PORTFOLIO
University of Texas at
Arlington
Cristhian Gonzalez | MArch
EDUCATION
University of Texas at Arlington
Master of Architecture
3.95 GPA
University of Texas at Arlington
Bachelor of Science in Interior Design
3.78 GPA
University of Texas at Arlington
Minor in Art History
Summer Faculty-Lead Program
Italy-Switzerland
Study Abroad
EXPERIENCE
Interior Design Director’s Assistant
University of Texas at Arlington
Founder & Co-President LiA_Student Chapter
Graduate Teaching Assistant
University of Texas at Arlington
Venice BIENNALE | Watershed urbanism Exhibition
University of Texas at Arlington
Freelancer
Cristhian
Gonzalez
SKILLS
AutoCad | Revit | Rhino | Sketchup | Lumion
InDesign | Photoshop | Illustrator
Word | PowerPoint | Excel
LANGUAGE
English ESOL
Spanish Native
AWARDS
Tau Sigma Delta | Summa Cum Laude
University of Texas at Arlington | Pat Brandenburg Scholarship
AU SIGMA DELTA | Magna Cum Laude
CONTACT
P. (214)300-8473
E. fcg1917@gmail.com
W. linkedin.com/in/cristhianglz
3
01 02 03 Nexus AI Research Institute Xchange Visitor Center The Train Station
5 03 04 06 Line Station Atelier Technical College Other Work
NEXUS
AI RESEARCH INSTITUTE
The purpose of this project is to establish a cuttingedge research institute that seamlessly fuses artificial and human intelligence, fostering an environment of learning, reasoning, and self-correction to enhance productivity.
The vision entails designing a singular building that embodies this harmonious amalgamation while ensuring each component retains the necessary security measures for optimal functionality. Informed by meticulous site studies. The eastward allocation of the educational wing creates a dynamic link with the adjacent library, forming a hub of knowledge and innovation, and situates the exhibition space on the west, symbolizing its integration with the adjacent Police Memorial.
Drawing inspiration from the expansive green corridor stretching from the Omni Hotel to Akard Plaza, the institute’s main entrance is a welcoming gesture, rotated forty-five degrees. This orientation not only opens to allow natural light to go into the building but also offers a panoramic view through a soaring 50-foot atrium with seating lounges on higher levels, inviting collaboration and interaction.
The institute stands not just as a physical structure but as a statement of the power of technology that merges harmoniously with the ingenuity of the human mind
Building Diagrams
Building Diagrams
CULTURAL INSTITUTIONAL
7
Floor Backup Generator Backup Generator E ec Roo Mech Roo E ectr cal Room Mechan ca Room Storage Fi e R ser Elec rica Transfo me Exh b t on Space L brary Lecture Ha l Fabr cat on Lab Cafe Collaborat on Space UPS Roo E ec rica Room M h i Room d d d d d A d A Storage E ec Room Mech Room UPS Room Library C assroom C assroom C assroom C assroom Class oom NEXUS | MArch 6th Semester | Summer 2023
Ground Floor Second
9
Fourth Floor Terrace Electrical Room Mechanical Room CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC Cold Aisle Cold Aisle Cold Aisle Cold Aisle Hot Aisle Hot Aisle Hot Aisle Hot Aisle Hot Aisle Hot Aisle Cold Aisle Cold Aisle Storage Elec. Room Mech. Room UPS Room Classroom Classroom Classroom Classroom Classroom Learning Reasoning Self-Correction Productivity LEGEND Learning Reasoning Self-Correction Productivity LEGEND Electrical Room Mechanical Room CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC CRAC Cold Aisle Cold Aisle Hot Aisle Hot Aisle Hot Aisle Hot Aisle Storage NEXUS | MArch 6th Semester | Summer 2023
Third Floor
11
Transverse Section
NEXUS | MArch 6th Semester | Summer 2023
Transverse Site Section through Dallas City Hall
NEXUS | MArch 6th Semester | Summer 2023
Longitudinal Section
Section Detail NEXUS | MArch 6th Semester | Summer 2023
South Elevation Detail NEXUS | MArch 6th Semester | Summer 2023
West Elevation
East Elevation
NEXUS | MArch 6th Semester | Summer 2023
South Elevation
North Elevation
19
NEXUS | MArch 6th Semester | Summer 2023
NEXUS | MArch 6th Semester | Summer 2023
This project aims to explore the concept of duality by juxtaposing two contrasting materials, wood and steel. Despite their inherent differences, these materials are combined to harness their unique properties, both in terms of strength and aesthetics. The main focus is to explore the intricate connections and interactions that emerge when these dissimilar elements come together.
