The Height of Humanity

Surveying Earth with Aerial Photographer, Tom Hegen

Interview by Sasha Frate | Introduction by Ainsley Schoppel

Tom Hegen is a German photographer specializing in aerial projects that document the effects of humanity on the Earth’s surface. By highlighting the complexity of the relationship between humans and our environment, Tom provides us with a unique angle of the locations from which we extract, refine, and consume resources. With solo exhibitions and group shows held all over the world, Tom’s work has been recognized by some of the most prestigious creative awards including The Red Dot Design Award, The International Photography Award, The Leica Oskar Barnack Award, and the German Design Award.

Tom’s abstract perspectives are a stunning, educational, and thoughtprovoking display of nature’s bountiful beauty and the role we play in our often parasitic but ideally symbiotic relationship. Here, Tom shares with us his inspiration for landscape photography as a communication tool, the need for more conscious resource extraction processes, and what it looks like as global agricultural practices evolve in the face of climate change.

You have a unique approach to visual storytelling and you provide perspective on the relationship between humans and our environment. What led you to focus on this with your photography and work?

I studied visual communication in my bachelor’s and master’s degrees. Communication design basically transfers information by using visual tools like graphic design, infographics, illustrations, motion pictures, or photography. During my studies, I discovered my joy of photography as a medium to express stories and art. I started with classic landscape photography with vast landscape views, classic foreground, middle-background compositions, and chasing the perfect light in the early beginnings. But, soon I realized that those sugar-coated shots do not represent their real environment. So, I began to question the term “landscape” in “landscape photography”. “Land” is a word of Germanic origin, and the roots of the suffix “scape” (German: “schaffen”) refers to the verb “shaping”. So, landscape in the sense of landscaping refers to an activity that modifies the visible features of an area. With this background, I began to read the landscape that surrounded me in a new way. Consequently, I started seeing landscape photography as a way to document places influenced by humans rather than landscape photography as showing pure, unspoiled nature.

Today, I try to apply the principles of communication design to my photography. I document the impact of humans on our natural world through fine art aerial photography. With my aerial photo projects, I aim to get the viewer’s attention to issues they probably would not pay attention to. In this way, I still kind of work as a communication designer, telling visual stories through my images.

Can you share examples, both positive and negative, of landscapes and scenes you’ve showcased on this complex relationship, as well as their impacts?

In the last few years, I have been documenting many places where our relationship with nature isn’t for the best. For instance, brown coal mining in Germany is a topic that I’ve covered in two series and I also did two series about coal ash, which is stored in huge ponds after coal is burned. Those practices have a fairly negative impact on the environment in terms of affecting groundwater, air pollution, greenhouse gas emissions and also socio-critical aspects in terms of people and villages that have to be relocated.

But, I also witnessed very beautiful and harmonic ways in which humans interact with the environment. Last year, I traveled to Senegal to document traditional ways of salt production. This intense labour work is done by entire families that mainly work with the forces of nature. The saltworks on the shores of the Saloum river Delta resemble a remarkable testimony of the synergy between a natural environment and a style of human development that is still carried out in such primitive practices.

Aerial captures a broader view of a large area of landscape that often carries more weight when we observe and reflect on the ways in which a series of actions can have a wide-scale effect. What are a few examples of this that you have witnessed/ captured, and can you explain the cause and effect?

I just returned from a field trip to Borneo where I was working on a series about illegal gold mining along the rivers in the primal forests. On the ground, I heard loud noises of the pumps that suck and flush the sediments below the forest, but I couldn’t see much of those practices that were hidden behind vegetation or in the vast landscape. The sheer scale of destruction only became visible from an elevated viewpoint. Thousands of holes have been dug into the ground, and many square kilometers of forests vanished. Some of the rivers were also discoloured due to the washout of minerals in the ground. This is the real power of aerial photography: being able to see and understand the connections within a landscape.

You did a beautiful oyster farm series on the northwestern French Atlantic coast that revealed how a man-made landscape results as a consequence of the unique and complex bonds between human development and natural environments. Can you tell us a bit more about what you learned with this project?

We as a species have developed a way to adapt to almost every kind of environment on our planet. The Oyster Farm Series shows that we are even able to cultivate in areas that are only accessible for a few hours per day during low tide. From the air and only visible during low tide, these farms reveal sublime abstract elements like the notation of an otherworldly language; a man-made landscape as a consequence of the unique and complex bonds between human development and natural environments.

