Co-produced by Sadler’s Wells in association with artsdepot.
“BalletBoyz occupies boyband territory”
Autumn tour: Brighton, Colchester, Leicester, Swindon, High Wycombe, Richmond, Inverness, Truro, Poole, Shrewsbury, Reading plus international dates.
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Live Performance Relay & Camera Re-Work Animation Documentary Student Production Through the magazine, where films playing in the dancescreen competition are mentioned, you will see a festival laurel alongside the film name.
Screen Choreography: Up to 5 minutes
The letter inside the laurel indicates which category that film is competing in.
Up to 15 Minutes
Film details are listed in each film programme.
Over 15 Minutes
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Introduction
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For the Calendar: Opening Night: Eadweard Friday 10 June Diary Saturday 11 June Diary Sunday 12 june Diary
18,19 20,21 28,29 38,39
Events: The Funding + Finance Panel Commissioning Content Panel The Art of Pitching Panel Commercial Production Panel dancescreen Pitching Session Distribution + Exhibition Panel Dance Film Production Panel Clearing Music Rights Panel Big Dance Bus Presents... Music Video Production Panel Oreet Ashery Masterclass Making Tracks + Consequences Dancer Career Development Panel Speed Networking Meet the Curators Panel Meet the Choreographers Panel Meet the Directors Panel
20 20 20 20 20 20 28 28 28,32 29,33 14,29 29,35 38 38 39 39 39
Screenings: 42nd Street A Swan Lake After the Curtain Atvakhabar Rhapsodies Beauty and the Beast Big Dance Shorts Dance for the Camera Desert Dancer Fame Gene Kelly Double Bill Graceful Girls Grazing the Sky Happy Feet Invitation to the Dance Juliet & Romeo Programme 1 Programme 2 Programme 3 Programme 4 Programme 5 Programme 6 Programme 7 Programme 8 Programme 9 Programme 10 Royal Wedding Rudolf Nureyev Sea Without Shore Singin’ in the Rain StreetDance That’s Entertainment
29 26 40 29,36 15,28 28,31 28,32 39,45 21,27 38 29,33 29,33 15,38 38 29,33 22 23 24,25 26 30 34 37 40 41 43 21,29,39 26 29,33 38 29 20,28,38
BOOK For Screenings BOOK For Events Online a t FrameFilmFestival.com
Events £ 1 0 . 0 0/ £ 7. 0 0 C o n c
Screenings £8.00 / £5.00 Conc Free Events & Screenings Include: Happy Feet Beauty and the Beast Big dance Shorts Big Dance Bus That’s Entertainment www.framefilmfestival.com
O n l i n e : a t FrameFilmFestival.com a t RoseTheatreKingston.org P h o n e : 0 2 0 8 174 0 0 9 0 Or in person at The Rose Theatre Box Office Th e R o s e T h e a t r e 24 – 26 High Street K i n g st o n Up o n T h a m e s S ur r e y K T1 1 H L
For ticket enquiries: Box Office 0 2 0 8 174 0 0 9 0 Open Mon-Sat 10am to 6pm
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Thank You
Emma Abbey, Lydia Apostolopoulou, Oreet Ashery, Annamie Athayde, Babita Bahal, Joe Bates, Anne Beresford, Anna Bogutskaya, Ian Bonhote, Danilo Borgerth, Katie Brandwood, Paul Bowman, Hannah Brown, Darcey Bussell, Brian Cantwell, Emily (Dr) Caston, Jennifer Chatfield, Susanna Chisholm, Bob Clarke, Lucy Crowe, Rose Cupit, Rodrigo Damian, Rachel Davies, Steve Davies, Martine Dekker, Supatee Dhanasunthorn, Kevin Dolan, Beth Doran, Khyle Eccles, Maggie Ellis, Arild Erikstad, Jon Evans, David Falkner, Edward Falzon, Pegah Farahmand, Fiona Fey, Judy Flannery, Rob Flannigan, Richard Flynn, Tony Followell, Brett Foulser Bishop, Nicky French, Eve Gabereau, Pia Getty, Jane Giles, Sima Gonsai, Jerry Gunn, Carly Hamilton, Brendon Hansford, Tia Hassan, James Heath, Bernd Hellthaler, Phil Hetherington, Robin Hibbert, Bill Hobbins, Gemma Holford, Gavin Humphries, Chris Hunt, Louise Jardine, Tomorr Kokona, Lynda La Plante, Helen Laws, Melanie Lemaire, Mike Lindsay, Rebekah Louisa Smith, Ian Lowe, Cristina Lungoci, Rosanna Machado, Kieron Maguires, Chris Manoe, Anna McDonald, Jordan McGarry, Katie McPhee , Greg Miles , Denis Moli猫re , Ros Morgan , Reiner Moritz, Supple Nam, Tom Nelson, Beatrice Neumann, Deepa Parbhoo, Franz Patay, Nadine Patel, Seeta Patel, Denise Perry, Jason Piper, Tim Plyming, David Pope, Jon Pringle, Piali Ray, Paul Roberts, Jaqueline Rose, Deborah Rowland, Charlotte Samuels, Dieter Schneider, Kim Seoyoung, Paul Smith, Luci Sorrell, Alistair Spalding, Damian Spandley, Steven Spier, Zsolti Szab贸, Aradhna Tayal, Albina Terentjeva, Claire Thibault, Gary Thomas, Camilo Tirado, Henk van der Meulen, Erica Vaz, Renaud Visage, Sarah Westwood, Gitta Wigro, James Wilkinson, Felicitas Willems, Rodney Wilson, Kathryn Woodvine, Hazel Wright, Jan Younghusband. Sometimes the smallest things make the biggest differences. We can never be thankful enough for the time, energy and assistance that we receive as a festival. Thank You.
The Festival Team Michael Nunn, obe Artistic Director William Trevitt, obe Artistic Director Linda La Plante, cbe Patron Darcy Bussell, cbe Patron Joe Bateman Christine Hartland Mike Lindsay Rosanna Machado Paul Smith Aradhna Tayal Melanie Lemaire Claire Thibault Babita Bahal Ian Lowe Zsolt Szab贸 Faylisha Gunter Capriece Taha Kaitlyn Davies David Ogle Helen Hutchinson
Festival Director Festival Producer Production Manager On-Site Producer Press Manager Head Of Industry Senior Programme & Guest Manager Print Traffic and Licensing Social Media and Marketing Festival Coordinator Festival Consultant Festival Assistant Festival Assistant Festival Volunteer Festival Volunteer Writer
The IMZ Office
The BalletBoyz Office Kerry Whelan Sarah Setter Mark Slaughter Florence Hawkins Sian Cobern Beth Crosland Georgette Purdy Maisie Lawrence
Executive Director General Manager Communications Manager Administrator Administration Assistant Development Manager Social Media Manager Press Manager for The Cornershop PR
The BalletBoyz Trustees Mary Anne Cordeiro Dame Vivien Duffield, DBE Lady Gavron Anne Heal Tom Hope Aud Jebsen Phoebe Reith Paul Roberts Michael Waldman (Chair) Edward Watson Dennis van Schie
Arild Erikstad President Franz Patay General Secretary Katharina Jeschke Director Claudia Kruzik Project Manager Daniela Billner Project Manager Linda Esslinger Project Manager Christian von der Recke, Project Manager Sophie Schneider Office Manager Daniel Ebner Artistic Director, VIS Vienna Independent Shorts
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Festival Illustrator: Rodrigo Damian // Roz Illustration rodrigodamian.carbonmade.com
漏roz-illustration
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Hello. We are delighted to welcome you to Kingston and this, the inaugural edition of FRAME: The London Dance Film Festival in association with dancescreen 2016 and supported by BBC Arts and Kingston First. We were invited by Katharina Jeschke of the International Music and Media Centre to be members of the jury for the dancescreen 2013 competition, held as part of the San Francisco Dance Film Festival. Impressed by the wealth of dance and filmmaking talent that we saw, it got us thinking. There was not really a dedicated dance film festival in the UK. We are dancers and filmmakers based in the UK. Why don’t we run our own Festival? How hard can it be? So FRAME: The London Dance Film Festival was born; an opportunity for great dance films to be seen by the public and an opportunity for dance makers, filmmakers and industry professionals to get together and share their ideas, advice and experiences with each other. From the start we wanted FRAME to have something for everyone; from cutting edge new dance films to established classics; from practical seminars to family friendly workshops and events. We are thrilled to be hosting FRAME in association with the dancescreen 2016 competition and look forward to an exciting programme of international dance films across a range of categories. Awards for Best Film and Best Student Film are up for grabs as well as The Muybridge Prize for Technical Innovation, named after Kingston born photography and moving image pioneer Eadward Muybridge. Winners of these awards will each receive a cash prize courtesy of BBC Arts. As it turns out, running your own Festival is quite hard, but we’ve had great fun doing it. Special thanks go to all our partners and supporters and our Festival Team, in particular our Festival Director, Joe Bateman and Festival Producer, Christine Hartland. Thanks to everyone involved. We hope you have a great Festival,
Michael Nunn, OBE and William Trevitt, OBE, Artistic Directors
www.framefilmfestival.com
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ADVERT
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@framefilmfest
Michael Nunn & William Trevitt, founders of BalletBoyz have been hailed as pioneers for making dance accessible and reaching a wider audience through their celebrated stage and television work. They came to prominence through their popular Channel 4 documentaries Ballet Boyz I & II, Strictly Bolshoi, The Royal Ballet in Cuba, BalletBoyz: The Next Generation and the ground-breaking BalletBoyz: The Rite of Spring for BBC Three. BalletBoyz was formed in 2000 and quickly established itself as one of the most cheekily original and innovative forces in modern dance: revolutionising traditional programming formats, commissioning new work, collaborating with a wide range of cutting edge talents and building a big following through its TV work. The Company’s chief aim is to challenge, excite and entertain audiences through the wide body of work that it carries out. It aims to bring together elements from diverse realms of the arts such as composers, artists, designers, filmmakers and photographers. Since its formation the Company has won numerous awards and nominations including Olivier, TMA and Time Out Awards, two National Dance Awards and a Rose D’Or, International Emmy and Golden Prague Jury Grand Prix for its TV work. In 2013 BalletBoyz won Best Independent Company in the National Dance Awards and Russell Maliphant’s Fallen (commissioned by BalletBoyz) won Best Modern Choreography Award, while Michael Hulls won the 2014 Olivier Award for Outstanding Achievement in Dance for his lighting designs with BalletBoyz. As well as work on stage and screen BalletBoyz has pioneered education and participation projects and runs a successful range of events from their studios in Kingston Upon Thames.
