12/2011
Florian L端bke
GRAFIK DESIGN DESIGN SOFTWARE
observe / think / work
Portfolio
NGISED KIFARG
12/2011
Florian L端bke
DESIGN SOFTWARE
observe / think / work
Portfolio
Was
Typografie, Grafikdesign / 2011
Wie
Grafiksoftware
Was
Typografie, Grafikdesign, Textildesign / 2008-2009 / 2011
Wie
Grafiksoftware, Siebdruck
Was
Typografie, Grafikdesign / 2011
Wie
analoge Skizze, Grafiksoftware
Was
Typografie, Grafikdesign / 2011
Wie
analoge Skizze, Grafiksoftware
Was
Typografie, Grafikdesign / 2011
Wie
Grafiksoftware
Was
Logo, Typografie, Grafikdesign / 2011
Wie
Grafiksoftware
Was
Illustration, Layout, Altarfalz Flyer / 2010
Wie
Grafiksoftware
Kunde
DZ-Service, Karlsruhe
Flexibilitat
Qualitat
Was
Textildesign, Typografie / 2008 1) Offenbacher Version von »I love you« 2) Kombination aus »consume me« 3) LMAA anstatt John, Paul, George & Ringo oder … George, Gina & Lucy
Wie
Grafiksoftware
Veröffentlicht TYPO SHIRT ONE, edited by MAGMA Brand Design, Deutschland, Verlag INDEXBOOK / 2010
Was
Diplom, „Konzept für eine experimentelle Ausstellung über industrielle Massentierhaltung“ / 2008 Mit Hilfe zeitgenössischer Kunstformen & Medien (Expozeitung, Virtual-Expo, Real-Expo)
Wie
Mixed Media, Low-Budget Materialien z.B. Xerographie
Betreuung
Prof. Guido Ludes, Prof. Dr. Klemp (Korreferent)
Ablauf der Expositionen
Zeitleiste
chronologischer Ablauf der Expositionen aus Sicht des Rezipienten
Flyer
Aktionsfläche OnAir
Webadresse
1. Phase
Webseite VIRTUAL-Exposition ab 3.Phase Webflyer für die REAL-Exposition ohne bisherige Interaktionsmöglichkeiten
©2008/2009 KNSTFHLR LAB. // DIPLOM „Expo industr. Massentierhltg.“ // FH Wiesbaden // WS08/09 // MTRKLNR.145695
2. Phase
Plakat Info Sticker Webadresse und Ausstellungsadresse
Webadresse und Ausstellungsadresse
3. Phase
Kommunikation Besucher & Aussteller
Guerilla Marketing
Ausstellungskatalog heimlich in Tageszeitung gelegt, Cover mit Info-Sticker für Webadresse und Ausstellungsadresse
REAL-Exposition
4. Phase
Legende: Strasse=öffentlicher Raum
THINK ?=Neugierde
about
& Interesse
wecken
!=Auflösung
& Information
Aufforderung zur Handlung nach geweckten Interesse
Reaktion Informationsaustausch
Informationsübermittlung
Besucher gibt erlerntes weiter
5. Phase
Ausstellungs Katalog Menschen, die von der Exposition nichts mitbekamen
experimentelle Exposition über industrielle Massentierhaltung Vernissage 12.Februar ab 19 Uhr täglich geöffnet vom 12.Februar bis 14.Februar Glashaus/FH Wiesbaden
Was
fiktive Kampagne, Idee, Slogan, Grafikdesign / 2008
Wie
Grafiksoftware
Warum
Basierend auf der Idee, Speckrolle vs. Prinzenrolle
Was
Grafikdesign, Postkartenserie zur Buchmesse / 2007 Ehrengast Region Katalonien 10 Motive gibt es als kostenlose Postkarten
Wer
Teamarbeit mit Katharina Wanner & Ann Eckert
Kunde
Buchmesse, Frankfurt
Was
Modul des experimentellen Akt Kurses SS/2007 als CD-ROM mit einer Sammlung der Arbeiten von Studenten / 2007 Jede Verpackung ist ein Unikat & wurde in Handarbeit gefertigt.
