Foteini
Salveridou 2019
PORT FOLIO architecture
CONTENTS
XZA Architects
4-7
Lianou-Chalvatzis Architects
8-11
Architect_2018
Architectural Assistant_2017
Augmented information & knowledge networks
Diploma Design Thesis_2017 Shortlisted Entry for EAM BDP 2017
12-17
(European Architectural Medals for the Best Diploma Projects)
Strips of Light
18-21
The Ravine
22-25
The Island
26-29
Go with the Flow
30-33
Surrealism of matter
34-35
Academic Project_Parametric Design_2015
Competition Entry_2015
Academic project_Conceptual Design_2014
Academic project_Landscape Design_2014
Diploma Research Thesis_2016
XZA Architects
Halandri City Hall 1st Prize _ National Architectural Competition
PROJECT INFO
• Leader Architect: T.Xanthi • Project Architect: T.Androulakis • Collaboration: K. Varkarolis, M.Kopanari, Ν.Papastoitsi • Phase: Design Development , Construction Documents • Year: 2018 • Location: Halandri, Athens • Area: 8750m²
Main Entrance _ 3d visualization
T
he winning design proposal for The New City Hall of Halandri in 2001, a 4-storey building with a 3-storey underground parking, being planned for construction in 2019, was revised meeting the contemporary demands of community. The main conceptual and technical readjustments were based on the current programmatic requirements and municipality needs and towards the facilitation and welfare of the citizens. Introducing more public spaces, as a small-scale theater and a roof garden, the new city hall, except of hosting a more sufficient workplace for the City council and the administrative stuff, invites the locals and transforms the surrounding building environment.
CONTRIBUTION
• Interior design-office & wet spaces • communication with suppliers and coordination with a range of consultants • Detailed interior elevations and construction plans • Construction details • 3d and 2d visualizations • door and window schedules • arrangement of project submittals SOFTWARE
• Autocad 2018 •Adobe Creative Suite •Archicad
5
Exterior View and Roof Garden_ 3d visualizations
Interior elevations_2d drawings_scale 1:20
3d section
Exterior View_3d visualizations
XZA Architects
CCRI
Cyprus Cancer Research Institute Architecture competition
PROJECT INFO
• Leader Architect: T.Xanthi • Project Architect: T.Androulakis • Collaboration: Μ. Zakynthinou-Xanthi K. Varkarolis, Ν.Papastoitsi • Phase: Concept Design • Location: Nicosia, Cyprus • Year: sep 2018 • Area: 3.188 m²
Interior View __3d visualization
T
he project was developped within the framework of an invited architectural competition for the construction of the new Cancer Research Institute at the Cyprus University Campus in Nicosia.
The concept was based on the emergence of an agile building around a thematic, living garden that revitalizes the surrounding area by enhancing the local flora and user experience. The main research center, the labatories and the core facilities are arranged on the ground floor ensuring a proper connectivity according to the building brief, while the administration offices form the mezzanine floor. Intending to a controlled but not limited access to the garden, the interior and exterior spaces are visually merged via transparent buffer zones and the perforated, curved-surface shell structure. The design is mostly driven by bioclimatic principles, aimed at providing thermal and visual comfort and making use of solar energy and other environmental sources.
CONTRIBUTION
• concept development • landscape design • 2d drawings • bioclimatic analysis and research solar studies • environmental diagrams • 3d and 2d visualizations SOFTWARE
• Autocad 2018 • Rhinoceros 5 • Adobe Photoshop CC
7
Ground floor plan
Solar studies summer and winter solstice
bioclimatic diagrams_3d section
Garden view
Lianou-Chalvatzis Architects PROJECT INFO
The Orbit URBAN OFFICE CAMPUS
T
he project is about the redesign of an existing nine-storey building with six-storey underground parking area into an attractive Office campus, in Athens.
During the interior, the landscape and the facade design, the main intentions were towards the promotion of sustainability, the exploitation of the old structure potentials and the upgrade of the surrounding area.
• Leader Architects: N. Lianou, E.Chalvatzis • Collaboration: K. Saraptzian, C. Tsevreni, E. Athanasiadou, I. Iliadi, M. Kourtina, G.J. Antonopoulos • Phase: Design Development • Location: Athens, Greece • Year: 2017 • Area: 20.000 m²
CONTRIBUTION
Front View_3d visualization • concept development • typical lobby plan options • 3d modeling (Revit) • 2d drawings sections- construction details • cross-checking drawing sets with engineers and consultants • 3d and 2d visualizations, diagrams • layouts and submission panels
SOFTWARE
• Revit 2017 • Autocad 2018 • Rhinoceros 5 • Keyshot • Adobe Photoshop CC • Adobe InDesign CC
9 X13
X12
X11
8.10
X10
8.10
X9
8.10
X8
8.10
X7
8.10
X6
8.10
X5
8.10
X4
8.10
X3
8.10
X2
8.10
8.10
O.Γ.
5.40
Ρ.Γ.
X14
ΚΛΙΜΑΚΟΣΤΑΣΙΟ STAIRCASE
ΦΩΤΑΓΩΓΟΣ SHAFT
0.10
0.20
9th FLOOR
0.24
2.65
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
3.28
0.10
0.20
0.08
2.90
0.08
0.10 0.20 3.00
0.10
+32.39 Θ' ΟΡΟΦΟΣ
0.20
1.80 1.57
Ρ.Γ.
O.Γ.
ΦΩΤΑΓΩΓΟΣ SHAFT
ΙΔΕΑΤΟ ΣΤΕΡΕΟ
COMMUNAL SPACE CENTRAL WING
94 m²
1st FLOOR ENTRANCE LOBBY
0.40 0.08
3.37
2.65 0.15
0.40 0.08
3.37
2.65 0.10
0.15
0.40 0.08
3.37 25.91
2.65
ΜΕΓΙΣΤΟ ΥΨΟΣ
C6
C5
C4
2.65
3.37
C3
C2
C1
X1
0.15 0.40 0.10
1.76
+12.27 Γ' ΟΡΟΦΟΣ +12.17 3rd FLOOR
2.72
2.70
2.70
2.70
2.70
0.00
0.05 153 m²
3.67
4.43
1.80
8.50
ΟΔΟΣ ΡΙΑΝΚΟΥΡ
1.80
+5.14 A' ΟΡΟΦΟΣ +5.04 1st FLOOR
RIANKOUR STREET
+ 6.50
0.25
5.14
Revision No (Α/Α)
4.10
3.68
4.65
4.62
0.10
GROUND FLOOR
0.20 0.60
5.07
0.33
0.33
0.33
±0.00
2.67
4.06
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
-4.04 A' ΥΠΟΓΕΙΟ 1st BASEMENT
NOVAL S.A.
