REPORT TREND
A/W 17
FIGMENT INC
IOIA, 2013
SECOND SKIN CIRCUITRY CITY STEALTH
NIGHTVISION
VISUAL MERCHANDISING
HUSK GOTHIKA M
BUZZKILL VISERYS LIMBS 11
PRINT & GRAPHC
SPORTSWEAR
CONTENTS
Oysho, 2016
SPORTSWEAR
“
The Telegraph, 2016
The athleisure market has been turbocharged by the number of people buying sportswear with no intention of breaking into a sweat
�
Oysho, 2016
SECOND SKIN
“A PEEK OF THE OBLIQUES, A SLIVER OF TAUGHT ABDOMEN… THERE’S NO DENYING THAT SKIN IS, WELL, IN.”
Vogue, 2016
Oysho, 2017
A
nod to the future, architectural sculpture is laid out upon a moving and athletic canvas. Technology is incorporated using lasers to slice geometric designs, putting focus on the back. Second Skin is a minimalistic futurism played out between shapes of material and slices of skin.
Zaha Hadid – Guangzhou Opera House, 2015
Charli Cohen, 2017
SOLO
Oysho, 2017
LOOLEE
The Fifth Element, 1997
Aeryn
ELAAN
NEO
The Fifth Element, 1997
Oysho, 2017 Charli Cohen, 2017
S
cuba, Lycra and mesh form the basis of this free-flowing trend; clinging to the silhouette to form fluid movements. Block colours keep this trend clean cut and modern, reminiscent of the architectural movement it was inspired by.
Charli Cohen, 2017
Tina Chou, 2015
CIRCUITRY
“THE ATHLEISURE TREND IS TURNING WORKOUT GEAR INTO A SERIOUS STYLE STATEMENT.”
The Telegraph, 2015
Charli Cohen, 2017
P.E Nation, 2017
B
NO KA’ OI, 2015
lock colours run in fluid lines allowing the body’s movements to gain an elongated yet elegant look. Preparing the wearer to go into battle with the elements, thick bands of block colour encase limbs almost imitating armour. Circuitry harks back to a retro 70’s aesthetic; infused with a brighter primary colour palette giving a fresh and energetic feel.
CHALK
PALM
NO KA’ OI, 2017
PEEL
YOLK
KETTLE
NO KA’ OI, 2015
P.E Nation, 2017
S
treamlined fabrics such as Lycra and Spandex are layered under neoprene, adding dimensions of block colour. This trend blurs the line between sportswear and fashion, making a statement both on the court and off.
Jacob Sutton, 2015
Daniel Jarozsek, 2015
ONU, 2016
CITY STEALTH
“THE PULL BETWEEN GOOD AND EVIL AND EXPRESSING DISCONTENT, WITH UNDERLYING THEMES OF URBAN WARFARE.”
British Library Blogs, 2014
B
OYSHO, 2017
lack encases the body like a shell with tough, yet breathable materials aimed at providing the wearer with enough scope to glide through the city streets unnoticed. City Stealth combines innovative materials to provide a slick and comfortable way to explore the modern world we live in today.
ONU, 2016
OYSHO, 2017
GRATE
Michi, 2017
KATANA
HAIL
MIST
GLEAM
ONU, 2016
ONU, 2016
Isaora, 2015
Unknown, 2016
I
ntuitive fabrics designed for breathability and accessories aimed at providing optimal performance means City Stealth brings in a new age of sportswear. Cool and collected, it is a trend that will keep evolving as technology advances.
Charms, 2016
PRINT & GRAPHIC
“
Vogue, 2016
A nearly $1,000 faux metal band sweatshirt is sure to piss off a few people. But there’s nothing more hard core than drumming up controversy, right?
”
Koral, 2016
NIGHTVISION
“FREEZING FOG AND DARK, UNSETTLING TIMES PERMEATING ACROSS THE WORLD; YOU’D BE FORGIVEN FOR WANTING A LITTLE BIT OF SARTORIAL PROTECTION AT THE MOMENT.”