Wer
Teamarbeit mit Judith Ewald & Nora von Kalckreuth
Was
Eine Wandgestaltung von ca. 650m² zeigt Zahlen, Ereignisse & dazu passende Illustrationen über die Stadt Hanau / 2007
Wie
Klebeband, Sprühdose, Pinsel, Overhead, Schablonenfolie u.m.
Projekt
Hanau Radau (Stiehl, Ansorge, Weiß, Walldorf, Schrodt, Lübke)
Kunde
Stadt Hanau
Was
Chronik für die Rhein-Main-Hallen in Wiesbaden / 2007 Design soll an ein Moleskine Notizbuch erinnern. Pseudo Kaffeflecken, handschriftliche Bemerkungen, Krümmel, verschiedene Papiersorten & Grammaturen erhöhen den haptischen Reiz & unterstreichen den Character als persönliches Notizbuch.
Wer
Teamarbeit mit Katharina Wanner & Ann-Kathrin Eckert
Kunde
Rhein-Main-Hallen, Wiesbaden
2007
iesbaden ence.org
Was
Plakat- & Flyergestaltung, Pitch / 2007 Das Papier, Zanders Chromolux, sollte an einen Spiegel erinnern
Wer
Teamarbeit mit Maria Riesenhuber
Kunde
Scholz und Volkmar / see conference Veranstalter, Wiesbaden
Was
Folder für FontShop über Typographen/Typedesigner & ihre Schriften – hier Xavier Dupré / 2006/07
Wer
Teamarbeit mit Kaspar Schneider & Jakob Weiß
Kunde
Font-Shop, Berlin
ff Sanuk An automobile accident occurs. Two drivers are involved. Witnesses include four sidewalk spectators, a policeman, a man with a camera who happened to be shooting the scene, and the pilot of a helicopter that was flying over the place ff Sanuk 10 pt / 13 pt
Here we have nine different points of view and, most likely, nine different descriptions of this accident. In short fiction, who tells the story and how it is told are critical issues for an author to decide. The tone and feel of the story, and even its meaning, can change radically depending on who is telling you the story. Remember, ff Sanuk 7 pt / 10 pt
Xavier Dupré
ff Absara Sans
10 Questions to
ff Absara
Where do you find inspiration for your work? The calligraphy and my knowledge of paleography (historical writings) help me to find shapes and ideas. Printed books from Quattrocento or old brochures may inspire me. Besides that, i’m inspired by everything i see on my journeys or in the streets.
2005
2004
ff Angkoon 2003
How important is old fashioned handcraft like sketching in the design process? I don’t know if this is really important (in general for all type designers) but after all, scribbling is a real pleasure for me.
FF Jambono 2001
ff Reminga
Was there a special incident that made you say »Okay, i’m going to be a typographer«? It was a logical consequence. When i was young, i used to draw and paint, and since the age of 11 i was interested in graphic or product design. At 15, i studied applied art in a special school. Three years later, in 94–95, i used my first faces, Futura & ff Blur, in a posters and booklet project. ff Blur was really amazing for me, probably the first type-love story! Then, i began graphic design studies, my first Mac helped me to destroy existing faces and i discovered the difference between Times Roman and Garamond.
2001
ff Megano 2005
FF Tartine Script 2000
ff Parango 2001
ff Sanuk
How do you start working on a new font? I like to make sketches or scribbles, writings on notebooks when i’m aboard a train or on a pavement of a café. I don’t scan anything, i design directly on screen in FontLab with nodes and Bézier curves. Sometimes, i start from an existing font (of mine of course). In a few hours, i make the 21 first lower cases (without v-w-x-y-z because i don’t like these diagonal letters so much) and see what happens in text.
