B E R N A S K O N I

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ARCHITECTURE OF IDEA.

B E R N A S K O N I



Why am i doing architecture? It’s simple. I want the architecture to become our nature.

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WE PRODUCE SIMPLE AND ICONIC ARCHITECTURE. WE RESPECT DETAIL AND FUNCTIONALITY. WE ADVOCATE INNOVATIONS AND BELIEVE IN TRADITION.


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About bureau

BERNASKONI is a collaborative, interdisciplinary bureau that works on intersection of architecture, art, communication and industrial design.

The bureau works with any scale – we design and develop masterplans and public buildings as well as country houses and private interiors. In a portfolio of the bureau, there is a number of momentous projects and buildings: masterplans PREOBRAJENSKY in Yaroslavl and RED OCTOBER in Moscow, NEW HOLLAND SUMMER in Saint-Petersburg, HYPERCUBE in Skolkovo, country houses VOLGADACHA and MIRROR MONGAYT, RUSSIA PAVILION in Shanghai, PERMMUSEUMXXI, MATREX building, residential building TETRIS, Central House of Artist (CHA) reconstruction, exhibitions OLEGKULIK and KANDINSKYPRIZE, office space BBDO Moscow, GRAND CRU wine store net-store and bar, industrial design of the national class sailing boat EM-KA and ROCKET, identity and the interior of the GOVERNMENT OF RUSSIA PRESS CENTRE.


About architect Boris Bernaskoni Born in Moscow in 1977. education 1994-2000 – Master of Architecture; Moscow Architectural Institute (State Academy), Dept. of Housing and Social Design and Construction. 1999-2000 – a course of Marketing at Plekhanov Russian Academy of Economics. 2000-2003 – postgraduate course of Composition in Architecture at Moscow Academy of Architecture. teaching 2001 – «sense analyses» seminar for students of Moscow Academy of Architecture. since 2003 – lecturer at Moscow Academy of Architecture, dept. Urban Planning. 2004 – project seminar in New York for students of Moscow Academy of Architecture at the invitation of the Harvard Design School (USA). Architecture bureau 2000 – establishment of architectural bureau. The bureau works with any scale, designing and developing objects and private interiors as well as public buildings and urban concepts. Boris Bernaskoni – a member of the Urban Council Board of the Skolkovo Innovation Center in Moscow. be r n a s k on i


PROJECTS

EXHIBITIONS

2000

MATREX, multifunctional building

2007

kandinsky prize, exhibition

2000

Place Memorial, city pavilion, Moscow

2007

Perm Museum «HORIZON»

2000

Urupinsk Word, workshop on the reconstruction of the Urupinsk town

2008

kixbox, fashion store interior

2008

em-ka, national class sailing boat

2001

Krasnaya Presnya, stadium

2008

russia Pavilion, Shanghai

2002

Tetris, living towers at Izmailovo

2009

2002

Karabikha, hotel, Yaroslavl

MIll, Museum for Architecture, Art and Design in Oslo

2002

immaterialbox, exhibition pavilion

2010

kandinsky prize, exhibition, London

2003

BBDO, Moscow office

2010

RAGOUT, cafe bar interior

2004

Mediacity, conversion of factory workshops into new cinema studios

2010

paparazzi, restoraunt interior, Ekaterinburg

2004

Grand Cru, vine store net and bar interior

2010

volgadacha, designer villa

2011

2004

Ozerna, village, Moscow region

hypercube skolkovo, innovative building

2005

In chocolate, territory developing concept

2011

new holland summer, masterplan

2006

Press centre of the russian Government interior

2007

olegkulik, exhibition

2011

portall, masterplan, Anapa

2011

Preobrazgensky masterplan, Yaroslavl region

2012

MIRROR MONGAYT, designer villa

2001

underconstruction, Exhibition pavilion at ARCH MOSCOW

2001

New Russian Flag Project at private gallery in Moscow

2002

Matrex at ARCH MOSCOW

2002

Message to Kazimir at ART MOSCOW

2002

A Member of Expert Board at the 7th International Exhibition of Architecture and Design ARCH MOSCOW

2003

Supervisor of the 8th International Exhibition of Architecture and Design ARCH MOSCOW «Present Perfect»

2003

Presidents Cabinet, Design Innovation Award finalist Moscow review of the best work of architecture in 2002–2003