The Telegraph, 2017
Bruno Rodrigues, 2015
U
Oysho, 2017
rban exploration drives this trend, floral graphics are twisted and juxtaposed creating stuttering imagery. Dark and gritty textures combine with spliced patterns to create a sense of shadowplay. Hints of florals and artistic graphics merge together for the ultimate urban look.
Nicholas Ballesteros, n.d
Acne Studios, 2014
SLATE
CRAWL
STRIDE
LEAP
FREERUN
Simon Phipps, n.d
Alala, 2017
Unknown, n.d
S
Joanne Dugan, 2012
Unknown, 2013
Ellesse, 2016
treaks of oil-slick colour and abrasive graphics mingle together to create a night time city scape fairytale played out on Lycra and neoprene. Grainy visuals imitate the effects of being exposed to the elements and a muted colour palette links in with a military style.
Fanny Latour-Lambert, 2014
HUSK
“THEY MAKE ME THINK OF A FOREST FLOOR COVERED IN ROTTING VEGETATION, OR AN OLD GLASS HOUSE FULL OF PLANTS THAT HAVE GONE COMPLETELY FERAL. THERE’S SOMETHING WONDERFULLY UNWHOLESOME AND SINISTER ABOUT IT.” xoJane, 2013
F
Gareth Pugh, 2016
Yelena Yemchuk, 2016
Emma Tempest, 2016
Billy Kidd, 2013
ollowing the 70s maximalist florals of the summer, Husk brings in a new age of flora, one that coincides with the natural withering landscape of autumn. Less painterly and more botanical, pressed flowers become splintered and their colour fades adding a gothic romanticism.
STALK
Fanny Latour-Lambert, 2014
ROBE
PALOUR
LINEN
Camilla Akrans, 2015
MOOR
ZARA, 2015
R
eminiscent of the witching hour, this trend combines crushed velvets, sheer fabrics and bruised hues to create a spellbinding mood. Thick Tudor flowers encompass the wearer in deep colour and hark back to the rich, sumptuous detailing of the Renaissance period. Stella McCartney, 2017
Stephen Gill, 2005 Nicholas Hayward, 2014
GOTHIKA M
Drop Dead, 2016
“THE BLACKLETTTER FAD IS UNIQUE BECAUSE IT’S A MARRIAGE OF VARIOUS MOMENTS CURRENTLY HAPPENING IN FASHION - THE SUDDEN RESURGENCE OF CONCERT MERCH, A LOVE OF HEAVY METAL, AND AN EMPHASIS ON STREETWEAR”
DAZED, 2016
MISBHV, 2017
T
424 on Fairfax, 2016
he trend of wearing your angst on your sleeve is not leaving any time soon. Gothika M brings in a new age of sloganwear, throwing slouchy shapes and dark hues together with decorative fonts reminiscent of the gothic ages in order to create the perfect outspoken streetwear trend.
ESC Studio, 2016
STARE
LUST
FURY
Raf Simons, 2005
CAUTION
LOST
Vogue Spain, 2016
Vogue Spain, 2016
T
Vogue Spain, 2016
aking note of the gothic architectural movement, millenials combine it with a 21st century dark sense of humour and wear it on their chest so everyone can see that life isn’t quite so ‘fetch’ after all. This trend is perfect for the millennial that wants to wear their mood for all to see as sprawling logos and dramatic statements take over in a new form of sarcastic self expression.
