EVA VANDERMEEREN portfolio
Eva Vandermeeren, Student Garden- and Landscape architecture KASK, School of Arts
"The 20th century was 21st century will be
about getting around.
The
about staying in a place
worth staying in"
James Howard Kunsler
Before starting this study at KASK, I obtained a bachelors degree in Physiotherapy. You could say this switch is rather weird, isn't it? How did I go from Physiotherapy to Landscape architecture? During my studies in Physiotherapy I got pretty good grades, but I had the feeling that something was missing, I couldn't really feel the deeper meaning of what I was doing I think, although at that point I couldn't really define what the meaning I was that I was looking for. To figure that out, I took one year off to empty my mind, do some voluntary internships and to start a teachers course in evening classes. In that time I started painting and I kept my eyes and heart open for things that could be my goal, untill I finaly got there. I found something I could strive for: I want to make the world a better place or at least protect the beauty that is allready there. I know this might sound pretty idealistic, but the problem is real and urgent and so is the need for solutions. This continuously changing world needs people with knowledge in order to guide the continuous modification in landscape and climate. It needs people with a broader view and and aestethic talents. Questions about the relationship between nature, humankind and are filling me with enthousiasm to solve them. Furthermore I like to get inspired by lots of different design styles, but I have noticed I seem to be more interested in ecological, naturalistic designs. I realize this is a learning process that lakes more than a lifetime, but I have plenty of motivation. I always grow, both personally as in therms of knowledge and skills. This porfolio is in a way a kind of representation of this growth during the past two years.
My story
EVA VANDEMEEREN Personalia Name: Eva Vandermeeren Place of living: Ghent Birth language: Dutch Date of birth: 10-121995
Contact Phone number: +32498/82.89.91 e-mail: eva.vandermeeren@student.hogent.be
Education and training Studies 2012
2015
2016
Now
Language skills Finishing high school with a degree in Latin- Sciences (with distinction) + Start University in Ghent, Faculty of Health Sciences, with field of study: Physiotherapy
Hobbies
Dutch English French German
Gradiation Bachelor in Physiotheraphy (with distinction) + Start of Teachers Training in evening classes Start of studies in Landscape Architecture, KASK, School of Arts, Ghent.
Digital skills Autocad Sketchup Photoshop Illustrator Civil 3D Indesign GIS
Occupations
Other skills
Work - Helping in the kitchen of a vegan restaurant - Temporary jobs: hostess, catering, bartender, youth worker
Index Project 1: Houtkantlaan, Deinze -
Place for living
1-3
Project 2 Stoer Huus Bruges
Shared space
7-9
Project 3, Lievevrouwestraat Ranst
In search of Braems train of tought
13 - 17
Project 4 Castle of wippelgem
Designing for the past and the future
21 - 29
Project 5 Campus schoonmeersen
The connection between social welfare and green space
33 - 39
projecct 6 Vloethemveld
Place for commemoration and nature development
42 - 48
Project 7 Potaardeberg
Cohousing in a little piece of nature
51 - 55
Project 8: Lange velden
Landscape in transition
59 - 71
Varia
Sketches and more
74 - 81
Project 1: Houtkantlaan, Deinze
PROJECT 1: PLACE FOR LIVING
Location: Houtkantlaan, 9800 Deinze Architects: Govaert en Van Houtte Architects Garden: Eva Vandermeeren Area: 350m2