2005
Type Characters - Xavier Dupré Published by FontFont® International 2007
What is the most exciting part in creating a new, fresh and clean Xavier Dupré font? I like to begin a new font, find the particularities of the shapes, the creative part. It is very exciting to see the first generated font including the lower cases and to discover how they work together. The design of a single glyph is not really interesting but to see it matching the other letters in a word, a sentence and a text is really exciting.
www.fontfont.com www.fontshop.com Designed by Lübke / Schneider / Weiß University of applied sciences Wiesbaden Fonts: ff Sanuk Hand-printed in West Germany We reserve the right of errrors and changes
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Xavier Dupré has created successful typefaces for multiple foundries at a surprisingly young age. Born in France in 1977, Dupré is inspired by many cultures, having traveled the globe, working in both packaging and typeface design. In 1995 he studied graphic design in Paris and received a GCE Applied Arts degree. Two years later he went to the Scriptorium de Toulouse to learn cal-
And the hardest thing about it...? ...is to combine a design which is creative, readable and usable at the same time. Is there anything you do for work besides designing type? Professionally, i don’t have any other occupation. I make graphic design only for my friends. I also design a few letterings but this is not my priority. When i don’t design fonts, i like travelling, taking photos or cooking.
»Sketching helps me to find new directions, and writing with a calligraphic pen makes me keep in mind the calligraphic shapes, even if my fonts are not clearly calligraphic.« Which tools could be improved or developed to make font design easier? The tools are probably highly perfected but i’m not a technician. What i could need most is a collaborator for the technical process. That’s one of the reasons why i prefer working with type foundries. All the prizes you’ve won over the last few years: What do they mean to you? I’m very lucky about having received some awards, that gave me energy to continue. It is important for me to gain recognition on my work. Otherwise, prizes are not a proof of excellence. They do not really increase the sales and i often don’t completely agree with the judge’s choice. Sometimes, good designs are not awarded and vice versa. The result of a contest is just the reflection of the judge’s personal opinion, but not the absolute truth. Which glyph do you most like? The vowel ›a‹ is probably the most interesting. The most exotic is the german ›ß‹, i like it very much. I really dislike the figure ›8‹ in italic and the letters v-w-x-y-z.
Trampoline Spirit
Hairline Thin Thin Italic Thin SC Thin Italic SC Light Light Italic Light SC Light Italic SC Regular Italic SC Italic SC Medium Medium Italic Medium SC Medium Italic SC Bold
»The initial idea of ff Sanuk
was to combine a useful corporate sans
and a real calligraphic tightness.«
Bold Italic Bold SC Bold Italic SC Black Black Italic Black SC Black Italic SC Fat +TF +LF
Boxer Shorts
Nuclear Meltdown
Latte to go 1234567890 1234567890
KS
o
»
Xavier Dupré about ff Sanuk (designed in 2005): The initial idea of ff Sanuk has been to combine a useful corporate sans and a real calligraphic tightness. Very readable in caption or body text, the versatility of ff Sanuk offers an originality in large size as well as great impact thanks to display cuts such as Hairline, Thin, Black or Fat. ff Sanuk is more structured than ff Megano. It was a good exer-
cise to adapt the shapes in 8 different weights, from hairline to fat. I especially like the energy of italic cuts which reminds me of itc Eras by Albert Boton. The upright fonts have the energy of an italic while the italics have the legibility of a roman. ff Sanuk is a dynamic corporate typeface.
T Y P E C H A R A C T E R S
«
ligraphy and typography. In 1999, he began to work at a packaging design agency in Paris. He also collaborated with Ladislas Mandel, well-known for telephone directory typography and experiments with Renaissance letterforms. For 2001 to 2004 he lived in Cambodia, designing latin and khmer typefaces. Dupré was awarded consecutive Certificates of Typographic Excellence in 2004, 2005 and 2006 by New York’s TDC.