We as a species have developed a way to adapt to almost every kind of environment on our planet. The Oyster Farm Series shows that we are even able to cultivate in areas that are only accessible for a few hours per day during low tide. When the tide pulls out the water from the shore, the beaches reveal rows and rows of oyster beds. The difference between high and low tides of up to twelve meters makes the area perfect for oyster farming. The combination of a mild summer climate and the fresh seawater renewed by the tide several times a day makes it a perfect nursery. From the air and only visible during low tide, these farms reveal sublime abstract elements like the notation of an otherworldly language; a man-made landscape as a consequence of the unique and complex bonds between human development and natural environments.

The behind-the-scenes footage of your Spanish Farmland Series gives a quick glimpse into the changing landscape that can materialize in a relatively short amount of time. What is the story behind this particular series?

Due to permanent dry climatic conditions, a unique form of agriculture has developed in central Spain over the last centuries. In the area between Huesca and Madrid, the art of dry farming is practiced. The fields are cultivated during the winter season when rainfall is just sufficient to grow crops. Harvesting takes place just before the summer heat dries out the ground. After the harvest and before rainfall, the soil is roughly plowed to maximize water absorption. It is then sealed with rollers to reduce evaporation. The fields are also surrounded by stone walls and organized in terraces to minimize erosion. Dry farming is a sustainable method of agriculture, as the farmers use no additional irrigation other than rainfall.

These fields look like expressionist paintings when seen from above. The patterns of hills and terraces and the palette of earthy colours transform the area into a patchwork of organic plots, occasionally broken up by roads. Man thus becomes an abstract artist who shapes the Earth’s surface.

With the ongoing growing world population and the increasing demand for food, access to fresh water reserves will become more and more difficult in the coming years. This series deals with the question of how global agriculture will develop in the face of climate change.

Through your work, how has your growing understanding of the various effects on our global environment influenced your own life/lifestyle over time?

With each project that I undertake, I also learn something new about the world we live in—that is a very fulfilling and inspiring part of my job. However, I also understood that humans are a very dominant and selfish species. As a consequence, I try to be very grateful for what I have and value the resources that I consume.

Sometimes studying and reflecting as you are able to do with your unique perspectives for this type of observation can provide new insights and revelations for creative solutions. Have you had any such insights or revelations from your work and collaborations?

I see my work as a part of information-gathering in order to move towards a more sustainable future. Information is the foundation for change, and the more information we have on a subject, the better we understand and make decisions. That information can come from scientists that provide data and facts, but it can also come from creative fields such as journalists, writers, or artists. My work might deliver visual evidence of what science has to say.

In your TEDx talk, you discuss the ways in which aerial photography has given insights into how we as a species have developed over time and how we entered the Anthropocene. Can you explain this a bit? ymore info: www.tomhegen.com IG: @tomhegen.de

The Anthropocene is a proposed term by a group of renowned scientists that suggest that we should rename the current geological area from Holocene to Anthropocene— the epoch in which humans are the most important factor influencing our planet. Humans are the first species since the origin of life to change the global ecology all by themselves. Our strong influence on Earth is a long and old story. Even before we planted the first wheat field or made the first metal tools—before we created the first coins—Homo Sapiens had driven fifty percent of Earth’s large land mammals to extinction. In my first book, HABITAT, I tell the story of human development from the Neolithic revolution, some 10,000 years ago. This has also been discussed as the starting point of the Anthropocene.

In your talk, you also speak to how a lot of modern technology has caused us to lose our sense of interconnectedness with ourselves, with one another, and with nature. How do you envision a return to this more connected way of living, despite knowing that modern technology remains a part of our world today?

A step towards the right direction is to appreciate and value resources that we often take for granted. Part of this is also to ask and remind us where goods come from, and how, where, and by whom they may have been produced. It’s about a conscious interaction with our surroundings, whether it’s people or nature.

Living with the Land: Capturing the Nature of Award-Winning Landscape Photographer, Daniel Kordan

By Sasha Frate | Introduction by Ainsley Schoppel

Daniel Kordan grew up south of Moscow, in a breathtaking region dotted with lakes and brimming with pure, wild nature. It was here that Daniel spent ample time outdoors with his friends, swimming in the water and riding bikes together. As a child, Kordan attended an art school that focused on painting, mixed art, nature, and outdoor activities. After he began university and studied quantum physics, Kordan realized his heart was elsewhere. The artistic magic of his youth was calling him back to nature, beckoning with an endless palette of colors and compositions. Kordan answered the call, and brought his camera.