Extending beyond the physical structure, this exploration of duality is intended to be reflected in the pathways that link the Roseland area and Farm Stead to the core of the site. These paths symbolize the interplay between opposing forces—connection and detachment. At the heart of this network lies a central gathering area, which serves as both a nexus for movement and a centralized space that unites all the buildings in the Roseland area.
The significance of wood and steel extends beyond their material attributes; it becomes a metaphor for various dualities—warmth and solidity versus sleekness and durability. By employing these materials strategically, the project seeks to evoke a variety of tactile and visual experiences
As the project evolves, the integration of wood and steel should be carefully considered. Their synergy could involve innovative combinations, such as utilizing steel frameworks to support wooden components or creating spaces where these materials merge harmoniously. Harmonizing the materials and the exploration of duality with the historical context of the Roseland area and Farm Stead will be essential. How the project aligns with its surroundings both visually and conceptually will shape its narrative and impact.
VISITOR
Exterior Program Services Vertical Circulation Served Services Primary Structure Building Footprint Services Entrance
XCHANGE
CENTER
Mobility & Entry Points
LEGEND
Historical Site
23 P P
Log Barn Cook’s Cabin School House Corn Crib Gaines Store Spring House Main House Quilt Barn Granary Burow Museum Kitchen Roseland Blacksmith Forge Corn Crib Smoke House Museum Store Caretaker’s House 1 2 3 4 5 6 11 16 7 12 17 8 13 9 14 10 15 XCHANGE | MArch 4th Semester | Fall 2022
Site Analysis Diagram
Figure Ground
XCHANGE | MArch 4th Semester | Fall 2022
Longitudinal Section Facing Roseland
Site Intervention
25
XCHANGE | MArch 4th Semester | Fall 2022
West Elevation
South Elevation
North Elevation
East Elevation
Longitudinal Section Facing Roseland
XCHANGE | MArch 4th Semester | Fall 2022
27 XCHANGE | MArch 4th Semester | Fall 2022
E 1 2 3 4 5 6 A B C D E F G U y
Ground Floor
XCHANGE | MArch 4th Semester | Fall 2022
Exhibition Space
Structure Detail
Second Floor
Primary Structure
Secondary Structure
Horizontal Bracing
Glulam Beam
Steel Plate
Fasteners from Plate to Column
Fasteners from Plate to Concrete Deck
Concrete Deck
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XCHANGE | MArch 4th Semester | Fall 2022
XCHANGE | MArch 4th Semester | Fall 2022
31 Detail P Detail Q 0 1 2 4 0 1 2 4 Section Detail Elevation Detail
THE LINE
HOUSTON TRAIN STATION
The project envisions the future of transportation in the Dallas-Houston area, with a specific focus on the development of a cutting-edge, light high-speed train network. By strategically locating the train station and embracing a multimodal approach to mobility, it seeks to offer travelers a comprehensive and convenient transportation hub. The cornerstone of this visionary project is the implementation of a light high-speed train system connecting Dallas and Houston. With the capacity to reach speeds of up to 200 miles per hour, the light high-speed train promises to significantly reduce travel time, making the journey between Dallas and Houston not only more convenient but also far quicker than traditional modes of transportation.
