Fadi Alnumaani

Page 1

Fadi Alnumaani Interior Designer +(313) 899-8340 fadi6mn@gmail.com www.fadialnumaani.com




School: Academy of Art University, School of Interior Architecture & Design Course: portfolio or Portfolio Seminar (undergrad) Instructor: Chamindri Wijemanne Student: Fadi Alnumaani Telephone: +1 (313) 899-8340 email: fadi6mn@gmail.com Book bindery: Cover Stock: Text stock: Fonts: Minon Pro, Langdon, and Futura LT Medium Software: 3D max, Revit, illustrator, Photoshop, InDesign 2015 All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the Designer Fadi Alnumaani




Fadi Alnumaani is from Jeddah, Saudi Arabia. After graduated high school, he worked at a bank as customer service where he developed his commination skills. Three years later, he decided to move to the United States to peruse a higher education in interior design, which at a young age had been his passion. Fadi is currently a student at the Academy of Art University in San Francisco, he is expecting to graduate with a BFA degree of interior architecture & design in May 2016. His designs are mainly Western contemporary and often influenced by of a variety of cultures. He is experienced in team management, plan development, and furniture selection. Fadi believes that a successful interior design should be both functional and aesthetically pleasing.



01 02 03 04 05 06

Hospitality Design Lounge & Spa

Residential Design Mariotto Residence

Sustainable Design Public Restroom

Retail Design

Cafe & Market

Breadth

Stuff I Enjoy

Commercial Design

Office & Retail





H O S P I TA L I T Y SPA & LOUNGE


Concept Statement

THE FALLING LEAVES


Hospitality Design

I chose the falling leaves to be my concept for the space which is located in San Francisco, CA. From photographing the falling leaves, I noticed that they create an organic pathway formed by nature. They add a splash of colors and warmth to the sidewalk. Also, the journey from the branches to the ground is a very quiet movement that can be seen visually only, which creates serenity. The falling leaves symbolize multiple elements that are perfect to be used in the spa. For example, the end and a start of a new cycle, it’s the same idea as people visit the spa to relax, and feeling refreshed afterwards. The rest of these elements are calm, peaceful, quiet, reflection, and transformation.


Site Analysis

The Neighborhood Today The project is located in the heart of downtown San Francisco. It is a 7,236 sq. ft. two-story historical building in the city. It is on the corner of Powell & Sutter Street, where most of the tourists and local people gather. The area is full of restaurants, bars, coffee shops, hotels, hostels, etc. I chose to design a spa because I tend to design spaces that are more unique. The spa is going to be a place where they can relax and isolate themselves from the noise and the busy city.

T

SUT TER S

Spa & Restaurant

POWELL

T

SUT TER S

ST POWELL ST POWELL ST

T

POST S


Hospitality Design 449 Powell St, SF CA 94102


lounge & Bar

-

1st Floor 99' - 10"

ELEVATOR

7' - 5"

6' - 2"

M&F/RESTROOM

STORAGE

1' - 6"

6' - 2"

3' - 0"

4' - 0"

6' - 5"

12' - 6"

CABINETS 4' - 11"

ISLAND

4' - 11"

HALL WAY OPEN KITCHEN

ENTRANCE

6' - 8 19/32"

SEATING AREA COUNTER TOP

4' - 0"

4' - 0"

- SEATING Elevation 1AREA -a

BANQUETTE

OFFICE

-

-

16' - 6"

STRUCTURAL COLUMN

15' - 5"

12' - 0"

KITCHE & BAR

20' - 1"

2' - 6"

BAR 74' - 4"

SWING 17' - 7 1/4"

EMERGENCY EXIT

LOUNGE PLANTS 17' - 4"

-

16' - 0"

15' - 0"

16' - 0"

-

12' - 0"

5' - 11 13/32"

16' - 0"

SEATING AREA

7' - 3 19/32" COLUMN

15' - 10"

15' - 6"

15' - 6"

15' - 6"

18' - 0"

19' - 6"

-

Food & drinks will be served in the spa. Only organic and vegetarian will be provided. Also, a small open kitchen for customers to make their own snacks, which makes the visit affordable and attracts the hipster crowd, which considered as the majority of population of San Francisco. Also, the interaction between the space and people has a personal attachment that’s welcoming, especially when the place provides a healthy way of living.