Daniel started by guiding mountain climbing and hiking tour groups during the winter and summer. From there, he used his love of landscape photography to transition to guided photo workshops, and became Chief Editor of Continent Expedition magazine. He specialized in global travel and adventure articles, and has since been published in Digital SLR magazine, UK; Photography Week; National Geographic; Discovery; Photoworld China; and Digital Photo (Bauer Media). Kordan has also developed meaningful partnerships with clients such as Apple, S7 Airlines, RedBull, and HSBC. An official Nikon, Gitzo, and Lucroit ambassador, Kordan has won numerous awards including the 2013 Golden Turtle Nature Award; first place in the 2013 National Geographic Russia contest; first place in the 2013, 2014, and 2015 Best of Russia contest; and the Trierenberg Super Circuit award for Best Landscape Photographer.

Currently based in Bali, Indonesia, Daniel offers online masterclasses and workshops, and continues to travel in search of fresh and captivating landscapes. Face the Current was once again delighted to connect with Daniel and spark inspiration from his cultural immersion, experience with global biorhythms, new connections with nature’s panoply, and his heart’s desire to live with the land.

Your work tends to call you to remote places around the world, and because of this, you also encounter a variety of cultures living with the land and practicing multi-generational traditions. Can you share an example or two where the cultures and practices were incredibly unique, and what inspired you about them?

One example of a unique culture and practice that deeply inspired me is the indigenous people of the Arctic region, such as the Inuit. I had the privilege of visiting communities in Greenland and witnessing their close relationship with the land and their ancestral traditions. The Inuit rely on hunting and fishing for their sustenance, and their knowledge of the environment is passed down through generations.

The Maasai have a strong connection to the land and their traditional way of life revolves around herding livestock. Their nomadic lifestyle and deep understanding of the local ecosystems amazed me. Despite facing modern challenges, the Maasai have managed to preserve their cultural heritage and maintain a sustainable relationship with their environment.

I was fascinated by their ability to navigate the vast Arctic landscape using their traditional knowledge, and their respect for nature was evident in every aspect of their lives. Their harmonious coexistence with the land and their ability to adapt to the harsh conditions truly inspired me. Another remarkable example is the

Maasai people in East Africa. I had the opportunity to spend time with them in Kenya and Tanzania. The Maasai have a strong connection to the land and their traditional way of life revolves around herding livestock. Their nomadic lifestyle and deep understanding of the local ecosystems amazed me. Despite facing modern challenges, the Maasai have managed to preserve their cultural heritage and maintain a sustainable relationship with their environment. Witnessing their resilience and the pride they take in their traditions left a lasting impression on me.

Where are some places that you have witnessed strong biorhythms of people with nature, where the community/tribe/people demonstrate true harmony and symbiosis with the surrounding landscapes? Can you share a bit about what the people and region are like?

One place that comes to mind is the West Mongolia region. The ethnic Kazakh people have inhabited this mountainous region for centuries, and their way of life is deeply intertwined with the natural surroundings. They have developed unique techniques for farming and animal husbandry in the challenging alpine environment. They have a strong sense of community and work collectively to ensure the sustainability of their land. Witnessing their daily routines and observing the deep respect they have for the mountains and forests was truly inspiring. I can say the same for the Nenets people in the north of Russia, and the tribes of Indonesia. Living in harmony with nature is the key.

Currently, I am living in Indonesia and studying local tribes. These communities have a profound understanding of the rainforest ecosystem and live in harmony with the diverse plant and animal life. Their traditional knowledge and practices, such as medicinal plant usage and sustainable hunting methods, showcase their deep connection to the natural world. Experiencing their way of life and learning from their wisdom was a humbling and eye-opening experience.

“Today, the Nenets’ nomadic way of life is under threat from the effects of climate change, making the tundra increasingly unpredictable – and the discovery that the peninsula contains the largest gas reserves on the planet. Nenets herders move seasonally with their reindeer, traveling along ancient migration routes.” -Survival International, Org.

Spending time with the local farmers and fishermen allowed me to witness the dedication and passion they have for their craft. Beyond the beauty of the scenes, I was deeply touched by their strong sense of community and their reliance on each other. Fishing is not only a means of livelihood for them but also a way of preserving their cultural heritage and passing down traditions to future generations.

The fishing scenes in Asia (China) are truly depicted as art through your photography— not only for the craft of fishing itself but the tranquility and beauty of the scenes of these local farmers and fishermen. Were there any beautiful lessons or takeaways from spending time with them and their families?

