FAVIO RUIZ
PORTFOLIO selected works 2010 | 2015
CV Favio Ruiz Lima, Perú: +51 956513070 favioandre_92@hotmail.com 04.12.1992. OBJECTIVE: Seeking a position as Architecture Practicant Educational background 2010 - 2015
Faculty of Architecture | Universidad Peruana de Ciencias Aplicadas - Lima, Perú Last semester Architecture Student. Top Fifth
2014 - 2015
Escuela Técnica Superior de Arquitectura de Madrid | Universidad Politécnica de Madrid - Madrid, Spain One semester international exchange as a visiting student.
1999 - 2009
FAP José Quiñones - Lima, Perú Primary, middle and high school. Top Fifth.
2008
Palm Beach Central High School - Florida, United States
Personal Experience September 2012 April 2013 December 2014 January 2015
International Architecture Conference “TECTURA” | Lima, Perú Architecture Conference “10! Diez sistemas y metodologías proyectuales” | Lima, Perú Conference by Alvaro Siza “...Textos” | Madrid, Spain Visit and tour to the prestigious study “Office for Metropolitan Architecture” (OMA) by Rem Koolhaas | Rotterdam, Netherlands
Languages
2
English
speak fluently and read/write with high proficiency
Spanish
native language
Professional Experience Feb. 2013 - Aug. 2014
Citric-Studio | Architecture Practicant - Lima, Perú Creative design of retail and commercial architecture projects. Store-planning. Treat with suppliers, material choices, budget realizations, meeting with clients. Construction supervision. High quality 3D visualizations.
Dec. 2012 - Mar. 2013
Northstar California Resort | Village Services - California, United States Work and Travel Program. Deal with visitors, collaborate on the order of Village, equipment rental, ice rink mantaining. Improve english and gather experience in deling with people from differente countries and cultures.
Mar. 2012 - Jul. 2012
Resonancia Médica S.R.L | Architecture Practicant - Lima, Perú Support for the design of the new headquarters of Resocentro in Piura. Developement of plans, high quality 3D visualizations.
Awards and Competitions 2011 2013
Mention in Digital Technologies by Universidad Peruana de Ciencias Aplicadas AutoCAD, Revit, 3Ds Max, Rhinoceros & Adode Suite 1st place in the 5th edition of Javier Cayo Campos Competition - Basic Level (Projects 1, 2 and 3)
Skills AutoCAD | Revit | 3Ds Max | Vray | SketchUp | Lumion 3D | Rhinoceros 3D | ArchiCAD Adobe Photoshop, Illustrator, InDesign, Premiere, Flash | Corel Daw | Microsoft Office Hand drafting and modeling | Graphic expression | 3D Walkthrough
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“The strenght of a good design lies in ourselves and in our ability to perceive the world with both emotion and reason� Peter Zumthor
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02 MEDIA LIBRARY FOR LIMA’S MUSEUM OF CONTEMPORARY ART
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03 REHABILITATION CENTER FOR THE VISUALLY IMPAIRED
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04 MARSHLAND RECOVERY + CULTURAL & SCIENTIFIC COMPLEX
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05 URBAN BLOCK INTERVENTION IN SURQUILLO
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06 SKETCHING AND PHOTOGRAPHY
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P06
P08
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P12
P16
05 P20
06 P26
CONTENTS
01 INCA CONCEPT IN A SCRATCHED LIVING SPACE
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INCA CONCEPT IN A SCRATCHED LIVING SPACE Projects II - March-July 2011 1st place in the 5th edition of Javier Cayo Campos Competition - Basic Level (Projects 1, 2 and 3)
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Concept
Earth The next step was to scratch the earth and locate the volumes underneath it, in an undefined location. At this point, they were taken as conceptual spaces and not just inca stones.
This is a conceptual project that involves the understading and put in practice of the Inca architetconic language in order to seek a contemporary architectonic space with those natural and spatial qualities that they used to get in their constructions. The first step was to create a composition of Inca stones, parting from an existing one, to understand the way they used to work the stone to get the volumes they wanted and needed. It was also important to know how they used the dovetail joint to get the pieces together.
