th e ME AT MACH INE version
2. 0
DATE
3M AY –2064
UNI SA NS SVETOSLAV SIMOV
09
FONT FABRI C PLACE NUMBER
TYPEFACE DESIGNER YR
FOUNDRY
A23
> > ‘ Y OUR PRICE? WHA TS
$
.
United States Department of Posthuman Development SEC: 88-BEN w/ GVWR 26000, No T/V ENDORSMENTS: NONE
ACCESS NUMBER
8 1780 59 1202
SEC 88
0
0
0
1
0
1
0 1 0
1 0 0
0 1
0
0
1
0
1
0
0
0
0
1
1
0
1
0 1
1
1
1
0
0
0
0
1
0
1
1
1
0
0
1
1
1
0
1 1
0
0
0
0
0
1
1 0 1
1
0
1
0
1
1
1
1
0
0
1
0
0
0 1
0
1
1 0 0
1
1
0
0
1
1
1
0
1
0
0
1
0
0
1
0
0
1
0
0
0
1
1
1
0
0
0 1
1 0 0
1
1
1
0
1
0
1
0
0
0
1
1
0 1
1 0 1
1
1
0
1
1
0
1 0 1
0
0
1
1
1 0 0
1
0
0
1
€
1
1
0 1
0
0
0
1
0
0
0
0
1
1 0 0
0
1
0
0
1
1 0 1
1
0
0
0
1 1
1
1
0
0
1
1
1
1
0
1
0
1
0
1
1
0
0
1
1 0
1
0
1 0 1
1
1
0
0
0
0
1
1
0
0
1 1
1 0 1
0
0
0
0
1
0
0
1
0 1
0
1
0
0
0
0
1
0
0
1
0
1
1
0
0
1
1
0
1
1
0
1
0
1
1 1
0
1
1
0
1
1
0
1
1
1
0
0
1
0
1
1
1
1
0
1
0
1 0 0
0
1
0
0
0
0
0 0
†
0 0
0
0 1
1
0
1 0
1
1
0
0
0
1
0
0
0
1
0
0
1
0
1
1
0
1
0
0
0
0
0
1
0
0
1
1
1
0
1
0
0
0
1
1
0
0
1
0
1
0
0
0
1
1
0
1
0
0
1
0
1
1
0
0
1
1
0
0
0
0
1
1
0
0
0
0
1
0
1
1
0
1
1
0
0
1
0
0
1
0
1
0
0
0
0
0
0
1
0
0
0
1
1
0
0
0
1
1
0
0
1
0
1
0
1
0
0
1
0
0
0
0
1
1
0
0
1
0
0
0 1
1 0 1
1
1
1
0
1
1
1
1
0
1 1
1
0
0
0
0
0
0
0 0 1
0
0 1 0 1
0
0
0 0
0
1
1
0
0
0
0
0 1
0
0
1
1
0
0
0 0
1
1
1 1
0
0
0
1
0
0 0
1
0
0
1
0 1
1
0
0 1
0
0
0
1
0
0
1
0
0
0
1
1
0
0
1
0
0
0
0
1
0
0
0
1
1
0
0
0 0 0 1
0
1
0
1
0
1
0
0
0
0
0
0
1
0
1
∑
1
0
0
1
0
0
0
0
1
0
1
1 1
0
0
1
1
0
1
1 0 1 0
1
0
0
1
1
0
1
1
1
0
1
1
0
1
0
1
0
0
0
1
0
0
0
0
0
0
0
0 0
1
0
0
1
1
1 0
1
0
0
0
1
1 0
1 0 0
0
0 1
1
1 1
0
1
0
1
0
0
1
0
1
1
1
1
0 0
0
1 1
0
1 1
0
1 1
0
1
0
0
0
0
1
1
0
1 1
0
1
0
∑
0
0
0
1
0
0
0
1
1
0
1
1
0
0
0
0
0
0
0
1
1
1
1
0
0
1
0
1
1
0 0 0
1 1
1
1 1
1
1 0
1
0 0
0
1
0
0
0
0
1
1
1
1
1
0
0
0
0
0
0
1
0
0
0
0
0
0
0
1
1
1
1
0
1
1
1
0
1
0
0
0
0
1
1
0
0
1
0
0
1
1
1
1
1
1
1
0
1
1
1
0
0
1
0
1
0
0
1
0
1
0
1
0
1
1
1
0
1
0
1
0
1
1
1
0
0
1
0
0
0
1
0
0
0
1
0
0
0
1
0
1
1
0
0
0
0
1
0
1
1
0
0
0
1
0
0
0
0
0
0
0
0
0
1
1
0
1
1
1
1
0
0
0
0
1
0
0
0
0
0
0
1
1
1
1
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
0 1
1
0
1
1
1
1
1 0
1
1
1
0
0
0
0
0
1
0
0
1
1
0
0
1
1
0
0
1 1
1
1
0
0
0
0
0
0
0
1
1
0
1
0 0
0
1
1
0
1
1
0
0
0
0
0
0
0
0
0
0
1
1
1
0
0
0
0
0
0
0 0
0
0
0
1
1
0
0
1
1
1
0
1
1
0
1
1
0
0
0
0
0
1
1
0
0
1
1
0
0
1
1
0
0
1
1
0
1
1
1
0
1
1
0
0
0
0
1
0
0
0 1
0 1
0
1
0
1
0
0
0
1
1
0
1
0
0
1
0
1
1
0
0
1
0
0
0
1
1
0
1
0
0
0
1
0
1
1
0
0
0
1
0
0
1
1
0
1
1
0 1
0 0
1
1
0
0
0
0
0
0
0
0
1
1
0
0 1
1 1
1 1
1 0
1
1
1
0
1
0
1
1
0
1
1
1
1
1
0
0
1
0
1
0
1
0
1
1
0
1
0
1 1
1
1
0
0 1
0
1
1
0
0
0
1
1
0
1
0
0
0
0
1
1
0
1
0
0
0
0
0
1
0
1 0
1
1
1
1
0
0
0 1 1
1
0 1
1
0
0
0 1
0
0
0
1
0
0
1
0
1
0
1
1
1
1
1
1
0
0
0
1
0 0
1 1
1
1 1
0 0
0
1
0
0
0
1 0
1
0
0
1
0
0
0
1
1
1
1
0
1
1
1 0
0 0
0 1
1 0
1
0
0
0
0 1
1
1 1
1
1
0 1
1 0
1
1
1
0 0
1
1
1
0 1
1
1
0
1
1
0
1
1
0
1
0
0
0
0
1
1
0
1
1
1 1
0
0
0
1
1 0
0
0
0
0
1
1
1
0
0
0
1
1
0
1
1
1
1
0 0
0
1
1
1
0
1
0
0
0
1
1
0
1
0
1
1 1
1
0
0
0
0
1
0
0
1
0
1
0
0
1
1
1
1
1
1
0
1
1
0
1
0
1
1
0
0 1
0 1 1
1
1
0 0
1
1
0
1
0
1
1
1
1
1
0
1
1
0
1
1
0
0
0
0
0
0
1
1
0 1
0
0 1
1
1
1
1
0
0 1
1
0
1
1
0
0
0
1
0
0 0 1
0 1
0 0
1
1
1
0 0 1
1
1
1
0 1
1
0 1
0 0
0 0 1
0 0 0 0 0
1
0 0 0 0 1
0 0 1
1
1
0 0 1
0 1
0 0 1
1
1
0 1
0 1
0
0
0
1
1
1
0
0
1 0
0 1 1
1 1
1
0
0
0
0
1
0 1
1
1
0 0
1 0
1
0 0
1
0 0 1 1
0 1
0 1
0 0 0
1
0 1
0
0 0 0 0
0 1
0 1 0 1
1 1
1
1
0
1
0
0 0 0 0
0 0
0 0 1
0 0 0 0 0
1
0 1
0 0 0 0 1
0 0 1
0 0 1
0 1
0
1
0 0 0
1
0 1
0 0 1 0
1
0 0
0 1
0 0 1
0 0 1
0 0
1
0 0
0 0 1
1
0 0 1
1
1
0
0 1 1 0 1 0 0 1
0 1
Ł
1
0 0 1
0 0 0 1
0 1
1
1
0 1
0 1
0 1
0
0 1
0
1
1
0 1
0 0 1
0 0 1
0 1
1
0 0 0
0 1
0 1
0
0 1
0 0 1
0 0 1
1
0
0 0
0 0
0 1 1
1
0 0
1
1
1
1 1
0
1
0 1
0 0 0
0 1
1
1
0 0
0
0 1
0 1
Ł
0
0 1 0 0 1
0 0 1
0 0 1
1
0
0
0
0 1
1
0
0
0 0
0 0 0 0 1
0 1
0
0
0 1
0 1
0
0
0 0 1
0 1
0 1
1
0 0
0 1
0 1 1
0 1
0 0
1
0 1
0
0 1 1
1
0 1
0 1
1
0 0
0
0
1
0
0
1
0 0
0 1 1 0 1 0 0 0
1
0
0
1
0
0
0
0
0 1
0
1 0
0
1
1 0
0
1 1
0
0
0 0 1
0 1
0
0
0
0 0 0
0 0 1
0 0 1
0 1
0
1
0 0 1
1
0 1
0
1
0 0 0 1
0 1
0
0 1
1
0 0
0
0
0
1
1
1
1
0
1
1
1
0
0 0 0
¤ 0
0
0
0
1 1
0
0
1
1
1
1
0
0
0
0
0
0 0
0
0
0 1
0 0
0
0
1
1
1
0
1
1
0
0 0 0 0 0
1
1
0
0
1
1 0 0 1
0
0 1
1
0
1
0 1
1
0 0
0 1
1 1
1
0 1
1
0
0 0
0 0 0 0 1
0
0
0
0 1
1
0 1
0 1
1
1
0
1
0 0
1
1
0
1
0 1
0
0
0
1
0
0
1
1
1
0 1
0 0 1
1
0 1
1
1
1
0 0 0 0 0
0 0 1
1
0
1
0 1
0
1 1
0 1
0
0 0 1
0 1
0
0 1
0
1
1 0 0 0 1 1
0
0
1
1
1
0
0
0
0 0
1
0
0
0
1
1
0
0
0
0
1
1
1
1
1
0 1
1
0
1
0 1
0
0
0
0
1
0
0
1
0
1
1
0
0
0
1
1
0
0
0
1
0
1
0
0
0
1
0
0 0
1
1
1
1
0
0
1
1
0
0
1
0
1
0
0
0
1
1
0
0
0
1
0
0
1
0
v
1
1
0 0
0
1
1
1 0
1
0
0
0
1
1
1
1 0
1
0 0
1 0
1 1
1
0
1
0 1
1 0
0 1
1 0
0
0
0
0 0
1 1
0
0
1
0
1
0
0
0
0
0
1
0
0
0
0
0
0
0
0
0
0
1
0
0
e 1
0
1
1
1
0
1
1
0
0
0
1
1
0
1 1
1
1
0
1
0
1
1
1
0
0
1
0
1
0
1
0
0
0
0
0
1
0
0
1
1
0
1
0
0
0
0
0
0
0
0
0
1
0
1
1
0
1
1
1
0
0 1
0
0
0
1
0
0 1
1
0
0
0
0
1
0
0 1
0
0
1
0 0 0 0 0
0 0 1 0 1
1
0
0 1
0 0 1
0 1
1
0 0 1
0 0 0 0 1
1 1
0
0 1
1
1
0
0
0 1
1
1 1
1
0
0 1
0 0
0 1
1
1
1 1
0 0 0
0 0 1 0
1
1
1
0
1
1
1
0
0
1
1
0
1 1
0
1
0
0
0
1
1
1
0 1 0
0 0
0 0 1
0 1 1 0 0 0 0 1
1 0
0
1
1
0
1 1
0 1
1
1
1
1
0 0 1
0
0
0
0
1
0
1
0
0
1
0
0
1
1
0
1
1
1
0
0
0
0
1
1
1
0
0
0
1
0
1
0
1
0
0
1
0
1
0
0
0
0
0
1
1
0
0
0
1
0
1
0
0 0
1 0
1
1
0
0
1
1
1
1
0
1
1
0
1
0
‡
1
1
1
0
0
0
0
0
0
1
1
1
1
1
1
0
0
0
0
0
1
1
0
0
1
0
1
0
1
1
1
1
1
1
0
1
0
0
1
1
1
0 0
0
0
0
0
1
0
0
1
0
1
1
1
0
0
0
0
1
1
0
0 0
0
1
0
0 0
0
0
1
0
1
0 0
0
0
1
0
1
1
1
0
1
0
0
1
0
0
0
0
0
0
1
1 0
1
1
0
1
1
0
1
0
1
0
0 1
0
0
1
1 1
1 0
0
1
0
1
1
1
0
1
0
1
1
0
1
0
0
0
1
0
0
0
1
0
0
1
0
1
1
0
0
0
0
1
1
1
0
1
0 0
1
0
1
1 1
0
0
0
0
0
0
0
0
1 0
0
0
0
1
0
0
1
0
1
1
1
0
1
1
1
0
1
1 1
0
0
0
0
1
1
1
0
1
1
0
1
1
0
0
0
1
0
0
0
1
0
1
0
0
1 1
0 0
1 1
0
1
1 0
0 0
1 1
0
0
1
0 0
0
1
0
0 1
0 1
1 0
0
0
0 1
1 0 1 1
1
0
0
1 1
1
1
œ
1
1
0 0
0
0
0
1
0
0
1
1 0
0
1
0
0
1
1
0
0
0
0
0
0
1
1
1
1
1
0
0
0
0
0
1
0
0
1
0
0
0
0
1
1
0
1
0
0
1
1
0
0
0
0
0
0
1
0
1
0
1
0
1
0
0
1
0
1
1
0
0
1
0
0
1
0
0 0
0
0
1
1
1
0
0
0
0 0
1
1
1
0
0
1
0
1
0
1
1
0
0
0
0
1
0
1
1
0
0
1
1
1
0
0
0
1
1
0 1
0 0
1
0 0 0 0 0
0 1
1
1
1
0 1 1
0
0 0 1 0 0 0 0 0 1
1
0 1
1
0
0
0
0
1
0
0
1
0
0
0
0
0
1
0
0
0 1 0
0
0
0
0
0
0 1 0 0 1
1 0
1
0
1
0
0
0 1
1
0
0
0 1
1 1
1
0
0
1 1
0 0
0
0
0
1
0
0 1 1 0 0 1 0 1
0
0
1
0 1
1
1
1
1
0
0
0
1 1
1
0
1
1
1
0
0
1 0
1
1
0
0
0
0
0 1
0
0
0
0
0 0
1 0
1 0
0
0
1
0
0
0
0 0
1
1
0
1
1
1
0
1
0 0
0 0
0
1
0
0
0
1
1 0
0 0
0
0
1
1
1
0 1
0
1
0
0
0
1
1
0
0
0 0
0
1
0
0
0
0
0 0
1
1
1
1
0
1
0
1
0
1
0
0
0
1
1
1
0
0
1
1
1
1
0
1
0
0
0
0
1
1
1
0
1 0
0
0
0
1
1
0
0
0
0
1
0
1
0 0
1
1
0
1 1
0
0
1
0
0
0
0
0
1 0
0 1 1 1 0 1 1 0
0
0
0
0
1
0
0 1
1
0
1
0
0
0
0
0
1
1 0
0
0
1
0 1
1 0
0
1 1
0
1
1
0 1
0
0
0
0
0
0
0
1
0
1
1
0
0
0
1
1
1
0
0
0
0
0
0
0
0
0
0
1
1
0
0 1
0
0
1
0 0
1
1
0
1 1
0
0
0
1 1
0
0
N
1
1 0
0
1
0
1 1
0
0 0
1
0
0
1
0
1
0
0
0
0
1
0
1
0
1
0
0
1
1
0
0
0
0
1
1
1
1
1
0
0
0
1
0
0
1
1
0
0
0
1
0
1
1
0 0
1
1
1
1
0
0
0
1
0
0
1
0 0
0 0
0
1
0
0
0
1
0
1
1
0
0
1
1
0
0
0
0
1
0 1
1
0
0
0
0 0 1
0
1
0
0
1 1
1
1
0
0
1
0
0
1
0
1
0
1 0 1
0
0
0 0
1
v 1
1
0
1
0
0 1
1
0 1
1
0
0 0
1
0
0
1 0 0 0
0
0 0
1
0 1
0
0
0
1
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
0
1 0
0
0
1 0
0
1
0
0
0
0 1
1
0
1
0
0
1
1
0
0 1
1
1
1
0
0
0
1 0
0
1
1
0
0
1
0
1
0
0
0
0 0
1
0
0
1 1
0
1
1
0
0 0 0 0
0
0
0
0
0
0
0
1 1
0
1
1
0
0
1
1
0
0
0
1
o
1
1
0
1
0
1
1
0
1
0
0
0
0
1
0 1
0
1
0
1
0
0
1
0
0 0 0 1
0
0
1
0
0
1
1
1
0
0
1
0
0
0 1
0
1
0
1
0
0
1
1
1
0
0
1
0
1 0 1
0 0 1
0
0
0
0
0 0
0
1
0
1
0
0
0
0
0
1
0
0
0
0
0
0
1
0
1
1
0
1
1
1
0
1
0
0 1
0
0
0
1
0
0
0
1
0
1
1
0
0
1
1
0
0
1 0 1
1
0 1
0
1
0
0
0
0
0
1
0
0
0
1
0
1 1
1
0
1
1
1
0
0
0 1
0
0
1
0
1
Ð
l 0
1
0
1
0
1
1
0
0
0
1
0
1
0
1
1
0
1
0
0
0
1
0
0
0
0
0
0 0 1
0
1
1 0
0
0 0 1
0
0
1 1
1
1
0
1
f
1 0
1 0
1
1
1
1
0
0
0
0 0
1
0
0
0
0
1
1
1
1
0
0
1
0
0
0
1
0
0
0
0
0 1
1
1
0 1
1
1
0
1 0
0 0
0 1
0 1 1 0 0 0 0 1 0
1 0
0
1
1
1 1
0 0
0
1
1
1
1
1
0
0
0
0
1
0
0
1
0
0
0
1
0
1
1 0
0 0
0
1 1
0
1
1
1
0 0
1
0
0
1
1 0
1
0
0
1
1
0
1
0
1
1
1
0
0
1
1
0
1
0
1
1 0 0
0 1
0
1
1
1
0
1 0 1
0
1
0
1
1
1 1
1
0
1
1
0 0
0
0 0
1
1
1
1 1
1
1 1
1
0
1 1
1
0 1 1 0 1 0 0 0 0
0 1
1
1
1
1
0 0
0
1
0
0
1
1
0 1 0
0
0
0 1
1
0
0
0
1
1
1
1
0
0
0
0
1
0
0
0
0
0
0
l
0
1
1
0 0
1
1
1
0
0
0
0
0
1
0
0
0
1
0 0
0
0 1
0
0
0
0
1
0
0
0
0
0 0 0
1
0
0
0
1
0
0 0
0
1
0
1
1
0
0
0
0
0
1
0
0
0
1
1
1
0
1
1
1
1
1
0
0
0
0
0
1
1
0
0 0
0
1 1
1
0
1 1
0
0
1
0 0
1
1
1
0
1 1
1
0
0
1
1
1
0
0
0
1
0
0
0
0
1
0
0
0
0
1
0
1
0
1 0 0
0
0
0 1
1
0
0 1
0 1
1 1
1
0
0 0
1
0 1
0
1
1
0
0 0
1
1
0 1
0
1
0 0
0
1
1
0
0
0
0
0
1
1
0
1
1
0
0 0 1
0
0
0
0
0
0 1
0
0
0
0
0 0
0 0
0
0
0
0 1
0
0 1
1 0 1
0
1 0 0
1 0 0 0 0 0 1
0
1
1
0
0
0
0
1
1
1
0
0 1
1
1
0
0
0
1
1
0
1 1
0
1
1
0
0
0
0
0
0
0
1
0
1
0
1
0
1
1
0
0
1
0
0
1
1
0
0 1
1
0
0
0
0
0
0
0
1
1
0
1
1
0
1
0
0 0
0 0 0
0
0
0
0
0
1
0
0
1
1
0 1
0
0
1
1
1
0 0
1
0
1
0
0
1
1
0
1
1 0
1
0
0 1
0
0
1 0
1
0
1
1 0
1
1
1
1 0
0 1
0
1
0 1
0
0
1
1
1
0
1
0
0 0
0
1
0
0
1
i
i 0
0 0
1
1
1
1
1
0
1
1
0
0
0
0
0
1
0
0
1
0 1
0
0
1
1 0
1
1
0
0 0 1
0
1
0
1
1
0
1
0
1
0
0 0
0
0
0
0
1
0
1
0
1
0
0
9
2
0
0
1
1
0 0
1
0
1
1
0
1
0
1
0
1
1
1
0
1
1 0
1
0
1 0
0
0
1
1
0
0
0
1
1
0 0
0
0 0
0 0
1
0
1
0
0
1
0
1
1
0
1
1
0
0
1
0
1
1
0
0
0
0
0
1
1
1 1
0 1
1
0
1
0
0
1
0
1
1
0
0
0
0
0
0
0
1
0 1
1
0 1
1 1
0
0
0
1
0 0
1
1
0
0
0