148.80 m²
THE ORBIT ATHENS
3.00
2.67
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
2.46
2.46
NOVAL A.E.
0.33
ΡΑΜΠΑ ΙΧ
0.33
0.54
1st BASEMENT
URBAN OFFICE CAMPUS
ENNΙAΩΡΟΦΟ ΚΤΙΡΙΟ ΓΡΑΦΕΙΩΝ, ΚΑΤΑΣΤΗΜΑΤΩΝ ΚΑΙ ΧΩΡΟΥ ΣΤΑΘΜΕΥΣΗΣ ΜΕ ΕΞΙ ΥΠΟΓΕΙΑ
-7.04 B' ΥΠΟΓΕΙΟ
2632.54 m²
0.33
0.33
2nd BASEMENT ΡΑΜΠΑ ΙΧ
NINE-STOREY OFFICES AND RETAIL BUILDING WITH SIX-STOREY UNDERGROUND PARKING AREA
-10.04 Γ' ΥΠΟΓΕΙΟ
3.11 m²
KIFISIAS AV., PAGKA, RIANKOUR & LASKARIDOU STREET, ATHENS
-10.04 Γ' ΥΠΟΓΕΙΟ
2576.28 m²
0.33
3rd BASEMENT 0.33
3rd BASEMENT
13.99 m²
ΛΕΩΦ. ΚΗΦΙΣΙΑΣ 115, ΠΑΓΚΑ, ΡΙΑΝΚΟΥΡ & ΛΑΣΚΑΡΙΔΟΥ ΑΘΗΝΑ
3.00
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
2.67
2.67
WC
0.33
2.75
0.33
0.33
ΡΑΜΠΑ ΙΧ
ΟΡΙΣΤΙΚΗ ΜΕΛΕΤΗ SCHEMATIC DESIGN
0.33
0.33
4th BASEMENT ΡΑΜΠΑ ΙΧ
1:100 3.00
2.67
-16.04 E' ΥΠΟΓΕΙΟ
2576.31 m²
5th BASEMENT
13.89 m²
5th BASEMENT 0.33
ΚΛΙΜΑΚΟΣΤΑΣΙΟ 0.33
63.22 m²
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
-16.04 E' ΥΠΟΓΕΙΟ
3.11 m²
0.33
ΠΥΡΟΣΒΕΣΤΙΚΟ ΣΥΓΚΡΟΤΗΜΑ
2.75
5.67
32.50 m²
WC
2.67
2.67
0.25
WC
1.34
3.00
114.90 m²
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
-19.04 ΣΤ' ΥΠΟΓΕΙΟ
3.11 m²
2.67
WC
2.67
2.67
0.25
2.67
WC 3.27 m²
-19.04 ΣΤ' ΥΠΟΓΕΙΟ
2612.05 m²
6th BASEMENT
ΚΛΙΜΑΚΟΣΤΑΣΙΟ
6th BASEMENT
13.89 m²
Section_DD phase
Γ
Γ
ΚΑΤΑΣΚΕΥΑΣΤΙΚΕΣ ΛΕΠΤΟΜΕΡΕΙΕΣ ΨΕΥΔΟΡΟΦΩΝ
ΠΛΑΚΑ ΣΥΜΜΙΚΤΗΣ ΚΑΤΑΣΚΕΥΗΣ ΜΕ ΛΑΜΑΡΙΝΑ ΝΤΙΖΑ ΑΝΑΡΤΗΣΗΣ
ΓΡΑΦΕΙΑ A.01.03,A.01.01 ΚΑΙ A.02-A.08
+18.76
+8.65
ΣΥΝΔΕΤΗΡΑΣ Π ΓΙΑ CD60x27 402
ΑΝΑΡΤΗΣΗ Τ 25kN ΓΙΑ CD60x27
ΚΛΕΙΔΑ ΔΙΑΓΡΑΜΜΑΤΙΚΗ ΚΑΤΟΨΗ ΧΩΡΟΥ ΥΠΟΔΟΧΗΣ 1ου ΟΡΟΦΟΥ
120
ΔΕΥΤΕΡΕΥΟΝ ΠΡΟΦΙΛ CD60x27 110
60 120
ΣΦΡΑΓΙΣΜΑ ΑΡΜΟΥ
ΒΙΔΑ ΓΥΨΟΣΑΝΙΔΑΣ 3.5X25/35mm
ΔΙΑΤΟΜΗ SHS 70 ΔΙΑΤΟΜΗ HEA 400
ΔΙΑΤΟΜΗ ΗΕΑ 400
ΣΤΡΩΜΑ ΜΟΝΙΜΟΠΟΙΗΜΕΝΗΣ ΦΥΤΕΥΣΗΣ
ΚΑΤΑΣΚΕΥΑΣΤΙΚΕΣ ΛΕΠΤΟΜΕΡΕΙΕΣ ΨΕΥΔΟΡΟΦΩΝ
SpF3
Δ.00.01,Δ.01.09 ΚΑΙ Δ.02.01-Δ.08.01
ΠΛΑΙΣΙΟ ΑΝΟΞΕΙΔΩΤΟΥ ΠΡΟΦΙΛ 30Χ1mm
ΑΝΤΙΟΛΙΣΘΗΤΙΚΑ ΠΛΑΚΙΔΙΑ ΑΠΟ ΓΡΑΝΙΤΗ 3200x1600,ΠΑΧΟΥΣ 12mm ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ NEOLITH NERO MARQUINA,ΜΑΥΡΟ
ΦΩΤΑΓΩΓΟΣ
ΤΣΙΜΕΝΤΟΚΟΝΙΑ ΔΙΑΜΟΡΦΩΣΗΣ ΥΨΟΜΕΤΡΩΝ
Α' ΟΡΟΦΟΥ
ΚΟΙΝΟΧΡΗΣΤΟΣ ΧΩΡΟΣ
A.04.01 KAI A.04.03
Δ.04.01
Δ.01.09
ΚΑΘΑΡΟ ΥΨΟΣ 2.648 m
ΚΑΘΑΡΟ ΥΨΟΣ 3.06 m
12
ΔΑΠΕΔΟ FF-3
ΤΟΙΧΟΣ Τ05
88
ΓΡΑΦΕΙΑ ΑΙΘΟΥΣΑ ΣΥΝΕΔΡΙΑΣΕΩΝ
