PORTFOLIO
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Félix Bourgeau Landscape architect [DPLG] / Photographer
v
+33 (0) 615 05 02 02 • felixbourgeau@gmail.com www.felixbourgeau.fr
Atugust 2016 ©
Ice breaking Toolbox Surveying, observing, searching, studying ...
Proposing, committing, drawing lines ...
Understanding, researching, building a thought ...
When the sketches awake ...
ICE BREAKING
Félix Bourgeau
landscape architect / Photographer
DIPLOMAS 2014 2012 2008 2006 2002
Eurotest of the State certificate in Alpine Ski ‘Landscape architecture National diploma’ MA with honors - ENSP, Versailles, France Equivalence BA - Applied Art - Fine Art - Toulouse University, France baccalaureate STI Applied Art - design - with honors - Lycée Léonard de Vinci, Antibes, France Brevet des Collèges - Collège Le Pré des Roures, Le Rouret, France
EDUCATION EXPERIENCE 2012 - 2016 2015 - 2016 (❅) 2015
Graphic designer / Designer / Photographer - freelance, France, Netherlands Different assignments such as logos, business cards, posters, flyers, backpack designs, event photos Ecole du Ski Français (ESF) , Gréolieres-les-neiges (06) France Ski instructor Solo World tour, the Netherlands, Japan, Taiwan, Indonesia, Malaysia, Thailand, USA W/E, UK. Travel around the world for six months. Photography research work on vernacular landscapes.
2012-2015
Atelier François Navarro, Grasse (06) France Project manager assistant / Project manager on different exclusive gardens in each state of the project from the design to the building state. In charge of communication, Design the website, logo...
2013 - 2014
Lycée Vert d’Azur horticole et agricole, Antibes (06) France Creation of a Photo/landscape workshop with students preparing the national landscape architecture school. Presentation of photography as a tool for landscape architecture.
2012 (JUL)
ENSP - Potager du Roi, Versailles (78) France Photography exhibition
2011 -2012
Conseil Général des Yvelines, Versailles (78) France Creation of communication tools about the understanding of the large scale metropolitan landscapes on the Seine valley in Yvelines. Videos through 5 themes.
2010 - 2011 (❊)
Aalto University, Architecture Dpt, Helsinki - Finland Royal University of Fine Arts, Faculty of Architecture and Urbanism Phnom-Penh - Cambodia “City for all - Workshop” participative projects with poor communities of Phnom-Penh on renewable urban areas.
2011 (MAR)
Aalto University, Photography Dpt, Helsinki - Finlande “Lighting Workshop” workshop about the uses of light on space in photography.
2010 (JAN)
Bouwkunst academie, Amsterdam, Pays Bas Winter Workshop «Going Dutch» Fine art workshop about the Dutch water {land}scape Ecole Nationale Supérieure du Paysage [ENSP], Versailles (78) France Workshop « Vivre avec le canal », reflection on the history of the Canal de l’Ourq surrounding, its past, its future.
2009 (SEP)
Ecole Nationale Supérieure du Paysage [ENSP], Versailles (78) France Urban planning workshop «International sketches», redevelopment of the agricultural area of Rungis
2006 - 2009 (❊)
SKILLS Languages : Programs :
French (mother-tongue), English (fluent), Italian (beginner), Dutch (beginner) Adobe Photoshop : Adobe Indesign : Adobe Illustrator : Adobe Muse : Autocad 2D : Microsoft Word : Microsoft Excel :
Lightroom : Aperture : Final Cut : Suite Ilife : Suite Iwork : 3ds Max :
What you can expect from me as a teammate nerd communicator
writter botanist
illustrator
engineer
photographer
honest
perfectionist
Handle with Care, Amsterdam, Pays Bas Traineeships – Urban planning Camping International, Castellane (04) France Photographer and web-master in charge of communication.
cheerful
designer
autonomous
creative
adaptable
Ecole du Ski Français (ESF), La Rosière (73) France Ski instructor
2009 (NOV)
2009 (❊)
Aalto university - Architecture department - Helsinki - Finlande Landscape architecture - Ecole Nationale Supérieure du Paysage - Versailles - France Preparation school to ENS [intensive] option Design - Toulouse - France Bac STI Applied Art ( design ) - Lycée Léonard de Vinci - Antibes - France
Camping International, Castellane (04) France Photographer and web-master in charge of communication.
