ADDRESS
King Regent Place 83, Fitzroy Street 12-16, W1T4BL, London, UK
CONTACT
fedefauli@gmail.com +44 7490494114
Dear Sir/Madam,
KEY EXPERIENCES 2018
Manifesta 12
5X5X5 Project Participation to be confirmed
Finalist
Africa Architecture Award 2017 Cape Town Ceremony
Winner MAD Fellowship Winner of the MAD Travel Fellowship Award 2017
Honorable Mention
House a Dream Competition Architize
Honorable Mention CPDI Africa Project Competition
Top 40 Design
5th Earth Architecture Competition Rural Art Center for Senegal
Mia Cucina Award
I graduate from the Architectural Association this June with Diploma and Riba pt2. I completed my bachelor degree with honor at the Politecnico of Milan in 2015 and then completed an additional bachelor year at the AA in 2016. I am Italian national but have lived in London for 4 years and I am able to speak English, German, Italian and French. In September I won a place on the Africa Architecture Award to go to South Africa and had the pleasure of presenting my project for a week as part of the Africa Awards held at the beautiful Zeitz MOCAA. I am very eager to work for your Office because of architectural interests which I share. Such as the absence of design dogmas and the focus on context and culture as main design drivers for the creation of unconventional spaces. Whilst working on numerous international competitions I learned to meet deadlines and I am comfortable in working as part of a team, as well as taking positions of leadership. Whilst also using extensively design and management software including Rhino, Grasshopper, 3DS Max, Creative Suite, CAD/BIM, and 3D Visualizations. During my working experiences at the Lobo production in Milan and LV Architects in London, I have been working with a team of designers and coordinate various consultants and work streams under demanding deadlines, contributing to the design of numerous projects.
Winner Student Award Reinventing Home Kitchen Design
I now wish to further pursue design endeavors as a professional career with the goal of becoming a licensed architect, in order to apply and make concrete all that I have learned in the past years of studies.
LV Architects
I see my advancement, knowledge, and development as an architect to be a lifelong endeavor, and I am excited to implement the skills that I have gained over the previous six years of higher education and internships to contribute to the success of your Studio.
Architectural Assistant London, UK
MK27 Workshop
Through an Architecture Dream Marcio Kogan, MIAW
Workshop Seville
Out o(f)n Time Project Donana Park
Shortlisted Finalist
Thank you for taking the time to read my application. I am available for interview at any time and look forward to hearing from you soon. Yours faithfully,
Walkabout Project at the Student Week 6 by Arch20
Federico Fauli
Voith Turbo S.r.l
Marketing & Languages
Lucky Design 2009
F1 & MotoGp Helmets Design
King Regent Place 83, Fitzroy Street 12-16, W1T4BL, London, UK
CONTACT
fedefauli@gmail.com +44 7490494114
ITALIAN 11/05/1993 RIBA PART2 June 2018 RIBA PART1 June 2015 /Federico Fauli /Fedefauli
FABRICATION
CAD/BIM
MODELMAKING 3DPRINTING LASERCUT CASTING PAINTING CNC SOLDERING PROTOTYPING
AUTOCAD ARCHICAD REVIT MICROSTATION
CREATIVE SUITE PHOTOSHOP ILLUSTRATOR INDESIGN PREMIERE PRO LIGHTROOM AFTEREFFECTS
VISUALIZATION
ARDUINO PROCESSING C++ JAVA
KEY EXPERIENCES
VRAY MAXWELL OCTANE BLENDER CORONA LUMION
PROGRAMMING
/Fedefauli
RHINOCEROS SKETCHUP 3DSMAX MUDBOX ZBRUSH CINEMA4D GRASSHOPPER KANGAROO MAYA
3D MODELLING
ADDRESS
ACADEMIC RECORD 2018
Manifesta 12
5X5X5 Project Participation to be confirmed
Finalist
Africa Architecture Award 2017 Cape Town Ceremony
Winner MAD Fellowship Winner of the MAD Travel Fellowship Award 2017
Honorable Mention
House a Dream Competition Architize
Honorable Mention CPDI Africa Project Competition
Top 40 Design
5th Earth Architecture Competition Rural Art Center for Senegal
Mia Cucina Award
Winner Student Award Reinventing Home Kitchen Design
LV Architects
Architectural Assistant London, UK
MK27 Workshop
2015/2018 Architectural Association, London, UK, Intermediate 3 (Nannette Jackowski and Ricardo de Ostos) & Diploma 5 (Cristina Díaz Moreno, Efrén Ga Grinda, Benjamin Reynolds) 2016/2018 Tuition Bursary Awards , Diploma School, Undergraduate, A Levels 2012/2015 Polytechnic University of Milan, Italy, graduated with 110/110 with Honour. 2008/2012 ISS Blaise Pascal, Reggio Emilia, Italy, Business Diploma with corrispondence in foreign languages.
