Portfolio 2016-2022 by Jiayi Fan

selected works of FAN JIAYI from 2016 to 2022

The Centre Le Corbusier, Zurich Photograph by Author, 2020 summer

Keep an open mind, and always make a step first.

RESUME FAN Jiayi

fanjiayi118@gmail.com +86 18080708996

EDUCATION 2014 - 2019

2019 - 2022

BACHELOR OF ARCHITECTURE China University of Mining and Technology (CUMT) GPA: 3.4/4.0 MASTER OF SCIENCE IN ARCHITECTURE - Built Environment - Interiors Politecnico di Milano (POLIMI.IT) GPA: 26.94/30

EXPERIENCE

LANGUAGE Mandarin Native English Fluent Italian Beginner Japanese Beginner

SKILLS Photoshop

535 studio (V9.0 main member) 2016

2017

2018

2019

Jianguo East Road to Tongshan Road Facade Innovation - Group Project Constructed Xuzhou, China Good Man Corridor Design - Individual Project Constructed Shitai, Anhui, China Publication Evolution characteristics and trend of architecture discipline research Journal of Architectural Education in Institution of Higher Learning DENG Yuanyuan, FAN Jiayi, CHANG Jiang Summer Competition Camp First Prize

Illustrator Autocad Sketchup Vray Enscape Rhino Grasshopper

2020

Cortona 3D Design Summer Camp First Prize

Indesign

2021

Kazuyo Sejima IC Advanced Architectural Design Studio 27/30

Handcraft Unité d'habitation, Marseille Photograph by Author, 2020 summer

CONTENTS

01 A Matter of Things

01-10

02 Death as Living

11-22

03 PIUMA

23-50

04 Weave Memory

51-80

05 Hamonious with Water

81-94

06 Sztuka

95-108

07 Satellite of Love

109-130

08 Magic Flash

131-140

Assemblage Architecture for Conviviality, Sicily

Museum Design of Han Dynasty Culture, Xuzhou

Performance Information Modelling for Ultra-lightweight Architecture, Milan

Envision and Design of Inujima Island, Japan

Abandoned Boiler House-Bath Renovation Design, Xuzhou

Combinations and fragments

The relationship between fragments and town

The relationship between fragments and exhibition hall

Remains of the Warsaw Ghetto Design, Warsaw

Proposal-fragments Combinations and fragments

Combinations

The relationship between fragments and town Fragments scattered in town

The relationship between fragments and exhibition hall

Castel

Town The position of fragments

Exhibition hall perspective

Combinations and fragments

The relationship between fragments and town

The relationship between fragments and exhibition hall

Fragments scattered in bastion interiorThe position of fragments

Exhibition hall perspective

From Coliving to Urban Hactivism, Milan

Installation Conceptual Design, Cortona

Other Works

Physical Model of the Main Pavillion Laser, wood

01 A Matter of Things Assemblage Architecture for Conviviality Caltagirone, Sicily, Italy Group Academic Work Septemper 2019 to January 2020

Professor: Marco Navarra, Francesca Zanotto Co-member: Ivana Varinac, Itana Filipovic, Andrea Cappellitti 2

0 1

Section C-C'

Section B-B'

Section A-A'

Ground Floor Plan

Physical Model of the Main Pavillion

When I am here, I feel big nature and small buildings. Different people. Someone with dull eyes standing on the porch and looking out into the distance. An enthusiastic waitress. A girl in sky blue cotton jacket is screaming at the orange bicycle. The wind is very strong here. They seem to need some space to put their loneliness. T W ATC H O U

YO U

PER R PA

Axonometric Exploded Drawing

02 Death As Living Museum Design of Han Dynasty Culture East Lake Road, Xuzhou, China Individual Academic Work Septemper 2016 to November 2016 11

Professor: Lin Zurui

03 PIUMA Performance Information Modelling for Ultra-lightweight Architecture P.TA Genova FS, Milan, Italy Group Academic Work January 2020 to June 2020 Professor: Zanelli Alessandra, Novati Giorgio, Milan Dragoljevic Co-member: Yao Guokai, Zu Shiqi, Sun Mengyu

FROM FROM WEST WEST TO EAST TO EAST FROM Plan as Plan a whole as a WEST whole TO EAST Plan as a whole

