ABN 64 379 540

You’ve made a name conducting Wagner and have conducted a complete Ring Cycle. Can you remember when you were first drawn to Wagner and what it is about his music that attracts you?

Oh, I remember it vividly. I was attending a theory class at the Conservatorium, and the teacher that evening put the prelude to Tristan and Isolde on the record player.

I will never forget it. I was just completely overwhelmed by this music. I’d never heard anything like it, so that was the beginning of the journey. And that journey involved learning German, learning a lot of lied because great romantic German opera has all its roots in lied singing and in the text from the great German poets. It involved years of study both at the keyboard, playing, rehearsals, conducting rehearsals and fortunately then at a relatively young age beginning to conduct all these works myself. I conducted Dutchman when I was 33 and Tristan, Meistersinger, and Siegfried when I was still only 34. That’s incredibly young for all that repertoire, so by the age of 40 I had conducted all of them, including full Ring Cycles, and then I just kept building on that. There must be a parallel with Shakespearean actors who do all the historic plays. It’s a lifetime of development. As you get older your understanding gets deeper and more profound and you continue to develop. And the fascination never fades. It’s probably about time I did another Ring Cycle sometime soon.

Another lap around the Wagner pool…

Another lap, exactly. And the amazing thing about Wagner, despite the length of the operas, an awful lot of people who have no operatic experience whatsoever will find themselves completely fascinated by him and find the span of the work no challenge whatsoever…

It’s like their minds expand to fit it!

Exactly, and so I’m doing Parsifal next Easter in Paris with the lovely Simon O’Neill, and I’m anticipating that very much that because it will be about six years since I did my last Parsifal and it feels like it’s time to reinvestigate that score. So, I’m looking forward to that and I imagine there will be some Wagner in the future, down the track in Sydney.

One last question then. Because music is so all-encompassing for you, do you ever listen to music for relaxation or do you just like silence? Because there’s music in silence as well…

There is music in silence. Silence is not an acoustic vacuum. Silence has substance, but yes, I do sometimes listen to some popular music for relaxation. Sometimes I’ll be in the mood to listen to some chamber music. I very rarely listen to anything that is in my repertoire, because that then falls into the work category, and I cannot detach myself from it. I’ll find myself focusing on a particular singer or on a particular structure by a conductor or whatever, so it becomes more analytical. But if it’s a work I don’t know, then sometimes, but if it’s in a genre or style that I work within then it’s not relaxing for me.

You can’t switch off.

I can’t switch off, but if it’s chamber music of the kind that I don’t play, or if it’s some jazz, or some pop music… If we’re on a road trip, I always let my daughters make the playlist!

I’m very grateful for your time.

Volunteer Spotlight Vicky Zhang

Pamela Newling talks to programmer and presenter Vicky Zhang

Volunteer involvement with 2MBS Fine Music had a long lead time for Vicky, who has recently become the Wednesday presenter of Breakfast, which as many listeners know, is an excellent way to start the day! Her first association with the radio station came via the Young Virtuosi Program in 2007. The experience of performing on-air as a candidate prompted her to think that this was a community worth being involved with. Vicky says that she has been “blown away by the sheer level of dedication shown by this community of music lovers, and it’s great to be finally part of it!” Now a classically trained cellist and aspiring secondary music teacher, Vicky says: “In the last few years I’ve been focusing on trying out things I didn’t have the headspace for as a full-time cello student.” These included moving to Japan to teach English to high school students for a year, and training at 2MBS Fine Music. Vicky attributes her love of music to listening to a lot of ballet music, thanks to her dad, who comments, “she’s a fan of any music you could dance to…” A stand out experience for Vicky was as a student at the Australian National Academy of Music, performing as part of a cello octet celebrating Kathryn Stott’s appointment as Festival Director of the Australian Chamber Music Festival in 2018. Vicky explains: “The cello octet was a shout-out to Kathryn Stott’s collaboration with Yo-Yo Ma. Listening to his recordings was my introduction to the cello, so the performances we did in Townsville in honour of that collaboration were all very special to me.” As for the challenges of presenting, Vicky mentions staying calm when things don’t go exactly to plan and learning to accept when mistakes happen. “The show must go on.”

Illustration by Lyndon Pike

The cello octet was a shout-out to Kathryn Stott’s collaboration with Yo-Yo Ma. Listening to his recordings was my introduction to the cello, so the performances we did in Townsville in honour of that collaboration were all very special to me.

She also says: “I used to find it difficult to relate to contemporary music, but my views have totally changed as I’ve found that there’s usually a fascinating story behind a lot of modern compositions. As a presenter, it’s exciting to be able to share these discoveries with listeners on-air.” It really is all about the music. Vicky’s current ‘relaxation’ is learning to play the piano and recorder for fun!

Fine Music Breakfast, Wednesdays 6.00-9.00am

High Five – Lloyd Swanton

Barry O'Sullivan interviews The Necks’ bassist, Lloyd Swanton.

Lloyd Swanton is a bassist, a record producer, and band leader. He co-founded The Necks, an Australian avantegarde jazz trio, in 1987 with Chris Abrahams and Tony Buck. Their double LP studio album Unfold was named by Rolling Stone magazine as ‘one of the top twenty Avant albums of 2017.’ The band has won two ARIA awards for the albums Drive By (2003) and Chemist (2006), and they have received the inaugural Richard Gill Award for Distinguished Services to Australian Music at the 2019 Art Music Awards.

I recently pitched these five pertinent questions to Lloyd who was my special studio guest recently.

How did the band formation come about?

Towards the end of eight months of intensive classical bass tuition and orchestral playing in London in 1985/86, I had reached the conclusion that western classical music was not for me. I felt a powerful urge to have more of my own input into what music I played. Whether or not I would have even had the requisite skills to hold down an orchestral gig, I couldn’t see myself doing that for the rest of my life.

Round about this time, I happened across Christopher Small’s seminal book Music Society Education, and it totally turned my head around. I got really carried away by the idea of making music for which the only consideration was to be ‘in the moment’. A year after returning to Sydney, I called pianist Chris Abrahams with my idea for a trio. He was right into it, and we instantly decided Tony Buck was the ideal drummer. Initially we were quite determined that we were never going to perform in public – simply because we wanted our music to take form in a greenhouse, without the influence of an audience. Eventually, after about six months of intensive workshopping, we accepted an invitation from the Sydney University Music Department to perform at one of their afternoon winter concerts in the Old Darlington School and we lost our innocence. Ironically, something that started out with such modest scope has now become known around the world.

What did each member bring to the project to contribute to its unique sound?

Chris Abrahams has a sense of texture and timbre on the piano and other keyboards that is utterly unique. His playing reminds me of the famous quote about Ornette Coleman, that ‘he plays the way he does because nobody ever told him you can’t play that way!’ He treats the piano as a sound-generating machine and has a fully formed concept within that framework. The Necks would never sound the way it does with a more ‘romantic’ pianist.

Tony Buck is just as individual with his incredible, tireless questing to conjure new textures out of the drumkit and small percussion, and such a thinker about new ways for the three of us to combine our contributions. He’s also an amazingly imaginative guitarist, an instrument which he never uses live with us, but you can hear on most of our studio albums since about 2006.

The other thing that sets these two lads apart is their incredible stamina. They are both virtuosos, but it is a virtuosity that is entirely about generating density for aesthetic reasons, never for showing off skills.

As for me, you’d better ask the other guys, but I have always striven to treat the double bass as a very simple propulsive element. Virtually another drum, with a few more pitch possibilities. A giant thumb piano. The double bass doesn’t have the facility of the piano or drumkit and I think it’s a fool’s errand to try to be up there on the same level as them. I feel if I set up the groundwork, any changes I make will have all the more impact for the fact that they occur over such a simple base.

The band has toured internationally and gained a solid reputation. What were some of the initial challenges with this and what are some of the gratifying moments you’ve experienced as a group?

For us it was easier than for many other Australian ensembles because early in the band’s life, Tony went to live overseas. First in Tokyo, then Amsterdam, and finally Berlin, where he’s been settled for nearly 30 years. So he was our man on the ground in Europe, getting his own name as an improvisor, and establishing great rapport with concert promoters there. Eventually we set up our first run of seventeen European dates in 1998 and it was a great success. Then we just had to chip away at it relentlessly for twenty years, and that’s what we’ve been doing. Most years since ‘98 we’ve toured Europe at least twice, as well as increasingly frequent and successful tours of the USA.

We also had to deal with the fact that thirty years ago, a band with no repertoire prepared, that just got up and improvised on the spot before an audience for an hour or more, was really strange, and quite confronting for some people. Some audience members were certain it was a joke. But gradually things changed – trance and dance also started doing long tracks that just sat on a groove forever, and we didn’t look so weird then. Plus nowadays with the internet, no matter where we play in the world, most audience members have already checked us out online.

As for highlights, it’s hard to say. For starters, I have the sort of personality that quickly forgets my achievements in the striving for the next mountain top! I pat myself on the back when we have a great response, and then honestly, two nights later, I’ve almost forgotten it. We’ve played so many wonderful venues, from small art spaces to concert halls both ancient and brand new (the Concertgebouw, the Elbphilharmonie in Hamburg), funky squats, cathedrals, jazz clubs… Sometimes the most memorable shows have been in intimate spaces to small crowds. We’ve had some great collaborations, with Underworld, Brian Eno, conductor Ilan Volkov getting entire classical orchestras improvising behind us, shows with Chris Abrahams on pipe organ, opening for Swans, Nick Cave and the Bad Seeds, the incredible Food Court theatre show…

We were also deeply gratified to receive the Richard Gill Award for distinguished service to Australian music in 2019. That one really made us proud, I can tell you.

How would you best describe your sound and what are some of its specific musical influences?

I’m fond of saying that humans play music in order to express things that can’t be expressed verbally, so unsurprisingly we all often run into difficulty trying to describe musical styles. There’s no single term that satisfactorily covers us, and I’m quite chuffed to be occasionally seeing our name checked as a stylistic reference for other bands now. We’re free improvisors, we’re sometimes groove, there are trace elements of jazz, we’re hypnotic… All these terms have relevance, but none is the full story.

As for influences, you’d have to look back to what we were all listening to and studying thirty years ago when we formed the band. Dub reggae, James Brown, Miles Davis’s electric phase, African music, gamelan, classical Indian music were in all our ears. The concept of the band was set in stone fairly early, so then it was a case of doggedly pursuing our own path, which was not hard as it was so clearly marked out. These days our influences are whatever the three of us as individuals are involved in, outside of our activities with The Necks.

What do you see in the future as challenges for the band and for yourselves as musicians?

Nothing’s changed in three decades, and nothing’s going to change now. Every time we get on stage without anything prepared is a challenge, but a challenge that we love. We’ve never had any further ambition for the band than getting on stage and conjuring huge sound worlds out of nothing, and that’s what we are going to do until we’re no longer physically capable of it.

Necks tour dates:

Sun 6 Feb - The Street Theatre, Canberra ACT, Australia Wed 9 - Sat 12 Feb - Utzon Room, Sydney Opera House, Sydney NSW, Australia Mon 14, Tue 15 Feb - WA Museum Boola Bardip, Perth WA, Australia Sat 19 Feb - Adelaide Fringe Festival, Woodville Town Hall, Woodville SA, Australia

Fine Jazz Happenings

The Fine Jazz Commitee previews all that’s happening in jazz for February

Zoonar GmbH / Alamy Stock Photo

Thank you, Maureen – After presenting jazz since 2000, Maureen Meers has decided it is time to hang up her microphone and headphones. Maureen has been a stalwart of the jazz crew over all these years, as Jazz Coordinator prior to the formation of our Jazz Committee, a jazz committee member and secretary, training new presenters, starting the cataloguing of the Fine Jazz CD library, and championing jazz as a core part of Fine Music’s programming. Our sincere thanks go to Maureen for all her contributions including presenting Thursday’s Jazz, Pure and Simple. Her many listeners will miss her style, selections, and her friendly voice over the airwaves. Thank you, Maureen.

Jazz After Noon – Since the beginning of January, midday jazz on Thursdays has a new voice. Sue Jowell will be presenting Jazz After Noon, featuring a similar playlist, from swing to mainstream jazz with regular appearances from the Great American Songbook. Sue has been presenting a regular Sunday night Jazz After Hours, and you may have heard her on Drive, and Music of the Screen. Jazz After Noon stems from her deep love of jazz. We look forward to hearing her take on mainstream jazz on Thursday middays. Classic Jazz – Sunday midday is our time for traditional jazz. Over the years, programs have been presented by the late Dick Hughes, John Buchanan, Maureen Meers, Jeannie McInnes and more recently Dave Mac. This jazz era continues with a slight name change to just Classic Jazz. Dave Mac will be the regular presenter, featuring the traditional styles of jazz, music associated with the 1910s, 20s and 30s, along with more recent recordings in these styles. Highlights for February include Love Songs from the Jazz Age, Lazy Ade and All That Jazz, Ben Pollack in the 1930s and Early Recordings of Fats Waller. All great listening!

Jazz Listener Survey – Our thanks go to listeners who have recently participated in the Jazz Listener Survey. This is giving us a better understanding what you consider our strengths and what you would like to hear. We are still working through the results to share with jazz presenters so that we can give you the best jazz on the dial, with CDs going out to lucky draw recipients. Although the survey itself has concluded, we always love to hear from listeners. So, if you have comments, questions or requests, please go to the [Contact Us] tab on our website and click on Get-In-Touch.

Listening to FineJazz – Don’t forget that you can listen to fine jazz, seven days a week at noon, Mondays to Saturdays at 7:00pm, and late night at 10:00pm on Sundays and Mondays. You can listen to all our programs OnDemand from the 2MBS Fine Music Sydney website. You can also check out our Fine Jazz webspace at 2MBSFineMusicSydney.com/jazz/.

Pushkin, Dargomyzhsky and Don Juan

The Story Behind a Russian Opera By Angela Cockburn

The importance of Pushkin as the outstanding Russian poet (easily on a par with Goethe in Germany) is difficult to appreciate for those of us who don’t speak Russian. But when you look at the wide range of his writing – odes, poems, political verse (which got him into trouble with the Czar), fairy tales, and of course Eugene Onegin – you begin to appreciate his influential place in the literature of his country. His recurring theme of a protagonist at odds with the system, often faced with a choice between duty and happiness, spoke to the hearts and minds of Russian readers. In 1830, stuck in the country all wet autumn, with travel restricted by quarantines due to cholera, in just three months he knocked out three big chunks of Onegin, 30-odd lyric poems, one humorous piece, two mock folk tales in verse, five short stories in prose, a bit of another one, and the four plays now referred to as the Little Tragedies. Around forty-six pieces in 92 days – that’s a lot of work. The four small plays (Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast in Time of Plague) are tight stories in dialogue form. According to recent translator Nancy K. Anderson they each deal ‘with a dominant protagonist whose central internal conflict determines both the plot and structure of the play... though each protagonist could avoid self-ruin, instead he freely chooses it’. They were probably never meant for the stage; but you can’t keep a good composer down when presented with a top-notch libretto, and each of the four tragedies has been adapted for opera. Rimsky-Korsakov tackled Mozart and Salieri; Sergei Rachmaninoff picked The Miserly Knight; A Feast in time of Plague was set by César Cui, and The Stone Guest – a retelling of the Don Juan legend – fell to Alexander Dargomyzhsky, the composer of the highly successful Rusalka.

Album / Alamy Stock Photo

Impressed with Pushkin’s poetic dialogue, he set out to use all the original verses unchanged, as a form of continuous recitative without arias or choruses. He was very pleased with himself for thinking up this daring new musical concept, though he may not have planned for The Stone Guest to be performed in the theatre. Unfortunately, he died before the work was complete. Following his own wishes, the last few lines of Scene One were composed by Cui, and the orchestration was taken on by Nikolai Rimsky-Korsakov, who later revised it, added an orchestral prelude and rewrote a few bits of Dargomyzhsky’s work. This has now become the standard version. Pushkin himself had a reputation as something of a Don Juan. He even wrote two lists of women with whom he had been in love – over thirty of them. (No, not Mille e tre. But still...) He added a cartoon of himself as a monk, with an inscription addressed to the Devil: ‘Do not tempt me needlessly’.

At the Opera, Wednesday 9 February 2022, 8:00pm

Wieniawksi

Wandering minstrel, gambling addict, and 19th century superstar By Michael Morton-Evans

It has been said that when the virtuoso Polish violinist Henryk Wieniawski played his short seven-minute work, Légende, it brought tears to the eyes of the audience. Legend has it, if you will excuse the pun, that it also melted the heart of Englishman George Hampton, who had been violently opposed to his only daughter Isabella marrying the touring violinist. The marriage took place in August 1860 in Paris with Rossini as the witness and Henri Vieuxtemps playing the violin; the bride looked radiant and Mr Hampton had a smile on his face. If the truth be told, the reason Mr Hampton was smiling was because he had forced Wieniawski to take out a 200,000-franc life insurance policy (about $3m in today’s money) and insisted that he find a proper job.

The proper job was court violinist to the Tsar of Russia in St Petersburg, and Violin Professor at the newly-founded Conservatory. He was to exert a tremendous influence on the Russian violin tradition, not least his unusual bowing style of stiff wrist and raised elbow, which was to become known years later as the Russian style. And when he published his Violin Concerto no 2 in D minor his fame as a composer was also secured.

It was inevitable that the young Wieniawski was going to be compared with Paganini. He astounded his teachers at the Paris Conservatoire by playing all of Paganini’s caprices at the age of just nine. At eleven he won first prize for violin and was rewarded by Tsar Nicholas with a Guarnerius instrument when he returned home, Poland in those days being a part of the Russian empire.

Wieniawski’s greatest friend when he returned to Russia after his marriage was Anton Rubinstein, and in 1872 the two of them embarked on a marathon tour of the United States. It’s hard to imagine now, but in those days visiting virtuosi like Wieniawski were treated by audiences in much the same way as Bruce Springstein or Justin Bieber are today. And just like some modern-day pop stars, Wieniawski was given to appearing at his concerts only when it suited him. The result of course was whopping great fines for non-appearances. It didn’t help that at this time Wieniawksi had taken to gambling heavily, as well as making some disastrous investments on the American Stock Exchange. It didn’t help either that Rubinstein’s piano playing garnered far more attention, and eventually the partnership soured.

Luckily Wieniawski was called urgently to go to Brussels to take over the Brussels Conservatory from an ailing Vieuxtemps, but he was himself exhausted and his own health began to fail. He had only been in the job 20-odd months before heart disease forced his resignation, but it didn’t seem to stop him performing. The story goes that at a concert in Berlin, where he was playing his second violin concerto, he had to call for a chair. He tried to continue seated but could not. As luck would have it, Joseph Joachim, another of the great violinists of the time, was in the audience. He borrowed a violin and played some Bach until Wieniawksi was well enough to continue.

Economic necessity forced him to go on playing. He had squandered his money and was well-nigh broke, a discovery that was only made when he was rushed to hospital in Moscow in 1880 following another heart attack. Tchaikovsky’s long-time patron, Nadezhda von Meck, on hearing this, took him into her home, but he died a few weeks later. He had not even reached his 45th birthday.

He left no money or property behind him and just 30 compositions, most of which are still popular with violinists to this day. He also left a daughter, Regine, who was to have a most interesting life. When she was eight, she was introduced to Nellie Melba, who was making her debut in Brussels. It was to be a fortuitous meeting, because in 1901, at the age of 23, Melba introduced her to Sir Aubrey Dean Paul, the fifth baronet and a descendant of the first Duke of Marlborough.

Immediately attracted, they were soon married and Regine became Lady Dean Paul. But she retained the pseudonym Poldowski which she used for her compositions and piano recitals. She was to write many beautiful songs, and it has been said that she had a considerable influence on Debussy.

She divorced her husband 20 years later, but not before she had given birth to three children. The first, a son, died just before his second birthday; the second, a son named Brian, became the sixth baronet, muralist, and opium taker; the third, a daughter Brenda, became a well-known actor, but was better known as a society drug-taker who ended up in Holloway Prison and died of a drug overdose.

Regine herself contracted pneumonia in 1932 and had to have her right lung removed, but to no avail. She died of a heart attack at the age of just 52. And with her the musical Wieniawski line came to an end.

Composer Focus, 15 February 2022

Michael Griffin goes to Chapel

Barry O’Sullivan reports on Michel Griffin’s next gig

The last place that Michael Griffin, former Jazz Artist in Residence at 2MBS Fine Music 2018-19, imagined that he would be playing his saxophone on a Sunday would be in a chapel. After his popular long-standing weekend gig at the Potts Point Hotel was cancelled as a result of the lockdown and live music restrictions, Griffin was pleasantly surprised to receive an invitation for his quartet to play every Sunday afternoon in the Chapel Bar at Kinselas in Darlinghurst, the site of a former chapel and funeral parlour. The building has a long history: in 1932 undertaker Charles Kinsela commissioned young architect Chares Delit to convert it into a funeral home, complete with chapel and mortuary, in a soaring example of the art deco style that would make Delit famous. In 1982 the building was sold to restaurateur Leon Fink, who converted the property into a restaurant and cabaret venue, with the Sydney Dance Company being the first act to perform. However, a decline in patronage finished off the entertainment, and the room was filled with pool tables for many years. In 2021 the building was sold again, and the classic Taylor Square drinking dens Kinselas and adjacent Courthouse Hotel merged into one mega venue, in line with the City of Sydney’s vision of revitalizing Sydney’s nightlife and growing creative industries. Great news for live music, and especially the Michael Griffin Quartet, whose pianist Aaron Blakey, drummer Tim Geldens, bass player Jacob Graham, and sax player Michael Griffin will all be performing at the Chapel Bar between 4.00 pm and 7 pm every Sunday.

And like every Chapel, entry is free.

First Flight to Tokyo: The Lost 1961 Recordings

Art Blakey & The Jazz Messengers Bluenote This previously unreleased recording of Art Blakey & The Jazz Messengers is exhilarating, captured at Hibiya Public Hall, Tokyo, on 14 January 1961. This was the final show of the band’s first-ever tour of Japan, recorded for a documentary that never happened, featuring one of the band’s all-time great line-ups in the long history of Art Blakey & the Jazz Messengers. Joining the legendary drummer Art Blakey were Lee Morgan on trumpet, Wayne Shorter on tenor saxophone, Bobby Timmons on piano, and Jymie Merritt on bass. The two-disc album opens with an explosive Blakey solo, introducing a nearly 23-minute version of Now’s the Time, setting the scene for the groove and sass to come. Highlights include two Bobby Timmons originals: Moanin’, featuring a lyrical Timmons on piano; and Dat Dere, with Shorter’s titanic and raucous blasts, followed by Morgan perfectly parsed blues. Other favourites include ‘Round About Midnight and Night in Tunisia. The album has the thrilling energy that I love about live recordings; a rawness that is absent from highly polished studio performances. And while some tracks or sections are compromised due to the recording quality, it simply invites a deeper listen, or at least headphones, to fully appreciate the virtuosity and verve. — Alex Siegers

The United States Vs Billie Holiday

Andra Day Warner Brothers

Billie Holiday revolutionised the art of singing, during an extraordinarily troubled and tragically short life. Listening to the album, you need to check that it isn’t Billie Holiday singing. Instead, it is Andra Day. She’s got an unnatural quality that she’s brought to the singing of Billie’s iconic songs: strangely throaty; humble. One wonders how Andra was able to not just replicate the sound, but also bring so much pathos to the recordings. Just listening to the tracks induces visuals of Billie Holiday, a gardenia tucked over an ear, junked up, snapping her fingers while she sings, doing the only thing she’s been good at; that voice that’ll retreat again to the rough hands of a dealer or brutal husband, once she’s done singing. The music is good. The performance amazing. There’s a nice piano accompanying all the favourites: All of Me; Strange Fruit; Lady Sings the Blues; Lover Man; God Bless the Child, and more. It is the soundtrack to the film The United States vs. Billie Holiday, originally released by Paramount Pictures and then Hulu, and is worth watching as well.