My very first project visit was in Deinze, in a residential aria. A young couple with two children bought ground and builded a house. The site is semi-urban, semi-agraric and the building is modern and minimalistic. The client asked for a livable garden, with a place for growing vegetables and a swimming pool. Since the site is partly located next to open agricultural space, it is a logical descicion to reforce the dialogue with that landscape, as well as with the new building. The building exists of two clearly separated layers and is through the glass in a direct relation with the outdoor space. So what is a 'livable garden' exactly'? In a livable garden the people are stimulated to go live outside as well as inside. Different functions that cannot be fullfilled in the indoor space can be located in de garden. There must be a place for both relaxation and activity. For children activity means playing. For adults it's mostly functional, like the growing of vegetables, or having a drink with friends or family in a private environment. Functionality is also an important aspect of a livable garden: circulation, privacy, hydrology, a reduction of negative stimuli and and enhancement of the positive stimuli of the place. 1
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11 1. Analysis of the microclimate 2. Analysis of the expected circulation 3. Effect of the architecture on the site structure 4. Analysis of the degree of privatisation 5. Inventarisation of the existing vegetation 6. Analysis of the relationship between the site and the surrounding area 7.. Preliminary design sketch 8. Presentation design in pensil 9. Model shows interaction with the near canal 10. Model shows border between private and semi-private area: mini-
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Project 2: Stoerhuus Brugge
PROJECT 2: SHARED SPACE Fig 1: Religious laying out the white textiles to bleach them in the sun (bleaching meadow in Ghent)
Fig. 2: Indication of the project on raris maps (1770-1777)
Fer-
The focus in this project is two-sided: the project must be strongly anchored in a social as well as in a historical level. The aim of this project is to create a shared space for a new cohousing project. This space is not only shared by the local residents of the cohousing building, but also by the inhabitants of the neighbourhoud. It needs to be a green point of rest and a possibility for tranquile meeting in a touristic city. Living apart as wall as together must be made possible, withouth any constraints or obligations. The site is located just outside the city center on a historic important landmark. Two small, perpendicular canals are the remnants of a medieval bleaching meadow (Fig. 1 and 2).
Location: Baliestraat, 8000 Bruges Architects: Ampe-Trybou Architecten Park: Eva Vandermeeren Area: 3000m2
Open space is likely to be protected on this site for social, as well as historical reasons. Proetecting opennes reduces the stress on the strongly builde environment of Bruges and gives room for breathing as well as the possibility for events. The remnants of the canals must be protected en restored as well, in a way that interaction with the water is possible. In my point of view, the canals should be widened and become accessible in one way or another so it can become a playing stimulus for children and a refreshment in hot summer days. On one side of the canals, I have implemented a long bench on a quay, which is at the same time a protection for bikers, not to fall in to the water. People can sit with their feet in the water. On the other side of the site, next to a 'playing forest', I have implemented stepping stones across the water, which gives connection to the other side of the park and form a playfull way to interact with the water and gives the user a tertiairy circulation route trough the park. 7
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Presentation plans 1. Longitudinal section (in pencil) 2. Cross section (in pencil) 3. Floor plan (in watercolor paint)
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Project 3 Lievevrouwestraat, Ranst
Fig 1. Famous picture of Renaat Bream working at his drawing table “It is a shell for one family, with beyond it the strange, the uncontrollable, the hostile whole of forces of nature and also of human desires, needs and threats, against which we have to protect ourselves with walls and roofs as well as possible” - Renaat Braem about his design of ‘House Schandevyl’.
