Filming in France - Korean Guide

Page 1

Ɓ îĄÛ ĉƚĎ &( Ɓ [ Ŏĉ

Credits for cover photos © Anne Thomas / Mairie de Paris – Tour Eiffel-Pierre Bideau concepteur Lumière Conception and writing Franck Priot, Caroline Juliard-Mourgues, Mélanie Chebance, Patrick Lamassoure

Published by Film France 21 rue d’Hauteville 75010 Paris Tel +33(01) 53 83 98 98 Fax + 33 (01) 53 83 98 99 film@filmfrance.net www.filmfrance.net President : Nicolas Traube General manager : Patrick Lamassoure Deputy manager : Franck Priot With the support of the CNC (National Center for Cinema) The book can be downloaded as a PDF file from www.filmfrance.net

Korean version Korean version produced by the French Institute of Korea ɂ˨ˠîƲň̇ȋ Director : Daniel Ollivier Attache Audiovisuel : Daniel Kapelian Assistant : Young-ae Joo Designed by Designbig Printed by: Sejong C&P Translated by So-Young Moon and Tae Yeon LEE

Copyright : Commission Nationale du Film France, 2012 This book is free, it cannot be sold.

Contents ń

Part1. Introduction ¯

ˠîƲǪƑ ɱǴ˦} Ʋʱ ŕȝ Ʋʱ

ˠîƲǪƑ ɱǴ˦® Iɍ ȝȓ

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Part3. France ĸl¾ &ß ȠŘ ȴŬ ɍġ Ŕ }̐

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Part5. Íŋ v

Part1.

Introduction Û»

01 Ɓ îĄÛ ŎĉƇo Aľ ģĝ

02 Ɓ îĄÛ ŎĉƇ` îŬ Áģ îŬ

03 Ɔ© Ɓ î

04 Ɓ îĄÛ Ŏĉ ƈX ĉƚ &( ¯ UP ªîŲ

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11

şǟ h|ĚŒĆ…ÇŞ j˨ Č´ĹŹÄž Čľhˍ¹œ ËĽÄ&#x;Ë ĂŽĆ˛ÂŽ Ë ĂŽĆ˛ Â’ÇŞĆ‘Čœ hĂ‹ȾȌČœ }ĚŒÇŞ ½˨ ȴŏÇ ČľhËŚd Ȥ Č–Äź +)#(ƝɍČ˜ Č‹ËŚÂŽ Č oȾȌȼĂ˜ÇŞZ Ă‡ČˆČ˜ Ă•ÄĄd ȤƜ¹œ Č“Ăť Ç Â­ oIǪƑÇ dÇĉ ĆŞÄ„Ă? Č&#x;ăi Č?Ă˝ Z ÂśÇ&#x;˨ ɹǴÉ?Äž ÉĄČ˜ ĆŠÂŽ ǧČ˜ YȢ¹œ Ë ĂŽĆ˛ÂŽ ȼȓĉȆ Ć…dĹœĆşČ˜ ČĽĂŽËŚÂŽ ɲdČœ Ǵ̇c Ɇ ËŚÂ‹Čœ Ě…wè ȆÕȢ¹œ ʚĒŽ ¡Ë?Ǵ̇ǪƑųʊ ½uĹ€ ȾȌĹ‰ÂƒÉ? œĒd ȤČ–Äź wĂ˜Čœ œȏœ°˪i Č•ĘľĆ–Č˜ Č&#x;Č´Ĺ™d ȤƜ ¹œ ËĽÄ&#x;Ë ĂŽĆ˛ Č?Ć…ĚŒÂŽ Ǵ̇ Ĺ” +- ȾȌȼ }ĆŹĆ‘şƲƆnj ĹľÇ?Čœ Č“ÄžČ&#x;Ć…Ă˜ oÄŚÇ´Ě‡Ć˜ĘŠ ½Ë™Ă˜i É?ÇŽČ´Ĺł j Ä?Ă˜Ä‰ nĆ–ĂŒÇ Č¤ĆśÂąÂś ËĽÄ&#x;Ë ĂŽĆ˛ÂŽ Ć—cǴƉČ?Č‹ĚŒ www.afci.org Çź Č“ÝǴ̇Č?Č‹ĚŒ Â?ʝȊʚ www.eufcn.org Čœ ĚŒČ‹Ȣ¹œ Äş~ĸlž - 21, rue d’Hauteville - 75010 Paris - France Tel : + 33 1 53 83 98 98 / Fax : + 33 1 53 83 98 99 / Email : film@filmfrance.net / Web : www.filmfrance.net Patrick Lamassoure Fn ƒ‚3 &6N0 Franck Priot n „)€ „2] Caroline Julliard-Mourgues C/H< |.4 u2U0 <0 MĂŠlanie Chebance _ tlk^g _ÂŒ- 8& PAQ

Calvin Walker sESQÂ }B c~ Elsa Chevallier % hM Yk P@2X

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ɹǴÉ?ÇŞ ½˨ Č´ĹŹÇź ƅȯƅ Ă„Č?ʊŤČ?Ʋ Ă›É?ĘŤ Ć…É? Ăš ̀Ɩ ʚĒ ÉĄ} ĘˆƲËƒËŚ} Ĺ” }ʢ ½ųžČœ ËĽÄ&#x; ǡˢƲǪĆ‘ ĘˆƲ˃ Ɣş Ć…Č„I° ˹ȴȰÉœ ɹǴ˳IÉŒ Ě?Ă–Č˜ Č?˨ ĹŹČş ̇ʼnƊƼ Ĺ” ÂśÇ&#x;˨ Č´ĹŹ Éœܽǭ ƪƢ Ăš Ë Ä‰ÂżĆž ǡˢƲ Ɣş Ĺ” }ÄŠĹˆĆ‘ Ä°ÉŹÇź É?Ĺœȼɞ¡ɏǟČœ jc

>6 Paris Film '//'+* '*6) Tel + 33 1 44 54 19 60 tournages@paris.fr / www.parisfilm.fr +,&'# +1"+* *&'((# >7 North East Paris Film Commission PĂ´le audiovisuel nord parisien Tel + 33 1 78 35 09 94 comfilm@lepole.org / www.lepole.org 0#,& * #*"#. >8 Champagne Film Commission ORCCA Tel + 33 3 26 55 71 83 batca@orcca.fr / www.orcca.fr +,&'# +1//# 1 >9 Brittany Film Commission CRT Tel + 33 2 99 28 44 60 tournages@filmsenbretagne.com www.filmsenbretagne.com

0&#.'*# #( ( *"# : )) *1#((# +&6 ! : Fanny Sabatier

Contacts The Network of Film Commission in France Film France The French Film Commission Tel + 33 1 53 83 98 98 Fax + 33 1 53 83 98 99 film@filmfrance.net / www.filmfrance.net >1 Nord-Pas de Calais Film Commission CRRAV Tel + 33 3 20 28 26 40 53 jallard@crrav.com / www.crrav.com JĂŠrĂ´me Allard >2 Picardy Film Commission ACAP - PĂ´le Image Picardie Tel + 33 3 22 72 68 30 filmpicardie@acap-cinema.com www.acap-cinema.com 1('#00# ( )#*0 : 0&'#1 #/#0

12

>3 Upper Normandy Film Commission PĂ´le Image Haute-Normandie Tel + 33 2 35 70 70 43 bat@poleimagehn.com www.poleimagehn.com 9.' +".'%1#5 : .+(# 1)'#. >4 Lower Normandy Film Commission '/+* "# (? ) %# //# +.) *"'# Tel + 33 2 31 06 23 23 j.prat@maisondelimage-bn.fr www.maisondelimage-bn.fr Johanne Prat >5 Ile de France Film Commission Tel + 33 1 56 88 12 88 stephane.martinet@idf-film.com constance.cardon@idf-film.com www.iledefrance-film.com Olivier-RenĂŠ Veillon 06,& *# .0'*#0 : +*/0 *!# ."+*

> 10 Western Loire Film Commission Tel + 33 2 40 48 81 24 bat@spr-paysdelaloire.fr &00, 222 /,. , 4/"#( (+'.# $. 1('*# # (+!& > 11 Loire Valley Film Commission Ciclic Tel + 33 2 47 56 08 08 fanny.barrot@ciclic.fr / www.centreimages.fr **4 ..+0 > 12 Burgundy Film Commission Tel + 33 3 86 34 47 60 contact@filmbourgogne.com / www.filmbourgogne.com 8((# 1.#*0 > 13 Alsace Film Commission - Region Agence culturelle d’Alsace Tel + 33 3 88 58 87 57 films.alsace@culture-alsace.org www.culture-alsace.org (#** *"(#4 : '!&#( +!& > 14 Strasbourg & Urban Community Film Commission CommunautÊ Urbaine de Strasbourg Tel + 33 3 88 43 61 82 estelle.zimmermann@strasbourg.eu

www.strasbourg-film.com Estelle Zimmermann > 15 Lorraine Film Commission Tel + 33 3 87 31 81 40 marie-alix.fourquenay@lorraine.eu www.tournages.lorraine.eu .'# ('3 +1.-1#* 4 > 16 Poitou-Charentes Film Commission Tel + 33 5 45 94 37 81 m.perronnet@cr-poitou-charentes.fr www.cinema.poitou-charentes.fr .'# #..+**#0 > 17 Limousin Film Commission Tel + 33 5 87 21 20 80 cinemaenlimousin@cr-limousin.fr www.region-limousin.fr/cinema (6.'# 1)#0 : '((' ) '*".#/0'* > 18 Auvergne Film Commission Sauve qui peut le court-mÊtrage Tel + 33 4 73 14 73 14 cfa@clermont-filmfest.com / www.filmauvergne.com 06,& *# +1'(( 0 : '*!#*0 (15 > 19 Rhône-Alpes Film Commission Tel + 33 4 72 98 07 98 sergetachon@comfilm-rhone-alpes.fr a.malfroy@ comfilm-rhone-alpes.fr www.comfilm-rhone-alpes.fr #.%# !&+* : 1.6('# ($.+4 )'*# > 20 Drôme Ardèche Film Commission Tel + 33 9 52 35 26 14 contact@cineda.com / www.cineda.com SÊbastien Cobos > 21 Aquitaine Film Commission

-1'0 '*# Tel + 33 5 47 50 10 05 yane.lahaye@ecla.aquitaine.fr / ecla.aquitaine.fr *# & 4# : ' -16 > 22 Dordorgne Film Commission CinĂŠ Passion en PĂŠrigord Tel + 33 5 53 07 91 91 thierry.bordes@cine-passion24.com www.cine-passion24.com &'#..4 +."#/ : $ #( #/0.+

13

> 23 Gironde Film Commission Tel + 33 5 56 48 67 81 f.kohler@tourisme-gironde.fr www.tourisme-gironde.fr .6"6.'-1# +&(#. : .'# 0# 1

> 32 Aix en Provence Film Commission Service Presse Tel + 33 4 42 91 97 68 albertinimc@mairie-aixenprovence.fr Christine Albertini

> 24 Pyrenees Atlantiques Film Commission Tel + 33 5 59 24 10 43 contact@filmpyreneescom / www.filmpyrenees.com Christine Saint-Cricq

