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FOLIO OF WORKS Evgenia- Maria Makroglou
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Notes : All the projects presented here, contain my personal participation throughout the whole synthetic, design and presentation process. All the members of the team had equal roles. 1, 4,5,6: Group projects - collaborator: Aikaterini Christopoulou | 2: Group project/workshop- collaborators/tutors: Eftihis Efthimiou, Aris Spirou, Pavlos Fereos, 10 participants| 3: Group project/workshop- collaborators: Evangelia Argyrou, Giorgos Kourakos, Eleni Pourdala| 7. personal project| 8: a. competition, b. design made for ANTONAS office
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TABLE OF CONTENTS 6
1-PRINT YOUR UTOPIA
Historic Centre of Athens, Greece | Design Thesis | Fall 2014 Supervisor: Prof. Panos Dragonas
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2-CONTOUR BENCH
Athens, Greece| Digital Fabrication workshop | February 2016 Tutors: Eftihis Efthimiou, Aris Spirou, Pavlos Fereos, decode fab lab
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3-CODE AB-USE
Patras, Greece| workshop in MEL| Spring 2013 Tutors: Yannis Zavoleas, Demetri Zisimopoulos, Vassili Pappas, Vasilis Stroumpakos, Ioanna Symeonidou
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4-CINEMA PARK
Patras, Greece| Design Studio 8 | Spring 2012 Supervisor: Prof. Panos Dragonas
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5-KUNSTHALLE
Patras, Greece| Design Studio 6 | Spring 2012 Supervisor: Prof. Andreas Angelidakis
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6-EXHIBITION PAVILLION
Falhro Esplanade, Greece| student competition, Stavros Niarchos Foundation| Spring 2013
7-THE SWIMMING POOL Research Thesis | Fall 2013 Tutors: Panos Dragonas
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8-OTHER ACTIVITIES
PRINT YOUR UTOPIA 6
3D PRINTING FACTORY HISTORIC CENTRE OF ATHENS| DESIGN THESIS| FALL 2014
Print your Utopia
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-In a near future, in 2036, the center of Athens has been deserted. A collective group of scientists have occupied the abandoned Building Block 10. They use 3d printing machines in order to reform the buildings. The reproductive properties of the 3d printers allow them to regenerate themselves and sprawl to the whole building block. A 3d-printing factory is created at the core of Building Block 10. It is a growing and vital system which is activated and continuously supplied by the 3d printing process. In this factory there is neither an assembly line, nor stock of products. The production process corresponds directly to the purchasing decision. In other words, a constant interaction between production and consumption is achieved through customization. This interaction is based on a web system. At the production halls, the machines generate the production. They print objects from scratch. The processing and the assemblage of individual parts are replaced by a holistic production that doesn’t have distinctive construction stages. The Information Tower operates as a collector and manager of the online information and orders that are entering the system. The Information Tower is the communication link between the factory production and the consumption desires. Orders are retransmitted from Information Tower to the Factory Tower- the brain of production process. There, workers are designing the customers’ orders. The production that is sprawling throughout the building block is controlled from there. Any error inside the system is automatically detected and fixed. The Tower functions as a potential panopticon of network production. The whole system is reinforced not only by the hypertopical market that it creates by itself, but also by the commercial activities that take place at the ground floors of its buildings. The autonomous community is completed with the installation of 3d printed residential units that are designed in the form of the minimum human habitation. Building Block 10 has become a machine itself. Its community produces and at the same time reproduces and determines itself.-
CHAPTER 1 The Staircase- An endless performance At the core of the building block, the uncovered space of the ground floor has been expanded. Tall buildings that stand around, have revealed their insides. Their sides are no longer compact. Glass dresses them. It exposes their insides and the remains of their original form. Through their transparent shell, you can see the machines working ceaselessly. In the center of the uncovered space, stands the staircase. Its shape is irregular. The staircase, looks like a balcony of theatre on the big stage of the building block. The production process becomes a spectacle. The relics of the buildings constitute the scenery for a new era.
The Factory. View of a factory hall
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Print your Utopia
CHAPTER 2 The Factory- Generating Materiality At the production halls, the machines generate the production. They print complete objects from scratch. The treatment and the assemblage of individual parts are replaced by a holistic production that doesn’t have distinctive construction stages. Zion8 alerts the beginning of a new print job. The pink-robe clad worker will set in motion the immobile conveyor belt. In this factory the conveyor belt is just a remnant of its traditional usage. The unstoppable flow of parts waiting to be assembled has been replaced by a slow and fragmented motion. Nowadays, the conveyor belt transfers complete products.Everything here functions as a skewed memory of the traditional factory.
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The Factory Tower. 3d section inside the factory main hall
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Print your Utopia
CHAPTER 3 The Factory Tower- A brain’s anatomy Printing from 7axisMR35 has unpredictably stopped. From the Factory Tower, worker goes down with the glass elevator in order to control the damage. Among the cut slabs of the five storey building, stands the tower. Factory tower is the brain of the production. There, workers are designing the customers’ orders. The production that is sprawling throughout the building block is controlled from here. The Tower functions as a potential panopticon of network production.