www.framefilmfestival.com www.balletboyz..com
image © Panayiotis Sinnos
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imz_jub_advert_fullpage_DRUCKVORLAGE.pdf
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@framefilmfest
First launched in 1988, dancescreen is now one of the world’s leading international dance film festivals, competitions and conferences. Each dancescreen edition has partnered with an existing dance film festival in the US, UK or Europe, with the aim of maximising local and international attendance, widening people’s perceptions of what dance on screen can be, and developing new audiences. The festival offers the dancescreen competition alongside an eclectic programme of film screenings, panels and pitching sessions and facilitates networking between directors, choreographers and potential buyers including broadcasters, festival curators and media or art institutions from all over the world. In the mid-1980s IMZ recognised that there was a need to create a platform that would showcase a new genre and promote it to TV makers and programmers. With the support of broadcasters – from TV producers, commissioning editors and programme buyers – the first dancescreen was created as a forum for discussion, production and promotion. The festival immediately became a flagship for dance film and video activity. International dance film co-productions between broadcasting organisations such as the BBC and NHK are just one of the legacies of the initiative. Since its foundation the festival has been a vehicle to engage and inspire filmmakers, dance and video artists, distributors and broadcasters. dancescreen festivals have taken place in San Francisco (in cooperation with San Francisco Dance Film Festival 2013), in Amsterdam (in cooperation with Cinedans 2010), in Den Haag (in cooperation with the Holland Dance Festival, Filmhuis Den Haag 2007), in Brighton (2005), in Monaco at the Monaco Dance Forum (2002) and in Cologne at the Media Park (1999). www.dancescreen.com #dancescreen2016
The Vienna-based IMZ International Music + Media Centre is a global networking platform for the performing arts TV and film industry. Founded under the aegis of UNESCO in 1961 it provides customised business opportunities for the various sectors in the performing arts film industry and serves 150 member companies in 26 countries: renowned major production and distribution companies, public and private broadcasters, opera houses, educational institutions, record labels as well as individuals like producers, directors, scriptwriters, musicians and dancers. Providing resources: IMZ database and directory The IMZ database encompasses 25,000 entries and gives an instant overview over the history as well as today’s state-of-the-art music and dance films and TV productions. The film archive offers IMZ Members’ production loans for international film festivals. The IMZ Member directory offers 10,000 direct contacts to co-production partners, programme editors, experts and decision makers worldwide. Promoting business: IMZ activities and services As the largest international lobbying group the IMZ aims to make a major contribution to its members’ business. Its diverse activities help to save time and costs on acquisition, pitching and networking: connecting producers with buyers and distributors, providing a synopsis of the latest cultural films available for international programme editors and broadcasters while connecting producers with co-producers or funding institutions. As the largest network of the music, dance and cultural TV and film industry the IMZ provides customised services for members and non-members: curating film programmes for international music film festivals and events, consulting for and clearance of film rights. Young talent promotion Our members are experts in their field and young talents who wish to learn and grow. We bring them together: striving for excellence in film production with experience and expertise. www.imz.at www.framefilmfestival.com
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Why Eventbrite? Eventbrite gives you all the tools you need to make your event a success. Create a unique event page, promote your gathering with built-in social sharing tools, keep track of who’s attending, and ensure your event runs smoothly with simple ticketing and entry management apps. Using Eventbrite is intuitive and easy for organisers and guests alike. It doesn’t cost a thing to sign up or to create an event, and if your event is free, then Eventbrite is free too! There are absolutely no fees unless you charge for tickets.
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Dear dancescreen participants, partners and friends, A warm welcome to the 14th edition of dancescreen, the leading international dance film competition! We proudly look back on thirteen successful dancescreen editions, which have taken place with international festival partners from San Francisco to Amsterdam and have connected filmmakers and the arts television industry all around the globe. This year we are honoured to produce the dancescreen competition in association with FRAME: The London Dance Film Festival, presented by BalletBoyz®. An overwhelming number of over 300 dance films were submitted to us from art filmmakers from 47 countries. 47 short listed films are in the running for a dancescreen award, which honours international excellence in dance filmmaking – among both established and aspiring producers. At the IMZ our focus is the promotion of dance and the performing arts through audiovisual media. Therefore dancescreen is designed with the constant aim to bring filmmakers in touch with those who distribute, programme and broadcast art films and thus make them available to ever growing audiences around the world. We thank our partners for jointly working for a comprehensive festival programme to which we look forward to within the next days. We invite you to take advantage of screenings, pitching sessions and networking options and wish you joyful and successful meetings and encounters. Our special thanks go to the BalletBoyz® and FRAME: The London Dance Film Festival, the funders, the jury members, panelists and industry experts. Just the same we thank all of you for participating in the festival and competition, adding to their renowned lively yet productive spirit!
