Filmfare-ME-October-2024 by FilmFare Middle East

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EDITOR-IN-CHIEF

Aakanksha Naval-Shetye aakanksha.naval@starzmediainc.com

Digital Marketing Executive Shruti Nigam shruti.nigam@starzmediainc.com

Graphic Designer Amit Panchal amit.panchal@aldanube.com

Sales Manager Roymon Pascal roymon.pascal@starzmediainc.com

Magazine Co-ordinator Yunus Naik yunus.naik@starzmediainc.com

The first half of the year belonged to Kartik Aaryan who delivered one of his career-best performances in Kabir Khan’s Chandu Champion. Winning hearts as the Bollywood heartthrob, he also garnered critical acclaim with his transformation to play India’s first Paralympics gold medalist, the legendary Murlikant Petkar, silencing the toughest of critics as his performance in the biopic spoke volumes of what he brings to the table as an actor. With it, he’s also proven there’s more to the young superstar than his swag and boyish charm! And now he’s geared up to own the last quarter of the year too as he returns with one of the mostawaited horror-comedies Bhool Bhulaiyaa 3 touted to be a full-fledged paisa vasool entertainer!

With a critically-acclaimed movie already under his belt this year and another superhit on the anvil, here’s presenting our Cover Star Kartik Aaryan. I’ve met him on several occasions and underneath all that glam, swank and fame of a superstar, have seen his sincerity as an actor who’s constantly pushing himself, ready to polish his craft and eager to continue evolving on the screen. And it’s hardly surprising then that while the handsome star does reign hearts as the national crush with his charismatic good looks, his standing at the box-office continues to be cemented stronger with every film and his viability and bankability as a star remains untouched. In our exclusive interview, we catch him at his candid best as he talks to me about his journey, dreams and decode the 50 shades of Kartik Aaryan!

FILMFARE (INDIA)

Chief Executive Officer Rohit Gopakumar

Chief Community Officer & Editor Jitesh Pillaai

Executive Editor Anuradha Choudhary

Brand Solutions Director Jyoti Verma

PUBLISHED BY: Starz Media Inc

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Well, while Kartik’s enjoying his success run at the Box Office and we’re waiting for his Bhool Bhulaiyaa 3, can’t help but notice the perfect timing of the spooky fun thriller releasing around Halloween! Interestingly enough the horror-comedy genre in Bollywood has been having its time under the spotlight this year as they’ve been bringing in the moolah and ringing the cash registers at the Box Office! In the domestic market, one of the biggest hits this year was Shraddha Kapoor – Rajkummar Rao’s Stree 2, then there’s Sharvari – Abhay Verma’s Munjya, Sonakshi Sinha - Saqib Saleem’s Kakuda, Matinee, and internationally too there’s Tim Burton’s dark fantasy horror Beetlejuice Beetlejuice, Ghostbusters: Frozen Empire, Y2K, and Abigail, amongst others that tickled our ghostly palettes.

I’ve always had a huge appetite for the horror genre and all its subsequent mini-genres have been a favourite too, so seeing it’s evolution especially in Hindi cinema has been very heartening to say the least. No longer relegated to the sidelines, its inclusion in the mainstream as a respectable genre and the rise in the number of filmmakers exploring it is definitely a reason to cheer and celebrate for the genre-lovers like me. From the classics batch like Mahal, Woh Kaun Thi, Gumnaam, Bhoot Bungla, to the Ramsay era of Veerana, Purana Mandir, the game-changer then was Ram Gopal Varma’s Raat which was a first of his many in the line, then came Vikram Bhatt’s time with Raaz and his line of hits. Akshay Kumar’s Bhool Bhulaiyaa in 2007 made the genre a family affair. Karan Johar too couldn’t resist the lure and directed a segment in Ghost Stories, along with his production Bhoot starring Vicky Kaushal. Then there’s my absolute favouriteBulbbul starring Tripti Dimri, Avinash Tiwary and Rahul Bose, much before Tripti became the national crush Triptii. Now the horror mantle is taken over by Dinesh Vijan and his Maddock Supernatural Universe with Bhediya, Stree and Munjya under its wings or should we say fangs! And finally there’s a masterclass of a film Tumbbad, (again a fave this one), that re-released recently. So much for the Halloween buzz, Happy Trick ’r Treating guys!

Well, t’is also the month of festivities... Navratri, Dussehra and now Diwali is around the corner. So get ready to light up not just your homes, but lives too with kindness, love and celebrations. And on that note, here’s wishing everyone...

A Very Happy & Beautiful Diwali!

SHAHID KAPOOR –TRIPTII DIMRI TEAM UP FOR VISHAL BHARDWAJ’S NEXT AKSHAY KUMAR REUNITES WITH PRIYADARSHAN FOR HORROR COMEDY

AKSHAY

ALIA BHATT IS NOW ALIA BHATT KAPOOR AJAY DEVGN’S RAID GETS THIS RELEASE DATE

ARPITA MEHTA TALKS TO TANISHA BHATTACHARYA ABOUT SUCCESSFULLY MARRYING TRADITIONAL MOTIFS TO MODERN CHIC

12 interviews

KRITI SANON TALKS SOCIAL MEDIA AND MOVIES WITH SUMAN SHARMA

COVER STORY

BOLLYWOOD HEARTTHROB KARTIK AARYAN IN CONVERSATION WITH AAKANKSHA NAVAL-SHETYE TALKS ABOUT HIS JOURNEY TO THE TOP, RULING HEARTS AND ALSO REVEALS HOW HE MANAGES TO STAY UNAFFECTED BY ALL THE FAME AND STARDOM

RAGHAV JUYAL IS ON A ROLL WITH BACKTO-BACK HITS FINDS AAKANKSHA NAVALSHETYE

fashion 10 11 3235 46 54 44 45 21 61 24

RADHIKA MADAN KEEPS IT REAL IN A CANDID CHAT WITH AAKANKSHA NAVALSHETYE

COVER PHOTOGRAPH: ARJUN MARK

STYLIST: VAINGLORIOUS

MAKEUP: VICKY SALVI

HAIR: MILAN THAPA

SONAKSHI SINHA AND SAQIB SALEEM TALK TO AAKANKSHA NAVALSHETYE ABOUT THEIR FIRST EVER HORROR OUTING

APARSHAKTI KHURANA IN CONVERSATION WITH AAKANKSHA NAVAL-SHETYE TALKS ABOUT RAISING THE BAR AND STRIVING FOR VERSATILITY

EMRAAN HASHMI GETS CANDID ABOUT HIS JOURNEY

VIJAY VARMA SIGNS THE FILMFARE MIDDLE EAST SEPTEMBER COVER FEATURING THE ACTOR

BOSCO SHOWS HIS SUPERHIT ‘TAUBA TAUBA’ MOVES ABHISHEK BANERJEE CAUGHT CANDID

ON THE GRAM

READERS WRITE AND BITE BACK... WITH LOVE AND AFFECTION

Check

/ Business Class Course

a bird’s-eye view of show town’s happenings

PRIYANKA CHOPRA JONAS BEGINS FILMING FOR CITADEL SEASON 2

Priyanka Chopra Jonas has been busy. She’s recently nished shooting a major Hollywood project and has dived into Citadel Season 2, a spy thriller directed by The Russo Brothers, where she plays a special agent. She shared a sneak peek of her return to Citadel by posting a photo of the script on social media for episode 1, captioning it, “It’s on! Citadel S2 @therussobrothers,” while playfully hiding the episode title with a heart emoji. Additionally, Priyanka wrapped lming for The Bluff alongside John Cena and Idris Elba and promoted the Marathi-language lm Paani during her recent visit to India.

SHOOJIT SIRCAR WAS UNFAZED WHEN PRODUCERS REFUSED TO INVEST IN PINK

BHOOTH BANGLA:AKSHAY KUMAR REUNITES WITH PRIYADARSHAN

FOR A HORROR-COMEDY

Akshay Kumar is reuniting with director Priyadarshan for the upcoming horror comedy Bhooth Bangla, produced by Ektaa R Kapoor. The actor surprised his fans with a motion poster and hinted at a major announcement for his birthday. Kumar revealed the news with an intriguing poster, stating, “After 14 years, the iconic jodi of @priyadarshan. of cial and @akshaykumar is back with another horror

comedy. Get ready for something truly special! #BhoothBangla in cinemas in 2025.” Filming is set to begin soon but further details, including additional cast members, remain under wraps.

As Pink celebrates its 8th anniversary, we re ect on its journey from rejection to acclaim. Despite numerous producers turning it down, director Shoojit Sircar remained determined to realise his vision, stating, “How do you know about my vision?” Facing scepticism about its casting and story, he was frustrated by the industry’s doubt. With a budget of Rs. 23 crore, Pink exceeded expectations, grossing over 100 crore at the box of ce. The lm, featuring Amitabh Bachchan and Taapsee Pannu, was directed by Aniruddha Roy Chowdhury. Sircar and Rising Sun Films are now preparing for their next project starring Abhishek Bachchan, set for release on November 15.

SHAHID KAPOOR AND TRIPTII DIMRI TEAM UP FOR VISHAL BHARDWAJ’S NEXT

Shahid Kapoor is reuniting with director Vishal Bhardwaj for an untitled upcoming lm, marking his rst collaboration with Triptii Dimri. The project, backed by producer Sajid Nadiadwala, promises to be an action-packed entertainer. Vishal Bhardwaj expressed his excitement, stating, “I’m thrilled to collaborate once again with Sajid Nadiadwala and the gifted Shahid Kapoor. What a delight to have Triptii Dimri, India’s National Crush, join this dream team!” Sajid Nadiadwala also shared his enthusiasm on social media, emphasising the collaboration with Bhardwaj and Kapoor, while welcoming Dimri to the #NGEFamily. Production is set to begin soon.

Kartik Aaryan and Triptii Dimri Reunite for Romantic Drama

and Triptii Dimri in Anurag Basu. ,

are set to star in a new romantic drama directed by This follows their on-screen pairing in the upcoming horror comedy slated for a Diwali release. Kartik, passionate about love stories, is eager to take on his role, while Triptii is excited to explore the romantic genre alongside him. The lm will be shot at various locations across India from aiming to deliver timeless music and a captivating love story. Recent rumours linking their collaboration have been clari ed by producer who con rmed that the new project is not related to franchise but is a different

September to February, to Aashiqui 3 Bhushan Kumar, new to the Aashiqui romantic lm.

ALIA BHATT CHANGES NAME AFTER MARRIAGE

Alia Bhatt has of cially changed her name to Alia Bhatt Kapoor after marrying Ranbir Kapoor over two years ago. On the work front, Alia is set to star in Jigra, where she will share the screen with Vedang Raina for the rst time. In addition to acting, she is co-producing the lm, which is an original story despite rumours of it being a remake of the 1993 lm Gumrah Jigra is scheduled for release on October 11. Alia will also appear in YRF’s upcoming female-led spy lm Alpha, alongside Sharvari and in Sanjay Leela Bhansali’s Love nd War, featuring Ranbir Kapoor and Vicky Kaushal.

expert advice

Director of American Aesthetic Medical Center

ACNE SCARS: A QUICK LOOK AT HOME REMEDIES AND MODERN-DAY TREATMENTS.

Acne is common among people of all ages, from teenagers and young adults to women going through menopause. While it can be distressing, the good news is that it is possible to manage acne scars effectively. As far as home remedies are concerned, application of aloe vera gel extract, coconut oil, vitamin E, raw honey, shea butter, grapeseed extract, icepacks, lemon juice, etc., can effectively lighten the acne scars on the face.

SAIYAMI KHER BECOMES FIRST INDIAN ACTRESS TO FINISH IRONMAN 70.3

However, in cases of severe acne, acne marks may require a more thorough treatment to make them less noticeable. A wide variety of acne scar removal treatments are available, but the right one depends on the type of acne, its severity and the extent of damage it has caused to the underlying skin. So, it is best to get expert advice from a dermatologist to choose the right and best acne scar treatment for you. There are numerous treatments available to remove or lighten the scarred surface, reduce its size or improve its appearance. Here are a few most effective ones:

CHEMICAL PEELING:

Saiyami Kher has made history as the rst Indian actress to complete the Ironman 70.3 triathlon in Germany. Known for her roles in Choked and Ghoomer, she has now achieved an incredible athletic milestone. The Ironman 70.3, or Half Ironman, includes a gruelling 1.9 km swim, 90 km bike ride and 21.1 km run—all in one day. Saiyami trained for a year while balancing her lm career, overcoming both physical and mental challenges to reach her goal. “Crossing that nish line is one of the proudest moments of my life,” she said. Re ecting on her journey, Saiyami sharedthe dif culties she faced: “There were days when motivation was nowhere to be found, and it felt like a battle with myself. But this race has shown me that with determination, anything is possible.”

This involves the use of strong chemicals (acids) to remove the outer layer of skin and reduce the appearance of scars. Various chemicals such as trichloroacetic acid (TCA), glycolic acid can be used depending on the skin type, severity of acne and scarring caused by it. It is especially effective for deeper scars.

BOTOX INJECTIONS:

Botox injections are very effective for acne scars with puckered skin around them. This puckered area can be relaxed with an injection of botulinum toxin (Botox) to improve the appearance of skin.

PUNCH EXCISION:

This involves surgically removing an acne scar through a punch matching the size of the scar.

