Portfolio by fhaekner

ARCHITECTURE PORTFOLIO UNDERGRADUATE WORK BY FRIDA MARIE WANJIRU HÃ&#x201E;CKNER

FRIDA HÄCKNER

AGE: 24 ETHNICITY: SWEDISH EDUCATION:

CONTACT

Semester of Bachelor of Landscape Architecture

Adress: Crafoords Väg 14, 113 24

@ Ultuna, The Swedish University of Agricultural Sciences [20122013] Uppsala, Sweden.

Telefon: 070-5139290 Mail: fridahackner@ hotmail.com

Bachelor of Environments (Major in Architecture) @ The University of Melbourne [2014-2016] Melbourne, Australia.

ABOUT ME Born and raised in Stockholm, Sweden I got an upper secondary education in Biological Research and decided to pursue a higher degree in sustainable architecture and urban design. The interest in design and construction comes from Sustainable Design and the classical architecture of Old Europe that i grew up seeing. Growing up with a registered architect and urban planner for a parent gave me great insight into the practical profession as well as the conformities and fallacies of the field.

Current Status: I have just completed a 3 year Bachelor of Environments with a major in Architecture at the University of Melbourne. A master program which seems to combine all things I am interested in is the “Sustainable Urban Planning and Design” program at KTH and hopefully these studies will commence during the fall of 2017. Until master studies commence I hope to intern at an architecture firm, to gain real world experience which will both aid in my education and my working life afterwards, where I intend to tackle the very real problem of lacking sustainability at both a local and global level.

TABLE OF CONTENTS

INTRODUCTION

2-3

PROJECT: HAVEN

4-9

THE BAT CAVE 10-15 FLUIDITY

16-19

THE GLASSHOUSE MODEL 20-23

PROJECT: HAVEN

ARCHITECTURE STUDIO: FIRE ARCHITECTURE STUDIO: FIRE

ARBETE AV: Frida Häckner KURS: Architecture Design Studio: Fire PERIOD: Termin 2, 2016 STORLEK: 25 p LÄRARE: Stephanie Liddicoat DATORPROGRAM: Revit, Photoshop

Denna kurs gick ut på att använda all kunskap lärd under kandidatutbildningen, både från ett arkitekturperspektiv och konstruktionsmässigt. De enda kriterier som guidade designprocessen var den bestämda platsen (en nuvarande parkeringsplats på ungefär 25m2 x 25m2) och att byggnaden skulle ackommodera en organisation som på något sätt var relaterat till välbefinnande. Min inriktning för detta projekt blev psykisk ohälsa och dess stigma, och hur man kan göra någonting åt det för att bota båda två. Organisationen som jag forskade kring och valde existerar i verkligheten, i form av We Are Not Alone, vars mål är att hjälpa dem med mentala sjukdomar men vars namn talar om att bota stigmat och bevisa att det är vanligare än människor tror. Ljus genom byggnaden och en grön och hållbar miljö var de viktigaste aspekterna av de fysiska manifestationerna.

BREIF: A mixed use facility consisting of a Business Headquarters for 2 STRUCTURAL SYSTEMS + SYSTEMS + STRUCTURAL Dispersed Special Interest Groups, a therapeutic wellbeing SERVICES STRATEGIES SERVICES STRATEGIES program and boutique retail. The therapeutic wellbeing program is for you to research and detail. DSIG’S: • Mindfulness Association of Australia

LONG-SPANNING ROOF TRUSS WITH ROOF TRUSS WITH LONG-SPANNING SLIGHT SLOPE SLIGHT SLOPE

• National Association of Visual Arts. LOCATION: On the southerly corner of Spencer and Batman Streets in West Melbourne – currently occupied by twenty-one car spaces, in three rows of seven spaces with aisles between the rows

CONCEPT:

LONG-SPANNING POST-TENSION LONG-SPANNING POST-TENSION SLABS FOR SUBSEQUENT LEVELS SLABS FOR SUBSEQUENT LEVELS

Working to end the stigma of mental health issues, using all three disperse groups inside the building. From the restaurant and boutique hotel/living at the top to the stores and entrance lobby at the bottom, light and nature is incorporated to juxtapose the isolation of metal patients of days past. An atrium with glass covering on each floor lets light in from the large skylight found in the rooftop garden. A curtain wall and green shelved balconies add to this experience. Solar panels, recycled and sustainable materials as well as thermal mass lets the building have a minimal impact on the environment to preserve what many former inmates of mental institutions never got to see again.