Yours, Katharina Jeschke Director of the IMZ
www.framefilmfestival.com
Arild Erikstad President of the IMZ
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Oreet Ashery
s i s e n e G g n i t i s i v e R a new web series released weekly on revisitinggenesis.net and at Stanley Picker Gallery 14 April - 11 June 2016
Free Entry: Tues-Sat 11am-5pm / Wed until 7pm
Kingston University Faculty of Art, Design & Architecture Knights Park Kingston Upon Thames, KT1 2QJ
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stanleypickergallery.org
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Summer in Kingston Undergraduate Degree Show
Showing work from graduating students of the Faculty of Art, Design & Architecture
Public Opening: Sunday 5 June, 1.00pm – 5.00pm, Monday 6 June to Thursday 9 June, 1.00pm – 7.00pm, Friday 10 June, 1.00pm – 5.00pm (show closes). Venue: Knights Park campus, Grange Rd, Kingston upon Thames KT1 2QJ Full details at: fada.kingston.ac.uk/events
Dorich House Museum The School of Architecture & Landscape at Kingston University will be showing their newly installed temporary pavilion in the grounds of the Dorich House Museum as part of the Degree Show. The Museum is open to the public Thursday-Saturday 11-5pm. Full details at: dorichhousemuseum.org.uk
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The Judges ALISTAIR SPALDING Chief Executive and Artistic Director, Sadler’s Wells Alistair Spalding has been the Artistic Director and Chief Executive of Sadler’s Wells since 2004. He has been responsible for programming at the theatre since February 2000 (when he joined as Director of Programming). Alistair’s first job in arts management was at the Hawth Theatre, Crawley, where he was a programmer from 1988-1994. Over six years between 1994 and 2000, Alistair was the Head of Dance and Performance at the Southbank Centre in London. Alistair was also appointed as a national member of the Arts Council of England Board in January 2009. He was a member of the Arts Council England Dance Advisory Panel between 1995 and 2003. He was made Chevalier des Arts et des Lettres by the French Embassy in October 2005. In June 2012 he was appointed a Commander of the Order of the British Empire (CBE) in the Queen’s Birthday honours list, for services to dance. JAN YOUNGHUSBAND Head of Commissioning, Music & Events TV, BBC Music Television Since joining the BBC Jan has commissioned live events, concerts, documentaries and seasons across TV Radio and online, including: The Opera Season, Frankenstein’s Wedding Live in Leeds, Howard Goodall’s Story of Music, David Bowie: Five Years, The Secrets of Songs, David Starkey’s Music and Monarchy, The Sound of Cinema, George Harrison: Living in The Material World, Crossfire Hurricane: The Rolling Stones, the new look for the BBC Proms on Television, Bollywood Carmen, Messiah at the Foundling Hospital, Rule Britannia: Music, Mischief and Morals in the 18th Century, the Jubilee Concert. Jan has also acquired concert events and documentaries for BBC One, including: Adele at the Royal Albert Hall, Coldplay in Concert,Stephen Lawrence Concert, The Sound of Change Live from Twickenham, Russell Brand: Give it up for Comic Relief.
DIETER SCHNEIDER Commissioning Editor & Head of Theatre, Pop, Event ZDF/ARTE As Head of Department Pop&Event at ZDF/Arte, Schneider is responsible for pop-documentaries, concert and festival recordings (Online & TV-Concerts of Hurricane, Wacken, Melt!, Splash!) & many other musical formats; also jointly responsible for the pop culture emphasized series “Summer of…” and redesigning TRACKS as a cross-medial magazine. Dieter Schneider studied History, Theatre & Film in Bonn & Mainz. He has gained experience as a director’s assistant for theatres in Bonn & Hamburg and as a freelance filmmaker for ZDF, 3sat & Arte. Schneider is Commissioning Editor for ZDF/Arte and since 2012 Head of Department Theatre, Pop, Event/Arte at ZDF.
PEGAH FARAHMAND Editor, Random Acts, Channel 4 Pegah joined Channel 4 in January 2015, moving from Vice Media where she spent 10 years at the heart of the company’s rapid expansion, producing and directing documentaries with talent such as Spike Jonze, Jonathan Glazer, and Sally Potter, as well overseeing the content from Vice’s many brand partnerships including Google, Ford and Nike. She was the global supervising producer for Vice’s multimedia arts and technology platform The Creators Project, and latterly the company’s Senior Creative Producer.
JUDY FLANNERY Executive Director, San Francisco Dance Film Festival She is also the creator and executive producer of the Festival’s Co-Laboratory Program, where teams of choreographers, dancers and filmmakers are selected to create short dance films in a compressed period of time. Prior to joining SFDFF, Flannery worked as a media consultant to numerous arts organizations including the San Francisco Opera and Ballet where she produced dozens of programs for PBS, BBC and European broadcasters. She was the executive producer and the director of cultural programming at the PBS station in San Francisco for eight years. She has also worked as a freelance producer and documentary filmmaker.
www.framefilmfestival.com
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Opening Night
Eadweard
104’. Canada. 2015. Director: Kyle Rideout Choreographer: Joel Sturrock Producers: Josh Epstein, Kyle Rideout, Michael Eklund A psychological drama centered around Eadweard Muybridge who photographed nude and deformed subjects, became the godfather of cinema, murdered his wife’s lover, and was the last American to receive the justifiable homicide verdict.
THURSDAY 09 JUNE, 19.30 THE ROSE THEATRE tickets: £15.00 / £10.00
B o o k O n l i n e : a t FrameFilmFestival.com a t RoseTheatreKingston.org Phone: 0 2 0 8 174 0 0 9 0 Or in person at The Rose Theatre Box Office
www.framefilmfestival.com
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Day Diary
FRIDAY
10:00 THE FINANCE & FUNDING PANEL (90’)
The Rose, Theatre A panel of industry experts explore the financial landscape…. Show me the money! Where do you go for funding and financial support to make your film? The panel will break down the financing landscape and explore the various sources of funding, from government investment to private equity. Find out more about your options.
11:00 That’s Entertainment (u)(1974. 135’) on loop all day
from Market House, Wow! Cafe
A dazzling celebration of MGM’s first 50 years with some of the best musical moments from the golden age of Hollywood. Many of the great stars including Gene Kelly, Fred Astaire, Debbie Reynolds and Liza Minnelli introduce their favourite clips from the likes of An American in Paris, The Band Wagon, Singin’ in the Rain, and The Wizard of Oz.
11:40 COMMISSIONING CONTENT PANEL (90’)
The Rose, Theatre
Meet the commissioners. Find out about the latest opportunities today, from U.K. and international broadcasters and commissioning bodies. What are the upcoming trends to look out for and what should dance filmmakers be focusing on in the next two years?
12:00 THE ART OF PITCHING PANEL (70’)
The Rose, Studio
In association with London Film Academy. Pitching stories is a skilled craft that requires you to be able to sell yourself as much as your project. This session is led by David Pope who will guide you through the process building your confidence, intuition and skill in tailoring your pitch to the specific people you are addressing. David Pope is a filmmaker and script consultant. Amongst many international productions he has designed and delivered pitching projects for Cannes Cinefoundation, British Council, Irish Film Board and New Horizon Studio. He is currently Directing Tutor at London Film Academy. This session will help to prepare yourself as much as your pitch, with tips and skills designed to build your confidence, intuition and ability to individually tailor the pitch for the person who is listening. You will learn about the art and craft of selling stories.
14:00 COMMERCIAL PRODUCTION PANEL (90’)
The Rose, Theatre
In assocation with the Advertising Producers Association Hear from some of the leading creators of commercial dance film as they showcase their latest projects and share the secrets of the trade. What are the latest trends in production? How do you foresee imminent challenges and opportunities? Find out their top tips for getting ahead in commercial production.
15:00 THE dancescreen2016 PITCHING SESSION (120’)
The Rose, Studio
In association with dancescreen. Come along and watch dance film creators pitch their ideas. Eight projects have the chance to pitch to a panel of industry professionals in front of an audience of fellow dance film makers. Pitches last 5 minutes followed by 10 minutes with the panel asking questions and giving feedback on what they have seen and heard. What makes people sit up and listen?
16:00 DISTRIBUTION & EXHIBITION PANEL (90’)
The Rose, Theatre
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How do you get your film seen? The digital landscape has opened doors of opportunity in both distribution and exhibition, offering a variety of innovative ways to reach your audience. A distinguished panel of industry professionals will disclose new trends in distribution and discuss new and existing platforms which are driving innovation in film distribution and exhibition. @framefilmfest
10 JUNE
Day Diary
17:30 Royal Wedding (u)(1951, 93’)
Market House, Wow! Cafe
Dir.Stanley Donen Cast. Fred Astaire, Jane Powell FRAME offers its own 90th birthday celebration of The Queen with this lively MGM musical set in 1951, at the time of Princess Elizabeth’s marriage to Prince Philip. With a score by Alan Jay Lerner it stars Fred Astaire and Jane Powell as Tom and Ellen Bowen, a brother and sister act who are taking their Broadway show to London. En route, Ellen is wooed by an impoverished aristocrat whilst Tom falls in love with a dancer. Will it be more than the Royal couple that hear wedding bells?
18:00 Programme 1 see page 22
The Rose, Studio
Being Kristina (45’) Shade (1’48) Step (14’40)
18:15 Programme 2 see page 23
The Rose, Gallery
Within Her Eyes (15’) Wind, Stone and Women (14’20) We Have Bled (12’52) The Secret Woman (6’47) Click Clack Click (6’01) The Wake (19’38) She/Her (11’)
18:30 Programme 3 see pages 24-25
The Rose, Theatre
© 1951 Warner Bros. Entertainment Inc. All rights reserved.
