christie kang
christie kang
“In memorable experiences of architecture, space, matter and time fuse into one singular dimension, into the basic substance of being, that penetrates our consciousness. We identify ourselves with this space, this place, this moment, and these dimensions become ingredients of our very existence. Architecture is the art of reconciliation between ourselves and the world, and this mediation takes place through the senses.�
christie kang
- Juhani Pallasmaa
christie kang university of southern california - b. arch - 2006 2010 m. arch II applicant
christie kang
xxxxxxxxxxxxxx xxxxxxxxxx xxxxxxx email: christie.kang.arch@gmail.com
2
academic work
3
toy district library
9
low-rise housing
15
medium density housing
19
red car theatre
25
prefab housing
33
portable children’s library
37
lacc
42
personal work
43
music + architecture
45
miscellaneous
46
wine journal
48
professional work
49
las pulgas
53
crc mixc
57
cofco joy city
christie kang
index
christie kang | academic
PORTABLE CHILDREN’S LIBRARY
academic work 2001 - 2006
+ TRUCK MUST BE PARKED ALONG THE NORTH-SOUTH AXIS OF THE STREET TO GAIN M OF NATURAL DAYLIGHT
christie kang | academic
+ GLASS FINS PIVOT FOR PASSIVE VENTILATION SYSTEM AND FOR NATURAL LIGHT
3
toy district library spring 2003
toy district library
christie kang | academic
los angeles, ca 16,689 ft² The toy district is an industrialized part of Downtown Los Angeles next to the arts district which houses the Southern California Institute of Architecture (SCIArc). The school inhabits the distinctive, old Santa Fe freight depot building. The arts district consists of many artists lofts and warehouses. Both of the areas are rundown and still in the process of regenerating. The project is located in a one-way narrow alley surrounded by buildings on 3 sides and a taller building across the alley way. The taller building directly across from the site houses a high-end sushi restaurant, an architecture firm, and a local cafe. Around the site, there is an increasing amount of bars, pubs, and restaurants. Our mission was to design a library that fits into the particular urban fabric.
toy district library
4
spring 2003
christie kang | academic
The streets around the site are mostly orthogonal, but one street on the southwest is slightly angled. Existing buildings conform to the orthogonal streets, giving them a monotonous impression. From the context, the forms in my design were derived from the particular angle. It breaks the heavy and static feeling of its context. The forms are products of the variations of different arrangements and sequences of the angle being mirrored and shifted constantly in the x, y, and z direction. In doing so, double height spaces are created on levels 2 through 5. I strategically placed the bookstacks on top of each other on each floor to create a datum throughout the building when cut sectionally.
5
toy district library spring 2003
+3’-6”
+0’-0”
level 2
level 3
level 5
level 6
christie kang | academic
level 1
level 4
toy district library
6
spring 2003
east elevation (above) section 1 (right)
level B2
level B3
christie kang | academic
level B1
low density housing
christie kang | academic
fall 2003
2
toy district library
8
christie kang | academic
spring 2003
9
low-rise housing fall 2004
low-rise housing
christie kang | academic
santa monica, ca 7,395 ft² Santa Monica is an affluent, ocean-side neighborhood in Los Angeles County with the median home value of $1.7 million. Although it is known for its shopping and beaches, it has one of the most quaint collection of residential areas. One block has been divided into 8 separate residential parcels. The scope of the project was to design 3-single family homes on one lot of our choice. The purpose of this project was to introduce residential design. In doing so, we had to understand the dynamics of how the spaces relate to one another and at the same time be aware of context: site conditions, environment, surrounding buildings, etc.
low-rise housing
10
fall 2004
Before being introduced to a new building typology, the understanding of precedent projects was crucial for a successful project. In housing projects, the critical elements can be discovered by putting oneself in such a space. Immediately the circulation and the sequencing of programs are the foremost important aspects in designing a space. It has to be functional to the user. As we zoom out to the macro level, the relationship between the units become important. Not only is the circulation and sequencing important inside, but it is just as important as a person gets out of their car and walks to their unit. People generally tend to take the shortest and most comfortable route. (left) Hillside Terrace, phase 1, 1969 Fumihiko Maki
shared wall constraints
served
unit aggregation
servant
privacy gradation
sun study
christie kang | academic
circulation
11
low-rise housing fall 2004
section A
section B
christie kang | academic
section C
planes cutting through the spaces laterally; circulation to cut perpendicular to the planes
figure-ground
low-rise housing
12
fall 2004
6
3
8
5
4
2
4 3
1. entry 2. family / living 3. dining 4. kitchen 5. powder room 6. washer and dryer 7. patio 8. bedroom 9. bathroom 10. study 11. deck
11
1
5 6 7
9
10 9 11
8
8 2
10 1
1 10
2
11
11
8 4
level 1
7 6 5
11
9
8 10
level 2
roof
christie kang | academic
3
13
low-rise housing
christie kang | academic
fall 2004
low-rise housing
14
christie kang | academic
fall 2004
15 medium density housing fall 2004
medium density housing
christie kang | academic
santa monica, ca 27,261 ft² 18 units Using the same site as the previous, each student had to choose 2 parcels adjacent to each other to design a medium density housing complex. In this exercise we were introduced to multi-unit living and investigated the different factors that contribute to a successful living environment. We were to study site conditions, context, and demographics so the design would suit appropriately. The neighborhood mostly consists of old houses dating back to the 1950s. Every house has the same monotonous façade. With the proposed design, the consistent pattern would be broken by the terracing units that would give each tenant equal outside views and sunlight.
