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Efthymia Kiskira

Conservator of Works of Art


Efthymia Kiskira Conservator of Works of Art faykiskira@hotmail.com (+30)6970227556 4 Sotiriou Kottou Street 14 123, Athens, Greece Linkedin: Efthymia Kiskira Issu: Efthymia Kiskira An active enthusiastic conservator of works of art. As part of her studies, she expanded her knowledge on preventive conservation; focusing on conservation of books and library materials. Her dissertation was on action planning for moving National Library of Greece from the centre of Athens to its new location at Faliro Bay. She recently completed her studies at the Technological Educational Institute of Athens in the Department of Conservation of Antiquities and Works of Art. Education Technological Educational Institute of Athens (TEI) Bachelor’s Degree, Faculty of Arts and Design, 240 ECTS, Grade: 7,74/10

|Sept.2009-June 2017|

High School of Lykovrissi Senior High School Certification, Technology Direction B: Information Science and Service Course

|Sept.2006-June 2009|

Work Experience Special Accounts for Research Grants (SARG) |Oct. 2015-Dec. 2016| Researcher at programme titled; “Action planning for moving the National Library of Greece from the centre of Athens to its new location at Faliro” Historical Archive of National Bank of Greece Conservator and Exhibition Assistant (Internship)

|Apr. 2015-Sept. 2015|


Other Activities Lecture Presentation Lecture Speaker to the 1st “Conference of Conservation at the Cultural Heritage”, in Athens

|May 2015|

Voluntary Conservation of Books In situ conservation at the Historical Archive of Athens University

|Sept. 2013-June 2015|

Voluntary Teaching Math teaching for secondary school students

|Sept. 2013-June 2015|

Voluntary Conservation of Panel Paintings At 8th Ephorate of Byzantine Antiquities

|Aug. 2012|

Publications Kiskira E., Choulis K., Kokla V., “Moving a library: The case of National Library of Greece”, International Journal of Library Science, 2/16, (2018). [pending publication] Languages

Abilities skills

Interests

- MS office (word, access, powerpoint and excel) - Adobe Photoshop / Illustrator / InDesign - Binding - Painting in colour - Photography

- Music: playing the guitar

References

Available upon request

- Theater - Dance: Contemporary and latin dances



Table of contents Curriculum Vitae Conservation of book and library materials

07 12 13 13 14

...Conservation of 24 pages of a religious book “Orologion” ...Conservation of layout plan ...Conservation of a document ...Conservation of

“copies de lettres”

...Preventive conservation at the collections of National Library of Greece

Conservation of work of art

17

...Conservation of a portrait in charcoal

Bookbindings

23 25 26 26

...Bradel Binding ...Binding of a photo album ...Binding a book and decoration of paper with the technique “Paste grain” ...Handmade endband


1


Conservation of book and library materials


1. Conservation of 24 pages of a religious book “Orologion” Conservation of books - paper, Spring 2013 Supervisor: Konstantinos Choulis

Description of book • • • •

Unkonown: writer, publisher, chronology (because of the loss of covers) Handmade papper (laid lines - chain lines) Thread of binding: cotton (observation under the microscope) Dimensions: 16,40 x 9,70 cm

Before the conservation

Upon the receipt of the book, photographic documentation was made and a condition report was completed -7-


Damages of book • • • • • • • •

Distortion Discoloration Water stain Tears Fold creases Foxing Stains (from candle) Fungi activity

mapping of damages of pages 146/167 (Photoshop was used for the production of the visual) -8-


Stages of conservation

1. removing threads from binding

2. surface cleaning (brush) 3. surface cleaning (gum)

4. surface cleaning from stains ( scalpel )

5. spot tests (volatile solvents ) -9-

6. spraying with H2O - ethyl alcohol


7. washing

8. pH measurement

9. deacidification

10. resizing

11. reinforcing with Tengujo Kashmir ( 6 gsm )

12. reintegration with Kozu Shi ( 23 gsm )

-10-


13. after conservation

14. overall image of the book after conservation -11-


2. Conservation of layout plan Internship at Historical Archive of NBG, Spring 2015

before conservation

detail of tear

after conservation ( recto )

after conservation ( verso ) -12-


3. Conservation of a document Internship at Historical Archive of NBG, Spring 2015

before conservation

after conservation

4. Conservation of “copies de lettres� Internship at Historical Archive of NBG, Spring 2015

during the conservation (reinforcing)

after conservation -13-


4. Preventive conservation at the collections of National Library of Greece Research programme, Winter 2017

wrapping the fine polyester film on a book with handmade paper

RFID tag on fine polyester film

During the research programme, I participated in the process of excluding books from attaching the RFID tags. It was suggested by the conservators of the NLG to exclude books having valuable artistic bindings, handmade marbling papers or being in poor condition, to avoid damage caused by adhesive of tags. In these cases, they proposed to stick the tags on a fine polyester film (melinex), which is wrapped around the back cover of the book. In case of bindings with detached spines or friable covers, it was suggested to use a thin cotton tape to allow a temporary joint of fragments. Books in poor condition were placed in a plastic sleeve and the RFID tag was included without sticking it in the book. using thin cotton tape on a book with detached spine -14-


2


Conservation of work of art


Conservation of a portrait in charcoal Conservation of works of art, Winter 2014 Supervisor: Konstantinos Choulis Collaboration: Despina Fasouli

Description • • • • • •

Artist: N. D. Stavrounakis (Ν. Δ. Σταυρουνάκης, in greek) Chronology: 1925 Substrate: cardboard Painting material: charcoal & pencil Dimensions: 662x452 mm Thickness: 0,22 mm

Before the conservation ( recto - verso )

Upon the receipt of the portrait, photographic documentation was made and a condition report was completed -17-


Damages • • • • • • • • • •

Oxidation of cardboard Fold creases Tears Losses Accretions Water stains Stains Foxing Insect activity Fungi activity

Mapping of damages of the portrait (Photoshop was used for the production of the visual)

Details of damages: (a) insect activity, (b)stains, (c) foxing & loss, (d,e,f,g,h,i) fold creases & tears, (i) dead insect -18-


Stages of conservation

1. surface cleaning (only verso)

2. spraying with fixative lascaux for the charcoal grain’s stabilization

3. spraying with H2O - ethyl alcohol

4. washing (floating in warm water)

5. preparation of lining

6. lining

-19-


7. after lining

8. reinforcing

9. repairings

The conservation of this work of art was not completed. The remaining stages for the completion of the conservation were: 1. Completion of repairings 2. Retouching at the repairings 3. Flattering and storage

triptych on the conservation of the portrait (publisher was used for the production of the visual -20-


3


Bookbindings


1. Bradel Binding

Conservation of book and archival material, Winter 2013 Supervisor: Konstantinos Choulis

Stages of binding

3

1

4

2

6

5

7

-23-

8


9

11 10

12

13

15 14

16

-24-


2.Binding of a photo album Internship at Historical Archive of NBG, Spring 2015

during the binding

details of binding

reinforcement of the spine

after the binding -25-


3.Binding a book and decoration of paper with the technique “Paste grain� Seminar, Spring 2014 Supervisor: Evangelia Biza

forming the spine of the book

after the binding

4.Handmade endband Seminar, Winter 2016 Supervisor: Kyriaki Lentzi

-26-



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