Nat Tong, n.d
Nat Tong, n.d
Victoria Ling, 2013
VISUAL
MERCHANDISING
“
WGSN Insider, 2016
The store window; much like the old adage that eyes are the window to your soul, the store window has always been ‘window’ to the soul of the retailer
”
Signe Pierce, 2016
BUZZKILL
“BEYOND ITS SEDUCTIVE QUALITIES, THE ARTISTRY AND SKILL REQUIRED TO CREATE NEON WORKS – THE BENDING OF TUBES BY HAND INTO SINUOUS LETTERS AND FORMS – ARE ALSO EXPERIENCING A RESURGENT APPRECIATION.” Vogue, 2017
Budapest Ruin Bar, 2015
Topshop Window Display, 2017
N
eon lights add a cosmopolitan touch to any space. Buzzkill uses neon lighting to create a more immersive and personal experience for the consumer by using the glowing lights to communicate and empower. An influence of current affairs and pop culture lets consumer know that brands are listening and engaging with the outside world.
Coco Tang Nightclub, 2015
Pernilla Jansson, 2009
SHHH
CHOKE
Pedro Correa, 2013
TRIP
TROPICANA
ANGEL’S DELIGHT
Unknown, 2015
Camilo Matiz, 2015
Jean Paul Gaultier Exhibition at The Barbican, 2014
Unknown, n.d
W
ith the release of films such as La La Land and Neon Demon, neon lighting is making a big resurgence, both in interiors and merchandising. The act of being able to manipulate the design of a sign and what it says, adds a personal touch to a brand’s space. With the current political climate and how this is infiltrating fashion, it’s expected to feed into visual merchandising very soon.
Unknown, 2016
Todd Knopke, 1997
VISERYS
“GOLD FEATURES HIGHLY BUT MIXING YOUR METALS REMAINS A KEY TREND” Sarah Barclay, 2016
U
rban opulence comes into play for A/W 17, mixing up traditional views of viscosity using metals and urban constructs. This trend combines harsh surfaces with plush textures and molten metallics, giving a new spin on indulgent interiors.
Ralph Lauren A/W 2016
Andre Larcev, 2015
Based Upon, 2011 Philippe Hiquily, 1975
Tom Dixon, 2015
RAVEN
INK
JARETH
ORB
Jim Hodges, 2011
KID GLOVES
Simon Starling at Nottingham Contemporary, 2016
Jonathan Adler, 2017
Amanda Camenisch & Marlen Keller, 2013
J
ewel tones bring in a luxurious feel as concrete and wood clash against the pristine. Harsh, industrial spaces are adorned with fluid-running metals and glowing plastics, creating a space that makes use of the old and the new. Viserys brings the life of luxury into modern territory.
Mattia Bonetti, 2013
Marton Perlaki, 2013
LIMBS 11
“STORES ARE REALIZING THAT MANNEQUINS OFFER MORE THAN JUST A PRACTICAL PURPOSE, AND ARE GREAT VEHICLES FOR BRANDING AND ENGAGING ON A DEEPER LEVEL WITH CONSUMERS.” Jackie Carrney, 2016
Igor Udishlivy, 2011
B
rands are beginning to notice a theme of rebellion against the constraints of fashion and what is seen as a ‘do’ and a ‘don’t’. This is transferring into visual merchandising, with a need to inject an element of fun and absurdity that’s where Limbs 11 comes in.
Maxine Grout, 2012
Lucas Allen, 2013
Lucas Allen, 2013
PENELOPE
EMBER
SURREAL
TUNA
Tatiana Blass, 2005
BARLEY
Bela Borsodi, 2012
Kenzo, 2014
T
his trend combines pops of block colour with a surrealist flair to engage the consumer from the get-go. Clothing and accessories are presented in new and exciting ways to add touches of humour and evoke a warmth between brand and consumer.
Nik Mirus, 2014
Julia Noni, 2014
REFERENCES
COVER IMAGE H&M, (2016), H&M Sport Spring 2016 [ONLINE]. Available at: http://www.fashiongonerogue.com/hm-sport-spring2016-campaign/ [Accessed 11 April 2017].
CONTENTS IMAGE IOIA, (2013), Volume 01 [ONLINE]. Available at: http://www.ioia.nl/?projecten=volume01#close[Accessed 8 April 2017].