\ retractable \ retractable roof roof MAIN VENUE PART1 retractable roof \ semi-opening \\ semi-opening venue venue \ semi-opening venue \ sliding \ sliding doors doors \ sliding doors

This isThis the main is theconstruction main construction in our in design.The our design.The retractable retractable membrane membrane covers covers about about 1300 1300 ㎡ area.It provides provides multiple flexible functions functions duringmembrane during a year afor year for This is㎡ thearea.It main construction in multiple ourflexible design.The retractable covers variousvarious events.1300 events. about ㎡ area.It provides multiple flexible functions during a year for various events. \ go upPART2 \and go up down andstructure down structure FOOTPATH \ go up and down structure \ various \ various heightsheights \ various heights \ flexible \ flexible closement closement \ flexible closement

Footpath Footpath are likeare arms likeextending arms extending from the from main thevenue main for venue attracting for attracting citizenscitizens in it in it and providing and providing assistant assistant shelters shelters for parks for and parks sports and area sports around.It area could go could up goinup Footpath are like arms extending from the main venue foraround.It attracting citizens it and down and with down some with city some furnitures city furnitures in it.We in imagine it.We imagine it's a urban it's a hacktivism urban hacktivism zone zone and providing assistant shelters for parks and sports area around.It could go up for more for imaginations. more and downimaginations. with some city furnitures in it.We imagine it's a urban hacktivism zone for more imaginations. POP-UP PAVILLIONS PART3 \ retractable \ retractable roof roof retractable roof \ 3 sizes\ 3 sizes \ 3 sizes

Small pavillions Small pavillions is a smaller is a smaller versionversion of mainofvenue.They main venue.They close toclose the station to the station area area and neighborhood and housing.We design them like them some likefunctional some functional to area to Smallneighborhood pavillions is a housing.We smallerdesign version of main venue.They closeumbrellas to theumbrellas station provideprovide interesting interesting area forarea citizens for citizens around around as markets,shelters as markets,shelters light and at light night. at night.to and neighborhood housing.We design them like someand functional umbrellas provide interesting area for citizens around as markets,shelters and light at night.

1.GENERAL FUNCTIONS - Sports / Exhibition / Waterfront landscape

axonometric drawing scenario 01

2.Concert / Show

axonometric drawing scenario 02

3.Outdoor Cinema

axonometric drawing scenario 03

3.Fashion show

axonometric drawing scenario 04

MAIN VENUE SECTION DESIGN

Physical Model of the Forum paperboard, wood , tea ball

N SECTION SMALL PAVILLIONS FUNCTIONS

Construction Details of Small Pavillions

Functions of Small Pavillions DAY TIME

NIGHT TIME

Day time

RELAX

NODE

AROUND PLAYING

WOOD DUST

WOOD BOARD

PEBBLE

Night time

SMALL VENUE

SPORTS FACILIIES

CHILD TENT

SWING

LIGHT AT NIGHT

RIVER MARKETS

RUBBER

MULTIFUNCTIONAL VENUES WITH FOOTPATH

PARK Park

Kids' Facilities

PARK PARK

DINNER DINNER Cafe

Food Market

DINNER

CINEMA CINEMA

SCENARIO CALLAGE OF MAIN VENUE SCENARIO CALLAGE OF MAIN VENUE

CINEMA Cinema

Sports

Scenario Collage

SCENARIO CALLAGE OF MAIN VENUE

LIFTING FOOTPATH STRUCTURE DESIGN

Retractble Membrane Simulation Physical Model wood, paper board, tea ball paper, string

SKETCHS IN SEVERAL STAGES

EVOLUATIONS

04 WEAVE MEMORY Architecture Becomes Enviroment Inujima Island, Japan Group Academic Work January 2021 to July 2021

Professor: Kazuyo Sejima, Jonas Elding Co-member: Song Ruiming, Lima Mariana, Prikulis Jurgis 52

THE JOURNEY OF EARTHLY MEMORY INSULAR TERRITORY isolated and full of treasures

PULVERIZED INTERVENTIONS

NATURAL AND ARTIFICIAL

promoting exploration and points of contemplation

highlighting a history of human intervention

Reﬂec�on

Presen t

People

Past

THE VILLAGE LIV ING MEMORY

pla�on

to contemplate to feel / touch

Contem

Reusable Materials “what exists to create what is to be”