PROJECT 2:
In Braems train of thought Location: Lievevrouwestraat, 2520 Ranst Architect: Renaat Braem Garden: Eva Vandermeeren Area: 2500m2
What Braem means to say in the upper citatition is this: the bustle of society seems to push us away from our real existence and we should protect ourselves against this. He promotes living as a total experience and in this he sees his architecture as a a therapeutic tool. The main role of the architect is to create a renewed contact with nature. Bringing back the nature of being. This works the best in a natural environment, in its purest form. The architecture of Renaat Bream balances between the ratio and the search for a poetic space. He strives for an intense relationship between funcionality, art and nature, with the aim of the 'liberation of man''. The Renaat Braem house is build in the 60’s and had become a protected monument. It is therefore the duty of every designer who does an intervention on the site to let enforce the power of the building and to think further in the brain of the architect. Renaet Bream was often inspired by shells when designing homes. A house like a shell, which is probably also the idea of Bream when designing this house. The remarkable thing is that Bream has already given an initial impuls to the design of the surrounding landscape. The entrance on the north side is located one floor higher than the entrance on the south side. This creates a level difference in the ground level that is bridged in a smooth, 13 small, rolling hill. (this is illustrated in the picture on the left)
Recently, a new building is opposed to the 60's house of Braem. The owners builded this new place to meet the innovations of this time, which are not allowed in the monumental herritage of Braem.This new property offers space for an office and a parking. Because both dwellings differ so strongly from eachother, a tension arises in the area between the two houses, which is not wanted in a peacefull garden (Fig. 2 and 3). I do believe that a green mass together with a soft relief could form a quiet connection between both units. At present, the space between the two is empty, so that the direct confrontation strengthens the field of tension. The closedness of the Northern façade of Braem's house makes me suspect that Bream had also this idea this in mind. A soft relief between the two housing units could also have been devised by Braem as a solution for the new confrontation, since he already initiated the design of a sloping relief in his design. In contrast to the Northern facade, the Southern facade is very open. Also this given, the sense of openness I would extend in the garden design. In the windows of the southern façade, a strong grid pattern can be recognized, which is in stark contrast to the sloping shape of the roof and the lateral flanks. The home is best if you look at it in its entirety, from a distance. For this reason, I opt for an unbridgeable barière on the southern side of the house. At the same time, this water reflects the grid pattern of the south façade, making the home even more attractive in its surroundings.
Fig. 2: A tension field between two buildings.
Fig.3: Sketches in search solution at the Salvialaan
of
a
privacy
Fig.4: Tension field between the two buildings (longitudinal section, left: Renaat Braem’s house - right: recently opposed building)
Fig. 5: Analysis of the microclimate conditions
Fig. 6: Analysis of the surrounding area
Fig. 7: Analysis vegetation
of
the
existing
Fig. 8: Analysis of expected circulation
The noise, arriving from the traffic at the Broechemlei and the Lievevrouwestraat, next to the site is the most stronges inhibiting factor for the desired peace and quiteness in the garden. One of Bream's most important statements was to keep environment for work and the environment for trafic clearly separate. Mixing these environments would lead to agitation. Therefor, we must provide a solution for the trafic noise. The most efficient way to dampen sound is through a sound hill, made of earth. What initially seemed like a crazy idea actually did make many pieces of the puzzle fit together. The ground that is needed for the sound hill can be provided by making a (swimming) pond, so we can create a closed ground balance. In thes way we are modelling the space, as if we are playing with clay, just like Braem did, and therefore this way of thinking suites with the genius loci. Because a full hill would take to much precious space away, I have introduced half of a hill. The driveway on the south side is no longer functional in 2018. This driveway currently occupies a prominent place in space and creates fragmentation. The parking will be moved to the Salvialaan. At the Salvialaan there is also sufficient space for a visitor to park a car along the street. One could opt to change the address as well. The visitor takes a different entrance than the car, to keep the link between traffic and rest separate. From there, circulation must be possible to both the annex and to Bream's home. A level difference must be bridged to Braem's house, which can be facilitated by stairs. On the southern side of the protected residence there is a varied relaxing walk. You will be guided along the relief and water, with a carefully chosen view of the house.
Project4 KASTeel van wippelgem
The castle of Wippelgem, the former 'Goed ten Hulle' or 'Castle of Cromberge' or 'Domein ten Bosch' was mentioned for the first time in texts from 1375. Around 1892 the castle was completely rebuilt under baron V the Neve de Roden. The castle has been connected to the parish church of Wippelgem since 1856. The castle always fell into the hands of wealthy owners and was used as 'huys van plaisance' (translated: house of pleasure), with stables, a vegetable garden, a conservatory, a home for a gardener, a pigeon tower and a court around the castle walls. The park behind the castle, a forest with a seven star, was used to walk in and to stay in. The canal was deliberately enlarged on the wings of the castle for the romance of living on water. Since 2008, the park is owned by the municipality of Evergem. As a result, the park has become publicly accessible and different users and different functions have to be taken into account. At the same time, the 'Genius of the place' must also be served. The aim is to match the history with the contemporary use of the domain.