SPORTSWEAR Charli Cohen, (2017), Untitled [ONLINE]. Available at: http://charli-cohen.com/ [Accessed 9 April 2017]. Charli Cohen, (2017), Laser Legging [ONLINE]. Available at:https://charlicohen.myshopify.com/collections/women/ products/laser-legging-teal [Accessed 9 April 2017]. Chou, Tina, (2015), The Second Sex [ONLINE]. Available at: http://fuckingyoung.es/introducing-tina-chou/ [Accessed 11 April 2017]. Hadid, Zaha, (2015), Guangzhou Opera House [ONLINE]. Available at:http://www.dara.org.ar/index.php/guangzhouopera-house-en-china-obra-de-zaha-hadid/ [Accessed 6 March 2017]. Isaora, (2015), Isaora x Siki Im [ONLINE]. Available at: http://www.thedapifer.com/mesnwear-brands-isaora-and-sikiim-team-up-for-activewear-collab/ [Accessed 12 April 2017]. Jarozsek, Daniel, (2015), Indygo Sport [ONLINE]. Available at: http://vslmag.com/en/exclusive-sport-indygo-by-danieljaroszek/ [Accessed 11 April 2017]. Michi, (2017), Pistol Crop Top [ONLINE]. Available at: https://michiny.com/collections/tops/products/pistol-crop-topblack [Accessed 12 April 2017]. NO KA’ OI, (2017), Kela 7/8 Leggings [ONLINE]. Available at: http://shopnokaoi.com/color-wave-12/kela-7-8-leggings. html [Accessed 11 April 2017]. NO KA’ OI, (2015), Untitled [ONLINE]. Available at: https://www.fashercise.com/2015/09/16/no-ka-oi-lookbook/ [Accessed 11 April 2017]. ONU, (2016), Urban Aesthetics, Performance Essentials [ONLINE]. Available at:https://onu.is/pages/collection-2 [Accessed 14 April 2017]. Oysho, (2017), Asymmetric T-shirt [ONLINE]. Available at: https://www.oysho.com/gb/activewear/t-shirts/view-all/ asymmetric-t-shirt-c1010072017p100981006.html?typeCategory=1010072017 [Accessed 5 March 2017]. Oysho, (2017), Contrast T-shirt [ONLINE]. Available at: https://www.oysho.com/gb/activewear/t-shirts/view-all/ contrast-t-shirt-c1010072017p100892220.html?typeCategory=1010072017 [Accessed 5 March 2017]. Oysho, (2017), Contrast T-shirt [ONLINE]. Available at: https://www.oysho.com/gb/activewear/t-shirts/view-all/ contrast-t-shirt-c1010072017p100892220.html?typeCategory=1010072017 [Accessed 5 March 2017]. Oysho, (2017), Cyber Tribe [ONLINE]. Available at: https://www.oysho.com/gb/editorial/cyber-tribe-c1010207036.html [Accessed 11 April 2017]. Oysho, (2017), Sport Collection - Ohanami [ONLINE]. Available at: https://www.oysho.com/gb/editorial/sport-collection--ohanami-c1010192515.html [Accessed 3 March 2017]. Oysho, (2016), Oysho Spring/Summer 2016 Gymwear [ONLINE]. Available at:http://butterboom.com/fashion/oyshoolympics-gymwear-collection-springsummer-2016/ [Accessed 8 March 2017]. Oysho, (2017), Technical Bodysuit [ONLINE]. Available at:https://www.oysho.com/gb/activewear/bodysuits/technicalbodysuit-c1010192507p100892356.html?typeCategory=0 [Accessed 13 April 2017].