Lighting It was necessary to create access points to these spaces by digging into the earth. One of them was fluvial and the other, pedestrian. This also worked as a natural lighting source that, mixed with the use of earth and space, meant a great expression of natural Inca’s way of living. 6
Spatial Development In the final stage and also the biggest scale, I decided to keep only one of the starter volumes and develop its interior subspaces and the connections between them and with the exterior.
Functional For this stage I decided to keep 2 volumes as solid and 1 as the negative of it. This is the point where it starts to appear interior circulations and the definition of the private, semi-public and public areas of the project. This turns it into a functional space, without loosing the natural qualities obtained previously.
The wooden volume turned into a public opened amphitheater and the final interior space is divided in 3 visually linked floors by double heights.
Artistic At the same time, diverse geometric forms started to appear in the space boundaries and its circulations, caused by the negative of the stones that were taken away. These forms, along with the materials chosen, meant an artistic expression in a conceptual architectonic space. 7
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MEDIA LIBRARY FOR LIMA’S MUSEUM OF CONTEMPORARY ART Projects IV - August-December 2012
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Location
Concept
The project is located in the city of Lima, Perú, in the district of Barranco, where is located the actual city’s Museum of Contemporary Art. The coexistence between the existing museum and the proposed media library was necessary for the project to work. The project is placed there as a transitional zone between a natural enviroment like Armendariz Cliff on one of its fronts and an urban area on the other,
The project idea comes from the concept of technology functionality and more precisely, computers, with information as the most important part for the user. The idea is to represent this functionality in an architectonic project focused on the ease of access to information.
Interior Form The motherboard is the main part of a computer and the one that let its information flow and get to us. Most of its parts are located in longitudinal sockets that let the information move along the circuits that surounds them. The interior part of the project is thought to represent a computer’s motherboard, having a longitudinal organization of the media library’s architectural program, with functional packages linked with passages inbetween, also seeking for a vertical interaction 8
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Facades The project is designed to have 3 of its facades opened to get as more natural light as possible because of its need of it. At the same time, the entire volume is formed as a continous plane that wraps the interior program. On the middle of this “plane� it seems a continous trasluscent line that follows the same tour so the natural light gets in from above.
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Architectural Program 1st Floor: Principal Hall - Reception Bookstore Internet Area Reading Room - Bookshelf Children Reading Rooms Technical Room Restrooms
120 m2 25 m2 110 m2 230 m2 65 m2 105 m2 31 m2
2th Floor: Reading Room - Bookshelf Meeting Room Audiovisual Room Offices Newspaper and Periodical Library
338 m2 55 m2 47 m2. 30 m2 95 m2
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Projects VII - March-July 2014
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Location
The project is located in the district of Villa el Salvador in the city of Lima, PerĂş. Villa el Salvador has one of the highest rates of disabled people, being the majority of them visually impaired.
Concept The project is intended as a way to show the society how the visually impaired live and make them change their way of thinking. These people are usually not considered and live isolated from the rest of the population because of the lack of facilities and preparation they are offered with.
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GRIF de Playaonam. Estaci
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Grifo
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GRIFO
To begin, it is proposed a public pedestrian bridge that goes across the terrain so people may use it as a passage and also access the project. At the same time, a recreational area for the visually impaired comes down to a lower level so people crossing the bridge can look at it. This helps the society learn about all the things they have to go through to get rehabilitated and how hard it is for them to live normal life.
Form and Distribution The angular form of the passage comes from the idea of having these angles as reference points for the visually impaired because of their need of always being aware about where they are. The project follows the passage tour, with one of the sides as the most important and formed completely by medical and administrative areas and with the major part of the program. The cultural zone and the social areas are placed on the other side, in front of the first one and it’s formed by 3 smaller volumes. The activities developed here also serve to the city. Finally, the recreational areas for the visually impaired ocupy the whole available area in a lower level with the exception of the parkings. These last are located in the less crowded fronts of the project as a manner of terraces, taking advantage of the slope and creating a barrier for the noise that comes from the streets.