Hospitality Design


Lounge Area

Section COLUMN STRUCTURAL COLUMN KITCHEN WALLS BAR

DINING TABLE

HAMMOCK

STOOL

Level 0' -


Hospitality Design

-

RCP 7' - 5 3/4"

12' - 2"

12' - 0"

2' - 9 9/16"

12' - 1 3/16"

11' - 3 25/32"

2' - 0 9/16"

11' - 3 3/16"

16' - 3"

15' - 1"

9' - 5 23/32" -

-

8' - 9 7/16"

3' - 5 31/32" 1' - 5"

7' - 0 9/16"

5' - 11"

15' - 8"

- Elevation 1 - a 2' - 0" -

2' - 0"

6' - 9 15/32"

23' - 5"

8' - 0"

16' - 0 5/32"

16' - 9 21/32"

15' - 0 1/16"

17' - 6"

16' - 2 27/32"

15' - 9 13/32"

17' - 0"

7' - 7"

-

4' - 3 25/32" 5' - 7"

10' - 2 7/32"

4' - 3 25/32" 5' - 7"

10' - 2 7/32"

9' - 4"

7' - 0 7/8"

16' - 2 3/8"

17' - 0"

-

0' - 0"

7' - 9 3/16"

7' - 9 1/8"

19' - 6"

12' - 0 11/32"


Lounge Area


Hospitality Design

Since the building was built in 1913, it has a lot of existing columns as part of the structure and there is no way to remove any of them. So, the columns were an obstacle that I faced during the design process. I wanted to create something interesting and visually appealing. I decided to have built-in LED lights in each column that in a spiral form to mimic the movement of the falling leaves.


Massage & Shower Areas

Section COLUMN

HAMMOCK

PARTITION

BENCH WOOD PANEL

MASSAG E TABLE

ELEVATOR

COLUMN BRICK WALL

WINDOW

Level 1 0' - 0"


Hospitality Design

-

2nd Floor 99' - 10"

4' - 0"

6' - 5"

6' - 2 1/2"

ELEVATOR

7' - 5"

6' - 2 1/2"

6' - 2"

MALE

6' - 2"

1' - 2"

FEMALE

HAMMOCK 4' - 4"

5' - 0"

5' - 0"

5' - 10 1/4"

5' - 0 3/4"

12' - 6"

RESTROOMS & SHOWERS 5' - 5"

EXIT

5' - 5" LOCKERS ROOM

3' - 8"

WAITING AREA

4' - 6"

ENTRANCE

16' - 0"

5' - 8 5/16"

HOT TUB

20' - 1"

33' - 0" SHOWER AREA 16' - 6"

31' - 0"

-

5' - 0"

-

19' - 5 1/8"

5' - 0"

Elevation 1 - a

5' - 8 1/16"

5' - 0"

HOT TUB

14' - 0"

17' - 6"

4' - 0" 4' - 0" 2' - 0"2' - 0"

SWIMMING POOL 15' - 0"

4' - 0"

15' - 9"

4' - 0"

4' - 0"

15' - 9"

WAITING AREA

EMERGENCY EXIT

15' - 10"

MEDITATING POOL

15' - 6"

15' - 6"

15' - 6"

-

18' - 0"

19' - 6"

17' - 4"

SEATING AREA

7' - 0"

4' - 6"

13' - 6"

4' - 0"

-

SAUNA

LAUNDRY ROOM

BAR 74' - 4"

-

STEAM ROOM

12' - 0"

6' - 0"

FRONT DESK


lounge & Bar

-

RCP 7' - 5 3/4"

12' - 0"

2' - 9 9/16"

6' - 5 17/32"

5' - 3 13/16" 0' - 0"

12' - 2"

12' - 1 3/16"

11' - 3 25/32"

2' - 0 9/16"

11' - 3 3/16"

9' - 2 7/8"

0' - 0"8' - 0 31/32"

6' - 0"

23' - 0 15/16"

6' - 0"

7' - 7"

8' - 3"

34' - 3 21/32"

17' - 0"

17' - 0"

-

7' - 9 3/16"

26' - 6 1/32"

6' - 0"

9' - 4"

-

25' - 10 9/32"

6' - 0"

-

0' - 0"

16' - 8"

10' - 11"

6' - 0"

Elevation 1 - a

5' - 5 15/16"

6' - 0"

-

9' - 8 19/32"

-

4' - 1 15/16"

8' - 4 9/16"

4' - 7 13/32"

8' - 4 1/32"

19' - 6"

12' - 0 11/32"

-


Hospitality Design


Reflecting The Exit Door


Hospitality Design

Material Selections White Marble

Black Marble

Oak Wood

Olive Green-Leather

Having most of the materials on the floor had a purpose. Alike the organic movement of the leaves arranging on the sidewalk or the ground once fallen, the materials used have a subtlety in pattern and hue. San Francisco is filled with people from all over the world, so I mixed multiple materials together to emphasize that in my design. Such as the wood was inspired by the Japanese culture, the marble from the Greek bath, and the olive green is a natural color that adds an organic feeling to the space.


Reflecting Pool Area


Hospitality Design





RESIDENTIAL Mariotto Residence


Concept Statement

Haute couture was my concept for an apartment complex that I designed. I chose this concept because the space was used by a successful couple, Maria & Gino who work from home and like to entertain friends at their place. Also, they like to collect art pieces. Even though I designed the space to be functional, I still wanted to include a high end feeling in the space using haute couture as concept. I designed the space as if it was a dress, the art and furniture pieces are the embellishments that add beauty to the actual design.


