ARCHITECTURE portfolio
Francisca Maria Perloiro francisca_perloiro@hotmail.com +351 910 91 98 09 (PT) +41 764 95 14 36 (CH) Behance: Francisca Perloiro Instagram: xica.perloiro
2010.1017
personal information 01 02 03
Book of Disquiet Water House, Lisbon PT Students Residence, Lisbon PT
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Anthropology Minimum Housing, Lisbon PT Multifamily Housing, Lisbon PT
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Drawing Lisbon Multifunctional Blocks, Lisbon PT Church and Market Hall, Biel CH
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Santa Clara Equestrian Center, Lisbon PT
name nacionality birthday contact
Francisca Perloiro Portuguese 26.11.1992 francisca_perloiro@hotmail.com +351 910 91 98 09 (PT) +41 764 95 14 36 (CH) Rua do Lido, lote A 2765-423 Estoril Portugal
education
skills
Primary School, 1999-2003 Escola Primária do Monte Estoril, Portugal
experience
Freelance as Technical Drawer Promontório Arquitectos | Lisbon, Portugal
Elementary School, 2003-2008 Colégio Dona Luísa Sigea, Portugal
Freelance as Junior Architect Private Client | Carcavelos, Portugal
High School, 2008-2010 Secundária de São João do Estoril, Portugal
Voluntary for the event “Uma Casa para a Síria” Universidade de Lisboa | Lisbon, Portugal
Integrated Master in Architecture, 2010-2016 Faculdade de Arquitetura de Lisboa
Intern at “NAU Architecture” NAU Architecture | Zurich, Switzerland
Erasmus (exchange student program), 2014 Berner Fachhochschule, Switzerland
Freelence as Technical Drawer Promontório Arquitectos | Lisbon, Portugal
AutoCad VectorWorks Rhinoceros ArchiCad InDesign Illustrator Photoshop Cinema 4D MS Office
Language
Portuguese Spanish English German
2 semester |
Book of Disquiet Drawing 1
The absurd is divine_black pen 0.3 Cups...there are many_black pen 0.3
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Boots of a thousand miles_black pen 0.2 e 0.5
The Outline of my Room_black pen 0.3
“Quem vive como eu não morre:
acaba, murcha, desvegeta-se.�
Fernando Pessoa
Observation drawing_ink paring
2 semester |
Water House Architecture Lab 2
For this semester the programme was to create a Water House or SPA, in Largo da Oliveirinha, Lisbon. This site is near the most important avenue in Lisbon, Avenida da Liberdade. The two most important assumptions about this place for me, was the location, with a lot of people around; and this big wall that limited the site.
It was also request that the building should be mostly made out of stone. When I think about stone I think about an imposing material, strong, opaque, and remember me the big walls that once defend Lisbon from their enemies. Starting with this ideas, and also thinking that a Spa is an intimate place where people can relax and leave the stress of the city behind, I decided to begin by designing a big hall in the limits of the site, like a fortress. The idea was to simultaneously connect the pre-existing wall, and to create a private space where the visitors would feel protected, without
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losing the perspective of where they were. Coming out of this fortress we have long pieces which intersect each other, dividing the interior space and at the same time, once again, connecting the building with the city around, by their shape and direction of projection. Also the main entrance was projected in the street above the site, so when the users go in this way, they feel like going through the wall, increasing the idea of a place turned to the inside, safe and far from the outside stress.
Main Elevation
Plans
Sections
4semester |
Students Residence Project Lab1
3D Model
This exercise was about design a student residence, near our university in Alto da Ajuda, Lisbon. The project started with a team and we needed to create the main concept and volume of the buildings. The idea that we developed in the beginning started with the geometrization of the level curves and in a superimposing a checkered mesh, creating this way the limits of the living space, outside and inside.
Roof Plan
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P0
P1
P2
Plans: P0; P1; P2
Following this first idea I based my individual concept in a kind of traditional Japanese architecture that allows to balance the individual and common space with excellence. The idea was to keep the main volume design in group leaving the common spaces and breaking it with the individual space, trying to leave the common space turned to the inside and the individual one breathing to the outside.