PROFESSIONAL RECORD 2016/2018 LV Architects, London, Architectural Assistant 2014/2015 Lobo Production, Milan, Architectural Assistant - 3D Visual Designer (Aramco Amusement Park) 2014 February-March MK27 Workshop, Marcio Kogan, Politecnico of Milan 2013 April Donana Park Workshop, Seville, Politecnico of Milan 2011 June-September Voith Turbo S.r.l, Reggio Emilia, Marketing and languages assistant 2009 June-September Lucky Design, Reggio Emilia, F1 & MotoGp Helmet Design During my employment I worked on projects which followed international design competitions. I assisted with the development of the Aramco Amusement Park in Jeddah and renovation of 9 Mulberry Walk and 29 Queens Gate Place Mews in London.
Through an Architecture Dream Marcio Kogan, MIAW
I have learnt several professional skills by working on those projects. I worked closely with the project
Workshop Seville
I experienced design practice during the transformation of international competition concepts into designed
Out o(f)n Time Project Donana Park
Shortlisted Finalist
Walkabout Project at the Student Week 6 by Arch20
director’s and attended weekly consultant and client meetings. components for construction such as the Aramco amusement park. Developed by using 3D modelling software such as Rhino an 3DS, Visualization with Vray and Corona, and drawing sheets for a client using CAD and Revit
AWARDS Finalist at the Africa Architecture Award 2017, Cape Town ceremony Winner of the MAD Travel Fellowship, China 2017 Honorable Mention at the House a Dream Competition by Architize Honorable Mention at the CPDI Africa, The Community Planning & Design Initiative Africa Top 40 Design at the 5th Earth Architecture Competition, rural arts center for Senegal Mia Cucina Student Award by Archiparti Team, Reinventing home kitchen design, Hong Kong
PUBLICATIONS
Voith Turbo S.r.l
Marketing & Languages
"The Monolith of Kasulo” / Federico Fauli | APSAIDAL Archdaily Architecture Student convoca a los mejores proyectos Through an Architecture Dream | KooZA/rch The Archiologist, Nobody’s Land, and printed version Magazine Issue 1 Walkabout / Arch20 Book Scavengers & Other Creatures in Promised Lands by Ricardo de Ostos and Nannette Jackowski Student Winner 2017 MAD Travel Fellowship
LANGUAGE SKILLS I am half Italianm, half German but have lived in London since four years and I am able to speak English, German, Italian and French.