0
0
0
0
1
0
0
1
0
0
0
0
0
0
1
1
1
0
0
1
0
0
0
1
0
1
1
1
0
0
0
1
0
0 0 0 0
0 1
0 0 1
0
0
0
.
0
0
0
1
0
0
1
0
0
0
0
1
1
0
1
1
1 0
0
0
0
1
1
0
0
0
1
0
0
0
0
0 0 1 0
1
1
1
0
0
1
0
1
1
1
0
0
0 0 0 0
1
1
0
1
0
0
0 1
0
0
1 1
0
0
1
0
1
0
0
1
0
0
0
0
0
0
1
1
1
0
0
0
1
0 1 1 0 0 0 0 1
1
0
0
0
1
0
0 1 1 1 1
0
0
0
0
1
0
1
1
0
1
0
0
0
0
1
0
1
1
0
1
0
0
0
0
1
0
0
1
0
1
0
0
1
1
1
1
1 0
1 0
0
1
0 1 1
1
1
0
0
1
1
1
1
1
0
1
0
0 1
1
0
0
1
1
1
0
1
1
0
0
0
0
0
0
1
0
1
0
0
0
1
1
0
0
1
0
0
0
1
0
0
0
0 0
1
1
0
0
1
0
0
1
0
1
1
1
0
0
1
0 1
0 1
1
0
1
1
1
0
0
0
1
0
0
0
0
0
1
1
1 0
0
0
1
0
0
0
1
0
1
1
0
0
1
0
0
1
1
0
1
∆
0
1
1
1
0
1
0
0
1
0
0
1
0
0
0
0
0
0
0
1
1
0
1
1
0 1
0
1
1
0
1 0
1
0 1
1
0
0
1
0
1
1 1
1
1
0
0
0 1
1
1
1
0 0
0
0
1
0
1
1
1 1
1 0
0
1
0
1
0
1
1
0
0
0
1
1 0
0
1
0
0
0
0 1
1
1
1
1
0
0
0
1 0 1
1
0
1
0 0
0
0 0
0
0
0
∞
0 1
1
1
0
1 1
0
0
0
0
1
1
1
0
0
1
0
0
1 1 1
0
1
0
1
0
1 0
1
0
0
1
0
0
0
1
0
1
1
0
1
1
1 1
0
1
0
0
1
1
1
1
0
1
0
0
0
1
0 0
0
0
1
0
1
1
1
0
0
1
0
1
1 0
0
0
1
1
0
1
1
0
0
1 1
1
0
1
1
0
1
0
1
1
1
0
1
0
1 1
1 0
0 0
1
1 0
1
1
0
0
1
1
1
0 1
1
0
1
1
1
1
0
1
0
0
0
0
0
0
0
0 1 1 0 1 1 1 0 1
1
0 0 1
0
0 0 1 0 0 0 0
1
0 0 1 1
0 1 0 0
0
0 0 0 0
1
0 0 0 0
0 1
1
0 1
0 1
1
0 0 1
0 1
1
0 0 0 1
0
1
1
0
1
0 0
0 1
1
1
0
1
0 0
0 0 1
0
1
1
1
0 0 1
1
1
1
0
0
1
1
1 1
0
0
1
0
1
1
0
0
1
0 0 0
1
1
1
1
0
0 0 1
0
0 0 0 0
0 1 0 1
0 0
1
1
1
1 1
0 1
1
1
0 0 0 0
0 0 1
0 1
1
1
0 0
0 1
1
1
0
0 1
0 1
1
1
0 0 1
1
0 0 0 0
0 1
0 1
1
0 1
1
0 0 0
0 1
1
0 1
0 0
0 1 1
0 1 0 1
0
0 1 1 1 0 1 0 1
0 0 1 0 0 0 0
0 1 1 0 0 1 0 0
0 0 1 0 0 0 0
0
1
0
1
0
1
0
0
0
1
1
0
0
0
0
1
1
1
0 1
0 1
0 0 0
1
0
1
1
0
1 1
0
1
1
0
0
0 1
0
1
0
1
0 1
0 0
0
1
0 0
0 1
0 1
1
0 0 0 1
0 1
1
0 1
1
0
0
0
1
0 0 1
1
1
0
1
0
1
1
1
1
1
0 1
1
0
1
1
0 1
0
1
0
0
1
0
1
U
0
0
0
1
0
0 0 1
0 1
0
0
0 0
1
0
0 1
1
0 0
0 1
0
M
0
0 1
1
0 1 1 0 1 1 0
1
1
1
0
1
0
1
1
0
1
0 0 0 0
0 1
1
1
0
1
0
1
1
0
0
0
1
1
1
0
0
0 0 1
1
0
0
1
0 0 0 0
0 0
0
0
0 0
0
0 0 1
0
0
1
0 0 0 0
0
0 1
1
0 0 0 0
0 0 0 0
0 0 0 1
1
0 0 1
0 0 1
0 1
1
1
0 1
0
1
0
1
0
1
0 0 0 0
0 0 1
0 0 0 0
1
1
1
0 1
1
0
1
0
0 1 1 0 1 1 1 1
0
0
1
0 1 1 0 0 1 0 1
1
1
1
0
1
1
1
0
0
0
0
0 1
0 0
1
0 0 1 0 1 1 0 0 0
0
1
0
0 0
0 1 1 0 1 0 0 1 0
0
0
0
0
1
0
0
0
0
1
0
0
0
0
1
1 1
0
0
1
1
0
0
0
0
1
0 0
0
0
1
0
0
0
0
0 0
1
0 1 1 0 0 0 0 1
0
0
0
0 1
1
0
0
1
0
0
1
1 0
0
0 0
0
0
0
1 0
0
0
1 1
1
1
1
g
0
1
1
1
1
0
0
1
0
1
1
0
0
1
0
1
1
0 1 1 1 0 0 1 1
0
0
0
1
0
1
0
1
0
1
1
0 1 1 1 1 0 0 1
0
0
0
1
0
0
1
0
1 1
1
0
0
1
0
0
1
1
1
1
0
0
1 1
0
0
1
1
0
1
1
1
1
1
0
1
0
0 1
1
1
0 0 1 0 0 0 0 0
0
0
0 1
0
0
1
0
0
0
0 1 1 1 1 0 0 1
1
0
0
1
0 1 1 0 1 0 1 1
0
1
0
0
0
1
0
1
0 0
1
0
1
1
1
0
0 0
1
1
0
0
0
0
0 0
0 0
0
1
1
0
i
0
0
1 1
i 0
0
1
1
1
1
0
1 0
0 1
1
0
0
0
0
0 0 1 0 0 0 0 0
1
0
1
1
0
1
0 1 1 0 1 1 1 1
0
0
0
1 0
1
H
1
1
1
1
0
0
1 0
1
1
0
1
0 1
0
1
0
1
0
0
1
1
0 1
1
1
0
1
1
0
1 0 0
0
1
0
0
0
0
0
0
0
1
1
1
1
0
1
1
1
1
0
1 0
0 1
0
0
1 1
1 0
1
1
0
1
1
1 1
1
n
1
0 0
1
0
0
0
0
0
0
0
0
0
0
1
0
0
1
0
0
0
1
0
0
1
0
0
0
1
0
1 0
0 1
0
1
1
1
1 1
0
0
1
0 1 1 0 0 1 1 0
0
0
1
0
1
0 1 1 0 1 1 1 1
0
1
1
1
1
0 1
0
1
1
0
0 1 1 0 0 1 0 1
0
1
e
0
0
1
1
0
1 1 0
1
0
0
0
1
1 0
0
0
1
0
0 0
1
0
0
0
0
1
1
0
0
1
1
0
1
1
1
0
0
0
0
0
0 0
0
0
1
1 1
0
0
0
0 1
0
0
0
0 1
0 1
0
0 0
1
0 0
0
0
0
1
1
0
1
0
0 1 1 1 0 0 1 1
1
0 1 1 0 1 1 1 0 1
1
0
0
1
0
0
0
¤
1
0 0 1 0 1 1 0 0 0
1
1
1
0
1
1
1
0
1
1
0
1
0
0
1
1
0
0
0
1
0
1
0
0
0
0
1
0
0
0
0
0
0
0
0
1
0
0
0
1
0
1
0 0
1
1
1
0
0
0
1
1
0
1
1
0
0
1
0
1
0
0
0
0 0
0
1
1
1
0
0
1
1
1
0
0
1
0
1
0
1
0
0
0
0
1
1
0
0 1 0 0 0 0 1 1
1
1
0
1
0
0
1
1
0
0
0
0
0
0
0
1
1
0
1
0
0
1
1
1
1
0
0
1
1
1
1
1
1
1
0
1
0
1
0
0
1
0
0
1
0
0
1
1
1
1
1
1
0
1 1
0
1
0
0
1
1
0
1
1
1
0
1
0
1 1
1
1
0
0
0
0
1
0
0
0
0
0
0
0 1 0 0 0 0 0 1 0
0
0
0
1
1
1
1
0
1
0
0
1
0
1
0
1
0
1
1
1
1
1 1
0
1
1
0
1
1 0
0
1
1
1
0
1
0 0
1
1
0
0
0 1
1
1
0
0
0 0
1
0
0
0 0
0
1
1
1 1
1
0 1
0 1
0
1
1
0
1 0
0
0
0
1
1
0
1
0
4
1 1
0
0
0
5
1 0 1 1 0 0
1
1
0
0 1 1 0 1 0 0 1
0
0
0
0 0
1
0
0
1
0
1
1
0 0 0 0
0
1
0
1
0 1 0 1
0
0
1
0 1
1 1
1
0
1
0 1 0 1
0
1
1
0 0
0
1
0
1
0
1
1
1
0
1
0
0
0 1
1
1
1
0 0 1 0 0 0 0
0 0 0 0
0 1
0 1
1
0
1
1
0
0 0
0
1
1
0
0
0
1 0
0
0
0
1
1
0
0
0
0
1
0
0
0
0 1 1 0 1 1 1 1
0
0 1
1
0
0
0
0 1
1
0
1
0
1
1
0
0
0
0 0 0 0
0
1
0
0
0
0
0
1
1
1
0
1
0
1
0 0
0
1
1
0
0 1 1 1 0 1 0 0
0
0 1
0
1
0
1
1
0 1
1
0
1 0 1
1
0
0
0
1
1
0
1
0
1
1
0 1
1
0
0
0
0
0 0 1
1
0
0
1
1
1
1
0
1
0 0 0 0
1
0
1
0
1
1
0 0 1 0 0 0 0 0
1
0
0
0
0
1
0
1
0
1
1
1 0
0
1
1
1
0
0 0
1
0
1 0
1
1
0
0
0
1
1
0
0
1
1
0
0
0 1
0 0 1 0 0 0 0 0 0
0
0
1
0
0
1
0
0
0
1
1 0 1
0
0 0 0 0
0 0 1
1
0
1
1
1
0
0 0 1
1
1
0
0
0
0
0
1
0
0 0
1
1
0
1
1
1
0
0
1
1
0
1
1
0 1
0
0
0
1
0
0
0 1 1 1 0 1 0 0 0
0
1
0
0
0
0
0
1
0 0
1
1
0
0
1
0
1
1
0 1
0
0
b
1
0
0
0
0
0
1
0
0
0
1
0
0
0
1
0
0 1
1
1
1
s
1
0
1
0
1
1
1
1
0
1
0 1
0
0
0
0
0
1
0
0
0 1
0 1
1
0
0
0
1
1
0
0
0
1
0 0 1
0 1
0
0
1
0
0
1
1
0
0
1
0
1
1
0 1
1
0
0
1
1
0
0
1
1
0
1
1
0
1
1
1
0
1
0
0
1
0
1
1
0
1
0 1
0
1
1
0
1
0
0
0
1
0
0
0
1
1
1
1 1
0
0
0
1 1
1
1
0
1 0
1
0
0
0
1
0
0
1
0
0
0
0
1
1
1
1
0
1
1
1
0
1
0
1
0
1
1
0
1
0
1
1
1
0
0 1
1
0
1
0
0
0
0
1 1
0
1
0
0
1
¥
0 1
0
1
1
1
1
0
0 1
0
1
0
0
0
1
0 0
1
1
0
1
0
1
1
0
0
0
0
0
0
1
0
0
0
1
0
0
1
1
1
1
0
1
1
1 0
1
1
0
0
1
1
0
1
0
0
0
0
1
0
0
0
0
0
1
0
1
1
0
0
1
0
0
0
0
1
1
1
0
0
0
1
1
1
0
0
0
0
0
0
0
1
0
1
0 1 1 0 1 0 0 0 1
0 1 0 0 0 0 1 1
0
0
0
0
1
0 1
0
1
1
0
0
0
1 1
0
1
1
0
0
0
1
0
0 0
0
0
0
1
0 1
1
7
1
1
0
0
0 0
0
1
1
0
0 0
1
1
0
0
1
0
1
0
1
1
0
0
1 0
0
0
0
0
0
0
0 0
1
1
0
0
0
0
0 0
1
1
0
1
0
0
1
1
0
1
1
0
0
0
1 0
0
1
0
1
1 0
1
1
0
0 0
0
1
0
1
1 0
1
0
1
0 0
0
0
0 1 0
1
1 0
1
1
0
1 1
0 1
0
1 0
0
0
1 0
1
0
1
0
0 0
0
0
0 1
1
0
0 1
1
1
1
0
0 1
,
1
1
1
0
1
1
0
0
1
1
0 0
0
1
1
0
1
0 0
0
0
0 1 0
0
0 0
0 1 1 0 0 1 1 1
0
1
1
0 0
1
0
4
0
0
0
0
0
1
0
0
0
1
0
1
0
1
1
0
0
0
1
1
0
0 1 1 0 0 1 0 1 0
0
‰
1
1
0
0
0
0
0
0
0
0 1
1
1
0
0
0 1
0
1
1
0
1
0 0
1
0
0
0 1
0
1
0 0
1
1
1
1
0 1
0
0
0
0
1 0
1
0 1 0 0 1 0 0 1
1
0
0
1 1
1
1 0
1
0
1
3
1
1
1 1
0
1
0
1
1
0
0
1
1
0
0
0
0
1
0
0
0 1
1
1
1
1 1
0
0
0
4
0
0
1
1
0
1
0
0
0
0
0
0
1
0
0 0
0
0
1
,
0
1
1
0
1
0
0
0 0 0
1
0
1
0
0
1 0
0
0
1
0
0
0
1
1
1
1 0
1 0 1
0
1
0 0
1
1
Ł
1 1
0
1 0
0 1
1
0
1
0
1 0
1
0
0
0
1
1
1
1
1
0
1
1
0
1
0 1
1
1
0 0
0 0
0
1
0
1 0
1
0
1
0 1
0 1
1
0
0
0
1
1
1
1
0
0 0
0 0
0
1
0
0
1
1
0
1 0
1
0
0
0 0
0 1
0 1
0
1
0
1
0
0
1
1 0 0
1
1
0
0
0
0
0 0 0
0 1
0
0
0
0
0
0
1
0
0
0
0
1
0
1
0
1
1
1
0 1
0
0
1
1
1
0
0
1
1
0 1 0
0 0
0
0
1
0 1 1 0 1 1 1 0
0
1
0
0
1 0 0 0
1
0 0
1
1
0
0
0 0
1
0
1 0
0
1
0 1
1
0
1
0
1
0
0 1
0
0 0
1 1
0
0
0
1
1
0
0
1 0
1
0 1
0
1
0 0
0
1
7 6
0
1
1 1
1
1
1
0 1
0
1
1 1
0
0
0
0
0
1
1 0 1
0 1
1
0
0
0 0 0 0
0 1
0
0
1
0 1
1
0
1
0
0
0 0
1 1
1
0
0
0
0
0
0 1
0
0
1
1
1
0 1
1
1
0
1 0
1
0 0
1
0 1 0 1 0 0 0 0 0
0
0
0
1
0
0
1 1
0 1
0
1
0
0
0
0
1
0
0
0 0
1
1
0
0 1
1
0
0
7
0
0 1
0 0
0
0 1
0
1
0
1
0
0 0 1 0 1 1
1
1
$ 0
0
1
0
0
1 0
0 1 1 0 1 0 0
0
1
1 1
1
0
1
1
1
1
0
1
0
1
0
0
0 1
0 0
0
0
0
0
0
0
0 1
0
1
0 1
0
0
1
1 1
1
1
0
0 1
0
0
0 0
0
0
0 1
1
1 0
0
0
0
1 0
1
0
1
1
1
0
1 0 0 1
0 1
1
1
1
0
0
1
0
0
0 1 1
1
0
1
0
1
0 0
0 1
1 0
0
1
0
1 1
0 0 1
0 0
0
1
0 1 1 1 0 0 1 0
0 0
0
0
0
0
0
1
1
0
1
0
1
1
1
0
0
1
0
0 0 0 0
1
1
1
0 1
0 0 1
0 0 1
1
1
0 0 0 0
0 0 1
0 1
0
0 1
0 1
0 0
1
0 0 1
0
0 0 0 0
0 1
1
0 0 0 1
0 1
1
0 0 1
0
R G B
+
the MEAT MACHINE v. 2
the MEAT MACHINE A Mechanical Press Special Edition Book PUBLISHING HISTORY
The P.I.N.K Conference Book 2010 Š 2010 by Green Brick Red Words Publishers, Inc. First published in the Fall 2010 Semester at the Academy of Art, San Francisco by Green Brick Red Words Publishers
Published by Mechanical Press A Division of Green Brick Red Words, Inc. San Francisco, California This is a work of fiction. Names, characters ,places, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or lacales is entirely coincedental. All rights reserved Copyright Š 2010 by Felicia Antoinette Chiarello Cover & Book Design by Felicia Antoinette Chiarello Published by Mechanical Press is registered trademarks of Green Brick Red Words, Inc., and the colophon is a trademark of Mechanical Press.
Printed in the United States of America Published in the United States of America
www.gbrw-pub.com/mechanicalpress
* 19 18 BVG
R G B
+
For Kurt Vonnegut and EPICAC, rest peacefully but never satisfied _ And Paul Proteus, who foresaw the end _
Consider the lilies of the field, how they grow: They toil not, neither do they spin; And yet I say unto you, That even Solomon in all his glory Was not arrayed like one of these ....
– MATTHEW 6:28
R G B
+
content _
intro_ ` – – – – – – – – – ` ` – – – – – – – – – – – – – – – – – – – – > i ii WELCOME a. 2 a. 3 stage 1 stage 2 stage 3
a. 4 a. 6 a. 7
congratulations
a. 8
what do you see now
a. 9
PERSONALIZED INPUT / OUTPUT HTBPH 2 HTBPH 3 HTBPH 4 HTBPH 5 HTBPH 6 HTBPH 7
b. 1 .2 .3 .4 .5 .6
HTBPH
IQ
* welcome to the zoo
the end is near
.7
²
INTRODUCTION
+ TYPEFACE /IDEAS
UNI SANS_
CREATED BY
SVETOSLAV SIMOV / 2009