> 33 Luberon Vaucluse Film Commission Tel + 33 9 61 50 85 49 filmvaucluse@gmail.com Joan Azorin

> 25 Lot-et-Garonne Film Commission Tel + 33 5 53 41 65 19 espaceproductions47@hotmail.fr Fabien Jancowiak

> 34 South of France Film Commission Var Tel + 33 4 94 54 81 88 michel.brussol@wanadoo.fr / www.filmvar.com '!&#( .1//+(

> 26 Southern Midi-Pyrenees Film Commission CinĂŠ 32 Tel + 33 5 62 63 69 30 accueil.tournages@cine32.com / www.cine32.com +/' *# (#"

> 35 French Riviera Film Commission Tel + 33 4 93 13 75 12 evelyne.colle@cote-azur.cci.fr / www.cote-azur.cci.fr Evelyne Colle

> 27 Northern Midi-Pyrenees Film Commission Gindou Cinema Tel + 33 5 65 22 89 69 atmpn@gindoucinema.org / www.gindoucinema.org 1/0'*# +00#.+ > 28 Languedoc-Roussillon Film Commission Tel + 33 4 67 64 92 58 marin@languedoc-roussillon-cinema.fr sandrine@languedoc-roussillon-cinema.fr www.languedoc-roussillon-cinema.fr .'* +/#*/0'#&( : *".'*# +1.+1 (# > 29 Provence-Alpes-Côte d’Azur Film Commission Tel + 33 4 91 57 59 73 crf@regionpaca.fr / www.regionpaca.fr //'(' #') .'/ : '#**# *' * > 30 Southern Alps Film Commission CFAS Tel + 33 6 75 80 37 13 info@cinefas.com / www.cinefas.com Nathalie Pons > 31 Marseilles Film Office Tel + 33 4 91 84 98 42 missioncinema@mairie-marseille.fr www.marseille.fr + #.0 4+1

14

> 36 West Provence Film Commission Tel + 33 4 42 11 24 47 nathalie.bremond@ouestprovence.fr 0& ('# .#)+*"

ĸlž ÄŻÄŤIĂŹ ĂƒĂĽĂŤ ÇÆ A ĂŚÄź RĂ­tÄŤ €Ğ Č? Ç?Â’ÉŁČĽČœ Ç–ÇŞĆ‘ Ć— Ĺ É— ųžČ— Č o Ë Ä‰ȜʝI Ĺ™Č˜ ĆŠ ȤŽ +)#( Ë ĂŽĆ˛ É?Č‹ƚƲʰi ÂśÇ&#x;˨ ČŹČ´É?Č‹ÇŞ j˨ Č´ĹŹÄž ČľhËŚd ȤƜ¹œ (1@B ÇŞĆ‘ Ç ĂŁZ wÄĄd Ç Ă›Ć‘ Ë ĂŽĆ˛ ȾȌȼÄž ÉĄČ˜ ĆŠ ȤŽ É?ÇŞ j˨ Č´ĹŹI ȤƜ¹œ ËĽÄ&#x;Ë ĂŽĆ˛ÂŽ Ë ĂŽĆ˛ Â’ÇŞĆ‘Čœ ɹǴČ˜ ȺȔˌT‹ +)#(Č˜ Ĺ™Č˜ ČĽ_Č˜ P} Č?˨ ËŽĆ˝ ČŻĹˆI Ë ĂŽĆ˛ ȾȌƅ‹ èČ&#x; Ë Ä‰Ă”Ć‘ QČ— Ă˜Čœ ĥƲʝÄž ČľhËŠ ĆŠ ȤƜ¹œ ǭážČœ }ÉƒÇŞ ųˍˌŽ Ë ĂŽĆ˛ ȾȌȼĂ˜Čœ ʟŪ ĥƲʝÇ ČľhËŠ ĆŠ ȤƜ¹œ Č o Ǵ̇Ğ œĖŎ bËśČ? ȤŽ Ë ĂŽ Ʋ ȾȌȼĂ˜Čœ lŢČ?˨ Ă„Č?ʊŤČ?Ʋ Ćƒ Ç‹¹è žųʊ Ë ĂŽĆ˛ ȾȌĆ…I hĂ‹ ȾȌ˨ Č oǴ̇Ǫ ½˨ Č´ĹŹ ČĽ{ Ă‹Č‹ ǾƆ É?Č‹Č” ĹŹČş{ Ăš Ç ĹŹČ“ËŚd ȤƜ¹œ ËĽÄ&#x;Ë ĂŽĆ˛ÂŽ Ë Ä‰ȜʝČœ Ä°ÄƒČ˜ ÉŒIĆšĘ?d ČŠČŹČŽČ&#x; Ë ĂŽĆ˛ Ë„ĘťÂ˜Čœ jĆ˝Č˜ ÂĽČ ĆŠ ȤŽ ËŽĆ˝ Č‚ƢĂ˜Č˜ ɥÇĊ Ç ČˆČ˜ Ă•Ĥ ƊÇ ȤƜ¹œ Č…ÄĄÂŽ ǭážČœ Ǵ̇I ĚšË ĂŽĆ˛ Ăš|Č˜ Ě?Ă–Ě› ËŚÂŽĂ„ ËĽČ‚˨ Ë ĂŽĆ˛ČŽ Č‚Ƣ ʚĒ ÄťĹ&#x; ɹǴÉ? Ë“Ʋʝ Ɣş - . ËŚČ…Ʋ Ĺ?Č… Ăš Äž Ç ĂŁZ ËŚÄ˝ ÄŤČ? ÇŁČ˜ ĆŠ ȤŽÉ? ÉĄÂŽ YČ˜ Çȇ ĆŠ ȤČ–Äź ü˨ Ç ĂŁZ ËŚÄ˝ Ç­ ážČœ Ĺ?ĂŻ Ë„ĘťÂ˜I Ĺ™Z ĂŽ ČĽĂ‹ĹŹČş{Č˜ ɲ½Ě‡ËŠ ĆŠ ȤŽÉ? Ć”Ğ˭ Ă•Ĥ ĆŠ ȤƜ¹œ ǭážČœ Ë Ä‰ȜʝÄž Č?˨ ž ČĽĆ—˨ ȴŏ‹ Ă‡ČˆČ? ËĽČ‚ˌƚœĽ Ć‘ƾɞ ÄŹd film@filmfrance.netČ˜ ʾ˭ ËĽÄ&#x;Ë ĂŽ Ʋĉ ÇŻĂŠËŚ Ĺ•í¹œ ŇÄ? Ë ĂŽĆ˛ Ë Ä‰ÂżĆž IČ?ÕÇ ĹŹĆź ĆŠ ȤƜ¹œ ËĽÄ&#x;Ë ĂŽĆ˛Čœ Č?Ć…Č?ʝĞ ĹœĹˆËŚĆ?Ç ɀƜ ¹œ www.filmfrance.net

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> 37 Corsica Film Office Outil Technique de Conseil et de DĂŠveloppement Culturel Tel + 33 4 95 34 42 51 sandrine.rossi@ct-corse.fr / www.outil-culturel.corse.fr Sandrine Rossi

ĸlžĂ“ÂŻ Ä?Ă˜_ Äź9 Ă˜Ĺ…

> 38 New Caledonia - Southern Provinces Film Commission Tel + 687 24 45 06 aline.marteaud@province-sud.nc tournages@province-sud.nc www.province-sud.nc ('*# .0# 1" : 6*6"'!0# #.*'#.

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> 39 Guadeloupe Film Commission Tel + 33 5 90 80 41 57 guadeloupefilm@cr-guadeloupe.fr Tony Coco-Viloin > 40 Reunion Film Commission Agence Film RÊunion Tel + 33 2 62 92 29 18 courrier@adcam.org / www.adcam.org Françoise KersÊbet

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20

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ˣƞ Ǵ̇ ˠĉȶʻ® īȗ ųŵȝ - . ɱǴȘ ˓˪˦® bȅ Ǘ±ķȝƞ ň ŅĶ ̇Ȯ ʬƲʻĉ ɍȋ˩ Ʃ Ȥƶ±¶ Ƥüq´ģæ Ɓ xæƥ

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ō ÷û ¨à ɍȋ½Ɖȝ Ì} Ȑ˭Ƒ żȄȗ oĦǴ̇ƘʩǪ ɍȋȘ ƻɫ˦® ˠîƲ ȵȦƅĉųʩ Śƍ˭ǝ ˫±¶ ȝ żȄȗ Ɏȳ ˠĉ¿ƞȜ ƩȂǪ }ǭ˭ǝ ˫±¶ ɲ½ Ɨ{ ̉|ǘȗ ŞĪ ȓĉȢ±¶ Ɨ{Ș ˓˪˦ǭ ¶ș ż ȄȜ Ğ ˓˪˫±¶ ˠîƲ Ŕ ȓû ȦI ŝȅ Ŕ ƲʦˠĞ Ȑ˨ ȡ{ Ŕ ŬƩ ųI żȄ ŀ× }ƬȮ żȄ ȡ½Đ Ŕ nȢż ̚iÇ˨ Ɩ_ȝɍ ǏNjǝ ˫±¶̛ ȫż Ŕ ƲʦˠȜ oȵ ȆƥȘ ˓˪˨ mʵż ȝ żȄȗ ˠĉ¿ƞȜ ˥ȂĞ Ȑ˭ Śƍ˦® ƺż Qȗ Ʋʦˠ Ŕ ȫżĞ ƅȄ˦ĽƑ ˠîƲ ȁųǪƑ ɖȗ}KȜ ɱǴǪ ½˨ żȄ wġd ȵȦƅĞ ʵ˭ ɍŶÍ żȄ MIƉJż

ŝȅǪ ȤǠ Ɨ{ ̉|Ȗĉ dĂÍ ŬƩ {ǘȗ Ǵ̇ƆǦȜ ·ɬ ˿ǞǪƑ ƔȴÍ ɲȭ ŬƩ {ǘȖĉ ȵ˨˫±¶ ˠĉ¿ƞ ƑżƲ ̌ƅI Ɖƹĉ ˠĉ¿ƞ ɎȋȘ dȄ˩ ß Ȯȴ żȄȗ ·ɍ jĄÍ Ɏȋȝ Ƽȵĉ ʼnġȮ ˠĉ¿ƞǪ ̊Ë˰Ș ß Śƍ˦® ȡ{ ɍŶ |ǭƗ Ŕ Ʃ¼Ș ˓˪˫±¶ üq´ģæ Ō ÷û ĸuX¶ +)#( ɍȋ ȥ_ ȂUȘ PɳĂĽ Ǘ±ķȝƞ ˠĉȶʻI ¶și Qȗ ŀ× }ɃǪ ųț˭ǝ ˫±¶ ˠĉȶʻ® ˨ Ǵ̇ å® ƹġɉȜ ȠųĉDŽ Ǘ±ķȝƞ Ǵ̇ å® ʯþżȯ Ǵ̇ȝǠǝ ˫±¶ Ǘ±ķȝƞ ¶ʙĹʩġƃĪ Nj±è ld Ŕ }Ǧ ŁȮȖĉ ƅȄ˨ Ǵ̇® ɍȋ˩ Ʃ ǧƶ±¶ ˠĉȶʻ® oĦǴ̇Ƙʩĉųʩ ˠĉ¿ƞȘ Ȑ˭ ¶ĝ ȬȴȮ ɍȋȘ řɍ ǏNjǝ ˫±¶ ˠĉȶʻ® ˓Ĝ ʼnȝǠƑ® ǍÌļ ˔ăȮȝɍ ǏNjǝ ˫±¶ ˠĉȶʻ® ˠîƲǪƑ Ȯȴ żȄǪƑ ɲƢ˨ ŞĪ ȓĉĞ ɍɵ˭ǝ ˫±¶ ÕèĨȜ bȅǪ® ŞĪ ȓĉǪ ¹˦} Ȑ˭ ǭ÷ ːȜ żȄȘ ˫˩ Ʃ Ȥƶ±¶ ̚xȮ Ȅ̛ ųŵǪƑ ȲȘ ˓˪˭Ƒ ň̇Ȯ ʬƲʻȜ ˒I ɥÇǪƑ ɲƢ˨ ȲȘ Ǘ±ķȝƞ Ǵ̇ ˠĉȶʻ®