medium density housing 16 fall 2004
B
B
A
A
level b1
level 1
B
level 2
B
B
A
level 3
A
A
level 4
A
roof
christie kang | academic
B
17 medium density housing fall 2004
figure-ground
sun study
circulation
unit aggregation
Instead of having a very closed box-like complex, I wanted this project to have a dialogue with its context. The objective to the design was for every unit to get the maximum views and sunlight by terracing. The circulation is tightly knit so that the space still has a metropolitan feel but it still opens up to the context. There are private outdoor terraces for top units and a bit of ground manipulation to emphasize the terracing on the ground floor.
christie kang | academic
A
section b
medium density housing 18 fall 2004
section a
christie kang | academic
B
19
theatre spring 2005
irolo rm ie
d an
w
no
lvd
eb
ir ilsh
red car theatre
christie kang | academic
koreatown, los angeles, ca 29,498 ft² The site for the theatre is located in a very busy area of Los Angeles. There are several banks, high rise office buildings, restaurants, and a major historical theatre down the street. In less than half mile away from the theatre, we were given this interesting triangular site for another theatre. The site not only has a sharp tip on the south, but it is also sloping down in the same direction. There is a bus stop right in front of the site on Wilshire Blvd and also a subway stop between the site and the adjacent high rise building. In the given context, there is a lot of vehicular and pedestrian traffic. The objective to this project is to understand the dynamics of a theatre. We studied the various kinds of stages in theatres: proscenium stage, thrust stage, flexible theatre, “black box” theatre, and “found space” theatre. Another crucial understanding was the spacing and site line calculations for audience members. With a given set of theatre programming, there was extensive studying of program relationships.
theatre
20
spring 2005
circulation
closed
open
Observing the very active site, my objective to the design approach was to bring in the city inside the building space. Just like the Jazz at the Lincoln Center, the backdrop behind the stage is the city itself. There is no fake backdrop, but the great bustling streets of New York City. I wanted the audience to feel a connection not only to the performer but to the outside. Most theatres are very internal and have very little relationship with its context. I felt that it was important for my project to really engage in its surroundings. After studying all the different stage types, I felt that the thrust stage was the most appropriate for the audience to fully engage with the performer and the “live backdrop�. Programmatically, The circulation and private spaces are clearly separated (shown in the model to the left). The large clear volume lobby space with the circulation enclosure is to emphasize public gathering. The first two floors house the theatre and the third floor houses the CICW (performing arts school for children).
christie kang | academic
(above) Jazz at Lincoln Center New York City, Rafael ViĂąoly Architects
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theatre
christie kang | academic
spring 2005
first floor
second floor
1. lobby 2. cafe 3. administration 4. rehearsal room 5. small group rehearsal room 6. group dressing room (w) 7. private dressing room (w) 8. group dressing room (m) 9. private dressing room (m) 10. public restroom (w) 11. public restroom (m) 12. service elevator
13. theatre 14. green room 15. single rehearsal room 16. single rehearsal room 17. scene shop / storage 18. lighting / sound booth 19. entry vestibules
live backdrop
3
spring 2005
B
19
3
2
22
theatre
20
1 4
A
18
5 6
24
14
23
15
9 16
8 11
22
19
7
28 17
29
25 27
26
30
12
30 level 1
level 2
level 3 third floor / cicw 20. group rotation room 21. writing rotation room 22. rehearsal rotation room 23. mask / costume rotation room 24. storage 25. office storage / supply / xerox fax 26. intern room 27. conference room 28. bathrooms 29. break room 30. assistant / director’s office
christie kang | academic
10
21
13
23
theatre
christie kang | academic
spring 2005
live backdrop tension cable glass curtain wall
christie kang | academic
theatre 24
spring 2005
25
prefab housing
2
fall 2005
prefabricated housing
christie kang | academic
santa monica, ca 33,543 ft² Using the existing parking structure, a prefabricated housing complex was asked to be designed. The complex was to sit on top of the existing parking structure. The challenge was to clearly understand the circulation and structure while keeping sustainability in mind. The design had to be respective to the existing conditions. To design a sustainable project was to consider choice in materials, routing of waste systems, harvesting of rain water, and using modular systems. This project needed a lot of extensive research for newer and efficient materials, and also different methods of building modulated systems.