PROJECT 4:
Designing for the past and the future Location: Kramershoek 4, 9960 Wippelgem Design team:: Yuehan Yang, Pauline de Vos, Yannick Van der Veken, Eva Vandermeeren Area: 17ha Functional compartments: former situation
Functional compartments: future vision
analysis
Fig. 5: Design of the entrance court. A straight walkway leads to the entrance court of the castle, which is a round and formal and connexts the main buildings of the site. The straight walking path creates a sight axis towards the prestegious castle .
Fig.6: At the back of the castle three axes lead to the castle. They underline the importance of the building and provided open sights to make hunting in de forest easier.
Present walks Walk found on a historical map (Ferraris, 1770-1777)
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Fig. 11: Analysis of the axes that are defined by the present buildings.
The numbers on this drawing refer to the line-form-structures visualised on fig. 5 (number 4) and fig. 6 (number 1, 2 and 3)
Fig. 12: Analysis of the relation between the buildings at the formal court near the castle.
sections
Fig. 7: Newly designed entrance court (section)
Fig. 8: From the left to the right: trees (of the forest)- walking pathmoat - multi-tribes with a circular path in between - a hedge - flowers
Fig. 9: From the left to the right: trees (of the forest)- walking path- moat - multi-tribes with a circular path in between - a hedge - flowers
Fig.
14. Cross section forest parking
Fig. 15 Longitudianal section of the forest parking
Masterplan
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Project 5 Campus schoonmeersen
PROJECT 5 Green space for psychological and social wellbeing Location: 51.028 N.B; 3.706 W.L. Architect: SADAR + VUGA Site design: Eva Vandermeeren Area: 6000m2
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Fig 1. Final floor plan of the campus
Analysis
Fig. 1: Masterplan for the green axes of Ghent.
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The campus site is a part of the so called ‘'green axes'’ of Ghent, a term created for linear green structures which connect green poles and so create a green network that infiltrates the city. This should be positive for the urban heating effect and the quality of life of the inhabitants. Since the campus is located near one of those 'green axes', it should give an added ecological value to the city and transforming it to a publicly accessible park should be considered. Going further on the connection between social welfare, quality of life and green spaces, the importance of green seems to be more important especially on the location of the campus. Most people who live in that neighbourhoud are less well-off then average. Nearby there is a social housing complex, called ‘'Nieuw Gent'’, which is known for a lot of criminality and drug use. The question arrises from the inhabitants themselves for more safety, more places for the children to play and places where meeting eachother is stimulated. High-quality green spaces can create a connection, as wel litterally as figurativly and reduce criminality and drug-use.
Fig. 2: the connection of Nieuw Ghent to the nearest green spaces. The campus could form the second nearest green region for the social housing complex.
One of the aims of the Masterplan of Green axes is to bring the the natural landscape of the surroundings of Ghent, more inwards. So, during my research I went looking for characteristic elements of urban and landscape.In my design I have implemented reed, because there are a lot of wetlands surrounding Ghent and the site as well needs to deal with a swampy soil. City and green space meet eachother in a glass-form way. The green landscape seems to be poored into a glass of urban surroundings. The urban elements are clustered near the architectural buildings, that are planned in the current Masterplan of the site.
Fig. 5: Pictures of natural environment, taken in the surroundings of Ghent.