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Architectural Program Entrance 250 m2 External Queries and Procedures Cabinet 1,050 m2 Pharmacy 230 m2 Day Surgery Unit 400 m2 Clinical Laboratories 500 m2 Physical Medicine and Rehabilitation 1,430 m2 Administration 560 m2 Teaching 270 m2 General Services 420 m2 Solid Waste 150 m2
Library for the Visually Impaired Cafeteria Multiple Use Rooms Theater for the Visually Impaired Auditorium Workshops General Services Comunications Central Guide Dogs Area Scents Floral Garden
560 m2 150 m2 180 m2 400 m2 750 m2 180 m2 420 m2 90 m2 120 m2 4,500 m2
The Library for the Visually Impaired is designed to get advantage of the other senses that patients develop at a higher level in order to move around, feel and enjoy the space. It was necessary the use of acoustic panels on walls, flooring, roof and in the double height bookshelves. Also, it was proposed a metalic louver on the roof’s skylight that opens and closes according to the amount of light needed on the inside.
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The facade design comes from the need to control the natural light in some areas of the project. The idea is to get different kind of sensations in the patients while these walk through the spaces. It is known that some of them can feel the light changes and it this can be a good feeling or not, depending on each so controling the amount of light was essential. The material chosen to perform this function was perforated corten steel with a vertical architectural language to not only work as a light filter, but also give the city a friendly facade with an uncommon and intrepid design. The cultural buildings use the same architectural language for their lateral facades but in this case the chosen material is exposed concrete with the vertical design in low relief as a manner of avoiding the entry of natural light in the major part of it because of the need of darkness in the Auditorium and the Theater for Visually Impaired
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“PANTANOS DE VILLA” R WITH CULTURAL & SCIENTIFIC COMPLEX Projects VIII - March-July 2015 Link to Urban Research and General Proposal (In Spanish) HERE
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Location and General Urban Proposal The project is located in the district of Chorrillos in the south of Lima. There are also located the ”Pantanos de Villa” marshlands, which make up a natural protected area that allows the nesting and transit of migratory and stationary birds with abundance of flora and fauna. The urban regeration consists maily in the recovery of these marhes by the disappearance or relocation of industries located in areas formerly marshy as seen on the plan. This will also help to recover and develop the identity of the people living in Las Delicias de Villa housing estate by creating diverse ecologic solutions for the common problems existing in their way of living.
Referential recreational areas. Source: Ecosistema Urbano
Final Project Area Las Delicias de Villa housing estate Av. Huaylas Marshland Recovery Propose 16
Proposed Cultural & Scientific Complex
Photomontage of General Proposal. Marshland recovery with a referential cultural building.
Micro Urban Proposal It is proposed a residential area next to the recovered marshland, where the marshes wont grow. This residences will have a easy connection with the proposed public recreational areas. The cultural and scientific complex is placed next to the residences and in front of the reovered arshes in order to get an interaction between the users and the enviroment. Also, it is thought as a visual proposal, so people living in the higher areas get an amazing view of their natural surrounding.
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System designed by Ecosistema Urbano
Floating platforms anchored to the marsh shore that host recreational activities and work as purification systems that filter the marshes’s waters and store samples for lab investigation. Architectural Program Culture
1,370 m2
Services / Diffusion
Workshops
Auditory
Media Library
Multiporpose rooms
1,860 m2
Restaurants
Ecologic Investigation
1,250 m
2
Supplying
Labs Offices Classrooms
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Administration Recreational Exterior Areas Parking
370 m2
Project The project form comes from the idea of getting as more angles of view as possible for every person. It is intended to be a metropolitan project without loosing the neighborhood scale. It also looks forward to get quality public spaces for the society in complement with the cultural and scientific activities proposed. There are 3 view ranges: - The residents from the highest zones get a view of the urban garden proposed in the project roofs, with season flowers. - The project users get a privileged view to the marshes. - People passing by the lower part, next to Huaylas Avenue, get a view of the project settled to the terrain slope, with the existing residences behind.
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URBAN BLOCK INTERVENTION IN SURQUILLO Projects IX - August-December 2015 General Urban Proposal The urban project consist on the intervention and regeneration of a set of blocks located in the district of Surquillo, in the city of Lima. The main idea is to create a network of urban footpaths between the blocks with recreational, cultural and commercial activities placed into the them. Due to the lack of green spaces, a large park is proposed in front of Av. Republica de Panamá, where the blocks with less architectural value are located. Thereby, a friendly enviroment is created for the residents and people passing by.
