ARCHITECTURE PORTFOLIO FAZA NUGRAHA SUDARWAN SELECTED WORKS 2016-2019
faza nugraha sudarwan BANDUNG, 15 APRIL 1997 Jl. Cisitu No. 45b Kelurahan Dago Kecamatan Coblong Bandung +6281224016924 fazanugrahasudarwan@gmail.com
I think architecture as a ďŹ eld that holds major responsibility in earth sculpting mission.
contact
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ARCHITECTURE PORTFOLIO
education
COMPETITION TEXTURE “RIVER ORIENTED DEVELOPMENT”
2003
2019
SDIT IQRA’ 1 KOTA BENGKULU
2018
SATU RUANG “TEMPLE OF NO RELIGION” 2018
2009
SMPN 1
KOTA BENGKULU
2012
SMAN 5
KOTA BENGKULU
2015
TKI MAI XXXIV “MONUMEN PALU”
ITB
ORGANIZATION EXPERIENCE
MICRO CONTEXTUAL SPACE “RUANG GAWE” 2018
ARCHIRAY III “PASAR BUJANGGA” 2017
SUPERSEMARCH “TIRTATEJA HOMESTAY” 2017
computer sKILL
HEAD OF MASS DISCUSSION DIVISION BADAN PENGURUS IMA-G 2018
STAFF OF INSTALLATION DIVISON DIES IMA-G KE-66 2017
STAFF OF LOGISTIC DIVISION
PENJENJANGAN IMA-G 2017
HEAD OF TRANSPORTATION DIVISION IMA-G APRIL GRADUATION CELEBRATION 2017
FIELD COMMANDER
IMA-G OCTOBER GRADUATION CELEBRATION 2016
CHIEF EXECUTIVE
BENGKULU ITB STUDENTS FAMILY ROADSHOW | 2016
language
interest SKETCHING
BENGKULU
MOTHER TONGUE
BAHASA INDONESIA MOTHER TONGUE
CARPENTRY
ENGLISH
INTERMEDIATE TRAVELLING
SELECTED WORKS 2016-2019
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01 11
55 25
III
39
ARCHITECTURE PORTFOLIO
67
TIRTATEJA HOMESTAY
01
oasis coworking space
11
utopia residence
25
the catalyst mix use
39
river oriented development
55
other works
67
SELECTED WORKS 2016-2019
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TIRTATEJA HOMESTAY SUPERSEMARCH COMPETITION ENTRY 2017 TEAM PROJECT WITH: GUNTUR M. I. M. DAMANIK (AR-ITB’15) NIKOLAS F. BUDDHISUHARTO (AR-ITB’15)
TIRTATEJA IS A BATIK FROM YOGYAKARTA THAT IS BELIEVED THAT PEOPLE WHO WEAR IT WILL APPEAR SHINIER THAN PEOPLE WHO DONT. TIRTATEJA ITSELF HAS THE MEANING OF WATER AND LIGHT
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SELECTED WORKS 2016-2019
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TIRTATEJA IS CHOOSEN AS THE NAME BECAUSE THE CONCEPT THAT IS THE PLAY OF THE LIGHT AND THE ANALOGY OF FLOWING OF WATER IN ITS DESIGNING PROCESS. THE WALL OF THE HOMESTAY ITSELF IS CONSTRUCTED BY WEBBING WHICH IMITATE THE TIRTATEJA PATTERN.