Fig. 6: possible locations for water infiltration
Fig. 7: design sketch of a wide ‘field’ of reed with corridors for walking and a bridge for biking
What is the best place for water infiltration? This was the big issue. There are various options for dealing with water. Each offers its own advantages and disadvantages. I chose number 3. The wet soil is central to the project. The use of high shore plants can hide the many circulation paths, so that circulation does not dominate visually. Limiting circulation routes was not a good option because the students themselves would form ways through many possible ‘shortcuts’. The deployment of a wadi in the central, busy zone would limit this possibility, but is in itself the possibility of a relaxed walk and low-stimulus meeting places in the 35 green.
New cycling routes that provide bike-friendly accessibility from the station and Sint-Denijs-Westrem
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Identity: The meeting of green- and urban landscape
circulation on campus by foot
Circulation on the campus by bike
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Project 6 cultural herritage Vloethemveld
Jabbeke Westkerke Vloethemveld
Eernegem
Forrest of Tillegem
d e s i g n site Zedelgem Aartrijke
The place carries the memory. One goes there to remember, to commemorate and to learn about what has been. The feeling of the presence of the site, the feeling to stand where they stood then determines the ‘genius loci’. Still, a place is not only determined by the past, but also by the current and future context. Of course, in evolution, history is never complete.
PROJECT 6:
Place for commemoration Location: Vloethemveld 8-10, 8210 Zedelgem Site design: Jeroen Hylebos, Charlotte Messeman, Eva Vandermeeren Area: 10272m²
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A. Characterising elements in the surrounding area
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D. Schematic landscape
indication
of
the
entering
C. Involvement of the open landscape, by breaking down the existing brick wall and introducing a pavilion wich is open to that side.
G. Design of the outdoor pavilion. The pavilion is semi-closed at the end of the entrance zone, which makes it possible to prohibit entrance outside opening hours.
H. Model of the designed pavilion. Light and shadow are merely important in the idea.
I. Reference for the vegetation at the end of the pavilion. By introducing this vegetation, the end of the 'tunnel' remains vague which creates a feeling of endlessness.
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K. Designed facilities for bikes and picknick tables
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L. Designed information point at the parking area at 200m distance from Vloethemveld site.
M. The pillars ot the pavillion can be used to provide information to the visitors.
Section AA’
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PROJECT 7// cohousing Potaardeberg
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PROJECT 7:
Cohousing in a piece of nature Location: Potaardeberg 45, 9820 Merelbeke Garden design:: Eva Vandermeeren Area: 1052m²
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inspiration
Villa OttolenghiCarlo Scarpa
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Sestierre Castello Carlo Scarpa
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PROJECT 8 -LANDSCAPE IN TRANSITION
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Land is always subject to change. During a long history, Wondelgem has evolved from an agricultural area where, over time, industry took place. The site has undergone a transition acceleration in the last 15 years and now shows itself as a monotonous residential area. Due to the speed and the multitude of changes that the site is currently undergoing, we can speak of a transition landscape. In this, we can ask ourselves: what will be the situation tomorrow? How will this site evolve? ‘Lange Velden’, the name of this area, is an part of the city of Ghent, which is in residential expansion. The question here is whether living in “allotment” still has a future. Because more and more people are moving to Ghent and population in general is rising, the limit in the amount of land for residential use is almost reached. We must go live more compact so that we can continue to provide more space for nature that can still be called nature instead of our barely used front gardens that cannot in fact be called nature. It is certain that we are going to a multiple of the number of houses. According to Mnr. Somers in Wondelgem means an organic transformation in a semi-urban, semi-rural living environment. However, if they continue with the development of Wondelgem, as they are currently working, by focusing solely on the monotomous residential function, then the liveability of this new part of the city will die. We therefore use the Lange project area as the beating heart of this new district.
PROJECT 7:
KATALYSATOR OF A LIVEABLE NEIGHBOURHOUD
People are looking for comfort and quality of life, which should not necessarily take place within 4 privatized hedges. With only a monotomous residential function, this city district cannot find anchoring in a larger urban fabric. We want to focus on shared space with well-functioning social infrastructure that can bring people together. In a polarized society, face-to-face interaction can convert a we-they story into a we-story. Thanks to good social infrastructure, the public space becomes a living room or garden for all residents of the city.