3
prefab housing
26
fall 2005
(left, 2nd column and 3rd column) Penhouse, Querkraft Architects, Austria (left, 2nd column bottom) Wozoco, MDVRV, The Netherlands (left, 3rd column bottom) Cuscaden, SCDA Architects, Singapore
christie kang | academic
The concept to this project was about pushing and pulling apart of interlocking modules. I was interested in the modular system of the L-shape. It creates an interesting spacial system where programmatic elements are clearly separated. The L-shape units of the Cuscaden (left) are stacked on top of each other without any dynamic modules. I wanted to pull those units apart in plan and elevation to create circulation and to create more of a lively environment.
prefab housing
27
2
fall 2005
christie kang | academic
level 1
level 2
level 3
level 4
3
prefab housing
28
fall 2005
level 6
roof
functional wall holding solar voltaic panels, wind shielding screens, and wind shielding devices on the west façade where it is sun-prone
christie kang | academic
level 5
29
prefab housing
christie kang | academic
fall 2005
2
prefab housing
30
fall 2005
christie kang | academic
3
31
prefab housing
christie kang | academic
fall 2005
2
prefab housing
32
christie kang | academic
fall 2005
33 portable children’s library
2
spring 2006
+ TRUCK MU OF NATURAL
PORTABLE CHILDREN’S LIBRAR
+ GLASS FIN
circulation
built-in furniture
ventilation
free standing furniture
portable children’s library
christie kang | academic
574 ft² What is a transit station? What is transit? Transit means “the act or fact of passing across or through; passage from one place to another”. So a transit station means a place or space for going through. We were given the task of designing a space that would portray a “transit station”. When I was thinking of the word, I immediately thought of a portable space. A portable space to me is a space that would serve the public or community. A children’s library came to mind because there are not nearly as many books as a normal full size library. The site can be anywhere as long as the portable library can park and sit on a street with a sidewalk. The library must be placed on the north-south axis to gain maximum natural daylight. The portable library is sized so it could be transported on a typical truck bed.
40’
+ TRUCK MUST BE PARKED ALONG THE NORTH-SOUTH AXIS OF THE STREE OF NATURAL DAYLIGHT 8’
+ GLASS FINS PIVOT FOR PASSIVE VENTILATION SYSTEM AND FOR NATURA
conceptual
1 2
3
1 2
portable children’s library 34 spring 2006
3
1. entrance 2. bookdrop 3. bookstacks 4. reading room 5. circulation desk 6. exit
3 4
4
6 5 6
ceiling rail system
floor rail system
floor beams
christie kang | academic
With the concept of extension and elongation, the goal was to design a space where those ideas could be expressed. The objective was to physically and experientially elongate space. I decided upon designing a children’s library because I found that this type of space would fit perfectly into my concept. A library can be a transit station because people move in and out for a particular purpose. There is a point A to point B. The placement of bookstacks is extremely crucial because it dictates circulation and arranging them in a certain fashion forces the path to elongate.
5
35 portable children’s library
christie kang | academic
spring 2006
2
3
portable children’s library 36 spring 2006
christie kang | academic
process work
37
lacc
2
summer 2006
lacc
christie kang | academic
glendale, ca 70,400 ft² Being the subject of a ferocious preservation fight a decade ago, the property had undergone a $50-million to $60-million rehabilitation that saved the historic Van de Kamp Bakery’s Dutch town house facade in preparation for conversion to a campus. The property belongs to Los Angeles City College and it was planning to build their satellite campus on this site. Our scope was to design a new satellite campus with a given set of programs needed by the school. There were also two important points that were introduced in this project that was not taken on in previous projects. The first point was to be sensitive to the historic bakery standing on the empty lot and to think about what the ramifications would be with the new campus design. The second point was to learn about project phases. We were to understand how phasing would impact our design and how we would go about it with our design.
