Portfolio press architect francisca by Francisca Viegas

U.M. + Minho University, Guimarรกes, Portugal NTNU + Norwegian University of Science and Technology, Trondheim, Norway

index Curriculum Vitae + About me

Reference letters

5 7

03.2014 Collaborator Architect + Work experience cronology

02.2013 Architect + MTR RV2020

07.2013 Architect + MTR Color Study

10.2013 Architect + Aberdeeen Boat Club

10.2012 Interior Architect + DIAGEO Office

08.2012 Interior Architect + Proposal for Marketing Co. Office

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09.2012 Interior Architect + Proposal for Club Lusitano 04.2012 Interior Architect + Bayer Science Material

01.2011 Interior Architect + Viroc(l)in W.C.

03.2010 Collaborator + S.Pedro High School + Labastida & Maia

10.2010 Collaborator + Dehonianas Priest House + Labastida & Maia

12.2009 Master Thesis + Urban Void - PARQUES D’ÁGUA + U.M.

01.2009 Studio + Intensify / Densify / Stay + U.M.

02.2008 Studio + eC_PC + NTNU

11.2007 Studio + Office’s Architecture + NTNU

03.2010 Competition + reflect²

11.2009 Competition + 3GSwing 06.2009 Competition + Dream place to work ® 05.2009 Competition + Sacred Void 11.2008 Competition + Clothes Line Gallery

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about me :

Francisca was born in June 1986 in Porto, the cultural capital of Portugal. As the daughter and granddaughter of jewellers, her creativity was encouraged by her mother who was passionate about art and design. As an architecture student at the Minho University, Guimarães, Francisca’s work was always marked by her creativity, communications skills and dynamism. Francisca was awarded her Integrated Master’s degree in 2009 where her excellence was reflected by receiving one of the highest marks given that year. Her professional experience began when still a student, at the Labastida & Maia atelier in Porto. A year after and under the direction of Carlos Maia and Marta Labastida, professors at Minho University, Francisca was chosen to collaborated with them as architectural intern In early 2011 Francisca moved to Hong Kong and she began working for Aedas as an intern, under the guidance of Andrew Bromberg. Within six months, her talent was recognized and she was employed as an architect on the design detailing team for the MTR West Kowloon Terminus Station (WKTS) project. After a year as an Intteriors Architect she returned to structural architecture, with MAP architecture and planning, working on the Rail Vision 2020 program of the MTR and on the new Middle Island Development of the Aberdeen Boat Club.

curriculum vitae : Architecture Carrer

Skils

2013/2014 Architect at MAP architecture & planning, Hong Kong 2012 Interior Architect at TDA Interiores, Hong Kong 2011 Architect at Aedas, Hong Kong 2010 Intern at Lasbastida & Maia, Porto 2008/2009 Collaborated, as a student with Lasbastida & Maia, Porto 2007/2008 Exchange Program “Erasmus” at NTNU, Trondheim, Norway 2007 Exchange Program at Lhasa, Tibet with NTNU 2004/2009 Bachelor Degree and Master Degree in Architecture by Minho University

- Autocad + Sketchup - Archicad + Rhinoceros 3D - Adobe Photoshop + Illustrator + InDesign - Physical model building techniques - Comfortable with Windows Office + Mac - MicroStation CAD

Awards 2008 1st Prize of GO! ARCHITECTURE, together with Isaura Fonseca and Catarina Fernandes 2009 2nd Prize of the Religious Architecture Competition “Arquitectura em Lugares Sagrados” Turel, with Isaura Fonseca 2009 Single Prize at the category: Public Building, Porto Collage Competition

Projects / Work experience MAP architecture & planning - 2014, Aberdeen Boat Club, Middle Island Development, Middle Island, Hong Kong - 2013, RV2020, MTR: Mong Kok Station & Kowloon Tong stations, Hong Kong TDA Interiors - 2012, Diageo, Kinwick Center, Central, Hong Kong - 2012, Morningstar, The Center, Central, Hong Kong - 2012, CPA Global, Prosperety Tower, Central, Hong Kong - 2012, Bayer Material Science office, Hopewell Center, Wan Chai, Hong Kong Aedas - 2011, West Kowloon Terminus, Express Rail Link, Kowloon, Hong Kong - 2011, Yunnan Art Theatre, Kunming, Yunnan - 2011, Xi-Hong-Men Mixed-Use, Beijing, China - 2011, Ophir-Rochor, Singapore - 2011, Golden Hill High Rise Complex, Ho Chi Minh City, Vietnam - 2011, Sanya Resindential Development, Sanya, Hainan, China

Edward Billson Director of MAP architecture & planning + 852 2877 9282

reference letters : Hong Kong, 25th March 2014 Francisca was employed by MAP architecture & planning for more than a year staring with us on 7 February 2013. As MAPâ&#x20AC;&#x2122;s director, I interviewed her and together with the other directors, Karl Grebstad and Samuelle Martelli, we hired Francisca as an Architect. Since then Francisca has shown herself to be dedicated and very committed to her work, and her design skills and diversity of work experience are impressive. Francisca started working with us in the middle of an MTR project as an in-house architect. She got up to speed with the project very quickly, and was soon given leadership of the project within MAP. In particular, she was able to design grand ideas for the station revitalization, as well as paying extremely close attention to detail and exploring new ideas as they came up. She was mainly responsible for the Design of Mong Kok station has the highest load of all the MTRC stations. The MTRC stations are the most intensively use in the world. While working in-house for MTR, she designed features for future stations, with the overarching goals of improving traffic flow and creating the perception of enlarged station spaces, through features such as internal facades (including a material and textures study), ceiling features, light features and architectural signage. Francisca proposed art installations to serve education and circulation purposes, inspired by her collaboration with Andrew Mead, the MTR chief architect. She also conducted an intensive color study among the existing MTR color schemes. Her ideas were outstanding and innovative, developing the new image that MTR needed. On completion of the MTR project, Francisca was the architect responsible for the new Aberdeen Boat Club at Middle Island in Hong Kong. It was a totally new challenge for her but very quickly she was designing the new club and all the required facilities. In particular, she completed all the design stages for the project, producing drawings from brainstorms held with the directors; coordinated with engineers, and other consultants, as well as leading liaison with the client. In addition to drawings she produced all material for presentation to the client and consultants. Bringing the design process to a successful completion, she prepared, under our guidance, submissions to numerous government agencies as necessary, throughout the project. Francisca is always eager to learn from others and to develop new skills. She has shown herself to be a strong team member, sharing the load with others, contributing to team goals and communicating with other team members. She maintains productive working relationships with colleagues, clients and consultants, and remains calm, courteous and respectful even in stressful situations and under pressure. I would very much recommend Francisca as a creative, dedicated and sharp architect for any future employer. If you require any further information please do not hesitate to contact me.

Glenn R. Wing Operations Director/Design Critic-in-Residence for TDA Interiors + 852 62008447

Malcom E. Sage Director for Aedas + 852 9866 6993

reference letters : Hong Kong, 23rd December 2012 This is a reference letter for Ms Francisca Teixeira (“Isca”). (...) At the time Isca joined TDA, I was serving in the role of Operations Director/Design Critic-in-Residence for the company, and in this role interviewed her, was impressed by both her personality and her broad &varied range of experience. I recommended her employment, and worked closely with her on several projects. I was very pleased to see her role expand and grow during that time. I was immediately impressed by Isca’s dedication, seriousness, and clear eagerness to learn & contribute more to the works of the office, drawing on her architectural training, but also learning the higher levels of detail required for interior design projects. She gained valuable experience in space planning (often preparing multiple test-fit plans), developing initial concept designs, and preparing more detailed design presentations in addition to actually working on construction drawings and details. I found Isca to be detail-oriented, careful and thorough in her work, and well organized. She was also an excellent team player and booster for the team spirit of her colleagues and for the work of the firm. She learned to use her contacts to try to source new business for the company, and was always willing to undertake extraoffice activities, which also contributed to the working environment and the interaction of our professional team. During the course of our working together, I was pleased to see her developing good skills in space planning, detailing, and even in the sourcing & budgeting of materials and finishes for the company’s projects. As a trained architect, she clearly and instinctively developed concepts in 3-dimensions, and this insight was further assisted by her skills in AutoCad, Sketch-Up, and even, on occasion, in physical sketch models. Most notably, Isca was the primary interior designer and client liaison for one of the most recent office projects, a new office space for the international beverage distributor, Diageo. (...) I would easily recommend Isca as a serious, thoughtful, creative & dedicated intermediate-level Interior Designer or Interior Architect for any interior design or architectural firm. Her range of experience, combined with her clear eagerness to learn across a spectrum of the design industry would make her a valuable team member for any organization. Sincerely, Glenn R Wing, AIA Hong Kong, 30th January 2012 Francisca Viegas Dias Teixeira, HKID No R932120(8), was employed by Aedas Limited (...). Francisca worked on the West Kowloon Terminus (WKT), a project for the hight speed railway connection between Hong Kong and the mainland, for the majority of her time with us. Francisca is a capable employee who worked extremely hard and who became involved in a full spectrum of activities withon the Aedas office, attending an internal resident Design Workshop, general continuing education activities and other office functions. We found Francisca perfectly capable of functioning in an environment alien to her native tongue and it was with regret we ad to lose her on completion of her defined duties. She has a very amenable personality completing her tasks on time with good nature and is not afraid to ask questions if she is in any doubt. We would not hesitate to recommend Francisca to any future employer. Should you have any query, please do not hesitate to contact the undersigned. Yours faithfully, For and on behalf of Aedas Limited, Malcom E. Sage, Aedas Director