THE FLOW OF MEZANIN PLACEMENT CONTINUES ALL THE WAY TO THE ROOF
THE ACCOMODATION OF INDONESIAN SITTING ON THE STAIRS HABIT
THE STRUCTURE CONSIST FOLDABLE AND PERMANENT MEZANIN
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ROOF CONCEPT
WOVEN BAMBOO IMITATING TIRTATEJA PATTERN
EACH FLOOR CONSIST 4 PERMANENT AND 4 FOLDABLE MEZANIN, EACH MEZANIN WITH 60CM HEIGHT DIFFERENCE
PERMANENT MEZANIN AS VERTICAL CIRCULATION
ROOF
WINDOW
WINDOWS LOCATED BESIDE EVERY MEZANIN, PERMANENT AND FOLDABLE. THIS ALLOWS CROSS VENTILATION FROM EVERY SCENARIO OF WIND FLOW F
THE ROOF DIVIDED INTO FOUR WITH PLACEMENT FOLLOWING THE PATTERN OF THE MEZANIN. THIS ALLOWS CROSS VENTI VENTILATION AND STACK EFFECT
column EACH COLUMN CONSIST 4 BAMBOO. THIS PROVIDE THE ROOM NECCESSARY FOR PERMANENT BAMBOO BEAM TO SIT, AND ALSO FOLDABLE MEZANIN’S TO AR ARTICULATE . THE COLUMN OFCOURSE PROFIDE STRUCTURAL INTEGRITY REQUIRED FOR THE BUILDING
WALL MEZANIN FOLDABLE AND PERMANENT MEZANIN ALLOWS HOMESTAY TO ACCOMODATE VARIOUS NEEDS OF IT OCCUPANT. THE MEZANIN IS 1.5X1.5 METER IN SIZE AND CAN CREATE 3X1.5 ROOM WHEN FOLDABLE MEZANIN IS USED.
THE WALL MADE OF WOVEN BAMBOO IMITATING TIRTATEJA BATIK PATTERN. WOVEN BAMBOO ALLOWS AIR TO CIRCULATE.
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05 ARCHITECTURE PORTFOLIO
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second floor
THE FOLDABLE GIVES FLEXIBILITY TO THE FLOORPLAN OF THE HOMESTAY
first floor
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section aa’
front
rear
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09 ARCHITECTURE PORTFOLIO
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oasis coworking space architecture design studio iii 2017
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ARCHITECTURE PORTFOLIO
OASIS IS A FERTILE OR GREEN AREA IN AN ARID REGION, USUALLY REFERED AS DESERT. IN THIS CONTEXT THE ARID REGION IS THE CITY. THE CITY OFTEN CONSIDERED CONTRADICT TO THE NATURE, BECAUSE IT IS, AND THIS BUILDING, SERVING AS A COWORKING SPACE, IS MEANT TO BE THE NODE OF THE TWO
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THE BUILDING IS DESIGNED TO BE THE OASIS OF ITS SURROUNDING. IT IS ADE OF ENGINEERED WOOD WHICH CAUSE THE BUILDING HAS NEGATIVE CARBON FOOTPRINT IN ITS CONSTRUCTION PHASE. THE BUILDING PRESENTS NATURAL EXPERIENCE ALONGSIDE ITS FUNCTION AS COWORKING SPACE
MASSING
REQUIRED VOLUME
SUNDA ST
REET
LOCATION
ATRIUM AT THE CENTER
SUNDA ST
REET
THE SITE FACES EAST
SUNDA STREET IS THE MAIN SOURCE OF NOISE DUE TO TRAFIC
SUNDA ST
REET
GROUND FLOOR SUBSTRACTED FOR ENTRANCE
WIND FLOW FROM SOUTH WEST TO NORTH EAST AND VICE VERSA IN DIFFERENT SEASON
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ARCHITECTURE PORTFOLIO
SPLIT LEVEL OF FOUR DIFFERENT ELEVATION ON EACH LEVEL
THE FACADE IS A GROUP OF ALUMUNIUM THAT SITS ON STEEL STRUCTURE AS A ROOM FOR THE VINES TO GROW
GLASS ROOF AT THE TOP OF THE ATRIUM AS ACCESS FOR LIGHT AND AIR FOR STACK EFFECT BUT GIVES SHELTER FROM RAIN
THE CURTAIN WALL BEHIND VINES DESIGNED TO BE AIR AND LIGHT PERMEABLE BUT STILL PROTECTS FROM WATER