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The Information Tower. 3d section inside the factory main hall
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Print your Utopia
CHAPTER 4 The Information Tower - Print your Utopia The large monitor flickers. An order has just been delivered at the tower. Workers classify the customers’ digital orders and requests. Most products that are produced in Building Block 10 start their route here. The Information Tower is the communication core between the factory production and consumption desires. A worker checks the client’s personal information and the order demands. He files it in the right category. Then it will be sent to a suitable machine to be printed. Small-scale printers are arrayed on small pedestals around the large glass tower. Two women are adjusting one of the machines and are ready to print their object. A worker stationed in a glass canopy oversees them from afar. The printing process is estimated to last about an hour. This is enough time for them to roam around the building block. CHAPTER 5 Agora- Food for Thought They reach the fourth floor. The buzz of talking gets louder. People, either sitting, or standing are having conversations. The space opens. Columns, walls and staircases are brought out, uncovered. The uncovering of the elements of the building lures the visitors to uncover themselves. The tempting smell of food reminds everyone that it is noon. Food printing machines are arrayed around the large cylinders.A man types the code of the food he wants to print and places his plate under the machine. He sits with two strangers at one of the tables arrayed around the cylinders. They will eat and talk. In the naked concrete space, people feel equally by eating.Their common need of food emphasizes their humane existence. This will bring them closer and help them communicate.
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The skyline. view of the new 3d- printed Athenian skyline
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Print your Utopia
CHAPTER 6 The skyline-Visions of Reality
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The hut. 3d section of the 3d-printed dwelling unit
The woman in the white dress stands at the edge of the rooftop. She gazes the city. Around her, white prismatic dwelling units appear among the staircase rooms. The sun shines brightly on their walls. It transforms them to diamonds, standing on top of the naked ruins. “Print Your Utopia�. The poster at the old party wall is half torn. The body of a sitting girl appears from the window of one of the white volumes. It is morning and shadows are falling dark on the naked surfaces of her room. Curled on her elevated mattress, she looks out of the window .The bright light helps her to absolutely concentrate on what see stares upon and on her thoughts too. A mass of buildings is spread in front of her. In vain, she attempts to detect a human presence across the opposite buildings. The image of the Athenian skyline is enough to remind her the social fermentations and interactions that happened in the last 60 years in the city. She lives above the city, on the margin of Athens. She lives in a space of insulation and meditation. The distance from the ground reinforces her pursued isolation. She needs this isolation to create her own utopian world. Slowly the room starts to get filled. Furniture, objects, stairs, all custom made by the machines of Building Block 10 will complete the space. The home that has been printed by its resident stands on top of the city taking the form of a contemporary hut.
MASTERPLAN
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Print your Utopia
EPILOGUE The Athenian skyline has been changed. These new forms of housing start to be visible every passing day on top of the remnants of the roofs. The new ground of Athens stands on the highest trace of its past. Building Block 10 has become a machine itself. Its community produces and at the same time reproduces and determines itself. Building Block 10 represents the city itself. Athens became a machine of itself, recreated on its own and flourished on the remains of its ruins.
Masterplan
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physical model- Factory Tower, residential units
deconstruction of the Athenian Polykatoikia-3 stages
Print your Utopia
physical model- view from Evripidou str.
physical model- view from Sofokleous str.
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CONTOUR BENCH 22
DIGITAL FABRICATION WORKSHOP| FEBRUARY 2016
Contour bench
Contour bench is a triaxial object, designed parametrically to be fabricated by CNC milling in a 1:1 scale. It consists of three parts, each of which constitutes a seperate object. The bench can host 3 individuals. Originally, it was designed as a solid object. Subsequently, the form was divided in three parts, in order to be easily fabricated, and each of its parts was decomposed into its contours. The bench is constructed by plywood surfaces of 10mm. Each of the contours- plywood surfaces has a distance of 12mm from each other. The plywood surfaces are joined with spacers . Long head screws batten the whole structure.
exploded diagram
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solid model
solid 3d-printed model
model with contours
physical model with contours
Contour bench
spacers,12mm
spacers,12mm
screw, 7.5mm plywood surfaces, 10mm screw, 7.5mm
3D CROSS-SECTION
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2.00
0.45
SECTION A-A
Contour bench
A
A
PLAN
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CODE AB-USE 30
WORKSHOP, Maya Embedded Language (MEL)| Prototypes| SPRING 2013
repetition of prototype 1
ab-use
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prototype 1- lattice- array
prototype 2- extrude and repetition on a line
prototype 3- repetition of cylinders based on sin functions
CINEMA PARK 32
PATRAS| DESIGN STUDIO 8| SPRING 2012
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Cinema Park
Approaching the Charadros stream area we observe that the landscape is deeply scarred by the forces of nature. The stream, the intense topography, the strong winds in the winter, the insufferable heat in the summer which causes river’s desiccation. We use as a referance the rough landscape of desiccated rivers and we geometrize it. As a result a new triangled topography is created that highlights the forces of nature, sculpts the area and forms the buildings (cinema multiplex-moving pictures museum). The whole work is a reference to the forces of nature and the vast changes that they induce to the landscape. Different angles of triangles are used in order to create natural conditions for several functions and spaces, such as the pedestrians’ routes, slopes for walking, seats. The pedestrian routes are differentiated from the car routes. Pedestrians can stroll around the park along predefined or not paths , whereas the cars move along in the gutter between the two buildings. The intervention reaches its climax in the vast public space on the roof of the two buildings , which also is the start point of all pedestrian routes.
cinema multiplex_ moving pictures museum
drive-through route pedestrians’ paths
the river
new topography river’s dessication
the river
triangular landscape
conceptual diagram
exploded diagram
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physical model
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night view of the open-air cinema
view of the car’s route, through the buildings
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MASTERPLAN
MULTIPLEX PLAN
SECTION B-B
Cinema Park
view of the pedestrians’ route
view of the roof
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KUNSTHALLE 38
PATRAS| DESIGN STUDIO 6| SPRING 2011
Kunsthalle
Considering the characteristics of this area, which is located on Patras downtown we create a building that incorporates the urban landscape. We reclaim the main unbuilt area of the block (site of intervention), creating a building, which is developed mostly under the land surface. The building is treated like an object, which has touched the carved ground , creating gaps on his perimeter. It develops under the ground, in order to reclaim the topographical differnces that exists in the site. We create a common urban space on the top of the building, which connects not only city with school, but also school with Kunsthalle. Slits on the top of the building in the daylight allow it to be naturally lightened, whereas during the night , interior artificial lighting interacts with city lights.