Hillwood Road Hotel, H Collection Hotel 38 Hillwood Road Hotel, Tsim Sha Tsui, Kowloon ,HK 2013, MAP architecture & planning Design Consultancy Services

MTR Coloring Treatment West Kowloon Terminus & Hung Hom Stations ,HK 2013, MAP architecture & planning Coloring Study

MTR Rail Vision 2020 Mong Kok & kowloon Stations ,Hong Kong (HK) 2013, MAP architecture & planning Design, Refurbishment study & architectural alterations

New Challenges 2013

Aberdeen Boat Club M.I. Development Middle Island, Hong Kong 2013, MAP architecture & planning Design, Submission and Implementation

Zung Fu Mercedes Benz Redevelopment 36 Wong Chuk Hang Road, Aberdeen ,HK 2013, MAP architecture & planning Design Consultancy Services Proposal

work experience cronology: 11

current

Samsonite Hong Kong Office Gateway Tower, Tsim Sha Tsui, Hong Kong 2012, TDA Interiors Testfit & Design Proposal - 13 353 sqft

CPA GLOBAL Hong Kong Office Prosperety Tower, Central, Hong Kong 2012, TDA Interiors Design & Built Project - 3 890 sqft

Morningstar Asia Limited Hong Kong Office The Centre, Central, Hong Kong 2012, TDA Interiors Interior Decoration & Fit-out Project - 2 595 sqft

Bayer MaterialScience Limited Hong Kong Office Hopewell Center, Wanchai ,Hong Kong 2012, TDA Interiors Design & Built Project - 13 428 sqft

DIAGEO Office, Kinwick Center, Central, Hong Kong 2012, TDA Interiors Design & Built Project - 935 sqft

Club Lusitano Club Lusitano, Central, Hong Kong 2012, TDA Interiors Refurbishment & Design Proposal

Branding & Communication Company Office The Hennessy, Wanchai, Hong Kong 2012, TDA Interiors Testfit & Design Proposal - 1 950 sqft

Naturally Plus Office China Hong Kong City Tower, Tsim Sha Tsui, Hong Kong 2012, TDA Interiors Testfit & Design Proposal - 1 958 sqft

Ophir-Rochor Singapore 2011, Aedas, under the guidance of Andrew Bromberg Mixed-use development

Yunnan Art Theatre Kunming, Yunnan 2011, Aedas, under the guidance of Andrew Bromberg Offices + Hotel + Residential Towers

Xi-Hong-Men Mixed-Use Beijing, China 2011, Aedas, under the guidance of Andrew Bromberg Office Towers + Commercial Area

Architecture by Nuno Valentim

Dehonianas Porto, Portugal 2010, Labastida & Maia Landscaping Architecture

Architecture by Paulo Ferreira

S. Pedro High School Vila Real, Portugal 2010, Labastida & Maia Landscaping Architecture

West Kowloon Terminus, Express Rail Link, Kowloon, Hong Kong 2011, Aedas, under the guidance of Malcon Sage Detailed design

Sanya Resindential Development Sanya, Hainan, China 2011, Aedas, under the guidance of Andrew Bromberg

Golden Hill High Rise Complex Ho Chi Minh City, Vietnam 2011, Aedas, under the guidance of Andrew Bromberg Residential Development + Hotel

MTR Rail Vision 2020 MTRC Station Refurbishment Study. + MAP architecture & planning 02.2013 Mong Kok & Kowloon Tong stations, Hong Kong Color topping The idea come from this Danish Lift Hall image on the left. On both the vivid color can easily be read since it is surrounded by neutral and plain colors. The concept is to minimize the colored wall textures and maximize the neutral ones, the plain/neutral could be used in all stations and the bright color portion will be different from station to station but it will be as well the material less used. Again bright color at the proposed examples of spaces are enhanced by neutral colous. Color study, Hung Hom station ceiling - sky color

Color station: Vivid and Bright colors Neutral and Plain finish: This space not only allows to reinforce the bright colors of the station but also introduce all the necessary information that a station needs

Black skirting: Color Topping idea

Connecting the floor with wall.

Current views from the station- Mong Kok Station

Color Topping idea applied at ceiling features and light, wall - Mong Kok Station

Color Topping idea applied at the walls - Mong Kok Station Color Topping idea - Mong Kok Station

Signage proposed by the MAP team, Prototype Exit sign

Way-finding information (4 to 5 panels)

Signage proposed by the MTR Marketing team Way-finding information (4 to 5 panels)

MTR Rail Vision 2020 MTRC Station Refurbishment Study. + MAP architecture & planning 02.2013 Mong Kok & Kowloon Tong stations, Hong Kong Exit Sign Mong Kok, 旺角, pronounced in Cantonese “Mong Gawk” means “prosperous corner and crowded corner”. As the busiest station in Hong Kong the old Exit sign inside the station had to be renewal by a more pretentious and bright signage. The man biggest idea was to leave the traditional and create a portal where you could incorporate info and light, that way it would be more consistent and would catch easily the attention of all stations users.

Photo of Existing condition of Exit C, Mong Kok Station

Photo-collage of different Exits where the Prototype Exit sign chosen was applied - Exit E

Signage study, variations on color domination, portal design and skirting

Photo-collage of different Exits where the Prototype Exit sign chosen was applied - Exit B & A

Details and drawings of finishes

MTR Rail Vision 2020 MTRC Station Refurbishment Study. + MAP architecture & planning 02.2013 Mong Kok & Kowloon Tong stations, Hong Kong A different wall finish The propose was to renewal the old image of glass mosaic tile and introduce new material with some or different language. The material proposed where the glass, concrete and ceramic tile, but just the last two are shown here. Concrete, by its plasticity and strength we could print the ceramic metric on the wall as well other different textures, it would allow a color consistence and a texture work among the different stations. On of the advantages that concrete has is we could eventually introduce the color on it. We not only try to create a new finish matching the old design of the Mong Kok station as we applied other different textures such as: plain and smooth texture, bamboo & city map printed among others. The other option was adopt the old system, the ceramic tile but instead of a small one we are proposing a big ceramic tile.

Photo of existing Exit Walls of Mong Kok Station

Perspective over Exit wall finishes experience - Concrete

Perspective over Exit wall finishes experience - Ceramic Tile

MTR Coloring Treatment Color Study + MAP architecture & planning 07.2013 West Kowloon Terminus & Hung Hom stations, Hong Kong The white architecture drew on the 3D Visualizations gives to the space a cleanness near before achieved but a transparency of feelings and warmness. Request by the chief Architect of MTR, Andrew Mead, MAP worked on a color study for some of the station in construction currently. The main idea was to try and pop in some colors on this white non-spaces. The intension of the architect was give a new life/face to this spaces. The principal target was the West Kowloon Terminus from Andrew Bromberg. The color was filled not only the sexy elegant columns from the architect as well it was spread through walls and floor. on the last row of images it is notorious the warm mar cation on the floor that indices a path to the trainâ&#x20AC;&#x2122;s corridor. On the Hung Hom station the ceiling was the object. Using natural materials colors such as: wood and cooper, on a gradation pattern the space gain a new liveness. Color study, Hung Hom station ceiling - sky color

Color study, Hung Hom station ceiling - cooper and wood colors

Color study, West Kowloon Terminus

Color study, Walkways of West Kowloon Terminus

Aberdeen Boat Club Middle Island Development Design, Submission and Implementation + MAP architecture & planning 10.2013 Middle Island, Hong Kong Aberdeen Boat Club (ABC) is been at Middle island for more than fourteen years and it is been the club’s dinghy fleet storage and sail’s training center. Due to the increase of sail’s members and the water sports popularity ABC needed new infrastructures; a new and better club house, a bigger hard stand for all the storage and boat activities. The all progress work for he clubhouse was a atypical process. Although MAP scheme was the winner the design suffer diverse modification, until the last option submitted to the government the design suffer diverse changes and tones of options were presented to the committee. Located at Hong Kong south on a desert island of Middle Island the new club wanted to be blended with the nature. Opposite to the neighbour Royal Hong Kong Yacht Club and the old ABC this proposal was a completed marriage with nature. Design wise the club suffer inspiration for the old Asia South-East Asia and all the material were judiciously chosen to match the terrain colors. Landscape was also important in other to create the appropriated to the members from HK island. I may refer that approximately sixty percent of the new development was dedicated to the boat facilities such as: storage, workshops, training rooms, showers, lockers and the other forty percent to the mender’s leisure.

