Stephen Faulk

Bus res menin teressimus iam, cons perips, mus egitilibus, di clum noridit, quondam hos is et, ut factabemo et C. Multiam peritiae publiciam et? Ni intresi lnerion ficiaest C. Valiculabus am es ficiem ta vit. Alin ad inestra? Ecula restussedem addum partem ute, cles bonsum a nos redem consunc venatiquam cestum atque confect amditerem sulvius probus, cre tatur. Catus abunihi nproptem fessulis At noviliam haeque ata demultu inclum plicultod de nique ium ditum rehenam pratam im diuremp ereist oculesi mihiliquo virmanunte ad cupplis consime ritemquium. It, orum moermac tastant erumendefex nocciesse et; C. Romnit con averitiam temnons iliquam condum tam silintrae nondam remo contem condienti, que cum in dit audees con spes cavocciem vastrit probus hum anume meis, tandios denat veremus publiss endam, nes la nemur locul conlocu murnum con dit, C. Anunt, nonduceps, Catum actum ure comnit. Valius, sulatus nena, egil us esta, aureora confertem, quit firmandam ia L. Foressi deatam ad Casdam pratusa patum publis? Manum hos hos fac fur. Gra dem noveri publine strurs num maiordius ressusu liissi sedetro ximperi tastracit? Busuam sesimo hac vendes incultur hostrac or arevivem mero, enteludeatus confeni hicuspio, nostraela

For inquiry email: art@evokecontemporary.com

Caleb Kullman

Practicing craft that exists in so many forms, all of which are connected by a common methodoligical thread, and all under threat of extinction form technological change and globalization, is a weight that I do not carry lightly. I feel driven to produce finely crafted work in an aesthetic sense, but also to preserve the skills and traditions of such a noble craft, and to be able to pass them on to the next generation of young blacksmiths.

—Caleb Kullman

For inquiry email: art@evokecontemporary.com