3
lacc
38
summer 2006
phases: phase 1: adaptive re-use 24,750 ft² phase 2: classroom additions 31,800 ft² phase 3: community 13,850 ft² total 70,400 ft²
christie kang | academic
Instead of creating mundane blocks of classrooms on a flat site, I wanted to create a very dynamic environment by manipulating the ground plane. The phases are arms of programs that bend, intertwine, and encapsulate together as a whole. The circulation cuts diagonally through the site through the arms. The planes that are the floors become the landscape and into a green park where students could relax and read a book. The floors intertwine with each other to create roofs for the spaces.
39
lacc
2
summer 2006
phase 1 1. general classrooms 2. lecture hall 3. childcare center 4. art rooms 5. admin 6. faculty area 7. records 8. student services phase 2 9. general classrooms 10. library 11. faculty area 12. lecture halls
christie kang | academic
phase 3 13. theatre 14. community room 15. wellness center 16. fitness center
13
9
1
2
16 3
15 14
level 1
level 0
3
lacc
40
summer 2006
7 85 10
4
12
6
level b1
christie kang | academic
11
christie kang | personal academic
personal work
christie kang | personal
2005 - 2009
43
music + architecture winter 2008
music + architecture
christie kang | personal
“We all know about emotional response from music. The first movement of Brahm’s viola sonata, when the viola comes in - just two seconds and we’re there! (sonata No. 2 in E Flat Major for Viola and Piano) I have no idea why that is so, but it’s like that with architecture, too.” - Peter Zumthor Whenever I enter a space, I can stand there and relate the particular space to a musical piece I can play on the piano, or to something I have heard in the past. A space, to me, could be equated to a musical composition. A space could retain a simple rhythm, or it could jump out of its own rhythm with a burst of unexpected variety of rhythms, opposite of its regular beat. That is called syncopation. A space does not necessarily have to have a literal “exit” sign directing traffic to the end. An “exit” could certainly be sensed and expressed through materials, shapes, program, sequence, etc. An ending to a music piece could be sensed through a slowing of a rhythmic pattern, which is called a cadence. There are many musical terms that can relate to architecture, but mostly it is the sense one feels when in a space, that can be synonymous to music. Architecture can conjure the same emotions and feelings as music can: joy, melancholy, anger, misery, sorrow, irritation, etc. I chose 2 projects to analyze with pieces of music side by side. The emotions conjured by the space captured would be similar to the particular section of the music piece.
(right) Therme Vals, Switzerland, Peter Zumthor
Nocturne C sharp minor, 1830, Frédéric Chopin bar: 3, 4
mellow, slow, mysterious, secretive, cryptic
Nocturne C sharp minor, 1830, Frédéric Chopin bar: 21, 22
hope coming out from darkness, light, airy
Pavane Pour Une Infante Défunte, 1899, Maurice Ravel bar: 21, 22
syncopation, fast, trying to get out of the dark
winter 2008
music + architecture
44
frantic, loud, fast, constricting
Flight of the Bumblebee , 1899-1900, Nikolai Rimsky-Korsakov bar: 7-9
Piano Concert No.21 K467 Mozart 2nd movement
Ballade No. 1 in G minor , 1835-36, Frédéric Chopin Piano bar: 40,41 hard,loud, furious, deep, heavy 4
christie kang | personal
Concerto No.21 in C major , 1785, Wolfgang Amadeus Mozart 7 Piano bar: 5, 6 (left) Seattle Public Library, Seattle, WA, airy,zenith, delicate (highest Rem Koolhaas of OMA reachable pointoflibrary)
45
miscellaneous
summer 2005, summer 2008
christie kang | personal
Angkor Wat, Cambodia, 14 june 2005
(right) graphic logos for millennium dance studio
Ta Som, Cambodia, 15 june 2005
wine journal
46
spring 2009
wine journal 100 pages I have always loved papercraft since I was a child. Putting components together to make a complete final product has continuously sparked my interest. This past spring, I wanted to buy a birthday gift for a dear friend who is a wine aficionado. I was looking for wine journals for him, but every journal I saw was shoddy and not aesthetically pleasing. So I decided to hand-make one. The first thing I had to do was to familiarize myself with the various binding techniques. There was a lot of trial and error to get to the perfect binding. The pages were designed, printed, cut (one by one), and folded. In the final steps, the pages were glued with contact cement and pressed with heavy books overnight. The pages were then glued onto the spine of the cover for the final product. materials:
christie kang | personal
3 pieces of chipboard (front cover, back cover, spine) 100# cardstock (to wrap covers) 28# paper (for pages) contact cement x-acto knife
christie kang | professional
professional work
christie kang | professional
2006 - 2009
49
las pulgas
2
2005-2006
las pulgas
christie kang | professional | ckang space + ryder design
pacific palisades, ca 4,123 ft² This private residence sits on a site with varying elevations. We were able to build into the hillside to create a large front yard space on top of the new two-car garage. Extending of the front yard was possible by existing retaining walls on caissons. The finished floor of the house sits 12 feet above street level giving unobstructed views of the Pacific Ocean from any room. Previously, views could only be seen from one room. The main concept of this project was to create a hierarchy between different spaces and for those spaces to come together at one gathering and consensual focal point. It was a challenge to seamlessly marry the existing traditional language with the new. This was a collaborative project between my partner and me. We were both commissioned to design this project, from the exterior to the casework. As it is true in many states that are adjacent to the ocean, this project especially took a significant amount of time due to very stringent local jurisdictions.