DERMABRASION:

RAID 2 WILL RELEASE ON FEBRUARY 21, 2025

Ajay Devgn’s Raid captivated audiences when it released in 2018, becoming a standout success. The makers are now all set to bring another intriguing quest led by IRS of cer, Amay Patnaik (Ajay Devgn). Raid 2 is produced by Bhushan Kumar, Kumar Mangat Pathak, Abhishek Pathak and Krishan Kumar. Directed by Rajkumar Gupta, the lm features Ajay Devgn, Vaani Kapoor and Ritesh Deshmukh. The lm is set to release on February 21, 2025.

Reserved for the most severe acne scarring, the procedure involves removal of the damaged top layer of skin with a rapidly rotating wire brush or wheel with a rough surface. The procedure deeply exfoliates the top layer of the skin to reduce the appearance of deeper scars.

MICRONEEDLING:

One of the most recent advances in pimple marks removal treatments, microneedling uses a small, handheld pen or needle-studded roller to puncture the skin on the surface of the scars. As the punctured skin heals, it makes collagen and reduces the visibility of acne scars by smoothing out the skin.

LASER RESURFACING:

Laser treatment for acne has recently gained a lot of noise for its superior and early results without using any chemicals or scrubs. The procedure involves the removal of the top layer of skin to reveal the underlying younger skin cells to reduce the appearance of scars. It creates a more even surface of the skin.

DR. SANA SAJAN

of

Kartik Aaryan

Whether it’s proving his mettle as an actor in power-packed roles of substance or setting the Box Office on fire with raw and unfiltered entertainment, Bollywood heartthrob Kartik Aaryan aces them both with utter ease. In this exclusive conversation with Aakanksha Naval-Shetye, the young superstar talks about his journey to the top, ruling hearts, reveals how he manages to stay unaffected by all the fame and stardom, And also shares the excitement of bhool bhulaiyaa 3

Kartik Aaryan may have catapulted to stardom as the lover-boy-nextdoor, winning hearts with his natural charm, perfect comic-timing, and a delightful persona topped with an irresistible smile. However, the young superstar has come a long way since his breakthrough ﬁlm Pyaar Ka Punchnama in which his iconic monologue on women and relationships made him the poster boy of relatable romance for the Gen Z! Stripped away of all the trappings of a ‘quintessential Bollywood hero’ Kartik emerged as a power-performer, silencing the most hardened critics with his inspiring performance in Chandu Champion, proving there’s more to this actor-par-excellence than his signature chocolate-hero looks! Delving deep into the layers of emotional complexity and overcoming the challenges of a tough physical transformation, Kartik aced the

role with aplomb. Clearly impressive in all his shades, his dedication to constantly raise the bar to evolve as an actor and better his craft has not only cemented his bankability at the Box Office, but has made him a force to reckon with in B-Town! All this, while his connect to the audience still remains unfazed as they continue to celebrate the triumphs of this small-town boy’s dreams and successes as their own, thanks to his grounded personality and easy-going nature. Ruling hearts in the first half of 2024 with Chandu Champion, the actor’s now ready to end the year on an even higher entertaining note with his return as Rooh Baba in the much-awaited Bhool Bhulaiyaa 3 bankrolled by Bhushan Kumar’s T-Series! With a box-office power extending across masses and the classes, and acting credibility to back, in this exclusive interview, we talk to our Cover Star about his versatility and dedication, and also decode the 50 Shades of Kartik Aaryan

What makes Kartik Aaryan the superstar and the Champion that he is today?

When you have non-stop love and abundant support from the audience, that helps an actor believe in himself and take up more responsibility, take more risks, so all the credit goes to my well-wishers.

Talking about Kartik – the champion, well that I would give credit to my strong mind-set and

immense amount of hard work. At the same time, I feel it’s not about being a champion, but about believing that you are one.

Chandu Champion was a very challenging film to shoulder, but you completely bowled us over with your performance and transformation in it. When did you start visualizing yourself as the perfect fit in that role?

To be honest, I was scared too. From the time I read the script, I knew I had to nail it and you know in your mind the work started immediately and then the physical prep began. Aur main bol raha tha ho jaega, but andar

se lagta tha ki result aayega ki nahin, body jaisi chahiye woh dikhegi ki nahin in the given time. So, I could visualize myself in the role right from the first reading, but there was that little bit that kept me on my toes as I didn’t want to just get it, but get it perfectly right. Eventually all the work, the skill sets, everything came together and after almost a year, the physical transformation also started showing.

How do you look back on the journey so far, have you had moments when you questioned your

choices?

Not at all. I stepped into the industry with sheer dedication, self-belief and commitment. The journey was bumpy initially, but fortunately, I kept getting opportunities to prove myself and follow my dream of becoming an actor. The journey can be good, bad, or ugly, but if you’re living your dream, you have to be grateful.

Is it possible to stay unaffected and is it tough to not let all the stardom, especially all the fan adulation get to your head?

I would say

it’s quite tough, especially when you’re not used to it. Suddenly stepping into this industry and becoming a public figure - your personal life is no longer personal. You have to be careful about what you say and how you say it to sound right. As a newcomer with no one to guide you, the sudden spotlight can feel overwhelming. However, I’ve always remained focused, and my focus, then and now, is to be an actor and entertain the audience. The fan adulation has never gone to my head because their love touches my heart directly, and I

am always grateful for it.

Actors are far more vulnerable today because of the social media, how do you deal with that?

You just have to be yourself. It doesn’t matter what people say, as long as you believe in yourself. Social media is one of the most powerful tools today – for movies, connecting with the audience and promotions. Its major strength lies in instant connectivity, and that power shouldn’t be ignored. It’s all about using it to your advantage. Yes, there are some who spread toxicity, but you have to not let it affect you.

When you’re at the top, is it easy to be surrounded by real people? How do you navigate from the fake ones?

It’s very simple for me. If someone’s energy or personality doesn’t vibe with you, it’s best to keep your distance. Once you do that, you naturally attract genuine people with whom you feel a close connection. I believe in being kind to everyone and carefully choosing the people you want to keep close. At the end of the day, it’s about staying true to yourself. Whether people are real or fake, I think kindness and respect go a long way. You can’t control how others are, but you can choose the people you want to keep close and create a positive circle around you.

You have successfully bridged the outsider to insider journey! What are the lessons

The fan adulation has never gone to my head because their love touches my heart directly, and I am always grateful for it.

learnt through that?

A lot, I would say! This journey has been nothing short of incredible, filled with ups, downs, and everything in between. I’ve had the privilege of meeting some amazing people, working alongside them, and picking up valuable lessons along the way. As an outsider, the road isn’t easy - every step feels like you’re carving your own path. But the biggest lesson I’ve learned is that if you stay focused, keep pushing your boundaries, and continue doing good work, everything else just starts to align. The key is perseverance, passion, and trusting the process, no matter how tough it gets. Eventually, the industry embraces you.

You are also the hottest, most eligible bachelor of B-Town… Do you enjoy that tag or would you trade it for sexy, but taken?

(Laughs) These tags are fascinating. I love all these tags. And why to trade one for the other (laughs), let me keep all.

What is at the core of Kartik Aaryan when not facing the camera?

Whether I’m on set or at promotions, what you see is what you get - I’m always just myself. At the core, I’m all about keeping things simple. I need my close people around, I need to know what my work looks like and how I can keep leveling up. So, my core is really about staying grounded, relaxed, and keeping the focus on what matters. That’s me, onscreen and off.

When you are in the spotlight, there are always people judging you, watching you, there are expectations, and

This one has been an unforgettable ride! But to truly feel the magic of Bhool Bhulaiyaa, you’ve got to watch the film - it’s going to be bigger, crazier, and even more fun than before!

pressures… How do you tackle all that and keep your cool? Look, the pressure is always there - it’s part of the package. But I don’t let it get to me. I believe in focusing on the positive. I keep my cool by embracing everything- the good, the bad, the critiques - and using it as fuel to push myself harder and get even better. At the end of the day, I’m here to entertain, so I just stay grounded and let the work speak for itself.

Tell us more about Bhool Bhulaiyaa 3, how exciting was it returning to it and the experience this time around?

Being on the set of Bhool Bhulaiyaa 3 was an absolute thrill! Anees (Bazmee) Sir’s set is always a blasthe’s such a brilliant director with an amazing knack for turning even a simple scene into something hilarious. So, you can imagine the vibe - it’s all fun, creativity, and laughter. From day one, the excitement was real. Working with the same incredible cast and crew from the last film, it felt like a reunion, but with new surprises and lessons at every turn. Getting a chance to work with Madhuri Ma’am and Vidya Ma’am together in one film was like a lifetime opportunity. This one has been an unforgettable ride! But to truly feel the magic of Bhool Bhulaiyaa, you’ve got to watch the film - it’s going to be bigger, crazier, and even more fun than before!

Quick Kartik 7with

Childhood crush!

Madhuri Dixit

One super-power you wish you had! To be invisible

If your life had a theme song, it would be… Tu Hai Champion

3 words that best describe you! Hard work, self belief, champion

3 similarities between Ruhan Randhawa and you! Fun vibes around, scared of ghosts and simplistic with wardrobe-picks Vidya Balan, Madhuri, Triptii… One word for each! Fun-loving, Legend, Hard-working

The best thing about being Kartik Aaryan is… I never give up

As an outsider, the road isn’t easy - every step feels like you’re carving your own path. But the biggest lesson I’ve learned is that if you stay focused, keep pushing your boundaries, and continue doing good work, everything else just starts to align.

PHOTOGRAPHS: AJAY KADAM | STYLIST: ESHA L AMIN | MAKE-UP: VICKY SALVI HAIR: MILAN THAPA

BEST SERVED HAUTE!

ARPITA MEHTA HAS SUCCESSFULLY MARRIED TRADITIONAL MOTIFS TO MODERN CHIC. TANISHA BHATTACHARYA EXPLORES WHAT MAKES HER DESIGNS INSTANT CLASSICS

Arpita Mehta, renowned for her exquisite hand-embroidered mirror work, has carved a niche for herself in the fashion industry with her distinctively Indian yet contemporary designs. Inspired by childhood memories of vibrant Navratri lehengas adorned with intricate mirror work from Gujarat, particularly Jamnagar, Arpita’s journey into fashion was rooted in familial in uences. Her mother and grandmother, with their distinctive styles spanning sarees, jeans paired with t-shirts and elegant salwar suits, instilled in her a deep appreciation for fashion early on. Married to designer Kunal Rawal, Arpita brings a unique perspective to her craft, shaped by both personal style icons and professional collaborations within Bollywood. Her design philosophy resonates with Bollywood stars such as Alia Bhatt, Karisma Kapoor and Ananya Panday, who have graced her runway as showstoppers, enhancing the visibility and allure of her creations. With a penchant for blending tradition with modernity, she envisions her brand as a re ection of elegance and innovation in Indian fashion. Excerpts:

Ananya Panday

for these events.

up to my mother and grandmother. I’ve spent a lot of time with them and I love their style. The way they draped their sarees, paired jeans and a t-shirt with sunglasses and wore salwar suits...Even the way they tied their hair and wore jewellery... They had a distinctive style. You could tell they’re from the

WHEN I WAS IN SCHOOL I WAS OBSESSED WITH BUYING SECOND HAND FASHION MAGAZINES.

MY FAVOURITE FASHION ICONS WOULD BE ’80S SUPERMODELS LIKE KATE MOSS AND NAOMI CAMPBELL

same family but they still owned their unique personalities. That inspired me a lot.

Who were your favourite fashion icons growing up?

Let’s begin with your signature style of handembroidered mirror work. When and how did you develop a taste for this? Mirror work is something that came to me when I was a child. We used to have these yearly Navratri events in our school. My mom used to get me the cutest embroidered mirror work lehengas from Gujarat, primarily from Jamnagar of design that left with it and started

Rakul Preet Singh

That’s my foremost memory of mirror work. When I started designing, that was the kind a deep impression. That was the beginning of the idea in my system. Once I started experimenting building up the kind of clothes I wanted to make, this trend was what came to my mind first.

other since we were designers. We understand each other. And being in the same profession, we kind of know how things work. So it just makes life so much easier that you don’t have to explain the nitty-gritty of how daily life is. It’s exciting to marry the human that I love, who happens to be a designer.

When I was in school, I was obsessed with buying second hand fashion magazines. My favourites would be ’80s supermodels like Kate Moss and Naomi Campbell. In the Indian landscape, I love Karisma Kapoor’s style. She’s iconic in all possible ways.

You’re also married to one of the most renowned designers in the industry, Kunal Rawal.

like Kate Moss and style. She’s iconic in How exciting is that?

having Bollywood actresses as showstoppers is common. It would be unfair to pinpoint a favourite muse or a showstopper because I adore all of them. That’s why they’ve been a part of my show as showstoppers. They are truly the women whom I admire and look up to. We’ve worked with Karisma Kapoor, Malaika Arora, Kriti Sanon, Ileana D’Cruz, Ananya Panday and Shanaya Kapoor,to name a few. They’re all my favourite girls.

If you had to pick a Bollywood actress whose style you love, who would she be? It varies from time to time, but I’d say my current favourite is Ananya Panday.