P.E Nation, (2017), Star Squad [ONLINE]. Available at: https://pe-nation.com/collection/star-squad/[Accessed 9 April 2017]. Sutton, Jacob, (2015), Techno Girl [ONLINE]. Available at: http://lamodelsblog.com/sarah-brannon-numero-magazine/ [Accessed 10 April 2017]. Unknown, (1997), The Fifth Element [ONLINE]. Available at: http://blog.naver.com/PostView.nhn?blogId=doolyking1&logNo=220772357194&parentCategoryNo=&categoryNo=8&viewDate=&isShowPopularPosts=false&from=postView[Accessed 6 March 2017]. Unknown, (2016), Unknown [ONLINE]. Available at: http://hochu.ua/cat-fashion/longread/article-72334-chto-myibudem-nosit-v-2017-godu-samyie-populyarnyie-trendyi-pinterest/ [Accessed 11 April 2017].
PRINT & GRAPHIC Acne Studios, (2014), Acne Studios Menswear Fall/Winter 2014 [ONLINE]. Available at: http://vslmag.com/en/acne-fallwinter-2014/ [Accessed 8 March 2017]. Akrans, Camilla, (2015), Vogue Japan December 2015 [ONLINE]. Available at:http://visualoptimism.blogspot. co.uk/2015/10/stella-lucia-by-camilla-akrans-for.html [Accessed 1 May 2017]. Alala, (2017), Captain Ankle Tight [ONLINE]. Available at: https://alalastyle.com/collections/bottoms/products/captainankle-tight-bronze-stripe [Accessed 12 April 2017]. Ballesteros, Nicholas, (Undated), Untitled [ONLINE]. Available at: http://blog.patternbank.com/abstract-appropriationnicholas-ballesteros/ [Accessed 13 April 2017]. Charms, (2016), Charms AW 2016 [ONLINE]. Available at: http://www.store-charms.com/product/detail.html?product_ no=819&cate_no=55&display_group=1 [Accessed 25 April 2017]. Drop Dead, (2016), Deaducation [ONLINE]. Available at: https://www.dropdead.co/pages/editorials-deaducation [Accessed 21 April 2017]. Dugan, Joanne, (2012), Turning Point [ONLINE]. Available at: http://www.joannedugan.com/turning-point/ lqxfklj6nk3gfyqo38aoxwd4gahgsr [Accessed 3 March 2017]. ESC Studios, (2016), Over and Over Spring/Summer 2016 [ONLINE]. Available at: http://escstudio.cafe24.com/article/ lookbook/8/3/ [Accessed 22 April 2017]. Gill, Stephen, (2005), Hackney Flowers [ONLINE]. Available at:http://www.stephengill.co.uk/portfolio/ portfolio#id=album-9&num=content-196 [Accessed 2 May 2017]. Hayward, Nicholas, (2014), The Ecdysis of Samsa’s Skin [ONLINE]. Available at:http://johnrochaofficial.tumblr.com/ post/106702952396/john-rocha-aw14-in-the-ecdysis-of-samsas-skin[Accessed 2 May 2017]. Kidd, Billy, (2013), Decaying Flowers [ONLINE]. Available at: https://www.billy-kidd.com/flowers/ nmcdunfgd3a7r54asmtolgl5up2iua [Accessed 2 May 2017]. Koral, (2016), Holiday 2016 Campaign [ONLINE]. Available at: https://koral.com/pages/hol16 [Accessed 1 March 2017]. Latour-Lambert, Fanny, (2014), Lady’s Thistle [ONLINE]. Available