The fishing scenes in China were indeed a captivating subject to photograph. Spending time with the local farmers and fishermen allowed me to witness the dedication and passion they have for their craft. Beyond the beauty of the scenes, I was deeply touched by their strong sense of community and their reliance on each other. Fishing is not only a means of livelihood for them but also a way of preserving their cultural heritage and passing down traditions to future generations. To be totally transparent with you, many scenes were actually staged, but preserving the traditions and passing their wisdom to generations is the key.

One of the beautiful lessons I learned from them is the importance of patience and resilience. Fishing can be a challenging and unpredictable endeavor, but these fishermen and farmers remain steadfast in their pursuit. Their deep connection with nature and the rhythm of the water taught me the value of embracing the present moment and finding peace in the simplicity of life.

You describe Hokkaido island as having a great combination of abundant wildlife, pristine landscapes, rich culture, and delicious cuisine. What are some of your favorite aspects of each of these things in Hokkaido that are unique to the region?

Hokkaido truly is a remarkable place that encompasses diverse elements. When it comes to wildlife, the island is known for its iconic red-crowned cranes. These majestic birds are a symbol of longevity and good fortune in Japanese culture, and observing their graceful dances in the snow-covered landscapes of Hokkaido is a sight to behold. Additionally, Hokkaido is home to an array of other wildlife such as foxes, deer, and eagles, making it a paradise for nature enthusiasts and wildlife photographers.

In terms of landscapes, Hokkaido offers a unique blend of mountains, lakes, and vast flower fields. The iconic single trees of Biei are a photographer’s dream, and the vibrant colors of the fields during the blooming season create a surreal atmosphere—or in winter,strikingly strong minimalist compositions. The island’s rugged coastline, with its dramatic cliffs and secluded beaches, also provides endless opportunities for exploration and inspiration.

Rich cultural traditions are prevalent in Hokkaido, particularly among the indigenous Ainu people. Their unique art, music, and spiritual practices offer a glimpse into their ancient way of life. Immersing oneself in the Ainu culture allows for a deeper appreciation of Hokkaido’s history and its connection to the land.

Lastly, Hokkaido’s cuisine is renowned for its freshness and unique flavors. From mouthwatering seafood, such as sea urchin and crab, to hearty dishes like curry soup and grilled lamb, the island’s culinary offerings are a treat for the tastebuds. The combination of Hokkaido’s abundant wildlife, pristine landscapes, rich culture, and delicious cuisine makes it a destination that truly captivates all the senses.

You’ve captured some of the most scenic flower fields and farms in the world, from Tuscany’s poppies to Japan’s cherry blossoms and the lavender fields of Provence. Aside from the undeniable beauty of seeing the multitude of colorful blossoms in person, I think it’s the type of experience that could be worth the time and effort for people to have more often by buying their own bouquets and bundles! Just as you take the extra time and effort to connect to land and nature in more remote areas, can you explain why it’s worth going “the extra mile”?

The experience of being in the midst of blooming flower fields is indeed a breathtaking one. The vibrant colors and delicate petals create a sense of wonder and remind us of the beauty that nature can bestow upon us. While buying bouquets and bundles is a way to bring a piece of that beauty into our homes, I believe there is immense value in going the extra mile and experiencing these landscapes in person. Personally I’m not a big fan of cut flowers, rather, I like living flowers and even grow some in my backyard.

When we immerse ourselves in nature’s grand displays, we have the opportunity to connect on a deeper level with the land and its rhythms. Being surrounded by a sea of flowers or standing beneath a cherry blossom tree evokes a sense of awe and tranquility that can be difficult to replicate elsewhere. It allows us to pause, appreciate the present moment, and find inspiration in the simple elegance of nature.

When we immerse ourselves in nature’s grand displays, we have the opportunity to connect on a deeper level with the land and its rhythms. Being surrounded by a sea of flowers or standing beneath a cherry blossom tree evokes a sense of awe and tranquility that can be difficult to replicate elsewhere. It allows us to pause, appreciate the present moment, and find inspiration in the simple elegance of nature.

Additionally, visiting these flower fields and farms often takes us to remote or lesser-known locations. By venturing off the beaten path, we discover hidden gems and connect with communities that have a unique relationship with the land. It’s an opportunity to learn about different cultures, witness traditional practices, and gain a deeper understanding of the human-nature connection.