ENGLISH 100%
GERMAN 100%
ITALIAN 100%
FRENCH 60%
REFEREES (further details available upon request) Lucky Design 2009
F1 & MotoGp Helmets Design
Cristina Díaz Moreno & Efrén Ga Grinda, AA Unit Masters & Amid.Cero9 (ec@cero9.com) Nannette Jackowski and Ricardo de Ostos, AA Unit Masters & Naja&DeOstos (oostos@hotmail.com) Lorenzo Vianello, Architect-Director LV Architects, Professor at the University of Kent (lorenzo@lorenzovianello.com)
COSCIENZA INTUITIVA The Tower of Palermos’ Phenomena ARCHITECTURAL ASSOCIATION Y 5 DIPLOMA UNIT 5 CRISTINA DIAZ MORENO, EFREN CA GRINDA, BENJAMIN REYNOLDS An architectural representation of the current Palermo Phenomena. A new form of public space, conceived as a cross-breed between a Time-City Arkhêion and a Street Baraonda. A tower of Compilation. An aggregation of fragments, of ruins and embodied cultural identities. A public space that both generate and digest forms of Beauty, moving from antiquity to popular culture. A project in constant process of transformation. Never finished, never concluded, unstable and in persistent mutation. A proposal that pursue the friction between the Uncompiuted state of a building, and the architects idealized version of it. Therefore how through this friction, the city could comes back to the project. A reflection of its grain, its amplification. A vessel of values and identities. As a mirror of the society and its perpetual alteration. Located in the historical city centre of Palermo, precisely at Piazza Caracciolo, the core of the ancient Vucciria Market which once extended through the neighboring streets. Once, because nowadays the historical Site has been encountered a degradation process, as almost the entirely of the Palermo city centre. Site in which the project has its origin. A compilation: a stacking of the clashed Palermo Ruins and unbuilts. Where Elements are accumulated and displayed in different ways, from cladding, to holes and compund, up to full mass. An amalgamation of elements, typologies, materials and languages. Therefore a vision of the contemporary not constrained by the strength of history but which uses the same as a material for its regeneration. A street Market as a public space of social and cultural collision, intented to redifine collective contruction. A tower as a fragmented repository of culture and identities, enhancing the value of the leftover and its own beauty. An ambitious and speculative project, Tackled at different scales. Which callenge alternative materialities and reevaluate lost techniques. Interrogating on architecture reality; on the acceptance of the friction between the perpetual uncompiuted state of a building, and the architects’ idealized version of it, as the infeasibility of the ideal concluded work. A project that challenge the temporariness of Architecture and its language, the acknowledgment of its constant mutation as a reflection and representation of the city itself, its complexity, richness and incompleteness. Resulting in a perpetual unconcluded building in a city of unfinished.
Accumulation Hollowed
Accumulation Cladding & Compound
Accumulation Full Mass
WALKABOUT POLITECNICO OF MILAN Y2 AUSTRALIAN PAVILLION EXPO 2015 The project aim was to create a Pavilion in witch visitor would experience the WalkAbout concept, an initiation ritual of Australian aborigines that consists of walking without any fixed path, randomly. The project is characterized by a voronoi pattern creating a labyrinth structure which gives visitors a flexibility in choosing the path rather than a generic maze. Vegetation is inside cell space, which cools the surroundings and solves the drainage issues. The exhibition and leisure spaces use several enlarged voronoi cells in the center area of the lot, however being apart from each other enhances the movement of people. On the ground floor are mainly exhibition and rest rooms. On the first floor, several cells are combined together to meet the need of restaurant and bar areas, at the same time preserving the voronoi topology at ground level. At first, when entering the lot, one passes through “buffer zone”, low-rise voronoi cells covered with grass layer for two main reasons: creating sitting and relaxing spaces and establishing a microclimate around pavilion due to evaporation reasons. Then one goes around medium-rise closed cells with semitransparent walls, which prepares the visitor for the exhibition space. The Milan Expo 2015 pavilion is a temporary structure, that is why the main materials are glulam and layered wood, which are sustainable and easy to recycle. The exhibition and leisure volumes are characterized by a vertical bended glulam structure which create regular size openings optimized for maximum shading performances. The walls merge continuously with the roof giving overall structural stability. Transparent and opaque Etfe panels are used for the overall cover of the functional cells.
Apply the function and strcuture of a maze to a Voronoi pattern, where no main entrances are designed and visitors can enter freely.
