exterior de sign — L I V E O P E N LY —
exterior design | 1
CONTENTS
44
TRENDS
.................
p4 | Woven
wonders make a splash
CURATE
.................
p10 | Trends
and luxe products
Vision
................
p20 | Retro
to current—designers who define outdoors
RESORT
.................
p32 | Tommy
56
Bahama tommybahamaoutdoor.com p36 | Three Birds Casual three-birds.com p42 | Skyline Design skylinedesign.com proj ect
.................... p44 | From
beach to desert, landscapes are going high-end
fusio n
................. p62 | The
kitchen goes outdoors
PRO SE
................. p64 | Inside
the mind of Barrie Livingstone exterior design | 1
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CONTENTS creat i v e c ombus t i o n
It’s every editor’s dream to be at the helm of a magazine that writes itself. This is the case with Exterior Design. The timing is so right with the trend of interior designers creating the crucial fiſth room; this publication is like spontaneous creative combustion. Sometimes as its maestro, I have to get out of the way and let it happen! This issue, Tracy Bulla, esteemed product editor of Home Accents Today, teams up with Elaine Markoutsas, a LUXE contributor, to bring you a global style report on wovens (p. 4) and how this category has exploded both in creativity and in color, followed by a bevy of curated products (p. 10). We dare you to pick just one. Then, I had the pleasure of meeting author/designer P. Gaye Tapp at High Point Market and latching onto a copy of her new book “How They Decorated: Inspiration from Great Women of the Twentieth Century” (Rizzoli New York, 2017). Turn to page 20 for a peek at some of the images of Ghost Ranch by Georgia O’Keeffe, who was far ahead of her time bringing the outdoors inside.
EDITOR
Splash about Ryan Hughes’ luxury pools on pages 44-49, the perfect way to cool off in the searing July heat. Then take off to The Residences at Grace Bay Club, transformed by renowned interior designer Thom Filicia. I bumped into him at the HDExpo in Las Vegas, slid him a copy of Exterior Design, to which he replied, “I’m in.” Thanks, Thom! A big shout-out to Barrie Livingstone, an accomplished writer and interior designer aſter my heart, for not only introducing us to Red Tail Ranch (p. 56), designed with a great respect for its hallowed ground, but also for his column on page 64, readying clients’ outdoor space for the peak season.
e xt e r i o r de s ign — L I V E O P E N LY
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SENIOR PUBLISHER John Emerick 336.605.3780 jemerick@casualliving.com SENIOR ACCOUNT EXECUTIVE Scott D. Franz 937.931.4461 sfranz@casualliving.com EDITOR-IN-CHIEF Waynette Goodson 336.605.1033 wgoodson@casualliving.com FEATURES EDITOR Jennifer Bringle 336.605.1007 jbringle@casualliving.com INTERN Asa Goldstein ART DIRECTOR Cammie Collier CONTRIBUTORS Tracy Bulla, Lauren Eberle, Barrie Livingstone, Elaine Markoutsas, Laurie Rudd SALES ASSISTANT Pany Sengsouriya DIRECTOR OF PRODUCTION Greg Schaftlein PRODUCTION MANAGER Rich Lamb 336.605.1074 DIGITAL MEDIA EDITOR GRAPHICS SPECIALIST DATABASE ASSETS & SOCIAL MEDIA MANAGER MARKETING PROJECT SPECIALIST WEB CLIENT SERVICES MANAGER DIRECTOR OF WEB OPERATIONS WEB OPERATIONS SPECIALIST CO-DIRECTOR OF CREATIVE SERVICES CO-DIRECTOR OF CREATIVE SERVICES DIRECTOR OF EVENTS CONFERENCE & EVENTS PLANNER AUDIENCE MARKETING MANAGER
Mynda Bullock Ariel Perez Jessica Byerly Amber Allen Dan Sage Chris Schultz Randy Melton Melanie Bingham Angie Moorefield Jennifer Kresl Heather Thompson Angela Tanner
PROGRESSIVE BUSINESS MEDIA CHIEF EXECUTIVE OFFICER Matthew Slaine
And here’s a challenge: Wrap your mind around Brown Jordan Outdoor Kitchens’ ASA-D2 on page 62. Reminds me of a midcentury Airstream trailer. Leave it to Brown Jordan to fuse sleek midcentury furniture with a contemporary kitchen. Most of all, this July issue promises to give you a lot to ponder on the patio. You may find yourself asking, “Really? This is outdoor”? Precisely.
WA Y N E T T E G O O D S O N Editor-in-Chief
PRESIDENT Dean Horowitz VICE PRESIDENT Catherine Silver OF SALES DIRECTOR OF SALES Lee Folger FINANCE DIRECTOR Tammy Overcash HUMAN RESOURCES Melinda Webster DIRECTOR
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wove n wonde rs
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OUTDOOR MAKES A BIG SPLASH IN EUROPE, WITH WOVEN PIECES LEADING THE CHARGE
TRENDS
BY ELAINE MARKOUTSAS
Paola Navone for Baxter
Outdoor furnishings were well-woven into the mix of introductions at Milan’s Salone del Mobile. Even with the enormity of knock-your-socks-off products, the consensus of design editors was that the outdoor category was unusually robust, and that weaves stole the show.
The category has exploded. All manner of knits, crochets, braids and other woven looks have emerged in monochromatic or multi-hued, tight or loose grid-like patterns. And one thing that especially seems to resonate is the appreciation for handcraſted—or at least the look of it.