THE GLASS ROOF ALSO HAD A ROLE AS AN ACCESS TO THE GREEN ROOF, THE ROOFS ARE ACCESSIBLE BY RAMP, MADE POSSIBLE BECAUSE OF THE SPLIT LEVEL
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STACK EFFECT MADE POSSIBLE BY AIR PERMEABLE CURTAINWALL IN EVERY SIDE AND CLERESTORY WINDOW ABOVE ATRIUM
AIR PERMEABLE CURTAIN WALL ON EVERY SIDE ACCOMODATE CROSS VENTILATION FROM EVERY POSSIBLE WIND FLOW SCENARIO
THE VINE FACADE MAXIMIZE AIR FLOW FROM INDONESIA MAIN WIND FLOW, THE WEST AND EAST MONSOON
STEEL BEAM FOR FACADE CONSTRUCTION ALUMINUM FACADE FOR VINES CROSS LAMINATED TIMBER FLOOR SLAB GLUED LAMINATED TIMBER COLUMN
STAIR RAMP CONCRETE COLUMN
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ARCHITECTURE PORTFOLIO
THE STRUCTURE TAKES EXAMPLE FROM BROCK COMMON TALLHOUSE, WHICH CURRENTLY HOLDS THE RECORD OF THE TALLEST WOODEN BUILDING IN THE WORLD. THE BUILDING STANDS AT 57 METERS. ITS CONSTRUCTED WITH GLUED LAMINATED TIMBER COLUMN AND CROSS LAMINATED TIMBER FLOOR. THE COLUMNS ARE NOT BUILD CONTINUOUSLY FROM BOTTOM TO THE TOP, BUT DIVIDED TO EACH LEVEL. THE CLT FLOOR IS ALSO DIVIDED FOR EVERY GRID WITH THE SIZE OF 5X5 METER
ROOF GARDEN EVENT ROOM MEETING ROOM PRIVATE OFFICE OPEN WORKING SPACE RESTAURANT INNER COURT
PRAYING ROOM ADMINISTRATOR ROOM TOILET PEDESTRIAN CIRCULATION VEHICLE CIRCULATION PARKING
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ARCHITECTURE PORTFOLIO
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GROUND FLOOR VEHICLE CIRCULATION
BASEMENT FLOOR VEHICLE CIRCULATION
ROOF GARDEN EVENT ROOM MEETING ROOM PRIVATE OFFICE PRIVATE WORKING SPACE RESTAURANT INNER COURT
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ARCHITECTURE PORTFOLIO
PRAYING ROOM ªDMINISTRATOR ROOM TOILET PEOPLE CIRCULATION VEHICLE CIRCULATION PARKING
FFL -3.05
CAR PARK
CAR PARK
CAR PARK
LIFT
FFL -3.05 MOTORCYCLE PARK
BASEMENT
TOILET
RESTAURANT FFL + 0.00
INNER COURT
RECEPTIONIST
KITCHEN
RESTAURANT FFL + 0.00
LIFT
GROUND FLOOR
OPEN WORKING SPACE TOILET
FFL +4.25
FFL +5.10
TOILET
FFL +7.65
PRIVATE WORKING SPACE
PRIVATE WORKING SPACE FFL +8.50
MEETING ROOM
ADMINISTRATION ROOM FFL +3.40 LIFT
PRAYING ROOM
FFL +5.95 OPEN WORKING SPACE
2ND FLOOR
LIFT
FFL +6.80
OPEN WORKING SPACE FFL +9.35 PRIVATE WORKING SPACE
3RD FLOOR
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TOILET
FFL +11.05
MEETING ROOM
MEETING ROOM
EVENT ROOM FFL +11.90
ROOF GARDEN FFL +14.45
FFL +16.30
OPEN WORKING SPACE
LIFT
FFL +10.20
PRIVATE WORKING SPACE
FFL +12.75
FFL +17.15
FFL +13.60 ROOF GARDEN
4TH FLOOR
ROOF
SECTION
SECTION
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ARCHITECTURE PORTFOLIO
EAST
WEST
SOUTH
NORTH
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23 ARCHITECTURE PORTFOLIO
SELECTED WORKS 2016-2019
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25 ARCHITECTURE PORTFOLIO
utopia architecture design studio v 2018 UTOPIA IS A PLACE OR CONDITION THAT IS ENVISIONED AS PERFECT. UTOPIA IS A NOUN THAT HAS NO EXACT PARAMETER TO DEFINE WHICH IS AND WHICH ISNT, BECAUSE AN IDEAL CONDITION DEPENDS ON THE SUBJECT.