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ō ÷û ¨à ɍȋ½Ɖȝ Ì}Ȑ˭Ƒ żȄȗ oĦǴ̇ƘʩǪ ɍȋȘ ƻɫ˦® ˠîƲ ȵȦƅĉųʩ Śƍ˭ǝ ˫±¶ ȝ żȄȗ Ɏȳ ˠĉ¿ƞȜ ƩȂǪ }ǭ˭ǝ ˫±¶ ɲ½ Ɨ{ ̉|ǘȗ ŞĪ ȓĉȢ±¶ Ɨ{Ș ˓˪˦ǭ ¶ș ż ȄȜ Ğ ˓˪˫±¶ ˠîƲ Ŕ ȓû ȦI ŝȅ ·ɬ ˿ǞǪƑ ƔȴÍ ɲȭ ŬƩ {ǘ Ŕ ƲʦˠĞ Ȑ˨ ȡ{ ŬƩ Ŕ ųI żȄ ¶ș ǦŇĞ º¼˦® ˂Ș ˓˪˫±¶

ŏķ ñĤ Ǵ̇I ǽƖÌǩȘ ß ȵȦƅ® Ǵ̇ŭƅŮȘ ˓˪˨ ˥Ȃ˨ ƑĘĞ ɨų˦ǭ oĦǴ̇ƘʩǪ ɲȿ Ƹȟ ƻɫƑĞ ȵ ɵ˭ǝ ˫±¶ oĦǴ̇Ƙʩ® ˥ğˠîƲȜ ɍȋi ˪ ǽƖÍ Ǵ̇I ȥ_ ȂU }ɃȘ ɃƩ˰®ɍ ̈ȟ˦d ɲȿ Ƹȟ˫±¶

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˭ȁ ȵȦƅǼ ˠîƲ ̌ƅ KǪ ȵȦ ˿ȴȝ ȝĒǠɍ} ȯǪ® ƻɫ˩ Ʃ ǧƶ±¶ ȝ cǞƑ å® Ȝ˲Ƒ ® ˒IǪ ˥ Ȃ˨ ɍȋ ƑĘ Ɇ ˦ I б¶ dĂÌ® Ȯȴ żȄȘ Ȑ˨ ƹȦ ɕ® oĦǴ̇Ƙʩ +)#( ƅŇƢǪ ƻɫ ȳƩ ȠȥǼ ËȠ˫±¶ ȝ ɕ ȝȯǪ Śƍ˨ żȄȗ ƻɫȠȥǼ Qȗ ̌cǯÇǪ ɍŶÍ ȺUȜ ȭȥ żȄȘ ȵȁ˦d ȮȴżȄȖ ĉ dĂÌɍ Ǐƶ±¶ ˥ğˠîƲȜ ˒IǪ Þè oĦǴ̇Ƙʩ® ǭ}Ǫ ȴȜÍ ˒I ɥÇĞ ˓˪˦ǭ ȥ_ȂU }ɃǪ yT˦ǭ ƻɫǪ ½˨ aȴȘ ˫±¶ ȝ }ɃǪ ɸȻ˨ bȅ oĦǴ̇Ƙʩ® ɍȋƅǪ +)#( ȡƹ ƸȟȘ ųǭ˫±¶

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+)#(ȗ ˠîƲ ̌ƅǪ ˠîƲ ȴųȜ ǟÇ˩ Ʃ ǧd ƁǓȘ Ʃ ǧ® ɢŇI Ͷ ˦¾èÇ ȡƹ ƸȟȘ ̍Ö˦ȥĨȥ ţȖĉ ȴ˭ɏ Ƞȴ ȺU˦Ǫ ȗ˱ȝ ȝĞ ˩ȟ˩ Ʃ Ȥƶ±¶ Ɨ{ ̉|ǘȘ ˩ȟ˨ ˠîƲ ȗ˱ȗ ˲̐ řȘ ̉|ǘ Ȝ ɲ½ Ğ ƓɍŶ˦® b˲ȝ Ȥƶ±¶

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à^ Ɩť 9.-1; Ɨ{ ́ʧȜ ƹȦ å® ĨɍĩǪ wġd ˠîƲǠĉ å® ȵȦÍ Ȧ˜Ȝ ǢǠĉ +)#( ɍȋȘ řȗ ˠĉ¿ƞȗ ¶și Qȗ ňnĞ Ǣ|˭ǝ ˫±¶ “Cette oeuvre a bénéficié du crédit d’impôt en faveur de la production de films étrangers en France.” ȝ ňnĞ ŠǮ ˦Ľ ¶și Qƶ±¶ ̚ȝ Ǵ̇® ˭ȁ ˠĉ¿ƞȘ Ȑ˨ ˠîƲȜ Ɨ{ ̉| ́ʧȘ řǔ¶ ̛ Ƹȟ ȰɜƃĪ Nj±è ˠĉ¿ƞǪ ½˨ ȴŬǪ j˨ w ȁ Ȝň ƅˬ ʼ̖ ˠîƲǪƑȜ ɱǴǪ ½˭ r{˨ Ȳȝ ȤȖ Ľ Ǣȵ×ɍ ˥ğˠîƲ å® oĦǴ̇Ƙʩĉ ǯéɂƹ} ŕí±¶ Öiċ X­ĉƚáŧ Baptiste Heynemann Tel: +33 1 44 34 35 34 / aptiste.heynemann@cnc.fr

Ɔ© Ɓ î oĦǴ̇Ȑȋ̌ Franck Priot, Mélanie Chebance Tel: +33 1 53 83 98 98 / rebate@filmfrance.net

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02

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27

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ƅĈǯn ˠîƲǴ̇è® ȥ_Ș ɺÖ˨ ȁoǠ ƅȄ Ǵ̇I ˠîƲǪƑ RűÌǠ ȫȜ ʾʐȘ ˆǔd ̔˱ƩȢǘȝ Ǟ ȓĉèd Iȴ˫ƹ¶ ˠîƲǪƑ® ƉǴjɼȝ ½R ƩȢȜ Ğ ɺ˦Ŏĉ ŝ|ǦȥȜ ɰƩȢȗ ȓĉI Î YȢ±¶ ȁoǠĉ ɱǴÍ Ƣuŀ ˠîƲ hËȵȦʼnȝd ˠîƲ Ú| ( ɟd * ǪƑ Ȳ Ɇ ȲȘ řǔ¶d ˦Ľ ȝ Ǵ̇® ȥËŬȺ{Ș řȘ Ʃ Ȥƶ±¶ ȢȫĐ ƩȞĪȖĉ Ǵ̇® oĦǴ̇ƘʩǪ ɜ} ˠĉȶʻǪ ʷȥ˩ Ǟ ȓĉȜ ˠîƲ ȵȦȥ cɁĞ ĪØ Ʃ Ȥ ƶ±¶ wġd - I ˆĤ ßĨ¶ ˫ţȮȟ ¶ȆĉÕI ȝĒǠɐ ßĨ¶ hƺ +-ŜǴȝ Î ßĨ¶ ȵȦȥȜ ËȠ c

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ƈÓ R Ĵī ƔþÛ

L Ć û£ì Ćå? łĢë ê ĸl¾e@ʼnb ĽÞØŅì Ù Ġ (Kill me, 2010) Ǫœġ Njʬˠ CineSud Promotion ˠîƲ - Niko Film ÈȠ

Ʃȧ Ʊ ȝ¾ Unlimited ˠîƲ – wuste film ost ohg ÈȠ

Ɓ Äî úƁî ŝsĻ¦ ľė

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Njʝ ʄȅġƲĨʝ Orsan Production ˠîƲ – Sputnik Oy ˤêÕ

Ʋʾź ˠġǠɉ Pathé Production ˠîƲ – Cheri Production Ǵo

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ĥ Ɓ î ľė

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ȝ ˿ȴȜ ŁȮƉ ̚Ǵ̛̇ è ˪ȗ J èǪ ƹ˱Ɇȟ ţćȘ ɃƩ˦d Ǵ̇jǪƑ ɪ ƉǴȘ ŁȮȖĉ ˦ ® YȖĉ Ǘ±ķȝƞȘ ȵȁ˨ ȫː xǴ̇Ğ Ĭ˨¶ ̚s˨Ȥ® ¼ơ ȝè ˪ȗ ˨oǪ ½˭Ƒ® Ǵ̇ɏ̔Ȑȋ̌Ğ wġd ˠîƲǪ ½˭Ƒ® oĦǴ̇ƘʩĞ Ĭ˨¶

ü ÿ ǟ s˨Ȥ® ¼oȝ Ƹȟ˩ bȅ ȝ ˿ȴȘ ɃƩ˦ǭ hËȵȦÌd J ¼ƅȥȜ jĄ ţćƉ ƓȴÎ ȥ_ȝ Ȥ® hËȵȦǴ̇® J

ȫ ˠîƩNj NjŏZ Perspective Films ˠîƲ – PCT Cinema &

ÛǪĜd ĨĜʻ ɉ ˄ ʾ mobmobi Productions ˠîƲ –

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J ¼ƅȥȜ s˨ Ȥ® ¼oȗ ȝ÷˨ ́ʧǪ j˨ uȴ ŁĊȘ ¶ĝ ə ¼ƅȥȜ s˨Ȥ® ¼oǪ ȵh˦ļ ȝ÷˨ ́ʧȜ ˾˱ ƉƗ

Ć -ã (The Last Winter, 2010) ȼ Ɛʚ Silex Film ˠîƲ – Tarantula ŧ}Ǫ

¾ ƃ h ØŲ¦ ģ¾ľ ľė xĎ¾ì Ĉ (The House of Lucchese, 2010) ˢǪĜ Óʘĉ Perspective Films ˠîƲ – Need Production ŧ}Ǫ

ŝ¦òŔ ľė i W Ė¾ (Rock The Kasbah, 2010) ǝġŹ ̂ĉżɻ 13 Production ˠîƲ – Topia Communication ȝ ƲèǬ ĥ Ɓ î ľė ějþuì ×û(The Passions of Micelangelo, 2010) ȝƲʻŘ èô Tchin Tchin Production ˠîƲ – Piranha Films Ʋ ˍȟ ĥ Ɓ î ľė ©īIì ľâ(Vintner’s Luck, 2010) ʝ ʄĉ Acajou Films-Kortex ˠîƲ – Ascension Films ¬ɐðÕ