Some of the chunkier, mega-scale loopy weaves that we’ve seen hints of in recent years continue to enthrall. There are deſt treatments of tubular styles, some actually featuring knitted material. Or flatter weaves, more like wider straps, out of Sunbrella or equivalent performance fabrics.
Herringbones, geometrics and other patterns are displayed with sophisticated intricacy. Ropes, cords, straps and strips offer still another avenue to create chairs, sofas and even tables that are style stars. Turn the page to see the best the woven category as to offer.
4 | exterior design
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Paola Lenti
TRENDS
STYLE STAR Known for her textiles, Paoli Lenti did not disappoint, with fresh takes on warp and weſt. Lenti has mastered the bulky, though it still looks fresh at her hand, and since she also is a superb colorist, a rainbow of hues dazzled. Rich raspberry seems so right for the outdoors. This time, though, among her more outstanding introductions was a collection of poufs with a mostly natural canvas, much like needlepoint. What appear as tuſts of color creating a pattern, upon closer look, reveal ribbon-like weaves out of flat tapes. There’s a variety of techniques and scales, some like a magnified cross-stitch. These types of weaves also unfolded in her outdoor rug designs, some in captivating patchwork styles. She even experimented with a woven copper metal, which appeared in wide interwoven bands as a room divider. Other Lenti pieces showed finer weaves that stretch like skin over their frames. One in particular features a concentric circular pattern set into a scooped white molded plastic shell. Paola Lenti 6 | exterior design
ITALIAN INNOVATION Colorful weaves have long been a staple at the Italian company Moroso. In fact, the art of braiding and weaving are so close to the hearts of principal Patrizia Moroso and designer Patricia Urquiola, they paid homage to the art with Urquiola’s design of the fair stand. Open cubes in red and cobalt were set up as “looms” with raw ecru ropes set in horizontal and vertical lines to represent warp and weft. Some designs are lacy and delicate, like the back of a Tord Boontje chair from Moroso that looks like a spider web. It was inspired by the Dutch designer’s child’s dream weaver. Another tall-backed chair from Emu has a simple crisscrossed back reminiscent of the patterns formed in string games. Eight years ago, a collection by Stephen Burks called M’Afrique debuted from Moroso. Since the launch, a star cast of international designers have brought their talents to outdoor products that celebrate basket weaves with pieces in fanciful shapes crafted by hand in Senegal from polypropylene yarns used for fishing nets. There have been additions to M’Afrique, including a few this year. One, an outdoor woven version of a previously introduced chair by
Ron Arad called Big Easy—the original is made of molded recyclable polyurethane. This seems to be an emerging trend, and why not? Manufacturers who want to extend the indoor-outdoor lifestyle with their brands know that a midcentury chair in teak for the patio will thrill those who love that style in their living rooms. Roberto Cavalli Home just launched its first outdoor collection. One chaise sports a weave of complex braids in a luscious palette of plum and white, each around an inch or so in width, laid out in a diagonal pattern. The weft (horizontal) appears almost as a dot where it emerges as part of the pattern. A sophisticated large-scale plaid at the Italian company Varaschin lends a new verve to technique with use of alternating strips of color in a medium to large scale. It’s a fashion-forward look, resembling a pattern you might find on a designer scarf. More open weaves are equally intriguing, and again, they vary in scale. At the Barcelona-based Kettal, there’s plenty of ingenuity in rattan and wicker as well as other weaves, and colorful ropes have coordinates in frames.
Ron Arad for Moroso
exterior design | 7
TRENDS
Tord Boontje for Moroso
Combinations of materials also play into design, like Kettal’s rattan style with teak legs. Another, where straps stretch top to bottom around a chair frame create a subtle pattern.
the beefier weaves, both in open formats (Kenneth Cobonpue’s Cabaret series ) as well as closed (Tribù’s Tosca collection).
At Baxter, designer Paola Navone paired rattan with outdoor leather, which contrasts with the frame, from dark green to rosy sand.
Another innovation: Tribù’s Nodi chair features a string back from frame to frame, with the top “stretcher” presenting like the rope pattern starting on a loom. Its seat contrasts with a sturdier weave.
Much of the impetus for exploration of weaves really comes from improving technology, both in fabric, yarns and ropes and polyurethane materials. Two years ago some innovators explored
Given the growing range of resources and hues, designers likely will continue to push the envelope in the woven category—great news for outdoor style. □
8 | exterior design
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BRI GH T STAR
CURATE
Made Goods reinvents a classic starburst frame with an industrial vibe in the Anders outdoor-friendly mirror. Inspired by gears, the layered rays add depth and dimension to this heavy-weight concrete design which will naturally distress over time. madegoods.com
Sublime Design BY TRACY BULLA
................................................. Exterior design conveys a distinctly modernist perspective this season, punctuated by reimagined versions of great classic styles. Handcraſting and other traditional techniques are skillfully balanced by a clean, contemporary sensibility suited to modern lifestyles. Today’s high-end designs are more than up to the task in the supreme quest for functionality, ease and comfort combined with serious style. Look for lacquered finishes to infuse a brilliant pop of color into the outdoor landscape, while eye-popping stripes and other geometric patterns enervate with sheer joy. Exquisitely understated neutrals also come to the fore, allowing the colors found in nature to shine. Inspired lighting designs offer both utility and intrigue at once, as reflective glass and concrete pieces add futuristic flair.
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VI VA EL S O L
The fashion brand Echo brings its signature style to Kravet with an outdoor collection called Ibiza. Large-scale suzanis, modern ikats, distinctive paisleys, vibrant stripes and versatile geos, such as dots and mosaics, draw from Mediterranean and Spanish inuences.