THE MONOLITH OF KASULO ARCHITECTURAL ASSOCIATION Y4 DIPLOMA UNIT 5 CRISTINA DIAZ MORENO, EFREN CA GRINDA, BENJAMIN REYNOLDS A crafted architecture that exploit the landscape and try to help an economically affected community where rituals define space and where education will rise through the act of making, experiencing, imitating and reconnecting to materiality. A project that therefore will originate from publicness and belongs to its community. The project will be set in the in the city of Kolwezi, in the South west area of the Democratic Republic of Congo, and will deal with the community that lives and surround the neighborhood of Kasulo. The neighborhood of kazulo discovered cobalt in 2014 and have since then handdug hundreds of holes in the ground, creating an extreme perforated landscape. A perforated landscape of artisanal mines, where people hide them selves by digging into private houses, searching at Cobalt, a material used in the production of lithium-ion batteries, for electrical devices like smartphones and laptops. In the educational process I realized that the colonized Western standard classroom wasn’t a successful way to transmit knowledge. However, the spatial organization coming from local rituals and ceremonies reconnects with the arrangement of arenas as a way of gathering. Where interconnected vertical spaces which could lead to educational journeys. A 40x40 square located in the Kasulo district, where public spaces are not provided and are conceived as the leftover between solids and voids. Where dimensions and organizations came from the urban grain, the proposal will be the concretization of a crafted public space, in an area of leftover, where Company mines are decommissioned and the local community screen themselves through the digging of artisenal mines. A process of collecting, compacting and processing the left over soil, extracted from the mines. A time base process where the construction will be conceived as a ritual in it self, and where the whole community will gather and participate. Initially developed though the casting of the left over mines, that will become the columns on which the structure will be supported and main circulation will be settled. Followed by the accumulation of soil then compacted casted and transformed into volume to be carved. An architecture that replace labour with ritual though a public space.
Column structure
Perforated openings and carved spaces
Rooftop pool
The left image is representing the articolation of spaces carved inside the building, while the pink image is depicting the extreme landscape and urban grain.
Knowledge Catalogue
Cobal excavation process
View from carved opening
Collective construction
LAND OF NOBODY ARCHITECTURAL ASSOCIATION Y3 INTERMEDIATE UNIT 3 RICARDO DE OSTOS & NANNETTE JACKOWSKY Bangladesh today is at the front line against the threat of Climate Change. While 12% of its land will disappear under water by the end of this century, violent cyclones blow every year causing hundreds of casualties, pushing salt inland and impoverishing the crops, displacing thousands of people towards megacities such as Dhaka and their collapsing infrastructures. The Sundarbans, on the very south of the Country, is the biggest mangrove forest in the World, a scatter of blooming and deserted islands shaped by the Ganges delta, home to two million indigenous tribes which culture will find new roots within a new life in the big cities. The forest doesn’t represent, indeed, only a tool of resilience to them, but also an intricate pattern of rituals within the forest canopy aimed at the transmission of skills and memories from generation to generation. Last year I’ve been able to travel to the Bay of Bengal and experience the life and costumes of the native men of the Sundarbans. While documenting their pathways and rites (in the map), I’ve decided to focus my design project in Dhaka, new home to many of them. 2 thousands of people, mostly climate refugees, are unofficially counted to arrive in Dhaka every day facing the reality of the slums. The project is a future vision for the housing and water problem in Dhaka, conciliating the abundance of plastic into the Dhaka water basins and the lack of proper housing for the new migrants into clusters of floating villages made of casted plastic arranged radially along a deep hole within the lake. While traditional way of living are preserved in the costruction of the swellings, culture evolves within the new role the inhabitants are asked to cover within the urban realm: the scavenging of plastic, the costruction through new technologies of dwellings and facilities for the new coming migrants and the purification of water through the development of constructed filter vortex built on the bed of the river.