– Leita Hutchings

The Lost Codex of Avalon

David Yardley David Yardley Music The Lost Codex of Avalon is the most recent release from the medieval music scholar, composer and harpist David Yardley. It draws on sacred and secular texts, often in translation from Middle English, which he has set to music. It comprises a variety of accompanying performers, including Australian ensembles Sydney Chamber Choir, The Song Company and Pastance, as well as a guest contribution by renowned medieval organist, Cristina Alís Raurich. Since childhood, Yardley has been fascinated by medieval legends and culture, and has travelled the world in his quest for authentic medieval song and performance. He has drawn inspiration from the works of Tolkien, and states that this album is an attempt to recreate the lost music of Arthurian legend. In addition, it also includes some musical settings of evocative fantasy poetry and contemporary Australian works, including the poetry of Irish-Australian Anne Casey. The accompanying album booklet provides extensive background information. This disc is a must for all interested in medieval music.

Smoke Sessions

Nicholas Payton Smoke Session Records Nicholas Payton is a young man in a hurry. The multi-instrumentalist made his first record as leader when he was just 22 and now at the age of 48, he can reflect on a catalogue of 20 records as boss, and another twelve as a sideman with heavy hitters like Jimmy Smith and Joe Henderson. He may be even better known as a controversial commentator. His 2011 article On why Jazz isn’t Cool Anymore is still making waves. It also led to his refusal to use the J word, replacing it with Black American Music and setting up his own record label with the same name, BAM. He speaks to a ‘colonisation’ of Jazz by white America. All perfect stuff for the woke-fest of these strange times.

Peyton has just released another excellent record from April this year with a new line up including two senior legends of this music, George Coleman on tenor and bassist Ron Carter, who have both been laying down music for six decades. Nick plays his usual repertoire of trumpet, piano, and Fender Rhodes, and with Karriem Riggins on drums, rounds out a perfectly balanced and hugely competent quartet. The leader also handles most of the composing duties. A sparkling and good-humoured session with four brothers clearly enjoying music-making together. And Nick has released the fruits of this gig on the Smoke Sessions label, not BAM. Perhaps he’s lightening up? – Chris Wetherall

Dialog: Ich und Du; The Wrath of God; The Light of the End

Sofia Gubaidulina Gewandhausorchester/Andris Nelsons DG 486 1457 The Russian/Tartar composer Sofia Gubaidulina celebrated her 90th birthday in 2021 and is still composing. The latest recording of her orchestral works opens with what is, effectively, Gubaidulina’s third violin concerto: Dialog: Ich und Du (2018). It’s a work that alternates between pathos and dramatic anguish. The earliest work on the disc, The Light of the End (2003), is perhaps the most adventurous work, using natural harmonics and alternative tunings to create music of an eerie beauty. The Wrath of God (2019) is her most recent orchestral work, a taut and terrifying journey into a spiritual maelstrom. The recording is the culmination of several years work between the conductor Andris Nelsons, the Gewandhaus Orchestra and the composer. The clarity of nuance in the performances is unified and convincing with an aural impact that is astonishing, especially in the brass playing. This is not easy listening but it does contain a sense of optimism and exhilaration that confirms that the orchestra can still have a role in contemporary artistic life. Awarded the Presto World Premiere Recording of the Year (New Music) in 2021, this music is a revelation.

– James Nightingale

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard

Prepared by Gerald Holder Chopin, F. Andante spianato (1834) and Grande polonaise brillante, op 22 (1830). KunWoo Paik, pf; Warsaw PO/Antoni Wit. Decca 475 169-2 16 Holland, D. Three dances for a new doll (1942). Dulcie Holland, pf. Jade JADCD 1065 7 Benda, G. Harpsichord concerto in D (1779). Antonin Novák, vn; Vojtech Jouza, vn; Karel Spelina, va; Frantisek Sláma, vc; Frantisek Posta, db; Josef Hála, hpd. Supraphon 11 1001-2 15 Schubert, F. Impromptu in F minor, D935 no 1 (1827). Mitsuko Uchida, pf. Philips 475 6282 7 Dohnányi, E. Piano quintet no 2 in E flat minor, op 26 (1914). Schubert Ensemble of London. Hyperion CDA66786 25 Mozart, W. Prelude and fugue in C, K394 (1782). John Khouri, pedal fp. Entr’acte ESCD 6501 9

10:30 CONCERT HALL

Prepared by Frank Morrison Khachaturian, A. Suite from Masquerade (1941). Scottish NO/Neeme Järvi. Chandos CHAN 8542 16 Wranitzky, P. Cello concerto in C, op 27 (pub. 1794). Chiara Enderle, vc; Munich CO/Howard Griffiths. Sony 88875127122 22 Brahms, J. Symphony no 1 in C minor, op 68 (1855-76). Gewandhaus O/Riccardo Chailly. Decca 478 5344 44

12:00 JAZZ RHYTHM

with Jeannie McInnes An eclectic blending of agreeable rhythm and melody from the New Orleans jazz roots through to recent decades, including many Australian bands

13:00 COMPOSER FOCUS Part 7 Colin Brumby

Prepared by Michael Morton-Evans Brumby, C. South Bank overture (1985). Queensland SO/Werner Andreas Albert. Jade JADCD 1065

10

Borromeo suite (1990). Gerhard Mallon, fl; Julian Byzantine, gui. Grevillea GRV CD 5100 7 Three baroque angels (1978). 30th Intervarsity Choral Festival Choir; Queensland Youth O/ John Nickson. Jade JADCD 1049 11 Flute concerto, mvt 2 (1975). Vernon Hill, fl; Melbourne SO/Hiroyuki Iwaki. Jade JADCD 1062 7 Oboe concertino (1986). Barry Davis, ob; Queensland SO/Wilfred Lehmann. Australian Music Centre OZM 1002 17

14:00 MOZART IN PARIS

Prepared by Stephen Wilson Mozart, W. Sonata in B flat, K8 (1763-64). Pinchas Zukerman, vn; Marc Neikrug, pf. RCA RD 60447

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Double concerto in C, K299 (1778). JeanPierre Rampal, fl; Lily Laskine, hp; JeanFrançois Paillard CO/Jean-François Paillard. Erato 0630-13705-2 31 Ballet: Les petits riens. Academy of St Martin in the Fields/Neville Marriner. EMI 4 64317 2 22 Sonata no 8 in A minor, K310 (1778). Alfred Brendel, pf. Philips 454 244-2 22 Symphony no 31 in D, K297, Paris (1778). Concertgebouw O/Nikolaus Harnoncourt. Teldec 8.42817 23

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Andrew Dziedzic

19:00 THE JAZZ BEAT

with Lloyd Capps Smooth small group jazz from the 50s on, and with a visit from Miles Davis each week

20:00 JUST IN

with Michael Field A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Albert Gormley Beethoven, L. Cello sonata no 3 in A, op 69 (1808). Yo-Yo Ma, vc; Emanuel Ax, pf. CBS M2K 42446 28 Mozart, W. Octet in E flat for winds and strings, K452 (pub. 1799). Consortium Classicum. Musikproduktion MDG 301 0498-2 25 Brahms, J. Sextet no 1 in B flat, op 18 (1860). Norbert Brainin, vn; Siegmund Nissel, vn; Peter Schidlof, va; Cecil Aronowitz, va; Martin Lovett, vc; William Pleeth, vc. DG 419 875-2 34 Danzi, F. Sextet in E for two horns and string quartet, op 15 (pub. 1803). Consortium Classicum. Orfeo C 674 081 A 23

Wednesday 2 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Vicky Zhang

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows

Prepared by Rex Burgess Geminiani, F. Concerto grosso in B flat, op 7 no 6 (pub. 1746). Malcolm Latchem, vn; Stephen Shingles, va; Denis Vigay, vc; Ian Watson, hpd; Academy of St Martin in the Fields/Iona Brown, vn & dir. ASV DCA 724 18 Lalande, M-R. de Cantique quatrième (pub. 1687). Les Petits Chanteurs de Saint-François de Versailles/Yves Atthenont. Jade JACD 004 12 Rousseau, J-J. Four airs (1770). Michel Portal, cl; Paul Meyer, cl. EMI 5 56732 2 8 Hummel, J. Piano trio no 1 in E flat, op 12 (1803). Australian Trio. Walsingham WAL8040-2 22 Blow, J. Ode on the death of Mr Henry Purcell (1695). James Bowman, ct; Michael Chance, ct; King’s Consort/Robert King. Helios CDH55447 22

10:30 CONCERT HALL

Prepared by Jennifer Foong MacKenzie, A. Overture: Twelfth night, op 40 (1888). BBC Scottish SO/Martyn Brabbins. Hyperion CDA66764 19 Pierné, G. Piano concerto in C minor (1887). Jean-Efflam Bavouzet, pf; BBC PO/Juanjo Mena. Chandos CHAN 10633 19 Schmidt, F. Symphony no 1 in E (1896-99). Detroit SO/Neeme Järvi. Chandos CHAN 9357 45

12:00 JAZZ SKETCHES

with Robert Vale Focussing on contemporary jazz, often gathered from emerging cultures and Australian

13:00 IN CONVERSATION

with Simon Moore Each week we meet one of the world’s great musicians, singers, composers or conductors, along with up-and-comers and some of the men and women who influence the arts landscape. The program goes live to air so you never quite know what’s going to happen.

14:00 REMEMBERING CARL PINI

Prepared by Elaine Siversen Mozart, W. Sonata no 18 in G, K301 (1778). Carl Pini, vn; John Winther, pf. Fine Music tape archive 10 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). János Starker, vc; Australian CO/Carl Pini. Fine Music tape archive 16 Martinu, B. Two madrigals (1947). Carl Pini, vn; Jane Hazelwood, va. Fine Music tape archive 10 Schubert, F. Trio in B flat, D471, Triosatz (1816). Carl Pini, vn; Elena Pini, va; Daniel Pini, vc Fine Music concert recording 8 Vaughan Williams, R. Five variants of Dives and Lazarus (1939). Sydney SO/Carl Pini. ABC 476 6955 11 Beethoven, L. Trio no 3 in C minor, op 1 no 3 (1794-95). Carl Pini, vn; David Pereira, vc; Kathryn Selby, pf. Fine Music concert recording 25 Rubbra, E. Violin concerto, op 103 (1959). Carl Pini, vn; Melbourne SO/David Measham. Unicorn-Kanchana DKP(CD) 9056 28

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Tom Forrester-Paton

19:00 PLANET JAZZ

with Xavier Bichon A musical journey to different parts of the world where jazz meets other musical traditions, from Africa to Europe, with a slice of Australia

20:00 AT THE OPERA

Prepared by James Nightingale Rimsky-Korsakov, N. The maid of Pskov. Opera in three acts. Libretto by composer after the play by Lev Mei. First performed St Petersburg, 1895. PRINCESS OLGA: Galina Gorchakova, sop MIKHAIL TUCHA: Vladimir Galusin, ten PRINCE YURI TOKMAKOV: Gennady Bezzubenkov, bass IVAN THE TERRIBLE: Vladimir Ognovienko, bass Kirov Ch & O/Valery Gergiev. Philips 446 678-2 2:04 In the garden of the Prince Tokmakov, Princess Olga, who is betrothed to the old nobleman, Matuta, meets her sweetheart, Mikhail. She convinces him not to leave for Siberia and then overhears the Prince tell Matuta the secret that she is not his daughter and that her father is unknown. News arrives that Tsar Ivan and his army are marching towards Pskov. The Prince, who rules Pskov for Ivan, assures the people that they have nothing to fear. Others, led by Mikhail, form a militia to defend Pskov and its freedoms, leaving for the forest to resist the Tsar’s forces. When Tsar Ivan arrives and sets eyes on Olga, he is astonished by her resemblance to his former lover, Vera Sheloga. After quizzing the Prince, he realises that Olga is his daughter. He sees this as a sign from God and decides to spare the city from his wrath. However, Olga does not know that Ivan is her father and, when the opportunity arises, she goes to the forest to meet Mikhail. Mikhail convinces her to live a life of freedom in the forest with him as outlaws, but Matuta’s guards fall upon them and abduct Olga. When this news reaches Ivan, he demands to see Olga, who begs him to spare Mikhail’s life. They are interrupted by a surprise attack upon the Tsar’s encampment by Mikhail and his rebels. Mikhail demands that Olga be handed over. Ivan refuses and orders that the rebels all be killed except Mikhail, who is to be captured alive. As Mikhail flees, Olga runs out of the tent and is killed by a stray bullet. She is brought to Ivan’s tent, where the Tsar weeps inconsolably and the people of Pskov mourn both for the dead Princess and for the loss of their freedom. The nymph, op 56 no 1; Dream on a summer’s night, op 56 no 2 (1898). Anna Netrebko, sop; Daniel Barenboim, pf. DG 477 8589 26 26 9

22:30 MUSIC OF THE NIGHT

Prepared by James Nightingale Clarke, Rebecca. Sonata (1918). Paul Coletti, va; Leslie Howard, pf. Hyperion CDA66687 21 Butterley, N. Fire in the heavens (1973). Sydney SO/Willem van Otterloo. LP RCA VRL1 0191 9 Rautavaara, E. String quintet, Unknown heaven (1997). Jan-Erik Gustafsson, vc; Jean Sibelius Quartet. Ondine ODE 909-2 25 Saariaho, K. Notes on light (2006). Dirk Wietheger, vc; Ensemble MusicFabrik/Emilio Pomarico. Wergo WER 6862 2 27

Thursday 3 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds

Prepared by Anabela Pina Binge, R. The watermill (1958). Ruth Scott, ob; New London O/Ronald Corp. Hyperion CDA66868 4 Hume, T. Lullaby my sweet little baby. David Cordier, ct; Nancy Hadden, fl; Thomas Albert, vn; Erin Headley, bass viol; Andrew LawrenceKing, Irish hp; Stephen Stubbs, lute & dir. Hyperion CDA66307 6 Kalliwoda, J. Variations and rondo in B flat, op 57. Klaus Thunemann, bn; Academy of St Martin in the Fields/Neville Marriner. Philips 446 096-2 11 Hotteterre, J-M. Suite no 3 in G, from First book of pieces for transverse flute, op 2 (pub. 1708). Sophie Ardiet, fl; James Holland, theorbo. Piscoline PIS001 14 Telemann, G. Sonata in F. Colin Lawson, chalumeau; Michael Harris, chalumeau; Collegium Musicum 90/Simon Standage. Chandos CHAN 0593 14 Pasculli, A. Concerto on themes from Donizetti's opera La favorita. Colin Maier, ob; Alex Sevastian, accordion. Ontario Arts Council CMCD 001 8

Weigl, J. Concertino. Hans Wolfgang Dünschede, fl; Günter Zorn, ob; Dieter Klöcker, cl; Karl Hartmann, bn; Wolfgang Güttler, db; Edward Witsenburg, hp. Schwann CD 310 001 H1 20

10:30 CONCERT HALL

Prepared by Chloe Sinclair Macens, E. The space between the stars (2018). Sydney SO/Jessica Cottis. ABC 481 9111

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Mozart, W. Violin concerto no 4 in D, K218 (1775). Oscar Shumsky, vn; Scottish CO/JanPascal Tortelier. Nimbus NIM5009 24 Rimsky-Korsakov, N. Scheherazade, symphonic suite after 1001 Nights, op 35 (1888). London PO/Mariss Jansons. EMI 5 55227-2 45

12:00 JAZZ AFTER NOON

with Sue Jowell Featuring swing to mainstream jazz with regular appearances from the Great American Songbook

13:00 PIERRE MONTEUX CONDUCTS

Prepared by Derek Parker Schubert, F. Overture to Rosamunde, D797 (1823). Vienna PO/Pierre Monteux. Decca 482 4955 10 Bach, J.S. Violin concerto no 2 in E, BWV1042 (c1730). Yehudi Menuhin, vn; Paris SO/Pierre Monteux. Naxos 8.110965 18 Debussy, C. Symphonic fragments from The martyrdom of Saint Sebastian (1911). London SO/Pierre Monteux. Decca 480 6567 22 Beethoven, L. Symphony no 8 in F, op 93 (1812). Royal Concertgebouw O/Pierre Monteux. Radio Netherlands RCO 05001 27 Stravinsky, I. Ballet: The rite of Spring. Conservatoire Concerts Society O/Pierre Monteux. Decca 4783729 33

15:00 GALANT SIMPLICITY

Prepared by James Nightingale Sammartini, G.B. Oboe concerto in G. Padua and Veneto O/Diego Dini Ciacci, ob & dir. cpo 777 715-2 16 Bach, C.P.E. Heilig ist Gott, Wq217 (1776). Wiebke Lehmkuhl, cont; RIAS Chamber Choir; Akademie für Alte Musik Berlin/HansChristoph Rademann. Harmonia Mundi HMC 902167 8 Galuppi, B. Sonata in C. Matteo Napoli, pf. Naxos 8.572490 13 Stamitz, J. Symphony in E flat, op 11 no 3 (pub. 1758). New Zealand CO/Donald Armstrong. Naxos 8.553194

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16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Robert Gilchrist

19:00 THE NEW JAZZ STANDARD

with Frank Presley A fresh perspective on modern music contributing to the standard jazz repertoire, with fine jazz interpretations from the world of pop, rock, film and contemporary jazz

20:00 THE WORLD OF A SYMPHONY

Prepared by Paul Cooke Humperdinck, E. String quartet in C (191920). Diogenes Quartet. cpo 777 547-2 18 Busoni, F. Indian fantasy, op 44 (1913-14). Nelson Goerner, pf; BBC PO/Neeme Järvi. Chandos CHAN 10302 23 Jarnach, P. Das Amrumer Tagebuch, op 30 (1947). Tamara-Anna Cislowska, pf. Fine Music concert recording 10 Wolpe, S. Suite no 1, from The man from Midian (1942). Berlin RSO/Joseph Silverstein. Naxos 8.559439 19 Eisler, H. Song of the miners, from Four ballads, op 22; Benefit stamp song, from Six songs op 28; Greetings to Brandenburg march (c1930; arr. Duke). Peter Coleman-Wright, bar; Nexas Quartet. ABC 576 2204 9 Weill, K. Symphony no 2 (1933). Gewandhaus O/Edo de Waart. Philips 434 171-2 28

22:00 MUSIC FOR FLUTE

Prepared by Paul Cooke Gipps, R. The St Francis window, op 67 (1990). Geoffrey Collins, fl; Stephanie McCallum, pf. Fine Music tape archive 5 Romberg, B. Quintet in G (pub. 1803). John Wion, fl; Eric Lewis, vn; Andrew Berdahl, va; Rosemary Glyde, va; Judith Glyde, vc. Hartt HMP5W91514 22

22:30 ULTIMA THULE

Ambient and atmospheric music

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC Something borrowed

Prepared by Chris Blower Falla, M. de Suite populaire espagnole (191415; arr. Kochanski, Maréchal). Mischa Maisky, vc; Lily Maisky, pf. DG 477 8100 15 Paganini, N. Caprices: no 11 in C; no 19 in E flat; no 20 in D; no 22 in F; no 24 in A minor (1801-07; transcr. Gallois). Patrick Gallois, fl. DG 435 768-2 19 Schubert, F. Introduction, theme and variations, D968a (c1818; transcr. Piatigorsky). Georg Pedersen, vc; Natalia Sheludiakova, pf. Fine Music concert recording 12 Bach, J.S. Aria: Wilkommen! will ich sagen, from Cantata, BWV27: Wer weiss, wir nahe mir mein Ende (1726). Dorothée Mields, sop; Matthew White, alto; Hans Jörg Mammel, ten; Thomas Bauer, bass; Collegium Vocale/ Philippe Herreweghe. Harmonia Mundi HML 5908357.59 4 Reicha, A. 18 Variations and a fantasy on Mozart’s Se vuol ballare, op 51 (1804). JeanPierre Rampal, fl; Isaac Stern, vn; Mstislav Rostropovich, vc. Sony SK 44568 17 Delius, F. Sonata no 2 (1923; transcr. Tertis). Hartmut Lindemann, va; Günther Herzfeld, pf. Tacet 21 12

10:30 CONCERT HALL

Prepared by Elaine Siversen Novák, V. Symphonic poem: In the Tatra Mountains, op 26 (1902). Royal Liverpool PO/ Libor Pesek. Virgin 5 45251 2 16 Krommer, F. Double concerto in E flat, op 91. Dieter Klöcker, cl; Waldemar Wandel, cl; Stuttgart RSO/Wolf-Dieter Hauschild. Schwann 3-1077-2 25 Suk, J. Symphony no 1, op 14 (1897-99). BBC SO/Jirí Belohlávek. Chandos CHSA 5081 40

12:00 A JAZZ HOUR

with Barry O'Sullivan Contemporary and modern sounds of 'now' in jazz from all corners of the globe with a focus on contemporary jazz from Australia and regular interviews with local and visiting musicians

13:00 REMEMBERING NELSON FREIRE 1944-1921

Prepared by Nicky Gluch Chopin, F. Nocturne in G minor, op 37 no 1 (1838). Nelson Freire, pf. Decca 478 2182 6 Fernández, O. Three studies in the form of a sonatina, op 62. Nelson Freire, pf. Decca 478 3533 9 Rachmaninov, S. Suite no 2, op 17 (1900-01). Martha Argerich, pf; Nelson Freire, pf. Philips 464 732-2 21 Brahms, J. Piano concerto no 1 in D minor, op 15 (1854-58). Nelson Freire, pf; Gewandhaus O/Riccardo Chailly. Decca 478 2826 46

14:30 DEDICATED TO BRAHMS Part 1

Prepared by Paul Cooke Reinecke, C. Sonata no 3 in G, op 238 (1897). Martin Rummel, vc; Roland Krüger, pf. Naxos 8.573727 24 Strauss, J. II Waltz: Be united, millions, op 443 (1892). Berlin SO/Robert Stolz. Eurodisc 258 663 8 Schumann, C. Romance in A minor, op 21 no 1; Romance in F minor, op 21 no 2; Romance in G minor, op 21 no 3. Hélène Boschi, pf. Calliope CAL 9211 CAL 9211 11 Schumann, R. The bard's curse, op 139 (1852). Edda Moser, sop; Doris Soffel, mezz; Josef Protschka, ten; Walton Grönroos, bar; Walter Berry, bass; Dusseldorf State Musicians Choir; Dusseldorf SO/Heinz Wallberg. EMI 7 69453 2 38

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with James Hunter

19:00 FRIDAY JAZZ SESSION

with Alex Siegers A focus on the current Sydney jazz scene mixed with a range of international jazz stars and an occasional guest interview

20:00 EVENINGS WITH THE ORCHESTRA The English Pastoral School

Prepared by Robert Small Vaughan Williams, R. Oboe concerto in A minor (1944). Neil Black, ob; English CO/ Daniel Barenboim. DG 442 8333 19 Delius, F. North Country sketches (1913-14). Ulster O/Vernon Handley. Chandos CHAN 8413 29 Holst, G. Egdon Heath, op 47 (1927). Royal Scottish NO/David Lloyd-Jones. Naxos 8.553696 13 Vaughan Williams, R. Symphony no 3, Pastoral (1921). Rebecca Evans, sop; London SO/Richard Hickox. Chandos CHAN 10001 39 Butterworth, G. A Shropshire lad, rhapsody (1912). London Mozart Players/Hilary Davan Wetton. Naxos 8.573426 10

22:00 BAROQUE AND BEFORE Early double reeds

Prepared by Susan Foulcher Bertoli, G. Sonata I. Frances Eustace, dulcian; Paul Nicholson, org. Amon Ra CD SAR 35 6 Trad. Stella splendens. Renaissance Players/ Winsome Evans. Tall Poppies TP229 9 Speer, D. Sonatas I and II. Frances Eustace, dulcian; Paul Nicholson, org. Amon Ra CD-SAR 35 10 Graupner, C. How wonderful is God’s goodness (1717). Klaus Mertens, bass; Accademia Daniel/Shalev Ad-El. Pan Classics PC 10292 19 Zelenka, J. Sonata VI in C minor, ZWV181/6 (1722-23). Ensemble Marsyas. Linn CKD 415 15 Bach, J.S. Contented rest, beloved heart’s desire, BWV170. Tim Mead, ct; Patrick Beaugiraud, ob d’amour; La Nuova Musica/ David Bates. Harmonia Mundi HMM 907589 20 Platti, G. Concerto in G minor for oboe, strings and continuo after Corelli. Akademie Für Alte Musik/René Jacobs. Harmonia Mundi HMC 901996 12 Telemann, G. Sonata in F minor for bassoon and continuo, TWV41:f1. Matthew Wilkie, bn; Kees Boersma, db; Neal Peres da Costa, hpd. Melba MR 301124 11 Albinoni, T. Adagio, from Oboe concerto in D minor, op 9 no 2 (1721). Kirsten Barry, ob; Australian Brandenburg O/Paul Dyer. ABC 476 4056 4 28 28