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PURSUED IDEAL CONDITION
EGALITARIAN HOUSING SO EVERY CITIZEN HAS EQUAL FACILITIES AND ACCESS
SINCHRONIZATION FOR GOOD INTER FACILITIES INTEGRATION
EGALITARIAN -GRID -LAND PLOTS CONSISTENCY -ORDER -EQUALITY -DISTANCE TO PUBLIC FACILITIES -AMBIENCE CONSISTENCY
SYNCHRONIZATION -ACCESIBILITY -EASINESS -INTER-CLUSTER PERMEABILITY -CIRCULATION EFICIENCY -LOOPING CIRCULATION -STRAIGHT LANE ROAD -WAY FINDING -ORIENTATION -APARTMENT AS LANDMARK -VISUAL ACCESS
ECOLOGICAL -GREEN SPACE -VEGETATION -WATER ABSORPTION AREA -PEDESTRIAN ORIENTED -SIDE WALK -PAVING BLOCK
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ECOLOGICAL HOUSING TO GIVE GOOD EFFECT TO OCCUPANTS AND ENVIRONMENT
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ENTRANCE 6
4
6
6
6
7
6
4
6 6
5
3 4
4
4
1 7
2
5
5
6 5
7 6
7
6 4
6
6
4
ENTRANCE
6
5
6
4
4
5
6
6
6
6
7 ENTRANCE 6 4
6 LEGEND 1 . PUBLIC HALL 2 PUBLIC FACILITIES 3 MOSQUE 4 PARK 5 APARTMENT 6 LANDED HOUSE 7 COMMERCIAL
RESIDENTIALS ARE ARRANGED BY RESPONDING TO THE SHAPE OF THE SITE, MAINLY THE EDGE OF THE SITE, THEN THE CENTER OF THE SITE IS DEDICATED FOT COMMERCIAL AND PUBLIC FACILITIES. THE COMMERCIAL AND PUBLIC FACILITIES ZONE IS POSITIONED AT THE HEART OF THE AREA TO CREATE AN EFFECT THAT CENTRALIZING ALL THE ACTIVITIES AT THE CENTER, AVOIDING UNWANTED CROWD AT RESIDENTIAL AREA. IT ALSO PREVENT URBAN SPRAWL THAT THE PUBLIC FACILITIES AND COMMERCIAL AREA BECOMES ANCHOR. THE APARTMENTS ARE BEING USED AS LANDMARK OF EACH CLUSTER, TO GIVE GOOD WAYFINDING TO THE AREA. MOST OF THE ROAD AR STRAIGHT, TO CREATE EFFFICIENT MOVEMENT TO PEDESTRIAN AND VEHICLE.
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FIRST HIERARCHY ROAD SECOND HIERARCHY ROAD THIRD HIERARCHY ROAD
CIRCULATION
RESIDENTIAL COMMERCIAL PUBLIC FACILITIES
LAND USE
DRAINAGE
DRAINAGE
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SOLID
OPEN SPACE
GREEN SPACE
GREEN SPACE
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ARCHITECTURE PORTFOLIO
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THE CORE INCLUDES PUBLIC FACILITIES, PUBLIC HALL, MOSQUE AND COMMERCIAL
THE PARK AS A SPACE FOR INTERACTION, PEDESTRIAN CIRCULATION AND LANDMARK OF CLUSTER
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ROAD SECTION
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ROAD SECTION
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ROAD SECTION
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37 ARCHITECTURE PORTFOLIO
SELECTED WORKS 2016-2019
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THE CATALYST architecture design studio v 2018
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CATALYST IS A SUBSTANCE THAT ENABLES A CHEMICAL REACTION TO PROCEED AT A USUALLY FASTER RATE OR UNDER DIFFERENT CONDITIONS (AS AT A LOWER TEMPERATURE) THAN OTHERWISE POSSIBLE
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THE CATALYSY IS A MIXED-USE BUILDING SERVES AS COMMERCIAL AND RESIDENTIAL. THE BUILDING IS CONCEPTED AS TRANSFORMATION CATALYST OF REGIONS ORDERLINESS. THE BUILDING SERVES AS A MEDIATOR OF TWO ZONES OF DIFFERENT FUNCTION, COMMERCIAL AND RESIDENTIAL. BUILDING CONNECTS THE TWO ZONES WITHOUT COMPROMISING EACH OTHER’S REQUIREMENT CRITERIA. THE SITE, NOT INCLUDING THE BUILDING, IS PERMEABLE FROM ALL SIDES, WITHOUT ANY FENCES, AND OPEN FOR 24 HOURS AND ALLOWS STREET VENDORS TO RENT AND OPERATE. THE SITES SER SERVES AS CORRIDOR BETWEEN TWO DIFFERENT ZONES
SITE ANALYSIS
SITE
THE SITE IS SURROUNDED BY ROADS IN ITS PERIMETER AT THE NORTH, EAST AND SOUTH.