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Reborn (4’35) Twitch (5’) Black Square (4’52) StonedYouMan Mirror (4’34) The Architect (Trailer) (3’26) .Tick (3’24) Plastic Eye Indian (3’07) Neutrois (2’15) Crossing Game (1’15) The Line (13’24) Inheritor Recordings (6’20) Lola (4’11) Fall (6’17)
19:40 Programme 4 see page 26
The Rose, Studio
Symmetry Unravelled (24’) Symmetry (29’) Lay Me Low (7’50)
20:20 A Swan Lake (2014, 97’) see page 26
The Rose, Gallery
20:30 Fame (15)(1980, 134’)
The Rose, Theatre
Dir.Alan Parker Cast. Eddie Barth, Irene Cara, Lee Curreri, Laura Dean, Antonia Franceschi, Boyd Gaines, Albert Hague, Gene Anthony Ray, Debbie Allen. Before Glee, there was FAME where director Alan Parker encouraged us to live forever in this breezy musical that spawned a successful TV series and stage musical. Set in New York School of Performing Arts, we follow a group of students from their auditions through their college training to eventual graduating as singers and dancers. Choreographed by Louis Falco who worked with Nureyev and Prince, the film won two Oscars for best score and best song, Fame, sung by Irene Cara.
21:20 Rudolf Nureyev Dance To Freedom (2015, 90’)
The Rose, Studio
www.framefilmfestival.com
see page 26
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Programme 1 FRIDAY 10 JUNE, 18:00, THE ROSE, STUDIO tickets: £8.00 / £5.00
Step
14’40. Canada. 2015. Dir.Frédérique Cournoyer-Lessard Chr.Stéphanie Thellen Through her entire life, Rose has followed her passion for dance by using it as a singular method of communication essential to connect with her surroundings.
Shade Being Kristina 45’. Sweden. 2015. Dir.Fredrik Stattin Chr.Hans Marklund Christina of Sweden becomes queen when she is only 6 years old. She decides to change her life, faith and privileges to gain adventure and freedom. A dance explosion with classical ingredients and a modern touch.
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1’48. Canada. 2015. Dir.Simeon Qsyea Chr.Lamar Johnson, Simeon Qsyea SHADE explores the relation between the camera and the performer. This dynamic piece breaks the mould of traditional filming, leaving you with the question; “who’s dictating who?”
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Programme 2 FRIDAY 10 JUNE, 18:15, THE ROSE, GALLERY tickets: £8.00 / £5.00 Wind, Stone and Women
14’20. Republic of Korea. 2015. Dir.Seongmin Kim Chr.Gilho Yang, Kim Modeun, Kim Misuk A white piece of thread, carried by the wind, leaves a trace in the air. A breeze of wind hovering in circles, a stone left alone on an island.
The Wake
19’38. Ireland. 2015. Dir.Oonagh Kearney Chr.Cindy Cummings A woman. A house. Sheets stir... new beginnings await. Drama Queen. Diva. Looking for attention. Looking for an audience. Looking for it.
Within Her eyes
15’. UK. 2015. Dir.Scratch Chr.James Cousins Inspired by a moving story of loss and loyalty, WITHIN HER EYES sees two lovers, brought together in a moment of grief, search for solace in each others arms.
The Secret Woman 6’47. USA. 2015. Dir+Chr. Melinda Darlington-Bach Charles Dickens led a prolific life, but he had a secret, Ellen Lawless Ternan. THE SECRET WOMAN is a ballet-based, narrative short film about Dickens struggle between his wife and the other woman he dearly loved.
Click Clack Click
6’01. New Zealand. 2014. Dir.James Wilkinson Chr.Gina Stevens A young waitress escapes the struggles of her gritty reality into an imaginary world of beauty, elegance and dance.
www.framefilmfestival.com
She/Her
11’. The Netherlands. 2015. Dir.Sonja Wyss Chr.Cecilia Moisio While Ella lives in reality, her daughter Nora prefers a fantasy world. In a restaurant where Ella and Nora are having dinner together, the story moves to Nora’s fantasy world, and finally returns to reality.
We Have Bled 12’52. UK. 2016. Dir.Marcus Waterloo Chr.Fernanda Lippi WE HAVE BLED takes us deep into private emotional battlegrounds. Three people, caught in the turbulence of relationships: moments of delicate intimacy driven by impulsive ferocity.
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The Line
Lola
THE LINE studies the various behaviours of human beings when facing time and how they can transform time into a prison for their mind.
LOLA is an anatomical decryption of a sculptured being, who is minimalistic micro-movements are made sensible through the use of choreographic montage. The body is decomposed, reconstructed and multiplies itself.
13’24. France. 2015. Dir.Nathan Cahen Dir+Chr.Adrien Ouaki
Inheritor Recordings
4’11. Germany. 2016. Dir.Johannes Plank Chr.Alexandre Munz
Reborn
6’20. Canada. 2015. Dir.Brian Johnson Chr.605 Collective
4’35. UK. 2015. Dir.Andrew Margetson Chr.Alastair Marriott
Warping time and place, the film augments and expands 605’s raw physicality to become an upheaval of an off-limits, dormant space. Its’ history, a quiet uprising of a new generation.
A portrait of a dancer: Lauren Cuthbertson, principal at the Royal Ballet, reveals the brutal reality of being a top ballerina and performs a mesmerising piece of original choreography.
Fall
Crossing Game
6’17. Chile. 2015. Dir+Chr.Paulina Rutman A continuous wave of falling shadows revealed in the prisms of the frames. A rising sea that sweeps you in and out of the tides of memory.
1’15. The Netherlands. 2014. Dir.Gonny Jüngst, Dir+Chr.Anja Reinhardt, Yuri Bongers Hunted in an infinite deserted forest, a woman is on the run. She happens to see a car. Pantingly she gets in this safe haven and thinks she can feel safe.
Neutrois 2’15. UK. 2016. Dir+Chr.Sam Bennett, Tom Bennett, Leah Smith, Charlotte White A short film exploring and representing gender fluidity through material, form and movement.
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@framefilmfest
Programme3 FRIDAY 10 JUNE, 18:30, THE ROSE, THEATRE tickets: £8.00 / £5.00
.Tick
3’24. UK. 2015. Dir+Chr.Ieva Sabaliauskaite
Twitch
5’. Canada. 2015 Dir.Jules de Niverville Chr.Michael Watts
This short movement story is about one day that makes internal difference. It’s about inner fight of surviving, the attempt of moving on, the balance between the past and the future.
TWITCH is a performance video chronicling the life-pulse of a creature in conflict: its stirrings/twitching/convulsions, its agonizing missteps and battle with demons; an ode to overcoming dark energies that lie within.
Black Square
4’52. Russia. 2015. Dir.Timo Zhalnin Chr.Elena Kuzmina
The Architect
3’26. UK. 2014. Dir.Stephen T Lally Chr.Kenneth Tindall
The film is a choreographic response to the “Black Square” by Kazimir Malevich. This piece of art won worldwide fame as a Manifesto of Suprematism, one of the brightest areas of the Russian avant-garde.
The film aims to capture and amplify Kenneth Tindall’s ballet, The Architect. Exploring the themes of temptation and sin this snappy trailer style film blends a modern stylised classical ballet language with high end fashion visuals.
Plastic Eye Indian StonedYouMan Mirror 4’34. France. 2015. Dir.Aurélien Ferré, Willy Laury Chr.Scott Schneider
Awakening of a “gargoyle” on the roof of the great Opéra Garnier de Paris and dancing on the streets of Paris by night. www.framefilmfestival.com
3’07. UK, Greece. 2015. Dir.Natasa Stamatari Chr.Nando Messias This film was inspired by a research on Amazonian tribes and the deforestation of the earth’s largest rainforest. An exploration of abstract, improvised movements affected by the structure and weight of the costume.
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A Swan Lake
97’. Norway. 2014. Dir.Jeff Tudor Chr.Alexander Ekman
Alexander Ekman’s witty and inventive take on the most famous ballet of all. The dancers are joined by actors, a soprano, 5,000 litres of water and 1,000 rubber ducks.
FRIDAY 10 JUNE, 20:20, THE ROSE, GALLERY tickets: £8.00 / £5.00
Programme 4
Rudolf Nureyev Dance to Freedom 90’. UK. 2015. Dir.Richard Curson-Smith
FRIDAY 10 JUNE, 19:40, THE ROSE, STUDIO tickets: £8.00 / £5.00
Symmetry Unravelled
A major documentary drama recreating the events that prompted Russia’s greatest dancer to defect to the West at the height of the cold war.