Your website says that it was looked

the distinctive styles of your mother and grandmother that motivated you to start your journey… I’ve always

Marrying Kunal was one of my best decisions in life. And the most exciting part is that we’ve known each

Your wedding saw the presence of many Bollywood stars: Malaika Arora, Arjun Kapoor and Varun Dhawan. Who are you the closest to in the industry? Yes, we did have a lot of celebrities at the wedding. But talking about Arjun and VD, they all happen to be Kunal’s close friends. I have a small and a tight circle of girlfriends. We’ve kind of had our own thing going on since childhood. So if you ask me who I’m closest to in the industry, I’d probably say no one particularly.

Tell us about your favourite muse and showstoppers over the years, because the trend of

When a superstar like Alia Bhatt wears your design to the Ambani bash, does it help with the visibility of the brand?

When an actor of massive calibre like Alia Bhatt wears our creation, styled by Rhea Kapoor at a

Shilpa Shetty Priyanka Chopra Jonas

Alia Bhatt Janhvi Kapoor

QUICK TAKEwith ARPITA

FAVOURITE FASHION ERA ’80S

FAVOURITE ’90S TREND LEGGINGS

A FASHION FAUX PAS YOU CAN NEVER MAKE WEAR FUNNY HEADBANDS

ONE BOLLYWOOD ACTRESS THAT WOULD BE A DREAM TO HAVE AS A SHOWSTOPPER DEEPIKA PADUKONE

A BOLLYWOOD ACTRESS YOU’D LOVE TO HAVE AS A BEST FRIEND FOR HER FASHION SENSE

SONAM KAPOOR

A FASHION ICON OF ALL TIME YOU’D LOVE TO DESIGN FOR REKHA

A BOLLYWOOD WEDDING ENSEMBLE YOU LOVED ANUSHKA SHARMA AND VIRAT KOHLI

huge wedding, that makes it exciting for a brand like us. Firstly, we get to put a gorgeous look on a gorgeous person like Alia Bhatt. Secondly, having it conceptualised by such a talented stylist like Rhea Kapoor helps with a lot of visibility. Also, there’s a lot of goodwill, putting our best work out there and showing everyone what the brand has to offer. It’s a win-win situation.

Has there been an instance where some Bollywood A-lister has worn your design and you’ve had a client wanting the same after seeing it?

An episode like this happens pretty often when an actor wears your garment and people want

it. This happened in 2013. This is back in the day when Anaita Shroff Adajania, the stylist, sourced from us for Deepika Padukone when she was promoting Chennai Express. At that time, the idea of wearing brands and promoting them was fairly new. I have to say that for Anaita, to go ahead and do that and give the credit to the designer was incredible. That was one of our first looks to go viral. We got more than 3000 orders for the same look. It was so new and so exciting to have that kind of opportunity. To see the kind of business that came in after that, it was pretty insane.

Have you ever taken inspiration from films for your design? My inspirations are pretty random. It could be nature or a holiday... The flowers, the sun,the sea, the sand, the architecture,the interiors... I wouldn’t have a specific

inspiration from a Bollywood or a Hollywood movie but it could probably be a scene in one of the movies that has inspired me to do something. And that is how I guess my inspiration works from time to time.

Have the opportunities to design for a feature film rolled in yet? Yes, there have been opportunities in the past to design costumes for a feature film. But that is something I feel I’m not willing to do yet. I’m enjoying the space that I’m in so much that it’s not something that I want to dwell on currently.

Which director’s vision would you say will align with your brand’s signature aesthetic? It would be Karan Johar because he’s flamboyant, super stylish and understands fashion. And of course, I’ve heard he’s generous when it comes to fashion

MARRYING KUNAL WAS ONE OF MY BEST DECISIONS IN LIFE. AND THE MOST EXCITING PART IS THAT WE’VE KNOWN EACH OTHER SINCE BEFORE WE WERE DESIGNERS. WE UNDERSTAND EACH OTHER, AND BEING IN THE SAME PROFESSION, WE KIND OF KNOW HOW THINGS WORK

and styling for movies. Apart from him, it would be Sanjay Leela Bhansali because his vision is something else that is so opulent and detailed that I would love to be a part of it.

 Kiara Advani

Suhana Khan

Sonakshi Sinha

Pooja Hegde Khushi Kapoor Bhumi Pednekar

Sara Ali Khan

Kriti Sanon takes time off from her holiday for a long, long chat with us. Suman Sharma records the conversation

What’s been keeping you busy these days? Currently, I’m enjoying my holiday. When I’m not working on a film, I like to keep this time free to travel with friends, cousins and my sister. This has become a summer tradition, which I started last year and am continuing this year. Of course, if there’s a film shooting that takes priority.

She’s in London and we connect over a long-distance video call which turns into an audio call due to bad connection. I can feel her joy as she describes the sights and the sounds of the English capital and how coming here has always been a soothing process for her. She’s extremely pretty and not just a pretty face. Her rogue robot avatar in Teri Baaton Mein Aisa Uljha Jiya sent a chill down your spine. Till that point it was a comedy and then suddenly turned into a thriller. Tell her that and she beams big time and adds you’ve made her day. Likewise, she got the audience batting for her all the way when she played a surrogate mother who brings up her child against all odds in Mimi. We loved her sassy avatar in Bareilly Ki Barfi as well. She’s lived a decade in the big, bad world of showbiz but hasn’t lost her innocence. She still approaches every role with a child-like glee, looking forward to losing herself in the magic of cinema. She’s happiest when she’s on the sets and even on her holiday, a part of her is counting the days towards facing the arclights again. Presenting excerpts from a straight-from-the-heart chat-a-thon.

You’ve been in the industry for almost a decade now. Does it still feel like a dream? Absolutely, it does feel like a dream and an incredibly fulfilling journey. There are moments when I pause and reflect on how I didn’t even know I wanted to be an actor. I feel incredibly blessed and grateful when I think back to those times. It’s rare to discover your passion and then turn it into your career. I’m grateful that I found mine. It feels like this is where I was meant to be. I’ve had experiences as an engineer and a model, but I truly believe I’ve found my true calling now.

Despite being an outsider you made your debut with a big production house, Sajid Nadiadwala Grandson

Entertainment’s Heropanti which was a blockbuster film…

I feel really lucky to have had such a strong debut with Heropanti, thanks to Sajid Nadiadwala and Sabbir Khan. They provided a fantastic platform for us and marketed the film in a way that treated Tiger (Shroff) and me equally. It wasn’t about being a star kid or not; it was about introducing two new faces. I’m grateful that my debut was successful and that it helped me establish myself in the industry.

From Heropanti to Crew, you’ve come a long way

Yes, definitely. I’ve never attended acting school or done theatre. Everything I’ve learnt about acting has been through hands-on experience. Starting from being a complete newbie on set who didn’t even know where to stand or how to face the camera, I’ve grown to understand the intricacies of each character and what works best for me as an actor. With each film, I’ve striven to absorb as much as possible and constantly evolve. I’ve always been curious and am always asking questions on the set, which initially led some to say I ask a lot of questions. However, that curiosity

has been crucial for my growth and development as an actor. Hearing compliments about my latest performance being my best yet, is validating and shows me that I’m improving with each role.

You seem to be taking it slow in the sense you’ve only done some seven-eight films in a decade.

I’m aware that progress can be slow for female actors, especially coming from outside. It takes time for people to notice you and recognize your name. For the longest time, people would sometimes recognize me as ‘Oh, she was in Tiger Shroff’s film,’ before recognizing me as Kriti Sanon. It’s been a journey to establish my own identity.

Do you like to ponder over your options and then choose? I strive to select better films. My perspective is that even if a film doesn’t succeed, one shouldn’t dismiss the effort of those involved. I’ve come to understand the importance of persisting and having faith in the film’s concept and the team behind it because

Photographs:

things can improve over time. It’s essential to be willing to try new things, take risks, challenge yourself and face fears, as this is how personal growth occurs. Additionally, I consider myself fortunate to have had a significant opportunity with a film like Dilwale early in my career. It broadened my exposure to global audiences and allowed me to learn from my talented colleagues.

What’s been keeping you busy these days?

Currently, I’m enjoying my holiday. When I’m not working on a film, I like to keep this time free to travel with friends, cousins and my sister. This has become a summer tradition, which I started last year and am continuing this year. Of course, if there’s a film shooting that takes priority.

Despite being an outsider you made your debut with a big production house, Sajid Nadiadwala Grandson

Entertainment’s Heropanti which was a blockbuster film… I feel really lucky to have had such a strong debut with Heropanti, thanks to Sajid Nadiadwala and Sabbir Khan. They provided a fantastic platform for us and marketed the film in a way that treated Tiger (Shroff) and me equally. It wasn’t about being a star kid or not; it was about introducing two new faces.

I’m grateful that my debut was successful and that it helped me establish myself in the industry.

From Heropanti to Crew, you’ve come a long way

try new things, take risks, challenge yourself and face fears, as this is how personal growth occurs. Additionally, I consider myself fortunate to have had a significant opportunity with a film like Dilwale early in my career. It broadened my exposure to global audiences and allowed me to learn from my talented colleagues.

What’s your process for picking up a project?

Sometimes, what excites me as an actor is the entire film itself or the opportunity it presents to explore something new. Other times, it’s the people involved or the director whose work I admire and want to collaborate with. There have been moments when I’ve finished a deeply intense film and felt the urge to switch gears and do something light, comedic and entertaining. It can also depend on the phase of life you’re in as an actor. I believe

in constantly evolving. Now, I’ve reached a point where I don’t just want to like a film; I want to love it and feel enthusiastic about taking on the role.

You proved yourself with Bareilly Ki Barfi… Bareilly Ki Barfi was probably the first milestone that really made a difference for me, where people started recognizing my acting abilities. I think it made them take me more seriously as an actor. Before that, perhaps they couldn’t envision me in roles that weren’t glamorous. The film portrayed a vibe of an urban girl, which is true to who I am. But ultimately, it’s important to believe in the actor and not just the persona. I feel fortunate to have had the opportunity to break out of that stereotype, showing that I can excel in diverse roles.

…And then Mimi further cemented your reputation. Mimi has truly been a game I believe in constantly evolving and not repeating myself. Now, I’ve reached a point where I don’t just want to like a film; I want to love it and feel genuinely enthusiastic about taking on the role

my latest performance being my best yet, is validating and shows me that I’m improving with each role.

You seem to be taking it slow in the sense you’ve only done some seveneight films in a decade.

I’ve never attended acting school or done theatre. Everything I’ve learned about acting has been through hands-on experience

changer for me. It was the first film where I carried the weight of the lead role, which provided me with ample opportunities to showcase my skills as an actor. I always say the more you invest as an actor, the more you can deliver. So if the role is substantial, I can deliver more. Mimi gave me that larger canvas. While working on Mimi, I thoroughly enjoyed the process and it unlocked something within me. I realised that I’m capable of tackling intense scenes and overcoming my fears as an actor. The love the film received, including the National Award, were incredibly fulfilling.

Are you happy with your career so far? I’m currently feeling content and secure. I feel happy and calm, no longer caught up in a constant race. At times, I’ve felt frustrated when I believed I deserved opportunities that didn’t materialise, especially compared to others who may have had a better surname and stronger connections. These moments are part of the journey towards success and validation. When your hard work is recognised or appreciated, it brings a deep sense of satisfaction. While I am happy with where I am, I still have a restless drive to explore new opportunities and challenges.

Are there any more goals left for you to achieve?

I’m incredibly ambitious. I have numerous dreams still ahead of me. As soon as one dream is achieved, I’m already envisioning the next goal. I’m constantly driven to accomplish more, to discover something that propels me to new heights, and to surprise both myself and audiences with ground-breaking projects. Perhaps doing a film in Hollywood is my next goal. But it must be meaningful and truly excite me. I have many aspirations because I sense there’s still so much left to achieve. I believe I’ve only tapped into about 60 per cent of my potential.

The much hyped Adipurush didn’t do well at the box office. How did you handle the criticism?

When a film doesn’t succeed, it’s truly disheartening. You feel a deep sadness and might even find yourself in tears, wondering what went wrong. The goal is never to hurt anyone’s feelings; the intention behind every project is always positive. However, we must face the reality that sometimes things just don’t click, and it’s crucial to learn from these experiences. As an actor, the best approach is to stay focused, put in the effort, and concentrate

Suit: Gaurav Gupta | Top: Ankita Jain Neckpiece: Amama Jewels | Rings: Misho, Zohra Belt: Sakshi Jhunjhunwala | Footwear: Taro Ishida

on the next project. There are many variables beyond my control, but I strive to ensure that I fulfil my role to the best of my ability.

Do you get bothered by criticism? If feedback is constructive and makes sense, I embrace it positively. However, if it’s simply trolling or negativity, I don’t let it affect me personally. I can distinguish between genuine feedback and comments driven by others’ frustration. When someone critiques my performance, I take it seriously. At home, after watching my films together, we have a chai session the next morning where my family gives me honest feedback on what they liked and didn’t like. I believe constructive criticism is beneficial. But it’s important not to let all types of criticism get to you too deeply.

How do you react to all the gossip that’s written about you? When false negative information is published about me, it’s not just frustrating for myself but also impacts my family. They shouldn’t have to deal with the repercussions of something untrue. It’s particularly aggravating when random rumours, like me supposedly getting married, start circulating. Friends then message me assuming it’s true and I have to clarify that it’s not. People often don’t bother to verify facts before spreading stories, especially on social media where negativity spreads quickly. Having to constantly correct these falsehoods is incredibly irritating and ends up being more bothersome than anything else.