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC

with David Garrett

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Rita Felton Bach, C.P.E. Fantasy in C, Wq61 no 6 (178586). Christopher Hogwood, fp. L’Oiseau-Lyre 433189-2 7 Prokofiev, S. Music for children, op 65 (1935). Boris Berman, pf. Chandos CHAN 8926 21 Grieg, E. Sonata in E minor, op 7 (1865). Leif Ove Andsnes, pf. Virgin VC 7 59300 2 19

10:00 CENTRES OF MUSIC Hamburg: Telemann to Emanuel Bach

Prepared by Elaine Siversen Telemann, G. Paris quartet no 6 in E minor (pub. 1730). Ensemble Florilegium/Neal Peres da Costa. Channel Classics CCS 5093 19 Scheibe, J. Sinfonia in B flat à 4. Concerto Copenhagen/Andrew Manze. Chandos CHAN 0550 8 Pisendel, J. Violin concerto in G. Petra Müllejans, vn; Freiburg Baroque O/Gottfried von Goltz. Carus 83.301 10 Telemann, G. Flute concerto in D. Masahira Arita, fl; La Stravaganza of Cologne. Denon CO-78933 16 Bach, C.P.E. Heilig ist Gott, Wq217 (1776). Wiebke Lehmkuhl, cont; RIAS Chamber Choir; Akademie für Alte Musik Berlin/HansChristoph Rademann. Harmonia Mundi HMC 902167 8 Double concerto in E flat, Wq47 (1788). Neal Peres da Costa, fp; Australian Haydn Ensemble/Erin Helyard, hpd & dir. Fine Music concert recording 19

11:30 ON PARADE Music that’s band

Prepared by Owen Fisher Grainger, P. Molly on the shore. Yorkshire Building Society Band/David King. Polyphonic QPRL 213D Dreyfus, G. Theme from Rush. Kew Band/ George Dreyfus. Move MD3248 Fauré, G. Pie Jesu. Stephen Reisteter, tárogató; Allentown Band/Ron Demkee. AMP VOL 21 Mascagni, P. Excerpt from Cavalleria rusticana. Black Dyke Mills Band/James Watson. Doyen DOY CD 060 Gayfer, J. Royal visit. Band of the Scots Guards. EMI 8371 882

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12:00 URBAN JAZZ LOUNGE

with Leita Hutchings New, hip, fun and traditional jazz: tons of cool jazz, presented in a chilled and laid-back, lounge style

13:00 TREASURES OF THE VOICE Songs of Henri Duparc

Prepared by Rex Burgess Duparc, H. Sérénade; Soupir (1869). Thomas Allen, bar; Roger Vignoles, pf. Hyperion CDA66323 5 Le manoir de Rosemunde (1882); Au pays où se fait la guerre (1870). Kiri Te Kanawa, sop; Richard Amner, pf. CBS MK 76868 8 Chanson triste (1868; orch. 1912); Sérénade florentine (1881; orch. 1912). Bernadette Greevy, mezz; Ulster O/Yan Pascal Tortelier. Chandos CHAN 8735 5 Ecstasy; The wave and the bell (1904). Gérard Souzay, bar; Dalton Baldwin, pf. LP EMI C063-11678 8 Élégie (1874); La fuite (1871). Sarah Walker, mezz; Thomas Allen, bar; Roger Vignoles, pf. Hyperion CDA66323 6 L’invitation au voyage (1870); Phidylé (1882). Barbara Hendricks, sop; Lyon Opera O/John Eliot Gardiner. EMI CDC 7 49689 2 9 La vie antérieure (1884). Rosamund Illing, sop; David McSkimming, pf. Chandos CHAN 9427 5

14:00 RUSSIAN STRINGS

Prepared by Paul Cooke Borodin, A. Sextet in D minor (1860-61). Alexander Detisov, vn; Alexander Polonsky, vn; Igor Suliga, va; Alexander Bobrovsky, va; Alexander Osokin, vc; Alexander Gotthelf, vc. Brilliant Classics 94410 8 Glinka, M. Sonata in D minor (1825-28). Norbert Blume, va; Olga Tverskaya, fp. Opus 111 OPS 30-230 18

14:30 SATURDAY MATINEE Orchestral grandeur

Prepared by Angus McPherson Wagner, R. Prelude and Liebestod, from Tristan and Isolde (1857-59). Marilyn Richardson, sop; Queensland SO/Werner Andreas Albert. ABC 426 999-2

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Debussy, C. Jeux (1913). London SO/Valery Gergiev. LSO Live LSO0692 19 Messiaen, O. Dans le noir, from Harawi, chant d'amour et de mort (1945). Dorothy Dorow, sop; Carl-Axel Dominique, pf. BIS CD-86 7 Jolivet, A. Sonata (1932). Aya Kono, vn; Takuya Otaki, pf. Initiale INL 04 18 Messiaen, O. Turangalîla symphony (1990). Howard Shelley, pf; Valérie HartmannClaverie, ondes martenot; BBC PO/Yan Pascal Tortelier. Chandos CHAN 9678 1:16

17:00 SOCIETY SPOT Folk Federation of NSW

with Paul Jackson

18:00 STAGE AND SCREEN

Prepared by Sue Jowell Novello, I. Rose of England. Ivor Emanuel, voice; Rita Williams Singers. Bygone Days 77073

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Glamorous night. Marion Grimaldi, voice; Williams Sisters. HMV 8513

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Why is there ever goodbye? Marilyn Hill Smith, sop. Chandos CHAN 9142 3 Waltz of my heart, from The dancing years. Richard Tauber, ten. Bygone Days 77073 3 My life belongs to you. Evelyn Laye, voice Bygonedays 77073 3 I can give you the starlight. Giesèle Préville, voice. Bygonedays 77073 3 We’ll gather lilacs. Yvonne Kenny, sop. Decca 482 5892

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Love is my reason. Marion Grimaldi, voice; Williams Sisters. Bygonedays 77073

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When I curtsied to the King. Marilyn Hill Smith, sop. Chandos CHAN 9142 3 Someday my heart will awake. Vanessa Lee, voice. Bygonedays 77073 3 And her mother came too; What a Duke should be; Why isn’t it you? Jeremy Northam, voice; Christopher Northam, pf. Decca 470 387 6 Keep the home fires burning. Marilyn Hill Smith, sop. Chandos CHAN 9142 3

19:00 EMERGENT JAZZ

with Keith Pettigrew Australian jazz of the 21st century featuring high school jazz combos, tracks from Sydney's pre-eminent jazz programs at UNSW and 'The Con' and new Australian and international jazz releases

20:00 THE LIFE OF A COMPOSER Jacques Ibert

Prepared by Jacky Ternisien Ibert, J. Ouverture de fête (1940). Suisse Romande O/Neeme Järvi. Chandos CHSA 5168 13 Pessard, E. Boléro (arr. Rutter); Andalouse. Jane Rutter, fl; Members of Gagliano String Ensemble; Gerard Willems, pf. ABC 476 6475 7 Ibert, J. Divertissement (1930). Tapiola Sinfonietta/Paavo Järvi. BIS CD-630 17 Gedalge, A. Si mon amour; Je dois partir; Rien que soucis. Vivien Hamilton, sop; Len Vorster, pf. Move MCD 420 7 Ibert, J. Ariette (1935); Française (1926). Rafael Aguirre Miñarro, gui. Naxos 8.572064 7 Trio (1937-42). Kees Hülsmann, vn; Marien van Staalen, vc; Ernestine Stoop, hp. Olympia OCD 469 16 Little suite in 15 pictures (1943). Hae-won Chang, pf. Naxos 8.554720 16 The ballad of Reading Gaol (1921). Slovak RSO/Adriano. Naxos 8.555568

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22:00 SATURDAY NIGHT AT HOME

Prepared by Chris Blower Verdi, G. The four seasons, from The Sicilian Vespers. Czecho-Slovak RSO/Ondrej Lenárd. Naxos 8.553272 30 Spohr, L. Symphony no 9 in B minor, op 143, The seasons (1850). Slovak State PO/Alfred Walter. Marco Polo 8.223454 27 Tchaikovsky, P. Excerpts from The Seasons (1875-76). Lydia Artymiw, pf. Chandos CHAN 8349 16 Glazunov, A. Ballet: The seasons, op 67 (1899). Moscow SO/Alexander Anissimov. Naxos 8.553915 40

Sunday 6 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

with Stephen Wilson

09:00 MUSICA SACRA

Prepared by Stephen Matthews Gatti, L. Creation Mass. Choir of Dresden Cathedral; Dresden PO/Roderich Kreile. Carus 83.245 29 Bach, J.S. Cantata, BWV45: Es is dir gesagt, Mensch, was gut ist. Collegium Vocale Ghent/ Philippe Herreweghe. PHI LPH035 18 Jackson, F. Magnificat. Choir of St John’s College, Cambridge/Andrew Nethsingha. Signum SIGCD 667 6

10:00 THE CLASSICAL ERA

Prepared by Meg Matthews Haydn, M. Divertimento for piccolo, cor anglais, violin, cello and double bass. Vienna Piccolo Concerto/Roberto Sensi. Accent ACC 24292 16 Kozeluch, L. Sinfonia concertante for two oboes, two bassoons, trumpet, two violins, viola, cello, double bass, mandolin and piano. Members of Consortium Classicum; Academy of St Martin in the Fields/Iona Brown. EMI 747 98 10 29 Krommer, F. Five short trios. Toni SalarVerdú, cl; Emilio Moreno, va; Eric Höeprich, cond. Glossa GCD C80604 11 Beethoven, L. Variations on See the conqu’ring hero comes, from Handel’s Judas Maccabeus, WoO45. Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI 5 74447 2 12 Schubert, F. The shepherd on the rock, D965. Jennifer Bates, sop; Nigel Westlake, cl; David Bollard, pf. Tall Poppies TP 011 12 Haydn, J. Symphony in E flat, Hob,I:84. Hanover Band/Roy Goodman. Helios CDH 55123 25

12:00 CLASSIC JAZZ

with Dave Mac The early days of jazz and ragtime as recorded during the first 30 years of the 20th century

13:00 WORLD MUSIC Whirled Wide

with Anna Tranter Showcases diverse music from cultures around the world, both traditional and modern, featuring musicians from all corners of the globe, including Australia

14:00 INTIMATE VOICES String Trios Part 1

Prepared by Chris Blower Françaix, J. Trio (1933). Lendvai String Trio. Stone Records 5060192780079 14 Mozart, W. Divertimento in E flat, K563 (1788). Donald Hazelwood, vn; Jane Hazelwood, va; Georg Pedersen, vc. Fine Music concert recording 41

15:00 SUNDAY SPECIAL Terrific Tchaikovsky

Prepared by Paolo Hooke Tchaikovsky, P. Andante cantabile in B flat, from String quartet no 1, op 11 (1888; orch,). USSR SO/Yevgeny Svetlanov. Melodiya/BMG 74321 40066 2 7 Suite no 1 in D minor, op 43 (1878-79). USSR SO/Yevgeny Svetlanov. Melodiya/ BMG 74321 59054 2 41 Variations on a rococo theme, op 33 (187677). Mstislav Rostropovich, vc; Leningrad PO/ Gennady Rozhdestvensky. Melodiya MEL 00583 19 Symphony no 1 in G minor, op 13, Winter dreams (1866). USSR SO/Yevgeny Svetlanov. Melodiya/BMG 74321 24163 2 42

17:00 HOSANNA

Prepared by Stephen Matthews Hymns. All praise to Thee my God this night; All creatures of our God and KIng. Choir of Trinity College, University of Melbourne/ Michael Leighton Jones. ABC 476 5682 7 Psalm: No 49, O hear ye this, O ye people. Choir of St John’s College, Cambridge/George Guest. Decca 483 1290 6 Zelenka, J. Gloria in excelsis Deo, from Missa Dei Filii. Stuttgart Chamber Choir; Tafelmusik Baroque O/Frieder Bernius. Sony 8895439412-9 10 Haydn, M. Tenebrae factae sunt; Herr, grosser Gott. Vienna Chamber Choir; Robert Kovács, org; Johannes Prinz, cond. Carus 83.354 8 Tallis, T. Nunc dimittis. Choir of York Minster/ Robert Sharpe. Regent REGCD544 3 Bach, J.S. Excerpt from Cantata, BWV92: Ich hab in Gottes Herz und Sinn. Holland Boys’ Choir/Pieter Jan Leusink. Brilliant Classics 94365/39 16

18:00 SMALL FORCES

Prepared by Rita Felton Mendelssohn, F. String octet in E flat, op 20 (1825). Kreuzberg String Quartet; Eder Quartet. Teldec 8.44049 31 Haydn, J. String quartet in D, Hob.III:63, Lark (1790). Kodály Quartet. Naxos 8.550674 19 Mozart, W. Larghetto in B flat, K452a. Neil Black, ob; Thea King, cl; Julian Farrell, bshn; Robin O’Neill, bn; Mitsuko Uchida, pf. Philips 464 940-2 2

19:00 SUNDAY NIGHT CONCERT

Prepared by Rex Burgess Beethoven, L. Overture to The consecration of the house, op 134 (1822). London SO/Antal Dorati. Mercury 478 5092 11 Fantasia in C minor, op 80, Choral (1807). German State Opera Choir; Berlin PO/Daniel Barenboim, pf & dir. EMI 5 55516 2 20 Symphony no 3 in E flat, op 55, Eroica (1803). Vienna PO/Andris Nelsons. DG 483 7071 9 52

20:30 NEW HORIZONS

Prepared by Angus McPherson Edwards, R. Full moon dances: concerto for alto saxophone and orchestra (2012). Amy Dickson, sax; Sydney SO/Miguel HarthBedoya. ABC 481 1703 29 Gjeilo, O. Northern lights (2012). Voces8. Decca 478 8689 4

Mills, R. Symphony of nocturnes (2008). Melbourne SO/Richard Mills. ABC 476 4217

29

Ledroit, C. Night chill (2003). Catherine Meunier, mar, with soundfile. Centrediscs CMCCD 15109 11 Paterson-Achenbach, R. To sleep on it. The Hermes Experiment. TNW Music TNWM - 03 7

22:00 JAZZ AFTER HOURS

with Sue Jowell Late night jazz, to listen and engage and relax

Monday 7 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with James Hunter

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1959

Prepared by Dan Bickel Françaix, J. B.E.A. serenade (1959). Toulouse National CO/Alain Moglia. Pierre Verany PV794103 14 Bliss, A. River music (1959). Finzi Singers/ Paul Spicer. Chandos CHAN 8980 7 Tubin, E. Suite on Estonian shepherd melodies (1959). Vardo Rumessen, pf. BIS CD-414/16 14 Shostakovich, D. Suite from MoscowCheryomushki, op 105 (1959; arr. Cornall). Philadelphia O/Riccardo Chailly. London 452 597-2 20 Rorem, N. The waking (1959). Carole Farley, sop; Ned Rorem, pf. Naxos 8.559084 3 Walton, W. Anon in love (1959). Martyn Hill, ten; Westminster Singers; City of London Sinfonia/Richard Hickox. Chandos CHAN 8824 11 Khachaturian, A. Sonatina (1959). Murray McLachlan, pf. Olympia OCD 423 9

10:30 CONCERT HALL

Prepared by David Brett Westlake, N. Suite from Antarctica (1992). Slava Grigoryan, gui; Melbourne SO/Nigel Westlake. ABC 476 574-4 24 Ravel, M. Piano concerto in G (1931). Martha Argerich, pf; London SO/Claudio Abbado. DG 476 114-7 22 Glazunov, A. Symphony no 1 in E, op 5 (1881). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00022 36

12:00 SWING SESSIONS

with John Buchanan Featuring bands of the 1930s swing era and the dance bands of the 1920s taken from radio broadcasts, transcriptions and recording sessions

13:00 MUSIC OF THE SEA

Prepared by Rex Burgess Grainger, P. The sea-wife. Joyful Company of Singers; City of London Sinfonia/Richard Hickox. Chandos CHAN 9554 5 Bridge, F. The sea (1911). New Zealand SO/ James Judd. Naxos 8.578017-18 22 Delius, F. Sea drift (1903-04). Thomas Hampson, bar; Welsh National Opera Ch & O/ Charles Mackerras. Argo 430 206-2 26

14:00 EARLY AND LATE CLASSICS

Prepared by Derek Parker Mendelssohn, F. Overture: Ruy Blas, op 95 (1839). Vienna PO/Carl Schuricht. Decca 482 4955 8 Beethoven, L. Romance no 2 in F, op 50 (1798). Satu Vänskä, vn; Australian CO/ Richard Tognetti. ABC 481 7430 7 Schneider, G. Sinfonia concertante in D, op 19. Werner Grobholz, vn; Jürgen Kussmaul, va; Consortium Classicum; Academy of St Martin in the Fields/Iona Brown. EMI CDM 7 69389 2 26 Haydn, M. Horn concerto in D (c1770). Barry Tuckwell, hn; Academy of St Martin in the Fields/Neville Marriner. Decca 436 222-2 14 Mayr, J.S. Overture to The Americans (1806). Concerto de Bassus/Franz Hauk. Naxos 8.573484 8 Bach, C.P.E. Piano concerto in D, Wq45 (1778). Michael Rische, pf; Berlin Baroque Soloists. Hänssler HC17034 15 Mozart, W. Symphony no 40 in G minor, K550 (1788). Australian CO/Richard Tognetti. ABC 481 2880 31

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Nicky Gluch

19:00 JAZZ PULSE

with Chris Wetherall Jazz across the wide spectrum from early Louis to Coltrane, with plenty of Ellington and Basie, through to hard bop

20:00 STORMY MONDAY

with Austin Harrison

22:00 JAZZ AFTER HOURS

with Ramsay McInnes Late night jazz, to listen and engage, and relax

Tuesday 8 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard

Prepared by Rex Burgess Ravel, M. Sonatine (1903-05). Gordon FergusThompson, pf. ASV DCA 809 12 Beethoven, L. Sonata in F, op 17 (1800). Gerd Seifert, hn; Jörg Demus, pf. DG 439 852-2 15 Rachmaninov, S. Étude-tableaux, op 39 (1916-17): no 1 in C minor; no 2 in A minor; no 5 in E flat minor. Yevgeny Kissin, pf. Sony 88697 301102 15 Fauré, G. Suite: Dolly, op 56 (1894-97). Kathryn Stott, pf; Martin Roscoe, pf. Hyperion CDA66911/4 13 Respighi, O. Sonata in B minor (1917). AnneSophie Mutter, vn; Lambert Orkis, pf. DG 469 503-2 25

10:30 CONCERT HALL

Prepared by Anne Irish Grieg, E. Norwegian dances, op 35 (1881). Bergen PO/Ole Kristian Ruud. BIS CD-1740/42 18 Haydn, J. Cello concerto no 1 in C, Hob.VIIb:1 (c1761-65). Daniel Müller-Schott, vc; Australian CO/Richard Tognetti. Orfeo C 080 031 A 25 Brahms, J. Symphony no 4 in E minor, op 98 (1884-85). Vienna SO/Wolfgang Sawallisch. Decca 478 5609 39

13:00 AUSTRALIAN SOLOISTS

Prepared by James Nightingale Telemann, G. Trio in B minor (1740). Genevieve Lacey, rec; Daniel Yeadon, vc; Neal Peres da Costa, hpd. ABC 476 5105 7 Edwards, R. More marimba dances (2004). Claire Edwardes, mar, perc. Tall Poppies TP193 7 Puts, K. Alternating current (1997). Bernadette Harvey, pf. Tall Poppies TP212 16 Haydn, J. Quartet in D for concertante guitar, violin, viola and cello (bef.1765; arr. from String quartet, op 2 no 2). Karin Schaupp, gui; members of Flinders Quartet. ABC 476 4435 23

14:00 NEVILLE MARRINER CONDUCTS

Prepared by Jacky Ternisien Rossini, G. Overture to Eduardo e Cristina (1819). Academy of St Martin in the Fields/ Neville Marriner. Philips 473 967-2 10 Gounod, C. Ballet music from Faust (1859). Academy of St Martin in the Fields/Neville Marriner. Philips 462 125-2 17 Stradella, A. Pietà, Signore (arr. Reynolds). Dmitri Hvorostovsky, bar; Academy of St Martin in the Fields/Neville Marriner. Philips 456 543-2 8 Giuliani, M. Guitar concerto no 1 in A, op 30 (1808). Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner. ABC 480 6461 22 Vaughan Williams, R. Romance for harmonica, strings and piano (1952). Tommy Reilly, harmonica; Academy of St Martin in the Fields/Neville Marriner. Decca 460 357-2 7 Handel, G. Concerto grosso in A minor, op 6 no 4 (1739). Trevor Connah, vn; Thurston Dart, hpd; Andrew Davis, org; Academy of St Martin in the Fields/Neville Marriner, vn & dir. Decca 478 5623 11 Purcell, H. Suite from The fairy queen (1692). Academy of St Martin in the Fields/Neville Marriner. Capriccio C8001 32

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Michael Morton-Evans

20:00 JUST IN

with James Nightingale A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Frank Morrison Hummel, J. Septet no 2 in C for winds, strings and piano, op 114, Military (1829). Capricorn. Hyperion CDA66396 31 Corelli, A. Sonata in G minor for recorder and continuo, op 5 no 7 (pub. 1700). Frans Brüggen, rec; Anner Bijlsma, vc; Gustav Leonhardt, hpd. Pro Arte CDD 291 9 Spohr, L. Nonet in F for winds and strings, op 31 (1813). Nash Ensemble. crd 3354 29 Dohnányi, E. Sextet in C, op 37 (1935). Béla Kovács, cl; Ferenc Tarjáni, hn; Vilmos Tátrai, vn; György Konrád, va; Ede Banda, vc; Ernö Szegedi, pf. Hungaroton HCD 1162 30 Shostakovich, D. Two pieces for string octet, op 11 (1924-25). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 9131 10

Wednesday 9 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Vicky Zhang

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows

Prepared by Anabela Pina Heinichen, J. Concerto in F for oboe, violin, strings, wind ensemble and continuo, S234. Musica Antiqua Cologne/Reinhard Goebel. Archiv 479 1110 17 Bocchi, L. Plea rarkeh na rourkough or an Irish weding (arr. Bocchi). Bruno Cocset, vn, va; Les Basses Réunies. Alpha ALPHA 276 4 Just, J. Sonata in F for transverse flute, string trio and fortepiano, op 13 no 2 (pub. 1781). Camerata Classica/Philip Swanton. Walsingham WAL 80422 12 Lecce, F. Mandolin concerto in G. Ugo Orlandi, mand; I Solisti Veneti/Claudio Scimone. LP Erato NUM 75248

12

Paisiello, G. Il mio ben quando verrà, from Nina (1789). Mojca Erdmann, sop; La Cetra Baroque O, Basle/Andrea Marcon. DG 477 8979

7

Linley, T. the younger Violin concerto in F (c1772). Elizabeth Wallfisch, vn; Parley of Instruments/Peter Holman. Helios CDH55260 16 Paisible, J. Sett in C, from Six setts of aires (pub. 1720). Musica Barocca. Naxos 8.555045

10

10:30 CONCERT HALL

Prepared by Gerald Holder Bizet, G. Overture: La patrie, op 19 (1873). Detroit SO/Paul Paray. Mercury 478 5092 11 Chopin, F. Piano concerto no 2 in F minor, op 21 (1829). Ewa Kupiec, pf; Tasmanian SO/ Sebastian Lang-Lessing. ABC 476 4836 34 Alfvén, H. Symphony no 3 in E, op 23 (1905). Stockholm PO/Neeme Järvi. BIS CD-455 38