2003

Winner – Golden Section 2003

2004

Supervisor of the 9th International Exhibition of Architecture and Design ARCH MOSCOW «Dead End»

2006

«Moscow 4» in the Mendrisio in Swiss

2008

XI Biennale of Architecture in Venice

2011

hypercube skolkovo at ARCH MOSCOW

2012

Identity at the 3rd Moscow Biennale of Architecture


PROJECTS icons

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Our work

WE CREATE THE PHYSICAL OBJECTS, BUILDINGS, ENVIRONMENTS AND CITIES. WE SOLVE COMPLEX MULTI-DISCIPLINARY TASKS WHICH INCLUDE WIDE RANGE OF QUESTIONS LINKING DIFFERENT ASPECTS OFÂ THE DESIGN PROCESS.

ARCHITECTURE

DESIGN

INFRASTRUCTURE

Masterplanning Building design Landscape architecture Interiors Project management Supervision Technical audit

Interiors Exhibitions Industrial design Graphic design

Energy efficiency Acoustics Transport terminals Communication systems Electrical engineering Fire & safety Lighting design

CONSULTING Research Planning Strategy & business development Cost management Risk & safety Legal consulting


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OUR 小LIENTS AND PARTNERS: DEVELOPERS, CULTURAL FOUNDATIONS, MUSEUMS, CREATIVE AGENCIES, MUNICIPAL ADMINISTRATION, STATE ORGANIZATIONS, NETWORK PROJECTS.

小LIENTS

M

BO BS DC O OW


PARTNERS

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HYPERCUBE: first building in innovation center skolkovo russia, skolkovo, 2011

hypercube

client

skolkovo foundation

size

7,000 m2

cost

35,000,000 $

status

realization


HYPERCUBE –  the first innovative building of innovative city, which lead off the life of the creative community in the Skolkovo project. This is a new generation building for whom communication is as important as functionality and aesthetic. HYPERCUBE is primarily a portal that attract in Skolkovo people and ideas from outside, and provides a platform for communication. The aim of the project – the creation in the short term the multi-transformer, energy efficient building, which will become a symbol of the project Skolkovo and will provide the basic urban planning principles of innovative city. The concept of the building based on the urbanformula 4E –  ecology, energy efficiency, ergonomics and economics, as a result of the interaction of these factors. be r n a s k on i


Avantgarde of architecture in innovation center Skolkovo. ENERGY-EFFICIENCY ERGONOMICS

ECOLOGY ECONOMY

The concept of the building is based on the urban formula 4e – the result of the interaction between the ecology, energy-efficiency, ergonomics and economy.

photo: http://top.oprf.ru/

+ safety



photo: Vladislav Efimov

now 2012 2013


«I DESIGN BUILDINGS FOR YEARS AND FOR MINUTES. TIME AND COMMUNICATION ARE ESSENTIAL ELEMENTS FOR ME»

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2025

2050


Russia Pavilion [expo2010] china, shanghai, 2008 client

russian government, Mirax

RUSSIA PAVILION

size

6,000 m2

cost

20,000,000 â‚Ź

status

competition (1st prize)


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earth hexagram (completion)

sky hexagram (creation)

1st floor plan

2nd floor plan


The pavilion is a dialogue between two great countries – China and Russia. The architecture of the pavillion is a combination of traditions and sign systems from Russia and China. The six volumes/strips are metaphore for the russian Gold Reserve and the chinese Book of Change combined.

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Museum ÂŤworld culture mill in osloÂť norway, oslo, 2009

world culture mill

client

staatsbug

size

40,000 m2

status

competition


What should the building of the Museum of Art, Architecture and Design be like? It should be a message building. building as the tool and the program. It becomes an exhibit and a global community of artists, architects and designers. Several architects, industrial and graphic designers develop architecture of the building, each of them resposible for a separate level. These levels comprise the building of the museum – the World Culture Mill in Oslo. be r n a s k on i


FairytaLe The old legend and the arms of Oslo become a basis for a new symbol. The millstone becomes a sign and also a fundamental scheme of the museum organization.

simple and straight! The building in the form of a cylinder made of several disks is laconic and simple. A circle layout arranges circular horizontal movement at each level; a square is a functional core of vertical communications.

global communication Instead of one star Oslo receives at least several. Five millstones – five architects, plus invited industrial and graphic designers for designing furniture, accessories and navigation.


design program The museum building is designed as an exhibition tool; each surface works. The facades rising above the city become information artwork – space for the art-projects.