Celebrities are now more accessible to their fans. Does it make it easier for people to pass judgments on artistes?

Nowadays, judgments are thrown around recklessly without any consideration. People often forget that the person on the receiving end is also human. In the past, without social media, individuals might have silently formed opinions after reading something in a newspaper. Now, there’s a trend where people derive

satisfaction from posting negative comments online. With so many individuals expressing their opinions freely, it feels like everyone believes they have the right to say whatever they want without filtering their thoughts. The widespread access to social platforms and ample free time contribute to this phenomenon.

That’s why perhaps, celebrities have become more reticent… We’ve become increasingly cautious. We’re aware that anything we say can be misinterpreted or become fodder for trolls. This cautiousness has made us step back from freely expressing ourselves. In the past, people used to speak more freely without worrying about the consequences. Conversations were more intriguing back then; even shows like Koffee With Karan were more captivating because people didn’t face severe backlash for their words. Nowadays, any statement can be easily twisted or criticised, which has changed the dynamics of how we communicate.

Is social media a necessary evil?

Social media isn’t essential but it’s a valuable tool for connecting with people, especially with fans, beyond your on-screen appearances, which might be just a few times a year. It’s a great way to show a different side of yourself and engage with them on a personal level.

It can also be quite addictive… Sometimes I catch myself mindlessly scrolling for hours, achieving nothing. The stress it unknowingly adds is awful. I notice I often open my phone and instinctively tap on Instagram without reason. This addiction isn’t healthy. To combat it, I occasionally take breaks from my phone or limit my Instagram use. During work or vacations, I make a point to ignore my phone entirely. Finding these moments helps me stay present and avoid the urge

to check my phone.

When you weren’t getting films, did you feel insecure?

Yes, there was a time when I didn’t shoot for about 14 months. I felt insecure about not being visible. Being new in the industry, I worried that if I wasn’t seen, I might be forgotten. At that time, I was eager to work and be noticed. Now, visibility isn’t a concern. I prioritise quality over quantity. Currently, I have a strong desire to be on a film set; it’s where I thrive and feel alive. But I won’t commit unless I love the project, so patience is crucial. Insecurities vary at different stages of one’s career.

In moments of doubt, what gives you courage?

I take courage from those who believe in me. It’s essential to reflect on your journey—from where you began to how far you’ve come. Sometimes, you didn’t even imagine such a journey. There’s something within you that has brought you to this point, and you must believe in that. Also, it’s crucial to learn from your mistakes. Instead of just complaining about a film that didn’t succeed, analyse why it didn’t work and what lessons you can glean from it. Doing so helps you move forward more effectively.

Whom would you give credit for your success?

It’s truly been a journey for me. I’ve had the opportunity to work on numerous films with many directors and collaborators who believed in me. One of my biggest supporters has been Dino (Producer Dinesh Vijan) and Maddock Films. From the days of Raabta, Dino saw more potential in me than what was evident in my previous work. His belief in me was pivotal, especially with a film like Mimi, where he not only trusted that I could deliver but also invested significantly to support the project. This faith and financial backing were instrumental in shaping the film into what it became. Many of my unconventional and unique films have stemmed from collaborations with Maddock Films.

You shared a great chemistry with Shahid Kapoor in Teri Baaton Mein Aisa Uljha Jiya. Are you doing another film with him? The sequel for Teri Baaton Mein... is currently being written. We’re both eager for it to happen soon. Working with Shahid has been a joy for me. I believe we also have great chemistry together. Sometimes with certain actors, the chemistry just naturally clicks, you don’t have to force it. Shahid is one of those actors for me.

Varun Dhawan and you are great friends… I’ve known him since Dilwale. We’ve been friends since then. He’s one of the few actors I can truly call my friend. We chat even when we aren’t working together, which is rare in this industry. I can’t believe he’s become a father. He is like a child who’s had another child. He’s genuinely warm-hearted.

You’re a self-made woman who seemingly has it all. What would a man add to your life? You want people who contribute positively to your life. You thrive in their presence because they motivate and inspire you to improve. They support you during your lowest moments. You desire a partner who will be there for you when you return home, sharing both happy and sad moments. Even if you achieve great success in life, without someone to share it with, it feels meaningless. In this industry, loneliness can be intense because you have very few consistent relationships. You go from one film set to another, forming bonds that feel like family. You eat, drink and spend entire days with these people. But after three months, they’re gone. Then it’s on to the next film and another “family.” Everything feels temporary, so having constants in your life becomes crucial.

Are you a romantic at heart? I’m a big romantic at heart and truly believe in love. It’s something that grounds

you and makes you feel whole.

How would you describe love?

Love is about feeling something for someone unconditionally. It’s accepting them as they are, without trying to mould them into your ideal image. Love should inspire growth and personal evolution, encouraging you to become the best version of yourself. It should add to your happiness rather than solely being responsible for it—you should already have happiness within yourself. Maintaining your individuality while feeling like the best version of yourself defines what love means to me.

You recently bought a new house in Alibaug… I’ve always dreamt of owning property in Alibaug. Sometimes, when you simply need a weekend getaway to relax and find peace, Alibaug seems like the perfect destination. So, I finally made that dream a reality and recently bought a house there. It’s a fantastic property. n

Outfit: Cilvr | Earrings: Baala Jewels Cuff: Womencode | Footwear: Taro Ishida

CUT Director’s

ANUBHAV SINHA TALKS TO VEDANSHI PATHAK

ABOUT DIRECTING IC 814: THE KANDAHAR HIJACK, WORKING ON A SUPERHERO FILM AND HOW HIS POLITICS AFFECTS HIS FILMS…

Anubhav Sinha was once a very formulaic director who only worked in the commercial space. Mulk (2018) changed all that. He married political activism to cinema and the result was films like Article 15 (2019), Thappad (2020), Anek (2022) and Bheed (2023). With IC 814: The Kandahar Hijack, he has ventured into the OTT space. While he describes it as a non-political venture, read between the lines and you’ll find that he has landed some soft blows both on the unpreparedness of the bureaucrats, who simply failed to control the narrative and the jaded response of the politicians. In between all, the fortitude of the hijack victims shines through. Instead of calling them victims, one should call them heroes for the way they came to terms with their tragedy and survived the hardships. The series is well-researched and well-acted. It has the veritable who’s who of dramatic actors in the cast, with some fans comparing it to an Avengers Ensemble moment for Anubhav Sinha. No wonder the director is eyeing a superhero film next. Excerpts from a hearty tete-a-tete with the maverick.

What is non-negotiable for youas a director?

The art itself is nonnegotiable. While creating a film, compromises are inevitable, whether with nature, moments or unexpected outcomes. Sometimes what seems inferior initially can turn out better in hindsight. However, the core artistic vision remains uncompromised.

Is it a conscious choice or are you just attracted towards it more?

I think it’s the latter. It began with Mulk, driven by my strong feelings about societal issues at the time. Although Article 15 was initially titled differently and was written before Mulk, I was drawn to it for similar reasons. There’s no grand design, it’s instinctive. It’s like if someone asked us what we want for lunch: I might choose Indian and you might choose Chinese. While chemical factors might influence our preferences, the choice is ultimately instinctive.

Will we ever get to watch you direct something flossy? (Laughs) Flossy may appear superficial but it has deeper layers. It will feature an eclair floss on top but will reveal more inside. I believe a film needs a voice to drive it and I am currently focused on refining my approach. This series showcases a distinct shift in form compared to my recent films, reflecting my goal to reach a broader audience and achieve a more cinematic scale.

Did you always have this cast in mind for the IC814

The cast for the series feels almost like a dream come true. As we wrote, certain actors’ performances began to shape the characters, leading to discussions about casting. The casting director’s input, sometimes aligning with our vision and sometimes offering new perspectives, helped refine our choices. Initially, we cast Vijay Varma, Arvind Swami,

Our research, which included interviews with passengers, crew members and the captain, revealed that not all five hijackers were seasoned terrorists. Two of them were inexperienced rookies, one was particularly dangerous and one was a last-minute addition to the group

Kumud Mishra and Manoj Pahwa. As the script developed, we added Dibyendu Bhattacharya, Kanwaljit Singh, Naseeruddin Shah and Pankaj Kapur. I’m grateful they agreed to be part of this project. Workingwith them is an honour and it feels like pure serendipity.

You got Pankaj Kapur and Naseeruddin Shah togetherin a film. They’ve worked together after years, how was it directing these stalwarts?

The last time Naseeruddin Shah and Pankaj Kapur worked together was in Maqbool I’ve known them both for many years, Naseer bhai since my college days and Pankaj bhai from 2004. This longstanding relationship made working with them easier and less intimidating. It’s not just about these two; the entire cast, including Aditya Srivastava, whom I first worked with in 1993 and Dibyendu Bhattacharya, whom

I admire, added to the experience. Working with such a talented group felt like being in Jurassic Park, exciting and a bit overwhelming. It was a great experience, and having so many talented actors meant ensuring everyone’s contribution was valued. Overall, it was the most blissful time I’ve had on the set in 30 years.

What’s your process on picking a script, instinctive or formula based?

No, no, no. If there was a formula, then we would have done something else. It’s instinctive. Suddenly

something turns in your stomach and says, yeah, let’s make this one.

What’s next in the pipeline? I’m working on several large-scale projects that will have a strong voice. These films will be both visually striking and substantial, serving as effective vehicles for the ideas I want to convey.I haven’t worked on music, visual effects or action in a while. Those elements are making a return in my projects. One of the exciting new projects is a superhero film. Overall, I see these endeavours as a fresh evolution in my filmmaking career.

IC 814: The Kandahar Hijack

ON A ROLL

Raghav Juyal

FROM KILL TO GYAARAH GYAARAH, RAGHAV JUYAL TALKS TO AAKANKSHA NAVAL-SHETYE ABOUT HIS SUCCESS SPREE ON THE BIG SCREEN AND THE OTT

2024 has been an exceptional year for Raghav Juyal. After shocking audience with his villainous turn in the thrilling actioner Kill, the actor unveiled yet another facet to his screen persona with his copact in Gyaarah Gyaarah. The Guneet Monga produced OTT series on ZEE5 Global has Raghav play a traumatised police officer who while solving a crime over past timelines is also dealing with inner conflicts. The actor admits that the two projects have indeed been game-changers for him and showcased him beyond hixs hosting and dancing skills! In a candid interview, we talk to the actor about his recent projects and also reel choices post their success!

14 years in the industry and 10 in Bollywood, 2024 has turned out to be very special first with Kill and now Gyaarah Gyaarah on ZEE5 Global…

Yes, it’s been very exciting. Especially now with the series, it’s very intriguing, exciting and mystic! When I started reading the script, I couldn’t stop myself, it questions your own existence to be honest. The entire concept of existence with regards to the time as we know is questioned and done so interestingly. It just blew my mind, and it’s got that ‘mishran’ of mystery, thriller, crime, drama, romance, so all in all everything that a series should have. And it’s very captivating that holds you from the first episode itself.

The series is the official adaptation of the Korean series Signal, so have you watched the original?

No I haven’t. And I chose not to watch it and my director told the other two actors also to not watch it because they were watching it or I think they were about to watch. But I chose not to, because I didn’t want to get influenced by it. I really wanted it to be individual and rooted in a new perspective. Because if I see it, I won’t be able to imagine ahead of it but when I’m reading something I can imagine and go any way with it. And that will keep it fresh and individual. So I avoided watching it.

You’re playing a cop in it!

Yes, a traumatised cop, with lot of past baggage. He’s driven

by guilt. He questions the police, and his seniors, the policing and the system and yet he is so sensitive and vulnerable. So it was challenging for me and it took a toll on my mental health too. Matlab main pagal ho gaya tha, last day choda, maine uss character ki costume nikali, aur rahat ki saans li because it was so depressing. Playing this character was crazy.

So this character is nothing like you?

Yes absolutely. It was

a very challenging character for me to play.

So what made you do this? Just the fact that it is nothing like me. There would not have been any surprise factor if I had not performed the way I performed in Kill and then 11-11. If I had performed with mediocrity to be honest, I would have come and gone. But because these were challenging characters, I got to work harder on them. It is very important to give that surprise element

because people have seen my journey since the beginning as a host, a dancer. They know me. They’ve seen me on TV. And it is difficult to break your stereotype unless and until you totally kill it.

Which cop characters have you enjoyed watching on screen?

The cop I like the most on screen is I think Jaideep Ahlawat Bhai from Paatal Lok, and Om Puri Sahab from Ardhya Satya. Because those cops had something… they were very character driven cops. In Ardh Satya, he was going through his inner conflicts. So these inner conflicts are also a huge draw besides them being police officers. They become more human. Even Delhi Crime

It’s more relatable and real! Yes, relatable, but more than that they broke the stereotype and then they delivered something deeper and more impactful.

With the success of Kill and Gyaarah Gyaarah, the spotlight has moved on to you. Is it going to make you rethink all the projects coming your way now?