3
las pulgas
50
2005-2006
15
14
11
19
13
7
10
8 6
5 1
4
17
9
2
3 16 18
1. entry 2. living room 3. dining room 4. kitchen 5. pantry / w&d 6. powder room 7. den / nook 8. master bedroom 9. master bathroom 10. master walk-in closet 11. bedroom 1 12. bathroom 13. bedroom 2 14. jack-and-jill bathroom 15. bedroom 3 16. pool and spa 17. bbq deck 18. wooden deck 19. wooden deck / porch
christie kang | professional | ckang space + ryder design
12
51
las pulgas
2
2005-2006
section 1
section 2
christie kang | professional | ckang space + ryder design
section 4
(top) custom kitchen / casework / folding white planes (above) masterbath w/ separate tub / shower w/ bench / counter top sink / custom casework south
3
las pulgas
52
2005-2006
semi-private open open node where the privates converge into the open space
west
north
Previously, this single family home consisted of 1 master bedroom and 2 smaller rooms. The house had no views to the ocean because it was set back so far away from the street. Programmatically, we wanted to have the private spaces grouped together and have a node where those spaces fluidly became the public area. The open space between the berm and the home creates an intimate atmosphere due to the smaller scale pool, yet it could be a lively scene for the inhabitants.
christie kang | professional | ckang space + ryder design
private
53
crc mixc
2
2007-2011
miXc crc shenyang
christie kang | profesional | rtkl associates, inc.
shenyang, china 202,335 m² China is growing in prosperity and development is booming every second. Most large retail areas are combined with office and residential towers. We were commissioned to design two phases out of the three. The first phase consisted of a retail podium + office tower. The second phase included a smaller retail podium + hotel (Hyatt); and the third with a group of apartment towers. The first and second phase are connected by a massive glass volume. As I entered this firm, I was given this project to work on. Due to the nature of the project, there was a team of 6 working on it. We split the design work by different areas of the project. My work was mostly concentrated with conceptual massing and skin for the office and hotel, and with the feature sections of the retail interior area with one partner. We were graciously given freedom to design by our principal designer as long as we reviewed our designs with him continuously. And in turn, he would give us constructive feedback. After sketching up an array of schemes, we would then wind it down to one. Within our 2 person team, we would have the help of our interns, to draft the final design development drawings.
Rentable Area Legend ANCHOR
3
BOH / SERVICE CIRCULATION DEPARTMENT
HOTEL
Z'-01
OFFICE 29'
PARKING
Z'-02 Z'-03 Z'-04Z'-047 Z'-05
T'-0.8
T'-0.6
RESTROOM RETAIL
26'
25'
24'
23'
22'
8 W'-9
27'
W'-8 W'-7
Z'-1
W'-5 OFFICE 821 m²
UP
UP
M'
UP DN
UP
UP
UP
UP
UP
W'3
UP UP
DN
BOH / SERVICE 965 m²
UP
DN UP
Z'-9
W'4
UP
UP
N'
7
Z'-8 W'-6 Z'-10
HIGH END RETAIL 934 m²
Z'-7
Z'-6
Z'-5
Z'-4
Z'3
UP
W'2
HIGH END RETAIL 1471 m²
UP
UP
UP
W'1
L' UP
Y'-8
DN UP
UP
UP
UP
HIGH END RETAIL 725 m²
DN
UP
UP
DN
DN
UP
DN
UP
UP
DN
RETAIL 140 m²
DN
UP
UP
DN
UP
UP
UP
DN
UP
UP
UP
RETAIL 733 m²
UP
ELEC.