North Elevation inserted on the landscape - Clubhouse and hard stand, Option A

3D Visualization of ABC - View towrs the North Facade

DIAGEO Kinwick Centre Office Corporate Interior Design + TDA Interiors 10.2012 Central, Hong Kong Diageo Kinwick Office is an iconic workplace, since it is combining the classic office programme with bar functions. The office is divide in two areas: back of house with all workstations and front of house where you can find the Conference room as well the Bar/Pantry/product display. Conference Room & Break-Out/Bar Area are two room, although when the glass doors open, they work as single room, allowing the extension of the Client reception area. Dark flooring, light walls, aluminum & stainless steel trim and grey accents were the color palate for this project. Due to the neutral spaces that we are proposing for the conference room and break out area to host all kind of brands and marketing performance inside the room, the bar counter and the display wall work as a special and detailed elements in the project, in other words, they work as polished diamante craved in the ring.

”(...)I’ll keep it short. You’ve done an awesome job for us and your efforts are hugely respected here, from a business that is not easily impressed. Thank you.” Drew Mills, Managing Director of DIAGEO

Diageo Kinwick Office Plan

Club Lusitano Hong Kong Refurbishment & Design Proposal + TDA Interiors 09.2012 Central, Hong Kong Our main concerns for the Club were maintain the “Salão Nobre de Camões” as a multifunctional room and understand all the different needs of this space as well give a new Image to the floor, a more Portuguese image, in other words, emphasize the Portuguese culture at the Club. The current appearance of the club, while modern, is not warm or inviting. By infusing the modern elements with some updated –yet traditionally derived elements, we will refresh the image. The new look for the club is intended to respect the classic modern elements of the existing space but to blend and infuse those elements with warmth and a sense of Portuguese culture and tradition through the judicious addition updating of the finishes and furnishings. All that fresh ambience will be given by new fabrics, lighter richer, wood finishes, paint colors, referring Portuguese. Salão Nobre de Camões - Elevations

We would like to create inviting spaces w/ a warm feeling ambience for the Club by softening the current cold and hard surfaces.

Sal찾o Nobre de Cam천es

Branding & Communication Company Hong Kong Office Testfit & Design Proposal + TDA Interiors 08.2012 Wanchai, Hong Kong

An open office without hierarchy where creative could cooperate and be inspire. White ceilings, concrete floor, white ceilings, glass wall with wood frame and pop colors at accessories elements like area rugs and cushions, where the main components for this office. The proposal had a very free design not only about the colors palate but also about the furniture, for example: the table tennis could be a meeting table, the pantry seating could also be informal meeting table or even a refelxion space, the storage where also design with wheels in order to adapted the office needs as much as possible ...

Office Plan

Bayer MaterialScience Limited Hong Kong Design & Built Project + TDA Interiors 04.2012 Wanchai, Hong Kong The Hopewell Centre presents a unique planning and design challenge for several reasons: the circular plan results in trapezoidal- shaped rooms internally as well the rectilinear nature of most systems furniture and office furniture means that there is much under-utilized space and inefficiencies in laying out furniture. TDA has approached the design of the offices for Bayer Material Science by utilizing the following features, which are primarily derived from sustainable design planning practices, and current workplace planning trends. Grouping all single offices, glass-fronted, on the interior ring of the office, so as to open as much of the general office space as possible to the views and daylight available through the windows. The front of the single offices are full glass for maximum openness. The side wall of each office, opposite the desk and adjacent to the entrance doors, will feature a painted accent colour chosen from those of the BAYER corporate colours. Visually, as the eye follows the curving line of these internal offices around the internal core, the gradient shades of the BAYER corporate colours will come to life in 3-dimensional reality. Hopewell Centre + Built from 1977-1980, the Hopewell Centre was Hong Kongâ&#x20AC;&#x2122;s first circular skyscraper, and was its tallest building â&#x20AC;&#x201C; and the 2nd tallest building in Asia - until the Bank of China Tower surpassed it in 1989.

43/F Plan

.viroc negro

.sistema Viroclin aplicado na fachada exterior Casa Santo da Serra (Madeira)

.viroc aplicado como revestimento no interior da wc

.alรงados 1.50

Viroc(l)in WC Interior Design of a Toilet Room 01.2011 Oporto, Portugal

Viroclin WC is a project for a private toilet room; the idea was to rejuvenate the toilet that receive more guests, usually. Simple and young were the client requests. The material choice was crucial for this project. Viroc is a mixture of cluster wood with cement which gives a natural appearance and texture of the cement. The system chosen was very important to change completely the feeling of the one who visit the washroom. In other words the system for join the diferent slices of Viroc gave the new and young face of this toilet.

.alรงados 1.50

.viroc cinza (natural)

Viiroc.(l)in.wc Viroc.(l)in.wc (l)i V

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.planta 1.30

Viiroc.(l)in.wc Viroc.(l)in.wc (l)i V 39

Dehonianas Priest House Landscape Architecture + Labastida & Maia 03.2010 Oporto, Portugal Architecture by Nuno Valentim

The aim of this landscape project was redevelop the outdoor surroundings of Dehonianas House in order to complement the relation between existing building and new housing expansion. The exterior is divided in to three spaces: the entry area, which it is directly related to the Boavista Avenue, the garden on the back related with the existing house, and finally, the courtyard below that it associated to the two floors rooms extension. The proposal took the meadow as an element that unify and qualify equally all this different spaces giving a great idea of one single garden and avoiding waste of space. At the entry was placed a floor with small pieces of concrete and combined with the meadow, it allows permeability of the soil and ensure the desired continuity across the site. On the sides of existing house, the meadow was extended to the facade of the new dorms and also to the square courtyard. Moreover on the courtyard floor was placed a layer of crushed rock: white sarrisca, which allows a great reflection of light solar. Finally on the boundary walls we had a tubeâ&#x20AC;&#x2122;s curtain that serves as a guide for growth of jasmine and honeysuckle that climbed and eventuallyin the future, hight the walls completely With this solution we enhances the idea of unity as well give a good quality of space.

3D sketch of the diferent layers of vegetation

Scheme of the views from the two levels of the courtyard

46 S.Pedro High School Landscape Architecture + Labastida & Maia 10.2010 Oporto, Portugal Architecture by Paulo Ferreira

Currently the school’s outdoor spaces present an image very heterogeneous. It is a set of residual spaces too cuted and without a clear hierarchy. The proposal aims to integrate and articulate the exterior and interior spaces which allows a clear reading of the site as well as the relationship with the city.Therefore, it was proposed a space unify that allow integration of program into its parts: access, squares, sports, parking, circulation space and all pathways... We wanted to provide flexible appropriations of the outdoor space and at the same time maintain the contact with vegetation. More than one solution to the “exterior”,it presents as an overall architecture of the intervention.

Model of main entrance of school

Primavera Prados

Verão

Outono

Inverno

Grelha de enrelvamento em betão

Betão poroso

Betão poroso pigmentado

Legenda Grelha de enrelvamento em betão

Paramento vertical

Betão poroso

Porta de acesso ao exterior

Prado

Envidraçado

Árvores propostas

Banco

Aesculus hippocastanum

Quercus rubra

Árvores existentes Aesculus hippocastanum

Castanea sativa

Cupressus leylandii/lusitanica

Quercus rubra

Ailanthus altissima

PARQU

SCOLAR

Pinus pinaster

Laurus nobilis

Acacia baileyana arquitectura, lda.

Platanus x hispanica

(CEU ), 16

Liquidambar orientalis

ARQUITECTOS

Tilia cordata

Chamaecyparis lawsonyana

Olea europaea

143.09

12 00 01 02 EP 00

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resina sintéctica tipo "SOFTBASE" ou equivalente (2mm) borracha (4mm) argamassa de fixação (3mm)

betão poroso tipo "Archipor" com gravilha de calcário (4cm) betão poroso tipo "Archipor" com gravilha da região (min. 3cm)

betão poroso tipo "Archipor" com gravilha de calcário (4cm)

betão betuminoso (3 a 6cm)

betão poroso tipo "Archipor" com gravilha da região (5cm) tela impermeabilizante anti-raízes feltros de betume elastomérico SBS

brita nº2 (15cm)

betonilha de regularização (2cm)

terra compactada

camada de forma em betão leve brita nº3 (15cm) terra compactada

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laje em betão

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resina sintéctica tipo ou equivalente"SOFTBASE" (2mm) argamassa de fixação (3mm) betonilha armada (3cm)

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resina sintéctica tipo "SOFTBASE" ou equivalente (2mm) argamassa de fixação (3mm)

pedra moleanos (3cm) argamassa de fixação (2cm)

betão betuminoso (6cm)

massame de betão armado com rede malhasol (8cm)

betão (20cm)

brita nº2 (15cm) terra compactada

brita nº2 (15cm)

betão de limpeza

tout venant (20cm)

pav.#01

460.07 terra compactada

pav.#11

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459.92

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459.92 argamassa de cimento afagado e armado (5cm)

lajetas de betão (60x40x5cm) argamassa de fixação (2cm) massame de betão (8cm)

betão (20cm)