conceptual diagram
exploded diagram
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view of the children’s exhibition space
view of the amphitheatrical exhibition space
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FIRST BASEMENT
SECTION A-A
THIRD BASEMENT
SECTION B-B
EXHIBITION PAVILLION 42
FALIRO ESPLANADE| STUDENT COMPETITION, SNF| SPRING 2013
Exhibition Pavillion
We imagine the site as a three-dimensional solid object, which we transform varyingly according to certain orientation and functional factors .This cube consequently transforms to a spiral-like mass. The key factor is the orientation of our building towards the construction site . Resulting, the northwest side rotates towards this direction. The visitors of the building may come from two different directions on the Esplanade, so the entrance side of our building rotates in such way to serve both routes in the most efficient way. We elevate the main building mass, so as to, firstly, offer the maximum height and width of view towards the construction site to the visitors and secondly, reclaim the ground floor as a public space and meeting point on the same level with the Esplanade. The now elevated main building mass is accommodated with a ramp that starts from the ground floor public space, continues in a spiral way creating the reception, exhibition and secondary spaces on the first floor and ends as the supreme point of the building, having thus created a spiral terrace. This terrace offers the highest observation point of the building (10 m. height) and also serves as an event space.Finally,we “push� the last and highest segment of the ramp towards the construction site,offering maximum field of vision to the visitors as he ascends the building.
site plane
site plane extrusion
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reception exhibition ramp projections theater wc/ kitchen/ storage space elevator observation ramps semi- indoor ramp
masterplan
rotate north-west side towards the construction site
rotate south-east side towards the pedestrian route
exploded diagram of uses
elevation
circular route
push upper volume towards the construction site
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night view of the public space in the ground floor
night view of the building
front view
Exhibition Pavillion
GROUND FLOOR
FIRST FLOOR
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THE SWIMMING POOL DECONSTRUCTION OF THE AMERICAN POOL| RESEARCH THESIS| FALL 2013
The formation, spreading and deconstruction of a living standard is a complex procedure that demands many years to be executed. One of the most popular “blissful” living standards is the swimming pool. In this dissertation, we chronicle and analyze the conditions under which this living standard was created, highlighted and then, deconstructed. At last we point out the results of this particular procedure. The research starts from the 1900’s affluent American suburbs concentrating on the mansions and estates, and then focuses on the chronicling of the post-war socioeconomic changes, concluding to the current socioeconomic crisis.
Case Study House vo. 20, Julius Shulman
The swimming pool
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Selected bibliography
conceptual diagram of Hollyhock House
Table of Contents
Introduction PART 1 From public to private pool 1.1 The background of the pool| 1.1.1 Piscine|1.1.2 The public swimming pool| 1.2 The former types of swimming pools| 1.2.1 Indoor swimming pools- play/pool house| 1.2.2 The monumental character of the outdoor swimming pools | 1.2.3 Swimming pool in the organic architecture of Frank Lloyd Wright | 1.2.4 The new ground of the swimming pool| 1.3 Living standards during the early twenties| 1.3.1 Entertainment and sports| 1.3.2 Teatra Mundi | 1.3.3 The Roaring Twenties PART 2 The spread of post-war living standards 2.1 The progress of typology and the dominance of free forms| 2.1.1 The progress of swimming pool’s form| 2.1.3 The transparency of privacy 2.1.4 Underground residencies- from exterior to interior| 2.2 An expression of the American Dream| 2.2.1 The spread of new Hollywood standards: bliss, hedonism and hydrophobia| 2.2.2 The spread of American Dream through magazines| 2.2.3 The architecture of case study houses|2.2. The spread of living standards through Julius Shulman’s photographs| 2.2. Swimming pool in David Hockney’s artwork| 2.3 Towards a Consumer ociety