CASUAL BLISS
Palecek’s new San Martin outdoor sofa and lounge embodies cool, breezy comfort. Fashioned with hand-woven synthetic rope in a serene neutral palette, the San Martin collection comes with a natural teak wood frame and loose seat and back cushions. palecek.com
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A LFRE SCO ALLURE
CURATE
Not only is outdoor dining one of life’s great pleasures, but now the entire meal preparation can take place outside with Boffi’s K2 Outdoor Kitchen. A single mono-block unfolds to reveal a state-of-the-art cooking system, housing an oven, refrigerator, dishwasher, cupboard and drawer space, as well as cooking and prep surfaces and a concealed washing area. The rectilinear design also handily functions as a bar, serving or dining space to enrich the alfresco experience. boffi.com
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RED HOT
Designed by Francois Champsaur for Pouenat, the Ariane outdoor wall light makes a bold statement in fiery lacquered steel. Eloquently modernist, the vertically suspended design is complemented by a watertight glass shade. hollyhunt.com
BULL’S EYE
Part of the Ceramic Artisan Series, Seasonal Living’s Time stool/accent tables are completely handmade so no two designs are exactly alike. High-drama stripes encircle the hourglass-shaped form for an almost dizzying optical effect. seasonalliving.com
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STYLE SWARM
Photo credit Veronique Vedrenne
CURATE
Taking sartorial cues from the prismatic hexagonal cells of a honeycomb, the Hive One pouf from Ego Paris oers myriad choices for individual expression. The lacquered aluminum frame comes in a choice of 22 hues, with fabric options from Missoni Home (shown), Sunbrella, Maria Flora and more. egoparis.com
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CO LO R P O P
Inspired by traditional wooden park benches, Fermob’s Louisiane bench comes alive in bold, vivid color. Shown in Chili Red, Aubergine and Honey, the timeless design is crafted with sturdy steel slats for superior construction. fermobusa.com
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CURATE 16 | exterior design
LOVE NEST
Designed for lovers, Leſt’s Mua swing merges public and private spaces where a couple can have an intimate chat in a very open place. The entwined heart-shaped form takes advantage of old rattan weaving techniques to create a light, ergonomic and functional design. leſt.mx
CO NTEMPORARY CRAFT
Kenneth Cobonpue’s Trame Easy armchair brilliantly marries modern design with handcrafted technique. Exploring and expanding the art of traditional weaving, the vibrantly multicolored seat interlaces nylon threads through a frame of five interlocking asymmetrical loops. kennethcobonpue.com
DIRECTOR’S CUT
DePadova pays homage to the classic director’s chair with an updated frame in solid teak left untreated to enhance the natural grain and color over time. Light and versatile, the Sundance folding chair features padded arms for additional comfort. depadova.com
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COLOR. DESIGN.
STYLE. INNOVATION.
203.626.5625 | brownjordanoutdoorkitchens.com | 1 Grand Street, Wallingford, CT 06492 BROWN JORDAN is a registered trademark of Brown Jordan International, Inc. and is used under license to CT Acquisition, LLC.
A how they
de co rated P. GAYE TAPP PENS THE GREATEST FEMALE DESIGNERS OF THE 20TH CENTURY. B Y WA Y N E T T E G O O D S O N
t the October High Point Market, I wandered into the Currey & Company showroom to look at their outdoor lighting. It was cocktail time, and servers sashayed with wine and hors d’oeuvres, all to the lilting tunes of a jazz band. It was a happy scene, and it’s where I found the quiet author P. Gaye Tapp signing copies of her new book “How They Decorated: Inspiration from Great Women of the Twentieth Century” (Rizzoli New York, 2017). The title alone conveys the period: Today using the term “decorated” is considered passé and even a bit offensive to some. Today, we design. But back then, in the days of Hélène Rochas, Pauline de Rothschild and Lady Diane Cooper, women decorated. Gloria Vanderbilt cleverly noted, “Decorating is autobiography.” I immediately became intrigued by the title and by the author, so I asked if any of the women profiled in the book decorated the outdoors. To which Tapp replied, “Well, Georgia O’Keeffe brought the outdoors in first.” Indeed, she did. And there’s an entire glorious chapter devoted to her, one of my all-time favorite artists. I was fascinated to read that O’Keeffe hung black patent leather curtains in her bedroom at Ghost Ranch.