ΚΑΤΑΣΚΕΥΗ ΚΑΘΕΤΟΥ ΚΗΠΟΥ ΜΕ ΜΟΝΙΜΟΠΟΙΗΜΕΝΑ ΦΥΤΑ ΑΠΟ ΦΥΣΙΚΗ ΓΛΥΚΕΡΙΝΗ ΣΥΜΦΩΝΑ ΜΕ ΤΙΣ ΟΔΗΓΙΕΣ ΤΟΥ ΚΑΤΑΣΚΕΥΑΣΤΗ LOBBY ΕΙΣΟΔΟΥ
K.01.01
ΥΦΙΣΤΑΜΕΝΗ ΔΟΜΙΚΗ ΠΛΑΚΑ
100
SpF4
ΔΙΑΤΡΗΤΗ ΓΥΨΟΣΑΝΙΔΑ12,5 mm, ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ Knauf
ΑΚΟΥΣΤΙΚΗ ΣΦΡΑΓΙΣΗ ΕΙΔΙΚΗ ΣΦΡΑΓΙΣΗ ΓΙΑ ΚΑΛΥΨΗ ΑΚΟΥΣΤΙΚΩΝ ΚΡΙΤΗΡΙΩΝ ΣΥΜΦΩΝΑ ΜΕ ΟΔΗΓΙΕΣ ΚΑΤΑΣΚΕΥΑΣΤΗ
W8
ΣΥΓΚΟΛΛΗΣΗ ΜΕ ΕΙΔΙΚΗ ΚΟΛΛΑ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ ΚΕRAFLEX,MAPEI
ΑΡΜΟΛΟΓΗΜΑ ΜΕ ΕΠΟΞΕΙΔΙΚΟ ΣΤΟΚΟ ΔΥΟ ΣΥΣΤΑΤΙΚΩΝ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ ΚΕRAPOXY,MAPEI
ΔΑΠΕΔΟ FF-4
ΣΚΟΤΙΑ ΚΡΥΦΟΥ ΦΩΤΙΣΜΟΥ ΓΩΝΙΟΚΡΑΝΟ ΓΑΛΒΑΝΙΣΜΕΝΟΣ
ΠΛΑΚΑ ΣΥΜΜΙΚΤΗΣ ΚΑΤΑΣΚΕΥΗΣ ΜΕ ΛΑΜΑΡΙΝΑ
ΕΙΔΙΚΟ ΥΠΟΣΤΡΩΜΑ ΣΤΗΡΙΞΗΣ ΕΥΚΑΜΠΤΟ ΠΡΟΦΙΛ ΑΛΟΥΜΙΝΙΟΥ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ ALPG10,ΠΑΧΟΥΣ 3mm
ΑΝΤΙΟΛΙΣΘΗΤΙΚΑ ΠΛΑΚΙΔΙΑ ΑΠΟ ΓΡΑΝΙΤΗ 3200x1600,ΠΑΧΟΥΣ 12mm ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ NEOLITH CARRARA MARQUINA,ΛΕΥΚΟ
60
SpF4
ΔΙΑΤΟΜΗ SHS 100
ΚΕΝΤΡΙΚΟ LOBBY LOBBY ΕΙΣΟΔΟΥ Α' ΟΡΟΦΟΥ ΚΟΙΝΟΧΡΗΣΤΟΣ ΧΩΡΟΣ
110
Γ
ΔΙΑΤΡΗΤΗ ΓΥΨΟΣΑΝΙΔΑ ME ΔΙΑΤΡΗΣΗ 18,1% ,
Γ
ΟΡΥΚΤΟΒΑΜΑΒΑΚΑΣ 50 mm ΚΥΡΙΟ ΠΡΟΦΙΛ CD60x27 ANA 1200mm
ΚΛΕΙΔΑ ΔΙΑΓΡΑΜΜΑΤΙΚΗ ΚΑΤΟΨΗ ΧΩΡΟΥ ΥΠΟΔΟΧΗΣ 4ου ΟΡΟΦΟΥ
ΥΑΛΟΣΤΑΣΙA ΠΥΡΑΣΦΑΛΕΙΑΣ ΚΑΙ ΠΥΡΑΝΤΟΧΟ ΚΟΥΦΩΜΑ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ FUEGO LIGHT ΤΗΣ FORSTER ME ΔΕΙΚΤΗ ΠΥΡΑΝΤΙΣΑΣΗΣ ΣΥΜΦΩΝΑ ΜΕ ΤΗ ΜΕΛΕΤΗ ΠΑΘΗΤΙΚΗΣ ΚΑΙ ΕΝΕΡΓΗΤΙΚΗΣ ΠΥΡΟΠΡΟΣΤΑΣΙΑΣ ΚΑΙ ΜΕ ΤΙΣ ΟΔΗΓΙΕΣ ΤΟΥ ΚΑΤΑΣΚΕΥΑΣΤΗ
ΔΙΠΛΗ ΠΥΡΑΝΤΟΧΗ ΓΥΨΟΣΑΝΙΔΑ 2x12,5 mm, ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ Knauf
ΥΑΛΟΣΤΑΣΙΟ Π.Υ.5
ΟΡΥΚΤΟΒΑΜΒΑΚΑΣ 50mm ΟΡΘΟΣΤΑΤΗΣ 75mm,ΠΡΟΦΙΛ UW-CW
Df2. FF-4 & FF-3_ΑΝΤΙΟΛΙΣΘΗΤΙΚΑ ΓΡΑΝΙΤΟΠΛΑΚΑΚΙΑ ΣΕ ΛΕΥΚΟ & ΜΑΥΡΟ
ΔΙΠΛΗ ΠΥΡΑΝΤΟΧΗ ΓΥΨΟΣΑΝΙΔΑ 2x12,5 mm, ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ Knauf
ΑΝΤΙΟΛΙΣΘΗΤΙΚΑ ΠΛΑΚΙΔΙΑ ΑΠΟ ΓΡΑΝΙΤΗ 3200x1600,ΠΑΧΟΥΣ 12mm ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ NEOLITH NERO MARQUINA,ΜΑΥΡΟ ΚΕΝΤΡΙΚΟ LOBBY LOBBY ΕΙΣΟΔΟΥ Α' ΟΡΟΦΟΥ ΚΟΙΝΟΧΡΗΣΤΟΣ ΧΩΡΟΣ Δ.00.01,Δ.01.09 ΚΑΙ Δ.02.01-Δ.08.01
ΔΑΠΕΔΟ FF-4
ΣΥΓΚΟΛΛΗΣΗ ΜΕ ΕΙΔΙΚΗ ΚΟΛΛΑ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ ΚΕRAFLEX,MAPEI ΤΣΙΜΕΝΤΟΚΟΝΙΑ ΔΙΑΜΟΡΦΩΣΗΣ ΥΨΟΜΕΤΡΩΝ
ΕΥΚΑΜΠΤΟ ΠΡΟΦΙΛ ΑΛΟΥΜΙΝΙΟΥ L7X7 ΓΙΑ ΜΟΡΦΩΣΗ ΑΡΜΟΥ ΔΑΠΕΔΟΥ