A.P. van Leeuwen Thomas, [1998], The Springboard in the Pond, Cambridge: Graham Foundation/MIT Press|Church Thomas, [1969], Your Private World: A Study of Intimate Gardens, San Francisco: McGraw-Hill| Colomina Beatriz, [2001], Domecticity at War, Cambridge: MIT Press|Dawes, Design and Planning of Swimming Pools| Dunlop Beth, [1999], Frank Lloyd Wright, London: Phaidon Press|Hess Alan, [1999], The Architecture of John Lautner, London: Thames & Hudson|Hine Thomas, [1986], Populuxe: New York: Knopf| Levine Neil, [1995], The architecture of Frank Lloyd Wright, New Jersey: Princeton University Press| Martin Richard & Koda Harold, [1990], Splash! A History of Swimwear, New York: Rizzoli|Melia Paul & Luckhardt Ulrich, [1994], David Hockney, Munich: Perstel Verlag|Rasmussen Steen Eiler, [1962], Experiencing Architecture: MIT Press| Rosa Joseph, [2008], A constructed View, The Architectural Photography of Julius Shulman, New York: Rizzoli|Roth Leland, McKim, [1983], Mead & White, Architects, New York: Harper and Row| Smith Elizabeth A.T. , [1999], Blueprints for Modern Living: History and Legacy of the Case StudyHouses, Cambridge: MIT Press|Swayze Jay, [1980], Underground Gardens and Homes: The Best of Two Worlds- Above and Below,Hereford, TX: Geobuilding Systems
conceptual diagram, based on “The Great Gatsby”
Arrango House
PART 3 Deconstruction of the swimming pool 3.1 The collapse of the American Dream| 3.2 The collective side of the swimming pool Conclusion
Bill Owens He’s a typical Californian who doesn’t know how to relax
abandoned pool, “Cannonball”
OTHER ACTIVITIES 48
GRAPHIC DESIGN COMPETITIONARCHEOLOGICAL RECEIPTS FUND, GREECE| DECEMBER 2015
THE SPHINX
RHYTON IN THE FORM OF BULL’S HEAD
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PROTOCOLS OF ATHENS| ANTONAS OFFICE| SWISS ARCHITECTURE MUSEUM, BASEL| MARCH 2015
4THPROTOCOL/ARTiCLe1COnCePTsOfDiAgOnALCOmmOnHOLDAnDPLAneADiAgOnALCOmmOnHOLDisDefineDAsTHeDefACTOfORmOfAnACTOfCOmmOnPOssessiOnOveRAPLAneORAmuLTiTuDeOfPLAnes,fORTHePuRPOsesOfCOmmOnuse.ADiAgOnALCOmmOnHOLDDOesnOTgiveRiseTOAnyPROPRieTARyRigHTs.APLAneisDefineDAsTHeDeTeRmineDsPACeinwHiCHisesTAbLisHeDADiAgOnALCOmmOnHOLD.THeDiAgOnALCOmmOnHOLDOfAPLAneinAPRivATeCO mmeRCiALsPACe,ORAmuLTiTuDeOfPRivATeCOmmeRCiALsPACes,RenDeRsTemPORARiLLyDORmAnTTHePROPRieTARy OwneRsHiP,ORCO-OwneRsHiP,OfTHePARTiCuLARPRivATeCOmmeRCiALsPACeORmuLTiTuDeOfsPACes.ADeTeRmineDPLAne,fORTHeDuRATiOnOfADiAg AuTOnOmOusfieLDOfDiAgOnALCO RPOsesOfCOmmOnuse./ARTiCLe2/ fineDAsTHeTyPeOfuseTHATCOn ,OCCuPATiOnAnDfunCTiOn,wHiCHT sinAPRivATeCOmmeRCiALsPACeORmuL-
2NDPROTOCOL/ARTICLE 2/CONCEPT OF DIAGONAL COMMONHOLD/ A SPACE CHARACTERIZED AS AN INDETERMINATE SPACE CAN BE SUBJECTED TO A DIAGONAL COMMONHOLD FOR THE PURPOSES OF COMMON USE BY A TEMPORARY DE-FACTO OCCUPATION THAT RENDERS ANY EXISTENT PROPRIETARY STATUS DORMANT. A DIAGONAL COMMONHOLD DOES NOT GIVE RISE TO ANY PROPRIETARY RIGHTS./ ARTICLE 3/CONCEPT OF COMMON USE/A COMMON USE IS DEFINED AS THE TYPE OF USE THAT CON-
byDiAgOnALCOmmOnHOLDenTAiLsTiOnOfRegisTeReDmembeRsOfTHe nATiOnAnDfunCTiOn.ACOmmOnusD
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4th Protocol / Where an agglomeration of radically nonused private commercial spaces are programmed by the diagonal commonhold as a rhizome of planes, allowing nonproprietary and nonprofit common uses.
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TARyCLAims./ARTiCLe3/COnCePTO-
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SISTS OF AN OPENLY ACCESSIBLE, NOT-FOR-PROFIT, OC-
HesTATeOfDiAgOnALCOmmOnHOLD,AsAResuLTOfTemPORARynOn-use,beCOmesTemPORARiLyvALiDfORATeRmOffive yeARs,unLessORunTiLAfORmALObjeCTiOnTOiTisRAiseD./ARTiCLe5/exPiRATiOnOfPROvi-
CUPATION AND FUNCTION, WHICH TAKES PLACE ON AN
siOnALsTATeOfnOn-useuPOnTHeexPiRATiOnOfTHefive-yeARPeRiODOfAnuninTeRRuPTeD-
INDETERMINATE SPACE. A COMMON USE ESTABLISHED BY DIAGONAL COMMONHOLD ENTAILS THE POTENTIAL FOR THE HORIZONTAL PARTICIPATION OF REGISTERED MEMBERS OF THE COMMONHOLD IN ITS ADMINISTRATION, DETERMINATION AND FUNCTION. A COMMON USE DOES NOT REQUIRE, OPEN AIR OFFICE >> PROVIDING ELECTRICITY, WIFI, WATER, TABLES, LAMPS AND STOOLS IN SELECTED INDETERMINED SPACES OF THE CITY CENTER.
OR GIVES RISE TO, ANY PROPRIETARY CLAIMS./ARTICLE 4/VALIDITY AND TERMS OF A DIAGONAL COMMONHOLD/THE STATE OF A TEMPORARY DIAGONAL COMMONHOLD OVER AN INDETERMINATE SPACE BECOMES VALID
WHEN AFTER THE END OF A CONTINUOUS PERIOD OF FIVE YEARS OF INDETERMINACY, MEMBERS OF THE LOCAL NEIGHBORHOOD WHO HAVE FORMED AN INVISIBLE NEIGHBORHOOD (AS ESTABLISHED BY ARTICLE 5) TAKE PHYSICAL POS-
2ndprotocol/WHERE AN INTERNET SITE FORMS THE PLATEAU FOR THE REGISTRATION, PROCESSING AND DISTRIBUTING OF AN AFFIRMATIVE COMMON POWER OF HOLDING OVER SPACES THAT ARE CHARACTERISED AS INTERMINATE; INDETERMINATION ESTABLISHES COMMON USE FUNCTIONS WITHOUT PROPRIETARY RIGHTS.