VISION
“The great American icon Georgia O’Keeffe brought the outdoors in and vice versa in her Abiquiu house,” Tapp said. “She gathered things from the desert landscape to use for inspiration and decoration. She used primary colors in contrast to the desert palette, mixing Native American textiles and graphic print and bandana pillows with basic black and white furniture.” Tapp is not only a fellow writer, but also a fellow North Carolinian. At market, she was dripping in exotic jewelry—love!—and I later read that she considers herself “old school,” researching with “stacks of books and magazines with post-it notes for each woman’s life, tacked inspiration on a bulletin board with quotes, portraits and rooms.” I felt an immediate kinship with Tapp and a calling to tell the world about her book and its 16 icons of style: Evangeline Bruce, Louise de Vilmorin, Sybil
20 | exterior design
Connolly, Gabrielle van Zuylen, Mona von Bismarck, Babe Paley, Elsa Schiaparelli, Fleur Cowles, Pauline Trigère, Bunny Mellon, Dominique de Menil, and Lesley Blanch, along with Rochas, de Rothschild, Cooper and O’Keeffe. Just as in design, Tapp used a highly selective creative process, starting with a list of 100 women, culling it to 30, and again to just 16 who made it onto the pages. “As the book developed, I realized similarities in these women’s approaches . . . eccentric or bohemian, the classic, etc.,” she recalled. “So I assembled four groups to help classify them. Of course every woman is different, but they were driven to create their worlds according to standards, whether or not they realized it. It might have been a way of asserting their wealth and place in society, or it might have been a desire to create a very personal space that only they would inhabit.” Tapp presents them in four sections that describe their aesthetic approaches: “The Fashionably Chic,” “The Unconventional Eye,” “In the Grand Manner” and “Legacy Style.” And each chapter is awash with sweeping images that illustrate the crucial aspect of the woman’s definitive taste. The author of the blog Little Augury and an interior designer of 30 years, Tapp analyzes each of her subjects’ refined way of living, how each embellished her residences (or left them elegantly stark), and the long-lasting effects on today’s generation of designers. Notable interior designer and author Charlotte Moss pens in the foreword, “‘How They Decorated’ is an invitation to enter the enchanting worlds of 16 women—to experience their circle of influence and the results of their time spent at the altar of elegance, comfort and beauty.” Turn the page for exterior images and photo captions of designs by both Paley, a former Vogue editor, and O’Keeffe, whose ideas still influence the designers of today.
exterior design | 21
“A pair of exterior black doors at Georgia O’Keeffe’s ranch in Abiquiu became the subject of a number of her paintings. Photographer Myron Wood photographed the doors during a snowfall.”
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Right: Kennedy uses these bright blue bar stools to draw eyes to the terrace bar, which was open for service during Modernism Week. Left: The team from The Mine.
“Between the main entrance and the patio, a pair of elk horns illustrated the artist’s original decorating aesthetic. A low adobe bench became at once both practical and decorative. The placement of stones alongside a washtub was not random—it was as meticulous as it was meaningful, as were the O’Keeffe canvases that depicted her many rock groupings.”
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“Bill Paley built beachfront villa number 26 for Babe, and she set about decorating it in a timeless island style, using woven rattan chairs with colorful cushions and sofas in red.� 24 | exterior design
Join the ASID Community Design
Lives
Save the Date
Get Your CEUs this September! December 31st marks the end of the 2-year reporting period! September 15, 2017
9:30 am - 8:00 pm
Gaillard Center, Charleston, South Carolina Join Designers from around the Carolinas for educational programs with leading speakers, panelists and networking events.
Call for Sponsors administrator@nc-sc.asid.org 704-940-1717 Get full details and registration at http://nc-sc.asid.org
Carolinas
W
ith more than 2 million followers online, designer Justina Blakeney is a bona fide social media celebrity. The creative force behind the award-winning design blog The Jungalow and author of The New York Times bestseller “The New Bohemians,” the designer fills her followers’ feeds with daily eye candy in the form of vibrant shabby-chic spaces brimming with color, texture and style.
INSTAGLAM
Blakeney also recently launched an indoor/outdoor furnishings and accessories line—Justina Blakeney Home collection for Selamat—which includes hanging chairs, stools, planters and much more, all with her signature Bohemian style. We caught up with her to talk about designing Instagram-worthy outdoor spaces and cultivating a stand-out online presence.
BY JENNIFER BRINGLE
How do you approach outdoor spaces differently from indoors? We decorate wild, be it indoors or outdoors. But outdoors, we are more mindful to use materials that can withstand the wear and tear of the elements, or that can be taken in and out easily.
VISION
SOCIAL MEDIA STAR JUSTINA BLAKENEY KNOWS HOW TO DECORATE WILD
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You’re known for lots of fun color, pattern and textures—how do you encourage clients to take risks and add some excitement in their outdoor spaces? You can bring color outside in many ways: pillows, rugs, twinkle lights, pots and plant stands, as well as the plates and cups you bring out when you’re dining alfresco. You designed a new indoor/outdoor furniture collection for Selamat—why was it important for those pieces to work for both interior and exterior rooms? We have a little jewel box of a home along the Los Angeles river, and while we love it, storage is limited. Having pieces that we love that can live both indoors and out means we can get more use out of them without having to wonder where they will be stored when the summer season has ended.