REASON FOR EXISTANCE For general use for print and web, with a strong suit with on screen readability. Use mostly for text and display. Uni Sans was made to look futuristic and modern without being Sci-Fi. It can be beautiful with human characteristics, it is not fully mechanical. Stemming from DIN, there is a certain elegance and sophistication. Uni Sans was made with INDUSTRIAL SIMPLICITY, AS ARE WE ALL. WEIGHTS There are 7 weights + italics, each containing a wide range of versatility. With fluid stems and simple italics, Uni Sans creates an elegant combination between both geometry & calligraphy. BRIEF CONCEPTUAL REVIEW The idea for this book was deeply inspired by EPICAC. I short story that was written by Kurt Vonnegut in 1950. A story before it's time, EPICAC forshadowed the first doubts of the relationship between humanily and it's machines. Being alive post the first Industrial Revolution, living through the second , and dying at the beginning ot the third. Vonnegut had a thing ot to say about mechanization and stong opinions about where it it would lead with full faith. The Meat Machine is a sort of sequal to the EPICAC, based on developing theoried of Singularity and touching on, but by no means taking lightly, the answer to the human condition. There are two stories being told: one of the future, that describes the basis of common Singularity theories and the agvantages and disadvantages of being posthuman, and the second it that of the past foreshadowing the future. Both parallel each other on two different planes; each strong enought to stand alone, so read seperately or together.
R G B
+
preface study
i
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
the word is singularity, the idea is human robots
The term singularity describes the moment when a civilization changes so much that its rules and technologies are incomprehensible to previous generations. Think of it as a point-of-no-return in history. Most thinkers believe the singularity will be jump-started by extremely rapid technological and scientific changes. These changes will be so fast, and so profound, that every aspect of our society will be transformed, from our bodies and families to our governments and economies. sin·gu·lar·i·ty noun / ˌsiNGgyəˈlaritē / singularities, plural +
The state, fact, quality, or condition of being singular
+
A peculiarity or odd trait
+
A point at which a function takes an infinite value, esp. in space-time when matter is infinitely dense, as at the center of a black hole
+
A point in the future ( often set at or around 2030 A.D.) beyond which overwhelming technical changes ( esp. the development of superhuman artificial intelligence) make reliable predictions impossible
²
FINDING A DIRECTION
R G B
+
+ TYPEFACE
mind map
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
ii
²
SINGULARITY / WELCOME
enter >>
OPEN COME ON IN
Store Hours 9- 5 93027 Wyandette Way
OPEN COME ON IN
_COME IN. IT’S A ZOO OUT THERE
Store Hours 9- 5 93027 Wyandette Way
SINGULARITY
The Singularity is the technological creation of smarter-than-human intelligence. There are several technologies that are often mentioned as heading in this direction. The most commonly mentioned is probably Artificial Intelligence, but there are others: direct brain-computer interfaces, biological augmentation of the brain, genetic engineering, ultra-highresolution scans of the brain followed by computer emulation. Some of these technologies seem likely to arrive much earlier than the others, but there are nonetheless several independent technologies all heading in the direction of the Singularity – several different technologies which, if they reached a threshold level of sophistication, would enable the creation of smarter-than-human intelligence. A future that contains smarter-than-human minds is genuinely different in a way that goes beyond the usual visions of a future filled with bigger and better gadgets. Vernor Vinge originally coined the term "Singularity" in observing that, just as our model of physics breaks down when it tries to model the singularity at the center of a black hole, our model of the world breaks down when it tries to model a future that contains entities smarter than human.
bcrdkaldk a R G B
+
a.1
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
SELECT THE INTERFACE YOU FEEL CONFORTABLE WITH TO GET STARTED When you are through choosing an interface, please go to your assigned section and wait for the machine to help you.
ENTER›
L150
L149
L112
L148
L111
L147
L110
L146
L119
L120
ROW 4
L081
L08 2
L109
L118
L11
L080
ROW 3 L08 3
283
L045 L075
L074
L073
L072
L071
ROW 2
L044
L043
L042
314
ROW 1 L037
L036
L035
L034
L007
L008
283
STA 1832
VIEW LH-SIDE FW D
L006
L005
²
THE FINE PRINT
warning
[ SKIP THIS PAGE ]
R G B
+
a.2
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
TEAR HERE
[ ALONG PERFERATED EDGE ]
[ SKIP THIS PAGE ]
>>
>
²
WARNING! WARNING! WARNING!
warning
POSTHUMAN
WASTELAND WARNING
As mentioned earlier, artificial intelligence is the technology that most people believe will usher in the singularity. Authors like Vinge and singulatarian Ray Kurzweil think AI will usher in the singularity for a twofold reason. First, creating a new form of intelligent life will completely change our understanding of ourselves as humans. Second, AI will allow us to develop new technologies so much faster than we could before that our civilization will transform rapidly. A corollary to AI is the development of robots who can work alongside - and beyond - humans. Another singularity technology is the self-replicating molecular machine, also called autonomous nanobots, "gray goo," and a host of other things. Basically the idea is that if we can build machines that manipulate matter at the atomic level, we can control our world in the most granular way imaginable. And if these machines can work on their own?
R G B
+
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
Any ordnace above field grade will tell you that the mathematics of modern war is far beyond the fumbling minds of mere human beings.
²
REMEMBERING HUMANITY
R G B
+
a reflection
a.3
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
BEING HUMAN /A REFLECTION ON HUMANITY
The Story: PART 1 Hell, it's about time someone told about my friend EPICAC. After all, cost the taxpayers $776,434,927.54.
File
picking up a check like that. EPICAC
got a big send off
Reflection
HUMAN...
They have a right to know about him,
Meaning
Being
in the papers when
Dr. Ormand von Kleigstadt designed
Depth
Underst...
him for the Government people.
of, Death
Since then, there hasn't been
a peep about him--not a peep. It isn't any military secret about what happened to EPICAC, although the Brass
has been acting as though it were. The
story is embarrassing, that's all. After all that money, EPICAC didn't work out the
D Maj Key
7
Eb Maj Key
7
Dm7
G7
Cmaj7
Cmaj67
Em7
Dm7
Dm7
way he was supposed to.
Cmaj7
A7
Cmaj7
²
BACK TO THE FINE PRINT
go back
[ GO BACK TO PAGE a.2 ] TEAR ALONG PERFERATED EDGE
R G B
+
a.4
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
[ GO BACK TO PAGE a.2 ] TEAR ALONG PERFERATED EDGE
²
PICKING A PROFILE
procedures a-m
Qualit ies Included
accepts authority, loyal, devoted rebellious accepts what's given ignores, rejects what's given affectionate distant, cold, aloof aspiring, ambitious, motivated self-satisfied, unmotivated candid closed, guarded, secretive caring uncaring, unfeeling, callous change; accepts, embraces- rejects change cheerful cheerless, gloomy, sour, grumpy considerate, thoughtful inconsiderate, thoughtless cooperative uncooperative, unhelpful, combative courageous cowering, fearful courteous rude, impolite decisive indecisive devoted uncommitted, uncaring, hostile determined indecisive, unsure does what is necessary, right does what is convenient perseveres, endures relents, gives up enthusiastic unenthusiastic, apathetic,
indifferent expansive kept back, tight, constricting faith in life life can't be trusted faith in oneself lack of faith in self faith in others others can't be relied on flexible inflexible, rigid, unbending, stubborn forgiving unforgiving, resentful, spiteful focused unfocused, scattered freedom given to others authoritarian, controlling friendly unfriendly, distant,
aloof, hostile frugal, thrifty wasteful, spendthrift generous stingy, miserly, selfish goodwill ill-will, malice, hatred grateful ungrateful, unappreciative hard-working lazy honest dishonest, deceiving, lying humble ar-
rogant, conceited, ego-cenvain tric interested indifferent, uncaring open-minded, tolerant involved complacent, indifferent narrow, close, small-minded, in jealous, not erant optimistic jealous, envious, covetous kind
pessimistic perfects tion
unkind, uncaring, cruel, mean mature
allows imperf
persistent, sustaining
flagging, fleeting, unsustainin positive negative practical impractical, viable punctual late, not on
immature modest
0 R G B
+
2
4
6
8
10
12
14
16
18
20
22
24
26
28
30
3
a.5
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
C
PHASING
/STAGE 1
PROCEDURE:
Post Human C
I laughed out loud at the absurd coincindence. Playfully, I typed, "My girl doesn't love me."