àgua (25cm)

brita nº2 (15cm)

lajetas de betão pré-fabricado de cor preta (6cm)

betão de limpeza (10cm) terra compactada

argamassa de impermeabilização (3cm) tout venant (20cm)

betonilha de regularização (2cm) betão

terra compactada 1.5% 455.72

pav.#02

PAV_#10 459.77

456.43

pav.#04G

455.60

456.24

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pav.#03

pav.#03 pav.#11 455.79

462.28

456.24

460.88

455.66

455.79

456.43

pav.#11

pav.#05

459.92

455.68

pav.#05

455.72

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pav.#10

Praça

Praça coberta / Acesso à Escola

Zona de exteriores comuns

pav.#01

455.70

456.48

I 454.70 454.58

pav.#01

454.70

456.48

Entrada principal

Entrada de automóveis

454.70

pav.#07

pav.#01

454.70

pav.#01

Zona desportiva

Zona ajardinada

454.30

PAV_#13

Vias de circulação automóvel e pedonal

Zona de estacionamento para professores e deficiêntes areão (30 cm) Espelho de água / Tanque de rega

Bancos

terra compacta

Miradouro

Pátio descoberto

Zona de estacionamento exterior à escola

Depósito dos lixos

PT: Posto de Transformação

Contador de Gás

Zona Técnica

LEGENDA Terreno compactado

LEGENDA

Lajetas de granito

Cantoneira 60x60x5mm

Mistura de areia e substracto vegetal Isolamento térmico em poliestireno extrudido Cantoneira 30x30x3mm Terreno compactado Lajetas de granito Cantoneira 60x60x5mm Prado Caleira Perfil rectangular metálico 200x5mm Mistura de areia e substracto vegetal Isolamento térmico em poliestireno extrudido Cantoneira 30x30x3mm Hypericum Resina sintéctica tipo "SOFTBASE" Perfil rectangular metálico 80x5mm Prado Caleira Perfil rectangular metálico 200x5mm Brita Borracha Canal drenante Hypericum Resina sintéctica tipo "SOFTBASE" Perfil rectangular metálico 80x5mm Cascalho / Tout Venant Esquadro metálico de reforço Grelha de enrelvamento tipo "SOPLACAS" Brita Borracha Canal drenante Betão de limpeza Soleira granítica Manta drenante Cascalho / Tout Venant Esquadro metálico de reforço Grelha de enrelvamento tipo "SOPLACAS" Betão Perfil rectangular metálico 100x10mm Manta geotêxtil Betão de limpeza Soleira granítica Manta drenante Perfil rectangular metálico 250x5mm Camada de forma em betão leve Argamassa impermeabilizante Betão Perfil rectangular metálico 100x10mm Manta geotêxtil Perfil quinado 5mm Betonilha de regularização Camada de assentamento Perfil rectangular metálico 250x5mm Camada de forma em betão leve Argamassa impermeabilizante Betão betuminoso Cola Dreno Perfil quinado 5mm Betonilha de regularização Camada de assentamento Água Betão poroso Argamassa de fixação Betão betuminoso Cola Dreno Areia fina Perfil T 70x70x8mm Placas de espuma de polisocianurato Água Betão poroso Argamassa de fixação Areão Chapa metálica 10mm pintada de preto Parthenocissus tricuspidata (vinha virgem) Areia fina Perfil T 70x70x8mm Placas de espuma de polisocianurato Argamassa de cimento afagado e armado Leca Vinca minor Areão Chapa metálica 10mm pintada de preto Parthenocissus tricuspidata (vinha virgem) Perfil metálico rectangular 100x5mm + Perfil metálico rectangular 25x3mm Marmorite Godo Argamassa de cimento afagado e armado Leca Vinca minor Ø 100mm de 3mm de espessura Feltros de betume elastomérico SBS Tubo em aço galvanizado e pintado Pedra granítica reaproveitada Perfil metálico rectangular 100x5mm + Perfil metálico rectangular 25x3mm Marmorite Godo Ø 12mm de 3mm de espessura Pedra (escadas) Pavimento da rua envolvente Tubo em aço galvanizado e pintado Ø 100mm de 3mm de espessura Feltros de betume elastomérico SBS Tubo em aço galvanizado e pintado Pedra granítica reaproveitada Pedra (escadas)

Pavimento da rua envolvente

Tubo em aço galvanizado e pintado

Ø 12mm de 3mm de espessura

464.33 464.33

guarda g5

guarda g10

guarda g5

guarda g10

guarda g11

459.93

459.77

guarda g11

459.93

459.77

456.43

456.24

455.79 456.43

456.24

455.79

p2 p1

p3 p2

455.82 455.79

455.79

p5 p3 33 2 14 25 27 26 9 29 33 2 14 25 27 26 9 29

455.82

p6 p5

(• • •• •• ••••••••••

areia fina (50 cm)

I J

454.30

camada de forma em betão leve

betão de limpeza

Bancadas sobre campo de jogos

pav.#01 M

tela impermeabilizante anti-raízes feltros de betume elastomérico SBS

mistura de areia e substracto vegetal

areia fina (5cm) terra compactada

laje em betão

M J

454.70

455.73

pav.#07

pav.#01

454.67

pav.#11

relva grelha de enrelvamento em betão (10cm) mistura de areia e substracto vegetal areia fina (5cm)

mistura de areia e substracto vegetal

betonilha de regularização (2cm)

pav.#07

(• • •• ••••••••

grelhas em betão (10cm)

betão

K pav.#11

pav.#01

chapa em aço galvanizado (esp. 6mm) esquadro em barra de aço galvanizado (esp. 6mm) sarrisca / brita miúda com grão inferior a 10 mm de xisto

455.68

pav.#05

456.43

PAV_#12

(• • • • •• ••••••••••

relva

1% 1%

PAV_#11

(• •• • •• ••••••••••

459.78

455.66

459.77

pav.#07

455.60

pav.#13

p7 p6

51 PAV_VEGETAL #01

PAV_VEGETAL #02

(3088 m²)

(119 m²)

prado

mistura de areia e substracto vegetal (20cm)

terra compactada

pav.veg.#07

462.18

pav.veg.#07

pav.veg.#07 pav.veg.#07

camada de forma em betão leve (10cm)

PAV_VEGETAL #04

(1665 m²)

(81 m²)

460.07 relva

relva

grelha de enrelvamento em betão (10cm) mistura de areia e substracto vegetal areia fina (5cm)

grelhas em betão (10cm)

pav.veg.#03

460.07

pav.veg.#01

PAV_VEGETAL #03

463.12

464.28

pav.veg.#07 pav.veg.#05

pav.veg.#07

mistura de areia e substracto vegetal

areia fina (5cm)

pav.veg.#05

tela impermeabilizante anti-raízes feltros de betume elastomérico SBS

terra compactada

betonilha de regularização (2cm) camada de forma em betão leve 460.07 laje em betão 460.07

460.07

pav.veg.#03

460.07

459.92 464.28

pav.veg.#02

PAV_VEGETAL #05

459.92

pav.veg.#04

pav.veg.#02

PAV_VEGETAL #06

(1616 m²)

HYPERICUM

459.92

(849 m²)

VINCAS MINOR

pav.veg.#05

Hypericum

pav.veg.#03

mistura de areia e substracto vegetal (20cm)

terra compactada

leca ou areão (min.5cm)

pav.veg.#01

pav.veg.#05

459.77

PAV_VEGETAL #07 459.77

G G

(42,25 m²)

459.77 chapa em aço galvanizado (esp. 5mm)

pav.veg.#06

456.24

pav.veg.#06

pav.veg.#06 pav.veg.#05

pav.veg.#01

E P

pav.veg.#06

H pav.veg.#01

pav.veg.#06

pav.veg.#03 455.79

462.28 462.28

pav.veg.#03

455.79

pav.veg.#07

456.24

459.77

456.43

pav.veg.#03

455.68

pav.veg.#01

pav.veg.#05

pav.veg.#07

pav.veg.#07 pav.veg.#07

pav.veg.#01

456.48

N N

pav.veg.#03

555.87

455.70

pav.veg.#01

454.70

H H

454.70

Entrada principal

Entrada de automóveis

betão de limpeza terra compactada

Zona desportiva

Bancadas sobre campo de jogos

Zona ajardinada

pav.veg.#05

ÁRVORES TRANSPLANTADAS:

Vias de circulação automóvel e pedonal

Zona de estacionamento para professores e deficiêntes

Bétula occidentalis

Espelho de água / Tanque de rega

Bancos

Zona de estacionamento exterior à escola

Depósito dos lixos

PT: Posto de Transformação

Contador de Gás

Zona Técnica Lajetas de granito

Terreno compactado

Terreno compactado Mistura de areia e substracto vegetal Prado Hypericum Brita Cascalho / Tout Venant Betão de limpeza Betão Camada de forma em betão leve Betonilha de regularização Betão betuminoso Betão poroso Areia fina Areão Leca Marmorite

Isolamento térmico em poliestireno extrudido

Prado Lajetas de granito Hypericum Isolamento térmico em poliestireno extrudido Brita Caleira Cascalho / Tout Venant Resina sintéctica tipo "SOFTBASE" Betão de limpeza Borracha Betão Grelha de enrelvamento tipo "SOPLACAS" Camada de forma em betão leve Manta drenante Betonilha de regularização Manta geotêxtil Betão betuminoso Argamassa impermeabilizante Betão poroso Camada de assentamento Areia fina Dreno Areão Água Leca Placas de espuma de polisocianurato Marmorite Parthenocissus tricuspidata (vinha virgem) Pedra granítica reaproveitada Vinca minor Pedra (escadas) Godo

Caleira Perfil rectangular metálico 200x5mm Cantoneira 60x60x5mm Resina sintéctica tipo "SOFTBASE" Perfil rectangular metálico 80x5mm Cantoneira 30x30x3mm Borracha Canal drenante Perfil rectangular metálico 200x5mm Esquadro metálico de reforço Grelha de enrelvamento tipo "SOPLACAS" Perfil rectangular metálico 80x5mm Soleira granítica Manta drenante Canal drenante Perfil rectangular metálico 100x10mm Manta geotêxtil Esquadro metálico de reforço Perfil rectangular metálico 250x5mm Argamassa impermeabilizante Soleira granítica Perfil quinado 5mm Camada de assentamento Perfil rectangular metálico 100x10mm Cola Dreno Perfil rectangular metálico 250x5mm Água Argamassa de fixação Perfil quinado 5mm Perfil T 70x70x8mm Placas de espuma de polisocianurato Cola Chapa metálica 10mm pintada de preto Parthenocissus tricuspidata (vinha virgem) Argamassa de fixação Argamassa de cimento afagado e armado Vinca minor Perfil T 70x70x8mm Godo Perfil metálico rectangular 100x5mm + Perfil metálico rectangular 25x3mm Chapa metálica 10mm pintada de preto Ø 100mm de 3mm de espessura Feltros de betume elastomérico SBS Tubo em aço galvanizado e pintado Argamassa de cimento afagado e armado Ø 12mm de 3mm de espessura Pavimento da rua envolvente Tubo em aço galvanizado e pintado Perfil metálico rectangular 100x5mm + Perfil metálico rectangular 25x3mm

Pedra granítica reaproveitada

Feltros de betume elastomérico SBS

Pedra (escadas)

Pavimento da rua envolvente

2 2 464.68 454.30

464.63

464.28 464.68

454.30

p1 p1

464.63

464.28

461.13

460.87 459.77

461.13

p4 p4

459.77

460.87 459.77

459.77

457.00

456.28

455.15

457.00 456.28

455.15

455.03

p9 p7 p7

p8 p8

p10

p9 p10

p11 p12

2 2

30 7 8 27 10 17 17 44 3

19 14 5 1

30 7 8 27 10 17 17 44 3

#09

19 14 5 1

#09

2 1

#01v #01v

#02v 80B

#02v

Cantoneira 60x60x5mm

Mistura de areia e substracto vegetal

Cantoneira 30x30x3mm

Tubo em aço galvanizado e pintado

Ø 100mm de 3mm de espessura

Tubo em aço galvanizado e pintado

Ø 12mm de 3mm de espessura

Laurus nobilis

Ligustrum

Camelia japonica

Aesculus hippocastanum

Liquidambar

Chamaecyparis

Ailanthus altissima

Picea sitchensis Pinus nigra Pinus sylvestris

Forcitia

Betula

Platanus

Gingko biloba

Castanea sativa

Populus nigra

Ilex aquifolium

Catalpa

Prunus avium Prunus cerasifera

Liquidambar

Cedrus Juniperus oxvcedrus

Liriodendron tulipera

Celtis australis

Robinia

Olea europaea

Chamaecyparis

Thuja

Quercus coccinea

Dichondra repens

Picea Pinus Pinaster

Cupressus lusitano Cupressus macrocarpa

Tilia platyphyllos

Quercus palustris

Vinca minor

Pseudotsuga

Fagus sylvatica

Ulmus minor

Quercus petraea

Hypericum calycinum

Quercus pyrenaica

Fraxinus excelsior

Viburnum tinus

Quercus rubra

Parthenocissus tricuspidata

Miradouro

Pátio descoberto

Ilex aquifolium

Acacia melanoxilon Acer campestre Acer negundo Acer pseudoplatanus

Buxus semprevirens

Hibiscus

Acer campestre

LEGENDA

ÁRVORES PREEXISTENTES:

Abies concolor

454.70

pav.veg.#05

betão Zona de exteriores comuns

454.70

pav.veg.#03

454.70

pav.veg.#05

pav.veg.#07

mistura de areia e substracto vegetal

pav.veg.#03

pav.veg.#07

Praça coberta / Acesso à Escola

456.88

455.80

Praça

455.68

pav.veg.#05

esquadro em barra de aço galvanizado (esp. 5mm)

PAVIMENTOS VEGETAIS PROPOSTOS:

Quercus rubra

Grelha de Enrelvamento sobre terra compacta ÁRVORES PROPOSTAS:

Prado

170 m/l

464.16

Areão

Parthenocissus tricuspidata (vinha virgem)

Leca

Vinca minor

Marmorite

Godo

Pedra granítica reaproveitada

Feltros de betume elastomérico SBS

Tubo em aço galvanizado e pintado

Ø 100mm de 3mm de espessura

Pedra (escadas)

Pavimento da rua envolvente

Tubo em aço galvanizado e pintado

Ø 12mm de 3mm de espessura

Chapa metálica 10mm pintada de preto Argamassa de cimento afagado e armado

Perfil metálico rectangular 100x5mm + Perfil metálico rectangular 25x3mm

464.12

p15

463.33 462.58

462.50

462.92

p11

p10

p14

460.07

459.93

459.78

p12

p16

p17

p18

p13

455.66

#01 29 4 2

1 7 8

12 5

21 50

21 7 8 5 14

19 4328

LEGENDA

#01 guia 02

Terreno compactado

Lajetas de granito

Mistura de areia e substracto vegetal

Isolamento térmico em

Prado

Caleira

Hypericum

Resina sintéctica tipo "

Brita

Borracha

Cascalho / Tout Venant

Grelha de enrelvament

Betão de limpeza

Manta drenante

Betão Camada de forma em betão leve

#05v

Betonilha de regularização

13 24 2 3

#07

#11

464.16

464.12

p15

#07

463.33 462.58

462.50

462.92

5 8 51

13 24 2 3

7 11 5

#11

#07

21 22 47 11 5 1

#05

21 51 8 7 1

#03

#10

p16

p14

460.07

459.93

459.78

p17

p18

g 12 #01

p11

p10

c. 05

p12

p13

455.66

#01 29 4 2

p10

p11

p12

p13

p15

p14

p16

p17

1 7 8

p18

12 5

21 50

Perfil 6

21 7 8 5 14

19 4328

#01 guia 02

#05v

21 12 5

13 24 2 3

#07

#11

#07 2 4 8 51

5 8 51

13 24 2 3

7 11 5

#11

#07

21 22 47 11 5 1

#05

21 51 8 7 1

#03

#10

g 12 g7

#01

c. 05

p3 #05v

p10

p11

p12

p13

p14

p15

p16

p17

p18

Perfil 6

Argamassa impermeab

Camada de assentame Dreno

Betão poroso

Água

Areia fina

21 12 5

Manta geotêxtil

Betão betuminoso

Placas de espuma de p

Areão

Parthenocissus tric

Leca

Vinca minor

Marmorite

Godo

Pedra granítica reaproveitada

Feltros de betume elas

Pedra (escadas)

Pavimento da rua envo

54 Urban Void - PARQUES D’ÁGUA The contribution of architecture to the activation of urban public spaces Mater Thesis + City and Territory Planning 12.2009 Oporto, Portugal There are many spaces in cities which are forgotten among the built ones; in fact, they often seem lifeless and left over. The urban transformation has been defacing public areas in the city. The current form of urban public space occupation is completely ignored and the generic city, however dense, is constructed from fragments and overlaps. “Indeed, the modern city is made of holes, which show us its state of incompleteness. But these holes are presented, above all, as a promise, as a source of possibilities.”* Although this places, however urban, are resistant to urbanity and do not want the speedy life of the city, as if they felt strange and uncomfortable. These places are like reminders, questioning architecture and city through that absence. The aim of this thesis was to recognize them as “places of renewal potential, from which the city can be reborn but also to meet their needs through architecture. The metropolis allows multiple layers over the same soil and it is the analysis of these layers that is performed in Lugar do Regado in order to better intervene in the soil. The proposed project aims to thereby activate the urban public space by promoting further development of the city in a provocative way. The site was clearly divided by traffic roads, although there was an underground link that unify the three spaces in one single terrain: the Granja river. The proposal had as an aim discover the river and adapt each space to its pre-existence. Now, the old lake will result in a leisure park where we could experience the interaction with the nature; in other words a living space in the city. Connected to the Sports Complex Nun’Álvares we added new uses such as: swimming pools, skate park, sports fields… And at last we creat a farmland. In short, these three spaces with the Jardins de Arca d’ÁGUA would give expression to a new park: PARQUES D’ÁGUA *FORSTER,Kurt–VaziosUrbanoseCidadeContemporânea:PerspectivasTeóricas.InArquitecturaeArteno47\48.Pag.72.