You have a huge following on Instagram—why is that platform so important for the design community? When working on different projects, Instagram is a great outlet for immediate feedback. You see which photos end up resonating with audiences, and it allows you to study your feed to find a common thread of what gets the most attention. That doesn’t mean that we don’t post or work on other things. But it does help us to get a sense of what our followers are interested in. What are your must-haves for a fabulous outdoor space? We like to hang out in hammocks, swings and of course our Cohanga hanging chair (part of her Selamat collection)—just add a mojito and we’re good! □ exterior design | 27
W HOS PITALITY BRING THE INSIDE OUT WITH AWARD-WINNING DESIGNER STEVE MCKENZIE
VISION
BY LAUREN EBERLE
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How does life in the South motivate your exterior designs? Living in the South, we have the opportunity to enjoy the outdoors nine, even 10 months, per year, which defines your lifestyle more than it may in other locations. You really spend time thinking about how to use an outdoor space—where do you want to dine? where do you want to lounge?— because you’re going to be engaging with this space for quite some time. How does your background in fine art affect your view of an outdoor palette? Not only have I been an artist for 30 years, but I started my career working in Sherwin Williams’ color palette research labs, and I’ve also expanded into floral design. All these creative endeavors give me an interesting perspective on color juxtapositions and what works together. When I combine two flowers that maybe wouldn’t naturally go together, it gives me an understanding for outdoor spaces—how the green of the garden can be the backdrop, but you can (and should!) accent with plenty of color. Exterior design is about striking a balance between indoor sophistication and outdoor durability. What product innovations are you excited about? I am very energized by the latest textile technology. There are so many high-performance fabrics out,
Photography (top) Courtesy of Brown Jordan
S O U TH E R N
ith a 30-year background in mixed media art, Steve McKenzie understands how combining appealing parts can make an even more beautiful whole. For Steve and his wife, Jill, this meant launching a home decor store, fittingly named Steve McKenzie’s, and a full-service interior design business, McKenzie Design LLC, in 2012. Located in Atlanta’s bustling Westside design district, the store stocks home accessories, furnishings, a line of textiles derived from Steve’s paintings and more. McKenzie Design LLC, which has been widely recognized in leading design magazines, was recently selected to collaborate with Castelle on a designer vignette for the Atlanta International Giſt and Home Furnishings Market at AmericasMart. Here, Steve shares what inspires his vision:
and the woven options are just getting better and better. Textiles are truly what make an interior room, they soften it and add visual interest. Now we can do the same outside. I’m also excited about solution-dyed acrylic colors and the variety of textures that are becoming available. I have an outdoor sample right now that looks just like mohair— we never could have dreamed of that before. Beyond that, manufacturers are also coming up with more and more interesting shapes for their furniture. We aren’t just limited to faux rattan anymore. Collaborating with Castelle has taught me about all of the coatings that they have for their outdoor metals. In days gone by you were relegated to brown. Now you can create your own palette; the possibilities are endless. You’ve designed everything from rooftop retreats to luxurious loggias. What are some of their most impressive elements? It’s fun to use what people traditionally see indoors out of doors because it makes people stop and think, “Wow!” I love gorgeous, lush textiles, sculpture, even a classic Greek bust. Adding these surprising
finds can elevate an outdoor space to be truly distinctive. No matter the size of the project, I enjoy creating separate living spaces to fulfill different purposes—from dining areas fit for families to quiet spots for a couple to have coffee. Oftentimes these ‘rooms’ tend to flow from one to another—just as they do indoors—but I aim to keep them each unique in the style that suits its purpose. Give us a preview of your AmericasMart vignette. I have designed vignettes before, but this was an exciting challenge because I am doing an outdoor vignette in a very indoor space. We will be transporting people away to the French Riviera with an ombre wall suggestive of the sea line, glamorous cabanas and the contemporary lines of Castelle. The juxtaposition of old French Riviera with these very modern, metal, high-gloss white, powder-coated pieces is something to see. □ To learn more about Steve McKenzie, visit mckenzieinteriordesign.com and stevemckenzies.com. exterior design | 29
AT L A N TA 3 - A - 2
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LAS VEGAS C395
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Invite your customers to experience island-inspired living at its finest through the refined yet casual Tommy Bahama area rug collection. F U R N I T U R E AVA I L A B L E A T T B F U R N I T U R E . C O M
RESORT
The appeal of refined alfresco living and entertaining has never been greater than it is today. An elegantly designed outdoor space combines natural beauty with the ability to significantly extend the scale and look of a home’s interior décor. The Tommy Bahama brand is renowned for its design diversity and relaxed interpretation of casual elegant style. Looks range from classic to island-inspired to contemporary, with a range of materials that include
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custom-finished aluminum, all-weather wicker, teak and stainless steel. Seating comfort and quality are truly remarkable, with unlimited customization offered in tailoring fabrics and trims. We invite you to explore the world of Tommy Bahama Outdoor Living, the most widely recognized and respected brand in the industry. Visit us atTommyBahamaOutdoorLiving.com.□
exterior design | 33
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The Understated elegance of refined alfresco living
exterior design | 35
I
t’s What’s Inside That Sets Us Apart From high-grade teak to marine-grade stainless steel, we produce fashionable furnishings that withstand the test of time and the day-to-day wear from living outdoors.
t h ree bi rd s casua l
RESORT
WITH ANY GREAT FASHION STORY, THERE HAS TO BE FUNCTION
36 | exterior design
Quality Control Is At The Heart Of All We Do Comprehensive quality standards can’t be founded in “spot checking.” The only way to ensure products arrive at the customer’s door in great condition is to commit to a 100% inspection rate. Hands-On Means Better Efficiency Quality can be better monitored. Turn-around times can be better gauged. Special orders have more flexibility. Inventory Management Insures The Right Products At The Right Time Leading the industry in delivery times, we ship most orders within 24-48 hours. Special orders or out-of-stock items are shipped within a threeweek period.
Counter-height dining with SoHo tables and chairs from Three Birds Casual is both stylish and comfortable. The frames of the SoHo products are made from powder-coated aluminum with teak slats. The frames are available iin various sizes and both grey and white colors.
Le: Introducing Three Birds Casual’s new Chelsea Oval Extension table which starts at 72' and has two "self-storing" leaves that open to make the table 96". The chairs pictured are the Riviera Folding Armchairs and Side Chairs which feature durable slings with marine-grade stainless steel hardware. Bottom right: The Riviera loungers from Three Birds Casual are perfect for both backyard pools or seaside on the beach. The frames are made from Grade A teak and the comfortable slings and marine-grade stainless steel hardware will withstand the harshest conditions. These loungers are available in Black, White, Blue and Titanium.