Location: Helmkruidstraat 54, 9032 Wondelgem Design by Eva Vandermeeren and Yorick van Eetvelde
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We mainly used the zone in and around the social housing block as a catalyst for the liveliness in this district. In this way we break through the stigma of the social housing block and turn it into the most popular part of the city. We also solve a few other problems that are currently occurring. We would turn the entire ground floor into a public layer that is connected to the public outdoor space. In this way we resolve the private-public conflict that occurs at this location and visitors no longer bump into a cold wall, but feel the warmth and coziness and openness that this social infrastructure offers. Moreover, this openness is more welcoming to everyone. What we see now is that nobody really feels welcome on the site. After all, the site has neither a public character nor a private character. As a result, neither residents nor local residents feel welcome there. By making the base layer fully public, we break this lack of clarity and the tension that comes with it. On the other hand, residents also need a more private space. The height of these buildings offers the possibility to function as a buffer with this public layer. That is why we provide a collective private garden on top of the social housing block, especially for the residents of the social housing block.
Fig 1: The lowest layer of housing cells (12 in total) will be tuted by social infrastructure
substi-
Fig. 10 13 new social housing residentials could be added to the building. This image gives a suggestion of where these blocks could be added.
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Fig. 3 Conceptual representation of the active plint layer
Bike storage Eating and drinking
Central hall
stair-
+ Sharing point for materials (for example football goals, a piano, hammocks, repairing materials like a drilling machine, ...) Main entance: Reception with access to the stairhall and the library.
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analysis and concepts
? ?
?
Now there is a lot of undefined space, with no clear borders. The site is mainly like ‘leftover land’, which caries the character of the surrounding residential area.
The structure of the park is defined by the arrangement of the architecture. There is an area of tension between the social building block which is is by the L-form semi-closed, but open towards the other appartment blocks. ter Durmen
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Lange Velden
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We have defined potential ‘public’ and ‘collective private’ zones (surfaces) and circulation routes (lines and arrows). The surfaces should have clear borders to provide readability
Concept: ecological corridor which connects the natural area of ter Durmen and Lange Velden. Green borders must determine the character of the place and give a way of natural transportation and living area for local fauna.
Entrance to the park
The functions of the surfaces is arranged in ‘gradiation in amount of activity’- bigger spaces give more possibilities for movement and a larger capacity for people.
A common element of water must provide convert the area of tension to an area of dialogue.
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level -1
level 0 (Two parking spots)
Bike storage at the ‘gates’ of the park
Planned parking area’s for cars
A new running routes must provide extra connection to ter Durmen
social housing complex: an uncomfortable embraced area
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funtionless area between two connected appartment blocks
Accessibility of the buildings by the fire department
Fig 1: A running route passes the most quite ‘fores area’ with places for personal contemplation and rest.
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Fig. 2 A ‘private collective’ rooftop garden gives the inhabitants of the social building a feeling of ownership.
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Fig. 3: green borders must provide a green character of the site
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On the image of this model you can see the view when you stand over the tram tracks at the height of the tram stop. You can see bicycle parking, which we have provided at all “gates� of the site. This is located next to the cycle path, which crosses the site. We also see a runner there who runs on the Finnish slope, parallel to the tram line.
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Open grass with some big trees provides the perfect playing area
We chose to locate the terrace of the ‘eating and drinking’ area around the building instead of on one side, because the sun turns around the building during the day and always gives a major amount of shadow on one or 2 sides. This gives the possibility to be flexible in the placing of the tables.
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We wanted to give the inhabitants of the appartment buildings a feeling of privacy and ownership. Now the buildings are clustered by two, and placed on a higher platfort which is located 120cm higher then the surrouding surface. Layers of ridges(inspired by the upper immage) must provide in as wel privacy between the building bocks and accessibility from and towards the park.