Building a bridge between the new train station and The Post Houston creates a historical significance of the first station in Houston, the project not only looks to the future but also pays homage to the past. The clever utilization of an underused passage under I-45 connects the two key sites, promoting the seamless flow of pedestrian, vehicular, and bike traffic.
Additionally, the integration of offices and traffic control wing acts as a sculptural element that provides to the station a unique identity. Hiding the parking garage behind the station and elevating various elements contribute to efficient circulation. Moreover, this advanced train system underscores the project’s commitment to sustainable mobility, as it will dramatically decrease the carbon footprint associated with travel between these urban centers. Overall, this project offers a promising vision for a sustainable, accessible, and culturally enriched transportation network for the region, revolutionizing regional transportation by providing an innovative and environmentally responsible solution to the challenges of connectivity and mobility in Texas.
Building Diagrams
* in collaboration with Jackeline Menjivar
33 1 1 2 2 3 3 4 4 5 5
Houston’s First Station Depot Grand Central is demolished. USPS annexed the building
Amtrak Station opens and moves to 902 Washington Ave.
I-45 segregates Amtrak Station and Barbara Jordan Post Office
The Grand Central Station is built as an addition to Houston’s First Station. USPS is built adjacent to Grand Central Station
THE LINE | MArch 2nd Semester | Spring 2022
Administrative office & Underpass Parking
Vehicle Circulation Pedestrian Bike Lanes Nodes LEGEND Site Plan Circulation Diagram THE LINE | MArch 2nd Semester | Spring 2022
35 THE LINE | MArch 2nd Semester | Spring 2022
Southwest view of Train Station
37
Transverse section Cutting Through I-45 Freeway
THE LINE | MArch 2nd Semester | Spring 2022
Longitudinal Section
Post Houston
Proposed Underpass Park I-45
Parking Garage High Speed Train Station
39 THE LINE | MArch 2nd Semester | Spring 2022
Proposed Underpass Park I-45
High Speed Train Station
Administrative Wing
East Elevation
THE LINE | MArch 2nd Semester | Spring 2022
West Elevation South Elevation
41 THE LINE | MArch 2nd Semester | Spring 2022
ATELIER TECHNICAL COLLEGE
In ATELIER, apprentices, assistants, and masters are encouraged to take an active role in their education. The intended planning of this design space provide students with different areas that enhance their education experience.
Atelier is based on the fundamental principles of teaching by incorporating architectural elements that provide a workshop feeling experience. Such characteristics offer the individual with an essential correlation between the student’s surroundings and how each space influences his/her education.
Every room features materials that have been used for generations and can be found in nature. The warmth of wood textures in combination with the gray and cold concrete used throughout the spaces provides a close association with what the student knows and his surroundings. In contrast with the hardness elemental materials, soft textures such as wool felt in neutral colors enhance the learning experience by providing a more comfortable space: Atelier, the place where an apprentice becomes a master.
MOOD + BRAND
ATELIER strives to create a collaborative experience in which students grow together as they continue their education.
In ATELIER, students create long lasting connections that are essentials once they complete their degree.
