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[REVIEW]

[REVIEW] War, Loss and Hope War, Loss and Hope

Upstream eater’s e Good Ship Upstream eater’s e Good Ship St. Louis reveals the stories of St. Louis reveals the stories of refugees seeking a new home refugees seeking a new home Written by

Written by TINA FARMER TINA FARMER

The Good Ship St. Louis The Good Ship St. Louis Script by Philip Boehm. Music by Anthony Barilla. Presented by Upstream Theater through Sunday, November 20. Showtimes vary. Tickets are $25 to $35.

One of the most disturbing outcomes of war is the displacement of people from their homes. Philip Boehm’s heartfelt The Good Ship St. Louis tells the story of Jewish people seeking a new home and an opportunity to live without persecution. Produced by Upstream Theater, the world premiere play with music by Anthony Barilla is, at times, incredibly evocative and haunting.

Susan, a registered nurse, recently lost her parents to COVID-19 and is sorting through their attic when she finds a small valise. The case contains several items: newspaper clippings, a few letters, a very nice pair of opera glasses, and such. These lead her to discover the story of the MS St. Louis and her past.

In Hitler’s Germany, Jews who could afford the passage were quickly filling ships and fleeing their homeland for safety. The 3,000 who boarded the MS St. Louis and two other ships departing in May 1939 were among the last allowed to leave. On board were Herbert, a German, and his Polish wife Rosa, a young couple in love and hopeful. Their journey takes them to Cuba, up the coast of the Americas and back toward Europe. Finally, they are allowed to disembark in Belgium. Soon, the same war they fled arrives on their new doorstep.

Kari Ely is transparently vulnerable and innately curious as Susan, and she is our emotional guide through the densely layered show. Jeff Cummings and Nancy Bell are a touch ethereal and so well matched as Herbert and Rosa. We easily feel their every reaction, fear, disappointment and hope. Peter Mayer brings gravitas and a touch of humility to Captain Gustav Schröder, though he has the thankless task of doing much of the narration. Eric J. Conners, Kathleen Sitzer, Christopher Hickey, Sarah Burke, Tom Wethington and Miranda Jagles-Felix offer strong support

in a variety of roles. Unfortunately, it is the “variety of roles” that proves problematic. The carefully crafted script contains the seeds of stories for so many traveling on the ship, presenting a perfect opportunity to show more and tell less. Playwright Boehm does himself as director and the performers a disservice by introducing too many other immigrant stories. In this reviewer’s opinion, the over-inclusion treats these stories as a bit of an afterthought, diminishing their importance. The production includes a number of transformative and Script by Philip Boehm. Music by Anthony deeply moving scenes involving the priBarilla. Presented by Upstream Theater through Sunday, November 20. Showtimes vary. Tickets are $25 to $35. mary story. Creating more space for resonance through a single focus may better build empathy for broader truths about O ne of the most disturbing outcomes of war is the displacement of people from their homes. Philip Boehm’s heartfelt The Good Ship St. Louis tells the story of Jewish people seeking a new home and an opportunity to live without persecution. Produced by Upstream Theater, the world premiere play with music by Anthony Barilla is, at war and its refugee victims. No matter where in the world the fighting occurs, war inevitably causes the loss of life and home for those in its path, creating a wave of immigrant refugees seeking a new home. Such was the case for the Jews who embarked on the cruise liner MS St. Louis, as well as the thousands of current refugees just beginning a life in a new country or still looking for a place to call home. n

times, incredibly evocative and haunting.

Susan, a registered nurse, recently lost her parents to COVID-19 and is sorting through their attic when she finds a small valise. The case contains several items: newspaper clippings, a few letters, a very nice pair of opera glasses, and such. These lead her to discover the story of the MS St. Louis and her past.

In Hitler’s Germany, Jews who could afford the passage were quickly filling ships and fleeing their homeland for safety. The 3,000 who boarded the MS St. Louis and two other ships departing in May 1939 were among the last allowed to leave. On board were Herbert, a German, and his Polish wife Rosa, a young couple in love and hopeful. Their journey takes them to Cuba, up the coast of the Americas and back toward Europe. Finally, they are allowed to disembark in Belgium. Soon, the same war they fled arrives on their new doorstep.

Kari Ely is transparently vulnerable and innately curious as Susan, and she is our emotional guide through the densely layered show. Jeff Cummings and Nancy Bell are a touch ethereal and so well matched as Herbert and Rosa. We easily feel their every reaction, fear, disappointment and hope. Peter Mayer brings gravitas and a touch of humility to Captain Gustav Schröder, though he has the thankless task of doing much of the narration. Eric J. Conners, Kathleen Sitzer, Christopher Hickey, Sarah Burke, Tom Wethington and Miranda Jagles-Felix offer strong support in a variety of roles.

Unfortunately, it is the “variety of roles” that proves problematic. The carefully crafted script contains the seeds of stories for so many traveling on the ship, presenting a perfect opportunity to show more and tell less. Playwright Boehm does himself as director and the performers a disservice by introducing too many other immigrant stories. In this reviewer’s opinion, the over-inclusion treats these stories as a bit of an afterthought, diminishing their importance. The production includes a number of transformative and deeply moving scenes involving the primary story. Creating more space for resonance through a single focus may better build empathy for broader truths about war and its refugee victims.

No matter where in the world the fighting occurs, war inevitably causes the loss of life and home for those in its path, creating a wave of immigrant refugees seeking a new home. Such was the case for the Jews who embarked on the cruise liner MS St. Louis, as well as the thousands of current refugees just beginning a life in a new country or still looking for a place to call home. n

Rosa (Nancy Bell) and Herbert (Je Cummings) Rosa (Nancy Bell) and Herbert (Je Cummings) are hopeful young émigrés. | COURTESY are hopeful young émigrés. | COURTESY UPSTREAM THEATER UPSTREAM THEATER