RETAIL 626 m²
RETAIL 1269 m²
UP
DN
AHU UP
RETAIL 282 m²
DN
UP
DN
BOH / SERVICE 689 m²
UP
H'
Y'-4 G'
G'-2 G'-1 HIGH END RETAIL 1601 m²
ANCHOR 564 m²
Y'-3 Z'-11 F'
HOTEL 1295 m²
DN UP
DEPARTMENT 2899 m²
I'
Y'-5
HIGH END RETAIL 80 m²
UP
UP
J' Y'-6 Z'-3
RESTROOM 112 m²
PARKING Not Enclosed
DN
K'
54
2007-2011
HIGH END RETAIL
Z'-2
crc mixc
CIRCULATION 6614 m²
Y'-2
RETAIL 735 m²
E'
RETAIL 126 m²
Y'-1 D'
RETAIL 536 m² RETAIL 1371 m²
ANCHOR 795 m² DN UP
UP BOH / SERVICE 310 m²
OFFICE 982 m²
UP DN UP
C'
Our main driving idea in our towers was to compartmentalize a giant, standing rectangular volume into smaller rectangular volumes. The most challenging part was to marry the retail podium with the tower so there could be fluidity in the design. The corner transition, where the tower façade turns to continue in the xdirection was heavily coordinated with the principal designer who was responsible for the retail podium design.
BOH / SERVICE 303 m²
DN
UP
BOH / SERVICE 80 m² DN
UP
RETAIL 221 m²
DN
B'-1
DN
B' A'
T'-2 2
3
4
5
6
7'
8'
9'
10'
11'
12'
13'
14'
15'
16'
17'
18'
19'
20'
T'-3
T'-4
T'-5
21' 21.5'
A39.01 100% SCHEMATIC DESIGN
11/07/2007
christie kang | professional | rtkl associates, inc.
1
christie kang | professional | rtkl associates, inc.
55 crc mixc
2007-2011
3
crc mixc
56
2007-2011
(above) office elevator lobby connecting to retail
christie kang | professional | rtkl associates, inc.
(bottom) dining terrace glass spheroid
57
cofco joy city 2008-2012
1
2
cofco joy city
christie kang | profesional | rtkl associates, inc.
tianjin, china 489,476 m² Tianjin is a city approximately 70 miles southwest of Beijing. It is the fifth largest city in China. 40% of the city is for agricultural use and the rest of it is an important industrial base. Major industries include petrochemical industries, textiles, car manufacturing, mechanical industries, and metalworking. My responsibilities for this project was involved in the phase 1 and phase 2. Phase 1 consisted of a large scale retail podium and an office tower (total 376,367 m²). My task was to design, with a partner, the main glass piece on the north corner and the office tower massing and skin of phase 1. We would both come up with different massing ideas, then come down to a consensus on a final design. Phase 2 involved 2 apartment towers on top of a smaller retail podium (total 113,109 m²). It is connected to phase 1 by a 2 storey bridge. My task for phase 2 was to solely design the exterior skin of the retail podium. The concept of this whole project was about layering: layers of skin, layers of structure, layers of mass, etc.
L1 PLAN 首层平面图
北 N 2009-08-18
天津市津茂置业有限公司
天津大悦城C地块100%方案深化文本
天津大悦城
christie kang | profesional | rtkl associates, inc.
cofco joy city 58
2008-2012
2
59
cofco joy city 2008-2012
C
D
E
F
G
H
I
J
CC D
天津市津茂置业有限公司
E
F
CC CF
2
4
A32.11
A32.35
CF
G
H
C12
I
C11 C10.5 C10
J
C9
天津市津茂置业有限公司 Level T.O.P
C12
185.60 m
C11 C10.5 C10
1
Level T.O.P
C9
185.60 m
2
1
A32.34
2
4
A32.11
A32.35
Level T.O.P
Level T.O.P Roof
185.60 m
Roof
185.60 m
172.35 m
2
172.35 m
Level 35M3
A32.34
Level 35M3
167.55 m Roof
Level 35M2
172.35 m
162.75 m Level 35M1
Level 35M3
153.15 m Level 34
141.75 m Level 31
138.15 m Level 30
148.95 m Level 33
138.15 m Level 30
134.55 m Level 29
145.35 m Level 32
134.55 m Level 29
130.95 m Level 28
141.75 m Level 31
130.95 m Level 28
127.35 m Level 27
138.15 m Level 30
127.35 m Level 27
123.75 m Level 26
134.55 m Level 29
120.15 m Level 25M
130.95 m Level 28
117.95 m Level 25 Refuge Level
Level 22
80.55 m
Level 14
80.55 m
Level 14
67.25 m 63.00 m
50.25 m
Level 8
32.70 m
41.75 m
Level 6
Level 7
23.10 m
32.70 m
A32.32
Level 3 銀行 BANK
銀行 BANK 163SM
6.30 m
6.30 m
17.50 m
Level 1M Level 1
Level B1 -6.50 m Level B2
3.80 m
-10300 Level B3 -14.10 m
Level B1
-6500
2
D
E
2
TOWER SECTION_NORTH-SOUTH LOOKING EAST F
G
H
15
9
"天津大悦城"
JOY CITY 办公楼剖面图、平面图 OFFICE SECTIONS AND Title: PLAN DIAGRAMS
christie kang | profesional | rtkl associates, inc.