It was also part of my project to develop a library for the students of the university center attached to the residence site. In order to design this space, I started with defining the different needs of the people in terms of silence and working space. In the end I felt the need to created two different spaces with different characteristics. One was surrounded by books, just one table for four person’s maximum, this place
would create a more intimate and silent environment; the second typology was place in the top part of the library to study and work in group, with long tables and open space around.
4 semester |
Antrhopology Drawing 2
Portuguese Pavillion_graphite 8B Male Model_oil pastel
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Male Model_charcoal Largo CamĂľes_graphite 8B
BelĂŠm Cultural Center_graphite 8B Female Model_dry pastel
5 semester |
Minimum Housing Project Lab 2
The exercise for this semester was the design of minimum and temporary housing. The main challenge was to create an architectural model with 33m2 and 165m3 maximum, that should be able to receive six persons for a limit time after an emergency situation. To solve this programme, I based myself in two main and fundamental ideas. The first one is about form and function. If we need a minimum space with multiple functionality and ability to receive several persons with as much comfort as possible, we should find a way that will make easy the life of the ones that will live there. The second idea started with transport me and my family
to this situation, where we needed to live our place and go to one of these emergency houses. My family is composed by six elements, a couple, my grandmother and tree sons. This stage was really important to me because it made think about the necessities, difficulties and conditions of which one of us. There was also another concept that helped me to define the interior spaces. The “motor” of the house. This concept is based in the two more basic necessities of the human been: hygiene and alimentation. In my prototype the “motor” is the counter, where the food is prepared and the lavatory. For me the motor should be a central place in the house, to make
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easier the accesses but at the same time should had a privacy hierarchy. The kitchen should be a open space in the common space, the toilet a medium space, and finally the shower should be the most reserved space in the motor. During this project one of the biggest difficulties I found was the definition of time. How much was the limit for a family to live there? Can be one month or one year. In my opinion the time requires different responses from the house to the needs of the ones that live there. So I decided to create the interiors as much statics as it could be, so the persons that live in this houses don’t have to change the places with folding unconfortable solutions.
Module Description 01 Entrance 02 Living Room 03 Sofa Bed 04 Meal Area 05 Cooking Area 06 Sanitary Facilities 61 Toilet 62 Shower 07 Single Room 08 Double Room 09 Single Bed
Cob
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Light Studies
Space use Studies
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Section AA
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Section BB
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Interior Design
Module Aggregation
Plan Type South Elevation
Cross Section North Section
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Multifamily Housing Project Lab 3
| 6 semester
This exercise was to create a place in the city with different programs happening simultaneously. As the Student Residence project, the first general volume was design in team. Our main gold was to create a tune between the site and the new buildings.
Volume prespectives
Once we finished the volume design I got to work in the housing plot. I needed to draw four different typologies for 84 houses/apartments. But I wanted to explore more. So I decided to make all the 84 houses different. I wanted to explore the idea that nobody has the same needs as me, so what if I could find a place that respond better to my needs?
1:1000 Study Model
The main common idea for the bigger typologies was that the basement of my neighbor from the floor above me is my garage and the roof of the neighbor bellow is my garden. For the smaller ones, T0, the idea goes a little bit with the same idea developed in the minimal houses, where the
1:1000 Final Volumes Model
“motor� (the place in the house that respond to the most basic needs) is the most central place of the house and in this way it will divide the space and ranks them.
Deployment Plan
Deployment Plan Long Elevation
Cross Elevations 1:50 Detail: section and plan
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Drawing Lisbon Architectural Drawing
| 6 semester
Praça do Comércio_black pen 0.07
Largo CamĂľes_black pen 0.07
Praรงa da Figueira_black pen 0.07 View from FAUL to the river_black pen 0.07
Largo Camões_black pen 0.07 View from Sé to Panteão_black pen 0.07
Largo do Carmo_black pen 0.07
8 semester |
Multifunctional Blocks Project Lab 4
3D Model
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For the first time during the course, in this semester the exercise was to find a site near Avenida da Liberdade in Lisbon, and study the needs of the place. In teams we had to create a programme, based on the results of our studies, including housing and public services present a solution for the main issues of the area.