Sundarbans 1970
Sundarbans 2016
Sundarbans 2050
The Sundarbans triptych is depicting the effects of Bangladeshi climate changesin terms of water level rising, land erosion and climate refugees
Nobody’s Land is a project born from an apocalyptic concept and represent the constant search for new ways of living. A project set in the nowadays Bangladesh reality, in a site located in the South-West area of Dhaka, surrounded by the Buriganga river, the Bangladesh most polluted river. The interest of the proposal are concerning the Bangladesh nowadays reality and in particular, I’m interested in Land Less people due to water overflow, water level rising and land erosion, Difficulty in the accessibility to drinkable water and the issue related to water pollution, in particular water surface and New possibilities given by the upcycle of polluted materials. Through the acknowledgment of colours properties I start experimenting, defining through colours combinations, issues such as water pollution, climatic refugees and water rising. In the South-West Dhaka area, were the issues previously described manifest at the same time, as the presence of a massive 500x500 m waste disposal, together with flooded industries and brick factories deeply enhance the water contamination and pollution, where 110 Millions liters of contaminated water in the Buriganga river daily. On the other hand, communities living at the borders with water, future landless people, which will need to move and move again, to escape from water flood and contaminated soil. Reacting to the issues described with two main strategies. The development of a community centre able to assist landless people and help them reintegrate, besides develop their own floating platform while cleaning the river. And the development of floating communities born thanks to the creation of a new form of upcycled plastic land. Nobody’s Land is characterized by a circular maze, located in the middle of the Buriganga river and conceived as an “Inverted Pyramid”. A hole in the river which works as a mega-filter, using the maze organization combined with tentacles aimed to collect the first solid floating waste and the stream of the rivers and the it self to bring waste into the hole, which through filters located on the skin of the cone, the water will be depurated, up to become drinkable. Furthermore tubes located on the bottom of the hole will pump up the drinkable water. The project program is divided in 4 main categories; The development of a community education centre aimed to reintegrate land less people to a possible floating community. The topic of new Land reclamation, through the construction of floating platforms. The methods of plastics treatment and knowledge which will be taught to the people present in the Nobody’s Land. And the collection of surface pollution together with water filtration.
The Sundarbans triptych is depicting the effects of Bangladeshi climate changesin terms of water level rising, land erosion and climate refugees
The understanding of plastic and colours properties, agglomeration,,transparency, porosity and float ability. Was fundamental for the development of a device which I called Injection Machine, which is a machine that used plastic pollutants as material for cast floating platforms. The architecture articulation is based on 2 concentric rings arranged around the mega-filter, on which three main terms programs characterize them. The external ring will allocate functions related to a short term, which consider people that have lost their land and properties as a result of rising sea levels and defined as climatic refugees. While the inner one is considered more as mid term and classifies all areas related to workshop and education, areas necessary to educate refugees to waste issue and the opportunity of its upcycle. This people will both be educated and will work on the site to be able to produce their own floating land, which will give them the opportunity to start a new life beyond the water line. The plans are depicting the journey, before arriving at the pier, refugees will be directed towards specific piers, identified through colours, indicating the specific areas inside, such as reception, community, workshop and education. Once the refugees have entered they will immediately exposed to the inner working area being introduce to Nobody’s land. Starting with the arrival at the reception of refugees and the sustaining of basic needs; connected with the needed accomodation and classes for the educational part. Bridged with the co-workig and workshop areas which lead with the floating platform assembly. While at the upper floor we have integrational and discussion centres, this because Nobody’s Land will not be just a industry and educational centre about upcycling, but will be the core of discussion and agreements about social and environmental issues that nowadays are affecting the Bangladesh reality. The aim and the power of the project comes from this large investigation into several issues at different scales, going from the community centre program of education and reintegration, the creation of floating platforms through an architecturally integrated system, the development of a filter which try to deal with the issue of water pollution and the creation of a radical shift in the way people perceive water, from being a risk to their livelihoods to an opportunity for a new way of living.