FRIDAY 10 JUNE, 21:20, THE ROSE, STUDIO tickets: £8.00 / £5.00
24’. The Netherlands. 2015. Dir.Juliette Stevens Chr.Lukas Timulak A documentary about the collision of art and science in the world’s largest machine: the particle accelerator at CERN, where a curiosity at the crux of man’s fascination for the unknown is revealed.
Symmetry 29’. The Netherlands. 2015. Dir.Ruben van Leer Chr.Lukas Timulak Shot inside CERN, the largest experimental particle physics facility in the world, the film shows a modern physicist searching for the smallest primordial particle and discovering a never ending love…
Lay Me Low
7’50. UK. 2014. Dir.Marlene Millar Chr.Sandy Silva LAY ME LOW cuts right to the heart as an ensemble of ten performers communicate universal feelings of loss and mourning while evoking a paradoxical sense of intimacy.
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@framefilmfest
v om
TUDIO
Š1980 Turner Entertainment Co., A Time Warner Company. All Rights Reserved. www.framefilmfestival.com
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Day Diary
SATURDAY
09:30 Beauty and the Beast (u)(1991. 84’)
10:00 Programme 5 see page 32
The Rose, Gallery Dali’s Demons (10’48) Shadow / Self (5’39) Sintonia (1’10) Sacre (41’) Spark (2’59) Transcendence (3’09) Future (8’20)
© 1933. 42nd Street. BFI
Bentall Store Dir.Gary Trousdale, Kirk Wise Cast: Angela Lansbury, Paige O’Hara, Robby Benson. An arrogant young prince (Benson) and his castle’s servants fall under the spell of a wicked enchantress, who turns him into the hideous Beast until he learns to love and be loved in return.
The R
10:00 DANCE FILM PRODUCTION PANEL (70’)
The Rose, Studio
In association with Dancers Pro Understanding production elements and associated costs in creating dance films. So you have a great idea for a dance film, working with the hottest talent in town. Now what? This session will break down the gritty details of how to produce a dance film, from the production elements to the costs involved. The panel will discuss practical advice on budgeting, crewing and producing.
The R
The R
11:00 That’s Entertainment (u)(1974. 135’) on loop all day
from Market House, Wow! Cafe
A dazzling celebration of MGM’s first 50 years with some of the best musical moments from the golden age of Hollywood. Many of the great stars including Gene Kelly, Fred Astaire, Debbie Reynolds and Liza Minnelli introduce their favourite clips from the likes of An American in Paris, The Band Wagon, Singin’ in the Rain, and The Wizard of Oz.
11:30 Big Dance Shorts (90’) see page 31
The Rose, Theatre
Hosted by Gitta Wigro in association with Big Dance
The Holloway Laundrette (3’) The Click (2012, 3’) Swim (2012, 3’) Memorias (2014, 3’) The Try Out (2013, 3’) Tango Brasileiro (2014, 3’) Steamy Valley (2016, 3’) The Big Sofa (2016, 3’) Flying / Falling (2016, 3’) To the Ends of the Finger Tips (2016, 3’) We shall Trip the Light Fantastic (2016, 3’)
The R
11:40 Dance for the Camera Retrospective (60’) see page 30
The Rose, Studio
In association with BFI Dance On Camera films were commissioned for broadcast in 1990’s and 2000’s. This retrospective screening selects some of the most memorable films made.
12:00 BIG DANCE BUS presents...
Ancient Market Square
The R
Come dance with us in Kingston’s Ancient Market Square!
12:00 CLEARING MUSIC RIGHTS PANEL (70’)
The Rose, Gallery
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In association with Rogo Scott Music Do not be caught out by rights issues: this session will help you to understand what licences you need to use that perfect music track you have just found, and where to get them from. When should you start planning the music and what is the process to clear the rights? How should you approach music libraries or artists? The panel will explain how to access commercial music to give a high-end polish to your film and demystify the issues you might face in accessing the music and clearing the rights to use it. @framefilmfest
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DAY
11 JUNE Day Diary
13:40 Music Video Production Panel(70’) see page 33
The Rose, Studio
In association with Dr Emily Caston Professional creators of seminal British music videos will screen their work and discuss the relationship between music videos and the discipline and art of dance. You will hear from directors, choreographers and editors working in the industry today.
13:45 Sea Without Shore (2015. 91’) see page 33
14:00 42nd Street (u)(1933. 89’)
The Rose, Theatre Dir. Lloyd Bacon Cast.Ginger Rogers, Dick Powell, Ruby Keeler, Bebe Daniels, Warner Baxter When revered Broadway director Julian Marsh (Baxter) falls on hard times with both his health and his finances, he helms an ambitious musical as a final production before his retirement.
15:30 MASTERCLASS: Oreet Ashery, revisiting Genesis (70’)
The Rose, Studio
In association with the Stanley Picker Gallery Chaired by David Faulkner. An in-depth look at the web series exploring the processes of dying, digital afterlife and legacy, outsider communities, friendships and reincarnations of women artists. Including the premiere of the final film in the web series.
16:00 Graceful Girls (2015. 95’) see page 33
The Rose, Gallery
16:15 StreetDance (2010. 98’)
The Rose, Theatre
Dir.Max Giwa, Dania Pasquini Cast. George Sampson, Nichola Burley, Richard Winsor, Charlotte Rampling A dance crew is forced to work with ballet dancers in exchange for rehearsal space so they can prepare for a street dance championship.
17:30 Juliet & Romeo (2013. 110’) see page 33
The Rose, Studio
17:30 Royal Wedding (u)(1951. 93’)
Market House, Dir.Stanley Donen Cast. Fred Astaire, Jane Powell Wow! Cafe
18:15 Grazing The Sky (2014. 87’) see page 33
The Rose, Gallery
19:40 Programme 6 see page 34 The Rose, Studio
Aún (3’43) Solo Finale (8’52) Hidden Skin (10’) You (6’) Mad Scene 2.0 (4’40) Tailored (1’10) Malta Kano, TX (19’01) I Loved You and I Loved You (3’17)
image © 2010. StreetDance.
© 1933. 42nd Street. BFI
The Rose, Gallery
20:00 Whirlgig Cinema presents Making Tracks & Consequences in association with The Cabinet of Living Cinema and Kingston University 20:20 Atvakhabar Rhapsodies (2015. 87’) see page 36
The Rose, Theatre
The Rose, Gallery
21:20 Programme 7 see page 37
The Rose, Studio
The Red Room (33’05) The Reason I Fly (13’03) Dance of the Neurons (5’04) The Song of GuQin - Hand Dance (5’)
www.framefilmfestival.com
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Programme 5 SATURDAY 11 JUNE, 10:00, THE ROSE, GALLERY tickets: £8.00 / £5.00
Spark
2’59. Germany. 2015. Dir.Boris Seewald Chr.Simone Schmidt, Althea Corlett An encounter between classical dance, geometry and electronic music.
Future
8’20. Belgium. 2014. Dir.Eva Campos Suárez Chr.Marta Kosieradzka
‘In a romantic world where the woman is at home waiting what she is expecting: so she decides to boil water to make some tea’ - The film is an interpretation of the first verse of “The three oddest words” by Wisława Szymborska.
Shadow/Self 5’39. Australia. 2015. Dir.Laura Scrivano Chr.Samantha Chester SHADOW/SELF is a narrative dance film than uses movement to explore the idea of the “inner critic” - the paralysing selfdoubt that can inhabit the darker side of the feminine psyche.
Sacre
41’. Germany. 2013. Dir.Karsten Liske Chr.Sasha Waltz Considered one of the key works of modernism, it is a hundred years after the genesis of Igor Stravinsky’s ‘Le Sacre du Printemps’ that Sasha Waltz takes on the Mariinsky Theatre’s offer to engage with this extraordinary piece of musical and dance history. Its title translates to ‘The Rite of Spring’.
SintonÌa 1’10. Italy. 2014. Dir.Mario Cirillo Chr.Alice Tudino A body lays motionless, in silence, after dawn. Then, suddenly, in response to an irregular metronome, the body begins to move, led by its inner sound, a dialog of the original tones of all its parts.
Dali’s Demons 10’48. UK. 2014. Dir.Jason Piper Chr.Jason Piper+Cast Legend has it, inspired by the demonic forces, Dali used to hold a key or a spoon over a tin plate. He would hold it there until he fell asleep. Dropping the key would strike the plate rousing Dali and he would begin painting in his lucid state believing he had access to his subconscious.
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Transcendence 3’09.USA. 2015. Dir+Chr.Ran Ro A girl goes beyond her limitation.
