THE
PROGRAM
FOR
B R O A D W AY
IN
DETROIT
AT
THE
FISHER
T H E AT R E
The Katherine McGregor Dessert Parlor
…at The Whitney. Named after David Whitney’s daughter, Katherine Whitney McGregor, the new second-floor dessert parlor features a variety of decadent cakes, tortes, and miniature desserts. The menu also includes chef-prepared specialties, pies, and frozen treats, and you won’t want to miss the amazing flaming dessert station featuring bananas Foster and strawberries Grand Marnier. Join us after tonight’s performance!
The Whitney DETROIT Restaurant | Ghostbar | Gardens
4421 Woodward Avenue 313-832-5700 thewhitney.com
A N N E GA R E F I N O SCOT T R U D I N RO G E R B E R LI N D SCOT T M . D E LM A N J E A N D O U M A N I A N ROY F U R M A N I M P O R TA NT M U S I CA L S S TE P H A N I E P. M c C LE LL A N D K E V I N M O R R I S J O N B . P L AT T SO N I A F R I E D M A N P RO D U C TI O N S E X E CU TI V E P RO D U C E R S T UA R T TH O M P SO N PRESENT
BOOK, MUSIC AND LYRICS BY
TREY PARKER, ROBERT LOPEZ AND MATT STONE WITH
GABE GIBBS CODY JAMISON STRAND CANDACE QUARRELS DAXTON BLOOMQUIST STERLING JARVIS RON BOHMER DAVID ARON DAMANE CHAD BURRIS CHRISTOPHER BRASFIELD BRYCE CHARLES KEVIN CLAY JAKE EMMERLING KENNY FRANCOEUR JOHN GARRY ERIC GEIL KEISHA GILLES JACOB HAREN DARYN WHITNEY HARRELL ZACH HESS ERIC HUFFMAN KRISTEN JETER OYOYO JOI KOLBY KINDLE MELVIN BRANDON LOGAN DIMITRI JOSEPH MOÏSE MONICA L. PATTON CJ PAWLIKOWSKI CONNER PEIRSON JAMARD RICHARDSON DERECK SEAY MARCUS TERRELL SMITH LEONARD E. SULLIVAN KRISTOPHER THOMPSON-BOLDEN NICHOLE TURNER SCENIC DESIGN
SCOTT PASK HAIR DESIGN
JOSH MARQUETTE
DANCE MUSIC ARRANGEMENTS
COSTUME DESIGN
LIGHTING DESIGN
ANN ROTH
ORCHESTRATIONS
LARRY HOCHMAN & STEPHEN OREMUS
BRIAN RONAN
CASTING
PRODUCTION STAGE MANAGER
CARRIE GARDNER
JOYCE DAVIDSON
GLEN KELLY
ALAN BUKOWIECKI
MICHAEL KELLER
MUSIC COORDINATOR
ASSOCIATE PRODUCER
TOUR BOOKING AGENCY
TOUR PRESS AND MARKETING
PRODUCTION MANAGEMENT
GENERAL MANAGEMENT
THE BOOKING GROUP/ MEREDITH BLAIR
MUSIC DIRECTOR
SOUND DESIGN
BRIAN M ac DEVITT
ALLIED LIVE
AURORA PRODUCTIONS
ELI BUSH
STP/ DAVID TURNER
MUSIC SUPERVISION AND VOCAL ARRANGEMENTS
STEPHEN OREMUS CHOREOGRAPHED BY
CASEY NICHOLAW DIRECTED BY
CASEY NICHOLAW AND TREY PARKER
3
CAST
(in order of appearance) Mormon................................................................................................................... DERECK SEAY Moroni.................................................................................................... DAXTON BLOOMQUIST Elder Price...................................................................................................................GABE GIBBS Elder Cunningham.............................................................................. CODY JAMISON STRAND Missionary Voice......................................................................................................RON BOHMER Price’s Dad................................................................................................................RON BOHMER Cunningham’s Dad............................................................................................CJ PAWLIKOWSKI Mrs. Brown.................................................................................................... MONICA L. PATTON