* Clickety-click. *"What's love? What's girl?"
ntol-
ec-
ng not time
32
confidence, insecure realistic naĂƒÂŻve, imprac-self-directed directed by externals selftical disciplined undiscireliable unreliable, un-plined, unrestrained, dependable respectful
disrespectful, rude, impolite responsibility; takes- blames others responsible [ep to 9 levels] unreliable, undependable responsive unresponsive, unreceptive selfconfident lack of self
any of either because I wasn't poetic. This got us onto the subject of poetry, which I defined
asked EPICAC.
Flabergasted, I noted the dial settings on his control panel, then lugged a Webster's Unabridged Dictionary over to the keyboard. With a precision instrument like EPICAC, halfbaked definitions wouldn't do. I told him about love and girl, and about how I wasn't getting
for him.
"Is this poetry?" he asked. He began clicking away like a stenographer smoking hashish. The sluggishness and stammering clicks were gone. EPICAC had found himself. The spool of paper ribbon was unwinding at an alarming rate, feeding out coils onto the floor. I asked him to stop, but EPICAC went right on creating. I finally threw the main switch to keep him from burning out.
100 % 34
36
38
40
42
44
46
48
50
52
54
56
58
60
²
STAGE 2 - INPUTING PERSONALITY
testing testing
/ STAGE 2 / C O N T'd PROCEDURE
C
I laughed out loud at the absurd coincindence. Playfully, I typed, "My girl doesn't love me."
* Clickety-click. *"What's love? What's girl?"
asked EPICAC.
Flabergasted, I noted the dial settings on his control panel, then lugged a Webster's Unabridged Dictionary over to the keyboard. With a precision instrument like EPICAC, halfbaked definitions wouldn't do. I told him about love and girl, and about how I wasn't getting any of either because I wasn't poetic. This got us onto the subject of poetry, which I defined for him.
"Is this poetry?" he asked. He began clicking away like a stenographer smoking hashish. The sluggishness and stammering clicks were gone. EPICAC had found himself. The spool of paper ribbon was unwinding at an alarming rate, feeding out coils onto the floor. I asked him to stop, but EPICAC went right on creating. I finally threw the main switch to keep him from burning out.
>> Click here for human legibility; transgressed code implemented <<
PLUG IN: [
K[-4PT] L[+6 OPTIMUM no optional variables ]
it under one corner of t he blotter on Pat's desk. I reset t he dials on EPICAC for a rocket trajectory problem, and went home wit h a full heart and a very remarkable secret indeed. Pat was crying over t he poem when I came to work t he next evening. "It's soooo beaut iful," was all she could say. She was meek and quiet while we worked. Just before midnight, I kissed her for t he first t ime--in t he cubby hole between t he capacitors and EPICAC's tape-recorder memory. I was wildly happy at quitt ing t ime, burst ing to talk to someone about t he magnificent turn of events. Pat played coy and refused to let me take her home. I set EPICAC's dials as t hey had been t he night before, defined kiss, and told him what t he first one had felt like. He was fascinated, pressing for more details. That night, he wrote "The Kiss." It wasn't an epic t his t ime, but a simple, immaculate sonnet: "Love is a hawk wit h velvet claws; Love is a rock wit h heart and veins; Love is a lion wit h sat in jaws; Love is a storm wit h silken reins...." Again I left it tucked under Pat's blotter. EPICAC wanted to talk on and on about love and such, but I was exhausted. I shut him off in t he middle of a sentence. "The Kiss" turned t he trick. Pat's mind was mush by t he t ime she had finished it. She looked up from t he sonnet expectantly. I cleared my t hroat, but no words came. I turned away, pretending to work. I couldn't propose unt il I had t he right words from EPICAC, t he _perfect_ words. I stayed unt il dawn, decoding. When t he sun peeped over t he horizon at t he Wyandotte campus, I had transposed into my own writ ing and signed my name to a two-hunderd-and-eighty-line poem ent itled, simply, "To Pat." I am no judge of such t hings, but I gat her t hat it was terrific. It began, I remember, "Where willow wands bless rillcrossed hollow, t here, t hee, Pat, dear, will I follow...." I folded t he manuscript and tucked
PH
2
R G B
+
, TRANSITION RATE (pF)
0 4
6
8
10
12
14
16
18
20
22
24
26
28
30
a.6
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
READ BEFORE CONTINUING AUGMENTED FLOW OF B I O LOGICAL STIMULATIO N TEST RETENTION RAT E CONTINUE
[ PLEASE
_THE HUMAN HEEEEEEEEEAAARRRRRRR T BEEP BEEP BEEP BEEEP >> TEST >> TEST BP >> TEST >> Click here for human legibility; transgressed code implemented <<
PLUG IN: K[-4PT] L[+6 OPTIMUM [ no legibility; optional variables ] code implemented << >> Click here for human transgressed
t60M
PLUG IN: [
K[-4PT] L[+6 OPTIMUM no optional variables ]
, PROJECTED ONE HOUR RATE (3,600S) 100 %
32
34
36
38
40
42
44
46
48
50
52
54
56
58
60
In 1965, I.J. Good proposed that machines would one day be smart enough to make themselves smarter. Having made themselves smarter, they would spot still further opportunities for improvement, quickly leaving human intelligence far behind [3]. He c conferences. Below, we make the case for taking artificial intelligence (AI) risks seriously, and suggest some strategies to reduce those risks. What We're (not) AboutThe Singularity Institute doesn't know exactly when the intelligence explosion will occur, but w software problem that will require new insight, not a hardware problem that will fall to Moore's Law. We are interested in rational analyses of AI risks, not storytelling. Notions of a "robot rebellion," in which AIs spontaneously develop primate-like resentment fo networks and autonomous robotics could radically alter their environment. For example, they could harvest all available solar, chemical, and nuclear energy. If such AIs found uses for this energy that better furthered their goals than supporting human life, hu to reproduction rather than to supporting humans [1]. Such unsafe AIs might actively mimic safe benevolence until they became powerful, since being destroyed would prevent them from working toward their goals. Thus, a broad range of AI designs may initia Each improvement in AI technology increases the ability of AIs to research more improvements, but an AI may also face the problem of diminishing returns as the easiest improvements are achieved first.The rate of improvement is hard to estimate, but severa by that time be a glut of hardware available to run many copies of AIs, and to run them at high speeds. This could amplify the effects of AI improvements [8]. Humans are not optimized for intelligence. Rather, we are the first and possibly dumbest species ca We don't know how to build an AI with human-level intelligence, so we can't have much confidence that it will arrive in the next few decades. But we also can't rule out unforeseen advances. Past underestimates of the difficulty of AI (perhaps most infamous learning algorithms [17], increasing R&D expenditures by the technology industry, hardware advances that make computation-hungry algorithms feasible [4], enormous datasets [5], and insights from neuroscience give us advantages that past researchers lac
Friendly AI Concern about the risks of future AI technology has led some commentators, such as Sun co-founder Bill Joy, to suggest the global regulation and restriction of such technologies [9]. However, appropriately designed AI could offer similarly enorm difficult to enforce. The Singularity Institute's primary approach to reducing AI risks has thus been to promote the development of AI with benevolent motivations that are reliably stable under self-improvement, what we call "Friendly AI" [22].
To very quickly summarize some of the key ideas in Friendly AI We can't make guarantees about the final outcome of an agent's interaction with the environment, but we may be able to make guarantees about what the agent is trying to do, given its knowledge. We can't determine that Deep Blue will win against Kaspa Because code executes on the almost perfectly deterministic environment of a computer chip, we may be able to make strong guarantees about an agent's motivations (including how that agent rewrites itself), even though we can't logically prove the outc ing catastrophic effects. Gandhi doesn't want to kill people. If someone offers Gandhi a pill that he knows will alter his brain to make him want to kill people, then Gandhi will likely refuse to take the pill. In the same way, most utility functions should be stable under reflection, prov of possible minds and selecting an AI that prefers to be Friendly. Human terminal values are extremely complicated. This complexity is not introspectively visible at a glance. The solution to this problem may involve designing an AI to learn human values by looking at humans, asking questions, scanning human brains, The explicit moral values of human civilization have changed over time, and we regard this change as progress. We also expect that progress may continue in the future. An AI programmed with the explicit values of 1800 might now be fighting to reestablis we knew everything you know" and "do what we would've told you to do if we thought as fast as you do and could consider many more possible lines of moral argument" and "do what we would tell you to do if we had your ability to reflect on and modify ou Seeding research programs As we get closer to advanced AI, it will be easier to learn how to reduce risks effectively. The interventions to focus on today are those whose benefits will compound over time. Possibilities include:
Friendly AI: Theoretical computer scientists can investigate AI architectures that self-modify while retaining stable goals. Theoretical toy systems exist now: Gödel machines make provably optimal self-improvements given certain assumptions [19]. Decisio Stable brain emulations: One route to safe AI may start with human brain emulation. Neuroscientists can investigate the possibility of emulating the brains of individual humans with known motivations, while evolutionary theorists can investigate methods Models of AI risks: Researchers can build models of AI risks and of AI growth trajectories, using tools from game theory, evolutionary analysis, computer security, or economics [1] [6] [8] [14] [22]. If such analysis is done rigorously it can help to channel the
Institutional improvements: Major technological risks are ultimately navigated by society as a whole. Success requires that society understand and respond to scientific evidence. Knowledge of the biases that distort human thinking around catastrophic risk avoiding an AI "arms race" that might be won by the competitor most willing to trade off safety measures for speed [20]. Our aims We aim to seed the above research programs. We are too small to carry out all the needed research ourselves, but we can get the ball rolling.
We have groundwork already. We have: (a) seed research about catastrophic AI risks and AI safety technologies; (b) human capital; and (c) programs that engage outside research talent, including our annual Singularity Summits and our Visiting Fellows pro
Going forward, we plan to continue our recent growth by scaling up our visiting fellows program, extending the Singularity Summits and similar academic networking, and writing further papers to seed the above research programs, in-house or with the bes The upside and downside of artificial intelligence
Human intelligence is the most powerful known biological technology. But our place in history probably rests not on our being the smartest intelligences that could exist, but rather on being the first intelligences that did exist. We probably are to intelligence The future of intelligence is, hopefully, much greater than its past. The origin and shape of human intelligence may end up playing a critical role in the origin and shape of future civilizations on a much larger scale than one planet. And the origin and shape future civilization. Recommended reading
This has been a very quick introduction. For more information, please contact anna@singinst.org, or see: For a general overview of AI catastrophic risks: Yudkowsky, Eliezer (2008). "Artificial Intelligence as a Positive and Negative Factor in Global Risk" In Bostrom, Nick and Ćirković, Milan M. (eds.), Global Catastrophic Risks, pp. 308-345 (Oxford: Oxford Un For discussion of self-modifying systems' tendency to approximate optimizers and fully exploit scarce resources: Omohundro, Stephen M. (2008). "The Basic AI Drives." In Pei Wang et al. (eds.), Artificial General Intelligence 2008: Proceedings of the Firs For discussion of evolutionary pressures toward software minds aimed solely at reproduction: Bostrom, Nick. "The Future of Human Evolution" (2004). In Tandy, Charles (ed.), Death and Anti-Death: Two Hundred Years After Kant, Fifty Years After Turing For tools for doing cost-benefit analysis on human extinction risks, and a discussion of gaps in the current literature: Matheny, Jason G., "Reducing the Risk of Human Extinction", Risk Analysis, Volume 27 Issue 5, pp. 1335-1344, 2007. http://jgmatheny For an overview of potential causes of human extinction, including AI: Bostrom, Nick. "Existential Risks: Analyzing Human Extinction Scenarios and Related Hazards" (2002). Journal of Evolution and Technology, Vol. 9. http://www.nickbostrom.com/ex For an overview of the ethical problems and implications involved in creating a superintelligent AI: Bostrom, Nick. "Ethical Issues in Advanced Artificial Intelligence", Cognitive, Emotive and Ethical Aspects of Decision Making in Humans and in Artificial In References [1] Bostrom, Nick, The Future of Human Evolution, Death and Anti-Death: Two Hundred Years After Kant, Fifty Years After Turing, ed. Charles Tandy, p. 339-371, 2004, Ria University Press. http://www.nickbostrom.com/fut/evolution.html [2] Drescher, Gary, Good and Real: Demystifying Paradoxes from Physics to Ethics, pp. 188, The MIT Press, 2006.
[3] Good, I. J., "Speculations Concerning the First Ultraintelligent Machine", Franz L. Alt and Morris Rubinoff, ed., Advances in Computers (Academic Press) 6: 31-88, 1965 Available at http://www.acceleratingfuture.com/pages/ultraintelligentmachine.html [4] International Technology Roadmap for Semiconductors, "International Technology Roadmap for Semiconductors, 2007 Edition" 2007. Web. 07 Jan. 2010. http://www.itrs.net/Links/2007ITRS/Home2007.htm [5] Halevy, Alon, Peter Norvig, and Fernando Pereira, "The Unreasonable Effectiveness of Data," IEEE Intelligent Systems, March/April 2009, pp. 8-12 http://www.computer.org/portal/cms_docs_intelligent/intelligent/homepage/2009/x2exp.pdf [6] Hall, J. Storrs, Beyond AI: creating the conscience of the machine. Amherst, N.Y: Prometheus, 2007. Print. [7] Hanson, Robin, "Idea Futures." George Mason University, 12 June 1996. Web. 08 Jan. 2010. http://hanson.gmu.edu/ideafutures.html. [8] Hanson, Robin, "Economic Growth Given Machine Intelligence." George Mason University, 1998. Web. 7 Jan. 2010. http://hanson.gmu.edu/aigrow.pdf [9] Joy, Bill, "Why the Future Doesn't Need Us", Wired Magazine, 2000. http://www.wired.com/wired/archive/8.04/joy.html [10] Kurzweil, Ray, The Singularity is Near: When Humans Transcend Biology. Viking Penguin, 2005. [11] Matheny, Jason G., "Reducing the Risk of Human Extinction", Risk Analysis, Volume 27 Issue 5, pp. 1335-1344, 2007. http://jgmatheny.org/matheny_extinction_risk.htm
[12] McCarthy, John, Marvin Minsky, Nathan Rochester, and Claude Shannon, "A Proposal for the Dartmouth Summer Research Project on Artificial Intelligence." Formal Reasoning Group Stanford University, 31 Aug. 1955. Web. 07 Jan. 2010. http://www.