Dubai is an area you’ve visited on more than one occasion, and it is more known for its bustling cityscapes and dry deserts. It is unique in its own way for connecting people, as it has become a true hub and destination that draws international business and innovation. How would you describe the experience of Dubai based on your time spent there, and through your “lens” and visual storytelling perspectives?

Dubai is indeed a fascinating city that offers a stark contrast to my more common travels in remote and natural landscapes. Through my lens and visual storytelling perspectives, I aimed to capture the unique blend of modernity and tradition that coexists in Dubai. The city’s impressive skyline, with its towering skyscrapers and architectural marvels, creates a futuristic backdrop that is captivating to photograph.

One aspect that struck me during my time in Dubai was the relentless pursuit of innovation and the spirit of ambition that permeates the city. It’s a place where dreams and aspirations are turned into reality. Dubai has transformed itself into a global hub for business, finance, and tourism, drawing people from all walks of life. The energy and dynamism of the city are palpable, and it’s a melting pot of diverse cultures and nationalities. ymore info: www.danielkordan.com

While Dubai may be known for its bustling cityscapes, I was fortunate enough to explore the vast sand dunes and witness the captivating play of light during sunrise and sunset. The desert landscapes offer a different kind of serenity and provide a contrasting perspective to the city’s fast-paced environment.

But Dubai will always be a great meet-up place with wonderful people.

You’ve made a new home in Bali and describe the region as having a hidden culture. Can you reveal a few things about Bali’s hidden gems?

Bali is a place that holds a special place in my heart, and its hidden culture is one of its most enchanting aspects. While Bali is known for its beautiful beaches and vibrant tourist areas, there are hidden gems that offer a deeper glimpse into the island’s rich cultural heritage.

One of these hidden gems is the traditional village of Penglipuran. Located in the highlands of Bali, Penglipuran is a well-preserved village that provides a glimpse into the island’s ancient traditions and way of life. The village is known for its unique architectural style, with houses built in a uniform manner and adorned with intricate carvings. Walking through the village feels like stepping back in time, surrounded by lush greenery and the tranquility of rural Bali.

Another hidden gem is Tirta Gangga, a stunning water palace located in the eastern part of the island. Tirta Gangga translates to “Water of the Ganges” and is a sacred site for the Balinese people. The palace is known for its elaborate water gardens, fountains, and pools, which are considered holy and used for religious ceremonies. Exploring Tirta Gangga allows visitors to immerse themselves in the spiritual and architectural beauty of Bali.

Bali is also home to countless hidden temples, each with its own unique charm and significance. These temples, tucked away in lush forests or perched on cliffs overlooking the sea, offer a sense of tranquility and spiritual connection. Pura Lempuyang, with its iconic “Gateway to Heaven”, and Pura Ulun Danu Bratan, situated on the shores of a picturesque lake, are just a couple of examples of the hidden temple gems that Bali has to offer.

These hidden gems of Bali allow me to delve deeper into the island’s cultural fabric and capture the essence of its traditions and spirituality through my photography. Bali’s hidden culture reveals itself to those willing to venture off the beaten path, offering a truly authentic and enriching experience.

If you were to adopt a new “living with the land” way of life in one of these remote regions that you’ve visited, which would you choose and why?

Choosing a new “living with the land” way of life is a difficult decision as each remote region I’ve visited has its own unique appeal. However, if I had to choose, I would lean towards adopting the lifestyle of the indigenous tribes in the Amazon rainforest.

The Amazon rainforest is a place of immense biodiversity and natural wonders. The indigenous tribes living in this region have a profound understanding of the land and have developed sustainable practices that have allowed them to coexist with the forest for centuries. Their deep connection to nature and their reliance on the resources it provides resonates with my own values.

By immersing myself in the Amazonian way of life, I would have the opportunity to learn from the indigenous tribes, acquire their traditional knowledge, and contribute to the preservation of this fragile ecosystem. Living with the land in the Amazon would allow me to deepen my understanding of the natural world and continue my mission of capturing and sharing its beauty through my photography. It would also offer a unique opportunity to document the rich cultural heritage of the tribes and raise awareness about the importance of protecting their way of life and the rainforest itself.

Besides, I admire the permaculture of Bali and in particular, the green school experience, near our house in Ubud. They don’t use monoculture but instead study plants to produce sustainable agriculture and do not overuse and deplete the land. My dream is to build a villa in Bali with a fruit and permaculture garden— of course with a beautiful view where I can enjoy misty sunrises and flaming sunsets with my camera.

IG: @danielkordan