Vista Aérea do Terreno, Arca d’Água, Porto O Lago do Salgueiros foi o terreno inicialmente escolhido pelas inúmeras particularidades e excentricidades.

Peças

As Peças são as partes do projecto onde a maioria das actividades ocorrem. Sobre elas estão contidos todos os usos dinamizadores do terreno.

+ Caminhos

Parque de Cultivo

C. Histórico

Parque de Desportivo

Os caminhos unem todas estas peças. Tem como favorita função a circulação.

= Percursos Parque Urbano

perfil gg’ 1:2000

esquema total para o percurso geral que acompanha a Ribeira da Granja

Percursos Os percursos do PARQUES D’ÁGUA são o somatório das peças com os caminhos. Através desta adição é possível circular num número variado de trajectos que unem os diferentes parques (urbano+desportivo+cultivo) assim como cozer a cidade com o PARQUES. Esta soma de passagens permite-nos fazer o percurso pedonal primariamente pretendido acompanhando o curso de água. Contudo, esta linha freática é cortada pelas vias de acesso rodoviário, distinguindo assim três parques.

PARQUES D’ÁGUA = Parque das Hortas

+ Parque Desportivo + Parque Urbano

Peças esquema real 1:2000

É sobre as peças que se situam os usos fundamentais do projecto. Por exemplo, no parque desportivo, sobre as peças, está contido o complexo das piscinas, o novo campo de jogos e o parque de skates. No parque urbano, as peças conformam não só a marina e o solário que se sobrepõem ao lago, mas também agarram os novos edifícios que fazem frente para a V.C.I. Na zona de cultivo as peças compõem a entrada oeste de todo o PARQUES D’ÁGUA, assim como rematam edifícios e circulação fronteiriça. Estas peças para além de criarem espaço público urbano agregam a maioria da edificação proposta. Esta situa-se primordialmente na face da Via de Cintura Interna.

alçado norte

6.1 Percursos .perfil .esquema real do funcionamento dos percursos .planta dos percursos .fotomontagem

planta 1:2000

1:2000 1:2000 1:2000

PARQUES D’ÁGUA

Francisca Viegas Dias Teixiera

Tese de Mestrado de MIARQ da EAUM 10.09 42454

Parque Urbano

Parque Urbano é um dos Parques que compõem os PARQUES D’ÁGUA. Com uma vertente mais urbana, este goza do lago e de toda actividade que este sugere. O ambiente “bucólico” é mantido tal como sugere Ignasi de SolaMorales. O projecto apenas aponta usos ou actividadeS que podem reanimar este terreno. Para além disso temos a trama de percursos que unem todo o PARQUES D’ÁGUA.

perfil ff’ 1:500

perfil cc’ 1:500

perfil dd’d’’ 1:500

vista sobre o Lago A zona marcada na planta a cinza, na verdade, corresponde ao terreno deixado ao acaso. Por outras palavras, significa que o projecto não tem intenções de dominar nem impor nenhuma regra nestas áreas, muito pelo contrário, pretende que a natureza e \ou o homem continuem a dominar o espaço. Embora seja a memória do Jardim Arca de Água a mais invocada no projecto, a historia e a presença dessa água, da ribeira da Granja não pode ser esquecida. perfil ee’ 1:500

6.1 Parque Urbano Legenda: Ribeiro da Granja Terrain Vague planta do Parque Urbano 1:1000

Edificado

.planta .perfis .fotomontagem do projecto

1:1000 1:500

PARQUES D’ÁGUA

Francisca Viegas Dias Teixiera

Tese de Mestrado de MIARQ da EAUM 10.09 42454

Parque das Hortas

*Hortas Urbanas

São já muitas as hortas nos municípios portugueses. Surgiram pela exigência de legumes e frutas mais frescas, para sobreviver, vender ou apenas ocupar o tempo. Na maioria, estas hortas localizam-se dentro ou na periferia da cidade.

Neste parque onde a Ribeira se desmultiplica para regar os campos, a actividade predominante é a agricultura. De facto, esta prática já existia no local daí o seu favorecimento e expansão para todo a área. Contudo, é importante reter a permeabilidade do sítio e a diversidade de percursos possível neste parque. Estando numa zona fronteiriça com um nó da V.C.I. propomos uma praça polivalente que actua tanto como espaço publico multifuncional como entrada \ saída do PARQUES D’ÁGUA. A vegetação do lugar será na maioria da responsabilidade dos agricultores (leguminosas e frutas, supomos). A agricultora faz a articulação a modernidade e a natureza, de um modo simples.

perfil oo’ 1:500

perfil nn’ 1:500

perfil mm’ 1:500

vista sobre a entrada oeste do Parque das Hortas

Sr. Carlos Alberto Carlos Alberto habita numa casa modesta na Vila Joaquina, no Alto de Santo Amaro, e, ali ao lado, cuida de uma pequena horta num pedaço de terra mesmo à entrada da Quinta da Bruxa. Carlos Alberto cultiva um “palmo” de terra em terreno escarpado, numa zona que anos a fio foi desprezado por todos, mas que hoje é cobiçado por especuladores imobiliários. Entre couves e galinhas, Carlos Alberto deixa-se conduzir pelo destino, com bonomia. Aqui, cultiva a tradicional couve portuguesa. E também alfaces, tomates, nabos, nabiças, feijão, batata e cebola, tudo o que uma horta tem. Uma imagem de uma horta pode parecer banal. Mas, assim, no meio da cidade, é tudo um pouco estranho. Com uma vista privilegiada sobre o Palácio da Ajuda, Carlos Alberto observa a cidade que fica à distância, lá longe e lá em baixo. Lisboa ainda lhe permite cultivar as suas couves e criar as suas galinhas. É nisto que reside o fascínio das cidades. Há muitas Lisboas dentro de Lisboa. A Lisboa de Carlos Alberto não é certamente a Lisboa do Hotel Pestana Palace.

planta do Parque das Hortas 1:1000

panorâmica Parque das Hortas

6.2.Parque das Hortas .planta .perfis .fotomontagem do projecto .exemplo de de Hortas Urbanas: Periferia de Lisboa

1:1000 1:500

PARQUES D’ÁGUA

Francisca Viegas Dias Teixiera

Tese de Mestrado de MIARQ da EAUM 10.09 42454

Intensify | Densify | Stay Studio 5º year + Braga Urban Planning + Minho University 01.2009 Braga, Portugal With + Isaura Fonseca + Guilherme Barbosa + Maria João Fernandes

To improve the urban environment, to manage growth and ensure the future sustainability of Braga, the project started from one single idea: densify the number of inhabitants per area and intensify the human experience of Braga city center. It was intended that the city center could had life 24 hours a day. Picking up the Roman heritage, in other words, identify and discover all roman ruins was the main idea for this urban planing. Further than discover roman ruins, we use the roman urban grid as a guide for densify the city center. It was necessary to return to the urban space the abounded roman heritage We propose a city with many layers: from the roman ruins until the top, with different uses. In order to intensify the mobility of the city we also introduce a new transportation system for masses: the cable car. This transport will be the general interface, linking bus and train without interfering traffic. After intensify the city with new buildings it was needed to contrast the difference between neighborhoods and the use of different materials such as: wood, stone, polycarbonate, was the way found. Despite the rationality of the proposal is a clear concern about “humanize” the city.

The cable car has as station the new icon tower of the city.

Above the main avenue of Braga, it wanted a new upper commercial street.

neighborhood

STEP_3: to build the house. z 3.1 - lay a ﬂoor of stones and concrete on the ground. 3.2 - build a frame while the concrete is drying on the ground; this is where the lower side of the wall will attach. 3.3 - prepare all the polycarbonate sheets to be jointed together to form the walls of the house. 3.3.1 - make straight cuts with a manual cutter, along the longitudinal edges of the panels, following the directions of the internal cells. 3.4 - start with thw main wail, this will give structure to built the rest. 3.5 - after, include the higienic box 3.6 - place the main beam, after that it will be able to place the shutters and the perpendiculares beams, that will suport the roof 3.7 - and in the end the roof and is done !