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360 in The cylindrical form allows arranging movement along a circle, each time bringing a visitor back to escalators, lifts and stairs. Thus the visitor’s movement direction can be either programmed or free.

work in! To work in the National Museum of Oslo is not only honorable, but also pleasant. The two-level zone of administration is designed as a tool for work, communication and rest; at the same time the space itself looks as an exhibit – it is possible to have guided tours here.


masterplan ÂŤnew holland summerÂť russia, st. petersburg, 2011 client

iris new holland

status

realization

photo: Oleg Kostishin

new holland summer Masterplan


Our team approach to the project comprises of building a dialogue with the place, minimizing the level of interventions to the existing landscape and creating several points of attraction within the site. Our initial instrument for the rapid urbanization was the use of the sea containers as means of transportation for creative ideas, the second instrument is the communicative design and architecture which mark the territory as something new and fresh. be r n a s k on i


photo: Oleg Kostishin

photo: Peter Timofeev


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photo: KURORT PIROGOVO


National class sailing boat «EM-KA» russia, 2008 client

nationalclass.ru

size

6m

cost

150,000 €

status

realization

EM-KA

The asymmetrical design of the boat is integrating the symbol and the dynamics. An asymmetrical gennaker sail stowed in a special aperture sets the shift of the bowsprit relative to the axis. The bowsprit line runs along the whole hull of the boat creating an image of a calm but alert animal ready to attack. be r n a s k on i


ready to attack.


место под поручень кормы

крышка шверта

удобно держаться, когда залезаешь в лодку + удобно крепить оборудование

отсек для вещей

рычаг шверта спрятан можно сидеть в момент маневрирования

люк бака

для складирования парусов и оборудования

крепеж бушприта

крепеж мачты

люк спинакера

погон гика-шкота

поднят над палубой удобно цепляться ногой в момент откренивания

спинка

для начинающих и профессионалов легко сидеть и откренивать лодку

бортик кормы

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асимметричный дизайн

позволяет выкрашивать левый борт в «персональный цвет», придавая лодке спортивность и узнаваемость

место под поручень палубы для спуска лодки на воду и при перемещении по баку


photo: Vladislav Efimov

Villa mirror mongayt


How to build an energy-efficient designer villa for $ 800 for sq m? «Mirror Mongayt» villa solves this problem. The front south facade is designed for a specific period of time as an art installation in a form of a temporary structure. Every eight years the house clears the skin. Changing of the facade is a landmark event, a family tradition and a newsbreak. The first facade – mirror pixels reflecting the sky and the forest and dissolving the house in the environment. be r n a s k on i


1

Energy-efficient technologies The carrier system of a building: prefab wooden frame made of a simple board, quickly assembled right on the area. Universal screw-pile foundation allows to shorten the zero cycle and work without Geological Survey. Insulation is made of recycled ecowool.

No additional buildings House of 270 sq m living space is developed in two stages: first – the lower level area of 180 sq m, then the two top independent unit areas of 90 sq m. Phased development of the house allows to save money on the first stage and avoid building of additional constructions on the territory in the future.

PRINCIPLE OF MANOR Independent functional units are located in the line and combined into an enfilade of rooms: household area, public area, living area.

household area

public area

living area

photo: Vladislav Efimov

2

ART FACADE The front south facade is designed for a specific period of time as an art installation in a form of a temporary structure. The first front – mirror pixels reflecting the sky and the forest and dissolving the house in the environment.


Villa «MIRROR MONGAYT» russia, moscow region, 2009

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client

PRIVATE CLIENT

size

270 m 2

cost

216,000 $

status

REalization


photo: Vladislav Efimov

photo: Evgeniya Gershkovich

HOW TO BUILD AN ENERGY-EFFICIENT DESIGNER VILLA FOR $ 800 FOR SQ M?