12:00 JAZZ SKETCHES

with Robert Vale

13:00 IN CONVERSATION

with Simon Moore

14:00 VIENNA PHILHARMONIC ORCHESTRA

Prepared by Jacky Ternisien Mendelssohn, F. Overture: Calm sea and prosperous voyage, op 27 (1828). Vienna PO/ Christoph von Dohnányi. Decca 460 239-2 12 Puccini, G. Vissi d’arte … Io tenni la promessa, from Tosca (1900). Leontyne Price, sop; Giuseppe Taddei, bar; Vienna PO/ Herbert von Karajan. Decca 460 805-2 13 Lehár, F. Rhapsody: Musical memoir (c1940). Vienna PO/Franz Lehár. Naxos 8.110857 16 Chabrier, E. Suite pastorale (1880). Vienna PO/John Eliot Gardiner. DG 447 751-2 19 Strauss, Josef. Moulinet polka, op 57 (1858). Vienna PO/Zubin Mehta. DG 477 6225 3 Ponchielli, A. Dance of the hours, from La Giaconda (1876). Vienna PO/Gustavo Dudamel. DG 476 4717 10

Beethoven, L. String quartet in F, op 135 (1826; arr. Toscanini, Bernstein). Vienna PO/ Leonard Bernstein. DG 435 779-2 31

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Ross Hayes

19:00 PLANET JAZZ

with Xavier Bichon

20:00 AT THE OPERA Prepared by Angela Cockburn

150th

A N N I V E R S A R Y

Dargomizhsky, A. The stone guest. Opera in three acts. Libretto taken from the verse play of the same name by Pushkin. First performed St Petersburg, 1872. DON JUAN: Vladimir Atlantov, ten DONNA ANNA: Tamara Milashkina, sop LAURA: Tamara Sinyavskaya, mezz DON CARLOS: Vladimir Valaitis, bar LEPORELLO: Alexander Vedernikov, bass STATUE: Vladimir Filippov, bass Bolshoi Theatre Ch & O/Mark Ermler. LP Melodiya SLS 5196 1:23 Pushkin’s 1830 version of the Don Juan story differs from the better-known libretto of Mozart’s opera. Don Juan has killed the Commendatore who is Donna Anna’s husband, not her father, while Don Juan’s previous conquest is not Elvira, but Laura, a young actress and Don Carlos is Laura’s lover. At the opera’s opening, Don Juan returns from exile seeking Laura who is with Don Carlos whose brother has been killed by Don Juan. The men duel and Don Carlos is slain. Don Juan, now in hiding and disguised as a friar, finds Donna Anna at her husband’s tomb and, with honeyed words, persuades her to let him come to her house the following night. Leporello asks how the Commendatore would react so Don Juan instructs him to invite the statue to keep guard at the widow’s door while she is being seduced. The statue nods its head in acceptance. Alone with Donna Anna, the ‘friar’ reveals his true identity as Don Juan and swears that he has never truly loved before. A knocking is heard and the statue says, ‘Behold me, your guest of stone. Give me your hand'. Don Juan yields and is carried off to final retribution. Strauss, R. Tone poem: Don Juan, op 20 (1888). Michel Schwalbé, vn; Berlin PO/ Herbert von Karajan. DG 474 281-2

18 22:00 MUSIC OF THE NIGHT

Prepared by Angus McPherson Dutilleux, H. Symphony no 1 (1951). BBC PO/ Yan Pascal Tortelier. Chandos CHAN 9194 31 Jolivet, A. Symphony for strings (1961). Savoy Regional O/Mark Foster. Timpani 1C 1027 22 Barraqué, J. Sonata (1950-52). Jean-Frédéric Neuburger, pf. Mirare MIR 145 39 Berio, L. Ritorno degli snovidenia (1976-77). Pierre Strauch, vc; Ensemble InterContemporain/Pierre Boulez. Sony SK 45 862 18

Thursday 10 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC The instruments: Woodwinds

Prepared by Paul Cooke Debussy, C. Rhapsody (1901-08). John Harle, sax; Academy of St Martin in the Fields/Neville Marriner. EMI 5 72110 2 10 Bertali, A. Sonata in D minor for two violins, viola da gamba and bassoon. Ensemble Echo du Danube/Christian Zincke. Naxos 8.557679 9 Bach, C.P.E. Oboe concerto in E flat, Wq165 (1765). Camerata Bern/Heinz Holliger, ob & dir. Philips 454 450-2 20 Chopin, F. Variations on Non più mesta, from Rossini’s Cinderella (arr. Adams, Giacomantonio). Genevieve Lacey, rec; Karin Schaupp, gui. ABC 476 524-9 7 Fasch, J. Sanftes Brausen, süsses Sausen. Klaus Mertens, bar; Ofer Frenkel, ob; Gili Rinot, chalumeau; Christian Beuse, bn; Shalev Ad-El, cond. cpo 999 674-2 15 Roussel, A. Le marchand de sable qui passe, op 13 (1908). Czech Nonet. Praga Da Camera PRD 350 018 17

10:30 CONCERT HALL

Prepared by Steve Coleman Wagner, R. Overture to Tannhäuser (1845). Munich PO/Hans Knappertsbusch. DG 479 1148 16 Tchaikovsky, P. Piano concerto no 1 in B flat minor, op 23 (1875/79/89). Byron Janis, pf; London SO/Herbert Menges. Mercury 432 011-2 32 Vaughan Williams, R. Symphony no 6 in E minor (1948). London SO/Bryden Thomson. Chandos CHAN 8740 34

12:00 JAZZ AFTER NOON

with Sue Jowell

13:00 ARTSOUND: BRODSKY QUARTET

Prepared by Paul Cooke Recorded by Tim Lamble for ArtSound, Canberra Bach, J.S. Contrapunctus I; Contrapunctus IX, from The art of fugue, BWV1080 (1742-49; arr.). Brodsky Quartet. ArtSound recording 5 Mozart, W. Adagio and fugue in C minor, K546 (1788). Brodsky Quartet. ArtSound recording 7 Mendelssohn, F. Fugue, from Four pieces for string quartet, op 81 (pub. 1849). Brodsky Quartet. ArtSound recording 7 Beethoven, L. Grosse fugue in B flat, op 133 (1826). Brodsky Quartet. ArtSound recording 16 Bartók, B. String quartet no 1, op 7 (1908-09). Brodsky Quartet. ArtSound recording 31 Mendelssohn, F. On wings of song, op 34 no 2 (1836; arr. Cassidy). Brodsky Quartet. ArtSound recording 4 Donizetti, G. Filler: Studio primo. Colin Bradbury, cl. ASV DCA 701 5

14:30 THE PARIS SYMPHONIES Part 3

Prepared by Jacky Ternisien Haydn, J. Symphony in G, Hob.I:8, Le soir (c1761). La Petite Bande/Sigiswald Kuijken. Accent ACC 24272 24 Saint-Georges, J. String quartet no 1 in C, op 1 no 1 (1773). Juilliard Quartet. LP CBS SBR 235692 9 Haydn, J. Cantata: Miseri noi! Misera patria, Hob.XXIVa:7 (bef. 1786). Teresa Berganza, sop; Scottish CO/Raymond Leppard. Erato ECD 88011 12

Keyboard trio in B flat, Hob.XV:8 (1785). Beaux Arts Trio. Philips 454 098-2 13 Symphony in B flat, Hob.I:85, Queen (c1785). Academy of St Martin in the Fields/Neville Marriner. Philips 438 727-2 22

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Marilyn Schock

19:00 THE NEW JAZZ STANDARD

with Frank Presley

20:00 THE WORLD OF A SYMPHONY

Prepared by Di Cox Borodin, A. Polovtsian dances, from Prince Igor (1890). Goldsmith’s Choral Union; BBC Concert O/Vilem Tausky. BBC BBCRD 9103 12 Dvorák, A. String sextet in A, op 48 (1878). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 8771 29 Tchaikovsky, P. Theme and variations, from Six pieces, op 19 (1873). Duncan Gifford, pf. ABC 438 827-2 13 Brahms, J. Sonata in E flat, op 120 no 2 (1894). Janet Hilton, cl; Peter Frankl, pf. Chandos CHAN 6522 21 Nielsen, C. Symphony no 1 in G minor, op 7 (1890-93). Gothenburg SO/Myung-Whun Chung. BIS CD-614/616 34

22:00 VIOLIN AND CELLO TOGETHER

Prepared by Paul Cooke Hoffmeister, F. Duo no 2 in F, op 6 (c1788). John Mills, vn; Bozidar Vukotic, vc. Naxos 8.573541 11 Beach, A. Trio in A minor, op 150 (1938). Elizabeth Layton, vn; Naomi Butterworth, vc; Diana Ambache, pf. Chandos CHAN 9752 15

22:30 ULTIMA THULE 00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Something borrowed

Prepared by Elaine Siversen Godowsky, L. Symphonic metamorphosis on Künstlerleben, after Johann Strauss II (1905). Marc-André Hamelin, pf. Hyperion CDA67626 15 Lovreglio, D. Fantasy on themes from Verdi’s La traviata (1865). Seunghee Lee, cl; Arlene Shrut, pf. Summit Records DCD 276 12 Bach, J.S. Organ concerto in G after Duke Johann Ernst, BWV592 (c1714). David Rumsey, org. LP Davan LCDS 1001 7 Balakirev, M. Grand fantasy on Russian folk songs, op 4 (1854). Anastasia Seifetdinova, pf; Russian PO/Dmitri Yablonsky. Naxos 8.570396 19 Pierné, G. Introduction and variations on a popular rondo (1930). Netherlands Saxophone Quartet. LP CBS 71087 8 Beethoven, L. Ten variations in G on Müller’s Ich bin der Schneider Kakadu, op 121a (c180316). Pinchas Zukerman, vn; Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CMS 7 63124 2 19

10:30 CONCERT HALL

Prepared by Jacky Ternisien Rossini, G. Overture to Semiramide (1823). Tasmanian SO/Ola Rudner. ABC 476 259-9 12 Kraus, J.M. Incidental music to Olympie (1792). New Zealand SO/Uwe Grodd. Naxos 8.570334

21

Dubois, T. Piano concerto no 2 in F minor (1897). Cédric Tiberghien, pf; BBC Scottish SO/Andrew Manze. Hyperion CDA67931 28 Gluck, C. Ballet: Semiramis (1765). Tafelmusik/Bruno Weill. Sony SK 53119

21 13:00 THE SOUND OF SPAIN

Prepared by Jacky Ternisien Albéniz, I. Rapsodia española, op 70, San Sebastián version (1887). Melani Mestre, pf; BBC Scottish SO/Martyn Brabbins. Hyperion CDA67918 13 Sor, F. Fantaisie, op 30 (1826-39). Julian Bream, gui. RCA RCD1 4549

14

Sarasate, P. de Carmen fantasy, op 25 (c1883). Joshua Bell, vn; Samuel Sanders, pf. Decca 475 6715 15 Soler, A. Sonata in D (pub. 1796). Xavier de Maistre, hp; Lucero Tena, castanets. Sony 88985450452 4 Flecha, M. El Viejo The fire. Sara Macliver, sop; La Compañia/Dany Lucin. ABC 476 595-5 12 Guridi, J. Ten Basque songs (1941). Basque NO/Miguel Gómez Martínez. Claves 50-9709 21

14:30 DEDICATED TO BRAHMS Part 2

Prepared by Paul Cooke Dvorák, A. String quartet no 9 in D minor, op 34 (1877). Chilingirian Quartet. Chandos CHAN 8755 28 Barblan, O. Passacaglia in F minor, op 6. Hans-Jürgen Studer, org. SRI MH 116.2 10 Joachim, J. Violin concerto no 2 in D minor, op 11, In the Hungarian style (1861). Suyoen Kim, vn; Staatskapelle Weimar/Michael Halász. Naxos 8.570991 46

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Stephen Wilson

19:00 FRIDAY JAZZ SESSION

with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA The Hallé Orchestra

Prepared by Chris Blower Brahms, J. Variations on a theme by J. Haydn, op 56a, St Antoni chorale (1873). Hallé O/James Loughran. EMI CDM 1 66425 2 19 Britten, B. Double concerto in B minor (1932). Gidon Kremer, vn; Yuri Bashmet, va; Hallé O/ Kent Nagano. Decca 478 5364 22

Butterworth, G. A Shropshire lad (1912). Hallé O/Mark Elder. BBC Music BBC MM289

12

Elgar, E. Symphony no 2 in E flat, op 63 (1911). Hallé O/James Loughran. ASV QS 6087

58

22:00 BAROQUE AND BEFORE More than one Weiss

Prepared by Andrew Dziedzic Hume, T. An almaine; The Lady Cane’s delight, from Music for viols, lute and voice Vol 1 (1607). Daniel Taylor, ct; Francis Colpron, rec; Stephen Stubbs, lute; Paul Audet, lute; Réjean Poirier, org, hpd; Les Voix Humaines. Naxos 8.554126 3 Vivaldi, A. Concerto in D minor for viola, lute, strings and continuo, RV540. Rolf Lislevand, lute, Ensemble Kapsberger. naïve OP 30429 11 Bach, J.S. Suite in E, BWV1006a (1736-37). Konrad Junghänel, lute. Harmonia Mundi RD 77097 21 Weiss, S. Tombeau sur la mort de Mr Comte de Logy (arr. Söllscher). Göran Söllscher, gui. DG 474 815-2 8 Fasch, J. Lute concerto in D minor. Tempesta di Mare/Gwyn Roberts, Richard Stone. Chandos CHAN 0791 15 Weiss, S. L'amant malheureux in A minor. Lutz Kirchhof, lute. Sony S2K 48391 4 Capponi, R. Sonata. Caterina Lichtenberg, mand; Mirko Schrader, gui. Schwann 3-6435-2 11 Weiss, S. Lute concerto in F (1731). Richard Stone, lute; Tempesta di Mare. Chandos CHAN 0707 14 Bach, W.F. Trio in D (c1762). Marzio Conti, fl; Alain Marion, fl; Daniele Roi, hpd. Fonè 89 F 04-28 16

Saturday 12 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC

with Stephen Wilson

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Jennifer Foong Bach, J.S. Suite from Violin partita in E, BWV1006 (1720; arr. Rachmaninov). Jayson Gillham, pf. ABC 481 7686 8 Granados, E. The maiden and the nightingale, from Goyescas (pub. 1911). Alicia de Larrocha, pf. Decca 433 920-2 7 Brahms, J. Ballade in D, op 10 no 2 (1854). Claudio Arrau, pf. Philips 432 302-2 8 Alkan, C-V. Symphony nos 4 to 7, from 12 Studies in the minor keys, op 39 (pub. 1857). Paul Wee, pf. BIS BIS-2465 26

10:00 CENTRES OF MUSIC Norway

Prepared by Peter Poole Holter, I. Violin concerto in A, op 22 (c1915). Ragin Wenk-Wolff, vn; Royal PO/Per Dreier. NKFCD 50020-2 23 Saeverud, H. Easy pieces, op 14. Jan Henrik Kayser, pf. LP BIS LP-73 16 Halvorsen, J. Fossegrimen, op 21 (1905). Melina Mandozzi, vn; Ragnhild Hemsing, hardanger fiddle; Bergen PO/Neeme Jarvi. Chandos CHAN 10664 30 Svendsen, J. Norwegian rhapsody no 4, op 22 (1877). Bergen PO/Neeme Järvi. Chandos CHAN 10711 12

11:30 ON PARADE

Prepared by Robert Small Williams, J. Theme from Superman. Grimethorpe Colliery Band. RCA 74321 88393 2 7 Respighi, O. March, from The pines of Rome (arr. Snell). Grimethorpe Colliery Band/Gary Cutt. Chandos CHAN 4545 6 Rodrigo, J. Adagio, from Concierto de Aranjuez (arr. Bolton). Mark Walters, flugelhorn; Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4545 5 Snell, H. Fantasy. Richard Marshall, cornet; Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4549 9

12:00 URBAN JAZZ LOUNGE

with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD

with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 MUSIC FOR VIOLA

Prepared by Paul Cooke Bowen, Y. Fantasia, op 40 no 1 (1907). Hartmut Rohde, va; David Harding, va; Theodore Kuchar, va; Irina Morozova, va. Fine Music concert recording 11 Schumann, R. Märchenbilder, op 113 (1851). Paul Coletti, va; Leslie Howard, pf. Hyperion CDA66946 16

14:30 SATURDAY MATINEE Operetta in the afternoon

Prepared by Elaine Siversen Strauss, J. II Jabuka. Operetta in three acts. Libretto by Max Kalbeck and Gustav Davis. First performed Vienna, 1894. MIRKO VON GRADINAZ: Thomas Tischler, ten VASIL VON GRADINAZ: Wolfgang Veith, ten BAMBORA: Helmut Josef Ettl, bar JOSCHKO: Franz Födinger, ten ANNITA: Elisabeth Wolfbauer, mezz MISCHA: Michael Schober, bass JELKA: Veronika Groiss, sop Gaudeamus Choir; European Johann Strauss O/Christian Pollack. Naxos 8.660216-17 1:32 The impoverished noblemen, brothers Mirko and Vasil, travel to Raviza for Jabuka, the annual Apple Festival, where they hope to sell their dilapidated castle at Gradinaz to Bambora, a rich starch factory owner. If that fails, they plan to find themselves rich brides at the festival. On the way, they meet Joschko, a court bailiff, at an inn and the brothers are worried that he may take their property before they can sell it to Bambora who has also stopped at the inn. Bambora's daughter, Annita, and Vasil fall in love. The carriage of the rich farmer, Mischa, has broken down. Mirko tries to woo Mischa's beautiful daughter, Jelka, but she refuses him. Mirko persuades Joschko to pretend he is a rich magnate and to offer to take Jelka in his carriage to Raviza. Jelka accepts but, instead, they go to Mirko's castle at Gradinaz which Mirko has disguised as an inn. He has invited all of the travellers to festivities at the 'inn' so that Jelka will think that she is in Raviza. Joschko declares Jabuka, the Apple Festival, has begun and hands out apples to the young men who give them to their chosen girls. If the girl bites the apple and returns it to the young man, a match is made. Mirko gives an apple to Jelka but she throws it at his feet. When the other girls mock Jelka, Mirko comes to her rescue and she falls in love with him.

Ballet music from Ritter Pásmán, op 441 (1892). National PO/Richard Bonynge. Decca 430 852-2 18 Vienna blood, op 354 (1899); Wine, women and song, op 333 (1869). New York Vocal Arts Ensemble/Raymond Beegle. Arabesque Z 6586 22

17:00 SOCIETY SPOT Organ Music Society of NSW

with John Hanna

18:00 STAGE AND SCREEN

Prepared by Maureen Meers Merrill, B. Excerpts from Carnival. Anna Maria Albergetti, sop; James Mitchell, Pierre Olaf, Jerry Orbach, voices. Polydor 887195 -2 17 Rodgers, R. Suite from The King and I (1956). O/Richard Hayman. Naxos 8 578029 - 40 12 Styne, J. Excerpts from Gypsy (1959). Angela Lansbury, Zan Charisse, Debbie Bowen, voices; Richard Lennard, cond. RCA Victor 60571- 2 - RG 19

19:00 EMERGENT JAZZ

with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Giovanni Paisiello

Prepared by James Nightingale Paisiello, G. Overture and arias from Demetrio (1771). Filippo Mineccia, ct; Divino Sospiro/Massimo Mazzeo. Pan Classics PC 10394 15 Anon (Attrib. Paisiello). Mandolin concerto in E flat. Anna Torge, mand; Cologne Academy/Michael Alexander Willens. Ars Produktion ARS 38 092 16 Paisiello, G. Il mio ben quando verrà; Chi vuol la zingarella; Nel cor più non mi sento, from Arie antiche (arr. Parisotti). Cecilia Bártoli, mezz; György Fischer, pf. Decca 436 267-2 12 Beethoven, L. Six variations on Paisiello's Nel cor più non mi sento, WoO70 (1795). Mikhail Pletnev, pf. DG 457 493-2 4 Paisiello, G. Overture to The barber of Seville (1782). Haydn Philharmonia/Ezio Rojatti. Nuova Era 6726 4 Giusto ciel, che conoscete, from The barber of Seville, Act II (1782). Olga Peretyatko, sop; Basle SO/Ivor Bolton. Sony 19075919052 4 Keyboard concerto no 1 in C (1780-83). Pietro Spada, pf; Academy of Saint Cecilia CO. Brilliant Classics 94224 24 Te Deum. St Petersburg Capella Soloists, Ch & O; Brass Ensemble Guy Touvron/Vladislav Chernushenko. Koch 3-1208-2 28

22:00 SATURDAY NIGHT AT HOME

Prepared by James Nightingale Debussy, C. La boîte à joujoux (1913). JeanEfflam Bavouzet, pf. Chandos CHAN 10545 28 Bach, C.P.E. Cello concerto in A minor, Wq170 (1750). Anner Bijlsma, vc; O of the Age of Enlightenment/Gustav Leonhardt. Virgin VC 7 90800-2 26 Andrée, E. Piano trio in G minor (1884). Trio Nordica. IMCD 113 25 Braunfels, W. Don Juan variations, op 34 (1922-24). Staatskapelle Weimar/Hansjörg Albrecht. OEHMS OC 1846 35

Sunday 13 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

with Vicky Zhang

09:00 MUSICA SACRA

Prepared by Jacky Ternisien Vivaldi, A. Magnificat, RV610. Emma Kirkby, sop; Miriam Allan, sop; Josie Ryan, sop; Anna Fraser, mezz; Philip Chu, ten; David Greco, bass; Cantillation; O of the Antipodes/Antony Walker. ABC 476 5255 14 Boccherini, L. Stabat Mater, G532 (1781). Agnès Mellon, sop; Ensemble 415/Chiara Banchini, vn & dir. Harmonia Mundi HMG 501933-34 43

10:00 THE CLASSICAL ERA

Prepared by Peter Poole Kuhlau, F. Overture to Lulu (1824). Odense SO/Eduard Serov. Unicorn-Kanchana DKP(CD)9132

8

Schubert, F. Three heroic marches, D602 (c1824). Jenö Jandó, Zsuzsa Kollár, pf. Naxos 8.554513

19

Sor, F. Les deux amis, op 41 (1830). Duo Sonare. Sound Star TonProd SST 31110 14 Reicha, A. Two andantes and an adagio for woodwind quintet (1819). Fodor Quintet. Ottavo OTR C69031 18 Salieri, A. Organ concerto in C (1773). Anton Gansberger, org; Leonding SO/Uwe Christian Harrer. Koch 3-1288-2 H1 16 Mozart, W. Six variations in G minor on Hélas, j’ai perdu mon amant (1781). Julia Fischer, vn; Nils Mönkemeyer, va. Sony 88985305412 11 Ries, F. Sextet, op 142. Dieter Klöcker, cl; Karl Hartmann, bn; Nury Guarnaschelli, hn; Wolfgang Güttler, db; Edward Witsenburg, hp; Werner Genuit, pf. Schwann CD 310 001 H1 20

12:00 CLASSIC JAZZ

with Dave Mac

13:00 WORLD MUSIC Whirled Wide

with Gerry Myerson

14:00 INTIMATE VOICES String Trios Part 2

Prepared by Chris Blower Haydn, J. String trio in G, op 53 no 1 (1790). Australian Haydn Ensemble. Fine Music concert recording 6 Schubert, F. String trio in B flat, D471 (1816). Members of Kodály Quartet. Naxos 8.557126 8 Beethoven, L. Trio in E flat, op 3 (bef. 1794). Attila Falvay, vn; János Fejérvari, va, György Éder, vc. Naxos 8.557895 40

15:00 SUNDAY SPECIAL Bohemian masterpieces

Prepared by Elaine Siversen Suk, J. Serenade in E flat, op 6 (1892). London CO/Christopher Warren-Green. Virgin VC 7 91165-2 26 Smetana, B. Má vlast (1872-79). Vienna PO/ Nikolaus Harnoncourt. Teldec 0927-44890-2 1:23