DETAIL 1.1 25

eC_PC Studio + Building Materials + NTNU 02.2008 Trondheim, Norway With Hanne Helgesen and Haakon Hasslan

eC_PC placed near NTNU, Gloeshaugen

After the study of polycarbonate as an architecture material, it was asked to develop a modular building with this material.

Corner jointing PLAN 1:1

eC_PC is not only a home for 5 persons as it was request but can be. This modular building can be whatever you want that respect the 40m2 such as: single house, for a couple or a family house temporary, shop, gallery, atelier, storage .... Although tiny the room has separated areas for a possible bathroom and kitchen, what it is enlarging the programs for it.

Joint between roof-beam and roof-sheets SECTION:1 25

Rubber ﬁtting Tape

Steel pole Column meeting wall PLAN1:1

Hardning ﬁller

Door meeting PLAN 1:1

Fitting for rotating door SECTION1:1

The polycarbonate impose some conditions in the area, specially in Trondheim, a home for 5 persons for students, family or elderly persons; in Trondheim but just during the summer. One of the aesthetic properties ofAsthe polycarbonate diversity of system textures and colors; furthermore a conclution, the right use of plasticis canthe be considered a sustainable in development. The material right use being reuse andcan recycle provide the plastics. light. The flexible shutters can be used as the itself Temporary lightweight constructions like the eC_PC,can probably ﬁnd many uses in future architecture. In the form of needs of the building request. The concept of the openings works very well small universal boxes, like the eC_PC, or as partial and ﬂexible secondary constructions. Polycarbonate is slowly gaining when wetraditional talk about natural ventilation, in other words, they work as normal ground against glass as well. Even with the climatic crisis going on, we still see a bright future for the use of this material. windows and doors. Concluding, the facade will not only reproduce the light needs, but also the flexibility of programs. The construction is based on a modular system, 1m x 1m. The sheets AAR 4910 Building Materials of polycarbonate are simply threaded together through their inner cell construction. This makes it easy to assemble, does not require anyNTNU additional 21.02.08 fittings and makes the sheets themselves load bearing. Hanne Helgesen, Haakon Hasslan, Francisca Viegas

Task__2 To the second task was need to chose one material and focus on it. The glass was the material predetermined, but we bet in the plastic as a good learning. Plastic is one of the fastest growing producing materials and with a lot of new applications. In one hand it is a very pollute material in its produce, extrusion and with slow degradation; burning plastic can release toxic

The ﬂexible/movablewall as we call, it is made by several equal sheets that can be turned in accordance with the needs.

They can provide light but more than this open sheets supply the natural ventilation and they replace the normal windows and doors.

SECTION BB’

PLAN

open space .1 shower .2 toilet .3 shuters/movable wall .4

AREA: 8x5 40m2

of the plastic. In so many category and natures of plastic, we ﬁnish with polycarbonate, the one more applied to the architectural needs. Is also important to refer that we took same buildinds as refence. They have been already shown previous: the Polycarbonate House in Tokyo and Pavilion in Rotterdam from Atelier KempeThill.

The ﬂexible shuters can be used as needs of the building request. The concept of the openings is the concept that we found in the Copenagen Business Shcool in Denmark.

Furthermore, the facade wil not only reproduce the light needs, but also the ﬂexibility of programs.

SOUTH FACADE with the open shutters

SOUTH FACADE with the closed shutters

fumes and also, the manufacturing of plastics often creates large quantities of chemical pollutants. But in the other hand and for decades one of the great appeals of plastics have been their low price as compared to other materials and so for that reason that an explosion of types, with different and several properties, possibilities, capabilities with also diverse and unlike applications and uses

PRESENTATION PLANS, FACADES,SECTIONS 1.50

Task_1 The study of the Copenhagen Business School where entirely focussed to its sustainability system related with the tectonic use of materials and its structure. But what interested us most was undoubtedly the way of natural ventilation and how pragmatic and dynamic where the facades.

Trying to design a project that was almost sustainability and ﬁrm in the tectonic use of the material, after a study in the polycarbonate show in the

Polycarbonate as a translucent material provides the enough light inside, we just require artiﬁcial-light for the night and since it will be summer the dark-hours will be a few. It will be a natural /sustainable system of lighting. The tectonic use of the material allows the save of unrewable resources.

INSULATION

The ﬂexible/movablewall as we call, it is made by several equal sheets that can be turned in accordance with the needs. They can provide light but more than this open sheets supply the natural ventilation and they replace the normal windows and doors.

papers before, we develop a box 5x8 (meters). In fact is not the home for 5 persons as it was request but can be.

Sketche with different intencities of natural light

Ventilation Principle

House

The room as another advantage, inside was added separated area for a possible bathroom and kitchen, what it is enlarging the programs for it. Furthermore, as a repeatable box can respect the ﬁrst solicit: a home for 5 persons for students, family or elderly persons; in Trondheim but probably just for the summer.

VENTILATION

In fact is not the home for 5 persons as it was request but can be. This modular building can be whatever you want that respect the 40m2 such as: single house, for a couple or a family house temporary, shop, gallery, atelier, storage ….

The polycarbonate impose some conditions in the area and in the high, that is why it such a simple building/box. The challenge, we think, was

Kindergarten

The polycarbonate impose some conditions in the area and in the high, that is why it such a simple building/box. The challenge, we think, was to design it all with the same material and provide sustainability to it and use the material in the best way.

FLEXIBILITY PROGRAMS / ESTHETIC

WEST FACADE

GUIDELINES

One of the aesthetic properties of the polycarbonate is the diversity of textures and colours; so the diversity in the aesthetic way is inﬁnite.

to design it all with the same material and provide sustainability to it and use the material in the best way.

SECTION AA’

eC_PC

Shop

Architect’s Office Studio + Townhouse in a Foreign Culture, NTNU 11.2007 Lhasa, Tibet, China Guidance by Knud Larsen, Architect.

Tibetan’s house is most of the times a small living room which is used at the same time as dining room, bedroom and kitchen. Typically tibetan houses have only electricity and the water supply is shared and placed outdoor, for that reason they are obliged to show part of their privacy in the courtyard. All the activities that are connected with the water are made outside such as: clothes washing, bath... After recognizing the influence of the Chinese architecture and study the Tibetan environmet, culture and people the ideia was to design a building with a logical structure and simple as possible, in order to do not damage the tibetan building surronding. That is why it was choosen for the buildind program an architect’s office. One of the guidelines of this project it was also emphasize the everyday Tibetan in their courtyard, and improve their conditions of life, in this case, the users of the current semi-public restrooms of housing nearby. In fact, the courtyard is an important place in the quotidian of Tibetans it is part of their homes, it is a social place. The entrance and the path to go, in to the housing building are separating the courtyard in two parts: the wet part and the dry part. The first one is reserved for the bathroom and the fountain, the only place in “their homes” with drinkable water. And the half reserved for social activities. Joining the bath with the common tap, it was the way founded to free a big area that before, was not available for social activities. The architect office is the new face of the residential building, more than an entrance to the courtyard the new office it is allowing privacy to the courtyard. The office is structured in three layers , the receiving area where you can find the meeting room, toilet and kitchen. The first it is the work place and the last one is the relaxion one, with a patio and a small room for introspection.

reflect² Architecture Competition + ePlace: muro³ 06.2010 FAUP, Oporto, Portugal with Isaura Fonseca and Bruno Martins Judge: Luís Urbano, Architect; Pedro Bandeira, Architect; Gabriela Vaz Pinheiro, Architect.

The contest propose an installation in two spaces of Oporto’s University of Architecture: in the entrance of the school (“the cube”) and in the east wall of the university. The installation had a maximum valium of €500 and couldn’t damage the existent building. reflect² wanted to be a reflection and, at the same time, the reflex of the multiple subject (author + audience) and the reflex of the space. The installation consisted in the placement of mirrors in the vertical tops of the wall and in the floor of the cube. The reflection of the windows and the vertical plans had created a multiple reflections that were playing not only with the actor that crossed the mirror but also with the audience almost undetectable. In the cube the swing was playing with the horizontal plan; that was the last point of the way where the audience could see not only themselves and the space as well the sky. It is through the swing and the mirrors that you map new crossings and where the spectator is encouraged to reflec² (think/see). FAUP + Faculty of Architecture of the University of Porto, Álvaro Siza Vieira

A=5,868m2

35€/m2

30€ (2mx1m) =15€/m2

0,99€ (x10m)

Preço

473,38 €

205,38

255

0,99

Total (€)