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The Three Birds Casual St. Lucia Chaise Lounger uses Grade A Teak in an appealing design which offers both strength and comfort. The seat back moves to four different positions and the thick cushions are soſt and comfy...perfect for lounging and naps. three-birds.com
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exterior design | 39
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Building on the rich tradition of providing the best products in the outdoor arena, the Newport 86� Dining Table pairs nicely with the Bella Dining Armchairs and Side Chairs. The table is made using Grade A Plantation Teak in a "farmhouse" style design. The Bella Dining Chairs are made using a very durable tight weave of "allweather" wicker which is both durable and flexible for comfort. three-birds.com exterior design | 41
INSPIRED DESIGNSTHAT RIVAL
NATURE'S OWN BEAUTY 42 | exterior design
“
”
Every sunset brings the promise of a new dawn. -Ralph Waldo Emerson
Halo by Skyline Design
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BIG TIME DESIGN
PROJ E C T
BY JAMES MADEIROS
RYAN HUGHES COMBINES SCIENCE AND ART TO CREATE DRAMATIC OUTDOOR SPACES ................................................................................................. BY LAURIE RUDD
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F
or the past two decades, Ryan Hughes, owner and creative director of Ryan Hughes Design Build in Palm Harbor, Florida, has built a reputation for redefining exteriors through over-the-top, one-of-a-kind designs. His expertise in the world of exterior design is undisputed. Hughes’ projects now total in excess of $110 million. His exterior design expertise is highly sought after on a consultant basis for projects nationwide. Exhibiting a fresh perspective on outdoor living, his gallery of work is heavily infused with creativity—and a dash of drama. In a conversation with him about his creative process, Hughes outlines his outdoor design philosophy that combines art and science. What inspires your outdoor living designs? I have been fortunate enough to have traveled the world from an early age. From those travels, I have been able to translate a global perspective and take
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inspiration from international venues and lifestyles. These cultural experiences and architectural influences have produced a diversity of styles that can be seen throughout our portfolio. How do your projects illustrate your philosophy of including science and art in exterior design? For any project, the space planning is the science that makes everything function, whether it’s for areas of relaxation, lounging or dining. In a recent project that we named ‘Big Time,’ what the homeowners and our team accomplished was incredible. The project’s nearly 5,000 square feet of outdoor space was designed to include multiple outdoor rooms, water and fire features. This required considerable space planning. Artistry was added following design principles of proportion and balance, but also with the latest in modern technology and custom materials, colors and textures. These cultural experiences and
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architectural influences have produced a diversity of styles that can be seen throughout our portfolio. How is outdoor design changing in the lofty echelons of luxury? Design is changing because luxury clientele put more emphasis on outdoor living, with a larger percentage of the overall home budget put into their outdoor spaces. Clients who think this way are drawn to us. The luxury client looks to professionals for not just design expertise and fresh ideas, but also for design solutions to challenges throughout the project. What are some of your favorite items to include in an exterior design project? Water features and fire features are always popular elements. But in high-end projects, it is more than just the features; it’s about creating the experience and ambiance. In ‘Big Time,’ we added a fire
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feature that was encased in a custom-made globe-like sculpture (above). The fire filled the center and created an amazing focal point for one of the outdoor seating areas. We find that artwork is just as important in outdoor as in indoors. We educate our clients that the design is not complete without the furnishings and the artwork. Those are the elements that personalize the space. Are there exterior design trends you would like to see continuing in the future? I would like to see the continued addition of drama within outdoor living spaces. No longer are the outdoor spaces, especially for luxury clients, an afterthought. For those who want the luxury of their home to extend outside, the possibilities for drama are continuing to grow, and this often incorporates, again, science and artistry. In the area of outdoor lighting alone, there are tremendous advances occurring. It is exciting to be able to present my clients with what is at the leading edge of outdoor design. □
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paradis e THOM FILICIA CREATES LUXURIOUS INDOOR/ OUTDOOR LIVING SPACES IN THE TURKS AND CAICOS
BY JENNIFER BRINGLE Photo credit Nick Johnson
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n a lush tropical locale like Providenciales in the Turks and Caicos, blurring the line between indoor and outdoor living is more than just a trend—it’s a necessity.
allows residents to leisurely move from interior rooms to expansive outdoor spaces, Filicia designed a look that capitalizes on this relaxed, seamless lifestyle.
That’s the thinking behind renowned designer Thom Filicia’s treatment of two luxury villas, part of The Residences Turks & Caicos By Grace Bay Resorts. The freestanding villas are designed to offer guests a luxurious home-like atmosphere with the amenities of the adjacent resort, all within a private, gated enclave on Grace Bay Beach.
Inspired by the breathtaking scenery surrounding the villas, Filicia outfitted the interiors in a palette that mirrors the natural beauty outside—a base of white and sandy hues punctuated with pops of brilliant turquoise, verdant green and tropical coral. A mixture of man-made and natural furnishings and fixtures—everything from custom sofa daybeds from the Tom Filicia Home Collection to driftwood credenzas—complete the look.
“These stunning villas deliver a uniquely elevated experience by offering Grace Bay Club’s ultra-luxe service and amenities in a brand-new setting—the comfort and privacy of a freestanding beachfront home,” says Nikheel Advani, COO and principal, Grace Bay Resorts. Building upon the open 6,400-square-foot layout that
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“Our primary goal with The Residences was to create a sense of timelessness and elegance that felt distinctly Grace Bay,” says Filicia. “By weaving in natural pieces that emphasize each home’s close proximity to white sand beaches and clear blue waters, we created a space that is both earthy and clean, as well as classic and fresh.”