@framefilmfest
ERY
Big Dance Shorts Retrospective & Preview SATURDAY 11 JUNE, 11:30, THE ROSE,THEATRE tickets: Free.
Celebrating the three editions of Big Dance Shorts. A retrospective screening of The Holloway Laundrette, The Click and Swim from 2012 alongside Memorias, The Try Out and Tango Brasileiro from 2014 will be followed by an exclusive preview of this year’s productions.
The Try Out 3’. UK. 2013. Dir+Chr.Jessica Wright+Morgann Runacre-Temple
t
An unlikely candidate finds that things are not quite as they seem when he arrives to try out for a traditional Chora band. Pressed into playing a possessed tambourine, the world around him quickly spirals out of control.
Tango Brasileiro 3’. UK, Brasil. 2014. Dir+Chr.Gabriela Alcofra, BillyCowie At age eleven Gabi realises she has the power to stop time. She exercises her new ability on the unsuspecting inhabitants of Rio de Janeiro.
2016 Previews... Steamy Valley
Led by a dancer with Parkinson’s disease, a group of elderly hot-spring visitors journey through a harsh frozen landscape dotted with steaming pools. The environment and their physical ability combine to shape their movements. This film is a collaboration between filmmakers Oscar Oldershaw and Joe Campbell and renowned adult community dance choreographer Cecilia Macfarlane.
The Big Sofa
A family is fast asleep in front of the television. Suddenly they are awakened, and bizarrely compelled to move to the sound track of the film they have been watching. THE BIG SOFA is a collaboration between screen dance maker Deborah Tiso, director of photography Filippo Maria, sound designer Tim Barker, and composer Funki Porcini.
To the Ends of the Fingertips
Slipping through the fingers of time, the film is a visually rich and surreal search for freedom and fulfilment. A collaboration between filmmaker Roswitha Chesher and Average Height Ladies - Sophie Arstall and Elizabeth Barker.
Flying/Falling
A performance-led, visual exploration of human strength, frailty and physicality in the context of ageing and outer space. Visual artist Edwin Mingard, Vicki Amedume of aerialists Upswing, and Entelechy Arts collaborate on a film juxtaposing the home lives of older people with life aboard a space station.
We Shall Trip the Light Fantastic
The film appropriates elements from different eras of popular dance forms and collages them onto a single body in visceral and unexpected ways. A collaboration between artist/moving image maker Lucy Cash, choreographer/visual artist Florence Peake and award winning director of photography Ole Birkeland. www.framefilmfestival.com
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Big Dance Bus Come Dance With Us! Big Dance have converted London’s iconic double-decker into a mobile venue live and interactive for dance. Over the summer the high impact ‘pop up ballroom and ready made rave’ will weave itself across the capital, transforming itself into a stage complete with DJ, PA system and dance-floor, creating an unforgettable experience. On Saturday 11 June it will be in Kingston - Come dance along!
Big Dance Bus Surrey Quays. Photo © Mayra Gurzman
SATURDAY 11 JUNE, 12:00 - 17:00 ANCIENT MARKET SQUARE free. no tickets required.
Dance for the Camera SATURDAY 11 JUNE, 11:40, THE ROSE STUDIO tickets: £8.00 / £5.00 /free for delegates
Screening in association with the BFI. Between 1993 and 2003, ACE and BBC commissioned and co-produced 52 short dance films, broadcast over 7 series. Netherlands channel nps were co-producers on series 5 and 7. Choreographers, directors and composers/sound designers worked collaboratively with independent production companies to make original dance works specifically for television. Each film was unique and edgy, revolutionising how dance was portrayed on screen. Broadcast on BBC2, they were well-funded and many won international awards. We are screening a selection of the most iconic and thought-provoking.
Motion Control (2001. 10’)
Outside In (1994. 15’)
Choreographer: Liz Aggis, Billie Cowie Director David: Anderson Composer: Billie Cowie
Choreographer: Victoria Marks Director: Margaret Williams Composer: Steve Beresford
Hands (1995. 5’)
Echo (1995. 5’)
Attitude (1995. 5’)
Shelter (2003. 10’)
Choreographer: Jonathan Burrow Director: Adam Roberts Composer: Matteo Fargion Choreographer: RJC Dance Theatre Director: Anne Parouty Composer: Graeme Hamilton
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Choreographer: Mark Baldwin Director: Ross MacGibbon Composer: Philip Jack Choreographer: Shusaku Takeuchi Director: Boris Pavel Conen Composer: Maurits Overdulve
Birds (2001. 10’)
Choreography: advisor Yolanda Snaith Director: David Hinton Composer: Adrian Johnston
@framefilmfest
Music Video production panel
SATURDAY 11 JUNE, 13:40, THE ROSE, STUDIO tickets: £10.00
Us!
In association with Dr. Emily Caston A revealing discussion about dance in Music Videos. Screening as part of our event...
‘Lights’ - Hurts
6’57. UK. 2015. Dir.Dawn Shadforth Chr.Paul Roberts+Callum Powell
The last days of disco, the classic end-of-night brief encounter and the wondrous effects of inebriation on self-confidence. LIGHTS is a contemporary take on the film musical genre.
‘Wide Open’ - The Chemical Brothers 5’31. UK. 2016. Dir.DOM&NIC Chr.Wayne McGregor
In one fluid point of view shot we watch as a woman undergoes a dramatic psychologically led transformation.
Sea Without Shore 91’. UK, Brasil. 2015. Dir.Andre Semenza Dir+Chr.Fernanda Lippi
Set in the 19th century, the film follows the haunting journey of a woman, who, in search of her vanished female lover, is drawn into depths of her own subconscious.
SATURDAY 11 JUNE, 13:45, THE ROSE, GALLERY tickets: £8.00 / £5.00
Graceful Girls
95’. 2015. Australia. Dir.Olivia Peniston-Bird Chr.Brianne Lee, Brooke Synnott, Diane Synnott In the beautiful, physically demanding and uniquely Australian dance sport of Calisthenics, there is only one solo prize that matters: Most Graceful Girl.
SATURDAY 11 JUNE, 16:00, THE ROSE, GALLERY tickets: £8.00 / £5.00
Juliet & Romeo 110’. Austria. 2013. Dir.Thomas Grimm Chr.Mats Ek
The world’s greatest love story the other way round: The Swedish choreographer Mats Ek stages Juliet & Romeo in Stockholm - his first narrative ballet since 1997.
SATURDAY 11 JUNE, 17:30, THE ROSE, STUDIO tickets: £8.00 / £5.00
Grazing the Sky 87’. 2014. Spain. Dir+Chr.Horacio Alcala
GRAZING THE SKY takes a revealing look at the incredible physical exploits of circus acrobats, and finds compelling stories of men and women confronting adversity – including the real risk of severe, debilitating injury.
www.framefilmfestival.com
SATURDAY 11 JUNE, 18:15, THE ROSE, GALLERY tickets: £8.00 / £5.00
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Programme 6 SATURDAY 11 JUNE, 19:40, THE ROSE STUDIO tickets: £8.00 / £5.00
You
6’. UK. 2015. Dir.Graham Clayton-Chance Chr.Nigel Charnock
Verbal and physical slapstick reveals darker truths about love, sex and relationships. One in a series of new films celebrating the work of the late Nigel Charnock.
Malta Kano, TX
19’01. Belgium. 2015. Dir.Frédérique de Montblanc Dir+Chr.Dominic Walsh The story of a couple in crisis where the man and the woman seem to be unable to tame each other anymore.
Mad Scene 2.0
4’40. USA. 2015. Dir.Mark Kohr Chr.Christopher Stowell A Silicon Valley office is the setting for a work-place encounter; resulting in a 21st century mad scene but with a happy ending.
Tailored
1’10. Italy. 2014. Dir+Chr.Augenblick A tailor, his wife: a day like any other. Then she comes in. The rhythmic gestures of the craft become a dance, now. A dancing ménage à trois in one minute.
Hidden Skin
10’. India. 2015. Dir.Udit Nijhawan Chr.Madina Vezirova, Ankur Pandey In our society everybody’s supposed to be just happy and joyful, or just not feel anything. But without feeling, without noticing what you’re feeling and actually confronting it - it is like not living.
I Loved You and I Loved You 3’17. UK. 2015. Dir.Roswitha Chesher Chr.Sally Marie
A short film inspired by a dance theatre work created by Sweetshop Revolution, about the life of composer Morfydd Owen which explores both her music and the men she loved.