Guards........................... KRISTOPHER THOMPSON-BOLDEN, MARCUS TERRELL SMITH Mafala............................................................................................................... STERLING JARVIS Nabulungi..................................................................................................CANDACE QUARRELS Doctor............................................................................................. MELVIN BRANDON LOGAN Elder McKinley...................................................................................... DAXTON BLOOMQUIST Joseph Smith.............................................................................................................RON BOHMER General................................................................................................... DAVID ARON DAMANE Mission President.....................................................................................................RON BOHMER Ensemble............................. CHRISTOPHER BRASFIELD, BRYCE CHARLES, KEVIN CLAY, JAKE EMMERLING, JOHN GARRY, ERIC GEIL, KEISHA GILLES, JACOB HAREN DARYN WHITNEY HARRELL, KOLBY KINDLE, MELVIN BRANDON LOGAN, MONICA L. PATTON, CJ PAWLIKOWSKI, DERECK SEAY, MARCUS TERRELL SMITH, KRISTOPHER THOMPSON-BOLDEN, NICHOLE TURNER UNDERSTUDIES Understudies never substitute for the listed players unless a specific announcement is made at the time of the performance. For Elder Price—KEVIN CLAY For Elder Cunningham—KENNY FRANCOEUR For Mafala Hatimbi—KOLBY KINDLE, MARCUS TERRELL SMITH For Nabulungi—BRYCE CHARLES, KRISTEN JETER For McKinley/Moroni—ERIC HUFFMAN, DERECK SEAY For Price’s Dad/Joseph Smith/Missionary President/et al—CJ PAWLIKOWSKI, DERECK SEAY For General—KOLBY KINDLE, MARCUS TERRELL SMITH Standby for Elder Price—ZACH HESS Standby for Elder Cunningham—CHAD BURRIS, CONNER PEIRSON SWINGS KENNY FRANCOEUR, ERIC HUFFMAN, KRISTEN JETER, OYOYO JOI, DIMITRI JOSEPH MOÏSE, JAMARD RICHARDSON, LEONARD E. SULLIVAN DANCE CAPTAIN KENNY FRANCOEUR ASSISTANT DANCE CAPTAIN KRISTEN JETER THE BOOK OF MORMON ORCHESTRA Conductor/Keyboard 1—ALAN BUKOWIECKI; Associate Conductor/Keyboard 2—DANIEL KLINTWORTH; Guitar—TIM MOREY; Bass—MARC HOGAN; Drums—JEFF MACPHERSON; Keyboard Programmer—RANDY COHEN; Woodwinds—PAUL McCAFFREY; Trumpet—RIC WOLKINS; Trombone—MICHAEL ROBINSON; Violin/Viola—ELIZABETH ROWIN; Keyboard Substitute—ROBERT CONWAY THERE WILL BE ONE 15-MINUTE INTERMISSION 4
CAST
Gabe Gibbs
Cody Jamison Strand
Candace Quarrels
Daxton Bloomquist
Sterling Jarvis
Ron Bohmer
David Aron Damane
Chad Burris
Christopher Brasfield
Kevin Clay
Bryce Charles
Jake Emmerling
Kenny Francoeur
John Garry
Eric Geil
Keisha Gilles
Jacob Haren
Daryn Whitney Harrell
Zach Hess
Eric Huffman
Kristen Jeter
Oyoyo Joi
Kolby Kindle
Melvin Brandon Logan
Dimitri Joseph MoĂŻse
Monica L. Patton
CJ Pawlikowski
Conner Peirson
Jamard Richardson
Dereck Seay
Marcus Terrell Smith
Leonard E. Sullivan
Kristopher Thompson-Bolden
Nichole Turner
5
c a meron m ack intosh’s spectacul a r new production of
a ndr e w lloy d w ebber ’ s
DETROIT OPER A HOUSE JANUARY 11–22 ticketmaster.com, 800-982-2787, Fisher Theatre & Detroit Opera House box offices. Info: BroadwayInDetroit.com, 313-872-1000. Groups (12+): Groups@BroadwayInDetroit.com (subject: Phantom) or 7:30PM Jan. 15. 313-871-1132.