ÆH ľė Ü : ĕaq(All Good Children, 2009) ǐġƹNj Óˢ Cinema Defacto ˠîƲ – Element Pictures NjȠðÕ

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ĥ Ɓ î ľė Ėª§lĖ óø(Opération Casablanca, 2009)

Ľ (Disengagement, 2007)

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NjŀƲ ɍʢȝ Agrat Films ˠîƲ –Agave/HafakaB ȝƲèǬ

ȥȜ s˨Ȥ® ¼oȗ ¶ĝ ə ¼ƅȥȜ s˨Ȥ® ¼oǪ w÷˨ ũbȜ ƉƗ ƅˬȘ ʵɍ˨¶

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ę ĴQÆ äÁ(California wash, 2007)

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Ŷġ ï Ʋ Lazennec & Associés ˠîƲ – versus Prodcution ŧ

ˠîƲǪƑȜ Rű ̐ RȌ ɍ® ˠîƲȜ s˨Ȥ® ¼oȜ ƸȟȘ řNjǝ ˨¶ w÷˨ ƸȟȘ Ȑ˨ ƻɫȗ J ¼ƅȥI ľƹ˨ Ȱɜ

}Ǫ

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ĥ Ɓ î ľė y (Rumba, 2007) Çŏ±ʚ Njŧ MK ˠîƲ – Courage Mon Amour ŧ}Ǫ

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˨o å® ˠîƲȜ oȮȖĉ Kɂ˨¶

ĨĤģ IJƳ L FilmA ˠîƲ

ȵȦȥ® ˨o ˠîƲ å® ȓûǯ˫ ̌ȋo ȝȁȜ oIȜ ˨ ľ å® w ȝƉȜ oȮȥǪ Ȝ˦ǭ ţȮȖĉ å® ƼɐȮȖĉ ʵȵ

ĥ Ɓ î ľė Çt«W í¥(Alexander Ivul, 2007)

řɍ Nj±˦ǭǝ ˨¶ Ǵ̇ȵȦǪ ȤǠ ǵƬȮ }ƬȮ ɟǭȥ® ˨o ˠîƲ å® ȓûǯ˫ ̌ȋoȜ oȮȥȝǠǝ ˨¶ ȯƬ˨ oIȜ oȮȘ Iɍd Ȥ

ǙÕĘ ʒ˃ Sciapode ˠîƲ

ɍ ǏȖ w gǪƑȜ ɂTĞ ȢɌ˩ Ʃ Ȥ® ɟǭȥ® ȝ ˬȜ ȜŏȜ ŢȐ ǪƑ ˨o å® ˠîƲȜ ƹőȖĉ Kɂ˨¶ ȯƬ˨ oȮ

¾ ƃĄh ÷šŪ ľė

Ș Iɍd Ȥɍ Nj±˨ ŝȅ® Ǵ̇ȵȦ ˥ȂĞ dĂ˨ ̐ ǟ ¼ƅȥȜ s˨ Ȥ® ¼oȝ wýZ Ƹȟ˦® bȅǪ hËȵȦǪ ɟǭ˩ Ʃ

x{a(Lourdes, 2007)

Ȥ¶

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¾ ƃ h ľė

˦Ǫ ǟ ¼ƅȥȜ s˨Ȥ® ¼oȜ ËȜǪ Þè ˳IÎ Ʃ Ȥ¶

(2007) ʢȠê ŕĜĪ Dolce Vita ˠîƲ – Saga Films ŧ}Ǫ

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ü ÿ J ¼ƅȥȜ ȵȦȥȜ Ǵ̇ȵȦǪ ½˨ JJȜ ȬȴȮ }ǭ żȔȗ Ǵ̇Ȝ ɲȿȵȦżȜ ˋƘʻǪƑ ˋƘʻ ƅȝǪƑ ȵȦȥ K Ȝ ǞȴȖĉ ȴ˨¶ ȋɿȮȖĉ J ¼ƅȥȜ ȵȦȥȜ }ƬȮ ǵƬȮ }ǭ® wȜ ȬȴȮ }ǭǼ Qȗ żȔĉ ȝĒǠȸǝ ˦ļ Ǡà˨ bȅ× Ǵ̇Ǫ ʷ

ĉî wĜ Ex Nihilo ˠîƲ – Bord Cadre Films(CHE)

ȢÍ }ƬȮ ǵƬȮ ɰ }ǭȜ ˋƘʻǪƑ ˋƘʻ ƅȝǭǝ ˨¶

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ü ÿ ȥo ǴǮ ǪƑ ƹ˱Ɇȟ ţćǪ Þè J ¼ƅȥ® Ǵ̇ ȵȦǪ ɟǭ˦® ǵƬȮ }ƬȮ ȟăȜ Ʃƥ Ŕ ɬĘ Ǵ̇Ȝ ȵȦ Ŕ ƉǴǪ

˥Ȃ˨ ȫż Ŕ }ʢ ȥĐØ ˥ğ }Ƭ ȫż ȜƉ ųƣʼn Ŕ ̆ŬʼnȘ ˓˪˨¶ Ȝ J oIĉȜ ŘȢi ŘɵȘ Ȅȝ˦Z ˨¶

ü ÿ ǟ ¼ƅȥȜ s˨Ȥ® ¼oȗ Ñ ¼ƅȥĉųʩȜ }ǭǪ ȤǠ ȯŘȮȟ v̀ȝ ȝĒǠȹ®ɍĞ İ Ĩ¶ Wʲ˦d ǭ˦˨ Ŷv̀Ș ȴȴ˦} Ȑ˭ ˥Ȃ˨ ȺɾĞ ƹ˱˨¶ w÷˨ v̀ȗ ȵ ȺǪ uȴ˨ hËȐȋ̌I ˒I˨¶ ȯŘȮ v̀ȗ ¶și Qȝ ŵƒ˨¶ I İ ȝ ˿ȴǪ Þè hËȵȦÌ® Ǵ̇Ȝ ȵȦi ŝ|Ǫ ½˨ ɰ ɍȋ Ŕ ȬȴŬȺĞ Ɔȴ˨¶ ȝ÷˨ ˒IĞ Ȅȝ˦Z ˦} Ȑ˦ ǭ J s˨Ȥ® ¼oȗ ȝ ˿ȴȜ ųƣƑ Ŕ Ǫ uȴ˨ ŕǼ Qȝ J Ǵ̇Ǫ ȵhÍ ȬȴŬȺĞ ˓˪˦ǭ hȮɍȋǪ j˨ Ƞȴ Ș J Ǵ̇Ȝ hËȵȦȘ Ƹȟ˦® iȴ ËǍ Ƀż˨¶

v̀ȝ ȬȴȮ }ǭ ɼĽǪƑ ƃĪ Nj±è ǵƬȮ }ƬȮ }ǭ ɼĽǪƑÇ ȝĒǠɏ¶® YȘ ȺUȖĉ Ǵ̇Ȝ ɲȿȵȦżĞ }Ƀ

Ȗĉ ˨ ȝ ˿ȴǪ Þè hËȵȦÌ® ŀ× Ǵ̇Ǫ ½˨ ¼ƅȥȜ ȵȦȥȜ ɰ }ǭĞ Ɖ̂ żm˨¶ Ŷv̀ȝ Śƍ˦® bȅ hËȐȋ̌® v̀Ș ̌ŭ˦} Ȑ˦ǭ ˥Ȃ˨ ȺɾĞ Wʲ˦d ȝĞ Ȑ˦ǭ ˥Ȃ˨ ŀ× ȺɾĞ ɺ˨¶

ü ÿ hËȵȦǴ̇Ȝ ʚþÜ ʢȝʽ ǵdː Ŕ ̆ŬȥĐǪ® w Ǵ̇I ˨oi ˠîƲȜ hËȵȦʼnȡȘ ľƹ˨¶

Ǵ̇ȵǪ ɵ˜˩ ßǪÇ Ǵ̇I hË ȵȦÌǩ¶® ƅƼȘ Ǣ|˨¶

ü ÿ ȝ ˿ȴǪ Þè hËȵȦǴ̇ĉ Ƹȟř} Ȑ˭Ƒ® Ǵ̇ĉųʩ Śƍ˦® ƩȞȗ ȋɿȮȖĉ J ȵȦȥȜ ɰ ȬȴȮ ǵƬȮ Ŕ }ƬȮ

}ǭǪ żĈ˦ǭ ȵȦȥØKǪ ŵŝÌǠǝ ˨¶ ƩȞȜ ŵŝ® ǴǮȮ nŵǪ Ȝ˦T ¼ƅȥȜ ƹȫuŀȜ ɜȝĞ MǍ˨ ̄˫ŜƺǪ Ȝ˦ǭ J Ʃć ȓ̀Ș nŵ˦ǭ ȝĒǠɐ Ʃ Ȥ¶

ü ÿ ǟ ¼ƅȥȜ s˨Ȥ® ¼oȗ ȝ ˿ȴȘ ɃƩ˦ǭ hËȵȦÍ Ǵ̇Ǫ ½˦ǭ Ǡ­ ˨ ə ¼ƅȥI Ǵ̇hËȵȦȺǞȘ ɬa˦d Ȥ® ȵ oȜ ȵȦȥØiÇ hËȵȦȝ ƸȟÎ Ʃ ȤșȘ ȟȴ˨¶ w÷˨ Ǵ̇Ȝ hËȵȦ Ƹȟ ȺUȗ J RŪ ƅǍŪĉ s˨Ȥ® ¼oȝ aȴ˨¶

ü ÿ ȝ ˿ȴȜ ȝ˱Ș Ȅȝ˦Z ˦T RȴȘ sd˦} Ȑ˨ ŁȮȖĉ ǟ ¼ƅȥȜ s˨Ȥ® ¼oȜ ½˙ Ŕ jĄ ŵǝ ȯňIĉ nƖÍ

04

hËȐȋ̌ ȝ˦ ̚hËȐȋ̛̌ è ˨¶ Ğ Ɣɾ˨¶

àOĉƚ`^

ˠîƲǪ® ̘ƗcǴ̇ŬȺ{(les aides aux Cinémas du Monde)̙ ȝè® ȁo MÈØȜ ȫːǴ̇Ğ Ȑ˨ ɍȋȫɾI Ȥƶ±¶ ȝ ƓŪ ɍȋȫɾ® ˠîƲ Ŕ ȁo ½ɆØǪZ ¶ǟ˨ ƹJi ƊĉȆ MJȘ ƢR˪ȖĉDŽ ̃ȗ ȥƻȜ ǵƬȮ ȅƩƖȘ ʵ˭Ƒ ň̇Ȯ ¶ǟƖȘ Iȫ Ȩ ǐĤ Ʃ Ȥ® ˨oȘ ˓˪˨ Ŀ èȜ }Ǧȝ ˠîƲ Ǫ Ȥ® }Ǧi hËȖĉ ȵȦ˨ ȫːǴ̇Ȧ˜Ș Ȑ˨ YȢ±¶ ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ Ȝ ̐ȋNjï ȝĒǠɍ ® ɍȋȢ±¶ ȓ Ʋʒ ˿Ǟ Ⱥȟo ˨o ˓˪ Ȝ }Ǧi hË ȵȦ˨ Ǵ̇ Ŕ Ɖ̂hËȵȦ˿Ǟ ˦Ǫ hË ȵȦÍ Ǵ̇Ǫ ȅƓsȘ Ʌ±¶ Ȧ˜ȗ ¶și Qȗ ȺUȘ ɸȻƹʑǝ ˫±¶