17:00 HOSANNA

Prepared by Meg Matthews Hymns. Praise my soul; God that madest earth and Heaven; My song is love unknown. Choir of St Peter’s Cathedral, Adelaide; Shirley Gale, org; Leonie Hempton, cond. Angel Voices Ever Singing 7 Britten, B. Procession; Wolcum Yole!; There is no rose; That yongë Child, from A ceremony of carols, op 28. New London Children’s Choir; Skaila Kanga, hp; Ronald Corp, cond. Naxos 8.553183 7 Boccherini, L. Excerpts from Stabat Mater. Cecelia Gasdia, sop; I Solisti Veneti/Claudio Scimone. Erato 2292-45425-2 4

Handel, G. Where’er you walk, from Semele, HWV58; Vouchsafe, O Lord, from Dettingen Te Deum, HWV283. Bryn Terfel, bass-bar; Scottish CO/Charles Mackerras. DG 453 480-2 7 Mendelssohn, F. If thou but suffer God to guide thee. Ruth Ziesak, sop; Stuttgart Chamber Ch & O/Frieder Bernius. Carus 83.204 11 Widor, C-M. Kyrie; Gloria, from Mass for two choirs and two organs. Choir of Westminster Cathedral; Joseph Cullen, org; Andrew Reid, org; James O'Donnell, cond. Hyperion CDA 66898 8 Trad. Jesus is my leader. Ladysmith Black Mambazo. Shanachie 64098 3

18:00 SMALL FORCES

Prepared by Frank Morrison Ysaÿe, E. Trio, op posth., Le chimay (1927). Henning Kraggerud, vn; Lars Anders Tomter, va; Ole-Eirik Ree, vc. Naxos 8.570977 18 Stamitz, C. Quartet in E flat, op 8 no 2 (1773). Guy Henderson, ob; Gabor Reeves, cl; Gordon Skinner, bn; Anthony Buddle, hn. Fine Music concert recording 10 Dohnányi, E. Piano quintet in E flat minor, op 26 (1914). Martin Roscoe, pf; Vanbrugh Quartet. ASV DCA 915 23

19:00 SUNDAY NIGHT CONCERT

Prepared by Anabela Pina Rossini, G. Overture to La gazza ladra (c1817). Prague Sinfonia O/Christian Benda. Naxos 8.570933 10 Giuliani, M. Guitar concerto in A, op 30 (pub.1808). John Williams, gui; English CO/ Charles Groves. CBS M2YK 45610 22 Gade, N. Symphony no 2 in E, op 10 (pub. 1843). Stockholm Sinfonietta/Neeme Järvi. BIS CD-355 25 Stamitz, C. Double concerto in B flat. Koji Okazaki, bn; Nicolaus Esterházy Sinfonia/ Kálmán Berkes, cl & dir. Naxos 8.553584 24

20:30 NEW HORIZONS

Prepared by Paul Cooke McGrath, J. Silent town (2001). Larry Larson, tpt; Montreal CO/Wanda Kaluzny. www.jimmcgrath.ca 9 Beauvais, W. Invisible cities (2009). William Beauvais, gui. Centrediscs CMCCD 14809 11 Nuorvala, J. Notturno urbano, op 27 (1996). Ruse PO/Tsanko Delibozov. VMM 3036 9 Lefanu, N. Concertino for clarinet and string orchestra (1996). Fiona Cross, cl; Goldberg Ensemble/Malcolm Layfield. Naxos 8.557389 17 Nangle, J. Where distant city lights flicker on half-frozen ponds (2011). Daragh Morgan, vn. CMC Ireland CMC 2015 7 Colgrass, M. Urban requiem (1995). James Umble, sax; Allen Cordingly, sax; Kent Engelhardt, sax; Joseph Carey, sax; Youngstown State University Symphonic Wind Ensemble/Stephen L. Gage. Naxos 8. 570946 27

22:00 JAZZ AFTER HOURS

with Deborah Evans

Monday 14 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Robert Small

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1799

Prepared by Michael Morton-Evans Hummel, J. Mandolin concerto in G (1799). Alison Stephens, mand; London Mozart Players/Howard Shelley. Chandos CHAN 9925 18 Boccherini, L. Quintet in E minor (1799). Ilario Gregoletto, fp; Ensemble Claviere. Brilliant Classics 94386 19 Wranitzky, P. Symphony in C minor, op 11 (pub. 1791). London Mozart Players/Matthias Bamert. Chandos CHAN 9916 19 André, J. Quartet in E flat, op 54 (1799). Anne Menzies, cl; Donald Hazelwood, vn; Peter Pfuhl, va; Patricia Mendelow, vc. Fine Music concert recording 16 Beethoven, L. Eight variations on Tändeln und Scherzen, from Süssmayr’s Soliman II, WoO76 (1799). Ronald Brautigam, fp. BIS SACD-1673 8

10:30 CONCERT HALL

Prepared by Elaine Siversen Stamitz, C. Orchestral quartet in F, op 14 no 4 (pub. 1776). New Zealand Symphony CO/ Donald Armstrong. Naxos 8.557671 21 Mozart, W. Violin concerto no 3 in G, K216 (1775). Talich CO/Jan Talich, vn & dir. Calliope CAL 9365 24 Mendelssohn, F. Symphony no 3 in A minor, op 56, Scottish (1842). London Classical Players/Roger Norrington. EMI CDC 7 54000 2 38

12:00 SWING SESSIONS

with John Buchanan

13:00 THE NIGHTINGALES

Prepared by Jacky Ternisien Sarasate, P. de Song of the nightingale, op 29 (1885). Adele Anthony, vn; Akira Eguchi, pf. Canary CC07 8 Rameau, J-P. Rossignols amoureux, from Hippolyte et Aricie (1733). Kathrin Graf, sop; Peter Lukas Graf, fl; Raffaele Altwegg, vc; Michio Kobayashi, hpd. Claves 50-604 7 Glinka, M. Variations in E minor on Alyabyev’s song, The nightingale (1833). Tatiana Loguinova, pf. Phaedra 292026 8 Couperin, F. Le rossignol en amour, from Ordre 14 (pub. 1722). Ruth Wilkinson, rec, va da gamba; Trio Avium. Hearing Places HP002 4 Blavet, M. Pourquoi doux rossignols. Ruth Wilkinson, rec, va da gamba; Trio Avium. Hearing Places HP002 3 Stravinsky, I. Symphonic poem: Song of the nightingale (1924). London SO/Antal Dorati. Mercury 470 643-2 22

14:00 THE SIGNIFICENT OTHER Alice Elgar

Prepared by Brian Drummond Elgar, E. Salut d'amour, op 12 (1888). Sarah Chang, vn; Sandra Rivers, pf. EMI CDC 7 54352 2 3 Overture: Froissart, op 19 (1890). English Northern Philharmonia/David Lloyd-Jones. Hyperion CDA66515 13 Sea pictures, op 37 (1899). Della Jones, mezz; Royal PO/Charles Mackerras. Decca 452 324-2 20 Pomp and circumstance march in D, op 39 no 1 (1901). London SO/Barry Tuckwell. IMP PCD 913 6 Excerpts from Scenes from the Bavarian Highlands (1895). Cambridge University Chamber Choir; Iain Farrington, pf; Christopher Robinson, cond. Naxos 8. 570541 8

Cello concerto in E minor, op 85 (1919). Jacqueline du Pré, vc; Philadelphia O/Daniel Barenboim. Sony SB2K 63247 31 String quartet in E minor, op 83 (1918). Mistry Quartet. Argo 433312-2 25

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Michael Field

19:00 JAZZ PULSE

with Chris Wetherall

20:00 STORMY MONDAY

with Austin Harrison

22:00 JAZZ AFTER HOURS

with Gail Monjo

Tuesday 15 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard

Prepared by Elaine Siversen Chopin, F. Ballade no 4 in F minor, op 52 (1842). Cristina Ortiz, pf. IMP PCD 872 11 Schumann, R. Myrthen, op 25 (1840): Widmung; Der Nussbaum; Du bist wie eine Blume. Peter Schreier, ten; Christoph Eschenbach, pf. Teldec 2292-46154-2 7 Schubert, F. Allegretto in C minor, D915 (1827). András Schiff, fp. ECM 481 1572 15 Karg-Elert, S. Improvisation on Nearer, my God, to Thee, op 81. Christopher Herrick, org. Hyperion CDA66917 8 Falla, M. de Concerto for harpsichord, winds and strings (1923-26). Elizabeth Anderson, hpd; Schirmer Ensemble/Brett Kelly. Naxos 8.554366 13 Enescu, G. Sonata in F sharp minor, op 24 no 1 (1924). Tamás Vesmás, pf. Manu MANU 1443 25

10:30 CONCERT HALL

Prepared by Chloe Sinclair Tchaikovsky, P. Fantasy overture: Romeo and Juliet (1880). London PO/Mstislav Rostropovich. EMI 5 65709 2

23

Copland, A. Clarinet concerto (1947-48). Swedish CO/Michael Collins, cl & dir. Chandos CHAN 10756

16

Sibelius, J. Symphony no 2 in D, op 43 (1901). Adelaide SO/Arvo Volmer. ABC 476 3945

43

12:00 JAZZ RHYTHM

with Jeannie McInnes

13:00 COMPOSER FOCUS Part 8 Henryk Wieniawski

Prepared by Michael Morton-Evans Wieniawski, H. Variations on an original theme, op 15 (1854). Ruggiero Ricci, vn; Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 10 Légende in G minor, op 17 (1859). Ray Chen, vn; Noreen Polera, pf. Sony 88697808122 8 Violin concerto no 2 in D minor, op 22 (1862). Wanda Wilkomirska, vn; Warsaw National PO/ Witold Rowicki. Olympia OCD 309 24 Polonaise no 1 in D, op 4 (pub. 1853). Leila Josefowicz, vn; Academy of St Martin in the Fields/Neville Marriner. Philips 454 440-2 6 Souvenir of Moscow, op 6 (1853). Ruggiero Ricci, vn; Joanna Gruenberg, pf. Unicorn-Kanchana UKCD 2048 7

14:00 SOLEMN AND JOYOUS

Prepared by Derek Parker Berwald, F. Serious and joyful fancies (1842). Royal PO/Ulf Björlin. EMI CDM 5 65073 2 8 Mozart, W. Mass in C, K337, Missa solemnis (1780). Barbara Bonney, sop; Elisabeth von Magnus, cont; Uwe Heilmann, ten; Gilles Cachemaille, bass; Arnold Schoenberg Choir; Concentus Musicus Vienna/Nikolaus Harnoncourt. Teldec 4509-90494-2 22 Debussy, C. L'isle joyeuse (1903-04). Kathryn Selby, pf. ABC 432 700-2 6 Brahms, J. Four serious songs, op 121 (1896). Hans Hotter, bar; Gerald Moore, pf. EMI 5 62807 2 17 Purcell, H. Ode for St Cecilia’s Day: Welcome to all the pleasures (1683). Deller Consort; Jane Ryan, va da gamba; Robert Elliott, hpd; Stour Music Festival CO/Alfred Deller ct & dir. Harmonia Mundi HMA 190222 19 Bizet, G. Symphony in C (1855). Royal PO/ Enrique Bátiz. Brilliant Classics 94404 34

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Andrew Dziedzic

19:00 THE JAZZ BEAT

with Lloyd Capps

20:00 JUST IN

with Charles Barton A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Rex Burgess Krommer, F. Partita in B flat for wind octet. Collegium Musicum Prague. LP Supraphon 1111 2973G 13 Reicha, A. Trio (1807). Han Bin Yoon, vc; Kacper Novak, vc; Justine Metrel, vc. Alpha ALPHA 369 26 Moscheles, I. Grand sonata concertante in A, op 44 (1818). Kazunori Seo, fl; Makoto Ueno, pf. Naxos 8.573175 29 Schulhoff, E. String quartet in G, op 25 (1918). Petersen Quartet. Capriccio C7297 Haas, P. Suite, op 17 (1939). Alexei Ogrintchouk, ob; Leonid Ogrintchouk, pf. BIS BIS-2023

28

15

Wednesday 16 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Vicky Zhang

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows

Prepared by Jennifer Foong Stanley, J. Suite no 3 in C. Gabriele Cassone, natural tpt; Antonio Frigé, org. Nuova Era 7053 7 Graupner, C. Double concerto in D. Wilfred Engel, va; Dorothea Jappe, va d’amore; Capella Clementina/Helmut Müller-Brühl. LP Philips 9502 067 13

Keller, G. Trio sonata no 4 in G minor (pub. 1700). Sally Melhuish, rec; Hans-Dieter Michatz, rec; Tim Bloomfield, bass vn; Monika Kornell, hpd. Salut SAL001 5 Vorisek, J. Fantasia in C, op 12 (pub. 1822). Nikolai Demidenko, pf. Hyperion CDA66781/2 11 Boïeldieu, A. Harp concerto in C (1800). Jutta Zoff, hp; Staatskapelle Dresden/Siegfried Kurz. Berlin 0012902BC 22 Steffani, A. Io mi parto. Filippo Mineccia, alto; Raffaele Pi, alto; La Venexiana/Claudio Cavina. Glossa GCD 920942 11 Krause, C. Trio sonata in D minor for oboe, violin and basso continuo (pub. c1763). Notturna/Christopher Palameta. Sony 19075821552 8

10:30 CONCERT HALL

Prepared by Michael Field Nielsen, C. Overture: Helios, op 17 (1903). Danish NSO/Thomas Dausgaard. Da Capo 6.220518 12 Glazunov, A. Violin concerto in A minor, op 82 (1904). Maxim Vengerov, vn; Berlin PO/ Claudio Abbado. Teldec 4509-90881-2 20 Liszt, F. A Dante symphony (1857). Berlin Radio Women’s Choir; Berlin PO/Daniel Barenboim. Teldec 9031-77340-2 50

12:00 JAZZ SKETCHES

with Robert Vale

13:00 IN CONVERSATION

with Simon Moore

14:00 THE MIGHTY FIVE

Prepared by Rex Burgess Rimsky-Korsakov, N. Fantasia on Serbian themes, op 6 (1867). Philharmonia O/Yondani Butt. ASV DCA 1024 7 Borodin, A. My tortured soul, from Prince Igor (1887). Bryn Terfel, bass-bar; Metropolitan Opera O/James Levine. DG 445 866-2 8 Balakirev, M. Islamey: Oriental fantasy, op 19 no 6 (1869/1902). Mikhail Pletnev, pf. DG 471 157-2 9 Cui, C. Miniature suite, op 20 (1882). Hong Kong PO/Kenneth Schermerhorn. LP Marco Polo 6.220308 14 Mussorgsky, M. Prologue; Scene 1, from Boris Godunov (1874). Aki Alamikkotervo, ten; Usko Viitanen, bar; Keikki Kilpeläinen, bar; Jorma Falck, bass-bar; Martti Talvela, bass; Savonlinna Opera Festival Ch & O/Kyösti Haatanen. BIS CD-373/374 16 Balakirev, M. Symphonic poem: Tamara (1867-82). BBC PO/Vassily Sinaisky. Chandos CHAN 9727 21 Rimsky-Korsakov, N. String quartet in F, op 12 (1875). Lyric Quartet. Meridian CDE 84293 20 Mussorgsky, M. St John’s night on Bald Mountain (1867; orch. Rimsky-Korsakov 1886). Royal Liverpool PO/Charles Mackerras. Virgin VC 7 91174-2 11

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Tom Forrester-Paton arrested and imprisoned for attempting to kill her husband. Prince Ilo is distraught believing Polidoro dead and his wife treacherous, when Emma, Zelmira’s confidante, appears and tells him the truth. He and his men rescue Zelmira and Polidoro, Antenore and Leucippo are led off in chains, and all ends in joy and celebration. Weber, C.M. Overture to Der Freischütz (1821). Tasmanian SO/Sebastian LangLessing. ABC 481 0616 10

23:30 MUSIC OF THE NIGHT

Prepared by James Nightingale Koechlin, C. Sonata, op 52 (1913). Barbara Hank, fl; Michael Baumann, pf. SWR Music SWR19047 11 Saariaho, K. Lichtbogen (1985-86). Members of NEM/Lorraine Villacourt. Ummus UMM 102 15

19:00 PLANET JAZZ

with Xavier Bichon

20:00 AT THE OPERA

Prepared by Camille Mercep Rossini, G. Zelmira. Opera in two acts. Libretto by Andrea Leone Tottola. First performed Naples, 1822. ZELMIRA: Elizabeth Futral, sop POLIDORO: Marco Vinco, bass ILO: Antonino Siragusa, ten ANTENORE: Bruce Ford, ten LEUCIPPO: Mirco Palazzi, bass EMMA: Manuela Custer, cont Scottish Chamber Ch & O/Maurizio Benini. Opera Rara ORC27 3:02 Polidoro, the elderly king of Lesbos, has reigned peacefully with the help of his daughter, Zelmira, and her husband, the Trojan, Prince Ilo. Ilo has been called away to defend his homeland, Troy. While he is away, Lesbos has been invaded by Azor, who intended to kill the King and take over his throne. Zelmira saved her father by hiding him in the Royal tombs, telling Azor that he was hiding in the temple of Ceres, which Azor immediately ordered to be burned down. Azor’s victory was short-lived as he himself was killed by Antenore. Antenore plots to take the throne of Lesbos by incriminating Zelmira in the deaths of Azor and her father. When Ilo returns to the island, Zelmira is afraid to tell him of the accusations against her and he learns of them from Antenore. Believing himself betrayed, Ilo collapses and is about to be murdered by one of Antenore’s supporters, Leucippo. Zelmira enters at that moment and disarms Leucippo. Found with the dagger in her hand, she is Thursday 17 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC The Instruments: Woodwinds

Prepared by Jennifer Foong Baermann, C. Duo concertant, op 33. Paul Meyer, cl; David Rowden, cl; Maria Raspopova, pf. Fine Music concert recording 12 Beethoven, L. Octet in E flat, op 103 (1792). Lothar Koch, ob; Gerhard Stempnik, ob; Karl Leister, cl; Peter Geisler, cl; Günter Piesk, bn; Henning Trog, bn; Gerd Seifert, hn; Manfred Klier, hn. DG 439 852-2 22 Paladilhe, E. Solo for oboe. John Anderson, ob. ASV WHL 2100 4 Handel, G. Augelletti, che cantate, from Rinaldo, HWV71 (1711). Joyce DiDonato, mezz; Abba Fusek, rec; Il Pomo d’Oro/Maxim Emelyanychev, hpd & dir. Erato 01902 95928469 6 Stanford, C. Villiers Sonata, op 129. Emma Johnson, cl; Malcolm Martineau, pf. ASV DCA 891 21

Couperin, F. Concert royal no 4 in E minor, from Concerts royaux, in Troisième livre de pièces de clavecin (1714-15). Aurèle Nicolet, fl; Christiane Nicolet, fl; Manfred Sax, bn; Josef Ulsamer, va da gamba; Christiane Jaccottet, hpd. Archiv 427 119-2 14

10:30 CONCERT HALL

Prepared by Peter Poole Messager, A. Suite from The two pigeons (1886). Royal Opera House O/Charles Mackerras. EMI CDZ 7 62515 2

23

Brahms, J. Double concerto in A minor (1887). Steven Isserlis, vc; Academy of St Martin in the Fields/Joshua Bell, vn & dir. Sony 88985321792 33 Beethoven, L. Symphony no 1 in C, op 21 (1800). Scottish CO/Charles Mackerras. Hyperion CDS44301/5 26

12:00 JAZZ AFTER NOON

with Sue Jowell

13:00 THE LESS-FAMOUS KREUTZER

Prepared by Elaine Siversen Kreutzer, C. Trio. Hans Rudolf Stalder, cl; Elmar Schmid, cl; Dorothea Jappe, va. Jecklin 587-2

22

Overture to Das Nachtlager von Granada (1834). Leipzig RSO/Zeljko Straka. Berlin Classics 0300249BC 10 The mill-wheel. Elisabeth Speiser, sop; Hans Rudolf Stalder, cl; Rolf Junghanns, fp. Jecklin 587-2 6 Fantasia in B flat. Albrecht Holder, bn; Stuttgart PO/Nicolás Pasquet. Naxos 8.553456 11 Grand septet in E flat for clarinet, horn and string quintet, op 62. Nash Ensemble. LP CRD 1090 32

14:30 BAVARIAN RADIO SYMPHONY ORCHESTRA

Prepared by Jacky Ternisien Beethoven, L. Overture to Leonore, op 138 no 1 (1806). Bavarian RSO/Colin Davis. CBS MDK 44790 11 Mozart, W. Six canons (c1769-88). Members of Bavarian RSO. Philips 464 880-2 9 Mendelssohn, F. Piano concerto no 2 in D minor, op 40 (1837). András Schiff, pf; Bavarian RSO/Charles Dutoit. Decca 414 672-2 22 Mozart, W. Popoli di Tessaglia ... Io non chiedo, eterni Dei, K316 (1778-79). Rita Streich, sop; Bavarian RSO/Charles Mackerras. DG 431 875-2

11

Spohr, L. Symphony no 6 in G, op 116, Historical (1840). Bavarian RSO/Karl Anton Rickenbacher. Orfeo C 094-841 A 26

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Stephen Wilson

19:00 THE NEW JAZZ STANDARD

with Frank Presley

20:00 THE WORLD OF A SYMPHONY The little C major

Prepared by James Nightingale Beethoven, L. Overture to Fidelio, op 72 (1814). Gewandhaus O/Franz Konwitschny. Berlin Classics 0300249BC

6

Schubert, F. Gesang der Geister über den Wassern, D714 (1820). Male voices of BBC Singers; members of the City of London Sinfonia/Jane Glover. Collins 14992 12 Ries, F. Fantasy on Mozart‘s The marriage of Figaro (1817). Christian Lambour, pf. Schwann 310 120 15 Schubert, F. To music, D547 (1817); Ganymede, D544 (1817); Slumber song, D527 (1817); On the sea, D543b (1817); On the giant peak, D611 (1818); To the setting sun, D457 (1816-17). Bernarda Fink, mezz; Gerold Huber, pf. Hamonia Mundi HMC 901991 21 Weber, C.M. Trio in G minor, op 63 (1819). Geoffrey Collins, fl; David Pereira, vc; David Bollard, pf. Fine Music concert recording 19 Schubert, F. Symphony no 6 in C, D589, Little C major (1817-18). Royal Concertgebouw O/ Nikolaus Harnoncourt. Teldec 4509-91184-2 35

22:00 MUSIC FOR OBOE

Prepared by Paul Cooke Sutherland, M. Sonatina (c1954). Jirí Tancibudek, ob; Noreen Stokes, pf. ABC 461 703-2

7

Zelenka, J. Trio sonata no 4 in G minor. Heinz Holliger, ob; Maurice Bourgue, ob; Klaus Thunemann, bn; Lucio Buccarella, db; Christiane Jaccottet, hpd. Archiv 479 1045 19

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC Something borrowed

Prepared by Di Cox Scarlatti, A. Variations on La follia (1715). Mahan Esfahani, hpd; Concerto Köln Archiv 479 4481 6 Müller, I. Trio, after a theme from Rossini’s Armida (c1828). Dieter Klöcker, cl; Martin Ostertag, vc; Edward Witsenburg, hp. Schwann 310 001 H1 11 Saint-Saëns, C. Symphonic poem: Le rouet d'Omphale, op 31 (arr. Wild). Earl Wild, pf. Sony SK 62036 8 Holst, G. St Paul's suite, op 29 no 2 (1912-13; arr. Walsh). Guitar Trek. ABC 432 698-2 13 Beethoven, L. Twelve variations in F on the theme Ein Mädchen oder Weibchen, op 66 (1796). Jacqueline du Pré, vc; Daniel Barenboim, pf. EMI CZS 5 68132 2 11 Schubert, F. Ständchen: Leise flehen meine Lieder, D957 no 4, from Schwanengesang (1828; arr. Elman). Anne-Sophie Mutter, vn; Daniil Trifonov, pf. DG 479 7570 4 Mozart, W. Oboe quintet in B flat, after K458 (after String quartet, K458, The hunt. 1784; arr. Rosinack). Consortium Classicum. Musikproduktion MDG 301 0498-2 24