Fig. The terrace of large tiles (90 x 90) is loccated arround the building. Prunus trees must provide a more private environment which is not all the time looked at from above.
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Varia
All life is an experiment. The more experiments you make the better. - Ralph Waldo Emerson
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Afronding van de steunbalk
Houtbout met moer M6 70mm RVS Ronde kop aan de buitenkant Moer aan de binnenkant Speling behouden van 2mm Tussen het hout en het metalen scharnierstuk wordt er een carrosseriering 6,4x18 RVS geplaatst
52°
Verzonken RVS houtdraadbout 6x60 Gat in hout Ø9mm
3
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17
0 6.
17.7 6.0
3.0
Afgeronde hoeken radius 1
2.0
12.0
Trapboom Achterste steunlatjes
afgeronde hoeken radius 0.5
5.2
Steunbalk
2
2.0
52°
Langwerpige opening in trapboom
1
A
Detaildoorsnede AA' 1:2 detail opening in trapboom
41.6
Houtbout met ronde kop M6 50mm RVS Ronde kop aan de buitenkant Moer aan de binnenkant Speling 4mm
39.2
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Traptrede met vooraan een afronding met Ø1cm
3.0
Langwerpige opening in steunbalk Scharnierstuk
43.9
Scharnierstuk in gegalvaniseerd staal 3mm dik
Afronding steunbalk 85 °
5.1
85
A'
18.0
3
3.0
79.0
Sluitsysteem bestaande uit: houtbout met afgeronde kop latje (3mm) gegalvaniseerd metaal
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68.2
2
Steunbalk met afgeronde hoeken
2
Traptrede
Trapboom
Trapboom
RVS Houtdraadbout M6 RVS 40mm Verzonken in de steunbalk via een voorgeboord gat van 9mmØ B
B'
RVS Houtdraadbout M6 RVS 40mm Verzonken in de steunbalk via een voorgeboord gat van 9mmØ
68.0
3
Aanzicht 3 1:10
Aanzicht 2 1:10
Achteraanzicht
3.0
3
2
Trapboom met afgeronde hoeken
1
Vooraanzicht
Steunbalk
Achterste steunlatjes
Achterste steunlatjes
Traptrede 62.0
68.0
56.0
18.0
Achterste steunlatjes
Scharnierstuk in gegalvaniseerd staal
3.0
18.0
Houtbout met ronde kop
1
Steunbalk
68.2
58.0
62.0
zijaanzicht
Tredes kunnen 1 cm verzinken in de trapboom. Om de tredes te kunnen laten inzinken is er 1mm speling voorzien aan beide kanten in de trapboom
Traptrede
1.0
8.0
43°
0 2.
Steunbalk
Detaildoorsnede BB' 1:1
Draaisysteem metaal ten opzichte van houten steunbalk
Aanzicht 1 1:5
62.0
Trapboom
Deze houtbout met ronde, geplatte kop is langs de binnenkant verzonken in het hout
2.0 °
Afronding trapboom radius 2
Houtbout met moer M6 70mm RVS Ronde kop aan de buitenkant Moer aan de binnenkant Speling behouden van 2mm Tussen het hout en het metalen scharnierstuk wordt er een carrosseriering 6,4x18 RVS geplaatst
2.0
Grondplan 1:10
Schaal:
Opm:
Variabel
Datum afgiifte:
17 oktober 2018
Alle bematingen werden genoteerd in centimeter. De trapbomen, traptredes, en steunbalkjes bestaan uit massief kwartiersgezaagd eikenhout. Dit hout werd op voorhand glad geschuurd en geschaafd en nadien vernist met 'Linitop Solid houtbescherming zijdeglans midden eiken' (2 lagen).
Opdracht 1: Houten trapladder
One border: Five seasons
Eva Vandermeeren, Student Garden- and Landscape architecture KASK, School of Arts