrian space. Towers are slightly lengthened, a simple geometry that makes repetition a surprise. The volumes are extended by large loggias, generating diversity in their variations. Number, orientations, heights and positions of the housing units allow the project to fulfill effectively both high and low density, to combine small apartments, two-side oriented ones and penthouses, to create multiple urban blocks, all familiar, all different.
TREASURE ISLAND
SUSTAINABLE DEVELOPMENT OF GADEOKDO, SOUTH KOREA
international competition status 2010 year masterplaning category 22.5 sqkm size cost / gadeokdo, south korea location in collaboration with jean marc pitet, of¿ce antoine brochard, jeremy debois design architect position
MASTER PLAN
Gadeokdo faces massive changes.The surroundings of Gadeokdo are evolving quickly… Soon, the motorway to Geoje will cross the island, the huge land¿lls of Busan port will be completed and the location of the new regional airport may highly affect the island. Thus, Gadeokdo will no longer consist of a beautiful untouched scenery welcoming casual Busan hikers but rather in an infrastructural territory driven by global exchanges. But does standing for modernity necessarily require to forget a landscape slowly shaped by traditional farming or a territory composed of small ¿shermen villages? This situation is maybe not so contradictory. Maybe new global uses, both exciting and impending, may upgrade local conditions and de¿ne a new urban system for Gadeokdo… Treasure island. Gadeokdo is already a fantasy. Its landscape recalls many masterpieces, from Robert Louis Stevenson’s adventure novel to Jean-Luc Godard’s Mediterranean Le Mepris, or the peaceful atmosphere of Yakcheon-sa temple. Considering topography as the main quality of Gadeokdo, the project aims to use it as a brand. To preserve natural areas as much as possible, the project develops four major ideas: - Install a soft network of transportation mainly based on alternative options - Turn cultivated areas in valleys into leisure facilities - Promote compact urbanism which intensi¿es the many villages on the island - Conceive Nulcha land¿ll as an ecological opportunity to locate both metropolitan and sustainable facilities in direct connection to the island without remodelling it. Our vision for Gadeokdo is challenging: amazing paths leading from one glen to another, villages appearing as jewels among the creeks, leisure activities overlooking coastal sightseeing and Nulcha City like a vessel berthing on Gadeokdo. Welcome to Treasure Island! Urbanism on the move. Considering the Island as a whole resort, the way every program connects the others is critical. Mobility can be a collective experience, a new leisure in itself. By exploring the island, the tourist population in movement will experience new identity of the island.
DAEDALUS (OF COLLECTIVE BOOTHS)
6e FESTIVAL DES ARCHITECTURES VIVES, 2011, MONTPELLIER FRANCE
international competition status 2011 year installation category courtyard size in collaboration with Sejun Wang office Taeck Gu Lee
DEDALE (D’ISOLOIRS COLLECTIFS) DEDALE… Au lieu d’y tuer le monstre, préférons nous y perdre ensemble. DEDALE est un jeu, une marelle pour jouer à « chat », les méandres d’une quête méditative dont on cherche le message caché, un archipel d’isoloirs que l’on partage, la Bagatelle d’un Poucet semant ses cailloux dans le creux des arbres… Héritier des labyrinthes du XVIe siècle dévoués au plaisir de se perdre, forêt de bosquets mystérieux où pénétrer revient à s’isoler avec d’autres en rencontrant le hasard du jeu, miniature d’une ville-médina ou vaste marelle aux cases lumineuses, DEDALE organise la rencontre… Couvrant la totalité de la cour, une canopée en un grand filtre textile transparent à la géométrie d’obliques vient chercher le sol en « pièces », « bosquets » tous différents, tantôt opaques et tantôt transparents, vastes ou étroits, colorés ou filtrants, disposés pour créer des méandres et des coudes. Le visiteur s’y cherche un chemin, des repères, frôle d’autres personnes dans des espaces étroits, entre dans les pièces de lumière, s’y attarde ou s’y cache. Chaque pièce est un système de lumière différent, chacune offre des dispositifs différents de repos, les conditions d’un échange, à l’image d’isoloirs devenant collectifs.
SKY VIEW
CONSTRUCTIVE SCHEME
SECTION OF PRINCIPLE
ONE METERS HOUSES
SHINKENCHIKU RESIDENTIAL COMPETITION 2008, JAPAN
international competition status 2008 year residential category hypothetical size in collaboration with Jean Marc Pitet office Antoine Brochard, Jeremy Debois
In a hypothetical Garden City grid of 36m by 36m, the assignment is to design four houses in any configuration, on a four square grid inspired by the Nine Square Grid of John Hejduk. According to the formal spatial structure of the 9 meters grid, One meter houses proposes a speculation on sprawling city based on subterranean patio houses. One meter is the limit !, this project produces the urban condition of an imperceptible urbanism. One meter houses is not a garden-city, but a landscape-city. One meter houses is not an infinite suburbia, it’s a suburbanism: a complete mutation of the wastelands within the city. In a way, One meter houses is an urban public park more than a housing residential development. One meter houses is based on two different typologies, the In-Type, centered on a void, is a turning and going down house, the Out-Type, nested in a continuous sloppy garden. Both aim at sustainable development and benefit of thermal inertia. Combining sloppy gardens, virtual transparency, outside rooms, deep patios, the floors of the houses are pieces of a true, complex topography.
SECTIONS ON THE 36M SQUARE
PLANS
SCHEME
SAISON EN COUR
FESTIVAL DES ARCHITECTURES VIVES, 2008, MONTPELLIER FRANCE
international competition status 2008 year installation category courtyard size in collaboration with Sejun Wang office
Méthode : dans le couloir, les visiteurs sont invités à se munir d’une feuille de papier, de la plier comme ils l’entendent, de la nouer sur la sculpture afin de laisser une trace de leur venue. Toutes ces traces accumulées vont peu à peu définir des espaces que la sculpture avait simplement laissé imaginer, nue. La cour qui semblait saturée de câble et de barres évolue vers un ensemble complexe de facettes vivantes venant augmenter son volume, elle devient un terrain d’évolution se proposant de modifier peu à peu la perception du lieu historique par un ensemble de mouvements et de transparences. Matériel : une sculpture en tenségrité, constituée de barres et de câbles, système rigide et spectaculaire, support de notre intervention, créatrice de facettes et d’espaces. Notre projet s’inspire des Omikuji. Ce sont de petits papiers noues autour de fils ou de petites structures dans les temples au Japon.
EVOLUTION DE LA SCULPTURE DANS LE TEMPS
INSPIRATIONS : LES SCUPTURES EN TENSEGRITE, LES OMIKUJI
VUE DE LA COUR HISTORIQUE