Residential Design

HAUTE COUTURE


Site Analysis


Residential Design 13 Wood St, SF CA 94118

The Neighborhood Today The space is located on the Western part of San Francisco, located South of Presidio and east of the Richmond District. The feel and spontaneity throughout the neighborhood is somewhat that same as in the Mission. There are residences, retail shops, markets and businesses entirely intermingling. It is far enough that it has its own style, culture and advantages from the hustle and bustle of San Francisco city. There are a lot of family homes, schools and the California Pacific Medical Center which may entail that the there is a combination of middle to upper class neighborhoods. It is an ideal place for people to shop, indulge in the delicacies of a restaurant or cafe and even do their grocery shopping.

ST OD WO

Mariotto’s Porject

WOOD ST WOOD ST

GEARY GEARY

BLVD

BLVD


Dining Room


Residential Design

3rd Floor


Master Bedroom

Elevation

0' - 5" 0' - 5" 5' - 9"

2' - 1"

WHITE TILE

SHOWER HEAD BRASS FINISH

1' - 2" 0' - 9"

0' - 2" 0' - 2"

WD PANEL

0' - 9" 0' - 9"

FAUCET BRASS FINISH DARK GREY SINK CONCRETE FINISH CON SHELF COVERED WITH DARK WD PANEL

0' - 2" 0' - 2" 0' - 2"

WINDOW FRAMES

BUILT -IN SHELVES

0' - 2" 0' - 2"

WHITE WALL PAINTED

MIRROR

CON DARK GREY PAINTED

Elevation 3 - a 3/8" = 1'-0" KITCHEN HOOD BRASS FINISH

OVEN BRASS FINISH

Elevation 4 - a 2 1/4" = 1'-0"

2' - 4"

DARK GREY VINYL

GOLD & BLACK TILE

2' - 3"0' - 2"

2' - 0" 3' - 1" 2' - 9" 0' - 1"

FAUCET BRASS FINISH

2' - 4"

WHITE WALL PAINTED

7' - 5"

1

DARK WD CON-TOP


Residential Design


Formal Living Room


Residential Design

Material Selections Black Stone

White Marble

Dark Blue velvet

Peachy velvet

Mixing unexpected colors and materials is what Haute Couture all about. For instance, the peachy velvet and dark blue are a combination that we are not usually familiar with. But, surprisingly work well together. The main walls and floors were kept to be black and white to mimic the runway, the design and furniture pieces were meant to showcase as high fashion.


Concept Statement

Silk Road was the perfect concept for the interior designer Ernie Mariotto’s apartment. He is a professional interior designer who teaches and works in the design field. He lives by himself and has a great collection of art pieces. Relating back to the concept, Silk Road was used to trade articles between Asia and Europe. So, the space has different cultures and unique colors throughout.


Residential Design

SILK ROAD


Living Room

2nd Floor

ENTERTAINMENT ROOM OFFICE

GYM

LIBRARY

ART GALARY

GUEST BATHROOM

PATIO

ENTRANCE KITCHEN

MASTER BATHROOM CLOSET GUEST LIVING ROOM

DINING ROOM MASTER BEDROOM


Residential Design


0' - 5" 0' - 5" 5' - 9"

2' - 1"

WHITE TILE

SHOWER HEAD BRASS FINISH

1' - 2" 0' - 9"

WD PANEL

0' - 2" 0' - 2"

0' - 9" 0' - 9"

FAUCET BRASS FINISH DARK GREY SINK CONCRETE FINISH CON SHELF COVERED WITH DARK WD PANEL

0' - 2" 0' - 2" 0' - 2"

WINDOW FRAMES

BUILT -IN SHELVES

0' - 2" 0' - 2"

WHITE WALL PAINTED

MIRROR

CON DARK GREY PAINTED

Elevation 3 - a 3/8" = 1'-0" Elevation KITCHEN HOOD BRASS FINISH

2' - 4"

DARK GREY VINYL

GOLD & BLACK TILE

2' - 3"0' - 2"

3' - 1" 2' - 0" 2' - 9" 0' - 1"

FAUCET BRASS FINISH

2' - 4"

WHITE WALL PAINTED

7' - 5"

1

Dining & Kitchen

DARK WD CON-TOP

OVEN BRASS FINISH

Elevation 4 - a 2 1/4" = 1'-0"

DESINER: FADI ALNUMAANI

AUTHOR: FA

OWNER: ERNEST MARIOTTO

ADDRESS:13 WOOD ST, SAN FRANCISCO. CA 94118

SHEET NAME: ELEVATIONS

DATE: MAY 12, 2015 CHECKED BY: EM SCALE: NA

A 0.6 SHEET:

7

OF 8


Residential Design


Master BedRoom

Material Selections Black stone

Black Marble

Walnut wood

Musterd yellwo leather


Residential Design

I chose most of the materials to have a certain texture or pattern to emphasize my concept which is Silk Road. I mixed the stone and the marble together to create a pathway. When I think about Silk Road, earthy colors come to my mind first, and for that reason I kept the color pallet within the same range.