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The GRAND CRU concept is the area of a vinehouse. The architecture of each new store meets each visitor with a specific spatial scenario. All stores are united by several elements: a specially designed system of racks, programmable white and red lighting and a method of using supplementary materials. A traditional set of standard materials is used in the shop: max for racks, plastics, stainless steel for binders and wood or stone depending on the scenario of each store.


vine store net and bar ÂŤgrand cruÂť russia, moscow, 2001-2006 client

simple

size

110 sq m

status

realization

photo: Yuriy Palmin

grand cru

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Preobrazgensky masterplan Russia, Yaroslavl region, Nekrasovsky district, 2012

Preobrazgensky masterplan

The structure of the Preobrazgensky masterplan is based on the careful design considerations for the city block and the building unit, which it is formed by. The diverse environment is created by the varied typologies of the city blocks and the staggered nature of the streets making each crossing being different from another and discouraging high speed for the vehicles. The variety of public and green spaces such as city squares with retail, park and embankment, public gardens and green courtyards creates complex environment and provides opportunities for the different leisure and sports activities. The urban environment is reinforced by the retail frontage on the first floors of residential buildings.

client

RENOVA-StroyGroup

size

400,000 sq m

status

project


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72.77 ha

size

functions

400 000 sq m total area

130 000 sq m

total building area

central park


retail be r n a s k on i

transport


The master plan concept of recreation center on the shore of the Azov Sea demonstrates a comprehensive approach to creating a unique place for a youth summer recreation. The main idea of a city with a clear outline allows to compactly arrange and organize functions and spaces, and, therefore, to simplify all types of communications. The symbolic and memorable form of a heart finds its continuation in the form of a logo and a distinctive mark for each of its residents.


Youth recreation center PORTALL Russia, Krasnodar region, The Azov Sea coast, 2012 client

Stroyinvest Engineering

size

168 hĐ°

status

project

PORTALL

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masterplan

green territory fencing


4.5 min 2.5 min 5 min

main entrance

Squares and green spaces pedestrian accessibility be r n a s k on i

Temporary structures as an art object

Numerous green open-spaces and yards inside the city can be filled with temporary (seasonal) installations (sculptures, pavilions).


photo: Vladislav Efimov

VOLGADACHA


villa «volgadacha» russia, moscow region, 2010 client

PRIVATE CLIENT

size

90 M2

cost

50,000 €

status

REALIZATION

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photo: Vladislav Efimov

The VolgaDacha house is located in a bucolic russian village on the upper reaches of Volga river. Seen from the windows is a 17-century orthodox church cathedral and glimpses of waterfront of Volga. A house has a living room and an open kitchen on the first floor and separated master bedroom and kid’s sleeping places on the loft. The bathroom has a glass door leading to the deck with an outdoor shower. A vast terrace made of siberian larch and surrounding the house can be used to relax with a good book or an IPad3G.


A floor to ceiling glass sliding doors are closed by wooden shutters when owners are not at the VolgaDacha. Due to good insulation the house can be kept warm by heated floors and a small wood stove in the winter. The concrete floors are keeping it cool during the hot summer months. be r n a s k on i


International Cultural Center russia, moscow, 2008

International Cultural Center

client

CHA

size

300 000 sq Đź 2

status

project


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Arts and creative work are crucial in everyone’s life. To enhance benefits to the society governments invest into arts and culture. Russia is rich in artistic talents, but as compared to other Western countries, there is no world famous cultural center. That is why we suggest that Russian and Moscow administration should transform this territory into an International Cultural Center (ICC) integrating educational, entertainment and recreation activities, all in one.


The project aims at three purposes: 1.To preserve the present cultural area as one of the most valuable city assets; 2.To build up on its basis an International Cultural Center; and 3.To create an ecologically favorable and attractive arts and promenade zone in the city center. Therefore, considering Arts and Nature as top priorities of the area, we offer 300,000 m2 of buildings with cultural function surrounded by 140,000m2 of forest thus giving Muscovites an opportunity to enjoy arts and practice creative work in an ecological oasis located in the very hart of the inner city. The forest becomes a city object. be r n a s k on i

Echo

ICC territory is an echo to Kremlin political power and geometry.


8100 trees

162

tons/year of oxygen net produced

wild forest Passed the grid order around the buildings and road, the forest get back to wildness.

CHA Art School Church

situation Three buildings are preserved as memory of the site.


Impact According to trees and existing buildings, new volumes are impacted in the territory. Expo Boats bring Art along Moskva River. be r n a s k on i

Road All vehicules are strictly forbidden on ICC, ecxept transportation vehicles. A road net irrigates the whole territory.