2011 (FEB)
2007 -2011 (❅)
2010 - 2011 2008 - 2012 2006 - 2008 2003 - 2006
coffee drinker organizer
HOBBIES Sports : ski, rock climbing, hiking, trail running, spear-fishing, Hobbies : photography, design, travel, draw, graphic design, graffiti, cinema, sports, music, gardening Travels : Germany, Belgium, Cambodia, Denmark, Estonia, Finland, Ireland, Italy, Norway, Netherlands, United Kingdom, Russia, Sweden, Switzerland, Turkey, Japan, Taiwan, Indonesia, Malaysia, Thailand, USA
TOOLBOX
Drawings My studies in arts and deisgn allowed me to learn how to express myself by drawing.
Technical drawing It was also during my studies of applied arts in space design or product design that I learned to represent spaces and volumes in order to express the form of a project.
Photography Widely used in the world of landscape architecture as a study support, as a control of territory, photography is often the easiest way to present ‘the’ reality. Yet, well used, this medium has a wide potential in spatial and temporal expression. This is my favorite tool.
CAD/DTP Conception, coloring or publishing assisted by computers are of course needed today. Photomontage, collage or the various plans and sections are relevant in addition to a photographic or pictorial work
Models
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Surveying, observing, searching, studying ... Here are gathered three analyses, diagnoses or studies I took part to. These works testify of a team work, on site researches, cartographic studies and data collections.
LANDSCAPE DIAGNOSIS IN ANIANE’S REGION
BASES This work is an analysis and enhancement of the rural landscape of Aniane’s county. This territory is located at the junction between the vineyard plain of Herault and the foothills of the Cevennes. It therefore encompasses very different landscapes; the “vineyard sea” around Aniane, the village of Saint-Guilhem-le-Desert in the Hérault canyon and few small villages like Puechabon surrounded by hills called “Puech” that create an undulating landscape. The diversity of these landscapes is beyond administrative boundaries of this county.
QUESTIONING + How to map the diversity of landscapes? + How these rural landscapes, characteristic of Herault, have evolved, and what they tend to? + What are the major dynamics that leads and design these landscapes? + How far the diversity of these landscapes is related to the geomorphology of the area?
LEARNING This experience allowed me to make a first territorial diagnosis, assess the stakes of a county and to understand the dynamics that make up its landscape. Through this exercise I learned where to search and how to find the right person and the relevant informations. I learned how to analyse the different components of the landscape and express them on maps. Finally I had the chance to work in groups and experiment team on site researches.
1 2 3 4
5
6
7
1 Pont du diable, junction between the “gorges de l’ Herault” and the vineyard. 2 Between agricultural wasteland and vineyards near Aniane. 3 Mas Dieu, in the foreground the village of St-Paul-and-Valmalle. 4 New Highway along St-Paul-and-Valmalle. 5 Map of the 7 landscape entities. 6 Relief contour map of the canton of Aniane. 7 Map of the canton of Aniane dynamics.
Landscape map (Handmade- 100 x 120 cm)
Extract rocks and sands of different landscapes of the canton.
Extracts from a short movie made about the history of the canton landscapes.
ENVIRONMENTAL IMPACT ASSESSMENT OF A WIND FARM IN PERNIร (FINLAND)
BASES This environmental impact assessment is upstream of a wind farm project in southern Peniรถ, a city in southern Finland. It is supposed to accommodate 10 to 15 wind turbines to produce a quantity of 30MW on 620 ha. The study presents various alternatives and is mainly based on the visual impact of the wind farm.