WHO’S WHO
nedy Center, Ford’s Theatre, Avery Fisher Hall, The Point (Dublin), Paper Mill Playhouse. TV: GABE GIBBS (Elder Price) joins this company Currently Maurice Owens on “Chicago PD”; “Chidirectly from the Broadway company of The Book cago Fire,” “Law & Order,” “Law & Order: SVU,” of Mormon. He’s a proud Metro-Detroiter, older “Criminal Intent,” “All My Children,” “One Life brother, dog owner and Emerson College gradu- To Live,” “Hope & Faith,” “Guiding Light.” ate, who made his feature film debut this past year CHAD BURRIS (Standby Elder Cunningham) is in Tumbledown. Thanks to BRS/Gage, the parents, excited to be making his national tour debut with Anne Garefino and the whole BoM family! this show! He would like to thank OBU, YAG and CODY JAMISON STRAND (Elder Cunning- SMTI. This show is dedicated to the most unbeham) is fresh from the Broadway company of The lievable family. Book of Mormon. He is proud to hold a B.F.A. in CHRISTOPHER BRASFIELD (Ensemble). Naacting from the University of South Dakota. He tional tours: Hairspray, Smokey Joe’s Cafe ft. The sends out huge love to his mom, dad, brother, and Coasters. Off-Broadway: Choir Boy, Dear Edwina, sister. Massive gratitude to everyone at TKO. And The Columbine Project. TV: “The Chica Show” thank you to the brilliant creative and casting team (NBC and Sprout). “Thanks to my amazing family for this unforgettable opportunity. For Grandma and friends! xo.” Betty, Bob, and Donna. BRYCE CHARLES (Ensemble) is thrilled to CANDACE QUARRELS (Nabulungi). National make her national tour debut with BOM! She holds tour debut! Candace attended Belmont University her B.F.A. in musical theater from AMDA College in Nashville, Tenn. and is thrilled to be a part of and Conservatory. “Special thanks to friends, famThe Book of Mormon family. “Many thanks and ily, BBR, BOM creatives and, above all, my amazall the love to my parents, my 2nd family and all of ing parents!” my amazing teachers, family and friends who have KEVIN CLAY (Ensemble). National tour debut! supported me on this journey.” Regional: Pittsburgh CLO, Music Theatre Wichita DAXTON BLOOMQUIST (Elder McKinley). and Wagon Wheel Theatre. Proud graduate of Penn Broadway: The Book of Mormon. Regional: Gypsy, State with a B.F.A. in musical theatre. He would The Producers, Camelot, Miss Saigon (MTW), like to thank his family and, of course, Crew 15. The Producers (KCStarlight), 42nd Street, Chitty… Bang! (Lyric of OKC), Disney’s Wishes (DCL). JAKE EMMERLING (Ensemble) is ecstatic to make his national tour debut with BOM! He is a B.F.A., Wichita State University. Love and many native of Derry, Pa., and earned a B.F.A. in music thanks to mom, dad, family, friends, the creative theater from Shenandoah Conservatory. Regional: team, my teachers and my mentors. South Pacific (Cable), West Side Story (SnowSTERLING JARVIS (Mafala Hatimbi). Credits boy) and Much Ado About Nothing (Claudio). He include Helen Lawrence (BAM, European/CND wouldn’t be here without the love and support of tours), Driving Miss Daisy; CND premieres of his amazing friends, family and educators. Thanks The Whipping Man; Ruined, The Wild Party; Car- to the BOM creative team. oline or Change; (Dora Award) Clybourne Park. We Will Rock You—2 years; Lion King—3 years. KENNY FRANCOEUR (Dance Captain, Swing). Broadway: Book of Mormon. Tours: Anything Goes Awards/Nominations: 4 Doras; 2Junos. Film/TV: “Degrassi,” “Aaliyah,” “Rookie Blue,” “Suits,” (Purser). Regional: Spamalot, The Little Mermaid, “Nikita,” “Lost Girl,” “Covert Affairs,” “The Sen- The Music Man, Spelling Bee. BM Vocal Performance from NYU Steinhardt. Thanks to the Book tinel,” “The West Wing.” of Mormon family, SW Artists, and my family! RON BOHMER (Price’s Dad and others). Broadway/tour roles include Father in revival of Ragtime, JOHN GARRY (Ensemble) is so excited to be here! Some favorites: Spamalot (nat’l tour), Buntitle role in The Scarlet Pimpernel, Sir Percival nicula (Off-B’way), …Spelling Bee (Alabama Glyde in The Woman in White, Phantom in The Shakes) and clowning around with the physical Phantom of the Opera, Joe Gillis in Sunset Blvd comedy company Parallel Exit. “For Ben, my fam(Jefferson Award nom.), Alex in Aspects of Love ily, and friends—LOVE!!!” (Robby Award, Best Actor). Regional: El Gallo in The Fantasticks (Acclaim Award, Best Actor), ERIC GEIL (Ensemble) recently earned a B.F.A. George in Sunday in the Park with George (Critics from CCM, and has performed at KC Starlight. Circle Award, Best Actor). He would like to thank God, his incredible family for their unending support, CYT, faculty at CCM, DAVID ARON DAMANE (General). Broadway: The Book of Mormon, Don’t Dress For Dinner, Big AEA and MT15 “you know what’s.” River, The Life, Riverdance, Porgy & Bess (NYC KEISHA GILLES (Ensemble) is thrilled to be Opera). B’way tours: The Color Purple, Big River, joining this cast! National tour: Dreamgirls. OffRiverdance, The Who’s Tommy. Regional: Macbeth Broadway: Sistas The Musical. Regional: The (Stratford, Ontario), Dinah Was, A Christmas Car- Little Mermaid, Smokey Joe’s Café, The Drowsy ol (MSG), Titus Andronicus, To Kill A Mockingbird, Chaperone. Graduate of The Hartt School. Thanks A Midsummer Night’s Dream, Carnegie Hall, Ken- to The Boys at Hoff! 7
IT’S SOME KIND OF”
WONDERFUL! —NY1
Fisher Theatre • December 13–January 8
ticketmaster.com, 800-982-2787 & box office. Info: BroadwayInDetroit.com, 313-872-1000. Groups (20+): Groups@BroadwayInDetroit.com (subject: Beautiful) or 313-871-1132. 6:30PM 12/18.