AÚN
3’43. Argentina. 2015. Dir.Damián Medvedofsky Chr.Pablo Pattenden, Eliana Lion Aún (Still) explores a love relationship. Find each other through the stare, in that place where land curves, where there is still love…
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Solo Finale
8’52. Germany. 2015. Dir.Ingo Putze Chr.Christian Spuck A woman and a man meet in an abandoned opera where they embark on a magical pas de deux between time and space. @framefilmfest
UDIO
SATURDAY 11 JUNE, 20:00, THE ROSE, THEATRE tickets: £8.00 / £5.00
Whirlygig Cinema presents a special edition of
Making Tracks Making Tracks is a ground breaking event that re-imagines short films with live scores performed by The Cabinet of Living Cinema. By fusing moving image with live music and foley, Making Tracks offers a stimulating platform for emerging film talent and an opportunity to join filmmakers in hearing these new soundtracks for the first time.
Followed by the WORLD
PREMIERE of
CONSEQUENCES Consequences is a 30-minute film-based cabaret-style event, with a spirit of fun and hand-made creativity. Created by Kingston University Graphic Design and Dance students, with live music by The Cabinet of Living Cinema. Get ready for a playful historic dash from the dawn of film to now, presented as a mixture of film and live performance, highlighting chosen moments in British moving image media, popular culture and dance.
Photographic image © Gio Staiano
www.framefilmfestival.com
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Atvakhabar Rhapsodies 87’. France. 2015. Dir.Vincent Massip Chr.Marcia Barcellos, Karl Biscuit
With a kaleidoscope of visual and sound effects, this ballet takes us into an imaginary world which combines futuristic visions and fantasy tales. Discover the unknown land Atvakhabar.
SATURDAY 11 JUNE, 20:20, THE ROSE, GALLERY tickets: £8.00 / £5.00
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@framefilmfest
Programme 7 SATURDAY 11 JUNE, 21:20, THE ROSE, STUDIO tickets: £8.00 / £5.00 The Song of GuQin - Hand Dance 5’. China. 2015. Dir.Alex Wu (Zhen Wu) Chr.MenYu Li, MenXuan Cui, LaiLai Hu, Qinjie Shen, Zhen Luo, Lang Liu
The guqin is the modern name for a plucked seven-string instrumentof the zither family. It has traditionally been favoured by scholars and literati as an instrument of great subtlety and refinement.
The Reason I Fly 13’03. UK. 2015. Dir.Kyle Stevenson Dir+Chr.Rachel Kay
A dance based film about personal fight, exploration and regaining strength after having an ‘out of the blue’ experience like a stroke.
Dance of the Neurons 5’04. USA. 2015 Dir.Eric Siegel Dir+Chr.Jody Oberfelder
24 dancers playfully echo the “dance of neurons” going on in your head all the time. Jody collaborated with neuroscientists to evolve material based on the birth of a neuron and neuronal connections.
The Red room
33’05. The Netherlands. 2015. Dir.Inge Theunissen Chr.Jiří Kylián, Robert Battle, Daniël Ezralow, Sol León en Paul Lightfoot, Karole Armitage Artistic director Roel Voorintholt suffered a brain haemorrhage a year before Introdans Ensemble for Youth celebrated his 25th jubilee. He set himself the personal goal of joining the jubilee festivities. www.framefilmfestival.com
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SUNDAY ©2005 Warner Bros. Entertainment Inc. All rights reserved.
Day Diary
10:30 Happy Feet (pg) (2006. 108’)
Bentall Store Directors: George Miller, Judy Morris, Warren Coleman Cast: Robin Williams, Elijah Wood, Brittany Murphy, Hugh Jackman Mumble (Wood), a young emperor penguin, lives in Antarctica. Like others of his kind, he needs to be able to sing to attract a mate, but he has a terrible voice. Instead, Mumble must express himself, and lure a female through his amazing talent for tap-dancing.
The Ro
The R
11:00 That’s Entertainment (u)(1974. 135’) on loop all day
from Market House, Wow! Cafe
A dazzling celebration of MGM’s first 50 years with some of the best musical moments from the golden age of Hollywood. Many of the great stars including Gene Kelly, Fred Astaire, Debbie Reynolds and Liza Minnelli introduce their favourite clips from the likes of An American in Paris, The Band Wagon, Singin’ in the Rain, and The Wizard of Oz.
11:00 DANCER CAREER DEVELOPMENT (70’)
The Rose, Gallery
The Ro
In association with Dancers Pro There is more to being a dancer than dancing… Learn about what you need to do to get along in the industry: tips on marketing yourself, how to find the next job, what you should be doing to develop yourself and your profile. Meet the panel and find out where to go for help and resources.
11:00 SPEED NETWORKING (120’)
The Rose, Circle Bar
The
In association with Creative Skillset A chance to meet professionals who bridge the film and dance community. Grab your 8 minutes of dedicated one-to-one time to talk directly with the industry experts, including curators, commissioners, directors, producers, careers advisors and more..
11:00 Programme 8 see page 40
The Rose, Studio
After The Curtain (70’) You Can Take the Streets (13’) Nostalgic Onion (3’14)
11:30 Gene Kelly Double Bill Invitation to the Dance (u)(1956. 93’)
Odeon Cinema
Director: Gene Kelly Three stories, all told without words, and each allowing Gene to demonstrate his impressive range of his dancing styles. He is a clown, a marine and Sinbad the Sailor, in an enchanting animated sequence. This MGM film is not only a showcase for his footwork but also for his direction. Shot partly in California and London’s Elstree studios, it is a toe-tapping treat for the whole family.
Odeon Cinema
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Directors: Gene Kelly, Stanley Donen Not just one of the best musicals but one of the best movies of all time. Gene Kelly stars alongside Debbie Reynolds and Donald O’Connor as actors at the time Hollywood is moving from the silent era into its first ‘talkies’. Surprisingly it never won an Oscar but instead has won a special place in our hearts. With unforgettable songs such as ‘Good Morning’ and ‘Make ‘Em Laugh’, it is sure to have everyone singin’ and dancin’ in the aisles.
The Ro © 1957 Warner Bros. All rights reserved.
13:20 Singin’ in the Rain (u)(1952. 103’)
The Ro
The Ro @framefilmfest
©2005 Warner Bros. Entertainment Inc. All rights reserved.
DAY 12 JUNE
Day Diary
12:40 MEET THE CURATORS (70’)
The Rose, Gallery
In association with the British Council A unique opportunity to meet dance film curators and programmers from around the world. The panellists will share insights into what they are looking for and where the industry is moving. Get insider tips on how to get your film seen.
13:00 Programme 9 see page 41
The Rose, Studio
Salt (12’) Dancin’ the Camera (9’) every-one (9’53’) Little Dreams (6’04) Dancing City (4’47) In and Out of Control (4’04) Contact (7’16) The Area (24’)
14:40 MEET THE CHOREOGRAPHERS (70’)
The Rose, Gallery
In association with One Dance UK Some of the most renowned choreographers in dance film discuss their work. Learn real, tried and tested approaches and practical advice on working in the industry. The panel will discuss creative interpretation, explain their techniques and share personal experiences. This a rare opportunity to engage with celebrated professionals in the field.
15:00 Programme 10 see page 43
The Rose, Studio
Interplay (13’54) A Short History of Madness (27’) Son du serpent (12’) Body Language Zone (10’13) Mourning (9’44) Tampopo Redux (7’52)
15:30 Desert Dancer (15)(2014, 104’) see page 45 Odeon Cinema
Directed by Richard Raymond. Choreography by Akram Khan Cast:Reece Ritchie, Freida Pinto, Tom Cullen Based on the life of Afshin Ghaffarian, one of Iran’s most renowned performer, Desert Dancer is a powerfully energetic film that stars British actor Reece Ritchie (Prince of Persia) as Afshin who risks everything to set up a dance company in the desert away from the politically volatile Tehran where dancing is banned. Downton Abbey’s Tom Cullen and Freida Pinto (Slumdog Millionaire) are two of the dance troupe willing to risk their lives to follow their dreams, learning their skills from videos of Gene Kelly and Michael Jackson.
16:00 Royal Wedding (u)(1951. 93’)
Market House, Dir.Stanley Donen Cast. Fred Astaire, Jane Powell Wow! Cafe
16:20 MEET THE DIRECTORS (70’)
The Rose, Gallery
In association with Underwire Film Festival & Flamin Established directors will screen their films and talk you through their production processes. What are the challenges and opportunities of using the language of dance to engage an audience? The panel will break down the creative thinking and discuss their own approaches and insights, from capturing the bigger picture to navigating a scene shot-by-shot.
