Brown Skinned Oshun - Santiago
Her aura paints a nation named women, energies speak of a dimension where our entire existence is due to women, with nectar filled bosoms which fed lifetimes and a yoni to remind us of what strength really is, comprising every shade of melanin for depth, you see what I view in front of me is more than a woman.
AFROPUNK FESTIVAL (BROOKLYN 2016)
T I M
PRODUC
M E S
CTIONS
AMEN
THE EXPERIENCE MAGAZINE 2016 VOLUME TWO
TABLE OF C OF CONTENTS P. 12 | ASHCREATED P. 20 | REVODOGWLKR P. 22 | T.B.K.S P. 28 | ILLUSIONS P. 36 | T.A.H P. 44 |3001 P. 54 | FNL P. 60 | BK SPIRIT P. 62 | IAMDETOUR P. 70 | AFROPUNK16’ Editor / graphic designer || Jay stone ASSISTANT editor / PR || Kitty Leigh assistant editor || TATJANA JOHNSON assistant editor || AMANDA FLOWERS MANAGING editor || KING CAS CONTRIBUTIONS: JAY PROBE Shaquawn Rauch DESTINY THOMAS
CROWN Cosmic Conciousness Understanding enlightenment
THIRD EYE Clairvoyance intuition psychic senses
THROAT Communication Creativity Healing
HEART Love Hope compassion
SOLAR PLEXUS energy vitality desire + power SACRAL emotions sexuality intimacy
ROOT survival instinct security grounding
THE EXPERIENCE MAGAZINE PRESCRIPTION | CHAKRA | HEART
COLOR • GREEN COLOR • GREEN
COLOR • GREEN
I LISTEN TO MY HEART AND HONOR ITS CONNECTION TO THE HEARTS OF OTHERS. I ALLOW LOVE TO FILL ME UP AND GUIDE ME IN ALL OF MY ACTIONS. I GRACEFULLY MOVE TO THE RHYTHM OF LIFE.
AMEN
#ASHCREATED
#ASHCREATED (8th Light) Now everybody hop on the one, the sounds of the two It’s the third eye vision, five side dimension The 8th Light, is gonna shine bright tonight It’s the third eye vision, five side dimension
BY JAY STONE
12
8TH LIGHT
instagram.com/iiightash/
13
JS: I came across your “Son, Free Her” painting at “Fantasy in Color” in Harlem & instantly knew I had to feature you. What is the story behind that piece? AG: That really means a lot. The idea for it came to me through what I was feeling and experiencing at that time. A lot of things were catching up to me in my life and I didn’t necessarily know how to deal with it all at once. Especially when I was feeling like I had no one to fully express shit to. I always had this psychological thing with me and feeling like I was always a bother to everyone so I felt trapped, hence my hands on the bars. The dripping creates a sense of being lost and losing touch with reality. My flowers are my signature which represents happiness even through the toughest times, it’s a journey. Everything in it is just cohesive with each other. JS: How long have you been creating pieces? Your work is full of so much substance and is rather introspective. How did that style develop? AG: I’ve been realized I was into art since I was 13 years old to be honest. I started out with graffiti and would doodle odee until I started filling books of off the top experimental designs and shit. But I stopped throughout my teen years because I was dabbling in other things and I kinda just left art alone. It wasn’t until 2 years ago I started playing with watercolor and seeing how painting actually became a healing method for me. My teen years was the toughest time of my life yo. I had a lot of family problems and it became a struggle to maintain and keep relationships, graduate high school, even understand who I was as person. It was hard bro. Especially being pushed out of the home you lived in literally all of your life to somewhere else and being forced to adapt all over again. I had so much on my plate. Painting gave me a new life when I chose to take it seriously. It’s extremely therapeutic and it
As myself a woman Hispanic ro felt i somewh duty rea represent to the fu in my own fee
f being black n with oots, I it was hat my ally to t that ullest n way... el me?
helps in more ways than one. I later tried acrylic paint and never looked back. So ever since like 2014 I’ve been creating and I’m 21 now. My art is solely based on me. Every idea is mine and what I feel and want to to express at that moment and this came with practice and time. It naturally just devolved overtime until I started realizing it and it’s now as we speak developing again so just keep watching that transition. It’s dope.