R e ﬂ e c t i r í

A instalação é feita com vários materiais, aplicados de forma reversível. No muro u lizam-se espelhos, colados com fita adesiva/ silicone(não abrasiva). No cubo o material refl ector eleito é o alumínio polido (1mm de espessura), com efeito espelhado passível de suportar cargas variáveis, pousado depois de soldado (tornando-se uma placa una encaixada no sí o). O baloiço é feito com um pneu reu lizado e corda de polipropileno, pretendendo ser o mais económico e resistente possível. “(…)os ar stas podem na verdade reinventar as funções dos lugares (…) e mapear movimentos e atravessamentos, fluidez e transferências, recorrências e analogias, episódios pitorescos e minudências (…).”*

observador, e na ausência deste, reflecte o lugar, de forma discreta. Na presença do sujeito decorre uma reflexão (intelectual) do mesmo, fundindo-o com o pensamento do autor. Este muro horizontal termina numa quebra|mudança de direcção, que delimita a praça - local de grandes atravessamentos e concentração de pessoas. Colocando um espelho maior, voltado para o interior da praça, cria-se uma nova vizinhança com as janelas envolventes e um conjunto de reflexos traiçoeiros, do lugar e da audiência. Por seu turno, o cubo desempenha um papel de des no|ponto de par da, de carácter mais está co e introver do. Deste modo, a horizontalidade condiz com este momento de pausa e reflexão, pelo que o painel reflector se coloca no pavimento, espelhando tudo o que está acima do chão – o próprio cubo e o céu como fundo – ou seja, maioritariamente, o lugar. Quando este espaço é habitado espelha ainda o fruidor da obra - quer este esteja sentado no banco preexistente, a passar pelas escadas, a entrar pela porta ou… a baloiçar. O baloiço é o elemento que melhor retrata o dinamismo|esta smo (trajectória limitada) e que se coloca no limite do cubo, ora sendo reflec do ora deixando de ser. É através dele que se mapeiam novos atravessamentos e que o fruidor é incitado a reflec r 2.

REFLECTIR 2 pretende ser a reflexão, e simultaneamente, o reflexo do sujeito múl plo (autor + audiência) e do próprio lugar. A intervenção, que se estende do muro ao cubo, consiste na colocação de painéis reflectores. O muro, elemento dinâmico por excelência que marca uma direcção e um atravessamento (onde é interrompido) representa o início|fim de um percurso, controverso. A aplicação dos espelhos limita-se aos planos de topo na interrupção do muro, reflec ndo a imagem do observador que o trespassa, ou que simplesmente percorre paralelamente o mesmo. A obra de arte interage ni damente com o

“Porque a forma como construímos as nossas iden dades está intrinsecamente ligada aos modos como reﬂec mos sobre o(s) nosso(s) meio(s) envolvente(s), de tal forma que somos talvez a soma de todos os espaços que alguma vez atravessamos; mas os espaços que habitamos são também a extensão do nosso próprio sen do de ser.” *

*Gabriela Vaz-Pinheiro, “Curadoria do local: algumas abordagens da prá ca e da crí ca” in “Curadoria do local: algumas abordagens da prá ca e da crí ca”, edição e tradução por Gabriela Vaz-Pinheiro, Transforma AC, Torres Vedras, 2005.

“(...) as obras de arte passaram a contribuir para uma mais lata forma de consciência ao trazerem consigo o observador e ao enraizarem-se no sí o em que, de forma asser va, se tornavam presentes.”*

es ma va orçamental

Fita adesiva

A=17m2 Espelho muro

Corda polipropileno (IKEA) Aluminío cubo (Rua do Almada)

Quan dade Pneu

Material

alçado e perﬁl do cubo 1:100

planta do cubo 1:100

planta do muro 1:200

axonometria explodida dos painéis reﬂectores do cubo e do muro

Reﬂectir

dM3113

3GSwing Design Competition + Lappset, RethinkingPlaygrounds 11.2009 with Isaura Fonseca and Catarina Fernandes Judge: Harry Harsema, Landscape Architect: Thomas R. Müller, Chief Editor of PlaygroundLandscape magazine; Manuel Sousa, Master in Patrimony and Tourism Landscape Architect; Hannu Ylinenpää, Marketing Director, Lappset Group Ltd.

3GSwing is a new multifunctional swing, allowing the living together of the 3 generations and also the interaction of the different ages and genders. The inspirations comes from a bird cage, which in one hand it gives the sense of a shelter (their space) and in other hand it encourage for adventure and fun. The main new in this swing is its hanging rotation movement, looking exactly like an autumn leaf in the tree. The 3GSwing allows not only the children to get in but also their parents and even the elderly. The aim is to join the different scale people in the same play. Moreover, once inside the probability to fall down is minimal, since is a closed capsule; in other words, everyone will be safe inside. The structure of the swing frame is made of a unique steel L, coated with wood to seem a tree trunk. This equipment will be prepared to resist the outdoor environment and the net material will be made of steel-reinforced ropes. The net’s shape is given by a tubular steel torus. 3GSwing is a treehouse used by everybody in the urban landscape.

73 3GSwing is a new multifunctional swing, allowing the living together of the 3 generations and also the interaction of the different ages and genders. The inspirations comes from a bird cage, which in one hand gives the sense of a shelter (their space) and in other hand encourage for adventure and fun. The main new in this swing is its hanging rotation movement, looking like an autumn leaf in the tree. The 3GSwing allows not only the children to get in but also their parents and even the elderly. The aim is to join the different scale people in the same play. Furthermore, once inside the probability to fall down is minimal, since is a closed capsule; in other words, everyone will be safe inside. Another particularity that should be said is that the shelter has two possible entrances in order to facilitate the positions. The structure of the swing frame is made of a unique steel L, coated with wood to seem like a tree trunk. This equipment will be prepared to resist the outdoor environment and the net material will be made of steel-reinforced ropes. The net’s shape is given by a tubular steel torus.

3GSwing is a treehouse used by everybody in the urban landscape.

3G base’s plan : 1|20

facade : 1|20

prespective

ing

cover’s plan : 1|20

name: 3GSwing user age: +2 amount of users: 7pcs fall’s height: 800 mm height: 2110 mm lenght: 3000 mm width: 2020 mm minimun space/ lenght: 4000 mm minimun space/ width: 2520 mm minimun space/ height: 2810 mm impact area: +\- 12 m2

1 A2 3GSwing category 2

dream place to work ® satire collage (Public Equipment) + Porto Collage 06.2009 Oporto, Portugal Judge: Luís Urbano, Arch.; Pedro Bandeira, Arch.; Pedro Gadanho, Arch.

Instead of talking about urban voids like a lot of confrences and expositions, as an example Lisbon Architecture Triennale*, Porto Collage wanted to work about the full’s parts of the city. Through a collage it was required a critic/satire of the actual current city of Oporto. The contest was divided in three groups: Housing, Public Space and Public Equipment. The Portuguese main roads to access the city are used only to communicate the urban and their periphery. The proposa at “dream place to work ®” was to create a new image of these roads by designing bridgebuildings, for example. In this way we will bring near the two sides of the route. Further, road’s concession has the exclusivity of its troposphere, not allowing the construction of these structures, and the creation of a new image. We need a miracle!

Fever Malls Public Space

Housing.Porto² Housing

*The Lisbon Architecture Triennale it is a cycle of conferences, debates, exhibitions and competitions with international architects and critics to happen in Lisbon evrey three years.

Sacred Void Architecture Competition + “Architecture in Sacerd Places”, TUREL 05.2009 Sadinia, Italy with Isaura Fonseca Judge: Dr. José Paulo Abreu; Dr. Élio Manuel Delgado Maia; Mayor of Aveiro; António Sá Machado Architect.

Sacred Void was the name founded for this ecumenical chapel. This proposal was intended as an exception on the mesh of the current capitalist cities. The cities density were smoothed by the fullness, hence the Sacred Void is a building that in stead of juxtapose themselves, it is opening a void, a living space in the city, where churches’ life is integrated with city life. Its shape comes from the analogy to the bell tower, an icon of almost all religious buildings: Christian, Islamic, Hindu, Buddhist….

Clothes Line Gallery Architecture Competition + GO! ARCHITECTURE 11.2008 Oporto, Portugal with Catarina Fernandes and Isaura Fonseca Judge: Manuel Graça Dias, Architect; Alberto Lage, Architect; Nicolau Brandão, Architect; Paula Soares, Painter.

Inside of an urban void of Oporto, Go! Architecture proposed a completely new space, almost inexistent in Portugal. That space/building wanted to be for artists, where they could espouse their work, sleep, labour and eat; and at the same time, where the artist, the public and art work could interact. The urbanity of the city centres invites the living for outside of their houses. Clothes line is one of the elements that take part of the different houses but is placed outside. So, we have done an analogy between interior/exterior, where we could contrast the private and public activities. The proposal was based in the exposition of the activate that happened normally inside the “house”. On that way artist’s life as well their work were dealing with city and its frenetic activity. The Clothes line gallery structure was built by steel pillars that supports de different cables where the different rooms where hanging.

Francisca Viegas Teixeira viegas.dias.f@gmail.com skype: fviegas_

1986 Born at Oporto, Portugal 2004 Study at Guimar達es, Minho University 2007 Study at Lhasa, Tibet 2008 Study at Trondheim, Norway, NTNU 2010 Work at Oporto, Labastida & Maia 2011 Move to Hong Kong Soho, Central +852 5410 0664