[13] Omohundro, Stephen M., "The Basic AI Drives." Artificial General Intelligence, 2008 proceedings of the First AGI Conference, eds. Pei Wang, Ben Goertzel, and Stan Franklin. Vol. 171. Amsterdam: IOS, 2008. http://selfawaresystems.com/2007/11/30/ [14] Omohundro, Stephen M., "The Nature of Self-Improving Artificial Intelligence." Self-Aware Systems. 21 Jan. 2008. Web. 07 Jan. 2010. http://selfawaresystems.com/2007/10/05/paper-on-the-nature-of-self-improving-artificial-intelligence/ [15] Rawls, John, A Theory of Justice. New York: Belknap, 2005.VV
[16] Rayhawk, Steve, Anna Salamon, Tom McCabe, Michael Anissimov, and Rolf Nelson, "Changing the frame of AI futurism: From story-telling to heavy-tailed, high-dimensional probability distributions." Proceedings of the European Conference on Comp
called this the "intelligence explosion". Later authors have called it the "technological singularity" or simply "the Singularity" [10] [21]. The Singularity Institute aims to reduce the risk of a catastrophe resulting from an intelligence explosion. We do research, e we'd like to figure out how to make its consequences good rather than bad. We do not see ourselves as having the job of foretelling that it will go well or poorly. If the outcome were predetermined there would be no point in trying to intervene. We suspect that A or their low tribal status, are the stuff of science fiction. The more plausible danger stems not from malice, but from the fact that human survival requires scarce resources: resources for which AIs may have other uses [13] [14]. Superintelligent AIs with access to uman survival would become unlikely.Many AIs will converge toward a tendency to maximize some goal [13]. For instance, AIs developed under evolutionary pressures would be selected for values that maximized reproductive fitness, and would prefer to allo ally appear safe, but if developed to the point of an intelligence explosion could cause human extinction in the course of optimizing the Earth for their goals. An intelligence explosion may be sudden The pace of an intelligence explosion depends on two conflic ral factors suggest it would be high. The predominant view in the AI field is that the bottleneck for powerful AI is software, not than hardware. Continued rapid hardware progress is expected in coming decades [4]. If and when the powerful AI software is develop apable of producing a technological civilization. The first AI with humanlike AI research abilities might be able to reach superintelligence rapidly " in particular, more rapidly than researchers and policy-makers can develop adequate safety measures. Is conce sly, those made for the 1956 Dartmouth Conference) [12] do not guarantee that AI will never succeed. We need to take into account both repeated discoveries that the problem is more difficult than expected and incremental progress in the field. Advances in A cked. Given the size of the stakes and the uncertainty about AI timelines, it seems best to allow for the possibility of medium-term AI development in our safety strategies.
mous benefits. An AI smarter than humans could help us eradicate diseases, avert long-term nuclear risks, and live richer, more meaningful lives. Further, the prospect of those benefits along with the competitive advantages from AI would make a restrictive glo
arov just by inspecting Deep Blue, but an inspection might reveal that Deep Blue searches the game tree for winning positions rather than losing ones. comes of particular tactics chosen. This is important, because if the agent fails with a tactic, it can update its model of the world and try again. But during self-modification, the AI may need to implement a million code changes, one after the other, without any
vided that the AI can correctly project the result of its own self-modifications. Thus, the problem of Friendly AI is not in creating an extra conscience module that constrains the AI despite its preferences. Rather, the challenge is in reaching into the enormous des
, etc., rather than an AI preprogrammed with a fixed set of imperatives that sounded like good ideas at the time. sh slavery. Static moral values are clearly undesirable, but most random changes to values will be even less desirable. Every improvement is a change, but not every change is an improvement. Perhaps we could program the AI to "do what we would have tol urselves." In moral philosophy, this approach to moral progress is known as reflective equilibrium [15].
on theories are being proposed that aim to be stable under self-modification [2]. These models can be extended incrementally into less idealized contexts. to prevent dangerous evolutionary dynamics, and social scientists can investigate social or legal frameworks to channel the impact of emulations in positive directions [18]. efforts of scientists, graduate students, and funding agencies to the areas with the greatest potential benefits.
ks [23], improved methods for probabilistic forecasting [16] or risk analysis [11], and methods for identifying and aggregating expert opinions [7] can all improve the odds of a positive Singularity. So can methods for international cooperation around AI developm
ogram.
st outside talent we can find. We welcome potential co-authors, Visiting Fellows, and other collaborators, as well as any suggestions or cost-benefit analyses on how to reduce catastrophic AI risk.
e what the first replicator was to biology. The first single-stranded RNA capable of copying itself was not sophisticated, robust replicator " but it still had an important place in history, due to being first.
of the first self-improving Artificial Intelligences humanity builds may have a similarly large impact, for similar reasons. The values of future intelligence will shape future civilization. What stands to be won or lost is the value of future intelligences, and thus th
niversity Press). http://singinst.org/upload/artificial-intelligence-risk.pdf st AGI Conference, pp. 483-492 (Amsterdam: IOS Press). http://selfawaresystems.files.wordpress.com/2008/01/ai_drives_final.pdf g, pp. 339-371 (Palo Alto, CA: Ria University Press). http://www.nickbostrom.com/fut/evolution.html y.org/matheny_extinction_risk.htm xistential/risks.html ntelligence, Vol. 2, ed. I. Smit et al., Int. Institute of Advanced Studies in Systems Research and Cybernetics, 2003, pp. 12-17 http://www.nickbostrom.com/ethics/ai.html
l.
.formal.stanford.edu/jmc/history/dartmouth/dartmouth.html
/paper-on-the-basic-ai-drives/
puting and Philosophy. Universitat Autònoma de Barcelona, Barcelona, Spain. 4 July 2009. http://www.singinst.org/theuncertainfuture.html
called this the "intelligence explosion". Later authors have called it the "technological singularity" or simply "the Sing We do research, education, and conferences. Below, we make the case for taking artificial intelligence (AI) risks seriousl the intelligence explosion will occur, but we'd like to figure out how to make its consequences good rather than bad. We would be no point in trying to intervene. We suspect that AI is primarily a software problem that will require new insigh Notions of a "robot rebellion," in which AIs spontaneously develop primate-like resentment for their low tribal status, ar scarce resources: resources for which AIs may have other uses [13] [14]. Superintelligent AIs with access to pervasive solar, chemical, and nuclear energy. If such AIs found uses for this energy that better furthered their goals than suppor instance, AIs developed under evolutionary pressures would be selected for values that maximized reproductive fitness, an safe benevolence until they became powerful, since being destroyed would prevent them from working toward their goals. Thu human extinction in the course of optimizing the Earth for their goals. An intelligence explosion may be sudden The pace AIs to research more improvements, but an AI may also face the problem of diminishing returns as the easiest improvements view in the AI field is that the bottleneck for powerful AI is software, not than hardware. Continued rapid hardware prog hardware available to run many copies of AIs, and to run them at high speeds. This could amplify the effects of AI improve ing a technological civilization. The first AI with humanlike AI research abilities might be able to reach superintelligen premature? We don't know how to build an AI with human-level intelligence, so we can't have much confidence that it will (perhaps most infamously, those made for the 1956 Dartmouth Conference) [12] do not guarantee that AI will never succeed. W in the field. Advances in AI and machine learning algorithms [17], increasing R&D expenditures by the technology industry, give us advantages that past researchers lacked. Given the size of the stakes and the uncertainty about AI timelines, it
endly AI Concern about the risks of future AI technology has led some commentators, such as Sun co-founder Bill Joy, to s larly enormous benefits. An AI smarter than humans could help us eradicate diseases, avert long-term nuclear risks, and l would make a restrictive global treaty difficult to enforce. The Singularity Institute's primary approach to reducing AI ment, what we call "Friendly AI" [22].
ularity" [10] [21]. The Singularity Institute aims to reduce the risk of a catastrophe resulting from an intelligence explo ly, and suggest some strategies to reduce those risks. What We're (not) AboutThe Singularity Institute doesn't know exactly do not see ourselves as having the job of foretelling that it will go well or poorly. If the outcome were predetermined ht, not a hardware problem that will fall to Moore's Law. We are interested in rational analyses of AI risks, not storytel re the stuff of science fiction. The more plausible danger stems not from malice, but from the fact that human survival req data networks and autonomous robotics could radically alter their environment. For example, they could harvest all avai rting human life, human survival would become unlikely.Many AIs will converge toward a tendency to maximize some goal [13] d would prefer to allocate resources to reproduction rather than to supporting humans [1]. Such unsafe AIs might actively s, a broad range of AI designs may initially appear safe, but if developed to the point of an intelligence explosion could of an intelligence explosion depends on two conflicting pressures. Each improvement in AI technology increases the abili s are achieved first.The rate of improvement is hard to estimate, but several factors suggest it would be high. The predom gress is expected in coming decades [4]. If and when the powerful AI software is developed, there may by that time be a gl ements [8]. Humans are not optimized for intelligence. Rather, we are the first and possibly dumbest species capable of pr nce rapidly "Â&#x20AC;Â&#x201D; in particular, more rapidly than researchers and policy-makers can develop adequate safety measures. Is co l arrive in the next few decades. But we also can't rule out unforeseen advances. Past underestimates of the difficulty We need to take into account both repeated discoveries that the problem is more difficult than expected and incremental pro , hardware advances that make computation-hungry algorithms feasible [4], enormous datasets [5], and insights from neurosc seems best to allow for the possibility of medium-term AI development in our safety strategies.
suggest the global regulation and restriction of such technologies [9]. However, appropriately designed AI could offer sim live richer, more meaningful lives. Further, the prospect of those benefits along with the competitive advantages from AI risks has thus been to promote the development of AI with benevolent motivations that are reliably stable under self-impr
²
STAGE 3 - ERASING
warning
W ARNI N G: I stayed until dawn, decoding. When the sun peeped over the horizon at the Wyandotte campus, I had transposed into my own writing and signed my name to a two-hunderd-and-eighty-line poem entitled, simply, "To Pat." I am no judge of such things, but I gather that it was terrific. It began, I remember, "Where willow wands bless rill-crossed hollow, there, thee, Pat, dear, will I follow...." I folded the manuscript and tucked it under one corner of the blotter on Pat's desk. I reset the dials on EPICAC for a rocket trajectory problem, and went home with a full heart and a very remarkable secret indeed. Pat was crying over the poem when I came to work the next evening. "It's soooo beautiful," was all she could say. She was meek and quiet while we worked. Just before midnight, I kissed her for the first time--in the cubbyhole between the capacitors and EPICAC's tape-recorder memory. I was wildly happy at quitting time, bursting to talk to someone about the magnificent turn of events. Pat played coy and refused to let me take her home. I set EPICAC's dials as they had been the night before, defined kiss, and told him what the first one had felt like. He was fascinated, pressing for more details. That night, he wrote "The Kiss." It wasn't an epic this time, but a simple, immaculate sonnet: "Love is a hawk with velvet claws; Love is a rock with heart and veins; Love is a lion with satin jaws; Love is a storm with silken reins...."
LOBE
OPERATION
DT
FNTL
ACORN BUS EXTENSION
X
OCCL
VIA CONNECTOR PRINTER OR USER 1/O
X
CRBL
HEAT SINK ACCESS
-
PRTL
BW & COLOUR SIGNALS
L
DC POWER SUPPLY JACK
-
R
UHF MODULATED OUTPUT
-
Again I left it tucked under Pat's blotter. EPICAC wanted to talk on and on about love and such, but I was exhausted. I shut him off in the middle of a sentence. "The Kiss" turned the trick. Pat's mind was mush by the time she had finished it. She looked up from the sonnet expectantly. I cleared my throat, but no words came. I turned away, pretending to work. I couldn't propose until I had the right words from EPICAC, the _perfect_ words.
PH
X
, TRANSITION RATE (pF)
0 R G B
+
2
4
6
8
10
12
14
16
18
20
22
24
26
28
30
-
-
o
o
o
- - -
o o o
- - -
o o o
- - -
o - o - o -
- - -
o o o
- - -
o o o
- - -
o o o
- - -
o o o
o
o
-
o
o
-
-
o
o
-
-
o
o
-
-
-
o -
o -
-
-
o
o
-
-
o
o
-
-
o
o
-
-
-
100 %
-
-
-
-
o
o
-
-
o
o
-
-
o
o
-
-
o -
0 -
-
--- o
o
o
-
-
o
o
-
-
o
o
60
58
56
54
52
-
-
ERASING
oo-
-
, PROJECTED ONE HOUR RATE (3,600S)
t60M
50
48
46
44
42
40
38
36
34
32
a.7
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
o
o
o
²
CONGRATULATIONS
get your numner
YOU CAN WAKE UP NOW...
)
)
PH
, TRANSITION RATE (pF)
0 R G B
+
2
4
6
8
10
12
14
16
18
20
22
24
26
28
30
a.8
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
0
0
CONGRATULATIONS_ YOU WILL NOW BE NUMBER
B1
Please pick up your pamphlet on the way out & read thoroughly or simply insert micro-chip. [ insert one left side behind ear ]
t60M
, PROJECTED ONE HOUR RATE (3,600S) 100 %
32
34
36
38
40
42
44
46
48
50
52
54
56
58
60
²
THROUGHT PH EYES
vision
T A = 25˚ V CC = V = 5V
[ CHOOSE ONE ]
COW CANARY
PROTEIN
38G
PIG
TOTAL FAT
3G
CHICKEN
The Atlantic Canary (Serinus canaria), also called the Island Canary, Canary or Common Canary, is a small passerine bird belonging to the genus Serinus in the finch family, Fringillidae.
TONGUE
:)
62%
;0
15%
;-C
23%
+
+9 -2
PH
, TRANSITION RATE (pF)
0 2
4
6
8
10
12
14
16
18
20
22
24
26
28
30
32
MAR 30, 2064
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
t60M
, PROJECTED ONE HOUR RATE (3,600S) 100 %
34
36
38
40
42
44
46
48
50
52
54
56
58
60
a.1
[ PLEASE TAKE A COMPLIMENTARY MANUAL ]
R G B
+
MANUAL _ YOUR GUIDE TO BEING POSTHUMAN YOUR NEXT UPDATE IS ON: MAR
/
28
/
2071
WORLD PH REGULATION 237 STATES THAT ALL POSTHUMANS MUST COMPLY WITH A CHECK UP EVERY YEAR TO TWO YEARS AND HAVE A WARRENTY AT ALL TIMES OF AT LEAST 2 YEARS
THIS MANUAL MUST BE PRESENT WITH YOU AT EVERY UPDATE
THIS IS THE PROPERTY OF:
A23 - D5557150 X
²
MANUAL A
MANUAL _ Handling Instructions HANDLING All inputs and outputs of Intersil CMOS devices have a network for electrostatic protection during handling. OPERATING OPERATING VOLTAGE During operation near the maximum supply voltage limit care should be taken to avoid or suppress power supply turn-on and turn-off transients, power supply ripple, or ground noise; any of these conditions must not cause VDD - VSS to exceed the absolute maximum rating. IMPUT SIGNALS To prevent damage to the input protection circuit, input signals should never be greater than VDD nor less than VSS. Input currents must not exceed 10mA even when the power supply is off. UNUSED INPUTS A connection must be provided at every input terminal. All unused input terminals must be connected to either VDD or VSS, whichever is appropriate. OUTPUT SHORT CIRCUITS Shorting of outputs to VDD or VSS may damage CMOS devices by exceeding the maximum device dissipation.
FIGURE 1. HANDLING BASIC INPUT AND OUTPUT CONTRULS MANUALLY AND SETTING AUTO TUNE CTRL
R G B
+
handling instructiona
b.1
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
STATE
I
SYM
SI
F
LDI
OPERATION
DT
MWR
MRD
N
8
MRP
RP
0
FLT
RP
0
DATA
R0
0
I/O
R0
0
MR0> BUS; R0 + 1>O X, P> T;O>1E, 1> P
DVCE
RN
0
IDLE (CLEAR, WAIT+0)
(R-1) R0-1
MRP> D; RP + 1> RP
ORI
9 MRP OR D>; RP +1>RP
ANI XRI
MRP AND D> D + 1> RP
ADI
MRP OR D>; RP +1>RP
C
SDI
MRP> D; RP + 1> RP
D
SMI
MRP OR D>; RP +1>RP
F
SHL
S2
A B
DMA IN
E
MRP AND D> D + 1> RP MRP OR D>; RP +1>RP
S3
DMAOUT
INTERRT S1
LOAD
MRP AND D> D + 1> RP
>>
0
>
²
MANUAL A
02
MANUAL _ Never feel sad again WHAT YOU ARE FEELING Experiencing the change of becoming posthuman can be overwhelming. Please refer to this manual everytime you begin to feel something going haywire. Everything is changable now, it is just a matter of programming. INEXPRESSION If your warning levels are telling you that you are experiencing a low level of emotions, try this troubleshooting guide, or call our hotline. OVER EXPRESSION Over expressing emotions is not something that the augemented computing mechanism can handle. So to avoid unexpected shut down or re-boot, please make sure to get the tri-annual PH checkup required. INCORRECT OUTPUT If you know that your emotional experience is due to a faulty wire, please so not attempt to fix it yourself, even if you are a certified technician. Find your nearest technician and make an appointment immediately. CORRECTING INPUTING Please call our hotline for a more direct and thorough diagnosis. ERASING [USE WITH CAUTION] Do not use this unless it is an emergency. Resetting your system can result in a full erase and therefore leave you rendered helpless and unable to get the proper care that is needed.