QUESTIONING + What legitimacy can an environmental impact study have on a large-scale project ? + What role does the landscape architect have in large infrastructure projects ? + How to quantify and express nuisances ? LEARNING I first discovered a new facet of our role as landscape architects. These not so creative and laborious studies are part of the functions of a landscape architect and are necessary for each major project. I also learned to find and understand information in a country and in a language that were not mine.
Wind field implantation site Map of the landscapes units and the areas impacted visually by the wind farm
Cross section from one of the studied point of views
Cross section from one of the studied point of views
Photomontage of the view after project from one of the studied point of views
Photomontage of the view after project from one of the studied point of views
LARGE METROPOLITAN LANDSCAPES OF THE SEINE VALLEY IN THE YVELINES BASES This command is the result of a collaboration between the General Council of Yvelines and the ENSP (National School of Landscape Architecture of Versailles). we were asked to make clear [through innovative tools], the importance of the large metropolitan landscapes of the Seine valley in the Yvelines. And the finial production would be distributed to various elected politicians in the Yvelines so that they incorporate into their development projects the notion of “large landscapes”. In this way it would be easier for them to understand the impact of a project, even a small one, on a large territory. QUESTIONING + What is the Parisian metropolis? What are its landscape singularities? + What tools are adapted to the average public to talk about large scale landscape? + Who are the actors, or builders of these metropolitan landscapes? CONCEPT This work consisted first in a long phase of surveying and understanding of this big territory. The concepts of ‘large landscapes’ or ‘metropolis’ are not easy to understand. Then come the question of being able to simply explain these concepts to everyone. We built a website containing five chapters: “the hillsides”, “the meanders”, “industrial landscapes”, “travels” and “open spaces and urban silhouettes“. Each of these chapter was a 6-minutes video explaining these five major peculiarities of the metropolitan landscapes of the Seine valley in the Yvelines. LEARNING I had the opportunity to work in groups and discuss concepts that are essential to a landscape architect. We focused on major regional issues that affect in one way or the another the landscapes. We were able to raise questions within the General Council on peri-urban agriculture, alternation in between dense city and countryside, the influence of Paris in this territory or the consistency of some routes across the territory. Finally we had the opportunity to use new communication tools.
Map of subjective feeling of the Parisian metropolis
View of the meander of Verneuil
Map of the views from the highway A13 on the territory
Implementation of major industries which mark the landscape of the valley.
The hillsides
meanders
typology of alternations between city and countryside
Map of the access to large landscapes.
Open spaces and urban silhouettes
Industrial landscapes
Extracts of 5 thematic videos on the appropriation of large metropolitan landscapes
Travels
Proposing, committing, making lines There is this delicate moment in the landscape project where you must find a concept to transform a study of the territory and its issues in a faisable shape and then propose some solutions. The next pages introduce two district development where that particular time was a springboard for the project.
LIVING ALONG THE OURCQ CANAL [IN PANTIN]
BASES At its origin, the Ourcq canal fed Paris in drinking water. Its docks were then industrialized. Since the sixties, the regulations change, and only the first eleven kilometers are open to trade flows. Industries disappear and give way to some brownfields. Pressure on land outside of Paris makes these open areas on the canal sides very attractive. This project is the conversion of a brownfield in a residential district, in Pantin, along the Ourcq Canal and at the entrance to Paris.
QUESTIONING + How to draw a new district while maintaining the peculiarities of an industrial site? + How do people live in the city of the XXI century? + How to rediscover the Ourq canal when the city has lost sight of it? CONCEPT The idea of this project is to have the city turned towards the canal, which was oppressed by the city of Pantin, hidden by heavy industry. It is now released and in the middle of the city. If the development of Pantin rests on this area as it has always been, it will continue to turn its back to the canal and certainly cover it. The idea of this project is to gently return the interest of the city towards the canal. To do this, several steps are planned, first have people get used to these new spaces by creating a path along the canal. Then, create a market place to get people used to come along the place. After that, transform the first inhabited layer into a more porous fringe to facilitate access to the docks. Finally, settle the district around the market and along the canal. LEARNING This experience allowed me to look into the issues of habitat. How do we live our cities today, at the beginning of the XXI century? Because of the scale of the project, it allowed me to go further into details. For example, I had the opportunity to understand and adapt hydraulic constraints to my project. I learned a lot about the project method, I learned to appreciate the scale of the site and the coherence of the different phases.