Current Bangladesh’s situation with a widespread water pollution
Concentration of surface pollution occurred through a control of the river’s streams
The “Inverted Pyramid” is a mega filter located in the buriganga river, which skin is made out of sponges and filters
The development was done through a construction of an initial steel frame and tubes for pumping up and store the drinkable water
The upcycle settlements have been developed in time and through the recycle of the surrounding floating pollution
The completed system presents an enclosed circular maze shape, which enhance the initial filtration and collection of pollution
When saturated, the system rejects some of the components which will be used as as environmental warning device for new landless people settlements
ADDENDUM ARCHITECTURE POLITECNICO OF MILAN Y3 NEW PUBLIC SPACES FOR STUDENTS POLITECNICO OF MILAN The proposal started from a meticulous analysis of the site, in particular of the existent Leonardo Campus. The aspect which represent one of the topic of the project, regards the study of the existents paths and ways from which mainly students’ reach the university campus. Indeed the project try to open up the campus to, and trough the city itself. Another topic concern the understanding of students behaviour through the campus detections of interstices; areas not used by students anymore, and because of this, our proposal regards the retraining of those areas through light and selected small interventions, which are not aimed to demolish the preexistent urban fabric, but to enhance it trough the requalification of space. Furthermore a volumetric approach inspired by the study of previous interventions, such the ones of Gio Ponti and Vittoriano Viganò. The diagrams clearly describe our concept, representing the main students campus accessed and their flow into the current campus. The Matrix, represent the parameterization and combination of the analyis previously described. The project is defined by the riqualification of interstitial areas, the opening of the campus to the city trough the implementation of promenades and public areas, and a clear volumetric approach, which trough the development of intersected volumes, will garantee an increment of the campus quality and missing needed functions.
City Accesses GSPublisherEngine 0.0.100.100
Flows GSPublisherEngine 0.0.100.100
Interstices GSPublisherEngine 0.0.100.100
Day Accesses GSPublisherEngine 0.0.100.100
OUT O(F)N TIME POLITECNICO OF MILAN Y3 FLOATING ARCHIPELAGO IN EL ROCIO, SPAIN The project concerns the topic of climate change, in particular, the inconvenient truth of continuous rising of the sea level. The area of the project is located in the South of Andalusia, the province of Sevilla, in the triangle made up of three different sites, El Rocio Matalscanas and San Lucar de Barrameda . The project concerns the topic of climate change, in particular, the inconvenient truth of continuous rising of the sea level. The area of the project is located in the South of Andalusia, the province of Sevilla, in the triangle made up of three different sites, El Rocio Matalscanas and San Lucar de Barrameda . The site analyzed for the development of the project is El Rocio ,a small town in the southern Spain, surrounded by the natural park of Donana (largest natural park in Europe) and famous for its black Madonna of the Rosary, that was said to have emerged from the surrounding forest and which attract almost 1 million pilgrims a year. The initial analysis was on a larger scale, it presents in a hypothetical way, the changes that rising sea levels will bring to the region in the future. The following utopian and catastrophic figures show, as the entire landscape, both natural and urban will drastically change. According to forecasts provided by NASA, the sea level rise will lead to almost complete immersion of the area, as El Rocio today reaches a maximum height of 9 meters above sea level. The project set off with the construction of artificial islands on the existing landscape. The islands will be covered by green areas, whose function will be to drain the excess water. Subsequently the islands will be the foundation of a new “ utopian landscape “ , characterized by floating buildings connected together and anchored, initially, to the green islands. Each module will be founded on floating structures, where residential and public facilities will be built, and integrated with other modules, which will result in public spaces, beaches, pools and areas of cultivation and breeding. Apart from that, they will incorporate an innovative system of energy production, generated by the kinetic energy produced by the movement of tides and wind. All of these modules will be an urban area resting on floating platforms, built around the islands, which will remain usable only as green areas. The map presented doesn’t limit the organization of the urban structure, as the module are foreseen to allow the changes according to the community’s needs. How will the world look like in one hundred years? and which architecture will characterize the cities of tomorrow? Surely a world more contaminated by water, from which we can assume that a suitable future will stand beyond the waterfront. The architecture will identify new spaces through shapes iterations and new architectural languages, all driven by a common strategy, a common morphology and typology. Regarding questions such as, why should we built on water? and whcih are the benefits? I assume that the cities of tomorrow will need a flexible structure able to asnwering all different needs and instead fighting agaist water we should start to exploit it as a new opportunity. Through this approach there will be no limit in the organization of the urban structure, as the modules are foreseen to allow the changes according to time and community’s needs. Moreover by using the existing urban landscape as building ground, it will offer space for new identities and opportunities for cities worldwide to flexibly respond to climate changes and future urbanization. The idea of ocean colonization is no longer an utopia, is the near future, conceived as a vision, an appeal for the renewal of utopia, a constant searching in alterantive ways of live.