SITE COMMERCIAL RESIDENTIAL
SITE LIES BETWEEN TWO DIFFERENT ZONES, COMMERCIAL AT NORTH AND RESIDENTIAL AT SOUTH
SITE SOLID VOID
THE ENVIRONMENT IS POPULATED BY BUILDING COMPLEX OF HIGH INTENSITY
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ARCHITECTURE PORTFOLIO
DESIGN AS CATALYST
VISITOR RESIDENT THE BUILDING SERVES AS PEDESTRIAN ROUTE FOR THE REGION
VEHICLE CIRCULATION
BUILDING MINIMIZE VEHICLE CIRCULATION AND MAXIMIZE ROOM FOR PEDESTRIAN
SEGREGATION OF COMMERCIAL VISITOR AND RESIDENT ENTRANCE MAINTAINING THE PRIVACY REQUIRED BY RESIDENT
24 HOUR AREA
THE SITE IS OPEN FOR 24 HOUR AND RENTABLE FOR STREET VENDOR TO KEEP IT ALIVE AS PEDESTRIAN CIRCULATION ALL DAY
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BUILDING HAS NO FENCES IN ITS PERIMETER FOR MAXIMUM PERMEABILITY. THE SITE BORDER IS DETERMINED BY VEGETATION
PODIUM MASSING MAKE IT POSSIBLE FOR AHMAD YANI AND CIPAERA STREET TO BE CONNECTED VISUALLY
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THE TOWER MASSING IS POSITIONED TO CREATE CENTRALIZED ORIENTATION TO DIRECT THE CROWD TO THE COURTYARD AND AVOIDING UNWANTED OVER-VESTIVITY IN RESIDENT AREA
THE BUILDING HAS DOUBLE FRONTAGE TO GREET COMMERCIAL VISITOR AT THE NORTH AND RESIDENT AT THE SOUTH
SERVING AS THE CATALYST OF THE REGION, THE BUILDING SITE STAND AS CONNECTOR OF CIPAERA STREET AND AHMAD YANI STREET. THE BUILDING IS PEDESTRIAN ORIENTED, AS THE SITE PLANNING MAXIMIZED THE ROOM FOR PEDESTRIAN. THE COMMODITIES THAT’S BEING TRADED IN THE COMMERCIAL AREA COMPLEMENTS WITH COMMODITIES OF EXISTING COMMERCIAL, WHICH INCLUDE JEWELLERY, SO THE BUILDING WILL PROVIDE FASHION RELATED COMMODITIES. THE BUILDING ALSO SERVES AS PUBLIC SPACE, AS IT PROVIDE COURTYARD IN THE MIDDLE FOR SURROUNDING RESIDENT. THE TOWER MASSING PSYCHOLOGICALLY SUGGEST THE USER THAT THE COURTYARD IS THE TO CENTER OF ACTIVITIES. THE WIDE PEDESTRIAN WAY WHICH CLEAVE THE PODIUM ALSO SERVES AS WAY FOR FIRETRUCK IN EMERGENCY SITUATION
EMERGENCY STAIRS
EMERGENCY STAIRS
EMERGENCY LIFT
EMERGENCY LIFT
WATER
FIRETRUCK WAY
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45 ARCHITECTURE PORTFOLIO
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NI A Y AD
RA E A P N CI
JALAN M
JALA
ALABAR
M
AH N A JAL
THE SITE IS PERMEABLE IN EVERY SIDE SERVING AS PUBLIC SPACE AND CIRCULATION. THE BUILDING GREETS RESIDENTS AT THE SOUTH AND COMMERCIAL VISITORS AT THE NORTH
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49 ARCHITECTURE PORTFOLIO
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ARCHITECTURE PORTFOLIO
SELECTED WORKS 2016-2019
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53 ARCHITECTURE PORTFOLIO
SELECTED WORKS 2016-2019