14 15
JS: Many of your pieces heavily feature black women. What is the message behind this continuous theme? AG: As myself being a black woman with Hispanic roots, I felt it was somewhat my duty really to represent that to the fullest in my own way, feel me. Black women and women in general don’t get the respect and credit they deserve and I want the beauty that we resonate to show in my pieces. Every woman that I’ve created is a reflection of me. A reflection of us. Every artist has their own message that comes though their work and I’m hoping mine are always clear being that I feel I have multiple ones. When I create a new woman, it literally feels like a birthing ya’know. But recently however I’ve been experimenting with imagery and graffiti a lot in my pieces so I haven’t created a woman in a minute but I feel that one is coming soon.
JS: omething we had spoke about prior: You sell your pieces at reasonable prices. Do you think it’s a good strategy to sell low when your work is worth more? AG: Man to be very honest with you, money and all that shit be the last thing on my mind when I create because in all reality that’s not why I do it. So when I price, right now I go for what I know people could afford especially when I do shows, at that point I base it on demographics. If I know that it’s just gonna be niggas in their 20’s there demographically, I’m not gonna price my piece $700 when I have a good chance to atleast make $200 maybe. I gotta save that for the older generations because they’re just a bit more appreciative of Art in my opinion although sometimes they may not always understand it. It’s just annoying how people don’t care to really buy art anymore but can wait in line all night for sneakers of the same price. That’s why I
#ASHCREATED
literally love everyone who has actually bought a painting of mine, regardless of what price they paid. It’s a piece of me with them always. But honestly, I’m still starting out so whatever I earn just gives me more power to improve and get better $ feel me. JS: What are you working on now? AG: I’m still creating pieces what ever free time I get from work. I’m constantly hitting people up, networking etc. I’m doing showing whenever I can. I’m just going with flows right now ya know. Wherever life wants to take me.
17
JS: Tell us more about your aspirations? What are your next moves? When will you transition into graphic design and what are you looking to do in that field? AG: I just want to be known and appreciated for what I do. I always had an interest in being a visual merchandiser/stylist also but right now I’m taking one thing at a time. My focus is my art. I just finished college with my associates in fashion marketing and I just wanna chill out for about a year until I choose to pursue my bachelors in graphic design. I want to gain more knowledge and experience in that field and ultimately make my work come to life in many ways. It’ll be a brand new achievement for me if I stick through it all. Like I have a strong tendency to give up a lot and feel like shit isn’t worth it until I sit down with myself and recollect. But this, I’m serious about. I don’t like to talk a lot on what I want to do, you’ll just have to wait and see.
18
19
Y R A N O I T U L O V R E E R K L A W G DO TH E
Kitty Leigh (lee) 31
October 2016
T I M E S
20
INSTAGRAM.COM/REBELKITTY525
21
RAHIEM MILTON
THE BEST KEPT SECRET 22
“GET IN YOUR ZONE. EXPRESS YOURSELF. FIND THAT PLACE WHERE YOUR ART MEETS PURPOSE AND YOU BECOME SO FLOW THAT YOU ALSO BECOME THE ART. LET YOUR ART REPRESENT YOU AND WHAT YOU STAND FOR. LET IT BE THE WAY YOU WALK, TALK, DRESS, THINK, ACT, EVERYTHING. LET IT BE YOUR VIBE” MATT GOTTESMAN
23
JS: How long have you been an illustrator? How did you develop this particular style? RM: I’ve been a professional illustrator for 15 years. Freelancing for various publications and was an on staff illustrator for The Hill Newspaper in Washington D.C. for 5 years. As for my most recognizable style, that happened gradually. I first had to learn how to draw with a pen, which I started to do 3 years ago. From that point I started to develop my style. I’d practice it within the hair of the people I’d draw, then one day I started using that way of shading throughout the entire piece.
JS: I have been following you for a minute now. You’re an extremely prolific illustrator. The shit you do with the pencil & paintbrush is beyond what words can describe. Your modern day realism style is always turning heads on IG. What drives your art? How are you able to crank out so many incredible pieces so effortlessly? From my vantage point it seems therapeutic. RM: What drives me as an artist is knowing how art can impact people’s lives. Just knowing that my art may touch someone emotionally is why I create. I just be in a zone, it’s like a laser like focus and once I finish a piece I’m on to the next. I don’t return to the previous piece.