ȝ ˿ȴȝ ȓ̏˨ }K ËǍ hËȐȋ̌® İ Ĩ¶ ˨oi ˠîƲǪƑ ŠLNj Rɲ˨¶ Ǵ̇ƆǦǪ ȮȄÎ Ʃ Ȥ® ţćǪ ũbȝ Ȥ® bȅ å® ȝ ˿ȴȜ }°Ǫ Ɇ½˨ ȫǗ ʼ̖ }ǭȜ Ŷv̀ I Ȥ® bȅ Ǡ­ ˨ ə ¼ƅȥȜ ȂɫǪ Ȝ˦ǭ hËȐȋ̌Ȝ ȡƹ̌

Ȝ å˨ Rɲ˩ Ʃ Ȥ¶

}ǭȜ Ŷv̀ȝ Śƍ˦d v̀Ș ̌ŭ˦} Ȑ˨ ȺɾĞ Wʲ˦} Ȑ˦ǭ hËȐȋ̌Ȝ ̌ȜI ƻƣ˦Z RɲÌɍ Nj±˨ bȅ ǟ s

˨Ȥ® ¼oȗ hËȵȦȘ Ƹȟ˪Ǫ ȤǠ JJȜ Ǵ̇Ǫ ½˭ Ɖ̂ɂȜ ȋɿȘ ǥ_̖ Þĝ¶

ü ÿ ȝ ˿ȴȜ Ǡà˨ uȴÇ J ¼ƅȥĞ ţȮȖĉ nƣ˦® w ŗȜ ¶ĝ oȵ˿ȴȖĉųʩ Śƍ˦® w ¼ƅȥȜ sġǼ ȜŇĞ ȭ˭˦® YȖĉ ˭ƒÌɍ Nj±˨¶

ü ÿ J ¼ƅȥ® ȝ ˿ȴȜ Ś̏Ğ Ȑ˦ǭ ˥Ȃ˨ o ȰɜȜ ǽĐĞ ȁm bĉĞ ʵ˦ǭ ƑĽȖĉ ¶ĝ ə ¼ƅȥǪ ʵd˨¶ ȝ ˿ȴȗ ɆȜ ʵdĞ řȗ ¹Ȝ ¶ș ¹ ɪ Ǫ Ś̏˨¶ ȝ ˿ȴȗ Ś̏Ƞȥĉųʩ ɲɮ Ȝ }K ËǍ ȓ̏˦ļ w ȝ̐Ǫ® Ǡ­ ˨ ə ¼ƅȥI ¶ĝ ə ¼ƅȥǪZ ȮǠÇ ˭¼ }KȜ ĪĐ Ȍ ȯǪ ¹ġ ƑĽȖĉ ʵŬ˦ɍ Nj±˦® ˨ İ Ȝ }K ËǍ ȥË ǯȫͶ ǟ ¼ƅȥI ¹ġ ˫Ȝ˦ɍ Nj±˦® ˨ ȝ ˿ȴȜ ȿĐ® ȝ ˿ȴǪ Þè RƹÍ Ǵ̇hËȵȦi jĄÍ ¼ƅȥȜ sġǼ ȜŇǪ Ǵ

38

MÈȗ ʢo ɵƻȝǠǝ ˫±¶ ɱǴ ǢǠI ŶǠI Nj³ bȅ ǵȁȮȖĉ ˠîƲ TĘőȗ I°

ɂĉ ƅȄÌ® ɱǴǢǠ® ɱǴȝ ȝĒǠɍ® oIȜ hƺǢǠ ƅȄǠ Ɇ ˦ ȝT ̃ȗ MÈȝ Tɂ˦® oIȜ hƺǠ ƅȄǠǭǝ ˫±¶ MÈȝ ˠîƲȟ bȅ ŶǠ® ǍÏ

ȵȦżȜ Ƞų® ˠîƲ Ǵʲ ǪƑ ɒ˱ÌǠǝ ˦ļ w {ǘǪ® ŬȺ{Ȝ H I ˓˪ÌǠǝ ˫±¶

ƻɫȗ ˠîƲǪ ƔĦÍ ȵȦƅI ˭ǝ ˫±¶ ƗcǴ̇ŬȺ{Ǫ ½˨ Ǵ̇Ȑȋ̌Ȝ ȜƅĞ ̈ȟ˨ ̐ ˠîƲ˭ȁň̇ ɏ̔ȋ ǜƲʾʹ ˠîƗ I hËȖĉ ŬȺɍȋǪ ½˨ aȴȘ Ħ±¶ ƗcǴ̇ŬȺ{ Ȑȋ̌Ȝ nƖ Ȑȋ̌® ľ Ȗĉ nƖÌļ w ɆǪƑ Ǵ̇ Ŕ ƹɫJŵǝȜ ȯňI Ŕ ȁoȟȘ ½˙ĉ Ɠɵ˫±¶ ȝ nƖȋØȗ ȁŇųȜ ȥňȘ Tʀ ̐ ň̇ųȫjćǪ Ȝ˭ K ̊Ë˦Z б¶

39

S1 ɱǴ ȯ ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ Ǫ ƑĘ ȵɵ ƗcǴ̇ŬȺ{ Ȑȋ̌I ƑĘ Wʲ ̐ Ȝ` ȵƹ ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ Ȝ hË aȴ

ĺ~ĸl¾ì ļ f ı¶«ÑÓ Úī ĜĪ{" ñdí 3]üó ĹnĵÓP į ĸuýī" ñ¿QR

ė ĸu`¯ JīäĞ ßË ƗcǪƑ Iȫ ʛ Ǵ̇ȵǼ Ǵ̇ƹȫȜ ʻȊʡ ˡó˗Ȣ±¶

Ŀ"} ê 0á ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ I ɍȋ{Ȝ ǘƩĞ ȴ˦d ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ Ǽ ȵȦƅ KǪ ˿ǞƑ Ⱥȟ

Ŀ"} Ć ļ 0á ɱǴ ̐Ǫ ɍȋ{ Ȃɫ I°

ĐØê CGéD ĐØ ø ÿ? Ãčí 'ù^ÒY 0á ɱǴ ̐ ŬȺ{ ƻɫ ƑĘ ȵɵ

?É ƆȴȐȋ̌Ȝ Ȝ` Ʃą ̐ ˠîƲ˭ȁň̇ɏ̔ȋ ǜƲʾʹ ˠîƗ ȋȫȝ aȴ ȝɆ ˨Çǘ ˠîƲ ȵȦƅI Ⱥ¹˦® ȥ{Ȝ wġd Ȱ½ ƩɾĉȜ ˨Çǘ {ǘȗ Ɔȴ Ɇ

Hà ˠĉÔƑ ʻȊʚ® ĨĜƮ Õ ˥ğ(Marché du Film) ʅǴ̇ȵǪ Ȝ˭ ƹȦÌǩƶ±¶ ˭Ĩ¶ w ƩĞ ¾˭Iļ ʅǴ̇ȵǪ ŀǭÕ® Ʃīȗ oȵǴ̇ ȯňIØȝ ʻȊʡȜ }̌Ğ x½̇˩ Ʃ Ȥ® }̌ĉ ̊ȄÌd Ȥƶ ±¶ ˠĉÔƑ ʻȊʚ® ȯƗc ľȜ ȵȦȥØȘ ˨ȥġǪ ŀNj wØȘ Ȑ˭ ʼŪ̖ ĨĄ˨ ȠĄȜ ˱ƅĞ ʵ˭ oȵ hËȵȦȜ }̌Ğ ̆Ŭ˦d ȵȦȘ ɯɏ˫±¶ Ƞ ËǍ İȠ Njʂ Ⱥɞŏ˃ȝ ĨĄÌļ Ǟ ľȜ Ǵ̇ƆǦ ȯňIǼ ˠĉÔƑØȝ ȋʣ ʲċȘ šȢ±¶ İȠ RȜ Ⱥɞ ʬȝŻĨ¶ -#(|Ȝ ƗcȮȟ ʼŪ ZƲʻI ˪ ȥ ġ˭Ƒ ƅ̌ȥ Ǯ˩Ș įȗ ƆǦ ȯňIȜ ÇȈȘ řNj Ǵ̇ȵȦ Ǵ̇ȵ Ŕ oȵ ȥ{Ⱥ¹Ǫ ½˨ ȥƻØȜ b˶Ș ª±¶ å˨ ˠĉÔƑ ʻȊʚ® ˠĉÔƑØȜ ǯa Ŕ ǯéȘ Ê} Ȑ˭ ƲˢÕ Äȝ˃ ȌÕǼȝÕ ƗƞȘ ȵh˫± ¶ wġd ʅǴ̇ȵȜ ȯʵǪ Þè İȠ ˭ˢNjȊ "1??F ">C@ ß® ¶iĞ ¨ļ ƑĉȜ Ȝ`Ș m̉˩ Ʃ Ȥƶ±¶

Ɠʧ ȺU ȵȦȘ ɂÍ ̊ËȖĉ ˦ļ ɍ K ȮǠÇ R ȝƉȜ ˢɤ˥ğȘ Ś˙˨ ˠĉÔƑǭǝ ˫±¶ ɟIȥ ® ŘÕƹ ȵȦȥ ̃ȗ hËȵȦȥȡȘ Ɍľ˭ǝ ˫±¶ èȟ ˠĉÔƑ ˠĉÔƑȫ ̃ȗ ȺˠĉÔƑ® ɍȋ˩ Ʃ Ǐƶ ±¶

05

į ĸuýī Îü ˄ġoȵǴ̇ȵ }K Ȍ ȠH Ȍ Ƞ ȟ Ȍ H Ƞ

Ɓ î ĴīĪ¨ °d é Ĩo ÄÈ

ßË ˄ġ ˠĉȶʻ® hËȵȦ Ǵ̇ ȥ{Ⱥ¹ Ŕ RŚȘ ȫĂ˦dȥ İ ˠ îƲǼ ȓû Ǵ̇ƆǦ ȯňIØǪZ RŚ Ɇȟ ˠĉȶʻǼ ȵȦȝ Ǵ̇ Ȝ ȟʩ Ɲ ƙÿƞ 9=B5@=1B9>=1; A5;53B9>= Ș ƓŬȝd Ȥƶ±¶