X A V I E R
ff Parango Historians disagree about the political and socioeconomic nature of the revolution. One interpretation is that the old aristocratic order of the Ancien Régime succumbed to the ambitions of a rising bourgeoisie, influenced by the ideas of the Enlightenment, and also allied with
Regular Regular Italic Regular Italic TF Regular SC Bold + Expert + TF
FF Tartine Script Wash and remove the stones from the plums. Depending on their size, cut them in quarters or halves. In a sautée or pan, melt the piece of butter
D U P R É Regular Regular TF Bold Bold TF Black Black TF + Expert
ff Tartine Script 13 pt / 16 pt
ff Parango 10 pt / 13 pt
aggrieved peasants and wage-earners in the towns, particularly Paris and Lyon. Another interpretation sees various aristocratic and bourgeois attempts at political and economic reform spinning out of control and coinciding with popular movements of the new wage-earning classes and the provincial peasantry, but see any alliance between classes as rather contingent and incidental. ff Parango 7 pt / 9 pt
Artistic flowering
Decorative Mosaics French Tradition
Quattrocento
em 1234567890 1234567890
N
Xavier Dupré about ff Parango (2001): The inspiration for ff Parango came from old printing books by Quattrocento. The expression is sweet and round. These particularities come from the tool i used to write, a felt-tip pen. I did the initial design during my studies and later completely redesigned it to the FontFont submission. I spent a lot of time on designing this typeface, starting in 1998.
and add the plums with the sugar and the vanilla bean cut in the middle, lengthwise. Cook on medium to low heat for 25 minutes, until softer. To get the consistency of your fruit you like. Optionally, you can the flambée your plums. Then Strain and keep the juice. Done! ff Tartine Script TF 10 pt / 12 pt
Sugar Pie Honey Bunch
yummie cheese Milk & Honey
Camembert
01234567890 1234567890
CL M
Xavier Dupré about ff Tartine Script (2001): The creamy shapes of ff Tartine Script match very well with any food product such as cheese, yoghurts, desserts etc. It was a great pleasure to design it. The font has got swashes and links on each letters which give a real logotype appearence to a any word. ff Tartine Script is an appetising typeface which makes your mouth water.
Was
Postkartenserie zur Buchmesse / 2006 Ehrengastland Indien; 10 Motive gibt es als kostenlose Postkarten, davon die ersten 3 auch als Plakate. Diese wurden in der Frankfurt geschaltet & die Postkarten lagen in Kneipen aus.
Wer
Teamarbeit mit Jakob WeiĂ&#x;, Swetlana Stametow
Kunde
Buchmesse, Frankfurt
Was
Wie
Textildesign / 2006
Grafiksoftware, Flexprint
Was
Textildesign, Grafikdesign / 2006
Wie
Grafiksoftware, Klebeband, Sprühdose
ARTERROR c o l l e c to r s e r i e n° o n e
©2006
Was
Konzepte um auf Oddset während der WM06 aufmerksam zu machen / 2006 1) Models in knappen Fussballtrikots verteilen fürs dumm anglotzen Rote/Gelbe Karten mit Spielschein auf der Rückseite 2a) Aufkleber & goldenes Klo; b) Aufkleber & Modell eines Pissoirs höher gehängt; b) Aufkleber & bekannte Klospielerei
Wer
Teamarbeit mit Steffen Kraft
Kunde
Agentur Serviceplan, München ODDSET-KONZEPT Motto > Fast jeder Schuss ein Treffer
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ODDSET-KONZEPT Motto > Lieber aufs Spiel schauen und Oddset wetten!
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Motto > Siegertyp
Motto > Siegertyp
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Kreativteam (mit Email) > 1. Herr Steffen Kraft; steffen@kraftausdruck.com 2. Herr Florian Lübke; FlorianAlexander@web.de
Kreativteam (mit Email) > 1. Herr Steffen Kraft; steffen@kraftausdruck.com 2. Herr Florian Lübke; FlorianAlexander@web.de Kreativteam (mit Email) > 1. Herr Steffen Kraft; steffen@kraftausdruck.com 2. Herr Florian Lübke; FlorianAlexander@web.de
ODDSET-KONZEPT Motto > Siegertyp
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