Filicia used casual furnishings, such as this modern dining group, an oversized daybed and contemporary deep seating, to create multiple areas for entertaining, relaxing and simply enjoying the villas’ breathtaking views of the Caribbean.
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Outside, the architectural and landscape design was built to maximize the enjoyment of the stunning ocean views. A spacious covered deck leads to an infinity pool overlooking the crystal blue Caribbean. Sleek lounge chairs sit waterside, and an oversized daybed beckons with plush cushions and plenty of room for languid sunbathing. A dining area is outfitted with clean-lined modern furnishings, creating the ideal setting for alfresco noshing. And at night, eco-friendly LED lighting bathes the outdoor space with a tranquil glow. Together, the designs create a retreat that’s just as stylish as it is serene.□
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The villas’ open-air spaces offer all the style and functionality of the interiors thanks to Filicia’s thoughtful mix of eclectic furnishings and eye-catching accessories.
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LAS VEGAS
RED TAIL
ranc h A MIDSUMMER NIGHT’S DREAM IN OJAI
BY BARRIE LIVINGSTONE
PROJECT
There comes a time when one should realize that we live “in” and not “on” our planet. For many in modern civilization that time never comes. For those of us who have a relationship with nature, we live in a utopia, fully connected to the earth. With this connection comes an innate understanding that what we eat and how it’s farmed has a direct effect on our entire existence, our daily happiness, prosperity and ultimately our quality of life and longevity. Fully immersed in this philosophy, Kim McLin first set foot on the land that she would one day cultivate and develop into Red Tail Ranch. Having been touched by and living in Ojai, California, for the previous 10 years, she dreamt of a bit more land to tend. A local Realtor happened to know of this 15-acre citrus ranch. Certified in Western herbalism, landscape management, aromatherapy and permaculture, McLin knew that the Mediterranean climate and stunning location were the clear choice. Even though it was larger than she had originally envisioned, the ranch was destined to be hers. With head-on views of the Topatopa mountain range that form the northern rim of the Ojai Valley, the home that McLin designed and built directly faces their loſty peaks. And every room offers magical vistas of her romantic gardens, with the sunlit backdrop of the mountains. The beautiful single-story hacienda is designed as two villas connected by a charming covered interior courtyard. This allows guests and family to always feel welcome in their own villa. McLin oſten hosts guests for romantic getaways through VRBO. She also carefully planned the home to be as efficient as possible by using passive solar, thermal mass design elements. She and her good friend Lynne Leventen, who is also a designer in Malibu, have had a lot of fun together in recent years reworking the interior and exterior living areas—something they never tire of.
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Photography Courtesy of Daniel Duane Thompson
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Another pastime McLin never tires of? Gardening. The Ojai Valley runs east/west, which is highly unusual and provides an extraordinary amount of sunlight year-round, a plus for any gardener or farmer. The edge of the property perches dramatically on a barranca above the Ventura riverbed, with a steep cliff down to the seasonal creek below. About 9,000 years ago, a dense oak forest covered the land, and Oak Grove Indians farmed this raised wooded area as a milling site to harvest acorns, which were the most important plant food. In fact, acorn soup was a part of every meal. The Native Americans ground the dried, shelled acorns into a powder with a stone mortar and pestle, called “mano” and “metate.” Incredibly, McLin unearthed several mano and metate on the property, exactly where the Native Americans had left them. There is something very special about knowing you are tending land that was so lovingly cared for so long ago by such a peaceful race. However, when she arrived, the land was in a very different shape then the Native Americans had left it. The soil had become barren and the majestic oaks had long been ripped out to make way for a modern-day chemically treated citrus ranch that had never really thrived. With her knowledge of permaculture, McLin envisioned a food forest, rich in diversity and full of trees, plants and crops—an ecosystem more sustainable and self-sufficient. Plant diversity creates insect and animal diversity and thus a healthy ecosystem—a model we can only hope will continue to grow and flourish. (This is the way of farming the future and is indeed the only way our poor planet can ever support the human population surge that will have our total number of hungry mouths at 12.2 billion by the year 2100.) As well as the many varieties of fruit trees—mulberry being a personal favorite—McLin’s plan also included planting oaks and other native trees to bring back the vital shade canopy in an area where there is an average of 269 sunny days per year and prolonged daytime temperatures regularly exceeding 90 F in summer months.
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Controlling and containing water flow with berms and swales is also paramount in a place that can often go years without rain. Over the years, the avid gardener has cultivated many crops, as well as seed crops for All Good Things, an organic seed company, and plant distillation for a beautiful, natural perfume called Ojai Wild. Just as McLin has given of her time and talents to this land, it’s no surprise that such a beautiful place would continue to yield such earthly treasures.▥
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THE NEXT
GENERATION BROWN JORDAN FUSES FURNITURE WITH THE OUTDOOR KITCHEN B Y WA Y N E T T E G O O D S O N
FUSION
B
rown Jordan Outdoor Kitchens is an industry leader manufacturing highly engineered stainless steel cabinetry, as well as tubular steel mobile food and beverage service carts. Now the venerable company is taking outdoor kitchens to the next level, thanks to the highly designed ASA-D2, the result of a collaboration with Dekton by Cosentino and Daniel Germani Designs. This contemporary, free-standing outdoor kitchen sports a modular design with a choice of four finishes, 360-degree functionality, and storage and shelving on both sides. Able to withstand the most severe weather, the ASA-D2 boasts an aluminum structure, stainless steel body and Dekton countertop for extra durability. Mitchell Slater, the owner of Danver and Brown Jordan Outdoor Kitchens, tells us more. How long have you been in the outdoor kitchen business? Danver began manufacturing cabinetry-based outdoor kitchens in 1999, before anyone else. As the design and architecture communities embraced the concept of cabinetry for outdoor kitchens, we have grown and innovated steadily. We were the first to offer a variety of door styles and powder coated stainless steel, providing a variety of colors and realistic wood grain finishes. In other words, we listened to the needs of the designers and brought color, style, design and function.