LIGHT-WEIGHT STEEL FRAME LIGHT-WEIGHT STEEL FRAME COLUMNS+BEAMS COLUMNS+BEAMS

RECYCLED CONCRETE SLAB RECYCLED CONCRETE SLAB

PROMOTING THE IDEA OF KINDNESS AND BEING MINDFUL OF ALL PEOPLES CIRCUMSTANCES

AFFECTING POSITIVE CHANGE REGARDING STIGMA THROUGH ART EXHIBITIONS AND RAISING AWARENESS

BORED PIER FOOTING SYSTEM BORED PIER FOOTING SYSTEM

LONG-SPAN STEEL MEMBERS WITH S LONG-SPAN READY-MADE SPACES READY

RUNNING THROUGH COLUMNS RUNNING T (CONCEALED UC) (CO

SERVICES RUNNING THROUGH SERVICES PARTITION WALLS PAR

SUSPENDED CEILING WITH CONCEALED SERVICES SUSPEND CONCE

CAST-IN SERVICES

CAST

GROWN FROM ”WE ARE NOT ALONE”, A SUPPORT GROUP STARTED BY FORMER INSTITUTION INMATES TO HELP EACH OTHER AND FIGHT STIGMA

1. Current functions - Mixed Uses

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Str ley

100

DEVELOPING CITY FABRIC: AN EVER-EXPANDING CBD HAS LED TO NEW SURROUNDING HIGHRISE BUILDINGS RESPONSE: CONTEMPORARY AESTHETICS AND HEIGHTS TO INTEGRATE INTO THE CHANGING CITY

SAMPLE FLOOR PLAN: LEVEL 3: SEMINAR SPACES

3. 3-5 minute drive to Western Link; going north on Footscray Road

n tma

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Str ley

Bus:

eet

Str

1. <200m walk to Dudley St/Spencer St stop

2. <150m walk to Melbourne Remand Centre/Spencer St stop

Tram: 1. 2 block walk south down Spencer Street for:

m Bat

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2. 5-10 minute drive to Monash freeway; going down Wurundjeri Way

tr r S

dle

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nce

adderley street

1. 5-10 minute drive to South Wharf shopping area and Crown casino area

1. Current functions - Mixed Uses

Spe

ott

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Drive:

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4. Accessibility and Movement

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Str

Office Red Cross Service Warehouse Industrial Office Commercial Office Shop Retail/Residential Commercial Vacant Commercial Land Warehouse Fire Station Beauty and Health Office Residential Office Church Retail Retail Office Residential House House House House Office Corrective Institutions Retail/Office Corrective Institutions Retail Commercial House Residential Residential Warehouse Residential Office Office Office Office Retail Office Residential Substation House House House House Office Residential Garage Office Residential Residential Residential

Spe

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Spe

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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56

eet

Str

(1) #119 Spencer St/La Trobe St (2) #1 Spencer St/La Trobe Street

Train: 1. 4 block walk south to Southern Cross Station

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str ott

Jeff

2. 2 blocks south and 2 blocks east to Flagstaff Station

ott

Walk:

c Jeff

1. <300m walk to Flagstaff Gardens

Major Road (North to South Axis)

100

MELBOURNE MOVEMENT: Bus Stop lane indicator VERY Direction HIGH and NOISE LEVELS AT MOST HOURS/DAYS Public transportALONG route SPENCER ST. Side Streets (East to West Axis)

2. 5-10 minute walk to Etihad Stadium and/or Dockland area 3. 2 block walk to “CBD City Circle” area 4. 5-10 minute walk to Queen Victoria Market

adderley street

eet

str

REMEMBERING HISTORY: FAIR AMOUNT OF HISTORICALLY PRESERVED BUILDINGS/FACADES

RESPONSE: RAISE PROGRAM ABOVE NOISE LEVELS TO HIGHEST EXTENT POSSIBLE

RESPONSE: BREAK AWAY FROM THE DARK HISTORY OF MENTAL ILLNESS TO JUXTAPOSE THE AREA

SAMPLE FLOOR PLAN:

LEVEL 4: CONSULTING SUITES

100

LEVEL 5: BOUTIQUE HOTEL

1 2 3 4 5 6 7 8 9 1 1 1 1 1 1 1 1 1 1 2 2 2 2 2 2 2 2 2 2 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 5 5 5 5 5 5 5

SAMPLE RENDER:

GROUND LEVEL: LOBBY/CAFÃ&#x2030;

SAMPLE RENDER:

LEVEL 3: SEMINAR WAITING AREA

THE BAT CAVE ARCHITECTURE STUDIO: AIR

ARBETE AV: Frida Häckner, Bingqing Zhang, Yueer Wang KURS: Architecture Design Studio: Air PERIOD: Termin 1, 2016 STORLEK: 12.5 p LÄRARE: Bradley Elias DATORPROGRAM: Rhino + Grasshopper plugin, Photoshop

Målet med denna kurs var att lära sig ett nytt sätt att tänka gällande design genom att skapa och använda en generativ algoritm som genererar en parametrisk designkomponent. Denna komponent skulle sedan tillsammans med en mer komplicerad algoritm generera den slutgiltiga designen. Allt detta skulle göras i Rhino-pluginprogrammet Grasshopper 3D, där andra relevanta parametrar såsom hållbarhet och verkliga fysiska förhållanden också kunde inmatas. För vår grupp blev en helt hållbar design, till för att assistera naturliga förhållanden i statsmiljön riktningen vi valde. Detta var i kombination med det enda kriteriet som skulle informera designen, vilket var att det skulle vara ett utrymme som främjar möter mellan mänskliga och icke-mänskliga entiteter.

Studio AIR responds to the challenge of

The modelling of the design itself proved a valuable lesson in how sustainable materials makes production cheaper and better. The tension and rigidity which had been lacking before was very much achieved by using simple bamboo rods and attaching them together. And as bamboo grows around the campus of the University of Melbourne, making purchases of certain things were made unnecessary. The natural growing bamboo dropped smaller canes due to autumn, making harvesting live grass redundant as well. The principal logic and construction process did certainly expose a general tendency to make things more complicated than they need to be, which does not even add to the intended design outcome but may even detract from it. Due to the use of mainly natural materials the parametric part of this parametric design might have been slightly obscured, but the imbedded material logic in physics simulation software to me is the most important aspect of this bending/tension structure, making the essence of it relate back to the parametric design concept it was based on.

exploring the impact of computation on architectural design. This exploration is important because approaches falling under the umbrella term of â&#x20AC;&#x153;digital architectural designâ&#x20AC;? have developed into the most vibrant and influential areas in contemporary architectural discourse and practice. This focuses on the development of a realistic and yet innovative design proposal. The outcome is a fully documented and convincingly argued design that is critically positioned in contemporary architectural discourse. This part asks students to develop a particular technique or tectonic system using computational methods through case-study analysis, parametric modelling and physical prototypes. This will be achieved through Grasshopper 3D, as the plugin will be taught through reverse classrooms before commencing design.

BREIF: Creating a space along Merri Creek in Melbourne which facilitates interaction between human and non-human entities (in other words animals). Non-human Entity: Flying Foxes/Giant Fruit Bats Tectonic System in Grasshopper: Bending

This project will utilize the physical bending of material and keeping a bent shape by being in tension, and by using the Kangaroo physics application for Grasshopper actual real world material properties could be used in order to make physical construction easier down the line. As for the brief of facilitating meetings between human beings and animal entities the bat and flying fox population of Melbourne was chosen as a focus for this parametric design. As they are abundant in the urban environment and having adapted to a fairly unnatural way of living due to destruction of habitat it was decided to use this design as an opportunity to make a habitat more suited to what they would use without human interference.

After choosing bamboo as the main material due to sustainability and short growth periods, several techniques were expolored to find a suitable bending strategy. Patterning allowed trial materials to be bent but did not do so well regarding tension. After this phase a simpler way of using bamboo was explored.

FLUIDITY ARBETE AV: Frida Häckner, Zeyu Li KURS: Digital Design & Fabrication PERIOD: Termin 1, 2015 STORLEK: 12.5 p LÄRARE: Michelle Emma James DATORPROGRAM: Rhino + VRay plugin

Digital Design & Fabrication handlade om att utveckla ett data-baserat designtänkande, att få ut A från CAD för att nå en helt digitaliserad designprocess. Projektet som skulle både designas och tillverkas med digitala hjälpmedel hette Sekond Skin, och skulle relatera till hur vi upplever vårt personliga utrymme. Designen skulle även vara baserad på ett koncept om hur saker och material beter sig, och hur även om omgivningen kan se varierande ut så kan de flesta materiella saker kategoriseras med gemensamma nämnare. Detta var för att hjälpa till med att utveckla ett data- och logikbaserat designtänkande för att få olika perspektiv på hur man kan komma fram till en slutgiltig design.