BΙΝΥΛΙΚΑ ΑΝΤΙΣΤΑΤΙΚΑ ΠΛΑΚΙΔΙΑ 600Χ600,ΓKΡΙ ΣΚΟΥΡΟ, ΣΕ ΥΠΕΡΥΨΩΜΕΝΟ ΔΑΠΕΔΟ, ΠΑΧΟΥΣ 35mm ΓΡΑΦΕΙΑ A.01.03,A.01.01 ΚΑΙ A.02-A.08
ΕΠΟΞΕΙΔΙΚΟ ΣΥΣΤΗΜΑ 2 ΣΥΣΤΑΤΙΚΏΝ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ DUROFLOOR-CV ΕΠΑΛΕΙΨΗ ΜΕ ΕΠΟΞΕΙΔΙΚΟ ΑΣΤΑΡΙ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ DUROFLOOR-PSF ή DUROPRIMER
ΠΛΑΚΑ ΣΥΜΜΙΚΤΗΣ ΚΑΤΑΣΚΕΥΗΣ ΜΕ ΛΑΜΑΡΙΝΑ
+5.20
ΔΑΠΕΔΟ FF-9a
+15.64
ΔΑΠΕΔΟ FF-1a
ΔΑΠΕΔΟ FF-4
ΑΥΤΟΕΠΙΠΕΔΟΥΜΕΝΗ ΕΠΟΞΕΙΔΙΚΗ ΕΠΙΣΤΡΩΣΗ 2 ΣΥΣΤΑΤΙΚΩΝ ΕΝΔΕΙΚΤΙΚΟΥ ΤΥΠΟΥ DUROFLOOR-C ΣΕ RAL 7040,ΓΚΡΙ
ΕΥΚΑΜΠΤΟ ΠΡΟΦΙΛ ΑΛΟΥΜΙΝΙΟΥ L7X7 ΓΙΑ ΜΟΡΦΩΣΗ ΑΡΜΟΥ ΔΑΠΕΔΟΥ ΥΦΙΣΤΑΜΕΝΗ ΔΟΜΙΚΗ ΠΛΑΚΑ
ΔΑΠΕΔΟ FF-1a
12
ΜΕΤΑΛΛΙΚΑ ΣΤΗΡΙΓΜΑΤΑ ΥΠΕΡΥΨΩΜΕΝΩΝ ΔΑΠΕΔΩΝ
.\TITLEBLOCK\Ldklogo.bmp
100
SECTION 107 - 107
-13.04 Δ' ΥΠΟΓΕΙΟ
2597.52 m²
4th BASEMENT
13.99 m²
ΤΟΜΗ 107 - 107
3.00
2.67
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
-13.04 Δ' ΥΠΟΓΕΙΟ
3.11 m²
ΚΛΙΜΑΚΟΣΤΑΣΙΟ 0.33
2.75
0.33
WC
2.67
WC
2.67
0.25
2.67
2.67 0.33
ΔΕΞΑΜΕΝΗ ΝΕΡΟΥ ΥΔΡΕΥΣΗΣ
+15.39
.\TITLEBLOCK\Dcarbon_logo.jpg
Df3. FF-4 & FF-1a_ΑΝΤΙΟΛΙΣΘΗΤΙΚΑ ΓΡΑΝΙΤΟΠΛΑΚΑΚΙΑ KAI ΥΠΕΡΥΨΩΜΕΝΟ ΔΑΠΕΔΟ ΜΕ ΑΝΤΙΣΤΑΤΙΚΑ ΠΛΑΚΙΔΙΑ ΒΙΝΥΛΙΟΥ
Description / Περιγραφή
+1.04 ΙΣΟΓΕΙΟ
ΚΛΙΜΑΚΟΣΤΑΣΙΟ
3.27 m²
21.68 m²
Date / Ημερομηνία
A' ΟΡΟΦΟΣ
+0.94
0.33
WC
2.67
7.65 m²
3.27 m²
ΔΕΞΑΜΕΝΗ ΝΕΡΟΥ ΥΔΡΕΥΣΗΣ
X14
1st FLOOR
2nd BASEMENT
0.25
8.42 m²
2.67 0.33
17.85 m²
X13
+5.04
ΡΑΜΠΑ ΙΧ
2612.05 m²
X12
2nd FLOOR
1.34
148.80 m²
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
X11
+8.80
0.08
1.80
-7.04 B' ΥΠΟΓΕΙΟ
2.82
5.46
2.67
ΧΩΡΟΣ ΜΕΣΗΣ ΤΑΣΗΣ
Μ/Σ.1
ΒΟΗΘΗΤΙΚΟΙ ΧΩΡΟΙ
ΠΙΕΣΤΙΚΟ ΥΔΡΕΥΣΗΣ
X10
+8.90 B' ΟΡΟΦΟΣ
148.80 m²
2576.31 m²
X9
148.80 m²
3.95 0.33
0.43 0.33
22.74 m²
107.64 m²
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
X8
LIANOU CHALVATZIS ARCHITECTS (LIANOU CHALVATZIS LTD) reserves all rights and intellectual property as original Creators and Designers of the Façade Design, Lobbies, Interior and Landscape Design
3.37
2.60
1187.34 m²
107.64 m²
3.27 m²
2597.52 m²
X7
3rd FLOOR
2.62
-4.25 A' ΥΠΟΓΕΙΟ
55.62 m²
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
X6
+12.17
2.62
+8.90 B' ΟΡΟΦΟΣ +8.80
COMMUNAL SPACE CENTRAL WING
ΚΛΙΜΑΚΟΣΤΑΣΙΟ
ΚΛΙΜΑΚΟΣΤΑΣΙΟ
8.42 m²
X5
+12.27 Γ' ΟΡΟΦΟΣ 0.25
0.10
61 m²
0.66
2.47
COMPANY A - MEETING ROOM
1.76
22.57 m²
ΧΩΡΟΣ Χ.Τ.