SESSION OF IT. THE POSSESSION OF THE SPESIFIC SPACE IS CHARACTERIZED AS TEMPORARILY LEGAL, IF THE FOLLOWING TERMS ARE SATISFIED: (POSSESSION TAKE PLACE AND IS HELD WITHOUT VIOLENCE; (Β) THE POSSESSION IS REALIZED AND MAINTAINED WITHOUT APPROVAL, AGGREEMENT OR INTERVENTION BY THE PROPRIETARY HOLDER OR HOLDERS; (C) THE OCCUPIED INDETERMINATE SPACE IS SUBJECTED TO A DIAGONAL COMMONHOLD; AND (D) THE ACTS OF POSSESSION, OCCUPATION AND ADMINISTRATION ARE DECLAREDAND PROCESSED AT THE SITE OF DIAGONAL COMMONHOLD./ARTICLE 5/CONSTITUTION OF THE INVISIBLE COUNCIL AND THE INVISIBLE NEIGHBORHOOD/ON THE FIRST DAY OF THE DE-FACTO POSSESSION BY OCCUPATION OF AN INDETERMINATE SPACE THE AN INVISIBLE COUNCIL, COMPRISED OF FIVE REGISTERED MEMBERS OF THE LOCAL NEIGHBORHOOD, MUST BE ELECTED AND DECLARED AT THE
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RATiOnOfTHeDiAgOnALCOmmOnHOLDAnyPROPRieTARyOwneRsHiPOROTHeRexCLusivePRO
[ following example presented: Agglomeration of Empty Rooms ]
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siDeRATiOnOfAPROPOseDusebyTHeRHizOmATiCCOunCiL./ARTiCLe8/suPeRvisiOnOfCOmmOnHOLDAnDLeTTingTHeRHizOmATiCCOunCiLisRequiReDTOOveRseeTHeCOmmOn,nOn-PROPRie-
TARyAnDnOT-fOR-PROfiTCHARACTeRAnDOPeRATiOnOfTHeDeCLAReDDiAgOnALCOmmOnHOLDO veRAPLAneORPLAnes,unDeRAsTATeOfRADiCALnOn-use,THROugHOuTTHeDuRATiOnOfeACHsHORTLeTTing.THeRenTeRisRequiReDTOCOmPensATeTHeRHizOmATiCCOunCiLfORAnyDA
mAge,OTHeRTHAnfAiRweARAnDTeAR,AnDfORAnynOn-AuTHORizeDALTeRATiOnAPPLieDTOTHePLAneinquesTiOn, THATOCCuRDuRingTHeAgReeDsHORTLeTTingTeRm./ARTiCLe9/RegisTRATiOnOfObjeCTiOnsAnDResOLuTiOnOfDisPuTesinTHeevenTOfARegisTeReDObjeCTiOnbyALegALPROPRieTOROnTHeDeDiCATeDARCHiveOfTHesiTeOfDiAgOnALCOmmOnHOLD,THeRHizOmATiCCOunCiLisRequiReDTOinfORmTHeLegALPROPRieTORORPROPRieTORsinq uesTiOnOf:(A)THesuPeRvisiOnAnDguARAnTeeOfTHeOPeRATiveuseOnTHePLAneORPLAnesinquesTiOn;(b)THeCLeAnsAfesTATeOfTHe-
CLeAnAnDsAfesTATeAnDsuPeRvisiOnOfTHePLAneORPLAnesinquesTiOn;AnD(C)THefinAn-
CiALCOmPensATiOnTOTHe-
PROPRieTORbyTHeRenTeRfORALLuTiLiTyexPen
ses,COunCiLTAxesAnDOT
HeRmAnDATORyCOsTs.ifTHePROPRieTORORPR
cover image for “Weak Monumental Square” book
OPRieTORs,uPOnTHeReCe
iPTOfTHeinfORmATiOnAnDguARAnTeebyTHeR-
HizOmATiCCOunCiLAnDTHe
RenTeR,wisHesTOPuRsuefuRTHeRTHeObjeCTi
OnPROCess,THeRHizOmATi-
CCOunCiLisRequiReDTODeCLAReTHeCessATi
OnOfALLACTiviTyAnDTODiss
OLveTHeDiAgOnALCOmmOnHOLDOveRTHeRe
LevAnTPLAneORPLAnesAnD-
TOvACATewiTHinAsTRiCTPeRiODOfOneyeAR-
fROmTHeDAyOfTHefORmAL-
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3RD PROTOCOL/ARTiCLe1/COnCePTsOfDiAgOnALCOmmOnhOLDAnDPLAneADiAgOnALCOmmOnhOLDisDefineDAsTheDefACTOfORmOfAnACTOfCOmmOnPOssessiOnOveRAPLAneORAmuLTiTuDeOfPLAnes,fORThePuRPOsesOfCOmmOnuse.ADiAgOnALCOmmOnhOLDDOesnOTgiveRiseTOAnyPROPRieTARyRighTs.APLAneisDefineDAsTheDeTeRmineDsPACeOfAbuiLDinginwhiChisesTAbLisheDADiAgOnALCOmmOnhOLD. TheDiAgOnALCOmmOnhOLDOfAPLAneinAbuiLDing,ORAmuLTiTuDeOfbuiLDings,RenDeRsTemPORARiLLyDORmAnTThePROPRieTARyOwneR shiP,ORCO-OwneRshiP,OveRThePARTiCuLARPLAneORPLAnesOfThesPeCifiCbuiLDingORbuiLDings.ADeTeRmineDPLAne,fORTheDuRATiOn OfADiAgOnALCOmmOnhOLD,insTiTuTesATemPORARyAuTOnOmOusfieLDOfDiAgOnALCOmmOnhOLD,whiChisesTAbLisheDfORThePuRPOses OfCOmmOnuse. /ARTiCLe2/COnCePTOfCOmmOnuseACOmmOnuseisDefineDAsTheTyPeOfuseThATCOnsisTsOfAnOPenLyACCessibLe,nOTfOR-PROfiT,OCCuPATiOnAnDfunCTiOn,whiChTAkesPLACeOnAPLAneORAmuLTiTuDeOfPLAnesinAbuiLDingORmuLTiTuDeOfbuiLDings.ACOmmOnuseesTAbLisheDbyDiAgOnALCOmmOnhOLDenTAiLsThePOTenTiALfORThehORizOnTALPARTiCiPATiOnOfRegisTeReDmembeRsOfTheCOmmOnhOLDiniTsADminisTRATiOn,DeTeRminATiOnAnDfunCTiOn.ACOmmOnuseDOesnOTRequ iRe,ORgiveRiseTO,AnyPROPRieTARyCLAims. /ARTiCLe3/COnCePTOfARADiCALsTATeOfnOn-useARADiCALsTATeOfnOn-useisTheDefACTOsTATeOfPOssessiOnOfPLAnesThATRemAininAsTATeOfnOn-OCCuPATiOnAnDnOnexPLOiTATiOn,fORAnuninTeRRuPTeDTeRmOffiveyeARs.ThesTATeOfRADiCALnOn-useesTAbLishesAsTATeOfDiAgOnALCOmmOnhOLDThATDOesnOTPROviDegROunDfORAnyCLAimTOOw neRshiP,OROTheRPROPeRTyRighTs,OveRAPLAneORPARTsOfAPLAne./ARTiCLe4/COnCePT-