The Digital Design & Fabrication endeavor is named the Second Skin and

will be based on 2 concepts. One is an object which the design will draw inspiration from and the other is the concept of personal space. The material system this project is based on is â&#x20AC;&#x153;Panel & Foldâ&#x20AC;?, which is being represented by a basic folding fan. The first required part of the project was to dissect and analyse the chosen object. As the fan was not very complicated to measure in shape, most of the dimensions were taken with a steel ruler of 30 cm. The majority of the fan consisting of paper and paper-thin bamboo means that not much had an actual volume to it. This is what resulted in a fairly basic layout. As the rulers were a standard 30 cm in length, and the overall length of the fan in an open state had to be measured with a longer tape measure of 8 m. With the smaller parts with volume on the fan, the triangulation was based on the work of Miralles (1988). All individual parts of the object could be accurately measured without compromising the structural integrity of the object as a whole, meaning it did not have to be taken apart in order for the rulers to get accurate measurements. The basis for this was to make measured drawings of the object. This might seem redundant when there is the object itself and photography, but the theory is that doing these drawings makes you be observant of every single detail of the object (Heath, Heath & Jensen 2000). Forcing you to take notice of everything and therefore getting to know you object in a more comprehensive way. The surface area of the different parts however, could not be obtained without separating them, especially as the paper could not fully return to a flat state while still attached to the bamboo folding structure.The paper part of the folding fan was possible to measure properly once the fan had been deconstructed. It is 550 mm x 275 mm x 105 mm. As the bottom half cannot stretch out the way the top can, it is half the length. It is therefore not a regular rectangle when laid out individually. These dimensions were then translated into drawings of the different forms of the fan, both as a complete object and when the different pieces had been separated. The dismantling of the object then made it possible to enter all measurements into Rhino 3D Modelling software for a virtual model of the object.

The first design proposal is based on the concept that your personal space changes depending on who is trying getting close and enter the space. If you do want someone near you, you can remain yielding regarding that part of yourself, which indicates that you do want something or someoneone there. The other part represents the unyielding sense that we do not want strangers in our space as they might not have good intentions or be indifferent to your comfort and as in daily interaction there will be far more strangers than people you know, no matter where you are.

Final model: Closed perspective

Final model: Open perspective

The Final version of the Second Skin design, with the Panel and Fold, the concept of fluid personal space and the most absorbant non-color are now present. Two smaller parts sit on the shoulders while a larger one sits in front. All can be changed into an open version of themselves with the help of metal wire hidden under the black coloring. This is Second Skin is representational of the different personal spaces people have depending on who is closing in, with the flat surfaces welcoming anyone you want to you while the open and spiky version warns strangers away. Final model: General shapes when closed

Final model: General shapes when open

THE GLASSHOUSE MODEL ARBETE AV: Frida Häckner KURS: Construction Design PERIOD: Termin 1, 2016 STORLEK: 12.5 p LÄRARE: Matthew Borg DATORPROGRAM: Rhino, Illustrator

Detta var det sista projektet i den sista kursen relaterat till bygg- och konstruktionslärande under kandidatutbildningen. Den var baserad på att kulminera allt man lärt sig, för att förstå konstruktionsprocessen från början till slut. För att uppnå detta blev alla kandidater tilldelade en liten del av en byggnad i sista skedet av konstruktion med endast detaljer kvar att avslutas. Uppgiften var att från början till slut följa konstruktionsprocessen och återbygga den del av byggnaden man blev tilldelad. Detta inkluderade alla detaljer, från att läsa och förstå den geotekniska rapporten för att förstå grundförhållanden till att läsa detaljplaner och de minsta specifikationer tillgängliga (till exempel kakeltyp och mattfärger). Lärandet inkluderade även hur konstruktion verkligen går till, då den färdiga byggnaden ofta skilde sig från de ritningarna, och hur mycket som faktiskt ändras under processen.

This construction subject

articulates and tests the idea of construction as a process requiring cultural and technical choices. Construction Design moves from the analysis of specific architectural ideas to arrive at the evaluation and selection of implementation alternatives. Mixing built examples and project proposals, students will be shown how to identify, evaluate and engage with the technological underpinnings of architecture. The two major assignmnets which will facilitate the learning of these skills are 3D-model projects which will be individually done. Through construction and architectural drawings, through construction photos and a site visit, an axonometric drawing of the allocated section will first be drawn, and after that a 1/10 model of half of the allocated section is to be built. This particular section is on the south side of the Glasshouse, of a ground floor wet room and a first floor balcony in the entertainment area. The information and detailing included is from the composition of the soil as stated in the geotechnical report to the metal roof sheet as detailed in the specifications.