Coast

light and shadow vertigo to hear

INUJIMA / Advanced Architectural Design Studio

PIECES

G2 PRIKULIS Jurgis LIMA FREIRE SANTOS Mariana FAN Jiayi SONG Ruiming

1 Village 2 Seirensho Art Museum 3 Nature House 4 Life Garden 5 Beach 6 Pond 7 Coast 8 Coast 9 Quarry

114100 ㎡ 1610 m

132670 ㎡ 2400 m

8 1 3

WEAVING MEMORY by island fragments

2 4

Ponds, industrial relics, forests, tides flowing...The island is a combination o f m e m o r y f ra g m e nt s , each piece has a meaning but lacks connection. Architecture is a weaver, it guides people through barrenness and gets enlightenment.

ROUTES 9

103870 ㎡ 1570 m

Exisiting Art Visiting Route New Relics Pilgrimage Route

56600 ㎡ 970 m

Touring Nodes 6

55800 ㎡ 1050 m

Starting from the village, t h e o u t s i d e rs sta r te d a pilgrimage to the remains. They crossed the hills, walked over the pond, looked out at the beach, and walked into the woods. At the nodes, there are constructions interacting with site around while providing spaces for using.

52670 ㎡ 1400 m

Site Selected

22740 ㎡ 960 m

22420 ㎡ 770 m

11810 ㎡ 720 m

TRACKS MAPPING 1:10000 55

INUJIMA SPREAD CONCERT HALL

Recital Room 01

INUJIMA FIVE PIECES 01 The Village 02 The Quarry 03 The Coast 04 The Forest 05 The Relics

Rehearsal Space

Concert Hall

mirror

barrier side b

side a

Stay

visible from Teshima

Bar

DEFINITIONS AND FUNCTIONS PIECES

PIECES DEFINITION

GROUP 02

THE VILLAGE RECITAL THE VILLAGE RICITAL ROOM

THE QUARRY REHEARSAL THE QUARRY REHEARSAL

THE COAST BAR THE COAST RESTAURANT

THE FOREST CONCERT HALL THE FOREST CONCERT HALL

THE RELICS STAY

THE RUINS STAY

01 0101

THE VILLAGE RECITAL ROOM THE VILLAGE THE VILLAGE RECITAL RECITAL ROOMROOM

1/2 1/2 1/2

PIECE 01 PIECE 01 THE VILLAGE Hidden Recital Room at the cliff THE VILLAGE Hidden Recital Room at the cliff



 

  Inbetween the forest and the edge of the pond

Visual the relationship with port, from the beginning and end. Inbetween forest and thethe edge of the memories pond Visual withatthe the memories from the beginning and end. Atrelationship nature looking theport, village. At nature 59 looking at the village. GROUP02 02 GROUP

01 01

2/2 2/2

THE VILLAGE RECITAL ROOM THE VILLAGE RECITAL ROOM

+ 9.0



+ 6.3



 

+ 0.0m

RECITAL ROOM 2 WC 3 TERRACE 4 TICKET OFFICE 1

BAR 3

+ 3.3

+ 9.0

+ 6.3





+ 3.3

 

61GROUP 02

PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING GROUP 02



 





INUJIMA { SPREAD CONCERT HALL }

1/2

THE QUARRY REHEARSAL

SITE SECTION

1/500

PIECE 02 THE QUARRY Rehearsal Space

Exposed scars. History of human intervention. Space reflect bare land. Artificial landscape reclaim nature.



   

GROUP 02

Integrate with Quarry _ West South Scenario

±0.000

2/2

THE QUARRY REHEARSAL 

 2





B REHEARSAL SPACE

Small Rehearsal Medium Rehearsal Big Rehearsal Lobby WC Kitchen Internal Coutyard 8 Front Platform 9 Roof entrance

Interior Courtyard _ Space 07 Scenario

4 1

5.60 5.20 5.20

4.20

3.20

5.60 4.20

big

medium

small

3.20

medium

lobby

kitchen

±0.000 ±0.000

65 GROUP 02

roof entrance

3.20

big

roof entrance

4.20

1/250

INUJIMA { SPREAD CONCERT HALL }

66 6

1/2

THE COAST BAR

PIECE 03 THE COAST Bar on the Penisula



   1/2000

The restaurant is located on a beautiful peninsula, surrounded by rich plants and unique terrain. The design extends from the top of the mountain along with the terrain, providing visitors with a good opportunity to come into contact with nature. While ensuring the openness of the building, it is hidden in the shadow of the plants.