FIGURE 2. DEALING WITH PROGRAMMING BASIC EMOTIONS, ONE INSTRUCTION CYLE, TWO OPTIONS
R G B
+
emotions
b.2
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
NO PILL
:)
I
SYM
U
SML
OPERATION
DT
CTRL> D; RP + 1> RP 39
FRWN
4 B
CTRL D>; F2 ANG CRY
;0
AUDIO
+
8
CTRL OR D>; RP +1>RP
D
SIG TR
;-C
CONTROL D> D + 1> TEAR
G CONTROL> RP1> RP CTRL OR >; RP +1>DP
C
JMP
DMA IN
CTRL AND D> D + 1> RP CTRL OPERATOR
DMA OUT
MRP AND D> D + 1> RP
INTERRT
MR0> BUS; R0 + 1>O X, P> T;O>1E, 1> P
LOAD
IDLE (CLEAR, WAIT+0)
>>
>
²
MANUAL A
03
MANUAL _ Sleep Mode HOW TO ACCESS YOUR SLEEP SETTINGS To correctly find your sleep mode button, give your self audio voice command. Begin with saying your correct identificaiton number and password out loud to yourself. Don't worry if others hear you, only your commands in your unique modulated voice with access your personal main control. Once verified, voice one of the commanding controls:
+ + +
SLEEP MODE ENERGY SAVING MODE WAKE UP CALL
After 30 seconds, you will have entered into one of the three modes. SLEEP MODE When in SLEEP MODE you will have to enter and appoximated wake time before you can enter into the mode. This ensures that you don't need to use emergency wake up. Also, this allows your system to save energy. Simply voice the time, am/ pm, that you would like to wake. There is a snooze command you can set for wake up as well. HOW TO COMPLETELY SHUT DOWN When completely shutting down, make sure that you are in a proper storage facility so that you can stay safe in shut down mode. It is dangerous to completely power down and should only be used with a technician. There is a code that the proper technician needs to input into your system before you can access this control. POWERING BACK UP When powering back up, you need a technican to get into your main controls when you are hooked up to the main mind controls. With the proper equipement, you can safely be powered back up. This may take 1-10 minuted depending on your unique programmin. To boot up in an emergeny, please turn to page 101.
FIGURE 3. SLEEP MODE / SHUTTING DOWN, ONE INSTRUCTION CYLE, THREE OPTIONS
R G B
+
recharging batteries
b.3
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
T A = 25˚
400
V CC = V = 5V
300
250
V CC = V = 10V
200
150
100
V CC = V = 5V
,
tTHL tTHL
TRANSITION TIME (ns)_ Sleep Mode
350
V CC = V = 10V
50
0 0
25
50 CL
75
100
125
150
175
200
, TYPICAL TRANSITION TIME (pF) >>
>
²
PERSONAL DATA
charts
04
TIMING_ Input vs Output levels
[ Propagation Delays Not Shown ]
FETCH [ READ ]
<
>
CLOCK 00 70 02 71
04 72 00 73 02 74 04 75 00 76 02 77
04 78 00 79 02 80
04 81 00 82 02 83 04 84 00 85 02 86 04 87 00 88 02 89 04 78 00 79 02 80 04 81
00 70 02 71 04 72 00
ADDRESS HI BYTE
LOW BYTE
HI BYTE
TPA
TPB
MRD
MWR TRUE DATA
VALIF INPUT DATA
FIGURE 3. BASIC DC TIMING WAVEFORM, ONE INSTRUCTION CYCLE; FOLLOW AS NEEDED
R G B
+
LOW BYTE
73 02 74
04 75 00 76 02 77
0
b.4
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
EXECUTE [ WRITE]
<
04 78 00 79 02 80
HI BYTE
04 81 00 82 02 83 04 84 00
85 02 86 04 87 00 88 02 89 04 78 00 79 02 80 04 81
LOW BYTE
>
00 70 02 71 04 72 00 73 02 74 04 75 00 76 02 77 04 78 00 79 02 80 04 81 00 82 02 83 04 84 00
HI BYTE
LOW BYTE
VALID OUTPUT DATA
²
PERSONAL DATA
charts
FETCH [ READ ]
<
>
CLOCK 00 70 02 71 04 72 00
73 02 74 04 75 00 76 02 77
04 78 00 79 02 80
04 81 00 82 02 83 04 84 00 85 02 86 04 87 00 88 02 89 04 78 00 79 02 80 04 81
00 70 02 71 04 72 00 73 02 74 04 75 00 76 02 77
ADDRESS HI BYTE
LOW BYTE
HI BYTE
LOW BYTE
LOW BYTE
HI BYTE
LOW BYTE
LOW BYTE
HI BYTE
LOW BYTE
TPA
TPB
MRD
MWR TRUE DATA
VALIF INPUT DATA
INSTRUCTION HI BYTE MACHINE CYCLE HI BYTE
MRD
MEMORY READ CYCLE
<
>
TPB
INSTRUCTION 2 HI BYTE
LOW BYTE
R G B
+
HI BYTE
LOW BYTE
<
b.5
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
EXECUTE [ WRITE]
<
04 78 00 79 02 80
HI BYTE
04 81 00 82 02 83 04 84 00
85 02 86 04 87 00 88 02 89 04 78 00 79 02 80 04 81
LOW BYTE
>
00 70 02 71 04 72 00 73 02 74 04 75 00 76 02 77 04 78 00 79 02 80 04 81 00 82 02 83 04 84 00
HI BYTE
LOW BYTE
VALID OUTPUT DATA
HI BYTE
LOW BYTE
HI BYTE
LOW BYTE
HI BYTE
LOW BYTE
HI BYTE
LOW BYTE
MEMORY READ CYCLE
HI BYTE
LOW BYTE
>
HI BYTE
LOW BYTE
²
PERONAL CHARTS
intelligence quotient score
06
SYSTEM VERSION_ 1.0 1
NAME FRANCINE PEFKO
2
DATE OF BIRTH OCTOBER 15, 2042
3
DATE OF PH DEVEELOPMENT JUNE 21, 2064
4
AGE OF TRANSFORMATION 22
5
STORE # B - 8210284 - 10010
6
CITY NEW SAN FRANCISCO
7
HAIR BLUE
8
EYES BROWN
9
IQ BEFORE 92
10
IQ AFTER
MAR /
28
FIGURE 6. PERSONAL CHARTS ONE
R G B
+
/
2071
[ Generalized I.Q. ]
b.6
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
tTHL, tTHL
INTELLIGENCE QUOTIENT (iQ)_ Origianl State
I .Q. IS NOT A TES T OF K NOWL EDGE, I T IS O N E S ABILITY TO R E ASON AND SOLV E C OMPLE X P R OBLE MS
110
120
130
140 VERY SUPERIOR
[ GENIUS ]
100
SUPERIOR
LOW AVERAGE
95
GIFTED
90
HIGH AVERAGE
80
AVERAGE
70
BORDERLINE
60
SPECIAL
YO UR PL AC E : 9 2
150
²
PERSONAL CHARTS
breakdown
07
NAME FRANCINE PEFKO
2
DATE OF BIRTH OCTOBER 15, 2042
3
DATE OF PH DEVEELOPMENT JUNE 21, 2064
4
AGE OF TRANSFORMATION 22
5
STORE # B - 8210284 - 10010
6
CITY NEW SAN FRANCISCO
7
HAIR BLUE
8
EYES BROWN
V GS = EXPONENTIAL RATES + V 1000
35
30
10
25
20
15
5V
5
0 0
1
2
3 PL ,
4
5
6
7
8
RATE PER MINUTE (rM)
T A = 40˚ C TO +85˚ C
40
V GS = EXPONENTIAL RATES + V 1000
35
ACTUAL RATE (mA)
IQ 92
tGHS,
9
T A = 40˚ C TO +85˚ C
40
PROJECTED RATE (Pr)
1
[ Personal Breakdown ]
tGHS,
SYSTEM VERSION_ 1.0
30
25
20
15 10 5V
5
0
FIGURE 6. PERSONAL CHARTS ONE
R G B
+
0
1
2 PL ,
3
4
5
RATE PER MINUTE (rM)
6
7
8
b.7
T A = 40˚ C TO +85˚ C
V GS = EXPONENTIAL RATES + V 1000
INPUT LEVEL (mA)_ Transformation
40
35
30
25
20
15 10 5V
5
tTHL, tTHL
tTHL, tTHL
OUTPUT LEVEL (mA)_ Origianl State
U NI S ANS Svetoslov Sim ov - Bulgaria 2009
0 2
3
4
35
30 30V
25
20
15 10
5
6
7
8
0
1
V GS = EXPONENTIAL RATES + V 1000
35
30
25
20
15 10 5V
5
2 CL ,
0
EX. INPUT LEVEL (mA)_ Transformation
RETENTION RATE PATTERN (rP)
T A = 40˚ C TO +85˚ C
40
5
tTHL, tTHL
1 CL ,
EX. OUTPUT LEVEL (mA)_ Origianl
V GS = EXPONENTIAL RATES + V 1000
0 0
tTHL, tTHL
T A = 40˚ C TO +85˚ C
40
3
4
T A = 40˚ C TO +85˚ C
40
5
6
7
8
RETENTION RATE PATTERN (rP) V GS = EXPONENTIAL RATES + V 1000
35
30 30V
25
20
15 10
5
0 0
1
2 CL ,
3
4
5
6
7
EX. RETENTION RATE PATTERN (rP)
8
0
1
2 CL ,
3
4
5
6
7
8
EX. RETENTION RATE PATTERN
>>
>
colophon_ designer_ ` – – – – – – – – – ` ` – – – – – – > FELICIA CHIARELLO instructor_ ` – – – – – – – – – ` ` – – – - - - - - – – – > ARIEL GREY COURSE PROJECT
typography .4 type promo book
HERO TYPE SECONDARY FACE
uni sans kettler
PAPER mohawk superfine_ultrawhite smooth recycled computer paper EPSON *4 Matte PHOTOGRAPHY_ ` – – – – _ – – ` ` – – – > FELICIA CHIARELLO UNKNOWN IULLUSTRATION FELICIA CHIARELLO
PUBLISHED
California Office Service***
989 Howard Street, San Francisco, CA 94118
R G B
+
0
0
0
1
0
1
0 1 0
1 0 0
0 1
0
0
1
0
1
0
0
0
0
1
1
0
1
0 1
1
1
1
0
0
0
0
1
0
1
1
1
0
0
1
1
1
0
1 1
0
0
0
0
0
1
1 0 1
1
0
1
0
1
1
1
1
0
0
1
0
0
0 1
0
1
1 0 0
1
1
0
0
1
1
1
0
1
0
0
1
0
0
1
0
0
1
0
0
0
1
1
1
0
0
0 1
1 0 0
1
1
1
0
1
0
1
0
0
0
1
1
0 1
1 0 1
1
1
0
1
1
0
1 0 1
0
0
1
1
1 0 0
1
0
0
1
€
1
1
0 1
0
0
0
1
0
0
0
0
1
1 0 0
0
1
0
0
1
1 0 1
1
0
0
0
1 1
1
1
0
0
1
1
1
1
0
1
0
1
0
1
1
0
0
1
1 0
1
0
1 0 1
1
1
0
0
0
0
1
1
0
0
1 1
1 0 1
0
0
0
0
1
0
0
1
0 1
0
1
0
0
0
0
1
0
0
1
0
1
1
0
0
1
1
0
1
1
0
1
0
1
1 1
0
1
1
0
1
1
0
1
1
1
0
0
1
0
1
1
1
1
0
1
0
1 0 0
0
1
0
0
0
0
0 0
†
0 0
0
0 1
1
0
1 0
1
1
0
0
0
1
0
0
0
1
0
0
1
0
1
1
0
1
0
0
0
0
0
1
0
0
1
1
1
0
1
0
0
0
1
1
0
0
1
0
1
0
0
0
1
1
0
1
0
0
1
0
1
1
0
0
1
1
0
0
0
0
1
1
0
0
0
0
1
0
1
1
0
1
1
0
0
1
0
0
1
0
1
0
0
0
0
0
0
1
0
0
0
1
1
0
0
0
1
1
0
0
1
0
1
0
1
0
0
1
0
0
0
0
1
1
0
0
1
0
0
0 1
1 0 1
1
1
1
0
1
1
1
1
0
1 1
1
0
0
0
0
0
0
0 0 1
0
0 1 0 1
0
0
0 0
0
1
1
0
0
0
0
0 1
0
0
1
1
0