Yes, suddenly a whole lot of doors have opened after Kill and suddenly a lot of filmmakers want to meet. But I am very good at saying ‘no’ and bohot pyaar se mana kar deta hu agar mujhe kuch pasand nahi aaya. So I want to be particular in choosing scripts like I did with these two projects. I really want to be a part of great cinema and great films that people will remember even after my death. So I really want to be part of these projects

I CONSIDER MYSELF LIKE NATUREUNPREDICTABLE. SOMETIMES SUNNY, SUDDENLY ITS TOOFANI. SO, I AM LIKE NATURE AND I BELIEVE THAT I HAVE EVERYTHING IN ME.

and yes, now I will be more conscious and aware of these choices.

What do you do to switch off from one character and prep for the next?

I go back to my hometown and enjoy time with my friends. I go back to my Dehradun life and just be there. It’s like the best break to prepare from ground zero!

If you were given a choice to travel back in time and probably change something, what would you want to change?

Production of plastic. I would just go back in time and find all the research on plastic and I would have burnt it.

What about your own timeline?

I don’t regret anything, I love what I did. I even love my mistakes because they worked as

my teacher. My failures and everything I have accepted. But if I could I would go back and avoid this injury and surgery during a football match, because I got hurt and sometimes it still pains. So I would go back and just be like don’t go to that match which I went for. I would do that.

You surprised us with your villainous turn in Kill and then this cop now. What more is there to Raghav that we don’t know yet?

I consider myself like nature - unpredictable. Sometimes sunny,

suddenly its toofani. So, I am like nature and I believe that I have everything in me. I have all the mausams, saare navras, you know the Indian method of acting. So I like to tap into my own emotions and explore myself. But romance, I want to do romance for sure. Like Tamasha, something like that.

What about romance in real life? Are you a romantic at heart or realistically romantic? I am realistically romantic. Not Bollywood romantic,

but I’m realistically romantic and I would like to show people that I can also do romance on screen.

Is there a wish list of directors?

A lot of them. Richie Mehta is there who did Delhi Crimes. Shoojit Sircar is there who did Piku. Anurag Kashyap is there, Imtiaz Ali is there. Nagraj Manjule Sir and Reddy Vanga sir. Sab tarah ka buffet laga hua hai yaha to. Agar tumhe dream karna hai hi to failao apne dreams!

Keeping it Real!

Radhika Madan

FEARLESS IN CHOICES AND SUPER-TALENTED ON SCREEN, RADHIKA MADAN IN CONVERSATION WITH AAKANKSHA NAVALSHETYE TALKS ABOUT BEING SARFIRI ON REEL AND IN REAL AND ALSO MAKES SOME CANDID REVELATIONS

SPUNKY AND SASSY

RADHIKA MADAN HAS PROVEN TO BE QUITE THE FIREBRAND ON SCREEN WITH HER FEISTY ROLES, RIGHT FROM PATAAKHA, ANGREZI MEDIUM TO SAAS, BAHU AUR FLAMINGO, AMONGST OTHERS! INTERESTINGLY, THE ACTRESS HAS ALSO SHOWCASED HER VERSATILITY WITH EQUALLY IMPRESSIVE PERFORMANCES PLAYING ROMANTIC AND EMOTIONALLY-DRIVEN CHARACTERS LIKE IN SHIDDAT AND MOST RECENTLY THE AKSHAY KUMAR STARRER SARFIRA. AS THE YOUNGEST JURY MEMBER IN EMMY AWARDS, THE GORGEOUS STAR HAS BEEN MAKING HER MARK INTERNATIONALLY TOO AND HER STYLE STATEMENTS TOO GRAB EYEBALLS EACH TIME. NOT YOUR CONVENTIONAL HEROINE ON SCREEN AND FEARLESS IN HER CHOICE OF ROLES, SHE IS VERY REAL OFF SCREEN TOO! CANDID AND FUN, SHE HAS NO QUALMS IN ADMITTING THAT SHE LOVES WATCHING HERSELF ON SCREEN AND CONFESSES TO TEAR UP ON SEEING HER NAME IN THE CREDIT ROLLS TOO! “IT IS SPECIAL EACH TIME, EVEN AFTER SO MANY YEARS,” SHE REVEALS WITH A REFRESHING HONESTY – A RARITY IN B-TOWN - AS WE INDULGE IN A CANDID CHAT WITH THIS DILLIWAALI AT HEART AND COME AWAY IMPRESSED. EXCERPTS FROM A HEARTFELT TETE-A-TETE

YOUR PERFORMANCE IN SARFIRA HAS GARNERED A LOT OF APPRECIATION, WHAT’S THE HEADSPACE LIKE?

I’m feeling extremely grateful. A lot of love is pouring in and every day I wake up, I’m like ‘wow! is this really happening?’ So yes, really overwhelmed and extremely grateful.

YOU HADN’T DONE A MOVIE IN THIS SPACE, SO WHAT’S BEEN THE BIGGEST TAKEAWAY?

It’s just that the character was so fiery, so empowered, clear, and believing in the dream… sarfiri! I think she reminded me about a part of

myself that I’d forgotten. So I think that was my biggest takeaway - being reminded of who I actually was.

TELL US MORE ABOUT THIS AND WHAT IS THE REAL RADHIKA LIKE?

It changes. It’s so weird, it just changes with every project. Like I have to like rediscover who I am because you take away a few things from the character unknowingly and you give something so I’m like a different person almost like every year I would say, but the core is like somebody who is

very driven, very hungry, passionate, sensitive and sarfiri.

YOU’VE PLAYED SUCH FEISTY PERSONAS IN A LOT OF YOUR MOVIES… IS THAT HOW YOU REALLY ARE?

I do speak my mind, though I don’t know if I’m as direct like how Rani is or other characters are but I do give it back. I mean little sensitively, I frame my words pretty well in a conflict and that is something that I’ve learnt over the years, but yeah, I don’t just take it lying

down. If something has hurt me or if there is something that I found rude, I would call it out right away, like ‘what do you mean?’

YOU HAVE BEEN NAILING THE FASHION SCENE TOO, ESPECIALLY YOUR LOOKS AT INTERNATIONAL APPEARANCES HAVE BEEN MUCH LAUDED! SO WHAT’S YOUR PERSONAL STYLE LIKE…

It depends how I’m feeling on that day. Honestly. But usually it’s just this, like

a kurta and jeans perhaps. For public appearances, I do like wearing power suits. It’s a part of my personality. Just going for it.

YOU’VE NOT MADE THE MOST CONVENTIONAL CHOICE OF ROLES AS A BOLLYWOOD HEROINE. WHAT HAS BEEN YOUR CRITERIA TO SAYING A YES TO A MOVIE? I just want to live different lives. I always ask myself like why acting and it’s because I get

THE ROLE NEEDS TO SCARE THE HELL OUT OF ME. IF I’M SCARED, IF I GET THAT THOUGHT THAT HOW ON EARTH WILL I BE ABLE TO DO THIS, I’LL MAKE SURE I DO THAT PROJECT. THAT HAS BEEN MY CRITERIA SINCE A WHILE NOW. LIKE IT JUST NEEDS TO SCARE ME, IT NEEDS TO SCARE THE DIRECTOR AND THE PRODUCER KIYEHTO NAHIKARPAYEGIYAKAISE KAREGI.

bored with one life. So, when I’m offered a similar role or a similar life, I am like I’ve done that. I get bored. What’s next? So the role needs to scare the hell out of me. If I’m scared, if I get that thought that how on earth will I be able to do this, I’ll make sure I do that project. That has been my criteria since a while now. Like it just needs to scare me, it needs to scare the director and

the producer ki yeh to nahi kar payegi ya kaise karegi. So it’s just that I need to feel scared, I need to be interested, on my toes and that it just needs to be different from what I’ve done before. That is it.

HOW HAVE YOU NAVIGATED THE UPS AND DOWNS, THE CURVES ALL THROUGH THE JOURNEY, BECAUSE SOMETIMES THOUGH THE PERFORMANCE IS APPRECIATED, THE FILM DOESN’T CLOCK IN THE NUMBERS AT THE BOX OFFICE…

I used to get work basis on that. So I didn’t take it very seriously. I was like ki haan ye to pata hi hai ki ye kuch alag area hai jo chalta rehta hai. But now over the years I’ve realised the importance of it. It matters. It is important. But again, it is something that’s not in my hands. So I try to focus on things which are in my hands which is my craft, my ability to value things. So today, I do understand how important box office is, but mera expertise bhi nahi hai, mere haath me bhi nahi hai.

SO THURSDAY NIGHTS AHEAD OF THE RELEASE, ARE THEY LIKE SLEEPLESS NIGHTS OR ARE YOU COMFORTABLE, THAT WHATEVER HAPPENS WILL HAPPEN?

See you get an idea about your performance because screenings usse pehle ho jaati hain. So you get an idea and I’m mentally prepared. But I do focus on the reviews. I do focus on finding areas where I can work on, can improve my craft. The film’s overall success has so many factors involved, so I’m stressed for my producer, I’m like “all the best, my job is done. I hope it works out” (laughs). But as an actor, my commitment, my sincerity is out there a 100 per cent. I give my best, where I’m expected to, but I won’t lose sleep over what’s not in your hands.

ARE YOU CRITICAL OF YOUR OWN WORK?

Honestly, ignorance is bliss. Because I’m not from the industry, I didn’t know how big of a deal box office was. It used to sound fancy when I started out ki haan theek hai but the biggest takeaways for me were that my performances were being appreciated, because that was the aspect that was in my hands as an actor. Rest I can’t control, but my performance I can. And

You know it might sound like… I don’t know… But I love watching myself on screen (laughs). I love it. I sit at every screening. My producers are like, ‘you’re watching this film for the 7th time’ and I’m like ‘yes I know! I never thought I’ll get to be on screen.’ So it’s a high for me. Whenever I read my name, especially at the family and friends screening, my parents are sitting beside me, so whenever my name

I LOVE WATCHING MYSELF ON SCREEN (LAUGHS). I LOVE IT. I SIT AT EVERY SCREENING. MY PRODUCERS ARE LIKE, ‘YOU’RE WATCHING THIS FILM FOR THE 7TH TIME’ AND I’M LIKE ‘YES I KNOW! I NEVER THOUGHT I’LL GET TO BE ON SCREEN.’ SO IT’S A HIGH FOR ME. WHENEVER I READ MY NAME, ESPECIALLY AT THE FAMILY AND FRIENDS SCREENING, MY PARENTS ARE SITTING BESIDE ME, SO WHENEVER MY NAME COMES, I CRY, I TEAR UP AND I’M LIKE HIDING MY TEARS… BECAUSE I’D NEVER IMAGINED I’LL REACH WHERE I HAVE.

comes, I cry, I tear up and I’m like hiding my tears and then I look to my left and my mother is crying and my father is sitting and he’s crying and I’m like ‘oh! We can do this n number of times’. So it’s just the thrill of watching yourself and just being amazed at the fact that main kaise yaha tak pahunch gayi. It doesn’t hit me before that… So jab maine Vishal ji (filmmaker Vishal Bhardwaj) ke saath kaam kiya, ya Irfan sir ke saath kaam kiya, ya abhi maine Akshay sir ke saath, Vasudha ma’am ke saath kaam kiya, mujhe kabhi hit nahi karta. It sinks in when I watch the trailer or the screening and then I’m like ‘wow, I really did work with them!’ Mera sabun slow hai, realise karne wala (laughs).

WHAT DO YOU DO TO KIND OF DESTRESS OR WHEN YOU ARE INBETWEEN PROJECTS?

I head to Delhi. I just spend time with my family, my childhood friends, my cousins and that’s it. My brother just had a baby, so I’m a bua now, so I just spend time with them. And that’s when I actually live my life and I grow the most. And I get centred and

then I’m ready to bounce back again so I make sure then whenever I’m feeling like all over the place, I make sure that I go back to Delhi and spend time with family and then come back to work.

OF ALL THE ROLES THAT YOU HAVE DONE, WHICH ONE HAS BEEN THE MOST CHALLENGING?

Yaar har role me hi bhot mehnat ki hai. Because I take roles that would scare me, so these are also roles that make me push the envelope and work harder. Like in Pataaka where I had to even clean the buffaloes and learn how to do those chores as a village girl, and then in Angrezi Medium I worked on the dialect. For Shiddat I did learn swimming, so sometimes it’s the physical aspect that challenges you. For Mard Ko Dard… it was martial arts, for Sarfira it was the Marathi. I’m a Delhi girl, so a lot of people have also said ‘ki yeh kaise marathi play karegi’. So that was challenging and I loved it, I did prep a lot with my dialect coach for like 2-3 months and got the accent, the body language, and had fun. So every character is challenging I would say. I just wish I could for once play a Delhi girl and have a blast and not do anything, but I’ve never been offered a Delhi ka role yaar (laughs). It’s so weird that people call me Dilliwaali, par mujhe Dilli wala role nahin dete!

THAT’S ACTUALLY QUITE IRONICAL!

Yes that would be a bit of a comfort zone for me, but while

I’m talking to you, it’s actually making me realise, why haven’t I been offered a role of a Delhi character yet!

WHAT’S HAPPENING ON THE PERSONAL FRONT?

Life is great. Like I just said, my brother’s had a baby, so I’m busy being the cool aunt. That’s all what’s happening on the personal front.

HOW ROMANTIC ARE YOU? WHAT’S THE WAY TO WIN YOUR HEART?