X4
3.37
1.76
148.80 m²
2576.28 m²
X3
+15.54
+1.03 ΙΣΟΓΕΙΟ +0.94 GROUND FLOOR
3.85
423.91 m²
ΚΕΝΟ ΗΛΕΚΤΡΟΣΤΑΣΙΟΥ
Μ/Σ.2
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ
X2
0.08
1.76 ΕΤΑΙΡΕΙΑ Α - ΑΙΘΟΥΣΑ ΣΥΣΚΕΨΕΩΝ
0.66
1.80
0.10
Metal Perforated Mesh
4th FLOOR
0.18
4.86
ΚΑΤΑΣΤΗΜΑ
3.94
Fireproof Glazing
6
+16.64 Δ' ΟΡΟΦΟΣ
ΡΑΜΠΑ ΙΧ
243.02 m²
2.36
5
+18.91
1.76
2.65
1.76
0.30
0.08 0.25
0.15
0.10
1.76
0.08
0.25
0.35 0.15
0.08 3.18 0.10
0.33
0.58
4.41
3.26
148 m²
ΑΠΟΘΗΚΗ
GRC Concrete Panels
0.08
0.40
1.76
+16.64 Δ' ΟΡΟΦΟΣ +15.54 4th FLOOR
ΧΩΡΟΣ ΣΤΑΘΜΕΥΣΗΣ 2632.54 m²
Facade
5th FLOOR
0.10
2.65
0.10
2.65
1.76
0.15
0.30
MAIN LOBBY
ΟΔΟΣ ΚΗΦΙΣΙΑΣ
+ 0.14
Existing Glazing
4
+19.01 Ε' ΟΡΟΦΟΣ
0.20
2.65
0.10 0.10
0.15
0.40
0.08 2.65 0.10
0.15
0.08
61 m²
0.40
0.15
1.76 ΕΤΑΙΡΕΙΑ Α - ΑΙΘΟΥΣΑ ΣΥΣΚΕΨΕΩΝ
0.25 0.40
0.10
0.15
0.08 3.44
2.00
0.80
6.97
1.76
ΚΕΝΤΡΙΚΟ LOBBY
KIFISIAS STREET
White Aluminium Panels RAL 9016 Traffic White Matte e.g. Etalbond
2 3
197 m²
6.00
0.10
2.70
2.84
LOBBY ΕΙΣΟΔΟΥ Α ΟΡΟΦΟΥ
2.70
0.10
2.70
10.26
2.70
2.90
2.70
138 m²
1.34
0.15 1.51
+19.01 Ε' ΟΡΟΦΟΣ +18.91 5th FLOOR
COMPANY A - MEETING ROOM
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
0.66
ΠΡΑΣΙΑ 2.20
6th FLOOR
1
+22.28
1.76
52.45
1.80
+22.38 ΣΤ' ΟΡΟΦΟΣ
1.76
3.76
0.66
1.76
2.88
1.33
+22.38 ΣΤ' ΟΡΟΦΟΣ +22.28 6th FLOOR
3.04
1.33
1.76
137 m²
0.10 0.25
1.33
0.66 0.15
0.08
2.40 0.10
0.15
0.45 0.15
0.08
1.33
3.38
1.80
1.33
137 m²
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
153 m²
1.33
1.76
0.40
0.10
0.15
0.08
3.04 0.10
0.15
0.08
3.05 0.10 0.08
0.25
0.10
3.19
1.53
0.66
COMMUNAL SPACE CENTRAL WING
7th FLOOR
+25.65
1.76
0.83
1.80 ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
+25.75 Ζ' ΟΡΟΦΟΣ
6.53
0.66
61 m²
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
2.65
1.33
0.08
0.55 0.25
1.33
8th FLOOR
+29.02
1.76
1.76
ΕΤΑΙΡΕΙΑ Α - ΑΙΘΟΥΣΑ ΣΥΣΚΕΨΕΩΝ
61 m²
COMMUNAL SPACE CENTRAL WING
2.95
1.33
3.04
0.18
2.65 0.10
3.19
0.15
0.40 0.08
0.18
2.65
3.19
0.10
1.33
1.76
ΕΤΑΙΡΕΙΑ Α - ΑΙΘΟΥΣΑ ΣΥΣΚΕΨΕΩΝ COMPANY A - MEETING ROOM
COMMUNAL SPACE CENTRAL WING
1.80
0.66
0.08
0.25
1.80
0.55
1.80 1.57
1.33
0.18
0.66
0.07
8.14
1.33
1.76
COMPANY A - MEETING ROOM
0.66
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
COMMUNAL SPACE CENTRAL WING
0.08
0.18
2.65
138 m²
8.14
1.76
1.76
138 m²
0.15
0.30
0.40
0.15
1.80 1.57
COMMUNAL SPACE CENTRAL WING
1.76
88
25.60
ΜΕΓΙΣΤΟ ΥΨΟΣ
2.00
0.66
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
1.76
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
1.80
137 m²
1.80
1.76
+25.75 Ζ' ΟΡΟΦΟΣ +25.65 7th FLOOR
0.08 2.65
3.05 0.10
0.15
3.19
1.80 1.57 1.80 1.57
COMMUNAL SPACE CENTRAL WING
1.76
COMMUNAL SPACE CENTRAL WING
0.66
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
0.66
61 m²
0.67
1.80
COMMUNAL SPACE CENTRAL WING
1.80
1.76 ΕΤΑΙΡΕΙΑ Α - ΑΙΘΟΥΣΑ ΣΥΣΚΕΨΕΩΝ COMPANY A - MEETING ROOM
0.15
0.66 0.08 0.15 0.10 0.40
1.80
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
137 m²
1.76
0.40
0.15
0.10
0.15
0.08
0.10
3.15
0.15
0.40
2.65
0.18
1.57
138 m²
1.76
0.15
137 m²
1.80
COMMUNAL SPACE CENTRAL WING
0.66
0.67
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ COMMUNAL SPACE CENTRAL WING
0.30
0.08
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
0.66
3.04
0.22
2.65
2.00
0.66
1.80
1.80
0.10
1.80
137 m²
0.08
1.57
COMMUNAL SPACE CENTRAL WING
0.66
0.15
0.10 0.40 0.08
0.08
0.08
ΚOINOXΡΗΣΤΟΣ ΧΩΡΟΣ ΚΕΝΤΡΙΚΗ ΠΤΕΡΥΓΑ
0.15
0.10
0.15
0.07 0.40
0.15
1.80
4.58
+29.12 Η' ΟΡΟΦΟΣ
Section CC' Dw3. ΣΥΝΑΡΜΟΓΗ ΤΟΙΧΟΥ Τ04 ΜΕ KΑΘΕΤΟ ΚΗΠΟ, ΔΑΠΕΔΟ FF-9a ΚΑΙ ΨΕΥΔΟΡΟΦΗ SpF4
Section DD' Dw4. ΣΥΝΑΡΜΟΓΗ ΠΥΡΑΝΤΟΧΟΥ ΥΑΛΟΠΕΤΑΣΜΑΤΟΣ ΜΕ ΔΑΠΕΔΑ FF-1a , FF-4 ΚΑΙ ΨΕΥΔΟΡΟΦΕΣ SpF3 KAI SpF4
Construction Details_DD phase
Side View_3d visualization
S2
ΣΕΠΤΕΜΒΡΙΟΣ 2017 SEPTEMBER 2017
Lianou-Chalvatzis Architects
Spa Design AMAN Montenegro Resort & Residences Architecture competition
Indoor Pool View __3d visualization
T
he project is a design proposal for a two-level spa at Milocer Hotel Resort in Montenegro.