Light Wool Felt
Natural Leather Concrete
SquaredCarpet
Dark Wool Felt
Fluted Marble LinearCarpet
Flexibility
Comradery
Adaptability
Support
Concept Explore Atelier Learn Explore Create
Plywood
Atelier
C 1 2 3 4 5 6 7 B A D Coffee-bar Open Offices Remote Learning Lecture Hall Men’s Restroom Women’s Restroom Lecture’s Waiting Area 1 2 3 4 5 6 7 ATELIER | BSID 8th Semester | Fall 2020
Plywood Panels Light Gray Wool Felt Panels
1 2 3 4 1 2 3 4
Medium Gray Wool Felt Panels Dark Gray Acoustical Wool Panels
Lecture Hall
ATELIER | BSID 8th Semester | Fall 2020
Lecture Hall
45 5 6 7 8 9 10
Coffee Bar
ATELIER | BSID 8th Semester | Fall 2020
Coffee Bar
Egress E F A 0 5 10 20 G C D B 1 2 3 4 5 6 7 8 9 10
Gallery 1 2 3 4 Classrooms Resource Room Conference Rooms Focus Study Area Open Study Area Library Workshop Gallery Men’s Restroom Women’s Restroom 1 2 3 4 5 6 7 8 9 10 ATELIER | BSID 8th Semester | Fall 2020
Floor Plan - North Wing
1 2 3 4 5 ATELIER | BSID 8th Semester | Fall 2020
Floor Plan 1 2 3 4 5 6 7 8 9 11 12 13 14 15 10 WEBB CHAPEL RD. RO Y A L LN. 16 32 8 4 0 Information EXPLORE LEARN CREATE Open Study Area Workshop Adaptable Classrooms Focus Study Area Gallery Resource Room Library Massage Area Conference Room Coffee Bar Multi-purpose Studio Remote Learning Lecture Hall Shared Business Offices 1 2 3 4 5 6 7 8 9 11 12 13 14 15 10 ATELIER | BSID 8th Semester | Fall 2020
COMPLEXITIES & CONTRADICTIONS
DOWNTOWN DALLAS
This project examines the coexistence of different groups of people in urban environments and its complex issue that requires a multifaceted approach to understand and address. While diverse communities can bring opportunities for cultural exchange and economic growth, it can also lead to tensions and conflicts, particularly when different groups have conflicting needs or values.
This approach takes a closer investigation into the interactions between workers, visitors, residents, and homeless people in downtown areas and identifies the challenges and opportunities that arise in these environments. Such an investigation must take into account the social, economic, and political factors that shape these interactions, including the role of public policy and community engagement in fostering a more inclusive and equitable urban environment.
This project takes a closer look at Downtown Dallas as a living ecosystem. Downtown gathers tourists, locals, and workers, and is home to many but it’s evident that it is a commuter district and accommodates the workers more than the people living there. These archetypes in the city as well as the city center neighborhood itself was extensively researched through data collection in a series of site visits. Dozens of interventions were then created to address some issues found through research. The city itself informed the architecture.
The following interventions at the end intend to combat the hostility that downtown currently holds. They are able to provide basic needs for all types of residents and visitors not just the one archetype that downtown accommodates today which is the worker. This way, underlying social issues that contribute to inequality and marginalization are mitigated through accessibility, inclusivity, and community engagement in the design and management of public spaces.
* in collaboration with Jackeline Menjivar
51
THE SOLO SPOT
Compact, self-sanitizing WC. Accessible via cashless payment at an affordable rate
GIVING GRILL
Satellite soup kitchen to provide free to low cost meals for individuals in need.
H3 TARGARAGE
This interventions provides an option to have a grocery store downtown where residents can purchase more affordable items while not having to drive out downtown and can also be at a walking distance. The Targarage houses a Target store at the top of one of the multiple underused parking garages.
P-PLANTERS
Urinals within vegetation pots utilizing a filtration system for planter irrigation.
LUCKY LOCKERS
Cost-effective storage system with cashless payment for visitors and locals.
MINOR INTERVENTIONS
B2 DEALY MEMORIAL PLAZA
Dealy Memorial Plaza features a tunnel that goes under Elm Street. The tower rings at the time of JFK’s death to commemorate the actions that took place here. The LED display showcases significant information about the life of JFK.
MAJOR INTERVENTIONS
COMPLEXITIES & CONTRADICTIONS | MArch 5th Semester | Spring 2023
B4 CIVIC PLAZA E5 MICRO-UNITS
The Civic Garden now turned into a plaza is a gathering space for residents, workers, tourists, and homeless people. It features a restauran, public restrooms, and pop-up stands as well as a satellite soup kitchen for the homeless population.
Affordable re-housing, differing from 511’s units by providing essential needs at a lower cost, preempting homelessness. They act as a temporary remedy for financial struggles, preventing eviction.