10:30 CONCERT HALL

Prepared by Rex Burgess Rabaud, H. Symphonic poem after Nicholas Lenau: La procession, op 6 (1897). Loire PO/ Pierre Dervaux. EMI CDM 7 63951 2 15 Korngold, E. Violin concerto in D, op 35 (1945). Gil Shaham, vn; London SO/André Previn. DG 439 886-2 25 Koechlin, C. Seven stars’ symphony, op 132 (1933). German SO/James Judd. Sony 88875192992 43

12:00 A JAZZ HOUR

with Barry O'Sullivan

13:00 BRITTEN CHAMBER CONCERT

Prepared by Derek Parker Britten, B. Fanfare for St Edmondsbury (1959). Bo Nilsson, tpt; Jan-Olov Hjelm, tpt; Rolf Tilly, tpt. BIS CD-31

3

Sinfonietta, op 1 (1932). Nash Ensemble/ Lionel Friend. Hyperion CDA66845 14 Gemini variations, 12 variations and fugue, op 73 (1965). Gabriel Jeney, Zoltan Jeney, vn, fl, pf duet. Decca 468 811-2 15 Sonata in C, op 65 (1961). Yo-Yo Ma, vc; Emanuel Ax, pf. CBS MK 44980 22 String quartet no 1 in D, op 25 (1941). Belcea Quartet. EMI 5 57968 2 26

14:30 DEDICATED TO BRAHMS Part 3

Prepared by Paul Cooke Herzogenberg, H. Piano quartet in B flat, op 95 (1897). Andreas Frölich, pf; Belcanto Strings. cpo 999 710-2 30 Busoni, F. Six études, op 16 (1883). Wolf Harden, pf. Naxos 8.570891

22

Bruch, M. Symphony no 1 in E flat, op 28 (pub. 1870). London SO/Richard Hickox. Chandos CHAN 9784

31

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with James Hunter

19:00 FRIDAY JAZZ SESSION

with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA Respighi's dramatic symphony

Prepared by Rex Burgess Respighi, O. Church windows (1925). Buffalo PO/JoAnn Falletta. Naxos 8.557711 25 Piano concerto in A minor, (1902). Geoffrey Tozer, pf; BBC PO/Edward Downes. Chandos CHAN 9285 24 Sinfonia drammatica (1914). Rome SO/ Francesco La Vecchia. Brilliant Classics 94394

1:02 22:00 BAROQUE AND BEFORE Outstanding women

Prepared by Elaine Siversen Strozzi, B. Serenata e lamento: Lagrime mie. Jane Edwards, sop; Aurora Musicale. Fine Music concert recording 14 Strozzi, G. Gagliarda terza. L’Amoroso/Guido Balestracci, bass viol & dir. Pan Classics PC 10233 4 Jacquet de la Guerre, E-C. Cantata no 4, Jonas (1708). Judith Nelson, sop; Bay Area Women’s PO/JoAnn Falletta. Newport Classic NCD 60102 19 Suite no 1 in D minor, from Pieces for harpsichord (1687). Elizabeth Farr, hpd. Naxos 8.557654 24 Hildegard of Bingen. O Ierusalem aurea civitas. Heather Lee, sop; Mina Kanaridis, sop; Paul Jarman, taragotto; Kim Cunio, reed org & dir. ABC 476 570-5 23 Beatriz de Romans. Lady Maria. Sinfonye/ Stevie Wishart. Hyperion CDA66625 4 Maroie de Diergnau de Lille. Mout m'abelist quant le voi. Sinfonye/Stevie Wishart. Hyperion CDA66625 3 Beatriz de Dia. Vida: A chanter. Clemencic Consort/René Clemencic. Harmonia Mundi HMC 90396 15

Saturday 19 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC

with David Garrett

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Anne Irish Stravinsky, I. Three movements from Petrushka (1921). Maurizio Pollini, pf. Philips 456 937-2 15 Schumann, R. Abegg variations, op 1 (1830). Vladimir Ashkenazy, pf. Decca 443 322-2 8 Mendelssohn, F. Three caprices, op 33 (1833-35). Benjamin Frith, pf. Naxos 8.550939 25

10:00 CENTRES OF MUSIC The Leipzig Conservatory

Prepared by Jennifer Foong Horneman, C. Overture to Aladdin (1864). Danish National RSO/Michael Schønwandt. Chandos CHAN 9373 11 Schumann, C. Variations on a theme by Robert Schumann, op 20 (1853). Veronica Jochum, pf. Pro Arte CDD 396

11

Reger, M. Two chorale preludes, op 79 (1904): Mit Fried und Freud ich fahr dahin; Morgenglanzder Ewigkeit. Robert Ampt, org. LP EMI YPRX 1502 4 Sinding, C. Boat song, op 11 no 1. Bodil Arnesen, sop; Erling Ragnar Eriksen, pf. Naxos 8.553905 3 Gade, N. Symphony no 4 in B flat, op 20 (pub. 1850). Stockholm Sinfonietta/Neeme Järvi. BIS CD-338 21 Grieg, E. Piano concerto in A minor, op 16 (1868). Leif Ove Andsnes, pf; Bergen PO/ Dmitri Kitaienko. Virgin 7 59613 2 30

11:30 ON PARADE Music that’s band

Prepared by Owen Fisher Sousa, J.P. Characteristic dance. Allentown Band/Ron Demkee. AMP WWFM 2 3 Trad. Fantasia on British sea songs. Band of HM Royal Marines. ABC 278 0272 9 Paisley, B. The old rugged cross. Grimethorpe Colliery Band/Robert Childs. Delta 60357 3 Ellington, D. In a sentimental mood. Cory Band/Robert Childs. Doyen DOY 060 4 Gould, M. Excerpts from Windjammer. Allentown Band/Ron Demkee. AMP 20059 6

12:00 URBAN JAZZ LOUNGE

with Leita Hutchings

13:00 TREASURES OF THE VOICE

Prepared by Paul Cooke Glanville-Hicks, P. Letters from Morocco (1952). Gerald English, ten; Tasmanian SO/ Antony Walker. ABC 476 3222 14 Mussorgsky, M. The nursery (187072). Elisabeth Söderström, sop; Vladimir Ashkenazy/ pf. Decca 476 2511 16

Fauré, G. La bonne chanson, op 61 (1892-94). Ian Bostridge, ten; Leon Bosch, bass; Julius Drake, pf; Belcea Quartet. EMI 5 57609 2 24

14:00 TWICE THE CLARINET

Prepared by Paul Cooke Baermann, C. Duo concertant, op 33. Paul Meyer, cl; David Rowden, cl; Maria Raspopova, pf. Fine Music concert recording 12 Cavallini, E. Duo no 1 in C (1836). Nicola Bulfone, cl; Marco Giani, cl. Naxos 8.573133-34 14

14:30 SATURDAY MATINEE At the ballet

Prepared by Paul Cooke Nielsen, L. An Indian love tale, op 45, Lackschmi (1922). Queensland SO/Werner Andreas Albert. cpo 777 072-2 59 Rimsky-Korsakov, N. Scheherazade, symphonic suite after 1001 Nights, op 35 (1888). David Nolan, vn; Philharmonia O/ Enrique Bátiz. Naxos 8.553246

42

Freedman, H. Suite from the ballet Oiseaux exotiques (1984). Edmonton SO/Uri Mayer. CBC SMCD5059 37

17:00 SOCIETY SPOT Classical Guitar Society

with Darryl Rule

18:00 STAGE AND SCREEN The musicals: Pastiches

Prepared by Angela Cockburn Various. Excerpts from Underneath the arches (1982). Roy Hudd, Christopher Timothy, Julia Sutton, voices; original London cast/Clive Chaplin. TER-Orbis MUSC N65 16 Grieg, E. Excerpts from Song of Norway (arr. Kay 1944). Valerie Masterson, sop; Diana Montague, mezz; David Rendall, ten; Donald Maxwell, bar; Yit Kin Sieow pf; Philharmonia O/John Owen Edwards. TER-Orbis MUSC N41 17 Borodin, A. Excerpts from Kismet (arr. Wright, Forrest 1953). Valerie Masterson, sop; Donald Maxwell, bar; Judy Kaye, voice; Ambrosian Ch; Philharmonia O/John Owen Edwards. TER-Orbis MUSC N14 16

19:00 EMERGENT JAZZ

with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Johan Halvorsen

Prepared by Jennifer Foong Halvorsen, J. Entry march of the Boyars (1893). Bergen PO/Neeme Järvi. Chandos CHAN 241-44 4 Becker, A. Das Volk, das im Finstern wandelt, op 84 no 2. RIAS Chamber Choir/Uwe Gronostay. Harmonia Mundi HMX 2971794 3 Halvorsen, J. Dance of the little trolls, from Scenes from Norwegian fairy tales, op 37 (1925). Iceland SO/Bjarte Engeset. Naxos 8.557018 3 Suite ancienne, op 31a (1911). Bergen PO/ Neeme Järvi. Chandos CHAN 10614

25

Passacaille in G minor, after Handel’s suite no 7 in G minor (1897) Renaud Capuçon, vn; Gautier Capuçon, vc. Virgin 5 455762 0 6 Grieg, E. Funeral march in memory of Rikard Nordraak (1866; arr. Halvorsen). Bergen PO/ Ole Kristian Ruud. BIS CD-1740/42 8 Halvorsen, J. Norwegian rhapsody no 1. Bergen PO/Karsten Andersen. NKFCD 50013-2 12 Svendsen, J. Polonaise no 2 in D, op 28 (1881). Danish National RSO/Thomas Dausgaard. Chandos CHAN 9932 6 Halvorsen, J. Bergensiana, rococo variations on an old melody from Bergen. Bergen PO/ Karsten Andersen. NKFCD 50013-2 10 Symphony no 3 in C (1929). Bergen PO/ Neeme Jarvi. Chandos CHAN 10664

26

22:00 SATURDAY NIGHT AT HOME

Prepared by Elaine Siversen Czerny, C. Grand bravura variations on two themes from D-F-E Auber’s opera Fra Diavolo (1830). Rosemary Tuck, pf; English CO/ Richard Bonynge. Naxos 8.573254 18 Ravel, M. Suite from Mother Goose (1908-10; arr. McIntyre). Canberra Wind Soloists. ABC 434 718-2 14 Sullivan, A. Ballet: Pineapple Poll (arr. Mackerras 1951). Philharmonia O/Charles Mackerras. Decca 438 810-2 45 Liszt, F. Fantasy on themes from Mozart’s The marriage of Figaro and Don Giovanni (1842). Leslie Howard, pf. Hyperion CDS44541 22 Strauss, R. Sextet, from Capriccio, op 85 (1942). Academy of St Martin in the Fields Chamber Ensemble. Chandos CHAN 9131

12

Sunday 20 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

with Robert Small

09:00 MUSICA SACRA

Prepared by Robert Small Whitacre, E. I thank you God for most this amazing day (1999). Elora Festival Singers/ Noel Edison. Naxos 8.559677 6 Zelenka, J. Magnificat anima mea Dominum in D (1725). Miah Persson, sop; Akivo Tachikawa, alto; Bach Collegium Japan/ Masaaki Suzuki. BIS CD-1011 10 Respighi, O. The flight into Egypt, from Church windows (1925). Buffalo PO/JoAnn Falletta. Naxos 8.557711 6 Vivaldi, A. Stabat Mater, RV621 (c1712). Graham Pushee, ct; Aurora Musicale/John Liddy. ABC 456 636-2 20 Tallis, T. Spem in alium à 40. Cantillation/ Antony Walker. ABC 472 881-2

10

10:00 THE CLASSICAL ERA

Prepared by Di Cox Schubert, F. Overture in D in the Italian style, D590 (1817). Stockholm Sinfonietta/Neeme Järvi. BIS CD-453 8 Beethoven, L. Sonata no 5 in F, op 24, Spring (1800-01). Dene Olding, vn; Max Olding, pf. ABC 432 699-2 23 Haydn, M. Die Verwandlungen. Die Singphoniker. cpo 999 333-2 4 Weber, C.M. Clarinet quintet in B flat, op 34 (1815). Dieter Klöcker, cl; members of Consortium Classicum. Orfeo C314 941 A 27 Hummel, J. Piano trio no 1 in E flat, op 12 (c1803). Borodin Trio. Chandos CHAN 9529 21 Haydn, J. Symphony in D, Hob.I:101, Clock (1793-94). Royal PO/Thomas Beecham. EMI 1 66449 2 28

13:00 WORLD MUSIC Whirled Wide

with Linda Marr

14:00 INTIMATE VOICES String trios Part 3

Prepared by Chris Blower Rózsa, M. String trio, op 1 (1927). Members of Tippett Quartet. Naxos 8.572903 30 Beethoven, L. String trio in C minor, op 9 no 3 (1797-98). Trio Zimmerman. BIS SACD 1857 25

15:00 SUNDAY SPECIAL A taste of England

Prepared by Ron Walledge Elgar, E. Sea pictures, op 37 (1897-99). Janet Baker, mezz; London SO/John Barbirolli. EMI CDC 7 47329-2 24 Vaughan Williams, R. Flos campi (1925). Cantillation; Roger Benedict, va; Sydney SO/ Mark Wigglesworth. Melba MR301131 20 Finzi, G. Eclogue, op 10 (1946). Howard Shelley, pf; City of London Sinfonia/Richard Hickox. EMI 7 49627 2 10 Elgar, E. Symphony no 2 in E flat, op 63 (1911). Hallé O/John Barbirolli. EMI CDM 7 64724 2 56

17:00 HOSANNA

Prepared by Richard Munge Hymns. There is a green hill far away; Ye holy angels bright. Geoffrey Shaw, bass; Choir of St Paul’s Cathedral, London; Christopher Dearnley, org; English Brass Ensemble/John Scott. Helios CDH 55036 6 Psalms. No 2, Why do the heathen; no 92, It is a good thing. Choir of Norwich Cathedral; Neil Taylor, org; Michael Nicholas, cond. Priory PRCD 409 8 Noble, T. Magnificat; Nunc dimittis in A. Choir of Ely Cathedral; Jeremy Filsell, org; Paul Trepte, cond. Heritage HTGCD 219 7 Byrd, W. O lux beata Trinitas. Choir of New College, Oxford/Edward Higginbottom. CRD 3507 5 Boyce, W. The Lord is King. Choir of New College, Oxford/Edward Higginbottom. CRD 3507 7 Campbell, S. Praise to God in the highest. Choristers of Canterbury Cathedral; Michael Harris, org; David Flood, cond. York 120 3 Fauré, G. Pie Jesu, from Requiem. Choristers of Canterbury Cathedral; Michael Harris, org; David Flood, cond. York 120 3 Hymns. Love of the Father; Let all mortal flesh keep silence; O worship the KIng. Choir of Westminster Abbey; Robert Quinney, org; James O’Donnell, cond. Hyperion CDA 68013 8 Boëllmann, L. Toccata, from Suite gothique, op 25. Ashley Grote, org. Priory PRCD 1153 4

18:00 SMALL FORCES

Prepared by Anne Irish Suk, J. Elegy for piano trio, op 23 (1902). Smetana Trio. Supraphon SU 3810-2

5

Strauss, R. Romance in F (1883). Mischa Maisky, vc; Pavel Gililov, pf. DG 477 7465 11 Schubert, F. Quintet in A, D667, Trout (1819). Clifford Curzon, pf; Amadeus String Quartet. BBC BBCL 4009-2 39

19:00 SUNDAY NIGHT CONCERT

Prepared by Stephen Wilson Rameau, J-P. Suite and dances from Les Boréades (c1760). Capella Savaria/Mary Térey-Smith Naxos 8.553388 22 Prokofiev, S. Violin concerto no 1 in D, op 19 (1916-17). Lisa Batiashvili, vn; CO of Europe/ Yannick Nézet-Séguin. DG 479 8529 23 Brahms, J. Symphony no 4 in E minor, op 98 (1884-85). Gewandhaus O/Riccardo Chailly. Decca 478 5344 38

20:30 NEW HORIZONS

Prepared by Nev Dorrington Zawadzki, S. Piano solos from the album Viridian (2002) Sebastian Zawadzki, pf. Sebastian Zawadzki Music SZM004 50 Totland, O. Retold (2017). Huw Roberts, synthesiser; Otto A. Totland, pf. Serein SERE 001SE 30 Small|Motiv (2021). Otto A. Totland, pf. Sonic Pieces 032 5

22:00 JAZZ AFTER HOURS

with Deborah Evans

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with James Hunter

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1847

Prepared by Jacky Ternisien Nathan, I. Overture to Don John of Austria (1847; arr. Mackerras). Adelaide SO/Carl Pini. LP ABC AC 1036 9 Mendelssohn, Fanny. Two melodies, nos 4 and 6 (1847). Irene Barbuceanu, pf. Schwann 3-1589-2 10 Proch, H. Homesick for Switzerland, op 38 (1847). Elena Xanthoudakis, sop; Jason Xanthoudakis, cl; Clemens Leske, pf. Move MCD 472 5 Verdi, G. Ballet music, from Macbeth (1847). Monte Carlo National Opera O/Antonio de Almeida. Philips 468 148-2 10 Offenbach, J. Duet in A, op 51 no 1 (1847). Andrea Noferini, vc; Giovanni Sollima, vc. Brilliant Classics 94475 12 Reinecke, C. Duets, op 12 (1847). Edith Mathis, sop; Hidenori Komatsu, bar; Cord Garben, pf. cpo 999 262-2 6 Mendelssohn, F. String quartet no 6 in F minor, op 80 (1847). The Lindsays. ASV QS 6173 25

10:30 CONCERT HALL

Prepared by Anne Irish Debussy, C. Petite suite (1886-89). Detroit SO/Paul Paray Mercury 478 5092 11 Mozart, W. Double concerto in C, K299 (1778). Jean-Pierre Rampal, fl; Lily Laskine, hp; Jean-François Paillard CO/Jean-François Paillard. Erato 0630-13705-2 31 Brahms, J. Symphony no 2 in D, op 73 (1877). Gewandhaus O/Riccardo Chailly. Decca 478 5344 40

12:00 SWING SESSIONS

with John Buchanan

13:00 SPRING SONORITIES

Prepared by Brian Drummond Palmgren, S. Spring dreams, from Pictures from Finland, op 24 (1910). Helsinki PO/Leif Segerstam. Ondine ODE 1112-2

7

Milhaud, D. Spring concertino, op 135 (1934). Michael Guttman, vn; Royal PO/José Serebrier. ASV DCA 855 10 Suk, J. Spring, op 22a (1902). Radoslav Kvapil, pf. Unicorn-Kanchana DKP(CD)9159 14 Coates, E. Suite: Springtime (1937). BBC Concert O/John Wilson. ASV WHL 2112 13 Delius, F. The march of Spring, from North Country sketches (1913-14). Welsh National Opera O/Charles Mackerras. Argo 430 202-2 8

14:00 A JOURNEY OF THREE CENTURIES

Prepared by Frank Morrison Bach, J.S. Preludes and fugues (1722): no 1 in C, BWV846; no 2 in C minor, BWV847; no 3 in C sharp, BWV848. Sviatoslav Richter, pf. Olympia OCD 536A 11 Vivaldi, A. Violin concerto in F minor, RV297, Winter (1723). La Serenissima/Adrian Chandler, vn & dir. Avie AV2344 9 Mendelssohn, F. Piano trio no 1 in D minor, op 49 (1839). Macquarie Trio. ABC 456 191-2 29 Schumann, R. Arabesque, op 18 (1838). Artur Rubinstein, pf. RCA RD 85670 7 Brahms, J. Gypsy songs, op 103 nos 1 to 7 (1887-8). Jessye Norman, sop; Daniel Barenboim, pf. DG 459 469-2 12 Debussy, C. Beau soir (c1878; arr. Heifetz). Anne-Sophie Mutter, vn; Lambert Orkis, pf. DG 479 2949 3 Bartók, B. Concerto for orchestra (1943). Seattle SO/Gerard Schwarz. Delos DE 3095 37

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with David Brett

19:00 JAZZ PULSE

with Chris Wetherall

20:00 STORMY MONDAY

with Austin Harrison

22:00 JAZZ AFTER HOURS

with Eddie Bernasconi

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Julie Simonds

09:00 DIVERSIONS IN FINE MUSIC Colours of the keyboard

Prepared by Michael Morton-Evans Mozart, W. Concerto in F for two pianos and orchestra, K242, Lodron (1776; arr. Mozart from Concerto for three pianos and orchestra). Imogen Cooper, pf; Alfred Brendel, pf; Academy of St Martin in the Fields/Neville Marriner. Philips 476 209-5 PM3 23 Loeillet de Gant, J-B. Sonata in G. André Isselée, fl; Christiane Parée, hpd. LP Alpha 139 C 10 Moeran, E.J. Theme and variations (1920). Iris Loveridge, pf. Lyrita REAM 1103 12 Gnattali, R. Sonatina no 2 (1957). Franz Halász, gui; Débora Halász, pf. BIS BIS-2086 14 Busi, G. Allegro, from Sonata III, from Four sonatas. Luigi Celeghin, org; Bianka Pezic, org. Naxos 8.557131 7 Tartini, G. Sonata in G minor, Devil’s trill (1734). Ray Chen, vn; Noreen Polera, pf. Sony 88697808122

15

10:30 CONCERT HALL

Prepared by Vicky Zhang Beethoven, L. Overture no 3 to Leonore, op 72a (1806). Bavarian RSO/Colin Davis. CBS MDK 44790 16 Tchaikovsky, P. Variations on a rococo theme, op 33 (1876). Truls Mørk, vc; Oslo PO/ Mariss Jansons. Virgin VC 7 59325 2 19 Coates, E. Ballet: The enchanted garden (1938). BBC Concert O/John Wilson. ASV WHL 2112 20 Mozart, W. Symphony in D, K203, Colloredo serenade (1774). Academy of Ancient Music/ Jaap Schröder, Christopher Hogwood codirectors L’Oiseau-Lyre 417 841-2 28

12:00 JAZZ RHYTHM

with Jeannie McInnes

13:00 THE WARRIORS

Prepared by Elaine Siversen Rossini, G. Overture to Robert Bruce (1846) (1846). Milan Giuseppe Verdi SO/Riccardo Chailly. Decca 470 298-2 7 Wallace, W. Symphonic poem no 5: Sir William Wallace (1905). BBC Scottish SO/ Martyn Brabbins. Hyperion CDA66848 21 d’Indy, V. Wallenstein, op 12 (1873; rev. 187981). Loire PO/Pierre Dervaux. LP Pathé Marconi 2C069-14043 33 Janácek, L. Taras Bulba, rhapsody after Gogol (1915-18). Brno State PO/Frantisek Jílek. Supraphon 11 1521-2 031

22

14:30 MAJESTIC AMERICANS

Prepared by James Nightingale Bernstein, L. Symphonic suite, from On the waterfront (1955). West Australian SO/ Benjamin Northey. ABC 481 7378

19

Glass, P. Études nos 2 and 9 (1994-95). Vikingur Olafsson, pf. DG 479 6918 9 Copland, A. Concerto for clarinet and string orchestra (with harp and piano) (1947-48). Martin Fröst, cl; Malmö SO/Lan Shui. BIS CD-893 18 Barber, S. Summer music, op 31 (1956). Bergen Wind Quintet. BIS CD-291 11 Higdon, J. All things majestic (2011). Nashville SO/Giancarlo Guerrero. Naxos 8.559823 23

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Michael Morton-Evans

19:00 THE JAZZ BEAT

with Lloyd Capps

20:00 JUST IN

with David Garrett A selection from the latest recordings to arrive at the Fine Music Library

22:00 CHAMBER SOIRÉE

Prepared by Gerald Holder Telemann, G. Trio sonata in E minor, from Tafelmusik II (pub. 1733). Wilbert Hazelzet, fl; Alfredo Bernardini, ob; Richte van der Meer, vc; Pieter-Jan Belder, hpd. Brilliant Classics 94104 15 Haydn, J. String quartet no 13 in G, Hob.III:21 (1771). Kodály Quartet. Naxos 8.550786 15

Beethoven, L. Sonata no 9 in A, op 47, Kreutzer (1802-03). Joseph Szigeti, vn; Claudio Arrau, pf. Vanguard 08 8063 74 35 Tchaikovsky, P. Piano trio in A minor, op 50 (1881-82). Leningrad Philharmonic Trio. Olympia OCD 157 47