3rd Protocol / Where a transitional period of non-use is established that facilitates the eventual establishment of a state of radical non-use which grounds the common power of expropriation and partial demolition of buildings for the purposes of common uses, without giving rise to proprietary claims
sOfAPROvisiOnALsTATeOfnOn-useAnDTheTRAnsiTiOnALPeRiODAPROvisiOnALsTATeOfnOnuseOfAPLAneisesTAbLisheDexACTLyOnemOnThAfTeRTheDeCLARATiOnOfAsTATeOfnOn-us
SITE OF DIAGONAL COMMONHOLD. THE ELECTION OF THE INVISIBLE COUNCIL MUST BE ELECTED BY A MAJORITY VOTING PROCEDURE AT THE SITE OF DIAGONAL COMMONHOLD BY AN ELECTRONATE BODY
eOnThesiTeOfDiAgOnALCOmmOnhOLD,OnTheCOnDiTiOnThATnOfORmALObjeCTiOnisRegisTeReDbyfORmALnOTiCeOnThesiTeOfDiAgOnALCOmmOnhOLD,wiThinThisPeRiODOfTime,byAPeRsOnORPeRsOnshOLDingLegALTiTLeOROTheRexCLusivePROPRieTARyRighT.ThePROvisiOnALsTATeOfnOn-useOfAPLAneORPARTOfAPLAneisiniTiALLyesTAbLisheDfORTheDuRATiOnOfAsTRiCTTwO-yeARPROvisiOnALTeRm. TheTeRmOfTwOyeARsOfsuChnOn-useisDefineDAsTheTRAnsiTiOnALPeRiOD./ARTiCLe5/susPensiOnOfAsTATeOfnOn-useDuRingTheTRAnsiTiOnALPeRiODThesusPensiOnOfThePROvisiOnALsTATeOfnOn-useisReALizeDwhenAnObjeCTiOnisRegisTeReDbyfORmALnOTiC-
OF REGISHOOD. THE ELECTORATE THE INVISTHE TEMMINISTRASPECIFIED MEMBERS TUTE, BY
WHERE AN INTERNET SITE FORMS THE PLATEAU OF AN AFFIRMATIVE COMMON POWER OF HOLDING OVER “INDETERMINATE SPACES”; “INDETERMINATION” ESTABLISHES COMMON USE FUNCTIONS WITHOUT PROPRIETARY RIGHTS. REGISTRATION, PROCESSING AND DISTRIBUTING WITHIN THE FRAME OF THE INTERNET SITE IS AGREED TO DECIDE COMMON STRATEGIES THROUGH CHOSEN ALGORITHMS.
TERED MEMBERS OF THE LOCAL NEIGHBORMAJORITY IS TO BE DETERMINED FROM AN OF A MINIMUM OF 50 REGISTERED MEMBERS. IBLE COUNCIL ASSUMES RESPONSIBILITY FOR PORARY POSSESSION, OCCUPATION AND ADTIONOF THE APPROVED USE OR USES IN THE INDETERMINATE SPACE. THE REGISTERED OF THE LOCAL NEIGHBORHOOD CONSTIREGISTRATION, THE INVISIBLE NEIGHBOR-
eOnThesiTeOfDiAgOnALCOmmOnhOLD,byAPeRsOnORPeRsOnshOLDingLegALTiTLeOROTheRexCLusivePROPRieTARyRighT,DuRingThePeR iODThATbeginsfROmTheiniTiATiOnOfTheTRAnsiTiOnALPeRiODAnDenDsOnemOnThbefOReTheTeRminATiOnOfTheTRAnsiTiOnALPeRiOD. TheRighTTOfORmALLyObjeCTisACCORDeDTOAnynATuRALORLegALPeRsOnThATDeCLAResAnDPROvesTheLegALOwneRshiPOfThesPATiALfieLDwiThinwhiChThePLAneunDeRDiAgOnALCOmmOnhOLDisLOCATeD.AnObjeCTiOnCAnbeRegisTeReDbynOTiCeDuRingThefive-yeARTeRmOfRADiCALnOn-use.TheDiAgOnALCOmmiTTeeAsPResCRibeDbyARTiCLe7musTCOnsiDeRAnyfORmALObjeCTiOn./ARTiCLe6/OPeRATiOnsfORTheCOmmOngOODinAsTATeOfnOn-usesTATe,AimsTOfACiLiTATeTheRighTTODeveLOPOP RibeDbyPARAgRAPh1OfThegReekCOnsTiTuTiOn. isDefineDinACCORDAnCeTOThesPeCifiCChARACTOPeRATesAnDOnThebAsisOfTheDeCLAReDPROP iTTee(AsDefineDbyARTiCLe7). /ARTiCLe7/COnsTiTuTiOnOfADiAgOnALCOmmembeReDDiAgOnALCOmiTTeeisTObeinsTiTuTehOLD.TheDiAgOnALCOmmiTTeeisAuThORiseDTO: ADminisTeRTheAPPLieDOPeRATiOnOROPeRATiOnviseTheCOnfORmiTyTOTheAPPROveDuse;(D)enes;AnD(e)ADminisTeRTheexAminATiOnAnDResO-
wheRe A TRAnsiTiOnAL PeRiOD Of nOn-use is esTAbLisheD; This PeRiOD ALLOws sOme PROTOCOLs TO OPeRATe whiLe iT fACiLiTATes The evenTuAL esTAbLishmenT Of The sTATe Of RADiCAL nOn-use whiCh gROunDs The COmmOn POweR Of exPROPRiATiOn AnD PARTiAL DemOLiTiOns ThAT wiLL COnCLuDe TO COmmOn uses, wiThOuT giving Rise TO PROPRieTARy CLAims buT OPeRATeD by uniTeD exPROPRieTORs OR RenTeRs.