24
JS: I read that you prefer to just be on the realm of a quiet space… devoid of criticism and praise. It helps you create and through your art, that’s how you speak. It’s why I’ve ironically titled this “The Best Kept Secret.” It led me to wondering about the lack of a portfolio/ website. Is that intentional? RM: I wouldn’t say it’s intentional because I did have a website and have a new one in the works. I’ve always avoided the spotlight even as a kid due to my shy and reserved nature. Even though that can sometimes be counterproductive to becoming a famous artist. However, I don’t necessarily follow what’s considered the norm.
25
JS: You are the definition of art. Everything is about art and it’s consistent. As a fan/viewer it makes me incredibly appreciative of an artist that I can just sit back and lose myself in just the art. There’s no other image, nothing else you are projecting (which also is INCREDIBLY appreciative) what keeps you motivated? RM: Thank you. What keeps me motivated is knowing that I haven’t reached my fullest potential and probably never will. An artist is constantly learning, growing, and breaking comfort zones. JS: I love how your work really emphasizes the beauty of black people. Whether that be the black body, hair, love and more…. There is a romantic, graceful intent and attention to detail in your work. What is the message that you want to leave to the black community upon posting a piece of black art? RM: When I’m no longer here on this Earth I hope that my art showed the beauty and essence of my people. And they understand that I created because it’s a passion, I created to inspire others not to keep their talents dormant. That’s my purpose in this Art Life.
26
RAHIEM MILTON
instagram.com/rahiem81art/
27
28
29
Here is a brief list of events or moments in time over freedo that so many white Americans & even There are a vast number of pe
“How can black people be opr doctors, police officers, multi-million dollar musi
The American media has adapted and gone through State than back decades ago when blacks couldn’t ev “A Post-Racist America” that culminated with t
(In No Specific Order) • Federal appeals court rules it’s okay to discriminate against black hairstyles like dreadlocks READ HERE SEPTEMBER 2016
Alistair Berg
30
r the last two decades that debunks the illusion of om some people of color have fallen for. eople who asks the question
ressed when there are black icians and celebrities. Even a black president?”
h sophisticated ways to present a “better” United es ven vote. This state of being that we are told is the election of Barack Obama back in 2008.
Three University of North Dakota students reportedly posted this derogatory message to Snapchat. INSTAGRAM
READ HERE
SEPTEMBER 2016
• White College Students Post Racist Snapchat Photo: ‘We Locked the Black B–ch Out
31
• White North Dakota students dress in blackface, post picture with caption ‘black lives matter’
READ HERE SEPTEMBER 2016
The photo in question. CREDIT: RAW STORY/FACEBOOK
DYLANN ROOF VS THE UNITED STATES
JUNE 2015 READ HERE
32
• “Yummy” Sandifer | the city of Chicago & other children of the hood READ HERE HONORABLE MENTION: THE PROUD FAMILY | EPISODE : Hooray for Iesha 33
A M E
THE EXPERIENCE MAGAZINE PRESCRIPTION | CHAKRA | THROAT
COLOR • BLUE COLOR • BLUE
COLOR • BLUE
Determine Your Highest Truth Express Your Truth Speak and Listen With Compassion
ROB AYALA
The Abstracted Hue
INTERVIEW JAY STONE PHOTOGRAPHY
36 37
People are attracted to to beautiful things. Sometimes there can be alot of pain and ugliness hidden behind all those colors.
JS: Your work is by far some of the most unique pieces of art I ever seen. How did this particular style develop? RA: Thank you! I really appreciate that. I never really put much thought into what style of art i wanted to create. I feel as artists we all have our own creative language. That’s what makes us unique. so to answer your question i belive i was born with my particular style. All artist are. Now my duty is to acknowledge it, stay true to it and maintain it. That’s easier said then done. JS: The common theme in your work is an abundance of color with some somber messages within the work. Did you always have this social political mindset or did this develop as you were growing up? RA: I definitely wouldn’t call my self political. But i am sensitive to injustice. If i can create a powerful image rather then vent on Facebook or Twitter with words, then i did my job as an artist. That’s what we do. We document! 100 years from now when people are looking at my work, i want them to know what the world was like through my eyes.
38
. As far as my use of color. Its just bait. People are attracted to to beautiful things. Sometimes there can be alot of pain and ugliness hidden behind all those colors. Its like a beautiful woman. Everyone admires her beauty but rarely do they see the pain she might be going through.