View of the Ourcq canal upstream from the site.
View on the brownfield that will be transformed into neighborhood
Extract from the animated film that shows the sequencing project
Plan the whole neighborhood with first program
Cross section through the first housing and the square.
Masterplan zoomed in on the Marketplace
Collages of the market place
The bridge between the square and houses
A CORRIDOR IN BETWEEN TWO COUNTRIES [IMATRA - FINLAND]
BASES At Imatra, Finland, the company Fortum, which produces electricity from a dam on the River Vuoksi owns twenty hectares along the river close to the city centre. They want to develop the land in order to sell it when the company will slow down its activity around 2020. The challenge was to find this site capacities and develop a new district while taking care of some protected areas. QUESTIONING + How to live in between town and dense forest? + How to develop an interest in the past activity of this site while raising the quality of life? + How can houses accommodate this site without denature it? CONCEPT This natural area south of the city of Imatra is bordered on one side by the River Vuoksi, which flows into Lake Ladoga in Russia and the other by the road that serves as a link between Imatra (Finland) and Svetogorsk (Russia). The site is dotted with a few houses which are protected because they are the former residences of of the power plant workers (planned in 1947 by Alvar Aalto). The thermal springs of Imatra attract a growing tourism, primarily Russian. The border is 4 km away and Svetogorsk is 7km away, it seemed important to make this space an entry to city of Imatra for soft traffic which doesn’t exist today. I worked on a smooth path for pedestrians and bikes emphasizing the natural characteristics of its preserved sites. I have three different areas and habitat types that I extended to densify the space closer to the citycenter. This new district of Imatra comes as an extension of the city that disappears into nature. LEARNING This project allowed me to understand how people live in different ways. Even if it’s a neighbourhood project, it is unthinkable to work that way in France or in the Netherlands in a city of similar size. So I mainly learned to understand a new culture and a different approach to nature through this project.
Imatrankoski, Imatra rapids upstream of the powerplant
Atmosphere of housing in the forest on the site
Cottage near Vuoksi river on site
Vuoksi river from the site
Blocks showing the different atmosphere and typology crossed along the path.
Schematic matserplan of the new district
Zoom in on part of the neighborhood with a new housing typology above the river
Expressing the relationship between river and district
Storyboard when you cross the site.
BUILDING A THOUGHT I have the feeling that some projects are beyond the proposed development. The following two projects allowed me to enrich myself, humanly and culturally. Each of them is a one year research project, one deals with public space and the relationship between the human, the car and the dense city. The other is a research and understanding of urban development in poor countries, leading to a participatory project in Cambodia. These two rather special projects opened my eyes to many things ...
GREAT UTOPIA FOR THE “PETIT PARIS�
BASES The student personal final work [diploma] was free of constraint. I chose to work on a hypothetical and utopian project of Paris without a car. The idea was to understand how people move in a dense city and imagine a different future. This work is a research and a reflection on public space in the city of today and tomorrow. I have chosen for this project to work with photography as a landscape project tool. QUESTIONING + What is life like in the city of the XXI century? + What is the relationship between man, car and public space? + Which mobility for a dense city? + How much public space does a pedestrian have in dense cities such as Paris, Amsterdam, Oslo, Copenhagen, Marseilles, Istanbul, Berlin, Stockholm? CONCEPT After traveling in large European cities to understand the different ways of living this public space that is the street, I went back to Paris and tried to compare all these cities. Paris is a dense city and its public spaces are unevenly distributed. One out of four of the entire town area is devoted to roads. Half of the roads are for cars, the other half are sidewalks accessible to pedestrians. This seems fair, yet only 17% of Parisians traveling by car, against 68% on foot or by public transport. So there is a contrasting iniquity in this Parisian public space. This project allowed me to demonstrate this inequity, enlighten the differences in use and importance of the street in the Parisian landscape. Finally, through small interactions with the public space (kind of hapenning) I came to question, criticize these practices. LEARNING This experience allowed me to question the limits and practices of landscape projects. I tried to lead a project, propose a questioning and lead a reflection on the Parisian public space without the dictatorship of the car. I chose to use the photo as a project tool, in all its forms and at all stages of the project.