E4 EVALUATION CENTER
On the ground floor of the 511 parking garage the evaluation center houses a food pantry, a donation center, overnight lodging, social services, and a community kitchen for residents in need
E5 MICRO-UNITS DETAILED
Each unit offers an 8’x17’ sleeping, kitchenette, and storage area, along with shared restrooms and showers. Their modular design allows flexible space adjustment without compromising parking functionality.
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COMPLEXITIES & CONTRADICTIONS | MArch 5th Semester | Spring 2023
PERFORMING ARTS SCHOOL
HISTORIC FORT WORTH
In this project, the goal is to explore and strengthen the connection between Fort Worth’s historical district and its cultural district. The project involves in-depth research into the historical and cultural significance of both areas and the study of successful precedents in other cities.
Site analysis is conducted to select the ideal location for an arts school that will serve as a bridge between the districts, taking into account existing buildings, regulations, and restrictions.
Collages are used to visualize design concepts that respect the historical character of the area while contributing to its cultural vibrancy. Community engagement and compliance with sustainability principles and local regulations are key considerations. The arts school is envisioned as a cultural hub with facilities like galleries and performance spaces. Effective documentation and a focus on long-term impact round out the project’s objectives.
Overall, the aim is to create a design that unifies these districts while preserving their unique identities and enriching the cultural experience of the area.
Cultural - historical Districts Collage Analysis & Interventions
55
Site plan PERFORMING ARTS SCHOOL | MArch 5th Semester | Summer 2022
WATERSHED URBANISM VENICE BIENNALE
In this collaborative project, the CAPPA senior Interior Design studio initiated a creative exploration of design solutions aligned with the concept of watershed urbanism for the Venice Biennale or architecture.
Following the design phase, a dedicated build team, consisting of two students and myself, took charge of working in the creation of such structures for the exhibition at the Palazzo Bembo.
Renderings, floor plans, and detail drawings, including shop drawings, were meticulously elaborated to serve as the blueprint for the exhibit display structure. The build team was in charge of measurements, cuts, polishing of materials and testing to ensure the project’s success. However, the global COVID-19 pandemic necessitated adaptations, leading to the creation of a comprehensive manual that provided guidelines for the safe installation of the exhibit in an international context. This project seamlessly blended creativity and practicality, showcasing the resilience and adaptability of the team in the face of challenging circumstances.
Main Exhibition Space
Axonometric view
* in collaboration with Jackeline Menjivar and print/build team
PRODUCED BY AN AUTODESK STUDENT VERSION
AN
ELEVATIONS
57 PALAZZO BEMBO – FLOOR PLAN N entrance exit podium for pamphlets exhibition display table tvs speakers bench wooden threshold
AUTODESK STUDENT VERSION
100 cm 110 cm 40 cm 15 cm 30 cm 280 cm 110 cm 40 cm 106.2 cm 36.2 cm 110 cm 110 cm 12.5 cm 12.5 cm 12.5 cm 12.5 cm 40 cm 40 cm 2.5 cm 2.5 cm 2.5 cm 2.5 cm 30 cm 30 cm 100 cm 100 cm 110 cm 40 cm 12.5 cm 12.5 cm 2.5 cm 20 cm 15.54 cm 15 cm 280 cm 15.54 cm
9 cm o.c 92 cm 4 cm 4 cm 5 cm 5 cm 80 cm 3 cm 3 cm 14 cm 9 cm o.c 9 cm o.c 10 cm o.c 5 cm 5 cm 10 cm o.c 78.2 cm 14 cm 10 cm o.c TOP BOTTOM REVEAL
PRODUCED BY AN
PRODUCED BY
AUTODESK STUDENT VERSION
3.1 cm
Panel Elevations WATERSHED URBANISM | BSID 8th Semester | Fall 2020
Palazzo Bembo - Floor Plan Exhibition
Pre-Assembly
Compare all parts with the hardware included and Package Contents list. If any part appears missing or damaged, do not assemble this product.