OLYMPIC PARK COMMUNITY FACILITY Croxon Ramsay Architects

Geotechnics 1.

HIGHLY TO MODERATELY WEATHERED BASALT -4.6-6.0 M OF LAYER

THICKNESS 2.

SUSPENDED BASALT BOULDERS - , 0.4-1.6 M OF LAYER THICKNESS

MEDIUM TO HIGH PLASTICITY CLAY - 2-2.3 M OF LAYER THICKNESS

COODE ISLAND SILT - 1.6-3.1 M OF LAYER THICKNESS

MANMADE FILL - 0.3-2.5 M OF LAYER THICKNESS

Foundations & Footings 6.

BP4: BORED PIER 4 - MIN. 1200 MM INTO HIGH-MOD WEATHERED BA-

SALT - 400 MM DIAMETER - STEEL REINFORCEMENT: 6N20 BARS, R10 LIGS

36.

@ 300 CTS 7.

RL - 14.75 TOP OF SOUTH PARAPET

200 MM THICK SUSPENDED SLAB WITH 400 MM THICK GRADE

BEAMS 8.

0.2 MM THICK VAPOUR BARRIER

50 MM SAND BED

47. 46.

10. LEVELED FILL OF VARYING THICKNESS 11. GB82: GRADE BEAM – CONCRETE EDGE BEAM – STEEL REINFORCEMENT: 4N20 BARS N12 @ 200 CTS 12. GB153: GRADE BEAM – 400 X 1500 MM

48.

37.

CONCRETE BEAM - STEEL REINFORCEMENT: 15N16 N12 @ 200 CTS

39.

Level 0 Structure 13.

44.

C43: REINFORCED CONCRETE COLUMN 600X300 MM – STEEL REIN-

FORCEMENT: 8N20 BARS R10 @ 300 14.

CL RL - 12.05 - LEVEL 1

BW1: BRICKWORK TYPE 1 - WITH GRAFFITI COAT (GC1) COATING TO

45.

EXTERIOR 15. GC1: NK-M1AG ECOBARRIER (ANTI GRAFFITI COATING) WITH CLEAR FINISH 16. IN1/IN5: INSULATION TYPE 1 - 110 MM THICK, R=3.1 17. SA: SARKING - THERMOFOIL 730 MEDIUM DUTY 18. DPM: DAMP PROOF MEMBRANE - POLYMERIC FILM 0.2 MM THICK

50.

29.

19. GL6: GLAZING TYPE 6 - EXTERNAL SINGLE GLAZED SPANDREL PANEL FOR SOUTH FAÇADE 20. GL7: GAZING TYPE 7 - EXTERNAL DOUBLE GLAZED UNITS FOR SOUTH FAÇADE - MIN. 6.38 MM THICK HEAT STRENGTHENED LAMINTE WITH

40.

12MM ARGON GAP

38.

SPANSEAL WITH THERMOFOIL VAPOUR BARRIER

43.

35.

22. VPM2: VAPOUR PERMEABLE MEMBRANE TYPE 2 - PROCTORWRAP

42.

31.B.

21. IN9: INSULATION TYPE 9 - SPANDREL INSULATION - 75 MM THICK

FFL RL - 8.25 - LEVEL 1

HIGH TENSILE

49.

23. BM: BREATHER MEMBRANE - N CONJUNCTION WITH VAPOUR PER-

31.A.

MEABLE MEMBRANE (VPM2) 24. MC3: METAL CLADDING TYPE 3 - ZINC CLADDING - VMZINC VERTICAL INTERLOCKING PANEL SYSTEM - 1 MM PRE-WEATHERED ANTHRA ZINC ON 15 MM PLYWOOD

28. 30.

31.

CL RL - 6.95 - LEVEL 0

41. 33.

Level 1 Structure

25. 200 MM THICK POST-TENSION CONCRETE SLAB

34.

25.

26. 1B39: FLOOR BEAM NO. 39 – REINFORCED

32.

CONCRETE BEAM AT 700 X 600 MM, – STEEL REINFORCEMENT: N12 @ 300 CTS 27. M2: 200 MM PARALLELL FLANGE CHANNEL (H=200, W=75, FT=12, WT=6 MM) + 6 X PLATE

FFL RL - 4.25 - LEVEL 0

31.C.