Stockholm
Berlin
Copenhagen
Amsterdam
Oslo
schematic diagrams for the comparison of different urban patterns in large European cities
Paris
Extract from the ‘street-view’ photo serie that express the different practices of public space in Europe
Accumulation of maps schematizing 20 different densities in search of the ‘heart of Paris’
Extract from the ‘portraits de Paris’ photo serie
Extract from the ‘Vue sur Rue’ photo serie expressing the importance of the street in the urban landscape
Extract from the ‘space unit’ photo serie that physically express densities at different locations Diagrams showing the different surface areas and their uses in Paris
Extract from the ’Changer de rythme’ photo serie
From the series “reset� offering a disappearance of everything mobile in the city, letting the imagination take over public space - Rue de Rivoli pinhole 0,26mm / 50mm / f: 192 - 12 min
From the series “leakage� offering to the pedestrians an alternative to the narrow sidewalks
CITY IN CRISIS (DO IT YOURSELF MANUAL)
BASES City in Crisis is a project in two parts over a year. The first part was very informative since the aim was to have a new look on the urban development of countries in the southern hemisphere. Through several exercises and lectures I could question myself on participatory projects, vernacular architecture or climate issues and their impact on the urban development of some countries. The second part of the project involved a total immersion in this world. Through a trip to Cambodia, working with local NGOs and Khmer Students we met poor communities in the city of Phnom Penh. Then, the work included an exchange with one of these communities, trying to understand their main issues. Later we tried to help people solving or dealing with some of their difficulties.
QUESTIONED
CONCEPT During this workshop, with some friends and with the Non Governmental Organization STT, we had the opportunity to meet the head of the ‘Satrey Klangsang’ community north of Phnom Penh. We held a meeting with members of the community and tried to understand their major problems. We worked with them to find potential solutions to flooding problems, sewage, or subsistence. But we had to go back to Europe, and it is difficult to continue a participatory project, far away from people collaborated with. So we thought about it and developed a small manual “do it yourself” with simple things to do to develop their environment. This manual is oriented toward autonomous agriculture, furniture self-building or learn to use valuable raw material. The peculiarity of this book is that it is incomplete, its purpose is to give impetus to those people who know more DIY things than we do. they should write and draw in this manual but also exchange between communities. STT is responsible for developing and distributing the manual.
+ What is the place of the planner, architect or landscape architect facing problems beyond even some governments? + How to interact with people who do not have LEARNED the same culture, the same education and the I started being interested in these geopolitical same tools? + How to pass a participatory project without issues that affect all of us, wherever we are. I saw inequality due to corruption and a derivative remaining permanently on the study site? form capitalism ravaging whole communities and I think I tried to find my place as a human being but also as a landscape architect.