Oh! I’m extremely romantic as a person. I love love. And I do appreciate qualities like empathy, sensitivity, passion, drive, and kindness. And that is it. I think there are the things that are really attractive.

SHIDDAT WAS QUITE A LOVE STORY… DID IT MAKE YOU CRY?

Of course I did, I cried while performing the scene, I cried while watching the film, I’m a big crier. I cry almost like every day, agar kuch hota hai toh. Main acchi baaton pe ro deti hu, buri baaton pe bhi ro deti hoon, I’m very emotional as a person. Very softy!

WHAT KIND OF A ROLE IS ON YOUR WISHLIST NOW?

Oh I really want to play an antagonist now. A really layered antagonist. Like a Joker. I really want to play that because I’ve been told “shakal badi bholi hai” so I just want to use that. But I really hope filmmakers see me as that. I really want to do something like that. I think I can do a great job at that.

HAVE CROSSED

1,000,000 WE HAVE CROSSED DAILY LISTENERS 1,000,000* PLAYING YOUR HITS CELEBRATING OUR NUMBERS!

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THE WHAT, WHERE, WHO IN THE CITY

DUBAI SCOPE

WHO:

ANNU KAPOOR

WHAT:

VETERAN ACTOR ANNU KAPOOR WAS IN DUBAI TO LAUNCH HIS NEW RADIO SHOW. SEEN HERE WITH AAKANKSHA NAVAL-SHETYE AND RADIO PRESENTER RONAK KOTECHA

WHAT: WHO:

VIJAY VARMA

COVER STAR VIJAY VARMA MET TEAM FILMFARE MIDDLE EAST AS HE UNVEILED THE SEPTEMBER GAME-CHANGERS ISSUE OF FILMFARE MIDDLE EAST AND IN AN EXCLUSIVE CONVERSATION HAD THEM IN SPLITS AS HE MADE SOME FUN AND WITTY REVELATIONS

PHOTOGRAPHY : YASIR ARAFAT

WHO:

MR RIZWAN SAJAN & MIKA SINGH

WHAT:

POPULAR SINGER MIKA SINGH DROPPED BY AT THE DANUBE PROPERTIES OFFICE IN DUBAI WHERE HE MET MR RIZWAN SAJAN

MR RIZWAN SAJAN

FOUNDER AND CHAIRMAN OF DANUBE GROUP - MR RIZWAN SAJAN; VICE-CHAIRMAN OF DANUBE GROUP - MR ANIS SAJAN WITH MRS RUBINA SAJAN; DIRECTOR OF MILANO - MR SAHIL SAJAN AND DIRECTOR OF CASA MILANO - MR AZHAR SAJAN AT THE GROUNDBREAKING CEREMONY OF THEIR NEW MOSQUE THAT WAS ALSO ATTENDED BY SENIOR OFFICIALS OF DANUBE GROUP, AS WELL AS OF NATIONAL INDUSTRIES PARKAND GENERAL AUTHORITY OF ISLAMIC AFFAIRS AND ENDOWMENTS (AWQAF). THIS IS THE SECOND MOSQUE BEING CONSTRUCTED BY THE SAJAN FAMILY.

BOSCO MARTIS

BOSCO MARTIS BROUGHT THE HOUSE DOWN WITH HIS HOT ‘TAUBA TAUBA’ MOVES AS WE CAUGHT UP WITH THE ACE CHOREOGRAPHER. EXCLUSIVE INTERVIEW COMING UP SOON!

PHOTOGRAPHY : YASIR ARAFAT

Putting the in SPOOKY S

ONAKSHI SINHA & AQIB SALEEM

SONAKSHI SINHA AND SAQIB SALEEM ARE A RIOT TOGETHER –ON SCREEN AND OFF IT – FINDS AAKANKSHA NAVAL-SHETYE IN A CANDID CHAT WITH THE KAKUDA CO-STARS

There’s a great comfort and an easy camaraderie that’s palpably visible between Sonakshi Sinha and Saqib Saleem as we settle in for our exclusive interview with them. The two recently co-starred in ZEE5 Global’s horror-comedy Kakuda that also stars Riteish Deshmukh and has been directed by Aditya Sarpotdar. The fun banter speaks volumes of their friendship, but also their command over the craft as actors. While Saqib has shown his mettle with projects like Bombay Talkies and 83, Sonakshi’s been riding the high wave with Dahaad, Heeramandi, but moreso, personally with her marriage to Zaheer Iqbal. In a candid and fun conversation with the two we decode their cinema language and get the inside scoops on their experience of their first ever horrorcomedy. Excerpts

WITH KAKUDA, BOTH OF YOU EXPLORED THE HORROR-COMEDY GENRE FOR THE FIRST TIME AND CONSIDERING THAT YOU ARE FRIENDS TOO, HOW MUCH FUN WAS IT SHOOTING FOR IT?

Sonakshi: It was great fun actually. I’m someone who doesn’t even watch horror films kyunki mujhe raat mein neend nahi aati. But I decided to step out of my comfort zone and go for it with this and I’m glad I did because

I had a real fun time shooting for Kakuda. Saqib: Oh, we had great fun! Yaar hum saare na bohot bakwas karte hain ek saath baithke. We would make like a chokdi in the evening, all four of us, all the actors, because we would have time between takes. So, I just got to hang out with such lovely people to be honest. I had a great time, so

many stories, fun anecdotes, from all these guys. From Sona, from Riteish (Deshmukh), from Aasif (Khan), Aditya (director Sarpotdar). Aditya had so much to share. And especially when you’re making a horror-comedy, you do get to talk about horror experiences, “…ki pata hai humne ek kahani suni hai…” Then we would start playing games

with each other, we would come up with random situations and questions, so lots of fun. It’s a film that I will remember very fondly because of all the memories. I got to work with Sona for the first time, we’ve been friends for long, but never got to work together so I got to do that. I started respecting her a little more after I’ve worked with her. I’m like ‘Arey! She’s a good actor, a very good actor!’

Sonakshi: Thanks! I try (laughs).

Saqib: But jokes apart, it’s been a very enjoyable experience. We’ve just had so much fun, while making this film and the film in itself lends to those fun moments too.

BECAUSE BOTH OF YOU HAVE BEEN SUCH GOOD FRIENDS FOR A LONG TIME NOW, AS ACTORS WOULD YOU NEED EXTRA TAKES BECAUSE OF THAT NATURAL GOOFINESS FRIENDS SHARE?

Saqib: No. Sona

would always take lesser takes than me. She was always on point! I’m like how can you do this in one take or two takes! It takes a while to warm up and all, but she was on point always.

Sonakshi: We’re good friends, but we are better actors. I would like to think so!

Saqib: Very competitive actually. We’re very competitive actors!

AND WHAT IS THE ONE THING THAT SURPRISED YOU ABOUT SAQIB?

Sonakshi: That he was just really easy to work with. In fact, we’ve been friends for so long…

Saqib: You thought I would have tantrums?

Sonakshi: I don’t know, I just thought it’ll be difficult because like we anyway have so much fun, so I wondered how it would be on the sets! But it was actually quite

smooth and quite easy so that was surprising. Pleasantly surprising so I’m glad that we’re able to work together nicely and hopefully we do a lot more work together too.

FIRST DAHAAD, THEN HEERAMANDI, AND IN THE PERSONAL SPACE, YOUR MARRIAGE… SONAKSHI, WHAT’S THE HEADSPACE? I’m feeling great actually. It’s been a great year for me with the love and appreciation that is coming from Heeramandi, and then with Kakuda on ZEE5 Global. And I’m very excited about this one also because this entire team that we’ve worked with, it’s been an absolute pleasure. We’ve had such a fun time shooting this film and for me what’s most important is really the memories that you create while you’re at work. I think that’s what stays with you and it was a fantastic experience, so yes, I’m just in a happy space professionally

and personally.

WHAT IS THE ONE THING THAT WILL STAY WITH YOU FROM THIS MOVIE APART FROM THE FUN THAT YOU HAD?

Saqib: There’s a shot of Sonakshi with those lenses, you get a very quick glimpse of… Sonakshi: Ayeee, nobody could tell that’s me, you silly!

Saqib: Arey, that’s you, people are not blind Sona…

Sonakshi: Oh, but it was just here…

Saqib: Aapki aankhein na pure Hindustan ne bahut ghoor ghoor ke dekhi hui hain, so sirf aankhon se hi log pehchan lete hain. Toh I think vo image mere dimaag me rahegi jab bhi main Kakuda ke baare mein sochunga… Sonakshi: ‘Mast Mast Do Nain 2.0’ (laughs).

DID IT TEMPT YOU GUYS TO TRY OUT A OUIJA BOARD OR SOMETHING LIKE THAT ON SETS?

Saqib: No, itna dum kisi mein nahin tha, we were shooting at a lot of dingy scary locations, we didn’t want to go that way.

Sonakshi: And most of them were night shoots.

Saqib: We have seen that in such movies, people are acting and then suddenly they encounter real ghosts or have some paranormal experience. So, we didn’t want to do that.

IF YOU COULD INTERACT WITH A GHOST, WHOSE WOULD YOU CALL FOR A CONVERSATION?

Sonakshi: No, I wouldn’t want to!

Saqib: Why would

I want to call ghosts, mujhe insaano mein vaise bhoot dikhte hain to bhooton ki kya zarurat hai. I think bhooton ko bhooton ki tarah rehna chahiye, unse zyada milna milana nahi chahiye (laughs). Sonakshi: Yes, may their soul rest in peace.

YOU’RE PLAYING FAREEDAN AND REHANA IN HEERAMANDI ON ONE HAND AND PLAYING INDIRA AND GOMATI IN KAKUDA ON THE OTHER, SO IS IT EASY FOR YOU TO KIND OF SWITCH BETWEEN CHARACTERS COMPLETELY OR DO YOU LIVE THE ROLE A LITTLE LONGER THAN WHEN THE CAMERA IS ON?

No, it’s actually very easy for me. I think that I’m a very switch-off switch-on kind of person and an actor. And I thrive in that. You know it’s just something that’s my thing, moving from one character to a drastically different one altogether. I really enjoy doing that and that’s what keeps me going as an actor as well. And I never take my work home. So, I’m that character on set from the 8 to 8 shift or whatever and then I leave it there when I leave the set. So, for me it’s actually quite easy and I prefer working like that.

HAS THERE EVER BEEN A FEAR OF BEING TYPECAST?

No, it’s been a really conscious effort to do roles that are different from each other. So, I’ve not had that problem. Even if I have been offered, I decline saying that I just did something in

FOR ME THE EXPERIENCE HAS BEEN FANTASTIC. MUJHE MAZA AAYA. SO, I THINK IN TOTALITY I’VE COME OUT OF THAT EXPERIENCE FEELING VERY RICH.

that space and I don’t want to be repetitive by doing that so soon again. So, you have to maneuver your way through that if you want to do different things.

SAQIB WHAT’S BEEN THE TAKEAWAY FOR YOU FROM THIS MOVIE OR THIS CHARACTER?

I don’t know if there’s been a takeaway from the character, but from the experience, I’d say that it is

important to make your experience more fun and work with like-minded people. And I got to do that with all of them in this. Not only Sona, I think Riteish, Aasif, Aditya, we just all wanted to make a fun film from day one and everybody seemed very invested in making this, so the journey for me has been very exciting with these people and everybody’s a different energy and

everybody brings in something of their own which was very exciting for me to see. There is Riteish who’s done comedy as long as I remember comedy. He’s been a pro at it, he understands that. There’s a director who specializes in this genre. Sona’s worked in this industry for 15 years… Sonakshi: 14… Saqib: Haan 14 yaar! And the other actors, we had Aasif in the

film who’s a very celebrated actor digitally, he does a lot of work. Last you saw him in Panchayat. So, I had different people really at the top of their game and their respective spheres, and I was just the big chunk of the jigsaw. Like everybody brought their own thing, I brought my own. And just the synergies matched. For me the experience has been fantastic. Mujhe maza aaya. So, I think in totality I’ve come out of that experience feeling very rich.

WITH A THEATRICAL RELEASE, THERE’S A CERTAIN KIND OF EXCITEMENT, BUT WHEN THE REACH IS MUCH LARGER OVER AN OTT, HOW’S THE EXCITEMENT DIFFERENT?

Sonakshi: I think the excitement is still the same because you’ve done the exact same kind of work that you would for a theatrical over an OTT release. As an actor, I mean you’ve done the job. And we’re just happy that it’s getting a global audience with ZEE5 Global and reaching that many more people. So, that’s amazing because we get to be in so many people’s homes and entertain that much more audience. So, excitement is still very much the same.

Saqib: I feel like the excitement is more when you do stuff on OTT, there’s a lot about the film that is written, there’s lot of comments and you tag more. So, I feel it will be more exciting if not anything else.

I’M SOMEONE WHO DOESN’T EVEN WATCH HORROR FILMS KYUNKI MUJHE RAAT MEIN NEEND NAHI AATI.