Multifunctional building «MATREX» Around the world, 2000-2012 client

a0

size

various

status

concept


Matreshka – building as a form of a national idea a new city building scale for Moscow and a universal system for «a fast spreading metropolis». The word «matreshka» is derived from the stem «mat» (mother), wich is of the same origin as «matrix»; hens, the project’s name «MATREX».

MATREX

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colonial style.

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ZAHA HADID ARCHITECTS

ACCONCI STUDIO

NOX LARS SPUYBROEK

SEREN ROBERT LUND ARKITEKTER

ASYMPTOTE ARCHITECTURE PLLC

BUREAU ALEXSANDR BRODSKY

VALERIO OLGATI

TATIANA BILBAO

ANOTHERARCHITECT

LOMA ARCHITECTURE LANDSCAPE URBANISM

VLADIMIR PLOTKIN SU RESERVE

A-B

ERIC OWEN MOSS ARCHITECTS

MEILI PETER ARCHITEKTEN AG

TOTAN KUZEMBAEV ARCHITECTURAL WORKSHOP

ESA RUSKEEPEA


horizon [PERMMUSEUMXXI] RUSSIA, perm, 2007-2008 client

perm region

size

20,000 m2

cost

80,000,000 â‚Ź

status

competition (1st prize)

PERMMUSEUMXXI

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Okylo

Kama Gate

Perm alko-vodka distillery

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Okylo

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Spaso-Preobragenskiy Cathedral (Perm gallery of fine arts)

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Museum of regional

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Theatre "Y mosta"

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The museum as unanimity of culture and nature a simple monolith volume cut into the slope of the river bank, and connecting the city and the river. The museum building as an extension of the city. The museum as the information carrier. All the surfaces of the museum work: st. aya etsk are on all the fifth facade is a square; navigation texts Sov the surfaces. The museum as a club: architecture, arts, history, ballet, cinema, children, fashion, street art, city events. Europe and Asia. .

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o Pop

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Ord

t. ze s

Mosque

Kyib

st.

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idze

jonik

Ord

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t. va s ishe

Fire-station

st. aya etsk Sov .

Tobacco factory

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st.

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Kama Gate

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The building of a museum incorporates city transport streams and its agents become pedestrians, cars, trains, the ships. The mooring, the railway platform, the bus terminal make a museum complex multifunctional and, being its extension, expand its influence on the city environment.

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soon in all architectural magazines.


Team work

The bureau currently employ 20 architects, designers, builders and thinkers operating within the fields of architecture, urban design, research and development.


creative soldiers.

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PUBLICATIONS


ABITARE, AREA, WALLPAPER*, BAUWELT, INTERNI, LUST AUF RAUM, ARTCHRONIKA, RUSSKIY REPORTER, CASE AIT, OM, KOMMERSANT, TATLIN, THE MOSCOW TIMES, AFISHA, PROJECT RUSSIA, ELLE, ISKRA SPARK, COAST, LE COURRIER DE RUSSIE, RUSSIA NOW, HARPER’S BAAZAR, THE ARCHITECTURAL REVIEW, BLUEPRINT

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ARCHITECTURE


O F IDEA be r n a s k on i


ARCHITECTURE AND CONSTRUCTION ARE BOTH PRIMAL CULTURAL PRACTICES. BUT WHAT QUALITIES DEFINE MODERN ARCHITECTURE? HOW IS IT DIFFERENT FROM CONSTRUCTION? THE SHAPE OF MODERN BUILDINGS IS OFTEN DETERMINED BY ITS FUNCTION, SUCH AS PROTECTION FROM ENVIRONMENTAL HAZARDS. MODERN ARCHITECTURE OFTEN BIDS ON HIGH TECHNOLOGIES AND LOOSES MOST OF ITS AESTHETIC AND SEMANTIC CODES. AS A RESULT ITS MAIN MISSION OF CREATING A MESSAGE AND PACKAGING FOR CONTENT IS NEGLECTED. PUBLICATION BELOW DEMONSTRATES THE ARCHITECTURAL PROJECTS OF BUREAU BERNASKONI; EACH IS ENCODED INTO THE SYMBOL-ICON THAT REFLECTS THE MEANING OF A PROJECT. WWW.BERNASKONI.COM WWW.FACEBOOK.COM/BERNASKONI


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