WORKS ON PAPER
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NEW YORK FINDLAY GALLERIES
BOLOTOWSKY / BROWNE / EDMONDSON / FERREN / GRILLO / LANDFIELD
MIHANOVIC / ONSLOW-FORD / RAUH / RICHENBURG / BOLOTOWSKY
EDMONDSON / FERREN / GRILLO / LANDFIELD / MANN / MIHANOVIC
RAUH / RICHENBURG / BOLOTOWSKY / BROWNE / EDMONDSON / LANDFIELD / MANN / MIHANOVIC / ONSLOW-FORD / RAUH
BOLOTOWSKY / BROWNE / EDMONDSON / FERREN / GRILLO / LANDFIELD
MIHANOVIC / ONSLOW-FORD / RAUH / RICHENBURG / BOLOTOWSKY
EDMONDSON / FERREN / GRILLO / LANDFIELD / MANN / MIHANOVIC
RAUH / RICHENBURG / BOLOTOWSKY / BROWNE / EDMONDSON / LANDFIELD / MANN / MIHANOVIC / ONSLOW-FORD / RAUH
BOLOTOWSKY / BROWNE / EDMONDSON / FERREN / GRILLO / LANDFIELD
MIHANOVIC / ONSLOW-FORD / RAUH / RICHENBURG / BOLOTOWSKY
EDMONDSON / FERREN / GRILLO / LANDFIELD / MANN / MIHANOVIC
RAUH / RICHENBURG / BOLOTOWSKY / BROWNE / EDMONDSON / LANDFIELD / MANN / MIHANOVIC / ONSLOW-FORD / RAUH
BOLOTOWSKY / BROWNE / EDMONDSON / FERREN / GRILLO / LANDFIELD
MIHANOVIC / ONSLOW-FORD / RAUH / RICHENBURG / BOLOTOWSKY
EDMONDSON / FERREN / GRILLO / LANDFIELD / MANN / MIHANOVIC
RAUH / RICHENBURG / BOLOTOWSKY / BROWNE / EDMONDSON / LANDFIELD / MANN / MIHANOVIC / ONSLOW-FORD / RAUH
BOLOTOWSKY / BROWNE / EDMONDSON / FERREN / GRILLO / LANDFIELD
MIHANOVIC / ONSLOW-FORD / RAUH / RICHENBURG / BOLOTOWSKY
EDMONDSON / FERREN / GRILLO / LANDFIELD / MANN / MIHANOVIC / RICHENBURG / BOLOTOWSKY / BROWNE / EDMONDSON
2
WORKS ON PAPER
Findlay Galleries, New York, is pleased to present its Works on Paper & Multiples exhibition this summer. The selection features drawings, prints, and paintings by gallery artists including John Ferren, Robert Richenburg, Leonard Edmondson, and Ptolemy Mann. Intricate designs and details that can only be achieved through these mediums will highlight the importance of the delicate process of creating art on paper. The artists’ styles vary from abstract to realistic, but each work showcases individual talents and unique approaches to creation in these important mediums.
3 THREE CENTURIES IN ART PALM BEACH • NEW YORK
FINDLAY GALLERIES
165 worth avenue , palm beach , florida 33480 • (561) 655-2090 32 east 57 th street , 2 nd floor , new york , new york 10022 • (212) 421-5390 WWW.FINDLAYGALLERIES.COM
NEW YORK
Copyright © 2023, Wally Findlay Galleries International, Inc. All rights reserved.
SUMMER EXHIBITION
Untitled (Paris), 1936 | watercolor on board 13 1/2 x 10 in. | FG© 140580
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John Ferren
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Color Abstract #5, Beirut, 1964 | watercolor & crayon on paper 11 1/4 x 9 1/4 in. | FG© 140589
John Ferren
Zvonimir Mihanovic
“... It is as if time stands still... like those rare moments that are fixed in our psyche, from childhood and from nature... moments that invoke but also symbolize a long-gone happiness, a care-free existence, another world and life, free of the chaos of modernday living.”
– Duško Kečkemet
Art critic and Professor of Art History, Split, Croatia
Serenity in Croatia: Zvonimir Mihanović, Forbes Galleries 2013
Morning Symphony lithograph on paper
34 x 34 1/2 in. | 88/100
FG© 116842
3
Mayan Woman I, 1942 | india ink, watercolor and crayon 13 7/8 x 11 in. | signed lower | FG© 205625
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Byron Browne
Untitled WOP #3, 1998 | gouache and ink 11 x 8 in. | signed lower | FG© 205868
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Leonard Edmondson
Untitled A7488, 1929 | gouache on paper 8 1/4 x 7 in. | FG© 207488
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John Ferren
Untitled, 1950 | casein tempera on paper 26 1/8 x 20 in. | FG© 140868
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Byron Browne
Ilya Bolotowsky
"Nowadays, when paintings torture the retina, when music gradually destroys the eardrum, there must, all the more, be a need for an art that searches for new ways to achieve harmony and equilibrium."
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– Ilya Bolotowsky, 1974
Untitled, 1970 screenprint in colors on wove paper
25 7/8 x 34 7/8 in. | 1/125
FG© 141023
Ptolemy Mann
When did We Become So Afraid of Beauty (Future Bright), 2020 watercolor, acrylic, gouache on Arches paper | 39 3/4 x 26 in. | FG© 140744
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Ptolemy Mann
When did We Become So Afraid of Beauty (Magenta Spectrum), 2020 watercolor, acrylic, gouache on Arches paper | 39 3/4 x 26 in. | FG© 140745
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Untitled 17, 1947 | watercolor on paper 23 1/2 x 18 in. | signed lower | FG© 206001
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John Grillo
Balance and Freedom, 2012 | acrylic on paper 30 x 22 in. | FG© 139966
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Ronnie Landfield
Byron Browne
the roots of abstraction could be found in the natural world, and as such, abstraction could not be separated from life itself. He saw abstraction as an extension of the physical world, rather than generated by spiritualism.
– Robert Knott, 1999
The Coming Storm, 1954
casein tempera and ink 20 x 26 in. | signed lower FG© 205185
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Gordon Onslow Ford
Abstraction in Yellow, 1964 | casein on paper mounted on cardboard 22 1/4 x 30 in. | FG© 140186
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Robert Richenburg
Reckless, 1950 | oil on paper 15 x 18 in. | FG© 140785
Untitled XVIII, 1969 | tempera on paper 17 7/8 x 22 7/8 in. | FG© 206714
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Leonard Edmondson
Gordon Onslow Ford
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Swarm of Hearts, c.1950 | casein on mulberry paper mounted on canvas 41 7/8 x 31 7/8 in. | FG© 140195
Please contact our galleries for inquiries, acquisitions and consignments. Palm Beach (561) 655-2090 palmbeach@findlayart.com 165 Worth Avenue Palm Beach, Florida 33480 New York (212) 421-5390 newyork@findlayart.com 32 East 57th Street, 2nd Floor New York, New York 10022 WWW. FINDLAYGALLERIES . COM THREE CENTURIES IN ART FIND L A Y GA LLER I E S 18 7 0 ES T T H REE CE N T U R I E S IN A R T FINDLAY GALLERIES