JS: I really love your Sandra Bland piece as well as your “Pig in a Blanket” and “Mother Earth & the Cosmos.” You are the creator of a bevy of amazing abstract pieces. Which are your favorite and what is your creative process like? RA: Thank You! My favorites change because im always trying to out do my last piece. But right now i say my top 3 favorites are “Lost In A Strange World” “Kings Chambers #2” and “Empathy in wicked times”
The Abstracted Hue
My process is very tedious. Many layers. And alot of lines
R R O O 39
40
41
ROB AYALA
JS: Tell us about “Fantasy in Color.” RA: Fantasy In color is an artists collective, based in harlem. we organize biweekly art parties that showcase some of the city’s best emerging visual and performing artists. JS: You make music as well. How do you juggle both professions? RA: They go hand and hand. These days im definitely painting more but im always making beats. its hard to find that balance u know. Especially how fast the Fantasy In Color movement has been taking off. It has most of my attention at this point in my life. JS: What do you think has to happen for they’re to be progression for blacks in United States? RA: I dont really have the answer for that. This is a crazy time for America. Racism isn’t new, We know this. But its never been so exposed as it is now. Its being recorded and broadcasted live. We can’t progress 100 percent until we are treated as equal. Until then it will be the way it always been.
42
JS: What’s’ next for Rob Ayala? RA: Right now im putting all my energy into making sure Fantasy In Color reaches its full potential. We are growing so quickly. It feels good to be providing a platform for so many amazing artists. We are the new Renaissance,we are the Culture!
www.robayala.com/ instagram.com/robayala_
instagram.com/fantasyincolornyc/
43
SKYLLAS WANG
SKYLLAS WANG 44
3001 Element
BY JAY STONE PHOTOGRAPHY : JAY PROBE
Instagram.com/skyllas_wang/ Skylladevi.wixsite.com/skyllaswang
45
JS: I have been following your work for a long while now. You’ve definitely come a long way, hard work is paying off. Do you feel that you are where you want to be currently right now, at this stage in your career? SW: I do. I’m learning like crazy and i’m discovering so many new parts to myself as i work. I do look forward to the future a lot but I love my struggle cause i’m watching myself grow and it’s amazing. JS: I really dig folks who are all-around artists. I feel like the mark of a true artist is someone who can express themselves in a variety of ways. That takes real talent. You are a fine artist, photographer, videographer, and writer. Tell us more about each of these mediums and how you bring each to life. SW: I love being able to express myself in different ways, it makes me feel free. When i’m painting it’s like i’m having a one on one with my spirit body, like there’s two of me. Both the same and different like ying and yang. When i’m doing camera work i feel like i’m virtually building a new reality with magic in my hands. I feel powerful and in control. As a writer i’m completely 100 percent vulnerable and transparent. I’m brutally honest and intensely passionate. As a writer i can be what i am on the inside fully and wholly and bring it outwards for clarity and realness.
46
47
48
49
3001 Element
S 50
JS: What is the “WeLoveLadiesFirst” Blog? How did you come about being apart of that? I checked out some of your writings there, I really liked the post on Sacred Geometry. How do you normally come up with your blog posts and Motivation Monday pieces? SW: WeLoveLadiesFirst isn’t a blog, it’s a collective of powerful women, who are multi-talented, hard working and inspirational. We just so happen to have a website to share what we are and what’s going on in the female community. We are opening doors for women to be apart of our collective who are powerful and talented and real to set an example for all women. I became apart of ladies first for that sole reason. In coming up with my posts I actually make it pretty simple. I let life inspire me. Every single post that i’ve written was for someone who needed it and for people just like them. Some post were reminders for myself, some were for friends and family; like letters of advice to motivate you.
S K
JS: How do you begin a fine art piece? You have a very eccentric, vibrant style full of wonderful use of colors and textures. SW: Thank you! The majority of my pieces were inspired by visions i had in meditation. Others are worlds that i want to bring to life and things that i wish were real. Once i have my inspiration I write it down, draw a sketch and go. JS: What would you tell someone who is just beginning his or her spiritual journey / healing? SW: Remember to do things with love. Learn to love yourself, learn to trust yourself, and learn to believe in yourself. We are extremely powerful beings and you need to know that. Humans were not meant for mediocrity . search for your knowledge and be hungry to learn. JS: Your star is beginning to take off. What do you want for your brand and where do you see it going in the future? SW: My brand is going to be as diverse as i am. Everything that i am is what my brand will represent. I want my art to mean something for the world and to open up minds all over. I plan on having a lot of different products over time, like furniture and home deco. I want to do murals and statues . i want to build and design , do animation and books etc. putting my energy into it all and bringing everything to life.