GROUP 02 67 PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

Slight Dome Roof_ East Scenario

INUJIMA { SPREAD CONCERT HALL }

68 7

2/2

THE COAST BAR

RESTAURANT

Water proof Foam board t=40 Steel PL 180x200 t=45 Metal cladding t=1.2

Slide door Tempered glass

Interior

3970

Exterior

entrance

entrance Wood sheets Concret slab Foam board Concrete Polyethylene film Crushed stone

t=100 t=300 t=60 t=60 t=0.2 t=100

A Details Drawing 1:50

3 bar area

-0.10

7 ±0.000

dinnnig

-1.00

5 -2.00

1.95

bar area

1.30

exterior

1.60

entrance

dinning

-2.00

2.97

2.75

2.26

entrance

bar area platform -1.00 -2.00



GROUP 02 69 PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

INUJIMA { SPREAD CONCERT HALL }

870

existed pavillon on INUJIMA, Kazuyo Sejima

Physical Model of Projecct 03 wood, paperboard, dull polish plastic board, tinfoil

0405 04 04 04

THE FOREST THE FOREST THE FOREST CONCERT CONCERT HALL HALL CONCERT HALL

1/2

THE FOREST CONCERT HALL  

THE FOREST CONCERT HALL

1/2 1/2 1/2

 

1/2





CONCERT HALL

 Entrance Stage Audience Bar Backstage Stand Washroom



PIECE 04

THE FOREST PIECE 04 Inland Concert Hall Maybe it is an intimate place for listening. Wind, sunshine, rain will tell you what is going on. THE FOREST Inland Hall PIECEConcert 04 Just keep a distance and walk around. THE FOREST Inland Concert Hall

A 7

5 2

CONCERT IN NATURE

① Visiter Entrance ② Performer Entrance ③ Main Stage     ④ Sub-stage ⑤ Backstage ⑥ Audience    Maybe it is an intimate place for listening ⑦ Audience/ Stage Wind, sunshine, rain will tell you what is going on. ⑧ Audience Maybe it is an intimate place for listening ⑨ Promenade    The background of the show is nature itself   Wind, sunshine, rain will tell you what is going on.⑩ Entrance 

3 4 5

1  









Maybe it is an intimate placeisfor listening The background of the show nature itself

GROUP 02 GROUP 73 02 GROUPsunshine, 02 Wind, rainSANTOS will tellMARIANA, you what isJIAYI, going on.RUIMING PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING PRIKULIS JURGIS, LIMA FREIRE FAN SONG PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

INUJIMA{ SPREAD { SPREADCONCERT CONCERTHALL HALL} } INUJIMA INUJIMA { SPREAD CONCERT HALL }

74 7 9

2/2

THE FOREST CONCERT HALL

Concert space _ Interior scenario

Towards the water_ West scenario

300

GROUP 02 75 PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

INUJIMA { SPREAD CONCERT HALL }

76 10

1/2

THE RUINS STAY



   

STAY

PIECE 05 THE RELICS Stay Place for Musicians

Entrance Courtyard Reception Kitchen / Living room Standard Room Setting

1.90

2 0.00



1/300

GROUP 02 77 PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

INUJIMA { SPREAD CONCERT HALL }

78 11

2/2

THE RUINS STAY

13.30 11.40 8.20 5.10

1.90

Harmonize with ruins_ Courtyard Scenario

A-A SECTION

1/300

0.00

5.10 8.20



Harmonize with ruins_ Entrance Scenario

GROUP 02 79 PRIKULIS JURGIS, LIMA FREIRE SANTOS MARIANA, FAN JIAYI, SONG RUIMING

1ST FLOOR PLAN

1/300

2ND FLOOR PLAN

1/300

INUJIMA { SPREAD CONCERT HALL }

80 12

05 HAMONIOUS WITH WATER Abandoned Boiler Space Renovation Design Wenchang Residential Area, Xuzhou, China Individual Academic Work December 2016 to January 2017 81