¨à łĢ ˠĉÔƑ ʻȊʚ ɟIżǪ® ¶ș ƅˬȝ ˓˪б¶

Ĩʐi Ǵ̇ȵǪƑ ȝĒǠɍ® ƉǴʼn jì

ĨĜƮ Ó ˥ğ ȟ˓ķȝƞ ˇʝɍ IȝÕ ˓ʐ Ǵ̇ȵ hƺ ʄʤĉw ˠĉÔƑ IȝÕ ÄȠġ Ʋʚġµ ˠĉwñ

Ǻ˭Ȝ Ĩʐ IȝÕ ƅŮ

Ĩʐ IȝÕ Ǻ˭ K˱ʼnǪ }Ȭ Ȍ Ƞ ȝȯǪ ÚĊ˩ bȅ

K 39=1=4> 3>< ÄȝʩŤȝƲǪ ŇĐȳƣ

˓ʌƲ ƲʩÛ

Hà ˄ġoȵǴ̇ȵ ɜȋǪƑ ɏ˱Ì® ˄ġ ˠĉȶʻ® ˠîƲ Ŕ ȓûȜ hËȵȦȘ Ȑ˭ ǥƓÍ ȯƗc ˢɤ ˠĉȶʻȜ RŚ Ŕ ȥ{Ⱥ¹ ˡó˗Ȣ ±¶ å˨ ˄ġ ˠĉȶʻ® ȬȴȮ ĨŇġĞ ȋ˦d ˠġƗȠ ˄ʻ Ŕ ȟ ʩ Ɲ ƗȠ jcȥĞ ɡd Ȥ® ȵȦȝ ˢɤ ˥ğȘ ƉǴ˫±¶ Ƞ ËǍ ŏ˃i ʻȊʡ ȝŦʻI ɒɆȮȖ ĉ ȝĒǠɍ® ËǍ ɟI˦® Ǵ̇ȵȦȥ ˠĉÔƑ ˅ݽġȟi ȥŮIØȗ ƅȯ ǵǞÍ Ƞ½Ƞ ŏ˃ƃ Nj±è ȓû Ȝ ƓÑȮȟ Ǵ̇ƆǦ ȯňIØȝ ɂɲ˦® Ɨŏ Ǽ ȊʚƧǪ ɟI˦® }̌Ç Pƶ±¶ Ǫ® R ǦɬǪƑ ľ ȝƉȜ ȯňIØȝ ˄ġ ˠĉȶʻǪ ɟI˦ǭ R ȝƉȜ ŏ˃Ș Iȹƶ±¶

°Ģ Aā ˣƞ ˢɤ ˠĉȶʻǪZĪ ɍȋȥ_ȝ ɂǠɒ±¶ ŀ× ɍȋƑ® ȵȦƅI ȵɵ˭ǝ ˫±¶ RŚɆȟ ŀ× ˠĉȶʻǪ® ˄ġ ˠĉȶʻǪ ɍȋ˩ ¼ƹ ˠîƲ ˄ʻ I ȤǠƑ® Ǎб¶

Aġ ˄ġ ˠĉȶʻ® ̆ʔoȵǴ̇ȵǼ ̆ʔ NjƹNj ˄ȝ ƿ ˥ğ ˓úȜ ˿ɞȖĉ ɏ˱Ìļ Ǫ® RŚɆȟ ̆ʔ ˠĉȶʻ RI ƓȴÌǩƶ±¶ ½Īi ˠîƲ KȜ hËȵȦ I°ƖȘ ¥ȝ} Ȑ˭ ˄ġ ˠĉȶʻ® RŚɆȟ RȜ ½Ī ˠĉȶʻǼ RȜ ȓû ˠĉȶʻǪ ½˨ ȊʚƧȘ å ˨ Š Rɲ˩ Yȝļ ʢȝˍȝǴ̇Ȑȋ̌Ǽ ȓȞ˨ h ËȦǦȘ cƣ˭ L YȢ±¶ ˄ġ ˠĉȶʻȜ Ƿð ˄ʻ , ȓûǴƉƆǦ}n - , C@>?1 9AB@92CB9>=, (@>4C35@A̙ '5BE>@: ʅǴ̇ȵ ƹ ˄ȆÄȝƞi ƹ Ĩʻ I ɳI ˠĉȶʻ ƢRĞ żĎ˦ǭ Ɨŏ ȊʚƧi ƅĈ ʲȜĞ ɂɲ˩ YȢ±¶

j ŕĉƚĴ ȟ¼ ųIIɾƗ ˓˪ ȓĉ }˨ Ȍ Ƞ ̃ȗ ɲ½ ȟȋȝ ĨMÍ ̐Ǫ® Iȫ ĵȭ ÚĊ˨ ƅì ľ ȵ˨ ʅǴ̇ȵǪ ½˭Ƒ® Ǵ̇ȵ }K ɉș˦ǭ www.marchedufilm.comȘ Ŝň˭ ɂƹ} ŕí±¶

û ev ¯¦ì Ɔ© Julie Bergeron Tel : 33 1 43 58 29 55 / Fax : 33 1 43 58 29 770 / Email : jbergeron@festival-cannes.fr / Web : www.marchedufilm.com

üóòcë æļ ĺ~ĸl¾ì ¯¨¾

¨à łĢ ɍȋƑ ȵɵǪ ˥Ȃ˨ żȄȗ ǧƶ±¶ ˄ġ ˠĉȶʻ ɟǭǪ ƓȴÍ ˠĉȶʻ jĄ ȵȦȥǼ MÈȗ ŀ Ñ Ǵ̇ȵȜ żȄȖĉ ɮɫб¶ ˬhĐǼ ƪŖĐ

ÃčAļ Ȍ Ƞ RŚɆȟ ˠĉȶʻȜ ɍȋ ƻɫ}˨ ˄ġ ˠĉȶʻ ŏ˃ Ȍ Ƞ ȵȦȝ Ǵ̇Ȝ ɍȋ ƻɫ}˨ ˄ġ ˠĉȶʻ Ʋʚġµ

¾ ȥƗ˨ ȴŬ® www.pariscinema.org ǪƑ ̈ȟ˦ƾƹǷ û ev ŷªĉƚĴ ŷª Ɓ ĵŲ Vanja Kaludjercic ˄ġ ˠĉȶʻ º¼j Tel : 33 1 55 25 55 26 / Fax : 33 1 43 67 09 50 / Email : parisproject@pariscinema.org / Web : www.pariscinema.org

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ĴīÖ Ň` ǭ÷ ˭ ËǍ ˥ğˠîƲ® ˠîƲǪ }ŘȘ Ñd Ȥ® ŀ× ȵȦȥ ȵȦƅǪ ½ ˨ ȴŬĞ ¯ ȵh˭ ǾȖļ ˠîƲǪƑ ɱǴ˦}Ğ ȋ˦® ȁo ȵȦȥØȝ ȥ ƻȜ ˠĉȶʻǪ Iȫ Ȯ˫˨ ˄ʻ Ğ ɡȘ Ʃ ȤÇĊ ÇȈȘ ɂd Ȥƶ±¶ ȝ ȴŬǪ ưZ ȳy˩ Ʃ ȤÇĊ ˥ğˠîƲǼ ˠîƲǴ̇Ȑȋ̌ ʻȊʚ® ˠîƲǪ Ȥ® ȵȦƅØȜ ǹèȟ ÛÿʲġĞ RƔ˦dzƶ±¶ http://www.filmfrance.net/v2/fr/home.cfm?choixmenu=baseprodexe

ɂĘȟ ˩ġȅÕ Ǵ̇ǪƑųʩ ȭǵƆ Ǵ̇ ɍ ȠŮƉǦǴ̇ųʩ ȟÇ ʢœȻ Ȝ ï ȫĽ ɍ ˦ Ȝ ƖǪƑ ɱǴ˨ RȌɕġ Ǵo +- ÕèĨǪƑųʩ ȝ ʽ ËǍ ǭ÷ gǪƑ ɛȗ Ȧ˜Ǫ ȝĜ} ɍ ˠîƲ® ŀ× ȿĘȜ dSi Ǣ ǠǼ ˠĉȶʻǪ Ȯț˩ Ʃ Ȥ® dÇĉ ƪĄÍ ¶ǟ˨ ȵȦ ȯňIØȘ Ɠƅ˦ d Ȥƶ±¶ ¼ƻȜ ˠĉȶʻǪ Iȫ Ȯ˫˨ ȵȦƅĞ ȏƅȝʻǪƑ ɡNj w ̌ƅ

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Ȝ ȯă Ŕ ƅȄÌǩÀ ȁoǠĞ ̈ȟ˭ ŬƾƹǷ R Ĵī ÛÕî ßË ƅĈŪ ȺǢ

Hà ˥ğˠîƲI hËȵȦ ȝŦʻĞ ɂj˦ɍ® ǏȖ ˠĉȶʻȜ ȠųI ˠîƲǪƑ ɱǴ ̃ȗ Ś˙ ͶĽ ȁo ȵȦȥØȝ ˠîƲ ˄ʻ Ğ ɡ® YȘ Çȇ Ʃ Ȥƶ±¶ ȝ ȺUȗ ŘÕƹ ɍʑǝ ˦® ȜŇƅˬȢ±¶

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ˠĉȶʻI RȜ ˮƽ ȂƢ ǽƖÍ ƹ ġǷ MÈ Ñ ľȜ ɂǯ ŝȅ o Ȭȴɍȋ ˠĉȶʻ Śȋ oIĉųʩ Ɇ RĞ Iɍd ȤȖĽ ˥ğˠîƲ® ˠîƲ oIȬȴɍȋi ɍǮŪ Ȭȴɍȋ hËȵȦ nȺ ˠîƲǼ Ǵ̇ȵȦƅ Ŕ ¶ ĝ èØ KȜ ň̇Ȯ ɜȝ ţȮ uȵǼ oȵ ȵȦʼnǪ ½˨ Ɨ{̉| +)#( Ǫ ½˨ ȴŬĞ ȵh˩ Ʃ Ȥƶ±¶ å˨ ¼ƻȜ ˠĉȶʻĞ ǐNjů ǭȓI Ȥ® ŝbi ˠĉ˥Ș Iɍd Ȥ® ˠîƲ ȵȦƅØȜ Įɶ̀ ġƲʻĞ ƂȘ ƩÇ Ȥ ƶ±¶ ˠîƲ ƹȫȘ ʼŪ̖ ^ ˨ Ƣuŀ ˠĉȶʻǪ ½˭Ƒ® ˥ğˠîƲI ȁoȵȦȥǼ I°Ɩ Ȥ® ˠîƲ h ËȵȦȥ KȜ Ƞ½Ƞ ŏ˃Ș ɂƓ˩ ƩÇ Ȥƶ±¶

ĸƈ Ɓ î»ƚė

Aġ ˥ğˠîƲȜ Ɏȋȝ Ĩʐi Ǵ̇ȵǪƑ ˠîƲ Ǵ̇ȵȦ ̉bi hËȵȦ iȴǪ ½˭ ȴ}ȮȖĉ OǯȘ ˦d Ȥƶ±¶ ǭ÷ŵȝ ɍ{ ȝ IȝÕȜ ɲƻ şȯȘ Iɍd cƻ YȢ±¶

Îü ˄ġǪ Ȥ® ˥ğˠîƲ ƅŇƼǪƑ Ƞ ʅǴ̇ȵ ųƲǪƑ Ȍ ŤĞģǴ̇ȵǪƑ ĉƲǫȷþƲǪƑ ĉ ʎȝƞ ʻþȝÕI RɲÌ® ËǍ ǯ Ǫ ˑɭɍ® ¶ĝ ¶ǟ˨ ˱ƅȫǪƑ ˥ğˠîƲĞ Ī Ƽ Ʃ Ȥƶ±¶