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About five years ago Brown Jordan wanted to capitalize on their brand value and asked us to become their exclusive Outdoor Kitchen licensee. In the last three-to-four years, the outdoor living room concept has really expanded requiring new cabinetry solutions and providing us continued growth. What does it mean to have the Brown Jordan name? Well, a cabinet is a cabinet. It’s the finish and the door style that makes an outdoor kitchen unique. We offer four exclusive door styles, as well as an exclusive color palette for Brown Jordan Outdoor Kitchens. The powder coat is the same that is used for Brown Jordan furniture, providing homeowners an exact match. You do a lot of business with designers. What is the attraction? Designers are hired to come up with unique ideas. Color and style are important, and that’s why interior designers get hired to do the outdoor room. They’re looking for tools to put together a great space and look to bring value to their projects. Our whole business is driven by designers and architects. For example, they asked us for door styles with color so the cabinets would look like indoor cabinets. As a result, we offer bead board, louver and shaker-style doors, among others, fashioned entirely from stainless steel.
The trend is toward the indoor/outdoor living room, and we’re developing product that looks indoor, but with stainless steel and powder coat for outdoor use. Beyond our standard palettes, we can also special-order colors, as well as create realistic wood grain finishes that are powder coated. We can be quite innovative and creative in designing outdoor living spaces. How do you see the outdoor space evolving? What’s next? There’s a trend increasing in the number of outdoor applications. As new appliances hit the market, we’re making cabinetry to accommodate them. We see a rise in separate outdoor rooms, as well as gathering spaces that are separate from the cooking appliances. In addition, multi-family is exploding. We are seeing outdoor kitchens built around public spaces on rooftops, podiums and other
locations where shared grilling environments are becoming the norm. Based on the unique requirements expressed by the architects and designers of multi-family, we have developed a line of products to meet their needs—ever innovating! How does the ASA-D2 add to the line? People call it an outdoor kitchen, but it’s also about making the space beautiful. We collaborated with the furniture designer Daniel Germani, who envisioned the ASA-D2 to look like furniture for the more contemporary, urban customer. He dubbed it the next evolution in outdoor kitchens. The available modules have different functionality and can be mixed and matched on the frame interchangeably, allowing the overall length of each unit to vary. I see the ASA-D2 as a great way to demonstrate our forward thinking in the segment.□
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S
ummer, with longer days and warmer nights, it’s my favorite time of the year. Exterior living is far more enjoyable when it’s warmer outside, and preparing your client’s outdoor space is an absolute must. Start by making a list of things they love doing outside. Lounging, eating, drinking, entertaining, morning coffee… and the list goes on. If your clients are city dwellers or are short on space but big on the desire to use their outdoor area, make sure every inch counts and choose furnishings that are versatile. For example, if they don’t have room for a dining table, then select a sofa or loveseat with a higher table in front so they can use it to eat on. Also, small bistro tables with folding chairs take up barely any space. Sitting benches are great, as they
OUTDOOR STREAM OF
CONSCIOUSNESS
SIMPLE TIPS TO EMBELLISH THE EXTERIOR SPACE
PROSE
BY BARRIE LIVINGSTONE
can push up against a wall or a railing and allow for more seating when needed. Try a bench that has storage like a hamper, so pillows and towels can easily be tucked away when it rains. Seating is crucial, and we can have lots of fun finding options. I personally love the garden stools that are so popular these days. They come in a variety of colors, so keeping your color scheme is a whiz. Fact: Did you know that garden stools have their origin in China and have been used for over 4,000 years? Decorative holes in the drum allowed gardeners to place coal or lit charcoal under the stool so the heat would keep their bottoms warm in the cold climate of Northern China. Outdoor lighting is most important. Never too much or too bright. Behold the solar pathway light. It’s perhaps the best invention since the outdoors itself. These niſty little gems can be easily placed where low light is needed. They can guide the way down a pathway or perch in plant containers around the perimeter of a deck or balcony. From dollar shops to hardware stores, they’re easy to find, and at prices from $1-$20, there’s no excuse for guests to be leſt sitting in the dark. (Let’s face it: Even billionaires have a budget.) A favorite find of mine are solar lanterns. They’re simple, clear glass jam jars with solar lids. They come on as soon as darkness falls and create a magnificent display. For shade, I like the cantilevered umbrellas that have the stand on the sides. This leaves the view open with no vertical poles in the way. The Australian shades are also a good way to create a shade canopy. They require installation and are very light and can easily attach on a hook screwed into an exterior fascia board and then onto a nearby tree. Plants and flowers. Their pots are the obvious decorative item for any exterior. Thank god for drought-tolerant plants. Grasses and succulents that can take water only once a week are all the rage. I love flowers of any kind. Lantana attracts butterflies. Hibiscus attracts humming birds. Just like with design, as the great Oscar de la Renta once said, “Gardening is the work of a lifetime: You never finish.”□
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