Professor: Han Daqing

Axonometric Drawing

06 SZTUKA A Memorial of the Present, among the Remains of the Former Warsaw Ghetto Waliców, Warsaw, Poland Group Academic Work September 2020 to January 2021

Professor: Guido Morpurgo, Annalisa de Curtis Co-member: Yijie, Maria Ekhina, Tatiana Bardem

First Floor Plan FIRST FLOOR PLAN

0 1

Second Floor Plan FLOOR PLAN SECOND

View point

Lobby

Adjustable Lobby/ expo-space History of Sztuka exposition

View point

Adjustable Lobby/ History expo-space of Sztuka exposition

Sacred walls Memorial Menachem Kipnis

Exhiibition of works by residents

Testimony chamber

0 1

100

Section C-C

Section D-D

Theater Sztuka 101

Laundge zone

Theater Sztuka

Square of memory

Laundge zone

Theater Sztuka

Square of memory

Sacred walls

Memorial Oneg Shabbat

0 1

102

Building 10

Small theater Staircase

The small theatre is located on the ground and first floor in the building 10 with rehearsal scene in courtyard. On the first floor the level of the pavement increased in order from the one point of view to make it more comfortable to use the rooms as theatre loges and at the same time to link it with building 12. To highlight importance of the corner with fundamental axis created by historical staircase it is made double hight and memory light column is placed here. Due to the radiance, it highlights and projects the photos printed on the plastic material, giving the shadows of the past on the surrounding walls.

Floors 0 - 1

103

104

Building 14 - Memorial

Three merged floors in one narrow space. Black non-reflecrting material to absorb the light - “dark space”

View point “Window to another site” Szlengel Vladislav

Small windows Narrow space Dark plaster Tghny balcony Lost soul

Maurycy Szlengel art floor Menachem Kipnis musical floor Menachem Kipnis photo and ethnography floor

Floors 2 - 4

105

View point to the brige

106

Senario of the Entrance through Ruins

107

108

07 SATELLITE OF LOVE From Co-living to Urban Hactivism Milan, Italy Group Academic Work February 2020 to June 2020 Professor: Jacopo Leveratto, Fabrizio Leonforte Co-member: Zeng Linlan, Zhai Huihong, Sun Jiayue 109

110

111

112

113

114

SPACE STRATEGY BOX ISOLATION

SOURCES

115

wash machine toilet bath room

MEDIA

furnitures activity area

STATIC

bedroom

116

modular capsule system: 15mm L steel frame sandwich wood panel embedded with pipeline

Capsule Interlayer +2.00m

1. bath room 2. kid's bedroom 3. master bedroom 4. family living room 5. toilet 6. leisure chamber

Capsule Interlayer +2.00m 7. washing machine Materials: plank floor - private space marble tiles - public and semi-public space carpet - play area woodplates - furniture wall / cinema seats aluminum pole, white board - trackless suspended movable wall interior plaster

8. play area 9. living/dining 10. kitchen

FIRST FLOOR PERSPECTIVE PLAN 117

118

11. bathroom 12. elders' bedroom 13. study area 14. kids' bedroom 15. family living room 16. toilet 17. storage

18. reading corridor

Materials: woodplates - furniture wall / cinema seats aluminum pole, white board - trackless

19. master bedroom 20. handcraft area

SECOND FLOOR PERSPECTIVE PLAN 119

120

Sharing Reading Area first floor

Sharing Multifunctional Area ground floor

121

122

SECTION A-A'

SECTION A-A’ 1

SECTION A-A’

SECTION A-A’ 1

Furniture wal

FURNITURE WALLbookshelf and

"BOX"

bookshelf and bedroom wall bedroom wa

ed space intoseparated boxes space into boxes

ATRIUM

Atrium

railing with table railing with the table

Furniture wall bookshelf and bedroom wall

“Box”

separated space into boxes

MULTIFUNCTIONAL nctional furniture FURNITURE

Atrium

railing MULTIFUNCTIONAL with table

Multifunctional stai STAIR

e, chair, cabinet wardrobe, chair, cabinet

shelves, chairs, pass wayshelves, chair

Multifunctional furniture wardrobe, chair, cabinet

Multifunctional stair shelves, chairs

A A’