28. WH1: 200 PARALLELL FLANGE CHANNEL (H=200, W=75, FT=12, WT=6

13.

MM) + 125 X 125 X 10 MM EQUAL ANGLE 29. WH2: 250 PARALLELL FLANGE CHANNEL (H=250, W=90, FT=15, WT=8) + 90 X 90 X10 MM EQUAL ANGLE 30. GL1: GLAZING TYPE 1- EXTERNAL DOUBLE GLAZED UNITS - MIN 13.52 MM THICK CLEAR HEAT STRENGTHENED LAMINTE WITH 12 MM ARGON GAP

26.

31. FS1: FRAMING SYSTEM TYPE 1 - EXTERNAL

27.

ALUMINIUM WINDOW FRAMING - STRUCTURAL TRANSOMS, MULLIONS, SILLS AND HEAD

24.

20.

31.A. MULLIONS OF VARYING SIZES

23.

31.B. TRANSOMS OF VARYING SIZES 31.C. HEADS/SILLS - COMBINED WITH 50 X 50X 3 MM

21.

ALUMINIUM RECESSED CHANNELS

15.

22. 19.

32. TD1: TIMBER DECKING 1 – 130 X 20 MM IN CONJUNCTION WITH C1: CLEAR FINISH, MIN. 10 MM OF POLYPROPYLENE PACKERS UNDERNEATH

14.

12.

33. SD2: SWING DOOR TYPE 2 – SKYRANGE BELGIAN 'U' SERIES 34. WPM4: WATERPROOF TANKING MEMBRANE TYPE 4 - ON CONCRETE BALCONIES - LIQUID APPLIED POLYURETHANE

Roof Structure

18. 16.

17.

35. RT14: ROOF TRUSS NO. 14 36. RS3: RIGGING SUPPORT TYPE 3– UNIVERSAL BEAM - 310 - 40 MM 37. RS4: RIGGING SUPPORT TYPE 4– UNIVERSAL BEAM - 250 - 31MM 38. G1: GIRT – STRUCTURAL C-SECTION PURLIN - C20024 @ 900 CTS – 2 ROWS OF BRIDGING

10. 9.

39. B4: BEAM TYPE 4 - UNIVERSAL BEAM - 150 - 23 MM (W=152, H=152, FT=6.8, WT=6.1MM) 40. FB29: FASCIA NO. 29 – 250 PARALLELL FLANGE CHANNEL COMBINED WITH 90 X 10 MM EQUAL ANGLE 41. D1: SQUARE HOLLOW SECTION: DROPPER 100 X 6 MM– 75 X 4 42. MC1: METAL CLADDING TYPE 1 - ALUMINUM SHEET PANEL - . 5MM

11.

THICK FLAT ALUMINIUM SHEET WITH WEATHER PROOF MEMBRANE:

GALVANISED SHEET: 0.3 BMT 43. WPM2: WATERPROOF MEMBRANE TYPE 2 44. RS1: ROOF SHEET TYPE 1 - KLIPLOCK 406 BMT 0.48 - WITH 75 MM ROOF RACK SYSTEM TO ALL PURLINS

6. 3.

45. IN3: INSULATION TYPE 2 - 100MM PERMASTOP BUILDING BLANKET WITH HEAVY-DUTY FOIL SISALATION ADHERED - R = 2.5 46. IN6: INSULATION TYPE 6 - BOX GUTTER – ULTRA 20 FOIL BOARD

47. WPM2: WATERPROOF MEMBRANE TYPE 2 - LIQUID APPLIED CO-POLYMER 48. VPM2: VAPOUR PERMEABLE MEMBRANE TYPE 2 - PROCTORWRAP HIGH TENSILE ROOF 49. MC3: METAL CLADDING TYPE 3 - VMZINC VERTICAL INTERLOCKING

1. NAME: FRIDA HAECKNER

OLYMPIC PARK COMMUNITY FACILITY

ABPL30041 - CONSTRUCTION DESIGN

23.03.2016

AXONOMETRIC DRAWING ASSIGNMENT

SCALE: 1:20 @ A0

PANEL SYSTEM - SOFFIT - 1.0 MM THICK PRE-WEATHERED ANTHRA ZINC 50. BM: BREATHER MEMBRANE - PROCTOR GEO HC9 MAT