0
0 0
1
1
1 1
0
0
0
1
0
0 0
1
0
0
1
0 1
1
0
0 1
0
0
0
1
0
0
1
0
0
0
1
1
0
0
1
0
0
0
0
1
0
0
0
1
1
0
0
0 0 0 1
0
1
0
1
0
1
0
0
0
0
0
0
1
0
1
∑
1
0
0
1
0
0
0
0
1
0
1
1 1
0
0
1
1
0
1
1 0 1 0
1
0
0
1
1
0
1
1
1
0
1
1
0
1
0
1
0
0
0
1
0
0
0
0
0
0
0
0 0
1
0
0
1
1
1 0
1
0
0
0
1
1 0
1 0 0
0
0 1
1
1 1
0
1
0
1
0
0
1
0
1
1
1
1
0 0
0
1 1
0
1 1
0
1 1
0
1
0
0
0
0
1
1
0
1 1
0
1
0
∑
0
0
0
1
0
0
0
1
1
0
1
1
0
0
0
0
0
0
0
1
1
1
1
0
0
1
0
1
1
0 0 0
1 1
1
1 1
1
1 0
1
0 0
0
1
0
0
0
0
1
1
1
1
1
0
0
0
0
0
0
1
0
0
0
0
0
0
0
1
1
1
1
0
1
1
1
0
1
0
0
0
0
1
1
0
0
1
0
0
1
1
1
1
1
1
1
0
1
1
1
0
0
1
0
1
0
0
1
0
1
0
1
0
1
1
1
0
1
0
1
0
1
1
1
0
0
1
0
0
0
1
0
0
0
1
0
0
0
1
0
1
1
0
0
0
0
1
0
1
1
0
0
0
1
0
0
0
0
0
0
0
0
0
1
1
0
1
1
1
1
0
0
0
0
1
0
0
0
0
0
0
1
1
1
1
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
0 1
1
0
1
1
1
1
1 0
1
1
1
0
0
0
0
0
1
0
0
1
1
0
0
1
1
0
0
1 1
1
1
0
0
0
0
0
0
0
1
1
0
1
0 0
0
1
1
0
1
1
0
0
0
0
0
0
0
0
0
0
1
1
1
0
0
0
0
0
0
0 0
0
0
0
1
1
0
0
1
1
1
0
1
1
0
1
1
0
0
0
0
0
1
1
0
0
1
1
0
0
1
1
0
0
1
1
0
1
1
1
0
1
1
0
0
0
0
1
0
0
0 1
0 1
0
1
0
1
0
0
0
1
1
0
1
0
0
1
0
1
1
0
0
1
0
0
0
1
1
0
1
0
0
0
1
0
1
1
0
0
0
1
0
0
1
1
0
1
1
0 1
0 0
1
1
0
0
0
0
0
0
0
0
1
1
0
0 1
1 1
1 1
1 0
1
1
1
0
1
0
1
1
0
1
1
1
1
1
0
0
1
0
1
0
1
0
1
1
0
1
0
1 1
1
1
0
0 1
0
1
1
0
0
0
1
1
0
1
0
0
0
0
1
1
0
1
0
0
0
0
0
1
0
1 0
1
1
1
1
0
0
0 1 1
1
0 1
1
0
0
0 1
0
0
0
1
0
0
1
0
1
0
1
1
1
1
1
1
0
0
0
1
0 0
1 1
1
1 1
0 0
0
1
0
0
0
1 0
1
0
0
1
0
0
0
1
1
1
1
0
1
1
1 0
0 0
0 1
1 0
1
0
0
0
0 1
1
1 1
1
1
0 1
1 0
1
1
1
0 0
1
1
1
0 1
1
1
0
1
1
0
1
1
0
1
0
0
0
0
1
1
0
1
1
1 1
0
0
0
1
1 0
0
0
0
0
1
1
1
0
0
0
1
1
0
1
1
1
1
0 0
0
1
1
1
0
1
0
0
0
1
1
0
1
0
1
1 1
1
0
0
0
0
1
0
0
1
0
1
0
0
1
1
1
1
1
1
0
1
1
0
1
0
1
1
0
0 1
0 1 1
1
1
0 0
1
1
0
1
0
1
1
1
1
1
0
1
1
0
1
1
0
0
0
0
0
0
1
1
0 1
0
0 1
1
1
1
1
0
0 1
1
0
1
1
0
0
0
1
0
0 0 1
0 1
0 0
1
1
1
0 0 1
1
1
1
0 1
1
0 1
0 0
0 0 1
0 0 0 0 0
1
0 0 0 0 1
0 0 1
1
1
0 0 1
0 1
0 0 1
1
1
0 1
0 1
0
0
0
1
1
1
0
0
1 0
0 1 1
1 1
1
0
0
0
0
1
0 1
1
1
0 0
1 0
1
0 0
1
0 0 1 1
0 1
0 1
0 0 0
1
0 1
0
0 0 0 0
0 1
0 1 0 1
1 1
1
1
0
1
0
0 0 0 0
0 0
0 0 1
0 0 0 0 0
1
0 1
0 0 0 0 1
0 0 1
0 0 1
0 1
0
1
0 0 0
1
0 1
0 0 1 0
1
0 0
0 1
0 0 1
0 0 1
0 0
1
0 0
0 0 1
1
0 0 1
1
1
0
0 1 1 0 1 0 0 1
0 1
Ł
1
0 0 1
0 0 0 1
0 1
1
1
0 1
0 1
0 1
0
0 1
0
1
1
0 1
0 0 1
0 0 1
0 1
1
0 0 0
0 1
0 1
0
0 1
0 0 1
0 0 1
1
0
0 0
0 0
0 1 1
1
0 0
1
1
1
1 1
0
1
0 1
0 0 0
0 1
1
1
0 0
0
0 1
0 1
Ł
0
0 1 0 0 1
0 0 1
0 0 1
1
0
0
0
0 1
1
0
0
0 0
0 0 0 0 1
0 1
0
0
0 1
0 1
0
0
0 0 1
0 1
0 1
1
0 0
0 1
0 1 1
0 1
0 0
1
0 1
0
0 1 1
1
0 1
0 1
1
0 0
0
0
1
0
0
1
0 0
0 1 1 0 1 0 0 0
1
0
0
1
0
0
0
0
0 1
0
1 0
0
1
1 0
0
1 1
0
0
0 0 1
0 1
0
0
0
0 0 0
0 0 1
0 0 1
0 1
0
1
0 0 1
1
0 1
0
1
0 0 0 1
0 1
0
0 1
1
0 0
0
0
0
1
1
1
1
0
1
1
1
0
0 0 0
¤ 0
0
0
0
1 1
0
0
1
1
1
1
0
0
0
0
0
0 0
0
0
0 1
0 0
0
0
1
1
1
0
1
1
0
0 0 0 0 0
1
1
0
0
1
1 0 0 1
0
0 1
1
0
1
0 1
1
0 0
0 1
1 1
1
0 1
1
0
0 0
0 0 0 0 1
0
0
0
0 1
1
0 1
0 1
1
1
0
1
0 0
1
1
0
1
0 1
0
0
0
1
0
0
1
1
1
0 1
0 0 1
1
0 1
1
1
1
0 0 0 0 0
0 0 1
1
0
1
0 1
0
1 1
0 1
0
0 0 1
0 1
0
0 1
0
1
1 0 0 0 1 1
0
0
1
1
1
0
0
0
0 0
1
0
0
0
1
1
0
0
0
0
1
1
1
1
1
0 1
1
0
1
0 1
0
0
0
0
1
0
0
1
0
1
1
0
0
0
1
1
0
0
0
1
0
1
0
0
0
1
0
0 0
1
1
1
1
0
0
1
1
0
0
1
0
1
0
0
0
1
1
0
0
0
1
0
0
1
0
v
1
1
0 0
0
1
1
1 0
1
0
0
0
1
1
1
1 0
1
0 0
1 0
1 1
1
0
1
0 1
1 0
0 1
1 0
0
0
0
0 0
1 1
0
0
1
0
1
0
0
0
0
0
1
0
0
0
0
0
0
0
0
0
0
1
0
0
e 1
0
1
1
1
0
1
1
0
0
0
1
1
0
1 1
1
1
0
1
0
1
1
1
0
0
1
0
1
0
1
0
0
0
0
0
1
0
0
1
1
0
1
0
0
0
0
0
0
0
0
0
1
0
1
1
0
1
1
1
0
0 1
0
0
0
1
0
0 1
1
0
0
0
0
1
0
0 1
0
0
1
0 0 0 0 0
0 0 1 0 1
1
0
0 1
0 0 1
0 1
1
0 0 1
0 0 0 0 1
1 1
0
0 1
1
1
0
0
0 1
1
1 1
1
0
0 1
0 0
0 1
1
1
1 1
0 0 0
0 0 1 0
1
1
1
0
1
1
1
0
0
1
1
0
1 1
0
1
0
0
0
1
1
1
0 1 0
0 0
0 0 1
0 1 1 0 0 0 0 1
1 0
0
1
1
0
1 1
0 1
1
1
1
1
0 0 1
0
0
0
0
1
0
1
0
0
1
0
0
1
1
0
1
1
1
0
0
0
0
1
1
1
0
0
0
1
0
1
0
1
0
0
1
0
1
0
0
0
0
0
1
1
0
0
0
1
0
1
0
0 0
1 0
1
1
0
0
1
1
1
1
0
1
1
0
1
0
‡
1
1
1
0
0
0
0
0
0
1
1
1
1
1
1
0
0
0
0
0
1
1
0
0
1
0
1
0
1
1
1
1
1
1
0
1
0
0
1
1
1
0 0
0
0
0
0
1
0
0
1
0
1
1
1
0
0
0
0
1
1
0
0 0
0
1
0
0 0
0
0
1
0
1
0 0
0
0
1
0
1
1
1
0
1
0
0
1
0
0
0
0
0
0
1
1 0
1
1
0
1
1
0
1
0
1
0
0 1
0
0
1
1 1
1 0
0
1
0
1
1
1
0
1
0
1
1
0
1
0
0
0
1
0
0
0
1
0
0
1
0
1
1
0
0
0
0
1
1
1
0
1
0 0
1
0
1
1 1
0
0
0
0
0
0
0
0
1 0
0
0
0
1
0
0
1
0
1
1
1
0
1
1
1
0
1
1 1
0
0
0
0
1
1
1
0
1
1
0
1
1
0
0
0
1
0
0
0
1
0
1
0
0
1 1
0 0
1 1
0
1
1 0
0 0
1 1
0
0
1
0 0
0
1
0
0 1
0 1
1 0
0
0
0 1
1 0 1 1
1
0
0
1 1
1
1
œ
1
1
0 0
0
0
0
1
0
0
1
1 0
0
1
0
0
1
1
0
0
0
0
0
0
1
1
1
1
1
0
0
0
0
0
1
0
0
1
0
0
0
0
1
1
0
1
0
0
1
1
0
0
0
0
0
0
1
0
1
0
1
0
1
0
0
1
0
1
1
0
0
1
0
0
1
0
0 0
0
0
1
1
1
0
0
0
0 0
1
1
1
0
0
1
0
1
0
1
1
0
0
0
0
1
0
1
1
0
0
1
1
1
0
0
0
1
1
0 1
0 0
1
0 0 0 0 0
0 1
1
1
1
0 1 1
0
0 0 1 0 0 0 0 0 1
1
0 1
1
0
0
0
0
1
0
0
1
0
0
0
0
0
1
0
0
0 1 0
0
0
0
0
0
0 1 0 0 1
1 0
1
0
1
0
0
0 1
1
0
0
0 1
1 1
1
0
0
1 1
0 0
0
0
0
1
0
0 1 1 0 0 1 0 1
0
0
1
0 1
1
1
1
1
0
0
0
1 1
1
0
1
1
1
0
0
1 0
1
1
0
0
0
0
0 1
0
0
0
0
0 0
1 0
1 0
0
0
1
0
0
0
0 0
1
1
0
1
1
1
0
1
0 0
0 0
0
1
0
0
0
1
1 0
0 0
0
0
1
1
1
0 1
0
1
0
0
0
1
1
0
0
0 0
0
1
0
0
0
0
0 0
1
1
1
1
0
1
0
1
0
1
0
0
0
1
1
1
0
0
1
1
1
1
0
1
0
0
0
0
1
1
1
0
1 0
0
0
0
1
1
0
0
0
0
1
0
1
0 0
1
1
0
1 1
0
0
1
0
0
0
0
0
1 0
0 1 1 1 0 1 1 0
0
0
0
0
1
0
0 1
1
0
1
0
0
0
0
0
1
1 0
0
0
1
0 1
1 0
0
1 1
0
1
1
0 1
0
0
0
0
0
0
0
1
0
1
1
0
0
0
1
1
1
0
0
0
0
0
0
0
0
0
0
1
1
0
0 1
0
0
1
0 0
1
1
0
1 1
0
0
0
1 1
0
0
N
1
1 0
0
1
0
1 1
0
0 0
1
0
0
1
0
1
0
0
0
0
1
0
1
0
1
0
0
1
1
0
0
0
0
1
1
1
1
1
0
0
0
1
0
0
1
1
0
0
0
1
0
1
1
0 0
1
1
1
1
0
0
0
1
0
0
1
0 0
0 0
0
1
0
0
0
1
0
1
1
0
0
1
1
0
0
0
0
1
0 1
1
0
0
0
0 0 1
0
1
0
0
1 1
1
1
0
0
1
0
0
1
0
1
0
1 0 1
0
0
0 0
1
v 1
1
0
1
0
0 1
1
0 1
1
0
0 0
1
0
0
1 0 0 0
0
0 0
1
0 1
0
0
0
1
0
0
0
1
1
1
0
0
0
0
0
0
1
1
1
0
1 0
0
0
1 0
0
1
0
0
0
0 1
1
0
1
0
0
1
1
0
0 1
1
1
1
0
0
0
1 0
0
1
1
0
0
1
0
1
0
0
0
0 0
1
0
0
1 1
0
1
1
0
0 0 0 0
0
0
0
0
0
0
0
1 1
0
1
1
0
0
1
1
0
0
0
1
o
1
1
0
1
0
1
1
0
1
0
0
0
0
1
0 1
0
1
0
1
0
0
1
0
0 0 0 1
0
0
1
0
0
1
1
1
0
0
1
0
0
0 1
0
1
0
1
0
0
1
1
1
0
0
1
0
1 0 1
0 0 1
0
0
0
0
0 0
0
1
0
1
0
0
0
0
0
1
0
0
0
0
0
0
1
0
1
1
0
1
1
1
0
1
0
0 1
0
0
0
1
0
0
0
1
0
1
1
0
0
1
1
0
0
1 0 1
1
0 1
0
1
0
0
0
0
0
1
0
0
0
1
0
1 1
1
0
1
1
1
0
0
0 1
0
0
1
0
1
Ð
l 0
1
0
1
0
1
1
0
0
0
1
0
1
0
1
1
0
1
0
0
0
1
0
0
0
0
0
0 0 1
0
1
1 0
0
0 0 1
0
0
1 1
1
1
0
1
f
1 0
1 0
1
1
1
1
0
0
0
0 0
1
0
0
0
0
1
1
1
1
0
0
1
0
0
0
1
0
0
0
0
0 1
1
1
0 1
1
1
0
1 0
0 0
0 1
0 1 1 0 0 0 0 1 0
1 0
0
1
1
1 1
0 0
0
1
1
1
1
1
0
0
0
0
1
0
0
1
0
0
0
1
0
1
1 0
0 0
0
1 1
0
1
1
1
0 0
1
0
0
1
1 0
1
0
0
1
1
0
1
0
1
1
1
0
0
1
1
0
1
0
1
1 0 0
0 1
0
1
1
1
0
1 0 1
0
1
0
1
1
1 1
1
0
1
1
0 0
0
0 0
1
1
1
1 1
1
1 1
1
0
1 1
1
0 1 1 0 1 0 0 0 0
0 1
1
1
1
1
0 0
0
1
0
0
1
1
0 1 0
0
0
0 1
1
0
0
0
1
1
1
1
0
0
0
0
1
0
0
0
0
0
0
l
0
1
1
0 0
1
1
1
0
0
0
0
0
1
0
0
0
1
0 0
0
0 1
0
0
0
0
1
0
0
0
0
0 0 0
1
0
0
0
1
0
0 0
0
1
0
1
1
0
0
0
0
0
1
0
0
0
1
1
1
0
1
1
1
1
1
0
0
0
0
0
1
1
0
0 0
0
1 1
1
0
1 1
0
0
1
0 0
1
1
1
0
1 1
1
0
0
1
1
1
0
0
0
1
0
0
0
0
1
0
0
0
0
1
0
1
0
1 0 0
0
0
0 1
1
0
0 1
0 1
1 1
1
0
0 0
1
0 1
0
1
1
0
0 0
1
1
0 1
0
1
0 0
0
1
1
0
0
0
0
0
1
1
0
1
1
0
0 0 1
0
0
0
0
0
0 1
0
0
0
0
0 0
0 0
0
0
0
0 1
0
0 1
1 0 1
0
1 0 0
1 0 0 0 0 0 1
0
1
1
0
0
0
0
1
1
1
0
0 1
1
1
0
0
0
1
1
0
1 1
0
1
1
0
0
0
0
0
0
0
1
0
1
0
1
0
1
1
0
0
1
0
0
1
1
0
0 1
1
0
0
0
0
0
0
0
1
1
0
1
1
0
1
0
0 0
0 0 0
0
0
0
0
0
1
0
0
1
1
0 1
0
0
1
1
1
0 0
1
0
1
0
0
1
1
0
1
1 0
1
0
0 1
0
0
1 0
1
0
1
1 0
1
1
1
1 0
0 1
0
1
0 1
0
0
1
1
1
0
1
0
0 0
0
1
0
0
1
i
i 0
0 0
1
1
1
1
1
0
1
1
0
0
0
0
0
1
0
0
1
0 1
0
0
1
1 0
1
1
0
0 0 1
0
1
0
1
1
0
1
0
1
0
0 0
0
0
0
0
1
0
1
0
1
0
0
9
2
0
0
1
1
0 0
1
0
1
1
0
1
0
1
0
1
1
1
0
1
1 0
1
0
1 0
0
0
1
1
0
0
0
1
1
0 0
0
0 0
0 0
1
0
1
0
0
1
0
1
1
0
1
1
0
0
1
0
1
1
0
0
0
0
0
1
1
1 1
0 1
1
0
1
0
0
1
0
1
1
0
0
0
0
0
0
0
1
0 1
1
0 1
1 1
0
0
0
1
0 0
1
1
0
0
0
0
0
0
0
1
0
0
1
0
0
0
0
0
0
1
1
1
0
0
1
0
0
0
1
0
1
1
1
0
0
0
1
0
0 0 0 0
0 1
0 0 1
0
0
0
.