51
INTERVIEW BY KITTY LEIGH PHOTOGRAPHY BY JAY STONE
54
Friday Nite Lights JenniFair
“You gotta DREAM like you never seen obstacles.” J. Cole
55
Friday Nite Lights KL: First and foremost I have to say what an honor it is to be Interviewing you. Your confidence beams through your art and confidence make you powerful. When did you discover your power? Were you always confident in your art or did you gradually grow to accept that you were the bomb.com? JF: I have to say that I’m honored to be interviewed. Thank you so much for giving me this platform to connect with your readers. Honestly speaking, I think I’m still learning about the power I have. I always believed in myself. I always saw myself pursuing this dream. I just think the more I grow, the more confident I become. It wasn’t always there. Sometimes I still doubt myself and I still have days where I don’t feel my best. I think the fans, people like you (Experience Mag) and my loved ones give me confidence. You all reassure me that I’m on the right path. KL: I read you are from Chicago and from my understanding performing there and performing here in NYC is a totally different vibe. NYC loves you did that boost your confidence a little a bit? We don’t move for just anybody ya know. JF: Yes I am from Chicago. Southside born and raised. Performing in Chicago is totally different than performing in New York. People in Chicago at least pay attention or they turn their backs when they aren’t listening. We’re nicer about it. New Yorkers will face you with their arms folded, stare you dead in the face, and tell you that you suck. I was terrified to perform in New York. My first performance was at The Pyramid Club. I got on stage and did the best I could. I saw the crowd move and they applauded when I was finished. New York doesn’t move if you’re
56
terrible. They don’t even move if you’re great (lol). That boosted my confidence. That moment I knew I could do it. I knew I would be okay in New York.
KL: What has been your most rewarding experience as an artist? JF: My most rewarding experience would have to be when I get on stage to perform and people know all the lyrics to my songs. That is the greatest feeling. It makes all the work you put in worth it.
instagram.com/Iamjennifair/
PICK UP LINE
KL: Which one of your songs is your favorite to perform? Love Me is my Jam! JF: It’s so funny you mentioned Love Me because that is my favorite to perform. Love Me has so much energy in the track. I feed off the energy of the crowd too. Kids love it. Adults love it. Overall, I have a lot of fun performing it.
57
KL: You have a very dope sense of fashion and it seems every style you wear you execute. Would you consider yourself a fashionista? JF: Wow! Thank you. I honestly owe all my style choices to my stylist Rita Monee. She knows what I like and what will look great.
58
I honestly know nothing about fashion so I can’t consider myself a fashionista. Some days I just get up and go. I’m more comfortable in sweats and gym shoes but Rita takes it the extra mile for me.
JENNIFAIR
KL: Who are your dream artists to collaborate with? JF: My dream collabs would be: J Cole, Janelle Monae, Kanye, Sza, Beyonce, Chance the Rapper, Big Sean, Erykah Badu, Missy. These are just a few I can think of. I’m sure there are more. I really want to write for a lot of these artists too.
KL: I want to say thank you for your time and last but not least .What is your final message for your fans who are going through hard times right now? JF: Some days, some weeks, some months, can break you. I’ve been there. I’m saying to all of you that sometimes it gets worse before it can get any better. Keep believing in yourself. Keep pushing. Keep praying and you’ll make it through.
Black Spirituality
DESTINY THOMAS
Spirituality, what is it you ask? Well, to sum it up in a few words. . It is the belief that we as human beings are here for a great purpose. Spirituality is based upon the strong belief that we as human beings are connected to a supreme being that aligns a sense of hope in all of us and amongst the world that we like to call home . Some may wonder how the concept of Spirituality came about. Within the continent of Africa, the act of continuing spiritual rituals has always been known as an everyday necessity. People of Africa have been accustomed to learning and embracing the beauty of every part of the world from the ground up. A vital yet powerful awareness of spirit has been embedded into the gums of our teeth and into the structure of our bones long before the world came to notice. Even in the midst of our African brothers and sisters being taken from their homeland, the strength of their spirit remained the same. Even in the midst of our African brothers and sister being stripped from happily speaking in our native tongue their heart always knew where real truly resided. Even in the midst of our African brothers and sisters being ridiculed for preserving a culture that held pride close as if it were a blanket that was created to keep their bodies warm. The language of Spirituality for those of the African and black cultures is what keeps the hearts of our beings alive. We as a people have been struggling to adapt in a world that was built on the downfall and weakness of our blood. We as a people have been struggling to adapt in a world that was built to see us fail instead of succeed. We are a people who have many stories of enriched history and sincere truths flowing within their veins of our inner beings. We are a people who will always see the beauty in our culture. We are a people who will always survive even when those work so hard to tear us down. We the people of African roots will never allow the mistreatment of other communities to stop us from being who we are no matter the level of hate that may try to come our way. We will continue to rise even though your brain may tell you that we will do otherwise. Please never believe the lies for we are a people who embody the true meaning of power and strength.