Focusing on the interaction between natural elements and artificial components, the main goal was to enhance the visitor experience creating interior landscape. The design was based on sculptural morphological elements and freehand gestures always ensuring connectivity between facilities and responding to the programmatic requirements.
PROJECT INFO
• Leader Architects: N.Lianou, E.Chalvatzis • Collaboration: K. Saraptzian,I.Iliadi • Phase: Concept design • Location: Montenegro • Year: 2017 • Area:1640m² CONTRIBUTION
• concept development • design options & arrangements • 2d drawings -mainly plans• 3d and 2d visualizations, diagrams SOFTWARE
• Autocad 2018 • Adobe Photoshop CC
11
lUggAge store
serVice liFt
projectrooms name treatment
spA oFFice
New AMAN MoNteNegro seating areas
wAitiNg AreA
retAil
resort & resideNces
- spA desigN changerooms
seAtiNg AreA
woMeNs cHANgerooM
treAtMeNt rooM #1
sAloN
treAtMeNt rooM #2 treAtMeNt rooM #3
spA receptioN pedicUre wAsH & Blow
wAter leVel :+16.15 deptH: 0.40m pool Bed:+15.75
circUlAtioN
MANicUre coNsUltAtioN Utility storAge rooM
wAsHiNg rooM
relAXAtioN islANd coNsUltAtioN
storAge
MeNs cHANgerooM
gArBAge AreA
BUFFer ZoNe
liNeN storAge
serVice liFt
serVice liFt
relaxation area MoNteNegro
phasegarden sunken preliMiNAry desigN
treAtMeNt rooM #5 Utility rooM
salon-manicure-pedicure location
treAtMeNt rooM #4
auxiliary spaces
vertical circulation cores drawing name BAseMeNt leVel scale 1:200
date
BASEMENT LEVEL 10
1 0
octoBer 2017
m 20
5
architecture & design
indoor pool sauna-plunge-steam-jacuzzi relaxation area sunken garden gym changerooms beverage wc auxiliary spaces vertical circulation cores
GROUND FLOOR LEVEL 1 0
10 5
m 20
Spa Corridor View_3d visualization
Augmented information & knowledge networks
Library Revisited. Shortlisted Entry for EAM BDP 2017 (European Architectural Medals for the Best Diploma Projects)
Diploma Design Thesis Supervisor: Maria Vogiatzaki Academic Year: 2016-2017 |fall term
13 Cloud of people
A
fter the Digital Revolution, new mechanisms of experiencing everyday life and space are formed. We are living among complex people networks, under a digital cloud of information and away from real time and space limitations.
10m
minimun transition units per ’sub-circuit’
In this new context the library as a paradigm should be revisited. Since information is no more perceived as a material entity, the needs for physical storage space blur and the emphasis is laid on data exchange and processing activities that contribute to the ultimate aim of the library; the production of new information. Therefore, in this thesis, the library is approached as an agile system of activity spaces that evolves in both physical and digital environment and participates in the controlled growth of knowledge. Cloud of information
‘Knowlwdge system’_positive feedback process diagram
Knowledge
activity units
In order to correspond to the dynamic qualities of nonscale data and people networks, the design process is based on the formation of a mechanism that produces an adaptable network pattern. The emerging morphology is characterized by the voxel, the minimum activity space, and the main design parameters are set to ensure a smooth data and people transition and to provide possibilities of customization, expansion and revision according to the current user and community needs. The adaptive pattern of a ‘sub-circuit’ emerges in the virtual field of a three dimensional regular grid. The cubic cells can be set as either activity or transition units ˙an option that can be revised during the design process and after the project completion, importing the factors of chance and time in the procedure. This process’ outcome is the emergence of a plethora of activity networks.
physical models_units, field and different ‘sub-circuits’
transition units
of
‘Sub-Circuit’ emergence process_the system
Sub-Circuit emergence process_ plan diagrams
The ‘Circuit’
m
activity space reboot_redirect
network lines
network emergence
‘Circuit’ circulation diagrams
voxel Sub-Circuit Circuit Circuit Network
network expansion process
‘Sub-Circuit’ circulation diagrams
emerging pattern_abstract diagram
‘Circuit’ design process
0
1
5
10
20
‘Circuit’ sample plan
dynamic configurations
flow 3d diagram
14
Importing principles of the fractal theory (repeating pattern displayed at every scale) via applying the same rules on a wider field and setting the transformable sub-circuit as the current unit a huge range of ‘Circuits’ are formed.
15
Readjustment of ‘Sub-Circuit’ Configurations
Readjustment of ‘Circuit’ Configurations
physical models_Circuit and HyperCircuit configurations
_smart windows_electrochomic material
data process unit_’Room Of Silence’
16
_3 levels of transparency
electrochromic panels placed on the divided unit surfaces
The ‘Circuits of Κnowledge’ are based on a specially formatted digital database that allows data downloading and uploading and at the same time they provide a set of flexible virtual and physical spaces for data process and information exchange. Except of spaces for reading, thinking and writing, seminars, lectures, workshops and more could be held in a ‘Circuit’ since each unit can be customized digitally ,in atmosphere level, according to the activity and user needs. Furthermore everyone can attend, participate in or organize an activity in both digital and physical environment.
datacircuits.wixsite.com/knowledge-network
‘Data circuits’ webpage screenslots
visit the website->
transition spaces
voxel configurations
Therefore, the design of its digital substance was crucial for the project completion.
17
Meeting the demands of contemporary reality and society, ‘Knowledge Circuits’ could emerge as extensions to existing buildings or as autonomous organisms in the urban fabric, and continue to multiply, evolve and be revised, for as long as knowledge does.