S U S TA I N A B L E Public Restroom


Concept Statement

STREAM


Retail Design

Part of the water cycle, streams play an important corridor role in connecting fragmented habitats and thus in conserving biodiversity. Just like stream itself, this particular sustainable public restroom consists of different sources of water, with its gray water system, it represents the water cycle.


Site Analysis


Sustainable Design 19th & Dolores St, SF 94114

The Neighborhood Today Dolores Park is one of the most popular parks in the city of San Francisco. The location is one of the reasons that makes Dolores Park very unique and desirable for the public. Also, the site has activities that always open to the public to enjoy such as a huge playground for kids, and four tennis courts. The park serves more than 2500 people during holidays, festivals, and special occasions. However, after mentioning all these great features, Dolores Park has only one public restroom. The restroom is divided into two separate spaces, female and male, but both only serve one person at a time.

18th St

Mission Dolores Park

Church St 20th St

Dolores St

Public Restroom


Space Development

Not Enough Space Bad Circulation

Better Circulation

Enough Space

N.T.S


Sustainable Design

Sun Old Strcture

No Enough Space

Divide into two Spirit spaces

Sun

Add more men urinal

New Design

Enough Space Enough natural light Better design

N.T.S


Dolores Restroom

FloorPlan


Sustainable Design


Dolores Restroom


Sustainable Design

My goal in this design is to connect the building with the nature and create a bonding relationship between them. What inspired me was the origin structures of parks in the ancient Rome and Greece and how they designed their parks and gardens with beams and vines, these design elements served both as beauty and shade.


Project’s Diagram


Sustainable Design


Project’s Materials


Sustainable Design





R E TA I L Cafe & Market


Concept Statement

“Mercato� is the Italian word for market. The client is Italian and had requested a design that reflects his Italian background. My vision was to design a traditional Italian market, cozy, Tuscany with a vintage vibe. From material selection to lighting fixture, the space will provide customers with a different shopping experience.


Retail Design

MERCATO


Site Analysis

The Neighborhood Today Mission Bay is one of the blooming neighborhoods in San Francisco, because of its location, it helps the area to have less fog and wind from the rest of the city. Living in a busy city like San Francisco and having the view of the ocean makes it quite unique for most of the people. The area is surrounded by parks for both adult and kids, and dogs where they can enjoy the nature. Also, for those who need to be connected to downtown San Francisco or further than that, the neighborhood has two train lines that travel all the way to the heart of the city. Mission Bay area became a trendy neighborhood, as well as high end restaurants and retails.

Channel St Market & Restaurant

3rd St

4th St Long Bridge St


Retail Design 185 Channel St, SF CA 94158


Branding


ERING SER-

MUST COMS THROUGH C AESTHET-

ON WAS INWAL AND RE-My partner and I chose Little Spoon as a name for the ST SUCH ASspace because when we think of a little spoon, it reminds HE INTERI-us of a fancy, delicious light bite. We decided to match the RTS OF THE branding colors with the materials that we are using in the CE PERSONHETIC THATproject, which is the black and white tiles. Also, they were WORLDS ASused in most of the Italian traditional markets. EMPORARY

Retail Design


Floor Plan

Bubble Diagram

BUBBLE DIAGRAMS

MATERIALS & FINISHES - Produce & Floral - Specialty food The purpose of locating the café in the back of the space is to isolate visitors from the neighborhood’s noise. I thought the floral & produce area should be in the front to attract

PACKAGED & PREPARED FOODS

SPECIALTY FOODS AREA

the pedestrians, using the dramatic decorative column as a attraction.

PRODUCE & FLORAL AREA

- Café

FLOOR PLAN & FINISHES

ENTRANCE & EXIT

EXIT ONLY

CHECKOUT COUNTERS

BAKERY DISPLAY

ENTRANCE & EXIT

I divided the space into three sections:


Retail Design

FloorPlan

ENTRANCE & EXIT

PRODUCE & FLORAL AREA

ADA W/C

EXIT ONLY

PACKAGED & PREPARED FOODS

CONDIMENT STATION

CHECKOUT COUNTERS

BAKERY DISPLAY

BUTCHER

SPECIALTY FOODS AREA

CHEESES & CHARCUTERIE

ENTRANCE & EXIT

WINE ROOM

LOUNGE

LOUNGE & WINDOW SEATING ENTRANCE & EXIT

CAFE

BANQUETTE SEATING

COMMUNITY TABLE

OPEN KITCHEN

STAFF DOOR

CATERING KITCHEN

W/C


Specialty food

The market “little spoon� was inspired by the idea of the Italian market and culinary renewal of the past such as the butcher, bakery, and milkman. The interior is meant to highlight the lost arts of the kitchen and make food an experience personal to the customer, with an aesthetic that represents the culinary and design worlds as the once were, all within a contemporary approach.