at:http://www.fannylatourlambert.com/ladysthistle#1 [Accessed 1 May 2017]. McCartney, Stella, (2017), Stella McCartney Autumn/Winter 2017 Pre-Fall Collection [ONLINE]. Available at: http://www. vogue.co.uk/shows/autumn-winter-2017-pre-fall/stella-mccartney/collection/#2j4G6E7YX9Y [Accessed 1 May 2017]. MISBHV, (2017), MISBHV Spring/Summer 2017 [ONLINE]. Available at: http://fuckingyoung.es/misbhv-springsummer2017-lookbook/ [Accessed 24 April 2017]. Own Image, 2017, Ellesse AW 17 Seek Trade Show Berlin [Photograph]
Oysho, (2017), Lux Safari [ONLINE]. Available at: https://www.oysho.com/gb/editorial/lux-safari-c1010212511.html [Accessed 14 April 2017]. Phipps, Simon, (Undated), Tinbergen Building [ONLINE]. Available at: http://simonphipps.co.uk/ [Accessed 6 March 2017]. Pugh, Gareth, (2016), Gareth Pugh 2016 [ONLINE]. Available at:http://www.maccosmetics.com/culture/made-forfashion/gareth-pugh-val-garland?crlt.pid=camp.T2z4P7EhpKMc [Accessed 2 May 2017]. Raf Simons, (2017), Raf Simons A/W 2005 All Shadows & Deliverance [ONLINE]. Available at: https://refresher. sk/21861-Ake-bundy-a-kabaty-vybrat-na-nadchadzajucu-jesen-a-zimu [Accessed 18 April 2017]. Rodrigues, Bruno, (2015), Puxa [ONLINE]. Available at: http://brunomsrodrigues.tumblr.com/post/126864916779/ poster-for-puxa-a-single-of-pista-other-posters [Accessed 14 April 2017]. Tempest, Emma, (2016), Día De Campo [ONLINE]. Available at: https://bohemiandiesel.com/bohemian-blog/ photography/editorial/vogue-spain-june-2016-by-emma-tempest-with-sophia-ahrens/ [Accessed 2 May 2017]. Tong, Nat, (Undated), Molly [ONLINE]. Available at: http://n-atong.com/ [Accessed 18 April 2017]. Unknown, (n.d.), Feathers From A Topshop Jacket [ONLINE]. Available at: http://showstudio.tumblr.com/ post/35135081138/feathers-from-a-topshop-jacket [Accessed 14 April 2017]. Unknown, (2013), Unknown [ONLINE]. Available at: http://miniminaudiere.blogspot.co.uk/ [Accessed 6 March 2017]. Vogue Spain, (2016), Love Theme of Paris [ONLINE]. Available at: http://www.vogue.es/moda/streetstyle/galerias/ street-style-alta-costura-paris-julio-2016-vetements-versace/12880/image/1137827 [Accessed 25 April 2017]. Yemchuk, Yelena, (2016), Wuthering Heights [ONLINE]. Available at: http://visualizing.fashion/wp/vogue-china-october2016-julia-banas-alexandra-elizabeth-by-yelena-yemchuk-06/ [Accessed 2 May 2017]. ZARA, (2015), A/W 2015 [ONLINE]. Available at: https://uk.pinterest.com/pin/139752394664680736/[Accessed 2 May 2017]. 424 on Fairfax, (2016), 2016 Spring/Summer ‘Americanism’ Collection Lookbook [ONLINE]. Available at: https:// hypebeast.com/2016/2/424-on-fairfax-2016-americanism-collection-lookbook [Accessed 25 April 2017].