û Ɔ©Ɓ î ˠîʚ ˠġǷ(Franck Priot) – ĺè± ƱŜƲ(Mélanie Chebance)

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ˠîƲ ˾ƉƢǼ ˿ǞȘ ijƶ±¶ ȝ bȅ ˾Ɖ ȦǦȝ İȠ İȠ ȝĒǠɒ±¶ ȵȦȝ Ľ ˓ɍʾŹ TʾŹ żÛǷ® ·ƫ ȬŘɵ ȴɣǪ Þè ȬŘɵб¶ 56

ƞÖĄ ÐSƇo à^

ÐSAŒà ¶Ĵ ȓûȜ ųiIɾƗ ʵ˫ƹƲʰǪ ÞĜĽ ˠ îƲ® ȥo Yȝ× ȁo Yȝ× KǪ ȥo ǪƑ ȝĒǠɍ® ʼn˜Ȝ ˅İ Ȭ̇Ȝ ȟÇ Ǽ ƑżƲ ȵhǪ ½˭ ųIIɾƗĞ ųi ˫±¶ ˠîƲǪ ƔĦÍ ̌ƅ® ̔˱ƩȢǪ ½˨ Ɨ{ǪƑ ɍɵǪ ½˭ ɍ|˨ Ɨ{Ș hȵ˩ Ʃ ȤȖ Ɨ{Ș ̉|řȘ Ʃ ǧ® Ŀ Iɍ ƑżƲ® ȵȁб¶ ˨o ȵȦʼn Ȝ ɱǴȘ Ȑ˭ ˠîƲ ȄǮ̌ƅI ɍŶ˦d ˠîƲ ǪƑ Ƣż˨ nİʼn Ŕ ƑżƲǪ ½ ˭ ˠîƲ }Ǧȗ ĽƗ{ǘȖĉ ɫn˫±¶

Ņ ⸠ƌRĕè oȵ Ŕ o Ȝ Ʃīȗ ǯa I°ƖȖĉ ȟ ˭ ˬh ʻȊʚ® ʼ̖ Ⱥœ˫±¶ ˄ġ Ǫ Ȥ® ĒNjljȜ ˄ġ ƎĞĜ Õ f hˬ i ˄ġ ǷĞġ hˬȗ Ro R Çƹ

57

Äž ÇŻaˍ¹œ Č? Ă‘ hËŹČ— Ë„ÄĄ É?ÇŽÇŞ ȤŽ RČœ hËŹi ˝ĥ˓ʝĞ jČŤËŚÂŽ Ë„ÄĄÉ?ÇŽhËŹh¡Čœ ʾȾ ËŚÇŞ ȤƜ ¹œ Ë„ÄĄÂŽ oČľĆ“Čœ ĆŠÇŞ Č¤Ç Ć‘ Ć—c Čľ Č?Äž ÉœÉ?ËŚd ȤƜ¹œ Ë„ÄĄ hËŹÇŞÂŽ ݞ ÄŞ Äž Č?Ć‰Čœ Č?Č„Si ÄŞ Ęł Č?Ć‰Čœ ̇ʼnČ? Ă˜Ç Çˇd ȤƜ¹œ ĹŹÄœĂ‡ ġĥ– Ĥ ÞƲĘ‹ ÄĄÇť Ć?ʭɇË?ÄĄ ĨÄœĆ—Č?Č“ Ë Ä‰ĹœƲ Ĺ…ËŽ ÄĄÇŞ É?Ɇ˭ Ĺš ĹŒÄ’É‰ Â?Ęť ½Ć‘Ç&#x; ¹Ʋ Ę’ÂśÉ‡Äœ ƲʝèƲųÄœĘš wÄĄd ʸĒɉ ŝè–Č? IČŤ ɆȂ˨ É?Ĺœ h ˏȢ¹œ Ë„ÄĄ ĆŽÄžÄœ Ă• f ÄĄÇť Ć?ʧɇË?ÄĄ Ĥ ÞƲĘ‹Č— ʟ̖‹ äȾŤ +!- ĉ Č“Ăť ČŻÇŽi ÇŻaĂŒÇ Č¤ĆśÂąÂś Čľ oÇ´ ËŹhĆ…ÂŽ ÇŞÇ Ë ĂŽĆ˛Č˘ÂąÂś ȆƼ dSĆŠ Ę&#x;ĉĹ?ʊĉ ĹŹÄ˝ Ć—c Č? }ÇŚ

Part 5.

Appendix Ă?Âœ Ä€ƥšÂœ

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ĸlž HĂŹ [Ă Ă? R| çr [Ă $ĂŹ ' Ë„ÄĄ øĂ€ Ç´o :< Ë„ÄĄ ŤÄžÄŁ ĂˆČ :<A Ë„ÄĄ Śėƙ ŧ}ÇŞ :<A Ë„ÄĄ ĉĨ Č?ĘŚÄĄ :<A Ë„ÄĄ ĨĂ•ÄĄĂ• ƲË?Č&#x; :<A Ë„ÄĄ ČľÂ?Ĺ• ƲČ?Ʋ :<A

º¡ ĹƒÄŚ4 56 sĆYž ¤z ²@ SĆź ɲƢ R ÂŒĹœ Č?Ć?ƚƔ ǏĥŤČ?ĘŠ ɽŪ ȯ̇ŖƲ RČ&#x; ČƒĆź ĹśÇ Çź ÂžĹśÇ RČœ Č“Ăť Ç˘Ç Äž nĆ… ËŚÂŽ ÉŽČ‹ Njʂƺƅ Čľh

²@ SĆź ɲƢ R ÂŒĹœ Č?Ć?ƚƔ ǏĥŤČ?ĘŠ ɽŪ ȯ̇ŖƲ ŀ× SĆź Â’ ȯ̇} RČ&#x; ČƒĆź Ç´Ç Äž Ë“ËŞËŚÇ­ RČœ Č oÇ Äž nĆ…ËŚÂŽ ÉŽČ‹ Ç‹Ę‚ ƺƅ Čľh

ÂŽÄ–?@Ă propman, property master accessoiriste ŽĖĉÄ propmaster (chef) accessoiriste sÂą actor, actress acteur, actrice Â—ÄˆĂŠhO still camera appareil photo s$ background arrière plan =ÂŚsÂą bit player, under-five artiste de complĂŠment xĂ? runner assistant Ă?jz best boy assistant chef ĂŠlectricien ĘZCÂ? ¤Â™Â—ýą production assistant (P.A.), production associate assistant de production Ă? ãŠĂ?” focus-puller / first assistant camera operator 1er assistant opĂŠrateur Ă? ãŠĂ?” loader / clapper / second assistant 2e assistant opĂŠrateur

²@ SĆź ɲƢ R ĆŠĘť Ä• ÂŒĹœ Â”Ĺœ Č?Ć?ƚƔ ǏĥŤČ?ĘŠ ɽŪ ȯ̇ŖƲ ŀ× SĆź Â’ ȯ̇} ÇźČ?Ë„Č? ĆŠĆť *% ĘŽČ?Ĺť RČ&#x; ČƒĆź ĹśÇ Çź ÂžĹśÇ RČœ Č“Ăť Ç˘Ç Äž nĆ…ËŚÂŽ ÉŽČ‹ Njʂƺƅ Ä• Ć‘şƲ ²@ SĆź ɲƢ R ĆŠĘť Ä• ÂŒĹœ Â”Ĺœ Č?Ć?ƚƔ ǏĥŤČ?ĘŠ ɽŪ ȯ̇ŖƲ ŀ× SĆź Â’ ȯ̇} ÇźČ?Ë„Č? ĆŠĆť *% ĘŽČ?Ĺť RČ&#x; ČƒĆź Ç´Ç Äž Ë“ËŞËŚÇ­ RČœ Č oÇ Äž nĆ…ËŚÂŽ ÉŽČ‹ Njʂƺƅ Ä• Ć‘şƲ

Ă? Ă? G second assistant director 2e assistant rĂŠalisateur

Ă?Ă?ÂŽ mill 58

º„�› costume shop atelier de costume A1 Õ on standby attente(en) ×j‡ voucher attestation

Ă? Ă? G assistant director 1er assistant rĂŠalisateur

atelier de construction

9šÂ› sound studio auditorium Ģ permit autorisation ãŠĢ shooting permit autorisation de tournage -_ÂŽ¸à rights holder ayants de droit ÂŞ&Ä‘ trailer bande annonce ‚²LÄ…Q soundtrack bande son \ rol bobine(de film nĂŠgatif) Â?ĂƒÂť knob bouton, manette šĥĊ) foley, sound effects / design bruitage šĥ sound bruit

ĂŠhO camera(film, video) camĂŠra Ä L ĤL ĂŠhO hand-held camera camĂŠra Ă l’Êpaule Ă­Ă´B camcorder camescope š@ catering cantine Ă­Äœ Ä…W½T trailer caravane, loge —ýą stunt cascade —ýąf stuntman cascadeur ü§à j= cast list casting Ä…U²ĂˆÂ‚ teamster chauffeur de camion 8ĂĽ% light meter cellule ŽĖĉÄ propmaster chef accessoiriste ŠNĂ Âť6 construction designer chef constructeur º„NĂ Âť6 costume designer chef costumier o• G production designer, art director chef dĂŠcorateur

Ă?j G gaffer chef ĂŠlectricien

¤ wire câble

Ă?jz best boy ĂŠlectricien

ĘWÂż frame cadre

º„â+݀ wardrobe supervisor chef habilleur

ãŠ1‚ camera operator cadreur

㊠G director of photography (DP)

59

chef opĂŠrateur (chef op) øxL keyboard clavier ģ¤ NĂ Âť6 hair-stylist coiffeur sÂą actor, actress comĂŠdien(ne) eè conforming, matching (of the negative) conformation (du nĂŠgatif) Ă?jĂ?FA lighting board console d’Êclairage Âľ!Ă?ĂŒ remote control contrĂ´le Ă distance kÂ? Ă°Ä…\ motion control contrĂ´le motorisĂŠ ÄƒĂ˜ call convocation (horaire) Ă vĂœ Ę`Ä… answer print copie zĂŠro NĂ˜ÞĪrĂ‚ÂĽ digital intermediate (DI) copie zĂŠro numĂŠrique º„ costume, wardrobe costume º„ĉÄ costume supervisor costumière (chef) ò cut! coupez! ° cost coĂťt º„NĂ Âť6 costume designer crĂŠateur de costumes

60

Œą set, scenery dĂŠcor

AÂŚsÂą body double doublure corps

£ŽãŠĂ˜ ㊠(location, shooting) (dĂŠcor, tournage)

kĂŤ mock up dĂŠcor ou maquette en taille rĂŠelle

—ÝL Âź stand-in doublure lumière

Œą kÄŚ miniature dĂŠcor ou maquette en taille rĂŠduite

£ŽãŠĂ˜ location dĂŠcor naturel ŒąNĂ Âť6 set designer dĂŠcorateur (architecte) Ay {ˆ script breakdown, shooting script dĂŠcoupage technique s$Œą backdrop set dĂŠcouverte (dĂŠcor) ½½$ per diem(s) dĂŠfraiement (s) ZB loader deuxième assistant Ä›^ ļ„Ă&#x;_ film processing dĂŠveloppement de la pellicule "LJ to cost devis (faire un devis) ĘZCÂ? NĂ Âť6 production designer directeur artistique ㊠G director of photography (DP), cinematographer directeur de la photographie ĘZCÂ? e;Æ production manager directeur de production ÂŒ* customs douane