LAYERED BUTCHER BLOCK

Retail Design

MAIN FURNITURE PIECES & PLAN FloorPlan

MARCONI CAGED PENDANT

CUSTOM FILAMENT BULB AND BRASS PIPE WALL SCONCE

CUSTOM BUTCHER BLOCK AND BRASS SIDE TABLE

FADI ALNUMAANI & ANDREA MOBLEY


Concept Statement

Using brass pipes on the wall as light fixture helps customer with way finding. Also, I intentionally located it where the seats are to create a special nook than the rest of the market. The floor to ceiling brass pipes serve as a partial partition for more privacy. White throw pillows add a touch of softness to break the hard surfaces.


little little cafe & market

cafe & market

Retail Design

FLOOR PLAN & FINISHES F L O O R P L A N Level & 2F I N I S H E S ENTRANCE & EXIT 22' - 0"

BUBBLE DIAGRAMS

ENTRANCE & EXIT

PRODUCE & FLORAL AREA

Elevation

PRODUCE & FLORAL AREA

5' - 0"

CON WALL FINISH

BRASS PIPE LIGHT FIXTURE

1' - 9"

EXIT ONLY EXIT ONLY CHECKOUT COUNTERS

4' - 10"

10' - 2"

13' - 6"

1' - 6"

BRASS DECORATIVE CLG GRID

WD BENCH SEAT W CUSHION

PACK & PREP PACK FOO &

PREP FOO

CHECKOUT COUNTERS BAKERY

Level 1 DISPLAY 0' - 0" BAKERY DISPLAY

MATERIALS & FINISHES MATERIALS & FINISHES Market Seating Elevation 5 1/4" = 1'-0"

ENTRANCE & EXIT

RECLAIMED OAK PLANKS

BLACK TILE TRIM

LOUNGE

RECLAIMED OAK PLANKS

BLACK TILE TRIM

LOUNGE

Concrete BRASS BRASS

Vinyl Leather

in Blue Sky VINYL LEATHER IN OLIVE VINYL LEATHER IN OLIVE

LITTLE SPOON MARKET AND CAFE CONCRETE

B&W CONCRETE Tile

SPEC FOOD

SPEC FOOD

ENTRANCE & EXIT

Material Selections

LNUMAANI & EA MOBLEY PROJECT NAME:

ERA

BUBBLE DIAGRAMS

LOUNGE & WINDOW SEATING LOUNGE & WINDOW & ENTRANCE SEATING EXIT

CA SHEET: ELEVATI ENTRANCE & EXIT COMMUNITY TABLE

CA

DATE: DEC. 16, 2 COMMUNITY TABLE

VINYL LEATHER IN BLUE SKY

White Quartz CHECKED BY: KV ADDRESS: 185 CHANNEL STREET C (MISSION BAY BLOCK 2) C SCALE: SAN FRANCISCO, CA 94185 1/4"=1'-0" VINYL LEATHER IN BLUE SKY

STAFF DOOR STAFF DOOR

B & W TILE

WHITE QUARTZ

B & W TILE

WHITE QUARTZ

FADI ALNUMAANI & ANDREA MOBLEY FADI ALNUMAANI & ANDREA MOBLEY


PUTCHER BLOCK WOOD

Concept Statement

FURNITURE PIECES & PLAN

E BRASS PENDANT

E DISPLAY BOXES

M RAME SHELVES

FloorPlan


Retail Design

I designed the market area thoughtfully to incorporate the concept. As one of the focal points, the columns were meant to mimic the shape of a vintage chair leg. Customers can also weigh their fruits and vegetable manually, creating a traditional Italian market environment. Also, the fruit stands are made out of wood, it represents the traditional way of harvesting produce.


Nook Seating

Elevation

6' - 0"

Level 2 22' - 0"

1

4' - 6"

13' - 6"

14' - 0"

CON WALL FINISH

Cafe Couch Seating Elevation 1/4" = 1'-0"

3' - 6"

1' - 5"

2' - 0"

OVERSIZED UPHOLSTERED SOFA 3' - 0"

5' - 5"

4' - 10"

3' - 9"

FRAMED MIRROR W LIT BORDER

MEZANINE CLG

8' - 0"

DROPPED WD PLANK CLG

Level 1 0' - 0" 2

Cafe Window Seating Elevation 1/4" = 1'-0"

CON WALL FINISH DROPPED CLG WD FINISH

2' - 8" 8"

2' - 8"

13' - 6"

14' - 0"