Relation between the site and the city
We decided to work in the area above Miradouro do Torel, and next to Coliseu dos Recreios. Before there was a big green abandon area and some buildings in very bad stage of conservation. Kipping the main streets and creating some news ones, we proposed some housing in the top of the site and down, closer to the avenue public buildings.
Housing Vs. Service
Individually I developed mostly housing and one public building where there was a restaurant, and an art gallery equipped with spaces for exhibitions and workshops . For the housing I based most of my decisions in neighborhood relations, so tipical in Lisbon, but have been lost with time and over population in the city.
Routes: pedestrian, car and elevator
Deployment Plan
Type Plan Sections
8 semester |
Church and Market Hall Studio Project
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Since the beginning I interpreted this exercise as two different programmes that we had to combine in the same site in Biel. For me a church and a market shouldn´t be in the same building, although I agree that they can bough be monuments, a church should have the scale of something closer to god and a market should take the scale of the human being open to the city. Starting with this ideas, my first thought was to plan two antagonist buildings, created in the same gest, two different buildings that are talking together. The two buildings relate to each other in the line that crosses the site. The idea was to create a confrontation between them. Location and deployment plans
Light Concept Development
The church is in a step above the ground. Is one step closer to god, and the shape is going in the direction to the sky. Inside I created a game of light to help people to turn to themselves and making them loose the perception of where they really are, of their bodies and the things that are around. The gold is to try to offer a full spiritual experience through light.
First projective realization of the concept
Once out of the church and down of the stairs, the moment when we touch the ground there is a square. The ultimate place of confrontation between the spiritual world and the capitalist world, where you have the high and narrow door “face to face� with the wide door.
Once inside of the market hall the heavy structure pops and guide the people through the space. In opposition to what happens in the church, here the height of the ceiling leads the users to the human scale and the walls open to the city. The idea was to also give the possibility to open and extend for an outside market during the summer time.
Technical Drawings: plans and section
North&South Elevation; Deployment Plan
MTP |
Santa Clara Equestrian Center Master Thesis Project
My final master´s work came as a follow-up to the last project developed in the fifth year of college. The exercise for this last project was based on finding a place in Lisbon with deficiencies at urban and building level, and them after designing an urban plan trying to solve this deficiencies, we had to choose a specific program to work in more detail.
I stayed in the North limit of Lisbon, in an area mostly composed of social districts and urban voids. From the beginning it was easy to detect a lot of social issues caused by the ethnic confrontations and aggravated by the discontinuous urban plan as well as by the degraded buildings. After the demographic study I concluded that in every twenty members of the population, seven area of gypsy ethnicity. In view of its large population density and the recurrent registration of conflicting situations related to it, it
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seemed to me the ideal starting point for a social inclusion project. Starting from the study of gypsy culture and tradition, I found what seemed a potential link for interaction between this ethnicity and the Portuguese tradition, the Horse. The main idea of this project was based on this element, that being of common interest, would provoke the creation of moments of interaction and sharing, disentangling social exclusion and interracial contempt.
AZINHAGA DAS GALINHEIRAS
GRAFANIL
ZONA
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BAIRRO DAS GALHINHEIRAS
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ZONA
ZONA
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Bairro PER da Ameixoeira ZONA
ALTO DO CHAPELEIRO
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ZONA
EMPREENDIMENTO DA AMEIXOEIRA
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ALTA DE LISBOA
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Edificado e Tecido Construído PONTOS POSITIVOS - As condições que os fogos oferecem, ainda que mínimas, oferecem condições de salubridade e conferem conforto aos residentes. - Existiem diferentes tipologias de habitação para diferentes agregados familiares - Há uma homogeneidade no - Cada Zona assegura condições para a circulação viária e pedonal, que regrar o trânsito e evita estacionamentos abusivos. - Existência de espaços entre Zonas que por estarem desocupados podem vir a ser valorizados.