SONAKSHI SINHA

Packing in A PUNCH

ACCLAIMED ACTOR ANJUMM SHHARMA TALKS TO AAKANKSHA NAVAL-SHETYE ABOUT HIS GAMECHANGING ROLE AS SHARAD SHUKLA IN MIRZAPUR

One of the most interesting equations in the battle of power for dominance in the blockbuster OTT series Mirzapur 3 was the one witnessed with its key player Sharad Shukla aka Anjumm Shharma. The popular actor whose character’s screen death left fans shocked now finds himself surrounded by a multitude of fan theories about Sharad Shukla’s return in the next season of the Prime Video series. “When fans don’t want to let go of the character even after its death, that is quite the compliment for any actor,” says Anjumm, as we catch up with him in Mumbai. A theatre actor at core, Anjumm’s journey to fame and popularity has been slow and steady, but rewarding with projects like Slumdog Millionaire, Wazir, Made in India, Sultan of Delhi and now Mirzapur on his platter. Thrilled with the appreciation and love he continues to get for his impactful and layered character, “abhi to bas shuruaat hai,” he tells us in a candid chat as we also discuss his passion for the art and craft of cinema and the power dynamics of the OTT

Anjumm Shharma

MIRZAPUR MATTERS

While Anjumm is known for his impactful performances in several films and series, it is with Mirzapur and then Sultan of Delhi that his popularity surged with the audience at large. “Yes, Mirzapur has been quite the game-changer. Like the response I have been getting from the fraternity as well as the audience has been very overwhelming. Whenever Mirzapur releases, there’s so much of euphoria and excitement because the audience is already connected to the show and that connection leads to anticipation. So, right from the release date to the bingewatching, then the success reflecting through the social media engagement, it’s phenomenal. And often we don’t realise the magnitude when we are in Mumbai,

but when you visit other cities, like I was in Delhi, Benaras and a few other places up North and you see the feedback and love for your character, it is then that it all truly sinks in,” says Anjumm. The popularity of the series has undoubtedly surpassed expectations and the actor admits that from the next season’s release date to fan theories, the excitement just doesn’t stop! “Yes, I have been inundated with fan theories suggesting Sharad Shukla’s return to the show and it’s heartening to know that we could take this character of an underdog and develop him into something so layered, dynamic and impactful that he will be missed,” he adds.

DECODING SHARAD SHUKLA

And what’s his take on the character getting a spinoff considering Sharad Shukla still has a lot of interest invested in it?

“Now that you say it, why not! There’s definitely a lot more than can be explored be it his relationship with his father, the power dynamics between them and the Tripathis, Sharad’s own transformation from wanting to be an engineer to being in the race of becoming a Bahubali

This concept is very popular in the West, but we’ve not had an entity so big that could lend to a spin-off. But with Mirzapur that’s definitely possible!” Are there any similarities between him and Sharad Shukla? “I think we both have a lot of thehraav in our personalities. I don’t overanalyze as much as he does, but we are not impulsive and frivolous, so that’s common.

MEASURE OF SUCCESS

What started as just another character, Sharad Shukla went on to make quite the impact in the show as Anjumm portrayed each layer with a finesse and an effortless ease on screen, capturing and translating every nuance of the character effectively. Point it out and Anjumm credits it largely to the makers. “I think more than a pat on my back, it is the vision of the makers that helped the character arch develop. Me getting appreciated is one thing, but when the audience started seeing him from an underdog to a hero, that’s the real win! What it does to me as an actor is that it assures me that I have made the right choices.” Explaining further, he adds, “As an actor I can go as deep as the scope of the character allows me to and I can push that, but the credibility of the work will only come when it translate into audience and eyeballs! A show has to land right for it to work for you. So like

post Wazir, I realized the importance of the reach. Experimenting as an actor kaam tab karega jab ussey koi dekhega! You do a strong role, a good performance but what’s the point if they don’t get watched only. And it does happen that sometimes your work gets appreciated but the show or film is not received that well on a mass level and if it’s not translated to a wider audience then no matter how good a performance it is, it doesn’t get spoken about and it doesn’t translate into next work. But the success of this level just assures that you are on the right track. Mirzapur landed right with the audience. It’s been 12 years and you get something credible like this series that has a deep penetration in the audience pool. So, yes, there has been a major change in how the world sees you.”

POST MIRZAPUR

So, have the kind of offers changed and has the journey become easier post the success of Mirzapur? “It feels exactly like a videogame, you complete one

level, there’s a sense of victory, achievement, but then it is immediately followed by the next level. So, you don’t stay there, you begin the

strive for the next level. And it’s almost like a new start all over again, but now there’s definitely an upgradation, a level up!” shares Anjumm. Talking about the struggles to bag the right role, he elaborates, “This work is very opinionbased and people come with pre-conceived notions. Plus, you only can choose from what’s

being offered and you make the most of it. But there’s a balance in the work you do of what you are convinced and work you do because you have to run a house too! It is challenging as it’s my only source of income, but having said that I would never want to dilute my exclusivity and thankfully, I’ve managed to just keep leveling up with each role.

ACTOR CALLING ACTOR

Are you drawn to complex characters? “I feel actors who come from a theatre background often get drawn to a thinking space when it comes roles and characters and the moment you start your journey with the character you are only thinking about building the entire arch and a graph. So, a role role that lets you build a certain character graph, I think we fit there better more organically.” As for the films that have defined his choices and passion for acting, Anjumm reveals that its films like Maqbool, Haider,

Omkara,Johnny Gadar, Haasil that he associated with the most during his early theatre days and was drawn towards this strain of cinema. “So, that intense hunger to explore a complex, heavily layered character was somewhat satiated with Mirzapur And now this is done, there’s a hunger to do something different too, something lighter like I did in Sultan of Delhi. That part was very flamboyant, over the top and needed to be played with a flair and I really enjoyed that space a lot! Now I want to do an out-and-out comedy!”

OTT SENSE & SENSIBILITY

“I think the dynamics are really interesting, but the math is not mathing up quite yet,” laughs Anjumm. Explaining it, he says, “Definitely the long format is having more diversified opportunities, so dedicatedly things can be made for an actor and is content-driven and that’s great for actors. Like it has proven that each character can have its own audience and that fanbase here is not exclusively limited or owned by an A-lister alone. So, it gives a good actor a certain respectable standing. But

somewhere the market players are getting bigger which means that the A-listers are now in the same race. It is like the Box Office, earlier the niche films stood out amongst the massy entertainers. But now all films are niche, so the bars will have to be raised. Again there are chances that market viability will be given primary importance over content. So the dynamics are getting interesting and while we are moving at a good speed, the direction is yet undefined.”

QUICK FIVE

WHEN NOT FACING THE CAMERA

I watch a lot of interviews to know a person’s journey, you get to learn so much from them.

FAVOURITE CONTEMPORARY FILMMAKERS

Vishal Bhardwaj, Zoya Akhtar, Amar Kaushik

SHOWS YOU’D RECOMMEND EXCEPT MIRZAPUR Mare of Easttown, Game of Thrones, 3 Body Problem, Dark, Friends

CHARACTERS YOU’D HAVE LOVED TO PLAY

Chandler Bing, Irrfan Sir’s role in Haasil, Rocket Boyz

ONE CHARACTERISTIC OF SHARAD SHUKLA YOU WANT TO IMBIBE

To analyze thoroughly before reacting

Raising the Bar

Aparshakti Khurana

FROM STREE 2 TO BERLIN, APARSHAKTI KHURANA TALKS TO AAKANKSHA NAVAL-SHETYE ABOUT BEING AT HIS VERSATILE BEST

After being a part of one of the biggest hits of 2024 – Stree 2 - Aparshakti Khurana is already onto the success of his highly acclaimed spy thriller Berlin on ZEE5 Global. The film that has been celebrated at several film festivals sees him play a sign language expert for which he even underwent a 2 month workshop. After showcasing his versatility in films and web-series like Dangal, Stree, Dhokha, Jubilee, Bhediya, Luka Chuppi, amongst several others, the actor has once again nailed his role in the latest outing. We caught up with the actor for an exclusive interview and in a candid chat Aparshakti talks about his choice of roles and also reveals why he won’t settle for playing a role he doesn’t believe in.

FIRST STREE 2 AND NOW BERLIN ON ZEE5 GLOBAL, WHAT’S THE HEADSPACE LIKE AFTER BACK-TO-BACK SUCCESSES?

I think it’s a great year and I’m very happy to be able to do so many different things in one year itself. Both the films are in such different spaces and both enjoyed their own audience too.

BESIDES THE FANTASTIC RESPONSE ON THE OTT, BERLIN HAS BEEN VERY WELLRECEIVED AT SEVERAL FILM CIRCUITS TOO…

Absolutely. And it’s very heartening to see the film being celebrated at such prestigious festivals. Also with ZEE5 Global, the film has reached an international viewership and connected to a far wider audience worldwide.

YOU’RE PLAYING A SIGN LANGUAGE EXPERT. Yes, Isharon me baatein kar raha hu, isharon mein

WAS IT VERY CHALLENGING OR DID IT COME EASY?

Definitely not easy! Rather this was the other way around, ki itna kuch kar liya bade maze maze mein, ye kaafi mushkil wala hai so let’s try to put our best foot forward and I think undergoing two months of workshops to learn the sign language really helped.

TELL US MORE ABOUT BERLIN. THERE’S RAHUL BOSE, THERE’S ASHFAQ SINGH… HOW WAS YOUR EXPERIENCE WITH ALL OF THEM?

It’s not often that you come across films which are perfectly cast, perfectly written and they have a sense of purity in them. And I would like to believe that the

film we have all created together, it’s a film which requires certain kind of seriousness, certain kind of efforts, certain kind of love and respect from people around, it really deserves that.

THE ENTIRE FAMILY SEEMS SO TALENTED - HOSTING, ACTING, SINGING, WHAT IS IT THAT YOU DO NOT DO?

Wow! Things I don’t do? I don’t take rest very properly. Meri biwi mujhe daanti rehti hai ki so jaaya karo time pe. Something I don’t do? On a serious note, I really want to learn how to play the sitar. I think there are so many interesting instruments out there to learn. So there are a lot of things which I don’t do. Playing the sitar is one of them.

YOUR JOURNEY SINCE DANGAL ESPECIALLY, HAS BEEN PRETTY INTERESTING IN THE SENSE THAT IT’S BEEN SLOW BUT IT’S STEADY. AND YOU ARE RAISING THE BAR EVERY YEAR. WHAT HAS BEEN THE GAME CHANGER, YOU WOULD SAY?

The game changing part of my life would be when I shifted from Delhi High Court to a radio station. That was a game changing decision. Since then I’ve never thought of it ever as work or that I’m going to work. It’s just been following my dream, a passion… So that has been gamechanging for me. As far Dangal is concerned, I think it really put me on the map. Because of Dangal, a lot of people noticed me, my work and touchwood, life has been good ever since.

WHEN YOU DO SOMETHING LIKE A JUBILEE, WHICH I THOUGHT WAS ABSOLUTELY ONE OF THE FINEST SERIES AND YOU REALLY PEAKED THERE, AND THEN THERE ARE OTHERS LIKE STREE, IS THERE A CONSTANT CHANGE IN THE KIND OF OFFERS THAT COME YOUR WAY?

First of all, thank you so much for the amazing compliment for Jubilee. Yes, after Jubilee a lot of better scripts and makers have reached out and

I can see a shift in the kind of makers who want to make films with me. But having said that, I haven’t really changed my processes at all. I still function the way I used to function, I’m still you know, as an artist wanting to do things differently and different kind of roles. And that’s what I’m looking forward to.

THE SERIOUS PARTS ARE CHALLENGING. BUT COMEDY IS ALSO SERIOUS BUSINESS. SO I WOULDN’T CALL ANYTHING EASY. BUT HAVING SAID THAT, COMEDY MAKES YOU RESONATE MORE WITH THE AUDIENCE AND THE INTENSE, REAL, HARD-HITTING STUFF, THE FRATERNITY RESONATES WITH IT MORE.

IS THERE ONE GENRE OVER THE OTHER THAT COMES EASIER OR IS A PREFERENCE? LIKE ON ONE END THERE’S STREE 2 AND THEN THERE’S BERLIN!

Nothing is easy. The serious parts are challenging. But comedy is also serious business. So I wouldn’t call anything easy. But yeah, having said that, comedy makes you resonate more with the audience and the intense, real, hard-hitting stuff, the fraternity resonates with it more.

WHAT HAS CHANGED IN APARSHAKTI FROM SAY, 2016 TO NOW?

I don’t think that I’ve changed at all. I’ve only maybe become better at it. I don’t know. but otherwise if you see the way I function, I haven’t really changed at all.

LOOKING BACK HAS THERE EVER BEEN A TIME WHERE YOU’VE HAD TO KIND OF COMPROMISE FOR A ROLE EVEN IF YOU’RE NOT CONVINCED, BECAUSE YOU NEED TO KEEP IT GOING?

No, I haven’t really picked up a role for the heck of it. I normally pick up a film where I can really feel proud of that I’ve been a part of such cinema in our country and moving forward also I would like to believe that I function like this itself.

WHAT ARE YOUR UPCOMING PROJECTS?

I have just finished a very interesting film called Badtameez Gill, it’s a story of a dysfunctional Punjabi Gill family where Paresh Rawal Sir and Sheeba Chadda Ma’am become the parents and me and Vaani are the bhai-behan and it’s a complete mad-house starting from Bareilly, ending in London.

ANY PROJECT WITH AAYUSHMANN?

Not yet, but there are a couple of things in the pipeline.