Wednesday 23 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Stephen Wilson

09:00 DIVERSIONS IN FINE MUSIC Rescued from the shadows

Prepared by Brian Drummond Lawes, W. Royal consort sett no 4 in D. Elizabeth Kenny, theorbo; Phantasm/Laurence Dreyfus. Linn CKD 470 14 Farina, C. Capriccio stravagante for two violins, viola and continuo (1626). European Community Baroque O/Monica Huggett, vn & dir. Channel CCS 4392 15 Boyce, W. Symphony in B flat, op 2 no 7 (1740). Academy of Ancient Music/Christopher Hogwood. Decca 473 081-2 9 Fesch, W. de Concerto grosso in D, op 10 no 4 (1741). Musici Academici/Dejan Mijajev. LP Alpha BNB5-6 13 Bishop, H. Sing willow, from A comedy of errors (1821); Who is Sylvia? and That time of year, from Two gentlemen of Verona (1816-21). Susan Gritton, sop; Musicians of the Globe/ Philip Pickett. Decca 470 381-2 10 Reicha, A. 18 Variations and a fantasia in G, on Mozart’s Se vuol ballare, for flute, violin and cello, op 51 (c1806). Ensemble Schönbrunn. Globe GLO 5219 19

10:30 CONCERT HALL

Prepared by Rita Felton Mussorgsky, M. St John’s night on Bald Mountain (1867; orch. Rimsky-Korsakov 1886). Royal Liverpool PO/Charles Mackerras. Virgin VC 7 91174-2 11 Telemann, G. Concerto grosso in D. Rachel Brown, fl; Siu Peasgood, fl; Micaela Comberti, vn; Jane Coe, vc; Collegium Musicum 90/ Simon Standage. Chandos CHAN 0512 21 Berlioz, H. Symphonie fantastique, op 14 (1830). Sydney SO/Willem van Otterloo. LP ABC AO 7009/10

49

12:00 JAZZ SKETCHES

with Robert Vale

13:00 IN CONVERSATION

with Simon Moore

14:00 WEST AUSTRALIAN SYMPHONY ORCHESTRA Part 1

Prepared by Ron Walledge Hyde, M. Overture: Happy occasion (1957). West Australian SO/Richard Mills. ABC 442 374-2

4

Ireland, J. A London overture (1936). West Australian SO/David Measham. ABC 446 282-2 13 Dohnányi, E. Suite in F sharp minor, op 19 (1908-09). West Australian SO/Jorge Mester. ABC 438 197-2 29 Smalley, R. Oboe concerto (1995-96). Joel Marangella, ob; West Australian SO/Roger Smalley. ABC 980 047-5 21 Brahms, J. Symphony no 1 in C minor, op 68 (1876). West Australian SO/Asher Fisch. ABC 481 4413 42

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Lloyd Capps

19:00 PLANET JAZZ

with Xavier Bichon

20:00 AT THE OPERA

Prepared by Peter Poole Giordano, U. Madame Sans-Gêne. Comic opera in three acts. Libretto by Renato Simoni after the play by Victorien Sardou and Émile Moreau. First performed New York, 1915. MADAME SANS-GÊNE (CATERINA): Mirella Freni, sop LEFEBVRE: Giorgio Merighi, ten COUNT NEIPPERG: Valter Borin, ten NAPOLÉON: Mauro Buda, bar Modena Community Theatre Choir; Emilia Romagna SO ‘Arturo Toscanini’/Stefano Ranzani. Dynamic CDS 247/1-2 2:03 The setting is Paris in August 1792 during the Insurrection that led to the abolition of the monarchy. The laundress, Caterina (Madame Carefree) is friendly with the quiet officer named Napoleon Bonaparte who lives close by. As Caterina is about to close in the evening, a wounded Austrian officer (Count Neipperg) arrives asking for help and she offers to hide him. Caterina’s fiancée, Sergeant Lefebvre arrives with his soldiers 45

but, when he finds the hidden man, decides to help Caterina in allowing him to flee. Nineteen years later, when Napoleon has become Emperor, Lefebvre, now the Duke of Danzig, is married to Caterina (now the Duchess) but the Emperor disapproves of the marriage. At a reception, Caterina is ridiculed for her carefree behaviour by two of the Emperor’s sisters; she retaliates and is called to see the Emperor. He orders her to divorce the Duke as she is not suited to be a duchess. Count Neipperg reappears and is caught entering the Empress’ apartment. Napoleon, suspecting an affair between them, orders the Count to be executed but Caterina intervenes and shows the Count to be innocent. Napoleon is so impressed by her behaviour that, as the Duchess of Danzig, Caterina appears on the Emperor's arm as the hunt is about to start. Colpito qui m’avete ... Un di all’azzurro spazio; Come un bel dì di maggio; Si, fui soldato, from Andrea Chénier (1895). Luciano Pavarotti, ten; National PO/Riccardo Chailly. Decca 400 083-2 11

22:30 MUSIC OF THE NIGHT

Prepared by Paul Cooke

Le Gallienne, D. Nocturne (1937). Larry Sitsky, pf. Tall Poppies TP049

3

The prize (1960). O/George Logie Smith. Canberra School of Music CSM 28 19 Sutherland, M. Nocturne (c1945). Marina Marsden, vn; Robert Chamberlain, pf. Tall Poppies TP116 3 Oboe concertante (1961). Jirí Tancibudek, ob; Melbourne SO/Patrick Thomas. LP ABC AC1075 18 Werder, F. Violoncello solo (1993). Friedrich Gauwerky, vc. ABC 456 682-2 8 Violin concerto (1969). Leonard Dommett, vn; Melbourne SO/Fritz Rieger. LP ABC/Festival SFC 80020 32

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Simon Moore

09:00 DIVERSIONS IN FINE MUSIC The Instruments: Woodwinds

Prepared by James Nightingale Françaix, J. Divertissement (1942). Robin O’Neill, bn; members of Gaudier Ensemble. Hyperion CDA67036 9 Koch, E. Monologue no 2 (1975). Mårten Larsen, ob. Intim IMCD 096 6 Rebel, J-F. Trio sonata in F (1695). Kate Clark, fl; Paul Wright, vn; Suzanne Wijsman, vc; Stewart Smith, hpd. ABC 476 6996 8 Hill, M. Come summer. Philippa Robinson, cl; Josephine Allan, pf. Innaminka 720 4 Ravel, M. Sonata, Posthumous (arr. Mellema from Violin sonata). Arno Bornkamp, sax; Ivo Janssen, pf. Ottavo OTR C12098 14 Schulhoff, E. Concertino (1925). Fenwick Smith, fl; Mark Ludwig, va; Edwin Barker, db. Chandos CHAN 10515 16 Krommer, F. Clarinet quartet in D, op 82 (c1816). Dieter Klöcker, cl; Consortium Classicum. cpo 999 141-2 20

10:30 CONCERT HALL

Prepared by Frank Morrison Bizet, G. Suite no 1 from L'arlésienne (1872). Ulster O/Yan Pascal Tortelier. Chandos CHAN 6600 16 Richter, F. Trumpet concerto in D (1760s). Maurice André, tpt; Munich CO/Hans Stadlmair. Decca 478 4664 15 Stenhammar, W. Symphony no 1 in F (190203). Gothenburg SO/Neeme Järvi. DG 445 857-2 50

13:00 SHAKESPEARIANA

Prepared by Rex Burgess Castelnuovo-Tedesco, M. Overture: As you like it, op 166 (1953). West Australian SO/ Andrew Penny. Naxos 8.572501 12 Walton, W. As you like it, a poem for orchestra after Shakespeare (1936; arr. Palmer). Catherine Bott, sop; Academy of St Martin in the Fields/Neville Marriner. Chandos CHAN 8842 13 Liszt, F. Wedding march and Dance of the elves, from Mendelssohn's A midsummer night's dream (1849-50). Leslie Howard, pf. Hyperion CDS44549 10 Mendelssohn, F. Incidental music to A midsummer night's dream, op 21 (1826), op 61 (1842). Arlene Saunders, sop; Helen Vanni, mezz; Inga Swenson, narr; James Stagliano, hn; Boston Symphony Ch & O/Erich Leinsdorf. RCA Victrola VD87816 48

14:30 THE PARIS SYMPHONIES Part 4

Prepared by Jacky Ternisien Haydn, J. Overture to Le speziale, Hob.Ia:10 (1768). Haydn Sinfonietta, Vienna/Manfred Huss. Schwann 3-1723-2 6 Saint-Georges, J. Scena, from Ernestine (1777). Faye Robinson, sop; London SO/Paul Freeman. LP CBS SBR 235692 6 Haydn, J. Quartet in D, Hob.III:63, Lark (1790). Emerson String Quartet. DG 471 327-2 18 Oboe concerto in C, Hob.VII:C1 (c1800). Jirí Tancibudek, ob; Adelaide CO/Richard Divall. ABC 461 703-2 23 Variations on the Emperor’s hymn, Hob.XVII:13 (1787-89). Lola Odiaga, pf. Titanic Ti-156 5 Symphony in E flat, Hob.I:84 (1786). Academy of St Martin in the Fields/Neville Marriner. Philips 438 727-2 21

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Marilyn Schock

19:00 THE NEW JAZZ STANDARD

with Frank Presley

12:00 JAZZ AFTER NOON

with Sue Jowell

20:00 THE WORLD OF SYMPHONY

Prepared by David Brett Glazunov, A. Fantasy: The forest, op 19 (1887). USSR SO/Yevgeny Svetlanov. Melodiya SUCD 10-00156 21 Shostakovich, D. One can only dream of true love, from Lady Macbeth of Mtsensk, op 29 (1934). Galina Vishnevskaya, sop; London PO/ Mstislav Rostropovich. EMI 5 62829 2 6 Adagio (elegy), from Lady Macbeth of Mtsensk, op 29 (1934; arr.). Emerson String Quartet. DG 463 284-2 5 Mahler, G. Adagietto, from Symphony no 5 in C sharp minor (1901-02). Berlin PO/Herbert von Karajan. DG 479 0540 12 Shostakovich, D. Symphony no 4 in C minor, op 43 (1935-36). Boston SO/Andris Nelsons. DG 0289 48352203 1:04

22:00 CELLO IN CHAMBER

Prepared by Paul Cooke Boulanger, N. Three pieces (1914). Louise King, vc; Therese Milanovic, pf. musestrio.com 903494 44380 7 Porretti, D. Sonata in D. Josep Bassal, vc; Wolfgang Lehner, vc. Naxos 8.557795 19

22:30 ULTIMA THULE

Friday 25 February

00:00 CONTEMPORARY COLLECTIVE

03:00 CLASSICAL TILL DAWN

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Vicky Zhang

09:00 DIVERSIONS IN FINE MUSIC Something borrowed

Prepared by Stephen Wilson Albinoni, T. Trumpet concerto in D minor, op 9 no 2 (pub. 1721; arr. Thilde). Maurice André, tpt; London PO/Jésus López-Cobos. EMI CMS 7 69880-2 9 Reicha, A. 18 Variations and a fantasy in G on Mozart’s Se vuol ballare, op 51 (1804). Geoffrey Collins, fl; Dene Olding, vn; Julian Smiles, vc. Fine Music concert recording 16 Godowsky, L. Passacaglia, after Schubert (1927). David Stanhope, pf. Tall Poppies TP135 18

Mozart, W. Wind quintet after Piano sonata in B flat, K570 (1789; arr. Pikler). Guy Henderson, ob; Sydney Wind Quartet. Fine Music concert recording 14 Davis, C. Nocturne based on themes from Hôtel du Lac (1986; arr. Davis 2010). Amy Dickson, sax; Melvyn Tan, pf; Philharmonia O/ Carl Davis. Carl Davis CDC010 11 Borne, F. Brilliant fantasy after Bizet’s Carmen. Sharon Bezaly, fl; Ervin Nagy, pf. BIS CD-1039 11

10:30 CONCERT HALL

Prepared by Michael Field Grieg, E. Symphonic dances, op 64 (189697). Royal PO/Yondani Butt. ASV DCA 722 28 Vasks, P. Cello concerto no 2, Presence (2012) Sol Gabetta, vc; Amsterdam Sinfonietta/Candida Thompson. Sony 88725423122 Mozart, W. Symphony no 35 in D, K385, Haffner (1782). Queensland PO/Chitaru Asahina. Walsingham WAL 8038-2

35

19

12:00 A JAZZ HOUR

with Barry O'Sullivan

13:00 SCHUBERT CHAMBER CONCERT

Prepared by Derek Parker Schubert, F. String quartet no 8 in B flat, D112 (1814). Vienna Konzerthaus Quartet. Westminster RC 8808678121735 27 Sonata in D, D384 (1816; arr. Bergström). Gil Shaham, vn; Göran Söllscher, gui. DG 479 2565 15 Piano trio in B flat, D898 (1827). Vienna Schubert Trio. Nimbus NI 6137 40

14:30 DEDICATED TO BRAHMS Part 4

Prepared by Paul Cooke Goldmark, K. Overture to Penthesilea, op 31 (1879). Bamberg SO/Fabrice Bollon. cpo CPO 555 160-2 19 Stanford, C. Villiers. Two songs, from 50 Songs of old Ireland (1882). Stephen Varcoe, bar; Clifford Benson, pf. Hyperion CDA67123 4 Busoni, F. Study in the form of variations (1883). Wolf Harden, pf. Naxos 8.555699 9 Schumann, R. Introduction and allegro concertante in D minor, op 134 (1853). Angela Hewitt, pf; German SO/Hannu Lintu. Hyperion CDA 67885 15 Suk, J. Piano quintet in G minor, op 8 (1893/1915). Members of Nash Ensemble. Helios CDH55416

34

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Robert Gilchrist

19:00 FRIDAY JAZZ SESSION

with Alex Siegers

20:00 EVENINGS WITH THE ORCHESTRA Musical portraits

Prepared by Paul Cooke Butterworth, G. Rhapsody, A Shropshire lad (1911). Sydney SO/Eugene Goossens. LP ABC/HMV OXLP 7620/21 12 Strauss, R. Tone poem: Don Quixote, op 35 (1897). Pierre Fournier, vc; Royal Concertgebouw O/George Szell. Radio Netherlands RCO 05001 40 Strong, G. Symphony no 2 in G minor, op 50, Sintram (1887-88). Moscow SO/Adriano. Naxos 8.559018 59

22:00 BAROQUE AND BEFORE The dazzling age of Bohemian Baroque

Prepared by Robert Gilchrist Zelenka, J. Magnificat (1725). Bernadette Degelin, sop; David James, alto; Westvlaams Vocal Ensemble; Paul Dombrecht, ob; Paul Beelaerts, ob; Musica Polyphonica/Louis Devos. LP Artistique STU 71462 11 Biber, H. Sonata VI (pub. 1681). Romanesca. Harmonia Mundi HMU 907134.35 14 Stamitz, J. Organ concerto no 2 in C. Alena Veselá, org; Dvorák CO/Vladimir Válek. Supraphon SU 3094-2 011 21 Benda, F. Violin concerto in D. Josef Suk, vn; Suk CO/Christian Benda. Naxos 8.553902 22 Stamitz, J. Orchestral trio in B flat, op 1 no 5. Camerata Bern/Thomas Füri. LP Archiv 2723 068 14 Jiránek, F. Concerto in F for oboe, strings and continuo. Xena Löffler, ob; members of Collegium Marianum/Jana Semerádová. Supraphon SU 4208-2 10 Brixi, F. Organ concerto in D. Jan Hora, org; Prague CO/Frantisek Vajnar. LP Supraphon 1110 3029 G 17

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SATURDAY MORNING MUSIC

with Peter Bell

09:00 WHAT'S ON IN MUSIC

Our weekly guide to musical events in and around Sydney

09:05 THE PIANO ALONE

Prepared by Frank Morrison Beethoven, L. Sonata no 13 in E flat, op 27 no 1 (1800-01). András Schiff, pf. ECM 476 5875 16 Chopin, F. Scherzo no 1 in B minor, op 20 (1832). Sviatoslav Richter, pf. Olympia OCD 338 10 Bach, J.S. Suite no 1 in A, BWV806, English (bef. 1725). Murray Perahia, pf. Sony SK 60276 22

10:00 CENTRES OF MUSIC St Petersburg

Prepared by Paul Cooke Paisiello, G. Andante for the Empress's birthday. Sören Hermansson, hn; Erica Goodman, hp. BIS CD-648

4

Traetta, T. Ombra cara, amorosa; Io resto sempre a piangere; Finito è il mio tormento, from Antigona, Act II (1772). Olga Peretyatko, sop; Basle SO/Ivor Bolton. Sony 19075919052 10 Cimarosa, D. Overture to Cleopatra (1789). Nicolaus Esterházy Sinfonia/Alessandro Amoretti. Naxos 8.570508 4 Manfredini, V. You believe me to be bound by grief; Let not those eyes; Live for us exalted lady, from Carlo Magno (1764). Cecilia Bartoli, mezz; I Barocchisti/Diego Fasolis. Decca 478 6767 19 Galuppi, B. Sinfonia, from Il caffe di campagna, Act I (1761). Capella Savaria/Fabio Pirona. Hungaroton 31658-59 5 Cimarosa, D. Sanctus; Benedictus; Agnus Dei; Lux aeterna, from Requiem in G minor (1787). Adriana Kucerová, sop; Terézia Kruzliaková, cont; L’udovit Ludha, ten; Gustav Belácek, bass; Lúcnica Ch; Marianna Gazdíková, org; Capella Istropolitana/Kirk Trevor. Naxos 8.572371 12

Paisiello, G. Keyboard concerto no 1 in C (1780-83). Pietro Spada, pf; Academy of Saint Cecilia CO. Brilliant Classics 94224 24

11:30 ON PARADE

Prepared by Michael Morton-Evans Sousa, J.P. Hail to the spirit of liberty (1900). Royal Artillery Band/Keith Brion. Naxos 8.578001-02 3 Langford, G. An Offenbach fantasy. Grimethorpe Colliery Band/Peter Parkes. Chandos CHAN 4542 10 Vaughan Williams, R. Variations for brass band. John Foster Black Dyke Mills Band/ Geoffrey Brand. Chandos CHAN 4510 12

12:00 URBAN JAZZ LOUNGE

with Leita Hutchings

13:00 IN A SENTIMENTAL MOOD

with Maureen Meers Nostalgic music and artists from the 30s, 40s and 50s and occasionally beyond, in a trip down many memory lanes

14:00 CHAMBER MUSIC FOR CELLO

Prepared by Paul Cooke Lekeu, G. Larghetto (1892). Isabelle Veyrier, vc; Ensemble Musique Oblique. Harmonia Mundi 1901 455 9 Villa-Lobos, H. Bachianas brasileiras no 1 (1930-38). Trisha Ayling, vc; Catherine Finnis, vc; Phillip Green, vc; Catherine Hewgill, vc; Julian Smiles, vc; Zoltán Szábó, vc; Nathan Waks, vc; David Pereira, vc. Fine Music concert recording 18

14:30 SATURDAY MATINEE Choral Masterpieces

Prepared by Di Cox Bach, C.P.E. Oratorio: The Resurrection and Ascension of Jesus, Wq240 (1774-77/84). Hillevi Martinpelto, sop; Christoph Prégardien, ten; Peter Harvey, bass; Collegium Vocale Ghent; O of the Age of Enlightenment/Philippe Herreweghe. Virgin VC 7 91498-2 1:16 Stamitz, J. Organ concerto no 1 in D . Alena Veselá, org; Dvorák CO/Vladimir Válek. Supraphon SU 3094-2 011 17 Telemann, G. Overture; Conclusion, in E minor, from Tafelmusik suite no 1 (1732). Tasmanian SO/Geoffrey Lancaster. ABC 434 899-2 33 Graun, J. Quintet in A minor for transverse flute, oboe, viola, cello and obbligato harpsichord. Notturna/Christopher Palameta, ob & dir. Sony 19075821552 16

17:00 SOCIETY SPOT Sydney Schubert Society

with Ross Hayes

18:00 STAGE AND SCREEN

Prepared by Anabela Pina Williams, J. Excerpts from Empire of the sun (1987). Ambrosian Junior Choir/John McCarthy, John Williams. Warner Bros 7599-25668-2

14

Armstrong, C. The balcony scene, from Romeo and Juliet (1996; arr. Bateman). Royal PO/Paul Bateman. Sony 88697161052 6 Warbeck, S. Excerpts from Captain Corelli’s mandolin (2001). La Scala Singers. Decca 467 678-2 18 Tiersen, Y. Excerpts from Le fabuleux destin d’Amélie (2001). Yann Tiersen, Fréhel, voices. Labels 7243811022994 10 Piovani, N. Sorridi amore vai, from Life is beautiful (1997; arr. Walden). Andrea Bocelli, ten; O/Gavin Greenaway. Sugar 4811885 3

19:00 EMERGENT JAZZ

with Keith Pettigrew

20:00 THE LIFE OF A COMPOSER Herbert Howells

Prepared by Paul Cooke Howells, H. Suite, The B’s (1914). London SO/ Richard Hickox. Chandos CHAN 9557 32 String quartet no 3, In Gloucestershire (1916/38-39). Dante Quartet. Naxos 8.573913 29 Threnody. Moray Welsh, vc; London SO/ Richard Hickox. Chandos CHAN 9410 9 Sonata (1949). Thea King, cl; Clifford Benson, pf. Hyperion CDA66044 21 Credo, from Missa sabrinensis (1954). London Symphony Ch & O/Gennady Rozhdestvensky. Chandos CHAN 9348 19

22:00 SATURDAY NIGHT AT HOME

Prepared by Rex Burgess Telemann, G. Suite in D for oboe, trumpet, strings and basso continuo. Schola Cantorum Basiliensis/August Wenzinger. Archiv 479 1045 32 Brahms, J. Variations on a theme by Haydn, op 56a, St Antoni chorale (1873). Scottish CO/ Charles Mackerras. Telarc 80450 17 Britten, B. Suite on English folk tunes: A time there was, op 90 (1974). Britten Sinfonia/ Nicholas Daniel. Harmonia Mundi HMU 807573 17 Bach, J.S. A musical offering, BWV1079 (1747). Musica Antiqua Cologne/Reinhard Goebel. Archiv 413 642-2 48

Sunday 27 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 SUNDAY MORNING MUSIC

with Chloe Sinclair

09:00 MUSICA SACRA

Prepared by Paul Cooke Ryba, J. Missa pastoralis in D (1788). Dagmar Vankátová, sop; Pavla Ksicová, cont; Vladimír Dolezal, ten; Václav Sibera, bass; Czech Madrigalists Ch & O; Josef Ksica, org; Frantisek Xaver Thuri, cond. Naxos 8.554428 14 Brahms, J. Chorale prelude and fugue in A minor, WoO7 (1858). Peter Planyavsky, org. DG 479 1965

8

Handel, G. Psalm 110: Dixit Dominus, HWV232 (1707). Choir & O of Westminster Abbey/Simon Preston. DG 478 5183 32

10:00 THE CLASSICAL ERA

Prepared by Jacky Ternisien Méhul, É-N. Overture to Le trésor supposé (1802). Bretagne O/Stefan Sanderling. ASV DCA 1140 5 Solère, E. Symphonie concertante in F (pub. 1790). Thea King, cl; Georgina Dobrée, cl; English CO/Andrew Litton. Hyperion CDD 22017 18 Lhoyer, A. de Duo concertant in C, op 31 no 2 (1814). Matteo Mela, gui; Lorenzo Micheli, gui. Naxos 8.570146 16 Brod, H. Wind quintet in E flat, op 2 no 1. Albert Schweitzer Quintet. cpo 999 498-2 23 Duport, J-L. Cello concerto no 2 in G (1785). Frédéric Lodéon, vc; Paris Orchestral Ensemble/Jean-Pierre Wallez. LP Erato NUM 75185 19 Lalande, M-R. de Suite no 4, from Symphonies for the king's suppers. Edith Selim, sop; Paul Kuentz CO/Paul Kuentz. Archiv 479 1045 27