“Public space” where children play
Soil contamination issue
Issue of movement and management of “roads”
Flooding issue
Waste issue
A united community
Aerial view of the informal settlement
Schematic map of accessibility to neighborhood
The children in the community
Proposition schématique d’une solution au problème d’inondation
introduction to the manual និមិត្តសញ្ញា
សំរាប់ខ្ញុំ
Proposition d’une gestion des parcelles “agricoles”
soil block
ហត្តកម្មនេះគឺសំរាប់អ្នកទាំងអស់គ្នា cement
សំរាប់គ្រួសារខ្ញុំ
សំរាប់សហគម៍ខ្ញុំ
Diagram explaining how to have greater autonomy
សំរាប់ភូមិខ្ញុំ
BUILDING MATERIALS & CONSTRUCTION
notes:
sand
water
1
2,5
soil
អ្នកអាចប្រើវាសំរាប់ធ្វើវត្ថុអ្វីមួយដោយខ្ 1
mix
13
លួនអ្នក
ប្រាក់ ពេវេលា
អ្នកអាចសរសេគំនិតរបស់អ្នកនៅទីនេះ
សំភារ: mold សំភារេ
planting a mango tree notes:
New proposal for the “comunity square” with the help of the manual
dry/water: 2 weeks
បញ្ចេញ នឹងបញ្ហាញគំតរបស់អ្នកនៅទីនេះ
Few pages extracts from the manual
urine-diverting dry toilet
AGRICULTURE
notes:
soil block
SEWAGE & WASTE MANAGEMENT
WHEN THE SKETCHES AWAKE ... I’ve done the following works for the Atelier François Navarro in the South of France. As a first professional experience, far away from what I learned at school and from my personal experience, I put my Ethic and ambitions on the side for a while and I designed exclusive gardens on the French Riviera. They are mainly beautiful gardens, sadly they are not really linked to any uses but only contemplation. I had the chance to be part of every stage of each of these projects, from the first sketches and ideas to the complete garden.
VILLA BOU. Here is a house in the middle of the ‘maquis’ this typical mediterranean bushes. The goal was to design a slow path bringing you to the different places around the house always hiding and revealing different landscapes.
VILLA SER. The client wanted a Japanese garden. After discussion BASES we agree with a Mediterranean garden with a Japanese style and spirit. The goal was to design a sensitive and contemplative Japanese garden with keeping the open view and using local Mediterranean plants
working sketches
photo-montages for the client
design phase - 2012/2013
building phase - 2015
Here are different stage of the waterfall building. One of the main piece of this “Japanese garden� building phase - 2014
today - 2016
0.6 5.30
Mur 3
Face sud 0.90
0.40
Béton : 3.7m² Tuf : 25.2m²
0.90
Face est
VILLA GOL.
3.10
Béton : 4.9m² Tuf : 6.8m²
9.35
Mur 9 0.42
Face ouest
Béton : 4.9m² Tuf : 20.6m²
Face est
2.86
Béton : 4.7m² Tuf : 16.1m²
0.40
Face sud Face sud
0.97 0.97 0.40 0.40
Face ouest
1.43
Mur 10
1.37 1.37
Mur 1 Mur 1
Béton : 4.3m² Tuf : 10.6m² Béton : 4.3m² Tuf : 10.6m²
10.96
Face sud Face sud
Béton : 2.1m² Tuf : 17.1m² Béton : 2.1m² Tuf : 17.1m²
Béton : 4.3m² Tuf : 9.7m²
5.30
Béton : 2.1m² Tuf : 3.1m² Béton : 2.1m² Tuf : 3.1m²
3.63 3.63
5.30
3.00
Changement de direction
0.66
0.60 0.60 0.40 0.40
0.40
Changement de direction
Face est