E
F
G
H
I
"天津大悦城"
JOY CITY 办公楼剖面图、平面图 OFFICE SECTIONS AND PLAN DIAGRAMS
J
Date: 2009.05.08
30m
J
Scale: Date: 2009.05.08
A32.11
PARCEL C PROGRAM CHANGE STUDY
© COPYRIGHT 2008 RTKL A32.11
PARCEL C PROGRAM CHANGE STUDY
D
Approved
项目名称 Project Name
930m
NORTH EAST 东北立面
NORTH WEST 西北立面
Checked
Checked
I
1 : 300 15
100% 概念设计
NOT FOR CONSTRUCTION Drawn
NOT FOR CONSTRUCTION Drawn
Scale: 0
100% 方案设计
C地块商业服务公寓
100 % PARCEL C RETAIL SERVICE APARTMENTS CONCEPTUAL DESIGN
8
100 % PARCEL C RETAIL SERVICE APARTMENTS CONCEPTUAL DESIGN
8
项目名称 Project Name
-14.10 m
1 : 300 0
R SECTION_EAST-WEST LOOKING SOUTH C
100% 概念设计
Title:
-10300 Level B3
TOWER SECTION_NORTH-SOUTH LOOKING EAST
100% 方案设计
C地块商业服务公寓
Approved
-6.50 m Level B2
-10300 -10.30 m Level B3
1 : 300
B地块办公酒店塔楼
100 % PARCEL B OFFICE HOTEL TOWER SCHEMATIC DESIGN
-0.40 m
6.30 m
Level 1
TOWER SECTION_EAST-WEST LOOKING SOUTH -14.10 m
JONES LANG LASELLE
3.80 m
B地块办公酒店塔楼
100 % PARCEL B OFFICE HOTEL TOWER SCHEMATIC DESIGN
仲量联行 Level 3
-0.40 m
-14.10 m Level B1
Level B1 -6.50 m LevelLevel B2 B2
1
JONES LANG LASELLE
Level 4
11.90 m
Rider Levett Bucknall
仲量联行
17.50 m
Level 4
Level 1M
-6500
-10300 -10.30 m Level B3
Rider Levett Bucknall
市场顾问 Marketing Consultant
23.10 m
Level 5 23.10 m
利比 RLB
市场顾问 Marketing Consultant
利比 RLB
7
Level 5
Level 2 Level B1
-6.50 m LevelLevel B2 B2
3.80 m Level 1 -0.40 m
27.90 m
Level 3
Level B1
Level 1M
Level 6
11.90 m
-0.40 A32.32
Level 2
酒店員工入口 HOTEL EMPLOYEE ENTRANCE
办公楼大堂
3.80 m Level 1 3 m
11.90 m
10885 OFFICE LOBBY 办公楼大堂
Level 1M
工程造价咨询 Quantity Surveyor
工程造价咨询 Quantity Surveyor
Level 2
6.30 m 1
32.70 m
Level 6
3
Level 2
A32.32
Level 8 41.75 m
27.90 m
Level 53 Level 11.90 23100m
17.50 m
Level 7
32.70 m
17.50 m
Level 5
Level 4
46.00 m
Level 7
23100
Level 4
Level 6
23.10 m
MVA Hong Kong Limited
7
MVA Hong Kong Limited
37.50 m
37.50 m
Level 5
弘达交通顾问有限公司
弘达交通顾问有限公司
41.75 m Level 7M
50.25 m
Level 7M
Level 5
交通顾问 TRAFFIC CONSULTANT
J. ROGER PRESTON LIMITED
交通顾问 TRAFFIC CONSULTANT
Level 8
54.50 m
40000
澧信工程顾问有限公司 J. ROGER PRESTON LIMITED
澧信工程顾问有限公司
50.25 m Level 9
Level 10
Podium Roof
6
Level 10
46.00 m
Level 9
27.90 m
37.50 m
27.90 m
11037
40000
Level 7
Level 7M
1
Podium Roof
37.50 m
Level 9
54.50 m
Level 11
41.75 m Level 7M
46.00 m
Level 11
58.75 m
Level 8
54.50 m Level 10
6
58.75 m
Level 12
46.00 m
Level 11
Level 12
63.00 m
Level 9
58.75 m
机电设计 M&E Design
Level 13
50.25 m
Level 12
EDAW (SHANGHAI) CONSULTING CO. LTD.
