PUNK FASHION

Table of contents

1970s

Vivienne Westwood, Body Piercing

What was punk fashion in the early days of the 1970’s? by admin December 2022

Grunges Influence on Fashion

Punk, Grunge and Goth

Everything you need in your closet

Fashion that will reinvent you

Today everyone knows what punk fashion is, but in 1970 it didn’t exist. Punk first emerged in the mid-1970s in London as an anarchic and aggressive movement. About 200 young people defined themselves as an anti-fashion urban youth street culture. Closely aligned was a music movement that took the name punk.

Anti Fashion -Torn Fashion Becomes Punk Fashion

The clothes suited the lifestyle of those with limited cash due to unemployment and the general low-income school leavers or students often experience. Punks cut up old clothes from charity and thrift shops, destroyed the fabric, and refashioned outfits in a manner then thought of a crude construction technique, making garments designed to attract attention. It deconstructed garments into new forms. Whilst torn fabrics, frayed edges and defaced prints are now considered normal in the 21st century, in the 1970s it shocked many people, because it had never been seen before. Until then fabric had been treated as a material to keep as pristine, new looking and beautiful as possible. Trousers were deliberately torn to reveal laddered tights and dirty legs. They were worn with heavy Doc Martens footwear, a utilitarian, practical traffic meter maid type of footwear in that era, not seen on many young women until then. Safety pins and chains held bits of fabric together. Neck chains were made from padlocks and chain and even razor blades were used as pendants. The latter emerged as a mainstream fashion status symbols a few years later when worked in gold.

Self Mutilation and Body Piercings

Body piercing was done in parts other than the usual accepted placement in the ear lobe. The placement of studs and pins in facial body parts such as eyebrows and cheeks, noses or lips for the masses was then quite unusual even after the freedom of the 1960s. Although it is known that Edwardian ladies used to have rings inserted into their nipples to make their breasts stand up more pertly, this was not a usual practice among the masses of the 1960s and 70s. Self-mutilation, rejection of prettiness, and body piercing were not a norm then. The chosen placement of body jewelry and tattoos of the new punks was deliberately intended to offend the more conventional members of society. Punk fashion was also unisex and men began to spot facial jewelry. What we take as a normal strand of fashion today was all quite unusual back then. body piercing in 1970s punk fashion. Body piercing seems every day now in the 21st century. It entered mainstream fash- ion quite rapidly, beginning with the three stud earlobe, progressing to the whole ear outline embedded with ear studs. This was followed by Goths sporting nose studs in the early 80s. Then in the 1990s belly, tongue and genital piercings all gathered a following among the masses. Twenty-five or thirty years ago it was true anti-fashion and anti-establishment, but now it is so every day that not even great grandmothers titter. Thirty years after Punk emerged as a rebellious youth-oriented fashion many grandmothers and great grandmothers sport a tattoo or piercing somewhere on their body.

Bondage in Early Punk Fashion

Black leather, studs, chains, mufti fabrics, greyed sweated out black T-shirts, bondage animal print bum flaps and leg straps epitomize some of the looks that immediately spring to mind when thinking of the early punks. What was then thought to be blatant and obvious sexual references in written form, on dyed and destroyed vests

Nana from Nana by Ai Yazawa have again become a norm and the masses happily don Tshirts emblazoned with fcuk or crave a graffiti print covered Louis Vuitton bag, both fashions very much accepted because of the path set by the early punk movement.

Vivienne Westwood and Malcolm McLaren Open Seditionaries Shop

Punk as a style succeeded even more when Vivienne Westwood and Malcolm McLaren formerly Malcolm Edwards, publicized the ideas through their joint design ventures. McLaren launched the ‘Sex Pistols’ Punk music group. The punk group wore clothes from a shop called ‘Sex’ that Vivienne Westwood and her partner Malcolm McLaren opened on the Kings Road, London. They sold leather and rubber fetish goods, especially bondage trousers. Later the shop was renamed Seditionaries. Not long after, Westwood launched alone renaming the same shop as ‘World’s End’. Westwood was soon translating her ideas into the fresher Pirate and Romantic looks. The collections were innovative, but were spoken of as unwearable, yet so often oth- er designers picked up on ideas she had instigated and soon started another new trend. In later years as her talent developed, her moods and methods changed. She mastered tailoring techniques combined with flair, frivolity and sexuality creating new looks that others copied. With a long stream of firsts behind her, Vivienne Westwood is now considered to be one of the most innovative designers of the 20th century.

Loads of Hair or No Hair

Punk hair is worthy of mention - A focal point of the punk look was the hair which was spiked as high as possible into a Mohican hairstyle by a variety of means including sugar and water solutions, soaping, gelatine, PVA glue, hair sprays, and hair gel. It was big hair before the 80s big hair became everyday. Often it was colored pink or green with food dyes. It was intended to startle the onlooker and attract attention. Over bleaching was common and also became deliberate as home methods were initially employed to achieve hitherto unknown effects.

An alternative look was to shave areas of the scalp. Both sexes did this. They intended to make themselves look intimidating. Hair was sometimes dyed jet black or bleached white blonde. Eyes were emphasized with black and sometimes cat- eye makeup and vampire-like lips drew more attention to the face.

Punk Gets Refined - Punk Chic From

Zandra Rhodes

Around 1977, Zandra Rhodes the British dress designer took elements of the punk style and used it in her collections making refined and more elegant versions in bright colors which were more acceptable to the rich and famous.