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TEAM PROJECT WITH: ADI NUR KHAMIM (AR-ITB’15) ARIES FADLI PRAYOGA (AR-ITB’15)
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IN THE PAST CIVILIZATION TEND TO CENTRALIZED TO THE RIVER, THE WORLD RENOWNED OLD CIVILIZATION THRIVES DEPENDING ON THE RIVER FOR WATER NEEDS AND ALSO FOR TRANSPORTATION. NOWADAYS IN INDONESIA RIVER OFTEN BECOMES A NEGATIVE SPACE OF A CITY, BECAUSE THEY DONT SERVE URGENT PURPOSE LIKE THEY DID IN THE PAST. THIS PROJECT SOLE PURPOSE IS RIVER UTILIZATION
river oriented development texture competition entry first winner 2019
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RIVER THAT ORIGINALLY IS THE PLACE WHERE CIVILIZATION BEGIN HAS LOST ITS RELEVANCE IN RECENT YEARS. THE BRIDGE IS MADE TO INJECT NEW FUNCTION TO THE RIVER SO IT CAN ACCOMODATE ACTIVITIES FOR THE PEOPLE, SO IT WONT BE A “CITY’S BACKYARD” AS IT IS TODAY IN A LOT OF CITIES. BANDUNG ZONING RESEBLES LINEAR PATTERN SINCE THE BEGINING OF ITS DEVELOPMENT. THIS GIVES THE CONSECUENCE THAT CAUSE THE HOUSING REGIONS ARE BEING “SQUEEZED” BEHIND OTHER ZONES WHICH SERVES MORE PRODUCTIVE FUNCTION LIKE COMMERCIAL ETC. THESE “BACKYARD” HAVE UNCONTROLLED GR GROWTH THAT LEADS TO THE DECREASE OF PRODUCTIVITY. THESE HOUSING AREA ARE BEING ISOLATED BY COLOSSAL BUILDING THAT BECOMES THE FACE OF THE CITY, LEAVING THE HOUSING AREA BEHIND. THIS BRIDGE SERVES AS A NEW ANCHOR TO ATTRACT VISITORS FROM MAIN ROAD
SITE ANALYSIS THE BRIDGE CURRENTLY PLAYS A ROLE AS THE ONLY ACCESS OF RW 3 AND R2 4 KAMPUNG BRAGA TO INTERACT. RW 3 LIES NEAR BANCEUY STREET AND RW 8 LIES NEAR BRAGA STREET. BOTH OF THE TWO AR INCLUDED IN ECONOMY STRATEGIC REGION OF BANDUNG STR CITY, WHICH DICTATE THESE TWO HAVE DEPENDENCY TO EACH OTHER. THIS GIVES A CONSEQUENCE TO THE ROLE OF THE BRIDGE AS A CONNECTOR OF THE TWO BECOMES URGENT
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ISSUE RIVER DISFUNCTION CIKAPUNDUNG RIVER IS A RIVER THAT IS A RENOWNED RIVER THAT IS LOCATED IN BANDUNG. ITS STREAM FLOWS FOR 28 KILOMETER SLASHING THROUGH THE HEART OF BANDUNG. ITS AREA COVERS 154 SQUARE METER. IT CROSSES 11 SUB-DISTRICTS IN 2 DISTRICS A CITY, WHICH ARE BANDUNG DISTRICT, WEST BANDUNG DISTRICT AND BANDUNG CITY
ENCLAVED AREA THE LINEAR PATTERN IN BANDUNG ZONING HAS BEEN THE WAY IT IS SINCE 1856. THIS LINEAR PATTERN DEVELOPS THROUGH TIME ADAPTING TO ACTIVITIES IT ACCOMODATES LIKE TRADING ETC. AS THE PRODUCTIVE ZONE DEVELOPS IT CAUSE THE HOUSING REGION BEHIND IT BECOMES ENCLAVED AREA AS CONSEQUENCE OF ITS ISOLATION. THESE HOUSING AREA DIDINT GENERATE PRODUCTIVITY LIKE THE COMERCIAL AREAS DID SO ITS DEVELOPMENT IS NOT VERY “ATTRACTIVE” FOR AUTHORITIES TO MONITOR WHICH LEAD THESE AREA GROWS UNCONTROLLABLY, WHICH WORSEN THE UNPRODUCTIVITY OF THE REGION