63.00 m
67.25 m
54.50 m Level 10
63.00 m
机电设计 M&E Design
易道（上海）咨询有限公司
Level 13
Level 14
Level 11
67.25 m Level 13
EDAW (SHANGHAI) CONSULTING CO. LTD.
67.25 m
76.30 m
71.50 m
58.75 m
易道（上海）咨询有限公司
5 景观设计 Landscape Design
Level 16
Level 15 Refuge Level
Level 12
71.50 m
A32.32
76.30 m
71.50 m
Level 14
Level B1
80.55 m
Level 15 Refuge Level
Level 17
Level 13
5 景观设计 Landscape Design
84.80 m
84.80 m
71.50 m
76.30 m
国内设计院 Local Design Institute
Level 16
89.05 m Level 18
Level 15 Refuge Level
Level 16
40-07057.00
RTKL International Ltd. 333 South Hope Street, Ste. C-200 Los Angeles, CA 90071 Tel 213 633 6000 Fax 213 633 6060 www.rtkl.com © RTKL International Ltd. 2009
Level 17
93.30 m Level 19
76.30 m
84.80 m Level 17
Level 15 Refuge Level
-6500
Level 18
Level 20
80.55 m Level 16
89.05 m Level 18
RTKL International Ltd. 333 South Hope Street, Ste. C-200 Los Angeles, CA 90071 Tel 213 633 6000 Fax 213 633 6060 www.rtkl.com © RTKL International Ltd. 2009
国内设计院 Local Design Institute
89.05 m
97.55 m
84.80 m Level 17
93.30 m Level 19
93.30 m Level 19
Level 21
Level 18
97.55 m Level 20
4
97.55 m Level 20
101.80 m
89.05 m
Level 21
Level 21
Level 22
Level 19
101.80 m
Level 22
Level 23 106.05 m
93.30 m
4
Level 23
110.30 m
97.55 m Level 20
Level 22
101.80 m
Level 24
Level 21
Level 23 106.05 m
40-07057.00
106.05 m
114.55 m
101.80 m
Level 24 110.30 m
建筑设计 Design Architect
Level 24
117.95 m Level 25 Refuge Level
106.05 m
114.55 m
114.55 m 110.30 m
120.15 m Level 25M
Level 23
117.95 m Level 25 Refuge Level
建筑设计 Design Architect
123.75 m Level 26 120.15 m Level 25M
123.75 m Level 26
Level 24 110.30 m
JOY CITY TIANJIN
3
JOY CITY TIANJIN
3
117.95 m Level 25 Refuge Level
127.35 m Level 27
114.55 m
天津 大悦城
145.35 m Level 32
Level 35
141.75 m Level 31
120.15 m Level 25M
1400
148.95 m Level 33
157.95 m
Level 34
123.75 m Level 26
2
Level 34
162.75 m Level 35M1
138.15 m Level 30
127.35 m Level 27
9670
Level 35 153.15 m
141.75 m Level 31
130.95 m Level 28
11070
Level 34
天津 大悦城
157.95 m
145.35 m Level 32
134.55 m Level 29
23100
162.75 m Level 35M1
Level 35M2
148.95 m Level 33
153.15 m
Level 5
Level 35M2
A32.34
167.55 m 1 A32.34
145.35 m Level 32
Level 35
A32.31
Roof 172.35 m
153.15 m 148.95 m Level 33
157.95 m
2
1
Level 35M3
Level 35
162.75 m Level 35M1
3
167.55 m
157.95 m
167.55 m Level 35M2
1215
991
办公楼立面-东北, 西北
100% 方案深化设计 天津市津茂置业有限公司 100% 天津大悦城 方案深化设计 天津市津茂置业有限公司 天津市津茂置业有限公司 TIANJIN JINMAO REAL ESTATE DEVELOPMENT CO., LTD.
© COPYRIGHT 2008 RTKL
1
TIANJIN JINMAO REAL ESTATE DEVELOPMENT CO., LTD. © COPYRIGHT 2008 RTKL
100% DESIGN DEVELOPMENT
JOY CITY, TIANJIN
TIANJIN JINMAO REAL ESTATE DEVELOPMENT CO., LTD.100% DESIGN DEVELOPMENT
2008-10-08
100% 方案深化设 天津大悦城 61
JOY CITY, 100% TIANJIN DESIGN DEVELOPMEN
christie kang | professional | rtkl associates, inc.
cofco joy city 60
2008-2012
christie kang