A População e a Diversidade Étnica PONTOS POSITIVOS - A dinamização de atividades que provoca a integração e interação social. - O envolvimento direto dos residentes com as Associações presentes no bairro. - Heterogeneidade de culturas. Jovem.
PONTOS NEGATIVOS - Baixas habilitações literárias. - Precoce abandono escolar. - Reduzidas competências pesou desempregados. - Dependência de subsídios e - Segregação social e estigmatização territorial. - Sentimento de insegurança. - Indiferença relativa ao meio em que os individuos se integram.
EM CADA 20 HABITANTES...
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CIGANOS
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ORIGEM AFRICANA
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OS OUTROS, OS NÃO CIGANOS
CARCATERIZAÇÃO DA POPULAÇÃO SEGUNDO GRUPOS ETÁRIOS (CENSOS 2011)
HABILITAÇÕES LITERÁRIAS DA POPULAÇÃO (CENSOS 2011)
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NÃO SABE LER NEM ESCREVER 1ºCICLO DO ENSINO BÁSICO
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2ºCICLO DO ENSINO BÁSICO 3ºCICLO DO ENSINO BÁSICO ENSINO SECUNDÁRIO CURSO MÉDIO CURSO SUPERIOR
Da Coesão Territorial à Coesão Social
PONTOS NEGATIVOS - Estrutura urbana é caracterizada por descontinuidades do teci- O Bairro é monofuncional, sendo que é basicamante só habitação. - Os pisos térreos encontram-se desocupados e ao abandono. - As áreas comuns dos edifícios estão em mau estado de conservação. - Edifcios com marcas de vandalismo. - Não há espaços de permanência e sociabilização. - Via pública encontra-se degradada e com acumulação de resíduos urbanos.
Entrances and new parking spaces
Programs and spaces of premanence
Inside Routes
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jogging track skatepark niches snack park cultural house Equestrian Center square playground urban gardens
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main route secundary route exceptional route technical route
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STABLES 01 02 03 04 05 06 07
reception box harness room sanitary facilities cleaning and bath warehouse parking
08 round ringe 09 teaching carrier 10 covered ringer 11 padocks SERVICE AREAS 12 13 14 15 16 17 18
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trough parking ration warehouse straw warehouse nursery isolation box facilities for employees
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Detail Section
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01. Hard Pavement 02. Regularizing layer 03. Pebble 04. Geotextile Screen and Waterproof Screen 05. Metal plate 06. Column 07. Ringe Web 08. Geotrack Flooring 09. Regularizing Sand 10. Impregnable fabric 11. Drain
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01. Metal plate (Sandwich Panel) 02. Isolation (Sandwich Panel) 03. Impregnable fabric 04. Marine Plywood 05. Clapboard 06. Stick 07. Beam
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01. Ridge 02. Metal plate (Sandwich Panel) 03. Isolation (Sandwich Panel) 04. Impregnable fabric 05. Marine Plywood 06. Clapboard 07. Stick 08. Beam
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01. Metal plate (Sandwich Panel) 02. Isolation (Sandwich Panel) 03. Impregnable fabric 04. Marine Plywood 05. Clapboard 06. Gutter 07. Metal Arm 08. Stick 09. Beam
01. Regularizing layer 02. Permeable fabric 03. Concrete 04. Impregnable fabric 05. Pebble 06. Marine Plywood
01. Metal plate 02. Gutter 03. Metal plate (Sandwich Panel) 04. Isolation (Sandwich Panel) 05. Metalic profile I 7cm 06. Impregnable fabric 07. Metalic profile I 15cm (Main Beam) 08. Metalic profile I 15cm (Column) 09. Wood (Prefabricated module)
Francisca Maria Perloiro
2010.1017