MEZANINE CLG


Retail Design


Open Kitchen


Retail Design

6” GLOBE LIGHTS

MAIN FURNITURE PIECES & PLAN

FloorPlan

RECESSED BRASS CAN LIGHT

LE CORBUSIER CHAIR VINYL LEATHER IN OLIVE

CUSTOM LEATHER AND BRASS DINING CHAIR

ADI ALNUMAANI & ANDREA MOBLEY


CAFE Community Table

CHANDELIER DESIGN

little little cafe & market

cafe & market BRASS “CAGE” FRAME

FLOOR PLAN & FINISHES FLOOR PLAN & FINISHES ENTRANCE & EXIT ENTRANCE &

BUBBLE DIAGRAMS BUBBLE DIAGRAMS

EXIT

PRODUCE & FLORAL AREA PRODUCE & FLORAL AREA ADA W/C ADA W/C

6” GLOBE LIGHTS

MAIN FURNITURE PIECES & PLAN EXIT ONLY EXIT ONLY

PACKAGED & PACKAGED PREPARED & FOODS PREPARED FOODS

CONDIMENT STATION CONDIMENT STATION

CHECKOUT COUNTERS CHECKOUT COUNTERS

Material Selections Reclaimed Oak RECESSED BRASS Planks MATERIALS & FINISHES MATERIALS & FINISHES CAN LIGHT

Black Tile Trim

BAKERY DISPLAY BAKERY

BUTCHER BUTCHER

DISPLAY

ENTRANCE & EXIT ENTRANCE &

SPECIALTY FOODS AREA SPECIALTY FOODS AREA

CHEESES & CHEESES CHARCUTERIE & CHARCUTERIE

EXIT RECLAIMED OAK PLANKS RECLAIMED Brass OAK PLANKS

BLACK TILE

VinylTRIM Leather BLACK TILE inTRIM Olive

WINE ROOM WINE ROOM

LOUNGE LOUNGE

LOUNGE & WINDOW LOUNGE & SEATING WINDOW

BRASS BRASS

VINYL LEATHER IN OLIVE VINYL LEATHER IN OLIVE

SEATING ENTRANCE & EXIT ENTRANCE & EXIT

CAFE CAFE

BANQUETTE SEATING BANQUETTE SEATING

COMMUNITY TABLE COMMUNITY TABLE

LE CORBUSIER CHAIRVINYL LEATHER

OPEN KITCHEN OPEN

W/C


Retail Design

One of the requirements that the owner asked for was a design that won’t intimidate people to get in. I thought of designing a community table so customer can interact with each other and create a cozy environment. Also, I designed a dramatic light fixture that is made out of brass wires to attract people to come to the space.





COMMERCIAL Office & Retail


Concept Statement

FRAMING


Commercial Design

When I think of framing I imagine hard edges, square, rectangle shapes, and lines. We usually use framing just to emphasize on an object that we want to give it attention or grab people’s attention to it. So in my space I would apply it in a way to define some areas in abstract way to help way finding for the space. Also, I’m going to add some lines to space that would match with the other material to show how framing can affect the space and can be a feature.


Site Analysis


Commercial Design 34 Graham St, SF CA 94129

The Neighborhood This vast terrain went from being a military base to a well-respected and known National Park. It combines nature, history and community for both tourists and locals to enjoy. Along the Park Presidio is the Presidio residential neighborhood. Presidio Neighborhood encompasses both smaller neighborhoods. The actual location of the site analysis is 34, Presidio Terrace, San Francisco, CA, 94118. It is located north of Downtown San Francisco. The specific area was built in 1776 as was the first planned community built in the Western neighborhoods of San

ZA

AV E

NATIONAL GEOGRAPHIC PROJECT

ME

SA

ST

KE YE SA VE

34

GR A

HA M

ST

AN

MO

NT GO M

ER Y

ST

Francisco.

SA LS

T


Space Development

Elevation

WHITE GYB DROPPED CEILING at 14'- 0" - 12'- 0" BLACK STEEL BAR 7' - 5 1/2"

WHITE MARBLE ARABESCATO CORCHIA – POLISHED

2' - 6"

1' - 3 1/2"

2' - 0 1/2"

3' - 0 1/2"

F5150 AMERICAN WALNUT LAMINATE

Level 1 0' - 0"

F1485 CHROME LEMON YELLOW LAMINATE

6' - 7 1/2"


Commercial Design


Lobby & Exhibit Area


Commercial Design

1st FloorPlan B

A

C

D

6 4

5

4

STAIR CASE 108

CAFE

3

EXIT

6

109

7

7

MEN RESTROOM

7

118

110

WOMEN RESTROOM 106

Elevation 1 restroom

STAIR CASE

BAR AREA

7

107

7

4

2

DN GFI

UP 1 GFI

1

5

GFI

GFI

CORRIDOR

1

105

KITCHEN

GFI

111 LOADING DOCK 104 OVEN

REF

GFI

REF GFI

GFI

4

DATA/TELE ELEV

103

MULTI FUNCTION ROOM

3

112 5

ATRIUM & EXHIBITION 117

5

STORE

JNTR

102

ELEV

113

2

RECEPTION

1

116

1

1

1

1

SEATGING AREA

1

1

114

EXIT

MAIN LOBBY

6

UP

101

STAIR CASE 115

DN 3

1

2 66

2

2

2

1


Space Development


Commercial Design


Retail Store White Marble Stone

Walnut Wood Laminate

Concreate

Grey Walnut Wood Laminate


Commercial Design

Detail Drawing Sunshine (2021-30) WALL PAINT

DECATUR WHITE DC-41 SEMI GLOSSY FINISH

2

BLACK STEEL HANGER

DRESSER 8979 EIGER WALNUT FINISH

1

BOOK SHLELVES

4' - 4 1/2"