13:00 WORLD MUSIC Whirled Wide

with Orli Zahava

14:00 INTIMATE VOICES String trios Part 4

Prepared by Chris Blower Ysaÿe, E. String trio, op posth., Le chimay (1927). Henning Kraggerud, vn; Lars Anders Tomter, va; Ole-Eirik Ree, vc. Naxos 8.570977 18 Boccherini, L. String trio in A, op 47 no 1 (1793). Members of Australian Haydn Ensemble. Fine Music concert recording 8 Taneyev, S. Trio in E flat, op 31 (1911). Jerusalem String Trio. Meridian CDE 84149 28

15:00 SUNDAY SPECIAL Great Artists with the Philadelphia Orchestra

Prepared by Elaine Siversen Liszt, F. Hungarian fantasia (1853). Cyprien Katsaris, pf; Philadelphia O/Eugene Ormandy. EMI CDM 1 66431 2 15 Wagner, R. Prologue: Dawn and Siegfried’s Rhine journey, from Götterdämmerung (186974). Philadelphia O/Eugene Ormandy. RCA Victrola VD87819 13 Tchaikovsky, P. Violin concerto in D, op 35 (1878). Itzhak Perlman, vn; Philadelphia O/ Eugene Ormandy. EMI CMS 7 64922 2 37 Strauss, R. Tone poem: A hero's life, op 40 (1897-98). Philadelphia O/Eugene Ormandy. Sony SBK 48 272 44

17:00 HOSANNA

Parry, H. My soul, there is a country. Tenebrae/Nigel Short. Signum SIGCD267

4

Hymn. Dear Lord and Father of mankind. Choir of Westminster Abbey; Daniel Cook, org; James O’Donnell, cond. Hyperion CDA68089 4 Parry, H. Psalm no 84. Choir of St Paul’s Cathedral, London; Andrew Lucas, org; John Scott, cond. Hyperion CDS44107 4 I was glad. Choir of St Paul’s Cathedral, London; Andrew Lucas, org; John Scott, cond. Hyperion SPCC2000 6 Never weather-beaten sail. Tenebrae/Nigel Short. Signum SIGCD267 3 Chorale prelude on Melcombe. Colin Walsh, org. Priory PRCD 379 3 There is an old belief. Tenebrae/Nigel Short. Signum SIGCD267

5

Hear my words, ye people. Choir of King’s College, Cambridge; Douglas Tang, org; Stephen Cleobury, cond. KGS 0004

15

Jerusalem. Choir of Westminster Abbey; Daniel Cook, org; James O’Donnell, cond. Hyperion CDA68089

3

18:00 SMALL FORCES

Prepared by Rex Burgess Falconieri, A. Fantasia detta la Portia (pub. 1650). Marion Verbruggen, rec; David Douglas, vn; Kevin Mason, theorbo; Mary Springfels, bass viol. Harmonia Mundi HMU 907022 4 Ravel, M. Rhapsodie espagnole (1907). Katia Labèque, pf; Marielle Labèque, pf. KML 1111 16 Handel, G. Chaconne in G. Hille Perl, va da gamba; La Folia Baroque O. DHM G0100036503747 15 Debussy, C. Sonata (1915). Bridget Bolliger, fl; Irena Morozova, va; Louise Johnson, hp. Fine Music concert recording 17

19:00 SUNDAY NIGHT CONCERT

Prepared by Frank Morrison Prokofiev, S. Overture on Hebrew themes, op 34b (1934). I Musici de Montréal/Yuli Turovsky. Chandos CHAN 8800 9 Gershwin, G. Piano concerto in F (1925). Peter Donohoe, pf; City of Birmingham SO/ Simon Rattle. EMI CDC 7 54280 2 32 Czerny, C. Symphony no 2 in D, op 781. Brandenburg State O/Nikos Athinäos. Christophorus CHE 0140-2 41

20:30 NEW HORIZONS

Prepared by James Nightingale Brophy, G. Beautiful birds (2019). Ensemble Offspring. ABC 481 9361 15 Sculthorpe, P. Quartet no 11, Jabiru dreaming (1990). Goldner String Quartet. Tall Poppies TP090 14 Thorvalsdottir, A. Dreaming (2008). Iceland SO/Daniel Bjarnason. Sono Luminus DSL-92213 16 Body, J. Five lullabies (1989). Ars Nova Copenhagen/Paul Hillier. Ars Nova 6.220597 12 Adams, J.L. Among red mountains (2001). Lisa Moore, pf. Cantaloupe CA21115 12 Beamish, S. Whitescape (2000). Swedish CO, Örebro/Ola Rudner. BIS CD-1241 10

22:00 JAZZ AFTER HOURS

with Deborah Evans

Monday 28 February

00:00 CLASSIC-ALL THROUGH THE NIGHT

06:00 FINE MUSIC BREAKFAST including Arts Calendar at 7.30am

with Robert Small

09:00 DIVERSIONS IN FINE MUSIC A year in retrospect: 1920

Prepared by Frank Morrison Milhaud, D. Five studies, op 63 (1920). Michael Korstick, pf; Kaiserslautern RSO/Alun Francis. cpo 777 162-2 10 Respighi, O. Adagio con variazioni (1920). Luca Signorini, vc; Francesco Nicolosi, pf. Nuova Era 7191 12 Myaskovsky, N. Sonata no 3 in C minor, op 19 (1920/39). Murray McLachlan, pf. Olympia OCD 214 13 Chadwick, G. Elegy In memory of Horatio Parker (1920). Czech State PO/José Serebrier. Reference RR-74CD 8 Beach, A. Trio in A minor, op 150 (1938). Elizabeth Layton, vn; Naomi Butterworth, vc; Diana Ambache, pf. Chandos CHAN 9752 15 Malipiero, G. Quartet no 1, Rispetti e strambotti (1920). Orpheus String Quartet. ASV CD DCD 457 21

10:30 CONCERT HALL

Prepared by Dan Bickel Atterberg, K. The river from the mountains to the sea, op 33 (1929). North German Radio PO/Ari Rasilainen. cpo 999 913-2 20 Mozart, L. Sinfonia pastorella in G. Jozsef Molnár, alphorn; Capella Istropolitana. Naxos 8.555978 11 Strauss, R. An alpine symphony, op 64 (191115). Staatskapelle Dresden/Karl Böhm. DG 447 454-2 52

12:00 SWING SESSIONS

with John Buchanan

13:00 CLARINET AND FRIENDS

Prepared by Jacky Ternisien Gershwin, G. Rhapsody in blue (1924). Al Gallodoro, cl, bass cl, sax; Lincoln Mayorga, pf; Harmonie Ensemble/Steven Richman. Harmonia Mundi HMU 907492 16 Saint-Saëns, C. Sonata in E flat, op 167 (1921). Richard Hosford, cl; Ian Brown, pf. Hyperion CDA67431/2 16 Vivaldi, A. Concerto in C for multiple instruments, RV560. Paolo Grazzi, ob; Lorenzo Coppola, cl; Daniele Latini, cl; Barocca Zefiro O/Alfredo Bernardini, ob & dir. naïve OP 30409 9 Koechlin, C. Idylle, op 216 (1948). Dirk Altmann, cl. SWR MUSIC SWR19047CD 11 Carafa, M. L’amica ancor non torna ... Oh di sorte crudel, from Le nozze di Lammermoor (1829). Joyce DiDonato, mezz; Jean-Michel Bertelli, cl; Lyon National Opera Ch & O/ Riccardo Minasi. Erato 08256 463656 2 3 9 Beethoven, L. Wind sextet in E flat, op 71 (1796). Mozzafiato/Charles Neidich, cl & dir. Sony SK 53367 18

14:30 FROM SPAIN

Prepared by Di Cox Albéniz, I. Rapsodia española, op 70 (1911; arr. R. Halffter). Alicia de Larrocha, pf; London PO/Rafael Frühbeck de Burgos. Decca 433 905-2 18 Sarasate, P. de Gipsy airs, op 20 (1878). Leila Josefowicz, vn; Academy of St Martin in the Fields/Neville Marriner. Philips 454 440-2 9 Soler, A. Fandango in D minor. Scott Ross, hpd. Erato 2292-45435-2 12 Luna, P. El niño judio. Teresa Berganza, mezz; English CO/Enrique Garcia Asensio. Ensayo ENY 3407 6 Turina, J. Danzas fantásticas, op 22 (1920). Guitar Trek. ABC 476 3389 15 Rodrigo, J. Concierto de Aranjuez (1939). Pepe Romero, gui; Academy of St Martin in the Fields/Neville Marriner. Philips 438 016-2 22

16:00 FINE MUSIC DRIVE including Arts Calendar at 5.00pm

with Nicky Gluch

19:00 JAZZ PULSE

with Chris Wetherall

20:00 STORMY MONDAY

with Austin Harrison

22:00 JAZZ AFTER HOURS

with Gail Monjo

Illustration by Lyndon Pike

Adams, J.L. b1953 27 Albéniz, I. 1860-1909 11,28 Albinoni, T. 1671-1751 25 Alfvén, H. 1872-1960 9 Alkan, C-V. 1813-1888 12 André, J. 1775-1842 14 Andrée, E. 1841-1929 12 Armstrong, C. b1959 26 Atterberg, K. 1887-1974 28

Bach, C.P.E. 1714-1788 3,5,7,10,12,26 Bach, J.S. 1685-1750 3,4,6,10,11,12,21,26 Bach, W.F. 1710-1784 11 Baermann, C. 1810-1885 17,19 Balakirev, M. 1837-1910 11,16 Barber, S. 1910-1981 22 Barblan, O. 1860-1943 11 Barraqué, J. 1928-1973 9 Bartók, B. 1881-1945 10,21 Beach, A. 1867-1944 10,28 Beamish, S. b1956 27 Beatriz de Dia. c1125-c1195 18 Beauvais, W. b1956 13 Beethoven, L. 1770-1827 1,2,3,6,7, 8,9,10,11,13,14,17,18,20,22,26,28 Benda, F. 1709-1786 25 Benda, G. 1722-1795 1 Berio, L. 1925-2003 9 Berlioz, H. 1803-1869 23 Bernstein, L. 1918-1990 22 Bertali, A. 1605-1669 10 Bertoli, G. fl c1639-1645 4 Berwald, F. 1796-1868 15 Biber, H. 1644-1704 25 Bishop, H. 1786-1855 23 Bizet, G. 1838-1875 9,15,24 Bliss, A. 1891-1975 7 Blow, J. 1649-1708 2 Boccherini, L. 1743-1805 13,14,27 Body, J. 1944-2015 27 Boïeldieu, A. 1775-1834 16 Borne, F. 1840-1920 25 Borodin, A. 1833-1887 5,10,16,19 Boulanger, N.1887-1979 24 Bowen, Y. 1884-1961 12 Boyce, W. 1711-1779 20,23 Brahms, J. 1833-1897 1,4,8, 10,11,12,15,17,20,21,23,26,27 Braunfels, W.1882-1954 12 Bridge, F. 1879-1941 7 Britten, B. 1913-1976 11,13,18,26 Brixi, F. 1732-1771 25 Brod, H. 1801-1838 27 Brophy, G. b1953 27 Bruch, M. 1838-1920 18 Brumby, C. 1933-2018 1 Busi, G. 1808-1871 22 Busoni, F. 1866-1924 3,18,25 Butterley, N. b1935 2 Butterworth, G. 1885-1916 4,11,25 Byrd, W. 1543-1623 20

Capponi, R. c1608-1688 11 Carafa, M. 1787-1872 28 Castelnuovo-Tedesco,M. 1895-1968 24 Cavallini, E. 1807-1874 19 Chabrier, E. 1841-1894 9 Chadwick, G.1854-1931 28 Chopin, F. 1810-1849 1,4,9,10,15,26 Cimarosa, D. 1749-1801 26 Clarke, Rebecca. 1886-1979 2 Coates, E. 1886-1957 21,22 Colgrass, M. 1932-2019 13 Copland, A. 1900-1990 15,22 Corelli, A. 1653-1713 8 Couperin, F. 1668-1733 17 Cui, C. 1835-1918 16 Czerny, C. 1791-1857 19,27

d’Indy, V. 1851-1931 22 Danzi, F. 1763-1826 1 Dargomizhsky, A. 1813-1869 9 Davis, C. b1936 25 Debussy, C. 1862-1918 3,5,10,12,15,21,27 Delius, F. 1862-1934 4,7,21 Dohnányi, E. 1877-1960 1,8,13,23 Dubois, T. 1837-1924 11 Duparc, H. 1848-1933 5 Duport, J-L. 1749-1819 27 Dutilleux, H. 1916-2013 9 Dvorák, A. 1841-1904 10,11

Edwards, R. b1943 6,8 Eisler, H. 1898-1962 3 Elgar, E. 1857-1934 11,14,20 Enescu, G. 1881-1955 15

Falla, M. de 1876-1946 4,15 Farina, C. c1600-c1640 23 Fasch, J. 1688-1758 10,11 Fauré, G. 1845-1924 8,19 Fernández, O. 1897-1948 4 Fesch, W. de 1687-1757 23 Finzi, G. 1901-1956 20 Flecha, M. El Viejo 1481-1553 11 Françaix, J. 1912-1997 6,7,24 Freedman, H. 1922-200519

Gade, N. 1817-1890 13,19 Galuppi, B. 1706-1785 3 Gatti, L. 1740-1817 6 Gayfer, J. 1916-1997 5 Gedalge, A. 1856-1926 5 Geminiani, F. 1687-1762 2 Gershwin, G. 1898-1937 27,28 Giordano, U. 1867-1948 23 Giuliani, M. 1781-1829 8,13 Glanville-Hicks, P. 1912-1990 19 Glass, P. b1937 22 Glazunov, A. 1865-1936 5,7,16,24 Glinka, M. 1804-1857 5,14 Gluck, C. 1714-1787 11 Gnattali, R. 1906-1988 22 Godowsky, L. 1870-1938 11,25 Goldmark, K. 1830-1915 25 Gould, M. 1913-1996 19 Gounod, C. 1818-1893 8 Granados, E. 1867-1916 12 Graun, J. 1702-1771 26 Graupner, C. 1683-1760 4,16 Grieg, E. 1843-1907 5,8,19,25 Guridi, J. 1886-1961 11

Haas, P. 1899-1944 15 Halvorsen, J. 1864-1935 12,19 Handel, G. 1685-1759 8,13,17,27 Haydn, J. 1732-1809 6,8,10,13,20,22,24 Haydn, M. 1737-1806 6,7 Heinichen, J. 1683-1729 9 Herzogenberg, H. 1843-1900 18 Higdon, J. b1962 22 Hildegard of Bingen. 1098-1179 18 Hoffmeister, F. 1754-1812 10 Holland, D. 1913-2000 1 Holst, G. 1874-1934 4,18 Holter, I. 1850-1941 12 Horneman, C. 1840-1906 19 Hotteterre, J-M. 1674-1763 3 Howells, H. 1892-1983 26 Hume, T. c1569-1645 3 Hummel, J. 1778-1837 2,8,14,20 Humperdinck, E. 1854-1921 3

Ibert, J. 1890-1962 5 Ireland, J. 1879-1962 23

Jackson, F. b1917 6 Jacquet de la Guerre, E-C. c1666-1729 18 Janácek, L. 1854-1928 22 Jarnach, P. 1892-1982 3 Jiránek, F. 1698-1778 25 Joachim, J. 1831-1907 11 Jolivet, A. 1905-1974 5,9 Just, J. c1750-1791 9 Kalliwoda, J. 1801-1866 3 Karg-Elert, S.1877-1933 15 Khachaturian, A. 1903-1978 1,7 Koch, E. 1910-2009 24 Koechlin, C. 1867-1950 16,18,28 Korngold, E. 1897-1957 18 Kozeluch, L. 1747-1818 6 Kraus, J.M. 1756-1792 11 Krause, C. 1717-1770 16 Kreutzer, C. 1780-1849 17 Krommer, F. 1759-1831 4,6,15,24 Kuhlau, F. 1786-1832 13

Lalande, M-R. de 1657-1726 2,27 Langford, G. 1930-2017 26 Lawes, W. 1602-1645 23 Le Gallienne, D. 1915-1963 23 Lecce, F. 18th C 9 Ledroit, C. b1975 6 Lefanu, N. b1947 13 Lehár, F. 1870-1948 9 Lekeu, G. 1870-1894 26 Lhoyer, A. de 1768-1852 27 Linley, T. the younger 1756-1778 9 Liszt, F. 1811-1886 16,19,24,27 Loeillet de Gant, J-B. 1688-1730 22 Lovreglio, D. 1841-1907 11 Luna, P. 1880-1942 28

Macens, E. b1991 3 MacKenzie, A. 1847-1935 2 Mahler, G. 1860-1911 24 Malipiero, G. 1882-1973 28 Manfredini, V. 1737-1799 26 Martinu, B. 1890-1959 2 Mascagni, P. 1863-1945 5 Mayr, J.S. 1763-1845 7 McGrath, J. 20th C 13 Méhul, É-N. 1763-1817 27 Mendelssohn, F. 1809-1847 6,7,9,10,13,14,17,19,21,24 Mendelssohn, Fanny. 1805-1847 21 Merrill, B. 1921-1998 12 Messager, A. 1853-1929 17 Messiaen, O. 1908-1992 5 Milhaud, D. 1892-1974 21,28 Mills, R. b1949 6 Moeran, E.J. 1894-1950 22 Moscheles, I. 1794-1870 15 Mozart, L. 1719-1787 28 Mozart, W. 1756-1791 1,2,3, 6,7,10,13,14,15,17,18,21,22,25 Müller, I. 1786-1854 18 Mussorgsky, M. 1839-1881 16,19,23 Myaskovsky, N. 1881-1950 28

Nangle, J. b1981 13 Nathan, I. 1790-1864 21 Nielsen, C. 1865-1931 10,16 Nielsen, L. 1876-1939 19 Noble, T. 1867-1953 20 Novák, V. 1870-1949 4 Novello, I. 1893-1951 5 Nuorvala, J. b1961 13

Offenbach, J. 1819-1880 21

Paganini, N. 1782-1840 4 Paisible, J. 1650-1721 9 Paisiello, G. 1740-1816 9,12,26 Palmgren, S. 1878-1951 21 Parry, H. 1848-1918 27 Pasculli, A. 1842-1924 3 Paterson-Achenbach,R. 20th C 6 Pessard, E. 1843-1917 5 Pierné, G. 1863-1937 2,11 Pisendel, J. 1687-1755 5 Platti, G. 1700-1763 4 Ponchielli, A. 1834-1886 9 Porretti, D. 1676-1753 24 Prokofiev, S. 1891-1953 5,20,27 Puccini, G. 1858-1924 9 Purcell, H. 1659-1695 8,15 Puts, K. b1972 8 Rabaud, H. 1873-1949 18 Rachmaninov, S. 1873-1943 4,8 Rameau, J-P. 1683-1764 14,20 Rautavaara, E. 1928-2016 2 Ravel, M. 1875-1937 7,8,19,24,27 Rebel, J-F. 1666-1747 24 Reicha, A. 1770-1836 4,13,15,23,25 Reinecke, C. 1824-1910 4,21 Respighi, O. 1879-1936 8,12,18,20,28 Richter, F. 1709-1789 24 Ries, F. 1784-1838 13,17 Rimsky-Korsakov, N.1844-1908 2,3,16,19 Rodgers, R. 1902-1979 12 Rodrigo, J. 1901-1999 28 Romberg, B. 1767-1841 3 Rossini, G. 1792-1868 8,11,13,16,22 Rousseau, J-J. 1712-1778 2 Roussel, A. 1869-1937 10 Rózsa, M. 1907-1995 20 Rubbra, E. 1901-1986 2 Ryba, J. 1765-1815 27

Saariaho, K. b1952 2,16 Saeverud, H. 1897-1992 12 Saint-Georges, J. 1745-1799 10,24 Saint-Saëns, C. 1835-1921 18,28 Salieri, A. 1750-1825 13 Sammartini, G.B. 1700-1775 3 Sarasate, P. de 1844-1908 11,14,28 Scarlatti, A. 1659-1725 18 Scheibe, J. 1708-1776 5 Schmidt, F. 1874-1939 2 Schneider, G.1770-1839 7 Schubert, F. 1797-1828 1,2,3,4,6,13,15,17,20,25 Schulhoff, E. 1894-1942 15,24 Schumann, C. 1819-1896 4,19 Schumann, R.1810-1856 4,12,15,19,21,25 Sculthorpe, P. 1929-2014 27 Shostakovich, D. 1906-1975 7,8,24 Sibelius, J. 1865-1957 15 Smalley, R. 1943-2015 23 Snell, H. b1953 12 Soler, A. 1729-1783 28 Solère, E. 1753-1817 27 Sor, F. 1778-1839 11,13 Speer, D. 1636-1707 4 Spohr, L. 1784-1859 5,8,17 Stamitz, C. 1745-1801 13,14 Stamitz, J. 1717-1757 3,25,26 Stanford, C. Villiers 1852-1924 17 Stanley, J. 1712-1786 16 Steffani, A. 1654-1728 16 Stenhammar, W. 1871-1927 24 Stradella, A. 1639-1682 8 Strauss, J. II 1825-1899 4,12 Strauss, R. 1864-1949 9,19,20,25,27,28 Stravinsky, I. 1882-1971 3,14,19 Strong, G. 1856-1948 25 Strozzi, B. 1619-1677 18 Styne, J. 1905-1994 12 Suk, J. 1874-1935 4,20,21,25 Sullivan, A. 1842-1900 19 Sutherland, M. 1897-1984 17,23 Svendsen, J. 1840-1911 12,19

Tallis, T. c1505-1585 20 Taneyev, S. 1856-1915 27 Tartini, G. 1692-1770 22 Tchaikovsky, P.1840-1893 2,5,6,10,15,22,27 Telemann, G. 1681-1767 3,4,5,8,22,23,26 Thorvalsdottir, A. b1977 27 Tiersen, Y. b1970 26 Totland, O. b1979 20 Traetta, T. 1727-1779 26 Tubin, E. 1905-1982 7 Turina, J. 1882-1949 28 Vasks, P. b1946 25 Vaughan Williams, R.1872-1958 2,4,8,10,20,26 Verdi, G. 1813-1901 5,21 Villa-Lobos, H. 1887-1959 26 Vivaldi, A. 16781741 11,13,20,21,28 Vorisek, J. 1791-1825 16

Wagner, R. 1813-1883 5,10,27 Wallace, W. 1860-1940 22 Walton, W. 1902-1983 7,24 Warbeck, S. 20th C 26 Weber, C.M. 1786-1826 16,17,20 Weigl, J. 1776-1846 3 Weill, K. 1900-1950 3 Weiss, S. 1686-1750 11 Werder, F. 1922-2012 23 Westlake, N. b1958 7 Whitacre, E. b1970 20 Widor, C-M. 1844-1937 13 Wieniawski, H. 1835-1880 15 Williams, J. b1932 12,26 Wolpe, S. 1902-1972 3 Wranitzky, P. 1756-1808 1,14

Ysaÿe, E. 1858-1931 13,27

Zawadzki, S. b1991 20 Zelenka, J. 1679-1745 4,6,17,20,25

Ch & O: Chorus & Orchestra CO: Chamber Orchestra FO: Festival Orchestra NO: National Orchestra NSO: National Symphony Orchestra PO: Philharmonic Orchestra RO: Radio Orchestra RSO: Radio Symphony Orchestra RTO: Radio & Television Orchestra RTV SO: Radio and Television Symphony Orchestra SO: Symphony Orchestra TO: Theatre Orchestra alto: male alto ban: bandoneon bar: baritone bshn: basset horn bass: bass bn: bassoon bass bar: bass baritone cl: clarinet clvd: clavichord cont: contralto cora: cor anglais ct: counter-tenor db: double bass dbn: double bassoon did: didjeridu elec: electronic fl: flute fp: fortepiano gui: guitar hn: french horn hp: harp hpd: harpsichord mand: mandolin mar: marimba mezz: mezzo-soprano narr: narrator ob: oboe org: organ perc: percussion pf: piano picc: piccolo rec: recorder sax: saxophone sop: soprano tb: trombone ten: tenor timp: timpani tpt: trumpet treb: treble voice va: viola vc: cello vn: violin

Music duration is shown after the record and citation