18:15 THE FESTIVAL AWARDS CEREMONY (60’)
The Rose, Theatre
In association with dancescree2016
20:00 BALLETBOYZ PRESENT...
The Rose, Theatre
A live performance from BalletBoyz including Fiction from their critically claimed production LIFE plus a selection of their most powerful and evocative dance works.
www.framefilmfestival.com
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Programme 8 SUNDAY 12 JUNE, 11:00, THE ROSE, STUDIO tickets: £8.00 / £5.00
You Can Take the Streets and Rule Them Because We Are of the Sky 13’. Canada. 2015. Dir.Eduardo Menz Chr.Patrick Lloyd Brennan “If I can’t dance, I do not want to be part of your revolution.” Emma Goldman’s 1931 radical statement silently hovers over the streets. A dancer’s interpretation and ode to the civilian uprisings of recent years.
Nostalgic Onion
3’14. Belgium. 2015. Dir.Eva Campos Suárez Chr.Marta Kosieradzka A girl arrives from abroad. Before she even opens her suitcases, she feels nostalgy for her country. Through dance, we will see her regrets, her sadness and her doubts.
After the Curtain 70’. USA, Tajikistan. 2016. Dir.Emelie Mahdavian Chr.Sharofat Rashidova, Dilarom Sattorova, Khaironissa Vatanova, Sonia Gulayozova Four female dancers battle cultural norms and face increasing disfavor in the Post-Soviet era. The women weigh their love of art against economic hardship, loneliness, and social reproach in this intimate portrait.
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@framefilmfest
Programme 9 SUNDAY 12 JUNE, 13:00, THE ROSE, STUDIO tickets: £8.00 / £5.00
Little Dreams
6’04. Belgium. 2015. Dir+Chr.Wilkie Branson An independent dance animation about dreams, fears and aspirations.
Dancin’ the Camera
9’. The Netherlands. 2015. Dir.Pieter-Rim de Kroon Chr.Marije Nie
A tap dancer explores the mechanical world of the black and white film. The 35mm camera from the twenties, the era when tap dance was red-hot, is used as a camera, a decor and a character.
Contact
7’16. France. 2014. Dir.Lola Teyssedou Dir+Chr.Adrien Ouaki This film is an intrusion into the imagination of a person. What our imagination can create from a physical or visual contact with another person. Our imagination is our only true freedom, the one place where everything is possible, the only place that really belongs to us.
Salt
12’. Norway. 2014. Dir.Maria Lloyd Chr.Maria Lloyd+Cast
She is slowly crystallising into a salt figure. How to create your own path in life and not setting into the same patterns and habits as your parents?
Dancing City 4’47. UK. 2014. Dir.Dougie Irvine
The film brings together professional artists, communities of people and everyday occurrences and interactions to create an alternative perspective of themselves, their City and of dance.
every-one
9’53. Austria, Latvia. 2015 Dir+Chr.Willi Dorner
The short film EVERY-ONE is devoted to the ordinary man, “to a common hero, an ubiquitous character”, simultaneously embedded in his everyday life and augmented reality.
In and Out of Control 4’04. UK. 2015. Dir.Emir Eralp Chr.Lutz Förster
Control, an older gentleman banker, is used to commanding the lives of many. He has a haughty demeanour, a stiff walk and waits for nobody’s pleasure. A mysterious piece of information sends his world out of orbit. www.framefilmfestival.com
The Area
24’. Ireland. 2014. Dir.Joe Lee Dir+Chr.Ríonach Ní Néill, The Macushla Dance Club for the +50s, is a motley group of people from Dublin’s rough inner city, connected by their love of dance. Funny and poignant,
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Son du serpent
12’. The Netherlands. 2015. Dir.Tami Ravid Chr.Feri De Geus The story of an African man and his frantic search for his wife. Yearning for his beloved, he strays into a supernatural reality knowing she might be in this invisible world.
Body Language Zone
10’13. Finland. 2015. Dir.Kim Saarinen Chr.Johanna Keinänen In four episodes a consultant gives expert advice on body language for the office environment.
Interplay
13’54. Italy. 2015. Dir.Milad Tangshir A short documentary about a family of Italian theater workers and their daily interactions with dancers from all over the world.
Programme 10 SUNDAY 12 JUNE, 15:00, THE ROSE, STUDIO tickets: £8.00 / £5.00
A Short History of Madness
27’. Canada. 2014. Dir.Isabelle Hayeur Chr.Virginie Brunelle Bringing together contemporary dance and architecture in a series of six pieces, A Short History of Madness evokes the history of treatment of mental illness.
Tampopo Redux
7’52. Canada. 2015. Dir.Alan Kohl Dir+Chr.Mistaya Hemingway Welcome to the kitchen of TAMPOPO REDUX - an alternate reality where movement and taste collide. With the kitchen and the cutting board as the stage, the touch and taste of food becomes the inspiration for dance.
Mourning
9’44. Hungary. 2014. Dir+Chr.Réka Szabó Artist-ghosts arrive to a mourning ceremony, where they say good-bye to the passed away with absurd performances. We slowly realise that they are the ones themselves that don’t exist anymore.
www.framefilmfestival.com
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E V I C N T A S A E E E I R R C DUST PART TIMCOURSES IN ME, TE @framefilmfest
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Desert Dancer (2014, 104‘) Directed by Richard Raymond. Choreography by Akram Khan Cast:: Reece Ritchie, Freida Pinto, Tom Cullen
Based on the life of Afshin Ghaffarian, one of Iran’s most renowned performer, DESERT DANCER is a powerfully energetic film that stars British actor Reece Ritchie (Prince of Persia) as Afshin who risks everything to set up a dance company in the desert away from the politically volatile Tehran where dancing is banned. Downton Abbey’s Tom Cullen and Freida Pinto (Slumdog Millionaire) are two of the dance troupe willing to risk their lives to follow their dreams, learning their skills from videos of Gene Kelly and Michael Jackson.
SUNDAY 12 JUNE, 15:30, ODEON CINEMA tickets: £8.00 / £5.00
www.framefilmfestival.com
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A group of young men brought are together by the indiscriminate brutality of war, as they fight together and die together. Young Men is a feature length dance film without dialogue shot on location in Northern France, drawing inspiration from images of conflict through the ages, and with particular reference to the experiences of soldiers during World War I. Featuring dancers from BalletBoyz and based upon their hugely successful 2015 stage production of the same name, it is choreographed by Iván Pérez with a commissioned score by cult singer songwriter Keaton Henson and directed by Michael Nunn and William Trevitt. Since forming BalletBoyz in 2000, they have developed an enviable reputation for bringing dance to the screen in a variety of innovative projects, winning an International Emmy, a Rose d’Or and a Golden Prague along the way. Due for release Autumn, 2016. www.framefilmfestival.com
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www.youngmenmovie.com
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COMING SOON AT THE ROSE
Kingston shop HALF PAGE ADVERT
Sat 14 May-- Tue Sun 3 5 Jun Tue 6 Dec Jan
By Kenneth Grahame, adapted and directed by Ciaran McConville
Fri 16 Sep - Sat 8 Oct
Fri 28 Oct - Sat 19 Nov
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Fri 21 Oct
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T
he ÂŁ7 million Arts Impact Fund exists to demonstrate the potential and impact of social investment in the arts.
The Fund brings together public, private and charitable funding to support impactful arts and cultural organisations. It provides unsecured loans of ÂŁ150,000ÂŁ600,000, at interest rates of 4-7 per cent repayable over a 3-5 year period. The Arts Impact Fund is available to arts organisations working in England that are financially resilient, can demonstrate a commitment to artistic impact and deliver social outcomes in at least one of the following areas: youth and educational attainment, health and wellbeing, citizenship and community. Visit www.artsimpactfund.org for more details and information on how to apply.
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ReFrame ReFrame your future future your Creative Skillset supports creative talent and production Creative Skillset supports creative talent and production companies by investing in skills and talent development companies by investing in skills and talent development across the film industry. across the film industry. Hiive, our social network for creative professionals enables Hiive, our social network for creative professionals enables productions and and talent talent toto find findone oneanother, another,allows allowsyou youtoto productions promote projects projects and and events eventsand andshare shareideas. ideas. promote
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