New Venice Remebering Landscape
Floating El Rocio & New Venice Axos
Present Water Level
2050 Water Level
2100 Water Level
Analysis on water level rising and therefore land ersoion and urban fabric brake
THE GREEN NEST POLITECNICO OF MILAN Y1 RESIDENTIAL STUDENT BUILDING IN MANTOVA This Building is located in the historical city center of Mantova (Italy) in a very narrow space, surrounded by both historical and more modern buildings and situated next to one of the main churches in Mantova. Directly in front of an ancient square used only by pedestrians, cars are not allowed to circulate except for the area inhabitants, green areas are not-existent. The exterior texture is made of concrete in a pure gray state, a material that can be seen in the others buildings near the place. On the other hand The interior area is a total different universe. The introspection of the project is an important approach and the exterior result neutral but interesting. Another important aspect is the green vertical garden developed for the North and West entrances, potted plants and climbing plants are located on a simple burned wood structure, which guarantee different views, it creates something visible but intangible, reconnected to the dreaming sensation. Some of the characteristic that the project manifest are it’s simplicity and legibility, One of the main characteristic of the building is the internal wild garden, which the main objective is to encourage biological diversity, a source of wonder and our guarantee for the future. It accompanies dreams and could be accessible to everyone, transporting you in an embracing natural atmosphere. The trees are higher and larger in the middle, and they get gradually shorter approaching the building, in this way became easier the view of the natural garden from every balconies. It creates an idea of a building that respect the existing surrounding.
Floor and central Garden organization
DREAMING OF A HOUSE POLITECNICO OF MILAN Y3 ISLAND VILLA FOR THE CHARACTER JONAH IN THE MOVIE “THE SILENCE” BY INGMAR BERGMAN In my Dream.... yes that’s my dream... A journey from a feeling to another, from an emotion to the one immediately after. Maintaning a surreal environment characterized by different views and so different ways of perception. A journey, a dream represented by the downhill from the cliff, up to the sea. Wozzyness_ In my Dream, Wozzyness is the first feeling. I try to reconnect the felling of Wozzyness and the idea of it, with architecture, defining a space. An empthy white room, where light is only coming from a long and narrow skylight. A bed, clearly linked with the idea of awakening. Particular is the suspended bare tree, located in front of the bed. The whole concept of woozyness is expressed by the awakening, where the character will find him self, confused and disoriented, in front of a bare tree. _Loneliness_ Getting out from the Wozzyness room, you will enter in a very narrow, dreary and glumy space. The loneliness room is characterized by a long and very tight shape. Entrering, you will find just a little chair and a lamp next to you, and a path, a journey it self which you are constrained to cross, but on the same time the small window at the end of the room will attract you. On the embracing walls are located small cuts which functions is to let some light entering the room and on the same time, highlight the path to be walked. The small strip window at the end of the room, will give on the ocean, hiding the view from other sort of contamination like the surrounding landscape. This is my interpretation of loneliness, whcih is highlighted in the movie, in the scene were Johan pass some time watching out from the train window, the desert landscape... ...alone. DayDream_ The third blocks is a combination of two different spaces, so two different emotions. The first one represent for me the daydream, therefore the imagination and creativity of Johan. I decide to symbolize the felling of daydream as a white empty room with two wide windows giving on the surrounding space and a unique long and narrow table with just one chair. An other important trait of the room is it’s ending, or better it’s connection with the second space, the malaise one. This relation is expressed with the extrusion of the door, indeed there is not a door at the end of the room, but just a hole that leads you trough a small ground path at the extruded door located at the center of the terrace garden, the malaise room. I choose to highlight