Architectural Design & Digital Technologies
Strips of Light
Academic Design Project Supervisors: D.Kontaxakis,S.Papadimitriou Collaboration: A.Papathoma, E.Xristopoulou Project Location: Thessaloniki_Greece Academic Year: 2014-2015 |spring term
19
T
he studio explores the potentials of digital media in architectural design and the ‘creative’ use of computation in the design process.
_signal box_structural frame
The main intentions were towards the formation of a parametric system by extracting the basic principles of a chosen building. The inspiration came from the identical facade of the ‘Signal box’,a railway utility building designed by J. Herzog & P. de Meuron.The twisted copper strips that cover the building’s concrete shell and the light effects they produce were the characteristics that define the research process.
_physical models
Experimenting with physical and digital models, the design goal was the manipulation of light in intentive and complex ways using a mechanism of crooked-line guides and bands. Different guides are positioned on the same plane parallelly while same-width bands bind on them horizontally.The main parameters are the shape of the crooked lines and the distance among the guides that make the final outcome easily customizable and adjustable according to the design decisions.
system design process_ digital models
_physical models
As a result the machine can produce non-scale forms and unique materiality.
In the second phase, the aim was to apply the strip system and form a facade for the proposed building.
20
The project site is located in the very center of Thessaloniki and the existing building, while unoccupied, seems grandiose because of its reinforced concrete bearing structure. The district is very crowded during day and night, since it is part of the main commercial and entertainment zone of the city. According to the site analysis, we decided to include a hostel, music stages and music studios in the building program, to meet the needs of citizens and visitors for budget accommodation and indoor multipurpose and music spaces.
1st floor_hostel 1 0
5
10 m
The application of the strip system and the adjustment of the guides are based on the functional needs for visibility, ventilation and lighting. The crooked guides are placed vertically in relation to the columns’ axis and the horizontal 1m-wide strips bind the structure, forming openings, entrances and floor extensions. The proposed material for the bands is a semi-transparent metal that changes during day and night, hiding or exposing the indoor activities.
wall assembly_structural frame _construction 3d detail
current building structure
21
+33.40m
+30.50m
+27.50m
1.6th (& 7th) floor_music stage i 2.ground floor_main entrance 3.underground floor_ recording & rehearsal music studios
+24.50m
+21.60m
1
+18.90m
+15.75m
+12.85m
2
+9.75m
+6.65m
+3.40m
3 +0.00m
section A
Food & Wellness Club
Competition Entry Young Architects Competitions (YAC) Collaboration: A.Papathoma, E.Xristopoulou Project Location: Bologna_Italy Year: 2015 |April- May
_interior view_main entrance
The Ravine
23
T
he competition theme was the design of a Food & Wellness Club that would be part of the upcoming entertainment centre in Bologna:F.I.CO.®
The project location is outside Bologna, where the urban fabric meets the countryside and on site, there are the remainings of a former factory. One of the main principles of the design process was to preserve some of the structural elements of the existing building, focusing on a minimum financial charge, but to intergrate them creatively, aiming to transform the site into an attractive tourist and local destination. The key element of the design, is a central wall axis, which, playing both a structural and an architectural role, divides the building in two distinct domains, the Aqua zone and the Day spa.
FACADE SYSTEM _CLOSED
The fragmented monolithic wall, that marks the main entrance and defines the circulation, is characterised by three artificial waterfalls that interact with people’s movement by alternating the water’s flow rate and color, offering a multisensory experience.
_exterior view
FACADE SYSTEM _OPEN
STRUCTURAL ELEMENTS
Another significant part of the design was the formation of a wooden facade system. The blinds are organized in varying configurations in order to ensure energy efficiency and sustainability via lighting and ventilation control. Furthermore, as a shading system, the facade provides a peaceful and mysterious atmosphere. FLOW CHART
Part of the shell, above the Aqua zone, as well as the glass partitions between the indoor and outdoor pool, are adjustable to the needs and the weather conditions since they are openable, unifying the interior and exterior space.
_interior view_aqua zone
VOLUMES
24 1st floor plan 10
1
m 20
5
0
_FIRST FLOOR 1_reception 2_cafe 3_shop 4_offices 5_storage room 6_locker rooms 7_gym 8_meditation space 9_aqua zone a,b_whirpool c_thermal pool d,e,f_indoor pool g_outdoor pool
2nd floor plan
_SECOND FLOOR 9_aqua zone h,i,j_thermal pool 10_day spa a_tepidarium b_bath tubs c_sitting area d_multi-sensory showers e_saunas f_turkish bath
3rd floor plan 1
10 5
0
m 20
_THIRD FLOOR 10_day spa g_massage area 11_suite day-spa section CC
10
1 0
5
m 20
section AA
Architecture in Excess .
Spaces of Information, Recreation & Desire
The Island
Academic Design Project Supervisor: G.Papakostas Collaboration: A.Papathoma Project Location: Thessaloniki_Greece Academic Year: 2014-2015 |fall term
27
T
he project site is a wharf along the coast of Thermaic Gulf, that hosts the Sailing Club of Thessaloniki.
The imaginative studio’s theme, ‘Architecture in Excess’ and the main design principal, enhancing the coastline’s continuity, contribute to the design of an island-like Design Center 0.6 km from the coast. The design approach was based on computational methods, and started by defining the main facilities of the Design Center, the relation to each other and the potentials of the different city views.
The produced points were represented as drops on the sea surface, the main inspirational element of the design. The final morphology is the outcome of the extrusion of the ‘ripples’ above and below the sea level. The existing wharf is replaced by a small marine from where visitors have access to the Island via boats.
0.6km
The Island is divided in three zones according to the fuctional and privacy needs. The entertainment and the cultural zone are located in the southern and northern part respectively, with the more public areas above sea level, and the creativity zone in the middle part and only bellow sea level due to its private character.
1
The zones are connected 1m above and 5m bellow sea level defining the main circulation flows and the common areas.
2
3
1
+5.00m +2.00m
3
2 4
28 +1.00m
-14.00m entertainment zone 1.exhibition area_along with the ramps 2.reception_lobby_main entrance 3.fashion show area_catwalk 4.underwater aquarium
section A
-5.00m
-4.00m
creativity zone ateliers_workspaces _design offices
1
+5.00m
4
+2.00m
3
55
2
section B
3
cultural zone
section C
-23.00m 10
1 0
5
m 20
1.cafe bar 2.restaurant 3.conference room 4.info point 5.library
+1.00m
Landscape Design
30
Go with the Flow
section A
T
his project is a design proposal for the restoration of ‘Doxi’s’ stream, located near the center of Thessaloniki.