123

External wall 20mm Insulating plaster 180mm Hollowed brick 80mm Isotec 20mm Plasterboard (fire-resisting)

External wall 20mm Insulating plaster 180mmA’Hollowed brick 80mm Isotec 20mm Plasterboard (fire-resisting)

Interior wall 15mm Plaster board 70mm Insulation 15mm Plaster board

External wall 20mm Insulating plaster Interior wall 180mm Hollowed brick 15mm Plaster board 80mm Isotec 70mm Insulation 20mm Plasterboard (fire-resisting) 15mm Plaster board

Floor 12mm Timber floor / 10mm Ceramic tile 40mm Underfloor heating pipe with cement 2mm Reflective membrane 20mm Insulation 2mm Waterproof membrane 250mm Concrete slab

Interior wall Floor 15mm Plaster board 12mm Timber / 10mm Ceramic tile 70mmfloor Insulation 40mm Underfloor heatingboard pipe with cement 15mm Plaster 2mm Reflective membrane 20mm Insulation 2mm Waterproof membrane 250mm Concrete slab

Floor 12mm Timber floor / 10mm Ceramic tile 40mm Underfloor heating pipe with cement 2mm Reflective membrane 20mm Insulation 2mm Waterproof membrane 250mm Concrete slab

124

FURNITURE DESIGN

125

126

ELEVATION DESIGN

127

128

129

130

08 MAGIC FLASH

MAGIC FLASH

OpenCortona3D Online 2020 131

Interaction Design from Cortona to Castle Cortona, Italy Group Academic Work June 2020 to July 2020 Professor: Irina Soloveva, Matteo Cavaglia Co-member: Song Ruiming, Xu Lyubao, Li Yinglei, Zhai Huihong 132

Site+concept City

Bastion Entrance

Again the cube begins breaking

Initial concept

Castel

Fragements of current ‘city context’

Integrated installtion-accumulate of memory

Bastion

Fragments reflecting the ‘history’

Castel

City Cortona

Bastion of S. Giusto

Visitors coming from downtown up to the hill, looking for scattered fragements from a integrated installation of ‘reflection cube‘, reflecting the current city context at dfferent place. The intetegrated shape can be found right in the castel courtyard, then the cube of ‘now‘ starts to broken into pieces to reflecting and fuse with the history.

133

134

Combinations and fragments

Proposal-route

The relationship between fragments and town

The rela

Proposal-fragments Combinations and fragments

Combinations

The relationship between fragments and town Fragments scattered in town

The relationship between fragments

Castel

Town

The po 600

Exhibit

Combinations and fragments

550

The relationship between fragments and town

The relationship between fragments and exhibition hall

Fragments scattered in bastion interiorThe position of fragments Guide way to castle

Location of sculpture

450

500

Castle area

City area

Cellar Exhibition hall perspective

Site view of some points to put the sculpture. 400

Elevator way to courtyard Walk way to courtyard

Way to cellar See from city wall Cellar

Route of visiting the castle

Route of visiting the cellar The position of fragments

Exhibition hall perspective

135

136

Fragments inside town

Fragments inside castel

137

Fragments inside town Fragments inside town

Fragments inside castel 138

139

140

OTHER WORKS

[INSIDE / OUTSIDE] University Campus Boundary Design Group Research Project 2018

[JIAHE MINING AREA DESIGN] Renovation Planning and Design Group Research Project 2019

[SEASIDE HOUSE] Ink Drawing 2015

[REVERSE] Tokyo Subway Gas Poison Event Inspiration Individual Projecct 2019

o.6 o.6

[HUI STYLE HOUSE] Gouache Painting 2017

[INTERACTION] High Rise Complex Building Design Group Projecct 2017

Alteration Alteration no.6 no.6

AA Communal Communal Furniture Furniture

[LIVE IN NEW NORMAL] Space Envision under Post-Pandemic Group Project 2022

[URBAN UNFOLDING] Urban Dual Repair - Urban Design Group Project 2016

[La Chapelle de Ronchamp] Watercolor Drawing 2021

[Cathedral] Ink Drawing 2015

BEDS BEDS the theMost MostPrivate PrivateObjects Objects

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