URBAN-RESIDENCE
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Architectural Proposal For the next stage it was chosen one of the intervened blocks in order to develop an architectural proposal. The idea is to keep the identity of the neighborhood and create a friendly and enjoyable enviroment to live and visit. The project seeks to bring the natural enviroment from the proposed park in front of the block to the inside of it through a monumental access that allows the viewing and permeability.
Variety of viewing angles Public spaces inside the block
The hotel tower has an sculptoric form to create an urban landmark for the city and improve tourism on the zone. It is proposed a set of balconies in order to get a dynamic use of the space, as well as different viewing angles thanks to its panoramic shape in the side ends.
Pedestrian passages that connect the street and the block interior.
Use of terraces to place common and social areas for residents.
Relocate existing craft workshops facing to the street
Volumetrically, it is intended to have three clear areas: Upper Zone, Surrounding Ring and the Plinth. This concept of RING comes from the idea of creating a unifying element on all of the intervened blocks located in front of the park.
One side of the project is planned to be terraced to match with the height of existing buildings and keep the neighborhood scale. The number of stories increse as it gets closer to the park. Terraces with social areas like barbecue areas, swimming pool, gym, multiple use rooms, etc. for residents appear as a result of the design.
Surrounding Ring
Upper Zone
Plinth 21
Level 1 Plan
TIN
Ca. SAN AGUS
RAMPA VIENE DE 1er SOTANO
GUARDERIA
ARTESANIAS TALLER
ARTESANIAS TALLER
A'
CAFETERÍA
BAR
COCINA
SEGURIDAD
TALLER CARPINTERIA
INGRESO Y SALIDA DE ESTACIONAMIENTOS RESIDENTES SUBTERRANEO
15% ZONA DE DESCARGAS
ALMACEN FRIO
ALMACEN CALIENTE
DEP. BASURA
SS.HH
HALL SERVICIO
ALMACEN EQUIPAJES
MULTIFAMILIAR EXISTENTE
SS.HH
HALL
INGRESO DE SERVICIO
N.P.T +0.00 m
HALL
ALMACEN
ELEV. SERVICIO
RECEPCIÓN
N.P.T +0.00 m
LIMPIEZA
TALLER ARTESANIAS LOBBY
RUTA DE AUTOS EMBARQUE Y DESEMBARQUE DE HUESPEES
TALLER ARTESANIAS
PARQUEO BICICLETAS
HALL PRINCIPAL
EXHIBICIONES TEMPORALES
N.P.T +0.00 m
TALLER CARPINTERIAS
SALIDA DE ESTACIONAMIENTOS RESIDENTES
CAMBIO DE USO COMERCIO
Jr. SAN
N.P.T +0.00m
PEDRO MULTIFAMILIAR EXISTENTE
ZONA SEMI PUBLICA
JUEGOS
BBQ
HALL VIVIENDAS N.P.T +0.00 m
MULTIFAMILIAR EXISTENTE
LOCAL COMERCIAL
LOCAL COMERCIAL LOCAL COMERCIAL
HALL
N.P.T +0.00 m
TALLER ARTESANIAS
TALLER ARTESANIAS
Ca. GONZALES
22
PRADA
Av REPÚBLICA DE PANAMÁ
ADMNISTRACION
CARPINTERIA TALLER
Residential buildings get a facade language that consists in a set of balconies that appear as breaks for the homogeniety caused by the lenght of the project. These create friendly spaces for a better quality of life within departments.
It is proposed sliding wooden jalousie on the apartment’s principal spaces to control air, light and privacy.
North Interior Section-Elevation
23
South Interior Section-Elevation
24
East Exterior Elevation
25
06
SKETCHING AND PHOTOGRAPHY Personal and academic drawings and photos
G R A P H I C - A R T
Arco Morisco, Lima, Perú
Parque de la Amistad, Lima, Perú
26
Universidad Peruana de Ciencias Aplicadas, Lima, Perú
Puente de los Suspiros, Lima, PerĂş
27
Opacity, Translucency and Reflectivity to Light Universidad PolitĂŠcnica de Madrid Printed Representation of Architecture
Different and fascinating forms and colors created when using and combining the white, red, green and yellow light. The options in light treatment are infinite and need to be always considered when designing. 28
This experiment consist in a composition of transluscent planes placed vertically together with some opaque and reflective ones. The idea is to know the different possibilities of illumination, shading and reflectivity that can be generated with different angles of light, receiving materials and colors of light.
29
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