Face est Face nord Face nord
3.29 3.29
3.32
10.96
Mur 2 Mur 2
0.40 0.40
Mur 4
0.40 0.40
Béton : 5.1m² Tuf : 4.7m²
Mur 11 5.30
Face ouest
5.30
Béton : 4.3m² Tuf : 9.7m²
0.90 0.90
Mur 3 Mur 3
Béton : 4.9m² Tuf : 6.8m² Béton : 4.9m² Tuf : 6.8m²
Face est Face est
Mur 12
Béton : 2.5m² Tuf : 0.7m²
0.42 0.42
Face ouest Face ouest
Changement de direction
Face est
0.40
0.13
Face sud
0.90 0.90
Changement de direction
Mur 5
ZOO Face sud
Béton : 4.9m² Tuf : 20.6m² Béton : 4.9m² Tuf : 20.6m²
0.200.20
Face est
3.28 3.28
Mur 6
Béton : 3m² Tuf : 3m²
Béton : 22.5m² Tuf noir : 31.7m²
Face sud
0.40
0.70
0.70
0.70
Béton : 4.7m² Tuf : 16.1m² Béton : 4.7m² Tuf : 16.1m²
Béton : 2.7m² Tuf : 4m²
Changement Changement de direction de direction
27.11
3.32 3.32
0.60
1.00
0.40
0.40 0.40
Face ouest Face ouest Face est
1.43 1.43
Mur 4 Mur 4
2.50
3.20
Mur 13
1.00
0.60
0.40
Face ouest Béton : 3.1m² Tuf : 3.6m²
ZOO
Mur 14 0.40 0.40 0.40 0.40
Face est Face est
Béton : 5.1m² Tuf : 4.7m² Béton : 5.1m² Tuf : 4.7m²
Béton : 32.6m²
3.40
Face sud
Changement Changement de direction de direction
0.70
Changement Changement de direction de direction
Mur 5 Mur 5
0.13 0.13
Face intérieur est
Face intérieure sud
Face est Face est
0.40 0.40
Face sud Face sud
Mur 15
Face intérieur ouest
Béton : 2.5m² Tuf : 0.7m² Béton : 2.5m² Tuf : 0.7m²
MURS :
Tuf noir : 107.4m² Béton : 4.7m²
Création de murs 70cm de largeur (v
3.40
Mur 6 Mur 6 Béton : 22.5m² Tuf noir : 31.7m² Béton : 22.5m² Tuf noir : 31.7m²
0.70 0.70
Face sud 0.70 Face sud
Parement pierre tu Parement pierre tu 0.40 0.40
0.70
3.42
24.77
0.70
0.70
Mur 17 Face sud
21.42
0.40
Face est Béton : 1.8m² Tuf : 11m²
0.40
Casquette béton : NB : Toutes les ar
2.50 2.50
Mur 16
Béton : 8.6m² Pierre : 56 m²
Arases enduites d Bandeaux enduits Arases enduites d
2.73
27.11
3.00
27.11
Face nord
Mur 14 Mur 14
21.42
Mur 19
0.40 0.40
Béton : 8.6m² Face sud : 8.6 m² Pierre Face sud
Face sud
Face sud
Face sud
0.40
Béton : 4.8m² Pierre : 27.6m²
Béton : 5.5m² Pierre : 5.8m²
Face est 4.86
8.86
38
0.40
5.01
Face ouest
3.40 3.40
Mur 18
3.14
Mur 15 Mur 15 1.94
Face intérieur est Face intérieur est
9.84
Face nord
Face intérieure sud Face intérieure sud
3.40 3.40
0.40
0.40
Mur 17 0.26
24.77
0.70
24.77
0.70
Mur 17 Mur 17Face sud Face est Face est
Face sud Béton : 1.8m² Tuf : 11m² Béton : 1.8m² Tuf : 11m² 2.73 2.73
0.40 0.40
Mur 16 Mur 16
0.40 0.40 0.40 0.40
3.00 3.00
This garden was originally on terraces because settled on a hill. Instead of fade this singularity, we decided to accentuate it. We design a patchwork garden, playing with different textures and colours of stones, gravels and plants.
3.28
0.40
Béton : 4.1m² Tuf : 22.1m²
Mur 18 Mur 18
Face nord Face nord
VILLA AMA. A colourful and funny garden playing with the disparate architecture, juggling in between straight hedge and bending walls taking you to the horizon.
photo-montage by night, trying the lightening in the trees
Félix BOURGEAU +33 (0) 615 05 02 02 felix.bourgeau@gmail.com www.felixbourgeau.fr