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SCARCITY OF PUBLIC SPACE THESE “BACKYARD” AREA ARE HOUSING AREA WHICH ARE SURROUNDED BY COMMERCIAL BUILDING BESIDE MAIN ROAD. UNCONTROLLED DEVELPOMENT CAUSED THESE REGIONBECOMES SLUM AREA, WHICH GENERATES DISPARITY. THIS SOCIAL UNCONTROLLED DEVELOPMENT ALSO LEADS TO SCARCITY OF PUBLIC SPACE
DESIGN TRANSFORMATION
1
EXISTING WITH HIGH RAILING, AS IF IT TRIES TO COVER RIVER FROM PEOPLE’S GAZE
3 ADDITION OF
BOAT TRANSIT FACILITY INJECTING TRANSPORTATION FUNCTION TO THE BRIDGE
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2 ADDTION OF
PUBLIC SPACE UTILIZING RIVER’S VIEW
4 STAIRS AND
RAMPS AS CIRCULATION BETWEEN DIFFERENT LEVEL
ARCHITECTURE PORTFOLIO
TRANSPORTATION CAN BE PERCEIVED AS THE ARTERY OF THE CITY OR OTHER CIVILIZATION FORM. RIVER WITH ADEQUATE SIZE CAN SERVE AS A ROUTE OF TRANSPORTATION MODE SUCH AS BOAT ETC, DEPENDING ON THE DIMENSION OF THE RIVER ITSELF. BY INJECTING TRANSPORTATION FUNCTION TO THE RIVER CAN TRIGGERS THE RIVER MAINTENANCE BY PEOPLE AND AUTHORITY, AS THE RIVER NO LONGER REMAIN A NEGATIVE SPACE OF THE CITY. THE BRIDGE WILL BE PLACED IN SEVERAL LOCATION AS TRANSIT FACILITIES FOR PEOPLE TO CHANGE TRANSPORTATION MODE FROM LAND TO WATER VICE VERSA. TRANSPO
RIVER TRANSIT LOCATION
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65 ARCHITECTURE PORTFOLIO
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67 ARCHITECTURE PORTFOLIO
other works Architectural and non-architectural 2016-2019
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kANTOR PPID bandung ARCHITECTURE DESIGN STUDIO 3 2016
PPID STANDS FOR “PEJABAT PENGELOLA INFORMASI DAN DOKUMENTASI” OR INFORMATION AND DOCUMENTATION ADMINISTRATOR AUTHORITY. THE BUILDING’S PURPOSE IS TO SERVE PUBLIC NEEDS. WHILE GOVERNMENT BUILDING USUALLY WERE DESIGNED WITHOUT CONSIDERING ITS AESTHETICAL VALUE, THE BUILDING IMPLEMENTS VERTICAL ELEMENTS LIKE ART DECO ARCHITECTURE WHICH IS THE ARCHITECTURE THAT BANDUNG CITY WELL KNOWN OF HOSTING. THE BUILDING COMBINED ARTDECO STYLE WITH INDIGENOUS TRO TROPICAL ARCHITECTURE ELEMENTS, TO ACHIEVED DESIRED “EYEPLEASING-NESS” OF EXTERIOR AND INTERIOR, AND ALSO CLIMATIC COMFORT FOR IT TO MAXIMIZE ITS FUNCTIONALITY
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bandung innovation hub ARCHITECTURE DESIGN STUDIO 4 2017
BANDUNG INNOVATION HUB POTRAYS AN IDEAL CONDITION OF THE FUTURE, WHICH IS THE COEXISTENCE OF NATURE AND TECHNOLOGY. THE BUILDING PRESENT NATURAL EXPERIENCE TO TRIGGERS ITS USERS TO INNOVATE. THE COEXISTENCE IS SYMBOLIZED BY THE GREEN ROOF WITH CONNECTION WITH THE SEAMLESS GROUND, SO THE USER CAN HIKE THE “HILL”.