strongly this relation between daydream and malaise baucause I perceive this relation also in the movie, the sheltering of Johan in his own world, dreaming and playing as to alleviate the harassing conflict between the mother and her sister. _Malaise_ As altready introduced the reason behind the relationship between the two spaces; the malise is represented trough out a wild and green garden, or better a terrace. A space compleatly contaminated by Nature. I try to associate the felling of malaise, illness and inadequacy clearly pointed out in the movie, trough out the illness of Ester and the inadequacy and malaise of the two sister and Johan him self, with the idea of taking cure, of growth and beauty perseverance. _MotherlyLove_ The last dream space, or better emotion, is the mother love, which is clearly expressed during the whole movie. I choose to leave the motehrly love as the last feeling, even if the movie start with it. This choice I’ve made, is because only in the last minutes, in the scene where Johan and his mother abandon Ester to her fate, after Johan read aloud the letter leaved to him by Easter. The mother seems to mock his sister again and what she had written. Exactly in these last seconds I could perceive a felling of hate from Johan, which is probably the only one to have realized the situation and what they have left behind. The room is therefore characterized by an very dark environment, with no light and just an entrance door. The room is located exactly on the shore side and there are few steps which to have a contact with the water, so in my interpretation with a famale figure, something shapely and welcoming, which embraces and protects you, as mother with his own child. An other important feature of this space is it’s relation with the surrounding environment, indeed the cut made on the containing wall, which let enter the water, will also let the fog in, creating a feeling of complete embrace.
A descent of connected spaces towards the sea mist
ARAMCO PROJECT PROFESSIONAL PRACTICE 2016 TEMPORARY INFLATABLE EDUCATIONAL AMUSEMENT PARK FOR ARAMCO JEDDAH, LOBO PRODUCTION
The Project presents the first development of the Annual Flagship Event of Aramco (the major oil company of Saudi Arabia). Saudi Experience project is an educational attraction area for both adults and children. The project area occupies an area of 160x200 meters, consisting of 3 main tends. The first tent is cut in the middle so as to ensure a main access, where the entrance, divided into welcome area and gift shop area, will be located. Along the path you will find yourself in front of a inflatable globe interactive and educational, that is connected to a 4D tunnel which will lead you to an inflatable submarine, escaping from it, you will arrive to a small train station, where taking a train you will reach the area called “Into the wild”. The route will continue reaching the “Sky Experience” pavilion, ending with an interactive wall. The globe is made of an inflatable structure (20x12) and outside present a print depicting an ancient world map, divided into meridians and parallels. The interior will present a circular screen on which will be projected images regarding the birth of the earth, fossils and minerals, all video projections aimed for educational purposes. The first interactive tunnel (4x4), called “4D Sea Experience”, will connect the globe to the submarine and will show video projections on curved led panels. The last attraction is the interactive wall, characterized by led screens on which images about the man evolution and Arabic culture will be projected.` Exit from the pavilion, you will reach the gift shop, which leads you to the two tents 50x80 dedicated to the children space (photo booth, grow your area/sand space, zoo land area, theater, look for the treasure box, taste of Saudi/food space), while the main tent is covered by an awning of 50x200 in which are arranged five pavilions . The main characteristics of the entire project are: speed and ease in assembly and disassembly, this because the structure will be operative for a period of only 15 days and then be removed and repositioned in other sites. All these features are based on image/impact, transportability, easy-fast set up/ dismantling.
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Areal View of the Amusement Park cloth
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Renderings of different inflatables and interior-exterior atmospheres.
FABRICATION EVIDENCE