WHITE GYB DROPPED CEILI at 14'- 0" - 12'- 0

7' - 7 1/2"

1' X 5" SHELF AMERICAN WALNUT FINISH 8' - 2 1/2"

6' - 10"

1' - 0"

7' - 0 1/2"

.5' X 7 DISPLAY EIGER WALNUT FINISH

3' - 1"

3' - 4"

1' - 5"

6' - 3"

1' - 8 1/2"

BLACK STEEL FRAME CLOTHING STORAGE F8979 EIGER WALNUT FINISH

1' - 8 1/2"

Level 1 0' - 0"

1' - 8 1/2"

BLACK STEEL

LAMINATE WOOD WALNUT-GREY FINISH


Multifunction Room


Commercial Design

GYP CEILING STEEL BASE ATTATCH TO CEILING DECATUR WHITE DC-41 SEMI GLOSSY FINISH

BRICK VENEER 1" GYP BD

INTERIOR 1/2" GYP SHEATHING

EXTERIOR 2-3/4" TYPE WALL BOARD

R 16 BATT INSULATION

4"/4" BLACK STEEL BARS

LIQUID APPLIED AIR BARRIER SEATHING

WELDED STEEL JOINT

6" METAL STUD

18/12" CONCRETE SUB FLOOR

STEEL BASE ATTACH TO FLOOR

2

CONCRETE FLOORING

Detail Drawing

Elevation 3 - a Copy 1 1 1/2" = 1'-0"

3

Elevation 3 - a Copy 2 1 1/2" = 1'-0"

BLACK STEEL FRAME INTERNAL STRUCTURE

RECLAIMED OAK WOOD

F5150 AMERICAN WALNUT LAMINATE - SHELF

BLACK STEEL SHELF SUPPORTER

WHITE MARBLE ARABESCATO CORCHIA – POLISHED INTERFACE CARPET TILE

CONCRETE FLOORING

P

D

D

C

1

Elevation 3 - a 1 1/2" = 1'-0"

4

Elevation 3 - a Copy 4 3" = 1'-0"

S


Cafe & Restaurant


Commercial Design

Elevation WHITE SUBWAY TILE B

WHITE GYB DROPPED CEILING at 14'- 0" - 10'- 0"

A

BLACK STEEL SHELVES SUPORTER

F8937 ARABICA WALNUT LAMINATE SHELVES DAISY QH97 TRIM TILE

GLASS FOOD DISPLAY

3' - 7"

2' - 6"

WALNUT WOOD LAMINATE BAR TABLE 3' - 6 1/2"

13' - 4"

F8937 ARABICA WALNUT LAMINATE

Level 1 0' - 0"

WHITE MARBLE ARABESCATO CORCHIA – POLISHED


HallWay & Waiting Area

2nd FloorPlan 1 A 0.4

B

A

C

5

12' - 11"

211

10' - 5"

STAIR CASE

S CONFERENCE RM

REGIONAL MANAGER

4

D

22' - 9 1/2"

4

4

209

210 DN

6

1' - 6"

EXIT

4' - 1"

4

7

7

212

MEN RESTROOM

13' - 1 1/2"

SENIOR EDITOR 5

WOMEN 7 RESTROOM

208

207

STAIR CASE 224 1

4

1

SENIOR WEB EDITOR Elevation 5 - a

DN

5

-

206

4' - 9 1/2"

4' - 0"

1

5' - 0"

CORRIDOR

213

23' - 4 1/2"

4' - 8"

-

1 14' - 4 1/2"

ART DIRECTOR

DATA/ TELE

PRINTING STATION & SUPPLIES

-

204

205

214 5

4' - 5 1/2"

1

OFFICE MANAGER 9' - 4"

215 Elevation 6 PRIVTE 1 OFFICE

5

5

3

SEATING AREA 203

WAITING AREA

A 0.8 -

223

3

MARKETING DIRECTOR

ATRIUM

7' - 9 1/2"

216

5

-

5

--1

1

4

CONTROLER 5

217

4

M CONFERENCE RM 4

222

7' - 5"

JNTR

ELEV

218

6' - 5"

2

1

5' - 5"

5' - 3 1/2"

9' - 1 1/2" 219

1

EDITRIAL STALL 7' - 0"

DW

REF

14' - 10"

220

-

A 0.7 OPEN OFFICE AREA

7' - 1 1/2"

9' - 10 1/2"

MARKETING

5

202

TRSH

201

PANTRY

5' - 0 1/2" EXIT

- Elevation 4 OFFICE Copy 1

4 Elevation 4 OFFICE

6' - 5" MEMBERSHIP

DESIGN/ PRODUCTION

4

6' - 5" HR OFFICE

ACCOUNTING

6

8' - 5 1/2"