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the riak
ARCHITECTURE DESIGN STUDIO 5 2017
THE RIAK IS A MIDRISE HOTEL TARGETTING MIDCLASS MARKET. THE RIAK SERVES AS LANDMARK OF THE REGION AS A CONSEQUENCE OF IT’S LOCATION AT THE INTERSECTION. THE SITE IS PERMEABLE AT THE PERIMETER WITH SEAMLESS TRANSITION OF OUTSITE AND INSIDE OF THE SITE, SO THE NON VISITORS CAN USE IT AS PUBLIC SPACE AND PEDESTRIAN CIRCULATION
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ARCHITECTURE PORTFOLIO
the trinity
structure and form finding studio 2017
THE TRINITY IS A 60 STORY TOWER CONSISTING 3 IDENTICAL VOLUME. IT IS A SINGULAR VOLUME WHICH SUBSTRACTED AT ITS CENTER CREATING ATRIUM WITH THE HEIGHT OF THE BUILDING ITSELF, 300 METERS. THE BUILDING USES CORE AND MEGA COLUMN AS ITS STRUCTURE, AND THE TREE MASES ARE CONNECTED BY THE GIGANTIC BRIDGE STRUCTURE, TO PROVIDE REQUIRED STURDINESS FOR THE TOWER
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bujangga market archiray competition entry 2017
THE MARKET IS DESIGNED ACCORDING TO WEST JAVA FOLKLORE, BUJANGGA MANIK. THE FOLKLORE APPLIES TO SEQUENCE, FROM DIRTIER LIKE MEAT TO CLEANER LIKE FOODCOURT, AND THE SEQUENCE TAKES THE VISITOR CLOSER TO NATURE, AS THE FOLKLORE SUGGEST. THE MARKET MAXIMIZE THE IMPRESSION OF WEST JAVA MA AMBIENCE BY BAMBOO FACADE, WHICH REMINDS PEOPLE OF WEST JAVA RENOWNED TRADITIONAL MUSIC INSTRUMEN, ANGKLUNG
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team project with:
dea fathur r. (ar-itb’15) nikolas fiansa b. (ar-itb’15) william a. bobby (ar-itb’15) yahya ayyash a. (ar-itb’15)
team project with :
c. toby santoso (ar-itb’15) kevin e. marseli (ar-itb’15) yahya ayyash a. (ar-itb’15)
ruang gawe
contextual microspace competition entry 2017
THE BUILDING’S PURPOSE IS TO SOLVE SOCIAL GAP PROBLEM BETWEEN ITS PEOPLE. LOCATED AT “ULIN PARK” WHICH CONNECTS SEVERAL HAMLETS, THE BUILDING TARGET THESE PEOPLE FROM THE HAMLETS TO BE ITS USERS. THE PARK DIDNT SOLVE THE SOCIAL GAP PROBLEM SO THE BUILDING TRIES TO HELP BY INJECTING NEW FUNCTION TO THE PARK, AS A COLLABORATIVE SPACE. THE BUILDING IS EQUIPPED BY ROOM NECESSARY FOR HANDS ON ACTIVITY LIKE CARPENTRY, OR THINKING ACTIVITIES LIKE DISCUSSION ETC. THIS MADE POSSIBLE BY FLEXIBLE BY OPEN LAYOUT FLOOR PLAN. THE FIRST FLOOR IS A PILOTIS, SO IT DOESNT COMPROMISE PARK’S ORIGINAL FUNCTION AS PUBLIC SPACE PI
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sketches 2016-2019
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PRAY FOR MY FINAL PRIJECT THANK YOU