BÂ dubbing doublage

1Äž deadline date-limite

AÂŚ double doublure

Ă?j lighting ĂŠclairage tOą backlight ĂŠclairage Ă contre-jour Ä‚Oą top light ĂŠclairage vertical Ă?j1‚ lighting engineer ĂŠclairagiste ƔĊ) special effects (FX) effets spĂŠciaux Œą Ě set decorator ensemblier cÜ Ă€YĂ„ĂŚ input (mike) entrĂŠe micro Â—ĂşÄ˜ crew ĂŠquipe Šĉ construction crew ĂŠquipe de construction ÿ—ą test essai Â…xĂŒ grading ĂŠtalonnage ĂąT_—ą colorist ĂŠtalonneur Ă?j ÂŽM kill lights ĂŠteindre les projecteurs

Ă?Čć wrap party fĂŞte de fin de tournage ÂťI Œą wild wall feuille de dĂŠcor mobile ĂˆĂĄ ㊠—óÓē call sheet feuille de service =ÂŚsÂą extras, walk-on, dayplayer figuration ÄŽZ † follow shot filĂŠ ㊠4 wrap! (it’s a wrap!) fin de journĂŠe Ăƒ expenses (miscellaneous) frais (divers) -_*_ rights management gestion de droits , XĂ– wide angle lens grand angle (objectif) Àà ‹ graininess granulation Ă€à ç grainy granuleux áZĂ–ÂĽ close-up (CU) gros plan (GP) € áZĂ–ÂĽ extreme close-up (ECU) (très) gros plan (TGP)

"Ç51 to cost Êvaluer, faire un devis

º„?@à wardrobe mistress habilleus

ÂŁÂŽ out-door, exterior extĂŠrieur

ĂšÄ&#x;™ call time horaire de convocation

Â&#x;Âł ÂŤ~ ĘWÂż out of frame hors cadre

Ä™W¤ flare lumière parasite

Â&#x;ĂŠÂť~ Ä”Ä‡Ă˜ footage archive images d’archives

Ä—1 §m1 wind / fog machine machine Ă vent / Ă brouillard

Ä&#x;‹ŠÂ„ compugraphics images de synthèse

.aÄŠ grip machiniste (machino)

šĥ1‚ sound engineer ingĂŠnieur du son

.aÄŠ Ăž¿à key grip (chef) machiniste

›5Œą ÂŒÄ…Ă„ ㊠in-door, interior (location, shooting) intĂŠrieur (dĂŠcor, tournage)

mAĂ„ĂŚ stage hand (television) machiniste de plateau

s¹ actor / actress interprète

m Â“ .aĉ dollygrip machiniste travelling, dolly

§1 acting jeu (d’un acteur)

VCR magnĂŠtoscope

ŠÂ”Ă— receipt justificatif, reçu

zÂ? Ä‘Ăš° slave (editing) magnĂŠtoscope asservi (montage)

kÄŚ model maquette

Oą lights lampes d’Êclairage, projecteurs ãŠĂ˜ locations lieux de tournage {ě dressing room loge ÂťI {ě trailer, winnebago loge mobile ŽĘąœ¤ software, program logiciel à §, available light lumière d’ambiance xĂ?, fill-light lumière d’appoint Ă˜ÄĄM directional light lumière dirigĂŠe

{Ă„ make-up maquillage l” carpenter menuisier Ä›^ 2Âť footage (measure) mĂŠtrage G director metteur en scène cÜ mike micro äÆ¿0 union scale, scale minimum syndical ‚²L pÂ? sound mixing mixage Ä‘Ăš editing montage

61

NĂ˜Ăž Ä‘Ăš digital editing montage numĂŠrique Ä›^đÚà film editor monteur šĥđÚà sound designer, sound editor monteur son ŠĨš score musique de film

o‚° ŠĨÄ›^ film stock pellicule ‚°J ŠĨÄ›^ exposed film stock pellicule exposĂŠe, impressionnĂŠe | boom, pole perche

| ÂŤÄ?Wß boom operator perchman, perchiste

KĘ 7 ć~ dupe negative nĂŠgatif contretype

™7cÄ .PÄš ŠĨ㊠cinematography - photography photo (travail du chef opĂŠrateur)

‰jĞ sharp (image) net (te)

—Ĉ ‚ÙÂ stills photographer photographe de plateau

‰jF sharpness nettetÊ

† shot plan

Ă„ivħ shot number numĂŠro de plan

Ą † two-shot plan à deux

Â&#x;h_ĂŞ † thigh shot plan amĂŠricain

XĂ– lens objectif, optique ­'XĂ– anamorphic lens objectif anamorphic(scope) r,Ä? bounce board panneau de rĂŠflexion ÄŒ8Oc ㊠pan panoramique, panoramique horizontal Ä? ÂĄ Ĉą pan and tilt panoramqiue en diagonale —¡Â™ Ä? swish pan panoramique filĂŠ ĂśZÂ—Ä Ăś crosstalk parasitage son 뫆 catwalk

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passerelle

¢/ † angle shot plan angulĂŠ Ă?jŠ%F lighting plot, lighting plan plan d’Êclairage N—ý— † distance shot plan d’ensemble (PE) ÂŠĂŒ † establishing shot plan de situation Ä• † full shot (FS), master plan en pied ] † establishing shot plan gĂŠnĂŠral ÂŹÂťL † wide shot plan large (PL) g_ÂŹ ¤3 áZĂ–ÂĽ head and shoulders plan poitrine (PP)

áZĂ–ÂĽ † tight shot plan rapprochĂŠ (PR)

򤜝 † cutaway shot prise en coupe

ÂŤuĂśSĂś overcrank (to) (filmer au) ralenti

™þ— † master shot plan sÊquence

(Õ † aerial shot prise de vue aÊrienne

Âą1 rain cluster rampe Ă pluie

ڝÄ… † plan serrĂŠ

ZÂą ¢/ † low-angle shot prise en contre-plongĂŠe

½Ă˜ daily log rapport horaire

Ă‚¼½ĂŒ production schedule plan de travail

Ä?Âť ¢/ † high angle shot prise en plongĂŠe

�Âx&‡ production report rapport production

ÂŒÄ…Ă„ ‚²L—ÿĂ˜ set (in studio), soundstage plateau

m‹ ㊠mute shot prise muette

G director rĂŠalisateur

Ī™9š ADR (Automatic Dialog Replacement), post-synchronization post-synchro

Ÿ‡ą ~_Û † insert, bridging shot prise raccord

ŠÂ”Ă— receipt reçu, justificatif

šĥ † sound shot prise sonore

<™ ž1 re-write rÊÊcriture

™Ê † POV shot prise subjective

xĂ? ZóÂ? e;Æ assistant location manager rĂŠgisseur

Ă?Ă‚Ă˜ÄŤ executive producer producteur associĂŠ

ÂŽÄ–Ă˜Âľ prop buyer rĂŠgisseur d’extĂŠrieur

OÂź ĘZK‡ line producer producteur exĂŠcutif

ZóÂ? e;Æ location manager rĂŠgisseur gĂŠnĂŠral

̂% œF depth of field profondeur de champ

�É :Ğ adjustable rÊglable

ŠÂ‚1 film projector projecteur (1)

Â”ĂŒ setting, adjustment rĂŠglage

Ă?j ĘZĂŽĂź light, lamp projecteur (2)

ĂŒ_ĂŒH housekeeping remise en ĂŠtat des lieux

„Š screening projection

Ĩn”‘ Ä…W½T trailer (haulage) remorque

NĂ˜ĂžÂ„Š digital screening projection numĂŠrique

ZóÂ? —ʹċ location scouting, rekkies repĂŠrage de dĂŠcors

A‚ôÌ dialogue coach rÊpÊtiteur

Ă?

first AD premier assistant rĂŠalisateur Ēï— Ä•T focus-puller (UK) / first AC (US) premier assistant opĂŠrateur Ă Ayž1 read-through première lecture Ăˆ$ foreground premier plan šĥ9š1‚ sound recordist preneur de son ÿÜ † take, shot prise Ä?Âť —ĚL † high-speed shot prise accĂŠlĂŠrĂŠe (ralenti) Â&#x;Âť Ww † eye-level shot prise Ă hauteur d’oeil ĂśWÂź † crane shot prise avec grue ÂŤu B Â’B † over-the-shoulder shot prise avec plan en amorce ‚ † Dutch shot prise dĂŠbullĂŠe

§# † continuity shot raccord ˜ZÂą kÂ? slow motion ralenti

_ĢŠ rehearsal rĂŠpĂŠtition

repiquage NÂŤ ¤Â™Â—Ä… video assist retour vidĂŠo Ă…㊠retake retourner un plan Ă‘ÂŚ lead (role) rĂ´le principal ãŠy dailies, rushes rushes Âľ Oą E½_ one-light dailies rushes Ă lumière unique Â…xĂŒJ ãŠy timed dailies rushes ĂŠtalonnĂŠs Ä“Ă’ ãŠy composite dailies rushes standards šÄŒ¨ distortion (sound) saturation Ay screenplay scĂŠnario AyĂ‚ screenwriter scĂŠnariste —ÜaÄ… –Ä?qÆ continuity person, script supervisor scripte Ă?§ supporting actor, actress second rĂ´le ‚²L sound son šĥđÚà sound designer, sound editor (monteur son) šĥ1‚ sound engineer (ingĂŠnieur du son) 9š1‚ sound recordist (preneur de son)

‚²L Ä…R—Ä? sound transfer

63

ĂĽYĂ„ĂŚ cÜ output (mike) sortie micro

ƒ A tripod trĂŠpied

Ÿý intern, gopher (i.e. go-for) stagiaire

A˂ extreme close-up (ECU) très gros plan (TGP)

‚²L —ÿĂ˜ sound stage studio

ĂŠhO Ä“Ĩ in-camera effects

Ę[CÂ? NĂ Âť6 production designer superviseur artistique

} ÄŒÂźB view finder viseur

Ïßb ‡ — craft service table / catering table de rÊgie

ŠĨ ÂŽÄ– Ă? action car voiture de jeu

Ă?Ä&#x;#ĂŒÂŻ0 (on) scale (au ) tarif syndical

Ÿ‡ą Ê insert car voiture travelling

hÂťL Ä’ Ä€W Ăˆ made-for (tv film) telefilm

dÂľXĂ– telephoto lens tĂŠlĂŠobjectif

Ă” zoom zoom

V ÂĽ Ú¿ run-up time temps de dĂŠmarrage ÂťI Ĩě honey wagon toilettes mobiles ㊠a shoot tournage ãŠÄ?< to shoot tourner š@ catering traiteur de plateau DĘÄ?< to dump transfĂŠrer des donnĂŠes informatiques >_ † dolly shot travelling >_ Â&#x;Âł dolly out travelling arrière >_ Âź dolly in travelling avant

64

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