According to data compiled by the Aristotle University of Thessaloniki the ratio of green areas in Greece’s northern port city is only 2.14 square meters per person. That was the trigger for an extensive research during the concept development that led us to the main project goal. The transformation of this degraded urban landscape into a viable space for city residents and visitors. Focusing on the special landscape characteristics, and the potential for development within the context of sustainability, the main design intentions were towards the elimination of space fragmentation and the preservation of the natural water flow and flora. Promoting a smooth connection with the surrounding urban area, straight and more strict lines interact with the site boundaries to form a perimetrical pedestrian pathway featuring sitting areas, neighborhood parks and bicycle lanes.
Academic Design Project Supervisors: M. Ananiadou-Tzimopoulou Collaboration: E.Gamboura Project Location: Thessaloniki_Greece Academic Year: 2013-2014 |spring term
In the main park, the creation of a continuous green passage along the stream banks and the design of a spline-like wooden boardwalk that crosses the park enhance the natural beauty of the landscape. Green open spaces, small islets , picnic and sitting areas fill the site, promoting everyday social activity. In addition to the current vegetation, a variety of plants are added for flora enhancement, slope stabilization and erosion control. In addition, the construction of a tunnel in the southern and the prohibition of vehicular traffic in the middle part of the site were crucial for the continuity of the stream flow and the main pathway.
10
Masterplan
0
20
m 50
spline_wooden boardwalk
straight lines_pedestrian pathway
water flow & vegetation
site analysis
31
32
1 0
10 5
m 20
33 Landscape Materials H A R D
concrete
S O F T
ground covers
grass paving joints
grass shrub
evergreen
deciduous
T R E E S
timber(deck)
existing
2
recommended
concrete curb brace footing cement mortar 40mm
1.
reinforced concrete 150 mm
Construction Details
crushed material Ø 10mm crushed material Ø 25mm geotextile filter fabric compacted subgrade deck board 50mm deck board 20x300mm
2.
square hollow wood beam Ø 100mm metal frame reinforced concrete
1. 2. 3. 4. 5.
deck board 30x100m compacted soil 70 mm well graded gravel 150mm geotextile filter fabric compacted subgrade
1. 2. 3. 4. 5. 6. 7. 8.
deck board 20x100mm metal frame metal beam ‘U’PN 50x25mm lighting reinforced concrete 100mm butyl liner water compacted subgrade
167mm 300mm
1 1.timber scantling 48x250mm 2. rounded gravel Ø 20mm 3. coarse sand 4. well graded gravel 100mm
12 3 4
3 5
2 4
4 7
1 3
2 6
8
5
Surrealism of matter _ a sur-reality that matters
Diploma Research Thesis Supervisor: Maria Vogiatzaki Academic Year: 2015-2016 |spring term Language: Greek
35
BRIEF ’The imaginary is what tends to become real’’ André Breton
T
he surreal refers to something that goes beyond anything familiar. As the incongruous, the different and the 'other', it could, possibly, characterize the image, the insights and even the daily routine of contemporary digital reality. That was the trigger for the initiation of this investigation and the reason to look for the idea and the approach of the 'other' back to the era of modernism and after the era of postmodernism. Since the 1920s ,the Surrealists, a group of eccentric poets and artists, started to raise strong objections concerning the industrialization, the standardization and the rationale that defined the reality of the 20th century. Although the 'grey' monotony of modern urban fabric evoked the publication of many surreal and sarcastic statements, they did not remain in a passive expression of protest, but they were looking for a change, a solution to the social problem of the era and attempted to reach an 'other' ideal reality. The fantasy, the madness, the dreams and the subconscious mind were their medium to visualize a different material world where the imaginary and the real, the rational and the irrational are not seen as contradictions but are totally merged ' into a kind of absolute reality, a surreality'1. In this way, they proposed new kinds of living, unknown till back then and even till today. Recognizing the dynamic contribution of time and chance in the endless formation of the world, the surrealists tried to spatially translate it through paintings and architectural theories. They envisioned an 'intrauterine'2 architecture, where the house could not be a box but a living shell, built with soft and alive materials. They dreamed of a transformable and unpredictable architecture that adjusts to the user's needs and desires. But, unfortunately, the static state of the existing building materials never let them approach their dream. The architecture could be 'soft and hairy'3 only with the existence of surreal matter. Moving into the 21st century, the notion of truth and reality is revised in a way that the approach of the 'other' seems more realistic than ever. The reason was the recognition of the complexity and heterogeneity of the world both scientifically and philosophically, that led to the reconsideration of the assumptions and limitations of modern times. The advanced digital technologies offer possibilities of understanding and managing unpredictable, non-linear systems ,that can be expressed quantitative and qualitative in different times and spaces ,or in other virtual realities. This new content led to a new architectural paradigm. In a virtual environment and via transdisciplinary procedures the building acts and seems alive since it is potentially transformed according to the changeable needs and desires. As a result the design process is not considered as a predetermination of 'being' but as the study of 'becoming'.4
However, the most significant change that marked contemporary reality, as well as the process of this investigation, stems from the emergent perception of matter. In this new content, the observation of the physical world lead to the assumption that matter is surrealistically alive and intelligent. Matter can feel, interact and adjust to different conditions, demonstrating unique behaviors and forms. And since nowadays this kind of complexity can be efficiently managed through advanced contemporary technologies, the materials are not simply collected but, potentially, genetically engineered. The new way of thinking and the emergent digital means offer possibilities for the incarnation of a truly vibrant architecture, blurring the lines between the artifact and the alive, the real and the unreal. The new hyper-materials5 contribute to the emergence of an hyper-architecture6, defining an 'other' reality, an hyper-reality ..une surréalité.
1.André Breton, 1924. ‘Manifestes du surréalisme’. coll. Folio/Essais, Gallimard, p. 24-25 1924 2. Tzara,Tristan,1933 . ‘D’un certain automatisme du goût.’ Minotaure, 3-4,p.81–84 ,trs. M. Jean ,1980, Autobiography of Surrealism, New York, Viking Press p.337 3.Dali, Salvador ,1933 . ‘De la beauté terrifiante et comestible, de l’architecture Modern style.’ Minotaure 3-4 ,p.69-77 4.Ballantyne, Andrew,2007. ‘Deleuze & Guattari for architects’. London,N.York,Routledge 5. Schröpfer Τ., Viray Ε., Carpenter J. ,2010. ‘Material Design: Informing Architecture by Materiality’. Basel, Sweden, Birkhauser Verlag 6. Oosterhuis, Kas,2002. ‘Architecture Goes Wild’. Rotterdam: 010 Publishers
architecture portfolio issuu.com/foteiniSalveridou foteinisalveridou@gmail.com Foteini Salveridou