Assembly
1 PLACE STEEL ROD INSIDE ALUMINUM SLEEVE
• Insert Aluminum Sleeve (D) inside Steel Rod (B) . Repeat for other Aluminum Sleeve (D).
Pre-Assembly (continued)
2 CONNECT ALUMINUM SLEEVE TO COPPER “T” CONNECTOR
• Insert Aluminum Sleeve (D) with Steel Rod (B) into each hole of Copper “T” Connector (E) . The Steel Rod (B) should be seen from each end.
Assembly (continued)
3 SECURE STEEL ROD TO COPPER “T” CONNECTOR WITH COLLARS
• Place Collar (C) at each end of Steel Rod (B). Repeat this step for all four sides. Take Allen Wrench and tighten making sure head of Collar (C) is upright.
Assembly
1 PLACE STEEL ROD INSIDE ALUMINUM SLEEVE
• Insert Aluminum Sleeve (D) inside Steel Rod (B) . Repeat for other Aluminum Sleeve (D).
2 CONNECT ALUMINUM SLEEVE TO COPPER “T” CONNECTOR
• Insert Aluminum Sleeve (D) with Steel Rod (B) into each hole of Copper “T” Connector (E) The Steel Rod (B) should be seen from each end.
Assembly (continued)
3 SECURE STEEL ROD TO COPPER “T” CONNECTOR WITH COLLARS
• Place Collar (C) at each end of Steel Rod (B). Repeat this step for all four sides. Take Allen Wrench and tighten making sure head of Collar (C) is upright.
4 INSERT WOODEN CAPS
• Insert Wooden Cap (G) on top of Copper “T” Connector (E). Repeat on all four sides.
5 E D B B B D D
5 E D B B B D D
6
C C C C E C D G E D
4 INSERT WOODEN CAPS • Insert Wooden Cap (G) on top of Copper “T” Connector (E). Repeat on all four sides. C C C C E C D
3
Allen Wrench (Provided) Ladder (Not Provided) PLANING ASSEMBLY TOOLS REQUIRED 4
PART DESCRIPTION QUANTITY A White Oak Base 1 B Steel Rod 2 C Collar 4 D Aluminum Sleeve 2 E Copper “T” Connector 2 F Copper Pipe 4 G Wooden Cap 4 H Hem Bar 2 I Fabric Panel 1 Note: Content is not to scale, but dimensions for each part are provided. PACKAGE CONTENT 240.5 260.0 0.3 90.0 94.0 22.0 110.0 40.0 3.0 0.3 1.9 80.0 79.0 0.6 A B C D E G H I F WATERSHED
URBANISM | BSID 8th Semester | Fall 2020
Assembly (continued)
5 INSERT COPPER PIPE ONTO WHITE OAK BASE
• Insert Copper Pipe (F) onto White Oak Base (A). Twist until the copper pipe has reached the bottom of White Oak Base (A). Repeat on all four sides.
Assembly (continued)
6 SECURE TOP PIECE OF STRUCTURE ONTO 4 COPPER PIPES
• Using a ladder secure Top Piece of Structure onto the 4 Copper Pipes (G).
Assembly (continued)
7 DROOP FABRIC PANEL OVER STRUCTURE
• Take Fabric Panel (I) and hang over both Aluminum Sleeves (D) making sure that the dashed mid line in the Fabric Panel (I) is centered within the Top Piece of Structure.
Assembly (continued)
8 PLACE HEM BARS INSIDE FABRIC PANEL
• Insert Hem Bar (H) inside Fabric Panel (I). Repeat on other side of Fabric Panel (I).
59 7
F A
8
F A
9
A F I
Top View
10
A H F I WATERSHED URBANISM | BSID 8th Semester | Fall 2020
DRAWINGS
DESIGN COMMUNICATIONS
61 HAND DRAWINGS | BSID 1st Semester | Fall 2016