VISUAL MERCHANDISING Adler, Jonathan, (2017), Giant Icarus Head [ONLINE]. Available at:http://uk.jonathanadler.com/d%C3%A9cor-andcushions/category/decorative-objects/giant-icarus-head/25808-UK.html [Accessed 3 May 2017]. Allen, Lucas, (2013), A-ESQUE Collins Street [ONLINE]. Available at: http://sharedesign.com/interior-design/a-esqueby-amanda-briskin-rettig/ [Accessed 1 May 2017]. Based Upon, (2011), Untitled [ONLINE]. Available at: http://www.basedupon.com/ [Accessed 2 May 2017]. Blass, Tatiana, (2005), Tail Chair [ONLINE]. Available at: http://www.thisiscolossal.com/2016/11/chairs-melting-intothe-floor-by-tatiana-blass/ [Accessed 11 May 2017]. Bonettia, Mattia, (2013), Liquid Gold Cabinet [ONLINE]. Available at:http://www.paulkasmingallery.com/artists/mattiabonetti [Accessed 3 May 2017]. Borsodi, Bela, (2012), SZ Magazine [ONLINE]. Available at: http://www.belaborsodi.com/editorial/sz-magazine-36-12katzen [Accessed 10 May 2017]. Camenisch, Amanda & Keller, Marlen, (2013), Virtual Cultural [ONLINE]. Available at: http://www.designscene. net/2013/09/amanda-camenisch-marlen-keller-bite-magazine.html [Accessed 4 May 2017]. Correa, Pedro, (2013), Lazy Sunday [ONLINE]. Available at:http://www.pedrocorreaphoto.com/beautifulcity/ [Accessed 14 April 2017].
Dixon, Tom, (2015), Multiplex, Old Selfridges Hotel [ONLINE]. Available at:https://www.tomdixon.net/space/post/ multiplex-old-selfridges-hotel-7/ [Accessed 3 May 2017]. Grout, Maxine, (2012), LuLu Kennedy Window Display for Vogue Fashion Night Out [ONLINE]. Available at: http:// mgroucutt.blogspot.co.uk/search?updated-max=2012-04-26T09:30:00-07:00&max-results=5&reverse-paginate=true [Accessed 1 May 2017]. Hiquily, Philippe, (1975), Quilles Henri Samuel [ONLINE]. Available at:http://www.artnet.com/artists/philippe-hiquily/ quilles-henri-samuel-a-xc1Nm_jVFXC4NOOCh4hZiw2[Accessed 2 May 2017]. Hodges, Jim, (2011), Installation [ONLINE]. Available at:http://www.gladstonegallery.com/exhibition/1023/installationview#&panel1-1 [Accessed 2 May 2017]. Jansson, Pernilla, (2009), A New Proposal [ONLINE]. Available at:https://www.dezeen.com/2009/01/30/d3-contestwinners-at-imm-cologne-2009/ [Accessed 14 April 2017]. KENZO, (2014), AW 14 Toilet Paper Magazine [ONLINE]. Available at: http://www.lespressesdureel.com/EN/ouvrage. php?id=3594&menu= [Accessed 1 May 2017]. Knopke, Todd, (1997), Felipe [ONLINE]. Available at: http://toddknopke.com/project/felipe/ [Accessed 2 May 2017]. Larcev, Andre, (2015), All Black But Gold [ONLINE]. Available at:https://www.behance.net/gallery/25082233/All-blackbut-gold [Accessed 2 May 2017]. Ling, Victoria, (2013), Reflective Colour [ONLINE]. Available at: http://www.victorialing.com/reflective-colour/ [Accessed 9 May 2017]. Matiz, Camilo, (2015), Take A Selfie/Fake A Life [ONLINE]. Available at:http://avantgallery.com/collection/camilo-matiz/ take-a-selfie-fake-a-life/ [Accessed 14 April 2017]. Mirus, Nik, (2014), BonLook [ONLINE]. Available at: http://www.nikmirus.ca/Commercial-Bon-Look-SS2014 [Accessed 2 May 2017]. Own Image, 2014, The Fashion World of Jean Paul Gaultier From the Sidewalk to the Catwalk, The Barbican [Photograph] Own Image, 2015, Coco Tang Nightclub [Photograph] Own Image, 2016, Simon Starling: The Grand Tour Season Two, Nottingham Contemporary [Photograph] Perlaki, Marton, (2013), Louis Vuitton Fall 2013 Jack In The Box [ONLINE]. Available at:http://www.lebook.com/ lacreative/creative/Jack-Box-ADVERTISING-2013 [Accessed 10 May 2017]. Pierce, Signe, (2016), Beverly Hills [ONLINE]. Available at:http://sleazeburger.tumblr.com/post/135548707861/beverlyhills [Accessed 5 March 2017]. Udushlivy, Igor, (2011), Surreal Hanger [ONLINE]. Available at:https://www.behance.net/gallery/1285863/SurrealHanger [Accessed 10 May 2017]. Unknown, (2015), A stranger in life is a neighbour on the dancefloor [ONLINE]. Available at: https://twitter.com/ swxbristol/status/631403650766741504?lang=en [Accessed 13 April 2017]. Unknown, (Undated), Blow a Kiss Fire a Gun [ONLINE]. Available at: https://s-media-cache-ak0.pinimg.com/originals/ fe/3d/3a/fe3d3a1c1770fc270913bbad4cf817ac.jpg [Accessed 13 April 2017]. Unknown, (2016), NYLON Magenta Detail [ONLINE]. Available at: https://www.instagram.com/p/BAxwlDjFbA6/ [Accessed 13 April 2017]. Vogue, (2016), Ralph Lauren Fall 2016 Ready-To-Wear [ONLINE]. Available at:http://www.vogue.com/fashion-shows/ fall-2016-ready-to-wear/ralph-lauren [Accessed 2 May 2017].
REFERENCE IMAGE Noni, Julia, (2014), Fat Man Magazine [ONLINE]. Available at: http://rebloggy.com/post/fashion-style-sports-tennisblack-models-spring-fashion-sportswear-magazine-edit/81341290924 [Accessed 5 May 2017].
BACK COVER IMAGE Cheremnova, Ksenia, (2016), ERROR404 Fall/Winter 2016 Lookbook [ONLINE]. Available at: http://fuckingyoung.es/ error404-russian-brand/ [Accessed 15 May 2017].
TEXT REFERENCES Armstrong, Ashley. “The Rise Of Athleisure: How The High Street Is Cashing In On Office-To-Gym Wear”. The Telegraph 2016. Web. 5 Mar. 2017. Barclay, Sarah. “2016 Interior Design Trends: Top Tips From The Experts”. The LuxPad. N.p., 2016. Web. 18 Apr. 2017. Burshtein, Karen. “Why Neon Is Having A Moment In Home Decor (And Everywhere Else)”. Vogue. N.p., 2017. Web. 7 Mar. 2017. Carney, Jackie. “5 Visual Merchandising Trends Of 2016”. Business 2 Community. N.p., 2016. Web. 8 May 2017. Doig, Stephen. “Camo Chameleon: Is It Time To Embrace Menswear’s Most Combative Trend?”. The Telegraph. N.p., 2017. Web. 16 Mar. 2017. “From Street Goth To Health Goth: Why Goth Fashion Never Dies”. British Library Blogs. N.p., 2014. Web. 7 Apr. 2017. Ontman, Victoria. “Slit, Slash, Cutout? Go Ahead And Show Some Skin This Summer”. Vogue. N.p., 2016. Web. 19 Mar. 2017. Salter, Jessica. “How Workout Wear Became Fashionable”. The Telegraph. N.p., 2015. Web. 5 Apr. 2017. “Visual Merchandising In A Digital Era: Why Instagram-Friendly Store Window Displays Matter”. WGSN Insider. N.p., 2016. Web. 11 Apr. 2017. Watamanuk, Tyler. “Why Is Fashion So Obsessed With Gothic Fonts?”. Dazed. N.p., 2016. Web. 23 Apr. 2017. xoJane. “Her Dark Materials: Exploring Autumn/Winter’s Gothic Florals Trend”. xoJane: Women’s Lifestyle & Community Site - xoJane. N.p., 2013. Web. 16 Apr. 2017. Yotka, Steff. “How Metallica Went Mainstream: The Rise Of Metal Iconography In Fashion”. Vogue. N.p., 2016. Web. 27 Apr. 2017.
FAARIA KHAN N0567783 FASH 20032 PROMOTION & CONTEXT