STAIR CASE

1

2' - 4"

DN 4

1

33' - 6 1/2" 47' - 11" 2 A 0.4

4

0' - 7"

221

1


Commercial Design


Small Conference Room


Commercial Design

Detail Drawing FRONT

WELDED STEEL JOINT

BLACK STEEL BAR UNFINISHED WD TREAD

0' - 7"

BLACK STEEL BAR

SIDE

STEEL HIDDEN TREAD

2' - 5"

BLACK STEEL ROD STAIR'S SUPPORTER

2

Elevation 3 - a Copy 5 Copy 1 1 1/2" = 1'-0"

ENGINEERED WOOD

F6209 PRESTIGE WALNUT LAMINATE

GLASS PANEL WALL CURTAIN WALL MULLION

JOINT PROTECTION

POLISHED CONCRETE FLOOR

INTERFACE CARPET TILE

CURTAIN WALL GLAZING

CONCRETE SUB

4/6" HARD WOOD


Open Office Area & Conference Room


Commercial Design


Open Office Area

Material Selections

White Vinyl

Oak Wood Laminate

Yellow Carpet Tiles

Light Grey Carpet Tile


Commercial Design

Elevation WALNUT WOOD LAMINATE

PHIFETEX ANDARD SOLIDS - LEMON YELLOW FABRIC

C

1

2

A 0.4

A 0.4

1' - 11 1/2"

B

Roof 27' - 1"

2' - 6"

0' - 9 1/2"

0' - 4 1/2"

12' - 0 1/2"

7' - 0 1/2"

WHITE PAINT SEMI GLOSS

Level 2 14' - 2"

4' - 6 1/2"

949 WHITE LAMINATEGLOSSY FINISH

WHITE BOARD

6' - 5"

909 BLACK VENEERGLOSSY FINISH


Exhibition Area

Elevation 4

PURE SILVER WIRE

HOOK

F1485 CHROME LEMON YELLOW LAMINATE Basement -10' - 8"

LED LIGHT


Commercial Design

Basement FloorPlan 1 A 0.4

B

A

C

D

5 20' - 3"

1' - 8"

20' - 3"

10' - 6"

STAIR CASE

LARGE MEETING ROOM

010

011

012

6

EXIT

18' - 5"

7

7

4

7

7 MEN RESTROOM

013

16' - 5 1/2"

EXHIBITION AREA

GALLERY

WOMEN RESTROOM

STAIR CASE A 0.8

7

123

008

009

4

UP

1

1

4' - 0"

007

EXHIBITION AREA

5' - 0"

5' - 0"

CORRIDOR 4' - 8" 10' - 1"

8' - 1"

14' - 3"

LOADING DOCK 10' - 5"

10' - 0"

GALLERY 014

006

CORRIDOR 004

DATA/TELE

ELEV -

21' - 6"

005

8' - 0"

7' - 5 1/2"

1

021

4' - 9 1/2"

3

13' - 10" 21' - 5 1/2"

22' - 10"

---

MECHANICAL

015

STORAGE

020

18' - 1"

Archive 23' - 9"

003

4

ELEV

22' - 10"

016

11' - 11"

ELECTRICAL

1

1

002 5' - 3 1/2"

2

CORRIDOR 1

019

SEATGING AREA

5

TRSH

017

DW

REF

RECREATION ROOM EXIT 001 6

17' - 11 1/2"

JNTR

UP

STAIR CASE

0' - 7"

018

44' - 9"

2 A 0.4

1





BREADTH Stuff I Enjoy


Risedential Project

A residential project I had the opportunity to work on during my summer break of 2015. The project was for a couple that were recently married in Jeddah, Saudi Arabia. They both like to entertain people and needed something different from where they grew up. The first step was to change the space planning. I separated the entertaining area from everything else in the house, I wanted to create a sense of privacy. I added navy blue color to some of the walls in order to give the space some warmth. Also, the color helped to keep the contemporary feel with most of the classic furniture pieces.



Revamp a Chair For Chiraty

It was a one month competition between twenty students from the Academy of art. The goal was to redesign a basic chair in an innovative and creative way, but still functional. My concept for the chair was “current taking over royalty�, meaning the new is taking over the old. I use an acrylic board as the back, leather as seat cushion in order to showcase the elegance and contemporary. The legs of the chair were spray painted gold with an ombre effect, shape of the legs was the way it was which relates back to the concept that contemporary is taking over classical design.



DIFFAProject

DIFFA SF was the first chapter of DIFFA with more than 30 years of supporting HIV/AIDS foundation in the San Francisco Bay Area. My team had five members including myself. We had to design a temporary entrance for a DIFFA event. The team won the contest between three universities. it was such an experience I will never forget. For me personally, I thought that was one of the best experience that I had in school, and I was very proud of my school to be part of the event. Our art work is currently being displayed in the UCSF hospital.



Water Color Rendering





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