Long home! way

TAHIRA KASHYAP TELLS SUMAN SHARMA THAT SHE DOESN’T BELIEVE IN COUNTING THE MILESTONES AS HER JOURNEY IS A DESTINATION IN ITSELF

Tahira Kashyap is not a bra-burning feminist. Her brand of soft feminism is something you can connect with. She believes in mutual respect and mutual growth amidst mutual harmony. She understands that due to familial concerns and motherhood duties, a woman’s career might take a backseat but she doesn’t believe in being a martyr to these realities. After a long gestation period, her labour of love, Sharmajee Ki Beti finally bore fruit and was released on OTT. Though Tahira would have been happier if it had a theatrical release. She narrates the genesis of her maiden effort as a director and also takes us through her life’s journey in this captivating interview. Excerpts:

What was it like when your film Sharmajee Ki Beti was shown for the first time at the MAMI Mumbai Film Festival and it garnered a lot of appreciation? I was nervous at the MAMI film festival. When the film received a standing ovation, I was bewildered. The most beautiful part was that not only

women but also men were appreciating it. Each character in the film has become a favourite of someone or the other, which is a win-win situation for me. Despite taking seven years to complete, the film still appears relevant and fresh. Unfortunately, the issues that were pertinent seven years ago remain relevant even today.

So, as a society, how much have we truly progressed?

All the women in this film struggle with selfworth. Have you also faced similar challenges? Certainly. After the film’s release, I received both positive and negative tweets, which made me doubt myself. However, I counselled myself and disregarded the

negative comments, reminding myself that I had done a good job and had given it my all. Selfdoubt isn’t exclusive to women; men experience it too, though they may be adept at concealing it. Women tend to be more vulnerable and open about their emotions. Yet vulnerability isn’t weakness; it’s a mode of expression. A fleeting moment in one’s day that doesn’t define me. If I experience a

breakdown, it doesn’t define me; it’s simply a passing phase.

You often address inequality, whether through film, poetry or your opinions. Indeed. I come from a progressive background; my father was a news editor and my mother was a vice principal. In our home, gender inequality was never discussed. When my

mother went to work, my father would prepare me for school, meticulously oiling my hair and tying it into a ponytail. I grew up assuming all families functioned similarly. It was only when I visited friends’ homes that I realised not all men supported their wives. At the age of 13, I was incensed. Why wasn’t my mother at home, and why was my father handling household duties? It was then I realised I’m a feminist, though initially, my expectations were solely from my mother.

What’s your definition of feminism?

Equal love, respect and dignity for all genders, regardless of one’s sexual identity. Every human being deserves equal pay, rights, respect, and dignity. Often, feminism is made into a larger issue without recognising that it’s rooted in behaviour.

You relocated from Chandigarh to Mumbai with Ayushmann. Do you believe there’s loneliness in metropolitan cities? When I first arrived in Mumbai, I

How much effort have you and Ayushmann put into achieving equality in your relationship?

Ayushmann hails from a patriarchal family devoid of sisters. Fortunately, we met in college, where he saw me as a student and during my theatre days. Given our shared interests, we frequently crossed paths. Having shared a bench, he understands that he isn’t entitled to more than me. We encourage open conversations at home, a luxury many couples lack. Women should never settle for less; they deserve equality.

In fact, we deserve more… Absolutely. Biologically, I bear children. How can we equitably divide this process? Men don’t have to navigate pregnancy or hormonal fluctuations. They’re governed by testosterone, a constant throughout the month. Women endure numerous bodily changes, yet they must maintain a composed demeanour in professional settings to avoid losing opportunities. While I champion feminism, I recognise that complete equality is impractical. I believe I deserve more than

what’s currently afforded. How well does Ayushmann understand you as a woman?

Ayushmann has come a long way since college, particularly after we welcomed our daughter. Understanding the opposite gender requires continuous learning. I’m also striving to comprehend men— their complexes, insecurities, joys, and aspirations. Communication is key; both parties must converse openly.

What’s the secret to your successful marriage?

Every relationship encounters ups and downs, with its fair share of arguments. Effective communication and mutual respect are crucial. Love fluctuates but respect should never waver. When mutual respect diminishes, the relationship falters. Every individual deserves respect and dignity.

As a mother of a son, what message would you like him to grasp about his interactions with women?

Having a sister, my son knows how to behave well with women. I treat my children equally. Disparity shouldn’t exist. While he may not experience inequality at home, he may encounter it elsewhere. Patriarchy often stems from the belief that men inherently deserve more. Millennials must model equitable behaviour to shape the next generation. Once, my son Rajveer asked why Ayushmann’s career flourished while mine had only just begun. I could have been offended. But instead, I explained that my choices

allowed him to exist and ask such questions. Life offers perspectives and he’s free to choose his own. I emphasised that homemakers too can achieve success.

Both you and Ayushmann are intellectuals and artistes. Do creative clashes often occur? We do have our disagreements. But we respect each other’s choices and value personal space. Mutual respect enables us to explore our creativity without interference. Despite our occasional disagreements, we maintain a deep-seated respect for each other’s choices and cherish our individual personal space. This mutual respect serves as a cornerstone, allowing us the freedom to explore our creativity and pursue our passions without any sense of intrusion or hindrance. It fosters an environment where we can thrive independently yet come together harmoniously, appreciating each other’s unique perspectives and contributions.

What message do you wish to convey to husbands, boyfriends, brothers, sons and male bosses?

Respect and cherish the women in your lives. Encourage them. This is vital for men. Patriarchy is deeply rooted across generations and resides in our DNA memory. Everyone benefits when men support women’s empowerment. n

Sharmajee Ki Beti

With Ayushmann, son Virajveer and daughter Varushka

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A TIME TO KISS AND KILL

Emraan Hashmi may have been an industry insider but he tells Suman Sharma that he’s become increasingly detached as time goes by

Emraan Hashmi is no longer a serial kisser. He’s no more into fluff and is concentrating more on substance. He was praised for his villainous role in Tiger 3 and is now earning accolades as a grey-shaded character in the OTT show, Showtime. He’s the perfect casting for the show as being an industry kid, he knows the ins and out of the profession. His sessions with uncles Mahesh and Mukesh Bhatt must have opened his eyes to the day-today travails of a filmmaker. The series is said to be full of insider winks and nods and offers plenty of goss to the discerning viewer. And Emraan seems to be enjoying himself playing a second generation film producer, keeping the viewer guessing about his character’s motives at every turn. Excerpts from a tete-a-tete with the actor who is finally free of sobriquets.

You’ve portrayed a grey character in Showtime.How are villainous roles evolving nowadays? Raghu isn’t the sole grey character in the series. If you observe closely, there are no black and white characters; they’re all shades of grey. Even those who initially seem whitewashed in the first four episodes may surprise you. Present-day audiences disdain squeaky clean, unidimensional characters. We all possess shades of grey and sometimes engage in actions deemed unethical, yet concepts like redemption and remorse exist. No one’s life follows a singular path of righteousness, a reality mirrored in films and shows.

Why did it take you five years to

undertake an OTT project post Bard Of Blood?

Timing is crucial. For me, the script’s quality tailored to my abilities matters most. It’s not that I haven’t received offers but none were groundbreaking. When Karan Johar presented the opportunity to join Showtime, it piqued my interest. Having been an insider for the past 20-25 years, I’ve witnessed the audience’s enduring fascination with Bollywood’s magnetic allure. Bollywood, akin to cricket, holds a religious status in our country. Thus, my decision to participate in this show stemmed from the fact that there would be much to do in it and I’d be adding to it in more ways

RAGHU ISN’T THE SOLE GREY CHARACTER IN THE SERIES. IF YOU OBSERVE CLOSELY, THERE ARE NO BLACK AND WHITE CHARACTERS; THEY’RE ALL SHADES OF GREY

than one.

Do you consider yourself fortunate, having encountered fewer struggles, being an insider?

My background in film certainly provided me with a foothold in the industry. Growing up in a family entrenched in Bollywood, I was exposed to the inner workings of the business from a young age. This undoubtedly smoothed my path into acting. However, it’s essential to recognise that even with these advantages, success in Bollywood is never guaranteed. I still had to prove myself as an actor, win over the audiences and navigate the complex web of relationships and politics that define the industry.

Your views on nepotism in the industry?

Whether it’s producers casting their own children or star kids getting preferential treatment, nepotism is an ever-present reality. But it’s important to recognise that nepotism isn’t unique to Bollywood; it exists in various forms across all industries. However, where it becomes problematic is when it hinders the advancement of deserving individuals who lack those familial connections. The challenge for the industry is finding a balance between honouring tradition and creating a level playing field for all talent. Don’t forget that I started out as a character actor in my debut film, Footpath (2003). And then when people became aware of my potential, I started getting lead roles. So everyone has their own bit of struggle.

Are you a more secure actor than most, given your industry background?

Insecurity is an intrinsic part of being an actor, regardless of one’s background or level of success. It’s easy for outsiders to assume that industry insiders like myself have it all figured out. But the truth is far more nuanced. The pressure to perform, the constant scrutiny from both the audiences and the critics, the uncertainty of where the next opportunity will come from—all of these factors contribute to a pervasive sense of insecurity. And while experience may temper some of these anxieties, it never truly eradicates them. At the end of the day, what matters most to me, as it does to any actor, is connecting with the audience and earning their acceptance. It’s a continual process, one that requires vulnerability and resilience in equal measure.

What in your view are the good and the bad aspects of the film industry?

The best thing about the film industry is that it’s always been a secular space. Individuals from diverse cultures, religions and ideologies have always come together to entertain audiences. However, like any industry, it has its share of challenges. There are some misconceptions about the industry and all I can say is, don’t write off the whole crop because of a few bad apples. Such issues exist in every sector. Currently, there seems to be a stagnation in the types of commercial films being produced, They lack innovation in storytelling and character portrayal. Filmmakers are hesitant to take risks. They are still sticking to conventional narratives, failing to break new ground or introduce fresh perspectives. Look at the South industries

and the OTT space. They are flourishing because the players have realised they have to take risks and do new things. How do you handle criticism?

When I first entered the industry, especially the initial five years, criticism really got to me. Sometimes, critics’ reviews felt overly personal. They’d focus less on critiquing the craft and more on attacking me as a person, which didn’t seem fair. However, over time, I’ve learnt to cope with it. I’ve come to realise that everyone has their own perspective. I’ve grown accustomed to the fact that not everyone will appreciate me, and that’s okay. Some will resonate with what I do, while others won’t. And I’ve learnt to accept that.

They say reinvention is the key to an actor’s longevity... When it comes to reinventing myself as an actor, much of the transformation occurs at the script level. However, as an actor, I also bring my own touch of imagination to the table. With each character, I step into a new life, navigating through unique dynamics, stories and genres. Ultimately, it’s about the conviction I bring to the role that allows me to truly reinvent myself. It’s a process of honing the skill set required to authentically showcase this fresh persona on screen.

After 20 years in the industry, how do you motivate yourself? My motivation stems from the fact that I strive to offer my audience something fresh and unexpected each time they see me on screen. Whether it’s exploring diverse genres or delving into

unique stories, I aim to keep them intrigued by mixing things up. I know there’s a certain appeal to characters who are brash and rebellious. I’m keen on embodying those qualities in various narratives, albeit with a fresh twist each time. Moreover, I’m drawn to roles that present a challenge and carry a slight risk. It’s those uncharted territories, those characters I’ve never portrayed before that truly excite me. There’s a thrill in stepping into the unknown, in pushing the boundaries of my abilities and surprising both myself and the audience.

You recently offered relationship advice at a press meet... What I’ve said then and what I’m reiterating now is that in any marriage, a little compromise is inevitable. When your intention is to build a life together that lasts, anything is possible. The vows Parveen and I exchanged when we were getting married, those promises still hold true in our relationship even after 17 years. Respect is paramount in any partnership. It’s essential to understand what you want from your partner and vice versa. Everyone’s perspective is unique and disagreements are natural. However, it’s how you navigate these differences that truly matters. I’ve found that communication is key. Talk openly about your needs, desires, and expectations. Listen actively to your partner’s perspective and be willing to compromise. Remember, it’s not always about being right; it’s about finding a common ground and making things work together. n

MY BACKGROUND IN FILM CERTAINLY PROVIDED ME WITH A FOOTHOLD IN THE INDUSTRY. GROWING UP IN A FAMILY ENTRENCHED IN BOLLYWOOD, I WAS EXPOSED TO THE INNER WORKINGS OF THE BUSINESS FROM A YOUNG AGE

Celebrating Elegance & Empowerment

Alish Apparels shines at Mrs. India Middle East Season 2

A Fashion Extravaganza

As the exclusive clothing partner, Alish Apparels showcased exquisite designs that highlighted each contestant’s elegance and individuality, featuring a blend of contemporary gowns and traditional attire.

The grand finale of Mrs. India Middle East Season 2, organized by Media Waves and powered by Danube Properties, was a stunning celebration of beauty and empowerment.

A Platform for Empowerment

More than just a beauty pageant, Mrs. India Middle East empowers married women to showcase their talents. With Alish Apparels leading the fashion, the event reinforced the transformative power of elegance and self-expression, inspiring women to embrace their strength and shine in their communities.

Ms Shabnam Nissar Kassam FounderofAlishApparelandDirectorofthe Danube Welfare Center

Ms. Shabnam Kassam with contestants