60
61
It’s
Better
This Way
62
THOMAS EVANS IAmDeTOUR
IT’S
BETTER IAmDeTOUR
WAY 64
THIS
S
JS: I read that you were in graphic design and marketing. Than you made the switch after you had your “aha” moment to painting. How was that transition for you? How did working in Tanzania inspire you? TE: I had a realization while living in Tanzania that I should go for my dream regardless of the obstacles in front of me. This was because I was living an extremely modestly and loving it. I was void of many of the distractions that I usually held on to in the US. I making most of my meals from scratch and taking bucket showers. The thing is, I didn’t mind and actually preferred it this way because I was focus on what was important. This helped me to get over my fear of failure. JS: You use a series of complex techniques to bring your interactive paintings to life. Talk about your process. TE: The idea to make interactive pieces came from my desire to push the envelope. I first
started in 2010 by adding functioning speakers to my work. The local public loved it. I perfected the process and then started to adding amplifiers and switches to my paintings. This went on for a couple of years until I came across a Kickstarter that wanted to make paint the conducts electricity. I funded them right before I left for Tanzania and when i returned to the states, the company I funded sent me a package the paint. I started experimenting with the paint a after including a couple of DJs and producers on the project and it resulted in a amazing painting that can double as a musical instrument. It took about a year to really get the tech dialed in to where our performances were seamless. the obstacles in front of me. This was because I was living a extremely modestly and loving it. I was void of many of the distractions that I usually held on to in the US. I making most of my meals from scratch and taking bucket showers. The thing is, I didn’t mind and actually preferred it this way because I was focus on what was important. This helped me to get over my fear of failure.
65
IAmDeTOUR
JS: What is the art scene like in Denver? How did you get your start selling your work around the community? TE: I moved to Denver about 10 years ago and the creative community was great. Everybody had there own style and everybody was willing to share the knowledge. I was able to grow as an artist because I had a bunch of talented artist around me. I slowly started to show work and then eventually started to sell. It was slow until I decided to do art full-time. That’s when was able to dedicate more time on getting my work out and about. JS: Your work is truly exceptional! Which would you consider your favorite? Which was your most challenging? Mighty Mos, The Fiasco, and the Drummer’s Beat are among my personal favorites. TE: My favorite piece is the always the most recent piece because the most recent piece
66
is a melting pot of all my experiences. I don’t see any of the paintings I do on canvas as challenging but the murals that I create are always a challenge to do. Mainly because of size. JS: What is your ultimate goal? What’s the next step for your art and your brand as a whole? TE: My ultimate goal is to be a life long creative. Whether it’s painting or videography, or photography, I want to be able to express myself full-time. To do that, I have to build up the Detour brand. This means pumping out quality work on a consistent basis year-round. www.instagram.com/detour303/
iamdetour.com `
67
THE EXPERIENCE MAGAZINE PRESCRIPTION | CHAKRA | THIRD EYE
Trust Your Intuition COLOR • INDIGO COLOR • INDIGO
COLOR • INDIGO
AF RO PU NK
70
2 016
B RO O K LYN NYC
71
72
73
74
75
TERENCE CRUTCHER
KEITH SCOTT
PHARAOH TIMES JAY STONE: THE EXPERIENCE MAGAZINE 2016 SEASON KITTY LEIGH: REVOLUTIONARY DOG WALKER || OCT 2016 JAY STONE: BLACK MADONNA || MOTHER’S DAY JAY STONE: REBIRTH OF A NATION THE LOUD PACK JAY STONE: GOD || WINTER 2016 JAY STONE : ISIS & THE SUNRISE KINGDOM #2018 pharaohpharaohpharaoh.tumblr.com/