ThePROvisiOnALsTATeOfnOn-use,AsATemPORARy eRATiOnsfACiLiTATingTheCOmmOngOOD,AsPResC eAChCOmmOnuseinThenAmeOfTheCOmmOngOODTeRisTiCsOfeAChPLAneuPOnAnDThROughwhiChiOsALOfTheRegisTeReDmembeRsOfADiAgOnALCOmm
miTTeeDuRingTheTRAnsiTiOnALPeRiODAfiveDAnDDeCLAReDOnThesiTeOfDiAgOnALCOmmOn(A)DeCiDebyiTsmAjORiTyOnThePROPOseDuse;(b) sfORThePuRPOsesOfThePROPOseDuse;(C)suPeR suReThesAfeTyOfThePLAneOveRwhiChiTOPeRAT LuTiOnOfAnysubmiTTeDObjeCTiOns. /ARTiCLe8/
LeTTingAPLAneunDeRADiAgOnALCOmmOnhOLDTheDiAgOnALCOmmiTTeeCAnLeT,OngRATuiTOusRenT,AChARACTeRizeDAsAnOn-useDPLAneORAPARTOfiT,uPOnTheAPPLiCATiOnOfOneORmOReRegisTeReDmembeRsOfTheDiAgOnALCOmmOnhOLD.TheACTOfLeTTingisCOnDiTiO neDbyThefOLLOwingTeRms:(A)TheDuRATiOnOfTheLeTTingisLimiTeDTOATeRmRAngingfROmAminimumOfsixmOnThsTOAmAximumOfTweLvemOnThs.TheTeRmCAnbeexTenDeD,OnADisCReTiOnARybAsis,fOLLOwingAnexTensiOnAPPLiCATiOnTOTheDiAgOnALCOmmiTTee.TheTeRmCAnbeAnnuLeDDuRingiTsAgReeDOPeRATiOninTheCAseOfAsusPensiOnAsPResCRibeDbyARTiCLe3;(b)ThePuRPOseOfTheLeTTingOngRATuiTOusRenTisTOseRveThePuRPOseOfTheOPeRATiOnOfACOmmOnuseOveRThePLAneORPARTOfiT;(C)ThesuPeRvisiOnOfTheLegALiTy,
HOOD OF THE SAID DIAGONAL COMMONHOLD. AN APPLICATION FOR REGISTRATION AND MEMBERSHIP CAN BE SUBMITTED ONLINE AT THE DEDICATED ARCHIVE OF THE SITE OF DIAGONAL COMMONHOLD BY
OPeRATivefunCTiOnAnDADminisTRATiOnOfALeTPLAne,ORAPARTOfiT,RemAinsATALLTimesunDeRTheResPOnsibiLiTyOfTheDiAgOnALCOmmi TTee./ARTiCLe9/PubLiCDeCLARATiOnOfwORksAnDCOmmOnusesTheDiAgOnALCOmmiTTeeisRequiReDTODeCLAReThePLAnneDAnDexeCuTeDwORksOnThePLAneAnDTOsubmiTAnAnnuALRePORTATThesiTeOfDiAgOnALCOmmOnhOLD,AnDseekiTsmAjORiTyAPPROvALbyTheRegisTe ReDmembeRsTOTheCOmmOnhOLD./ARTiCLe10/PLAnningfORTheexPROPRiATiOnAnDReCOnsTRuCTiOnOfAPLAneDuRingTheTRAnsiTiOnALPeRiODDuRingTheTRAnsiTiOnALPeRiODOfAPROvisiOnALsTATeOfnOn-use,APARTfROmTheAPPROveDTemPORARyusesAnDACTsOfLeTTing,T-
ANY INHABITANT WITHIN A DISTANCE OF 500 METERS FROM THE DECLARED INDETERMINATE SPACE. / ARTICLE 6/OBLIGATIONS AND RESPONSIBILITY OF THE INVISIBLE COUNCIL/ THE INVISIBLE COUNCIL UNDERTAKES THE RESPONSIBILITY FOR THE POSSESSION, MAINTAINANCE AND ADMINISTRATION OF THE DECLARED AS TEMPORARILY EXPROPRIATED INDETERMINATE SPACE. THE INVISIBLE COUNCILS RESPONSIBLE FOR THE SUPERVISION OF THE STRICT CHARACTER OF COMMON USE AT THE INDETERMINATE SPACE, AND UNDERTAKES THE FINANCIAL RESPONSIBILITY FOR THE REQUIRED UTILITY AND OTHER MANDATORY COSTS./ ARTICLE 7/DECLARATION OF ACTS OF THE INVISIBLE COUNCIL/EACH ACT OF
heDiAgOnALCOmmiTTeeisPeRmiTTeDTOPLAnfORAnDexeCuTeThesAfeDemOLiTiOnOfminORPARTsOfAbuiLDing,ORmuLTiTuDeOfbuiLDings,
THE WEAK MONUMENTAL>> REPLACING A SEMIABANDONED PART OF THE CITY WITH A VISITABLE ARCHEOLOGICAL PARK WHILE ORGANIZING ANEW THE FOUND AND UNCOVERED INFRASTRUCTURE OF THE MODERN CITY IN ORDER TO SCRIPT THE FUNCTION OF A COMMON MEETING POINT.