0
0
0
1
0
0
1
0
0
0
0
1
1
0
1
1
1 0
0
0
0
1
1
0
0
0
1
0
0
0
0
0 0 1 0
1
1
1
0
0
1
0
1
1
1
0
0
0 0 0 0
1
1
0
1
0
0
0 1
0
0
1 1
0
0
1
0
1
0
0
1
0
0
0
0
0
0
1
1
1
0
0
0
1
0 1 1 0 0 0 0 1
1
0
0
0
1
0
0 1 1 1 1
0
0
0
0
1
0
1
1
0
1
0
0
0
0
1
0
1
1
0
1
0
0
0
0
1
0
0
1
0
1
0
0
1
1
1
1
1 0
1 0
0
1
0 1 1
1
1
0
0
1
1
1
1
1
0
1
0
0 1
1
0
0
1
1
1
0
1
1
0
0
0
0
0
0
1
0
1
0
0
0
1
1
0
0
1
0
0
0
1
0
0
0
0 0
1
1
0
0
1
0
0
1
0
1
1
1
0
0
1
0 1
0 1
1
0
1
1
1
0
0
0
1
0
0
0
0
0
1
1
1 0
0
0
1
0
0
0
1
0
1
1
0
0
1
0
0
1
1
0
1
∆
0
1
1
1
0
1
0
0
1
0
0
1
0
0
0
0
0
0
0
1
1
0
1
1
0 1
0
1
1
0
1 0
1
0 1
1
0
0
1
0
1
1 1
1
1
0
0
0 1
1
1
1
0 0
0
0
1
0
1
1
1 1
1 0
0
1
0
1
0
1
1
0
0
0
1
1 0
0
1
0
0
0
0 1
1
1
1
1
0
0
0
1 0 1
1
0
1
0 0
0
0 0
0
0
0
∞
0 1
1
1
0
1 1
0
0
0
0
1
1
1
0
0
1
0
0
1 1 1
0
1
0
1
0
1 0
1
0
0
1
0
0
0
1
0
1
1
0
1
1
1 1
0
1
0
0
1
1
1
1
0
1
0
0
0
1
0 0
0
0
1
0
1
1
1
0
0
1
0
1
1 0
0
0
1
1
0
1
1
0
0
1 1
1
0
1
1
0
1
0
1
1
1
0
1
0
1 1
1 0
0 0
1
1 0
1
1
0
0
1
1
1
0 1
1
0
1
1
1
1
0
1
0
0
0
0
0
0
0
0 1 1 0 1 1 1 0 1
1
0 0 1
0
0 0 1 0 0 0 0
1
0 0 1 1
0 1 0 0
0
0 0 0 0
1
0 0 0 0
0 1
1
0 1
0 1
1
0 0 1
0 1
1
0 0 0 1
0
1
1
0
1
0 0
0 1
1
1
0
1
0 0
0 0 1
0
1
1
1
0 0 1
1
1
1
0
0
1
1
1 1
0
0
1
0
1
1
0
0
1
0 0 0
1
1
1
1
0
0 0 1
0
0 0 0 0
0 1 0 1
0 0
1
1
1
1 1
0 1
1
1
0 0 0 0
0 0 1
0 1
1
1
0 0
0 1
1
1
0
0 1
0 1
1
1
0 0 1
1
0 0 0 0
0 1
0 1
1
0 1
1
0 0 0
0 1
1
0 1
0 0
0 1 1
0 1 0 1
0
0 1 1 1 0 1 0 1
0 0 1 0 0 0 0
0 1 1 0 0 1 0 0
0 0 1 0 0 0 0
0
1
0
1
0
1
0
0
0
1
1
0
0
0
0
1
1
1
0 1
0 1
0 0 0
1
0
1
1
0
1 1
0
1
1
0
0
0 1
0
1
0
1
0 1
0 0
0
1
0 0
0 1
0 1
1
0 0 0 1
0 1
1
0 1
1
0
0
0
1
0 0 1
1
1
0
1
0
1
1
1
1
1
0 1
1
0
1
1
0 1
0
1
0
0
1
0
1
U
0
0
0
1
0
0 0 1
0 1
0
0
0 0
1
0
0 1
1
0 0
0 1
0
M
0
0 1
1
0 1 1 0 1 1 0
1
1
1
0
1
0
1
1
0
1
0 0 0 0
0 1
1
1
0
1
0
1
1
0
0
0
1
1
1
0
0
0 0 1
1
0
0
1
0 0 0 0
0 0
0
0
0 0
0
0 0 1
0
0
1
0 0 0 0
0
0 1
1
0 0 0 0
0 0 0 0
0 0 0 1
1
0 0 1
0 0 1
0 1
1
1
0 1
0
1
0
1
0
1
0 0 0 0
0 0 1
0 0 0 0
1
1
1
0 1
1
0
1
0
0 1 1 0 1 1 1 1
0
0
1
0 1 1 0 0 1 0 1
1
1
1
0
1
1
1
0
0
0
0
0 1
0 0
1
0 0 1 0 1 1 0 0 0
0
1
0
0 0
0 1 1 0 1 0 0 1 0
0
0
0
0
1
0
0
0
0
1
0
0
0
0
1
1 1
0
0
1
1
0
0
0
0
1
0 0
0
0
1
0
0
0
0
0 0
1
0 1 1 0 0 0 0 1
0
0
0
0 1
1
0
0
1
0
0
1
1 0
0
0 0
0
0
0
1 0
0
0
1 1
1
1
1
g
0
1
1
1
1
0
0
1
0
1
1
0
0
1
0
1
1
0 1 1 1 0 0 1 1
0
0
0
1
0
1
0
1
0
1
1
0 1 1 1 1 0 0 1
0
0
0
1
0
0
1
0
1 1
1
0
0
1
0
0
1
1
1
1
0
0
1 1
0
0
1
1
0
1
1
1
1
1
0
1
0
0 1
1
1
0 0 1 0 0 0 0 0
0
0
0 1
0
0
1
0
0
0
0 1 1 1 1 0 0 1
1
0
0
1
0 1 1 0 1 0 1 1
0
1
0
0
0
1
0
1
0 0
1
0
1
1
1
0
0 0
1
1
0
0
0
0
0 0
0 0
0
1
1
0
i
0
0
1 1
i 0
0
1
1
1
1
0
1 0
0 1
1
0
0
0
0
0 0 1 0 0 0 0 0
1
0
1
1
0
1
0 1 1 0 1 1 1 1
0
0
0
1 0
1
H
1
1
1
1
0
0
1 0
1
1
0
1
0 1
0
1
0
1
0
0
1
1
0 1
1
1
0
1
1
0
1 0 0
0
1
0
0
0
0
0
0
0
1
1
1
1
0
1
1
1
1
0
1 0
0 1
0
0
1 1
1 0
1
1
0
1
1
1 1
1
n
1
0 0
1
0
0
0
0
0
0
0
0
0
0
1
0
0
1
0
0
0
1
0
0
1
0
0
0
1
0
1 0
0 1
0
1
1
1
1 1
0
0
1
0 1 1 0 0 1 1 0
0
0
1
0
1
0 1 1 0 1 1 1 1
0
1
1
1
1
0 1
0
1
1
0
0 1 1 0 0 1 0 1
0
1
e
0
0
1
1
0
1 1 0
1
0
0
0
1
1 0
0
0
1
0
0 0
1
0
0
0
0
1
1
0
0
1
1
0
1
1
1
0
0
0
0
0
0 0
0
0
1
1 1
0
0
0
0 1
0
0
0
0 1
0 1
0
0 0
1
0 0
0
0
0
1
1
0
1
0
0 1 1 1 0 0 1 1
1
0 1 1 0 1 1 1 0 1
1
0
0
1
0
0
0
¤
1
0 0 1 0 1 1 0 0 0
1
1
1
0
1
1
1
0
1
1
0
1
0
0
1
1
0
0
0
1
0
1
0
0
0
0
1
0
0
0
0
0
0
0
0
1
0
0
0
1
0
1
0 0
1
1
1
0
0
0
1
1
0
1
1
0
0
1
0
1
0
0
0
0 0
0
1
1
1
0
0
1
1
1
0
0
1
0
1
0
1
0
0
0
0
1
1
0
0 1 0 0 0 0 1 1
1
1
0
1
0
0
1
1
0
0
0
0
0
0
0
1
1
0
1
0
0
1
1
1
1
0
0
1
1
1
1
1
1
1
0
1
0
1
0
0
1
0
0
1
0
0
1
1
1
1
1
1
0
1 1
0
1
0
0
1
1
0
1
1
1
0
1
0
1 1
1
1
0
0
0
0
1
0
0
0
0
0
0
0 1 0 0 0 0 0 1 0
0
0
0
1
1
1
1
0
1
0
0
1
0
1
0
1
0
1
1
1
1
1 1
0
1
1
0
1
1 0
0
1
1
1
0
1
0 0
1
1
0
0
0 1
1
1
0
0
0 0
1
0
0
0 0
0
1
1
1 1
1
0 1
0 1
0
1
1
0
1 0
0
0
0
1
1
0
1
0
4
1 1
0
0
0
5
1 0 1 1 0 0
1
1
0
0 1 1 0 1 0 0 1
0
0
0
0 0
1
0
0
1
0
1
1
0 0 0 0
0
1
0
1
0 1 0 1
0
0
1
0 1
1 1
1
0
1
0 1 0 1
0
1
1
0 0
0
1
0
1
0
1
1
1
0
1
0
0
0 1
1
1
1
0 0 1 0 0 0 0
0 0 0 0
0 1
0 1
1
0
1
1
0
0 0
0
1
1
0
0
0
1 0
0
0
0
1
1
0
0
0
0
1
0
0
0
0 1 1 0 1 1 1 1
0
0 1
1
0
0
0
0 1
1
0
1
0
1
1
0
0
0
0 0 0 0
0
1
0
0
0
0
0
1
1
1
0
1
0
1
0 0
0
1
1
0
0 1 1 1 0 1 0 0
0
0 1
0
1
0
1
1
0 1
1
0
1 0 1
1
0
0
0
1
1
0
1
0
1
1
0 1
1
0
0
0
0
0 0 1
1
0
0
1
1
1
1
0
1
0 0 0 0
1
0
1
0
1
1
0 0 1 0 0 0 0 0
1
0
0
0
0
1
0
1
0
1
1
1 0
0
1
1
1
0
0 0
1
0
1 0
1
1
0
0
0
1
1
0
0
1
1
0
0
0 1
0 0 1 0 0 0 0 0 0
0
0
1
0
0
1
0
0
0
1
1 0 1
0
0 0 0 0
0 0 1
1
0
1
1
1
0
0 0 1
1
1
0
0
0
0
0
1
0
0 0
1
1
0
1
1
1
0
0
1
1
0
1
1
0 1
0
0
0
1
0
0
0 1 1 1 0 1 0 0 0
0
1
0
0
0
0
0
1
0 0
1
1
0
0
1
0
1
1
0 1
0
0
b
1
0
0
0
0
0
1
0
0
0
1
0
0
0
1
0
0 1
1
1
1
s
1
0
1
0
1
1
1
1
0
1
0 1
0
0
0
0
0
1
0
0
0 1
0 1
1
0
0
0
1
1
0
0
0
1
0 0 1
0 1
0
0
1
0
0
1
1
0
0
1
0
1
1
0 1
1
0
0
1
1
0
0
1
1
0
1
1
0
1
1
1
0
1
0
0
1
0
1
1
0
1
0 1
0
1
1
0
1
0
0
0
1
0
0
0
1
1
1
1 1
0
0
0
1 1
1
1
0
1 0
1
0
0
0
1
0
0
1
0
0
0
0
1
1
1
1
0
1
1
1
0
1
0
1
0
1
1
0
1
0
1
1
1
0
0 1
1
0
1
0
0
0
0
1 1
0
1
0
0
1
¥
0 1
0
1
1
1
1
0
0 1
0
1
0
0
0
1
0 0
1
1
0
1
0
1
1
0
0
0
0
0
0
1
0
0
0
1
0
0
1
1
1
1
0
1
1
1 0
1
1
0
0
1
1
0
1
0
0
0
0
1
0
0
0
0
0
1
0
1
1
0
0
1
0
0
0
0
1
1
1
0
0
0
1
1
1
0
0
0
0
0
0
0
1
0
1
0 1 1 0 1 0 0 0 1
0 1 0 0 0 0 1 1
0
0
0
0
1
0 1
0
1
1
0
0
0
1 1
0
1
1
0
0
0
1
0
0 0
0
0
0
1
0 1
1
7
1
1
0
0
0 0
0
1
1
0
0 0
1
1
0
0
1
0
1
0
1
1
0
0
1 0
0
0
0
0
0
0
0 0
1
1
0
0
0
0
0 0
1
1
0
1
0
0
1
1
0
1
1
0
0
0
1 0
0
1
0
1
1 0
1
1
0
0 0
0
1
0
1
1 0
1
0
1
0 0
0
0
0 1 0
1
1 0
1
1
0
1 1
0 1
0
1 0
0
0
1 0
1
0
1
0
0 0
0
0
0 1
1
0
0 1
1
1
1
0
0 1
,
1
1
1
0
1
1
0
0
1
1
0 0
0
1
1
0
1
0 0
0
0
0 1 0
0
0 0
0 1 1 0 0 1 1 1
0
1
1
0 0
1
0
4
0
0
0
0
0
1
0
0
0
1
0
1
0
1
1
0
0
0
1
1
0
0 1 1 0 0 1 0 1 0
0
‰
1
1
0
0
0
0
0
0
0
0 1
1
1
0
0
0 1
0
1
1
0
1
0 0
1
0
0
0 1
0
1
0 0
1
1
1
1
0 1
0
0
0
0
1 0
1
0 1 0 0 1 0 0 1
1
0
0
1 1
1
1 0
1
0
1
3
1
1
1 1
0
1
0
1
1
0
0
1
1
0
0
0
0
1
0
0
0 1
1
1
1
1 1
0
0
0
4
0
0
1
1
0
1
0
0
0
0
0
0
1
0
0 0
0
0
1
,
0
1
1
0
1
0
0
0 0 0
1
0
1
0
0
1 0
0
0
1
0
0
0
1
1
1
1 0
1 0 1
0
1
0 0
1
1
Ł
1 1
0
1 0
0 1
1
0
1
0
1 0
1
0
0
0
1
1
1
1
1
0
1
1
0
1
0 1
1
1
0 0
0 0
0
1
0
1 0
1
0
1
0 1
0 1
1
0
0
0
1
1
1
1
0
0 0
0 0
0
1
0
0
1
1
0
1 0
1
0
0
0 0
0 1
0 1
0
1
0
1
0
0
1
1 0 0
1
1
0
0
0
0
0 0 0
0 1
0
0
0
0
0
0
1
0
0
0
0
1
0
1
0
1
1
1
0 1
0
0
1
1
1
0
0
1
1
0 1 0
0 0
0
0
1
0 1 1 0 1 1 1 0
0
1
0
0
1 0 0 0
1
0 0
1
1
0
0
0 0
1
0
1 0
0
1
0 1
1
0
1
0
1
0
0 1
0
0 0
1 1
0
0
0
1
1
0
0
1 0
1
0 1
0
1
0 0
0
1
7 6
0
1
1 1
1
1
1
0 1
0
1
1 1
0
0
0
0
0
1
1 0 1
0 1
1
0
0
0 0 0 0
0 1
0
0
1
0 1
1
0
1
0
0
0 0
1 1
1
0
0
0
0
0
0 1
0
0
1
1
1
0 1
1
1
0
1 0
1
0 0
1
0 1 0 1 0 0 0 0 0
0
0
0
1
0
0
1 1
0 1
0
1
0
0
0
0
1
0
0
0 0
1
1
0
0 1
1
0
0
7
0
0 1
0 0
0
0 1
0
1
0
1
0
0 0 1 0 1 1
1
1
$ 0
0
1
0
0
1 0
0 1 1 0 1 0 0
0
1
1 1
1
0
1
1
1
1
0
1
0
1
0
0
0 1
0 0
0
0
0
0
0
0
0 1
0
1
0 1
0
0
1
1 1
1
1
0
0 1
0
0
0 0
0
0
0 1
1
1 0
0
0
0
1 0
1
0
1
1
1
0
1 0 0 1
0 1
1
1
1
0
0
1
0
0
0 1 1
1
0
1
0
1
0 0
0 1
1 0
0
1
0
1 1
0 0 1
0 0
0
1
0 1 1 1 0 0 1 0
0 0
0
0
0
0
0
1
1
0
1
0
1
1
1
0
0
1
0
0 0 0 0
1
1
1
0 1
0 0 1
0 0 1
1
1
0 0 0 0
0 0 1
0 1
0
0 1
0 1
0 0
1
0 0 1
0
0 0 0 0
0 1
1
0 0 0 1
0 1
1
0 0 1
0
SAFE HANDLING INSTRUCTION S This robot was prepared from inspected and passed meat a nd/or hardware. S ome robo ts m ay contain wires that could cause malfunctio n if they become crossed or handled improperly . For your protecti on, follow these sa fe handling instru cti ons. Sync al l advanced da ta ch ips when update is available. Keep a ll parts well oiled and be sure to wash hands aft er handli ng as the oils used in t he mec hanics may be harmful to hu man skin . Recharge f ully and regularl y. All repai rs must be done by the proper t echnican s