OnThePLAneORPLAnesinquesTiOn.PLAnningfORTheCOnsTRuCTiOnAnDTheinsTALLATiOnOfLighTsCAfOLDingsTRuCTuResThATORgAnizeThePLACemenTOfuseAbLeCOnTAineRsisPeRmiTTeDunDeRThesTRiCTResPOnsibiLiTyOfTheDiAgOnALCOmmiTTee.AnyDemOLiTiOnAnD/ORCOnsTRuCTiOnAnDinsTALLATiOnmusTbeexeCuTeDinsuChmAnneRsOThATinTheevenTOfDissOLuTiOnOfTheCOmmOnhOLD,ORsusPensiOnDueTOAnObjeCTiOnORsTATe inTeRvenTiOn,ThePLAneinquesTiOnCAnbeReTuRneDTOThesTATeiTweRePRiORTOTheesTAbLishmenTOfTheDi AgOnALCOmmOnhOLD./ARTiCLe11/TheRADiCALsTATeOfnOn-useAnDThePOweROfexPROPRiATiOnAnDCOmmOnhOLDATTheexPiRATiOnOfTheTRAnsiTiOnALPeRiOD,wiThOuTAnyDisRuPTiOnORsusPensiOn,ThePROvisiOnALsTATeOfnOn-usebeCOmesDefiniTiveAnDisChARACTeRiseDAsARADiCALsTATeOfnOn-use.ThePLAneinquesTiOnisRenDeReDexPROPRiATeDAgAinsTAPeRsOnORPeRsOnshOLDingPROPRieTARyTiTLeOROTheRexCLusivePROPRieTARyinTeResT.TheDiAgOnALCOmmOnhOLDRemAins,ATALLTimes,wiThOuTAnyCLAimTOOwneRshiPοrPROPeRTyRigh Ts.DuRingThesTATeOfRADiCALnOn-usefuRTheRACTsOfDemOLiTiOn,ReCOnsTRuCTiOnAnDReARRAngemenTOfT
hesPATiALfieLDORPARTsOfiTinquesTiOnARePeRmiTTeD.inPARTiCuLAR,DemOLiTiOnsDuRingThesTATeOfRADiCALnOn-useAReRequiReDTOCOmPLyTOThePRinCiPLeOfPOTenTiALReveRsibiLiTyTOThesTATePRiORTOTheesTAbLishmenTOfTheDiAgOnALCOmmOnhOLD. ARTiCLe12CLAimsAnDCOmPensATiOnTheDefiniTiveDiAgOnALCOmmOnhOLDDuRingAsTATeOfRADiCALnOn-useisvALiDAgAinsTALL,AnDALLPROPRieTARyRighTsbyPeRsOnsC OnCeRneDAReTRAnsfORmeDTOCOmPensATiOnRighTsifThePROPRieTORsCOnsenTTOThePeRmAnenTexPROPRiATiOnOfTheiRPROPeRTy.suChCOmPensATiOnCLAimsAReTObeADjuDiCATeDinACOnCiLiATORyPROCessACCORDingTThePRinCiPLesOfTheLAwOnunjusTenRiChmenT(ARTiCLe904CiviLCODe). COmPensATiOnisPAyAbLeinkinDbyThePROvisiOnOfAsuffiCienTnumbeROfCOnTAineRs,enAbLing TheCLAimAnTTOPARTiCiPATeinveRTiCALORhORizOnTALCOmmOnhOLDing,AsDeTeRmineDfAiRLybyTheDiAgOnALCOmmiTTeeAnDwiThOuTDisTuRbingThesTATeOfDiAgOnALCOmmOnhOLD.inTheevenTOfvALiDObjeCTiOnsbyTheCOnCeRne D,nOn-COnsenTing,PROPRieTORORPROPRieTORs,ThesPeCifiCPLAnewhiChAffeCTsTheCOnCeRneDPROPeRTymusTbeReTuRneDTOThes-
USE, OPERATION, INSTALLATION OF SUPPORT EQUIPMENT AND REARRANGE-
TATeinwhiChiTweRePRiORTOTheesTAbLishmenTOfTheDiAgOnALCOmmOnhOLDwiThinAPeRiODOfsixmOnThsfROmTheDATeOfTheRegisTRATiOnOfTheObjeCTiOnOnThesiTeOfDiAgOnALCOmmOnhOLD.
MENT OF THE AFFECTED SPACE FOR THE PURPOSES OF THE REQUIRED COMMON INFRASTRUCTURE AND PROVISIONS, MUST BE DECLARED ON THE SITE OF DIAGONAL COMMONHOLD.
PROTOCOLS, printed on1.80x 0.80 m boards
cover image for “Agglomeration of empty shops” book
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Evgenia- Maria Makroglou 38 Marathonos Str, Vrilissia 15235, Athens, Greece
TEL +306979282654 EMAIL eugenia.makroglou@ gmail.com
portfolio designed by EvgeniaMaria Makroglou GR 2016