Photo: Joan Marcus
“
WHO’S WHO JACOB HAREN (Ensemble). Regional: Up Here (La Jolla Playhouse, world premiere), Rock of Ages (Las Vegas), How the Grinch Stole Christmas (Old Globe), Frank Abagnale Jr. in Catch Me If You Can. Thanks to The Mine, Bobby and Daniel. DARYN WHITNEY HARRELL (Ensemble). Nat’l Tour: Elf (Jovie). Credits: Queenie Pie—Chicago Opera Theater, Royal Caribbean, All Shook Up—Fireside Theatre. B.A. North Central College. Special thanks to Carrie Gardner, BOM creatives, Mom, Dad, friends, Carin and Paonessa Talent. ZACH HESS (Standby Elder Price) is so excited he finally gets to go on a mission! He would like to thank his friends and family and BOM for this chance to go out and help heal the world. ERIC HUFFMAN (Swing) is thrilled to make his touring debut in The Book of Mormon. Credits include Dames at Sea (Dick) with Randy Skinner, Oklahoma! (Will Parker), Out of this World (Mercury), Hello Again (Young Thing), Stages St. Louis, North Shore Music Theatre, West Virginia Public Theatre, and Surflight Theatre. Mr. Huffman is a recent graduate of CCM, winning two Cincinnati Acclaim Awards. Much love to Debbie and Jeff for their support. KRISTEN JETER (Assistant Dance Captain/ Swing). Credits: Hair (Dionne), Smokey Joe’s Café (Brenda), All Shook Up (Lorraine), Nuncrackers. Raised in Smyrna, GA; attended the American Musical and Dramatic Academy in NYC. “Love and thanks to the Jeters for their never-ending support!” KOLBY KINDLE (Ensemble). Tours: Sister Act (Curtis Jackson), Dreamgirls (Marty), Disney’s Beauty and the Beast (Cogsworth u/s). Regional: Music Theatre of Wichita, Lyric Theatre of Oklahoma, Westchester Broadway Theatre. Special thanks to family, friends and CTG. B.F.A.: Otterbein University. OYOYO JOI (Swing) is thrilled to be joining the cast of The Book of Mormon! Regional favorites include: Once On This Island (Ti Moune) at CST, Ragtime (Sarah) at HCTWV, Hairspray at Tuacahn (Dynamite), The Wiz at The Maltz Jupiter Theatre and a national tour of Memphis! A heartfelt I love you to my amazing family! Thank you for your continued support! MELVIN BRANDON LOGAN (Ensemble). National tour debut. Melvin is overjoyed to be joining the BOM family! Regional: Marriott Theatre, MUNY, Arvada Center, Olney Theatre Center. B.F.A.: CCM. Much gratitude to the BOM team, 9MUSE and my incredibly supportive family! DIMITRI JOSEPH MOÏSE (Swing). N.Y./regional: Gary Goldfarb: Master Escapist (Tyler) at the Signature, Johnny Baseball (Tim Wyatt), Hair (Hud), A Chorus Line (Richie). Film: Broadway 4D. Proud graduate of the New Studio on Broadway at NYU Tisch and proud AEA member. For
my family, friends and faculty whose inspiration is indelible. MONICA L. PATTON (Ensemble) has worked with such notables as Eartha Kitt and Diahann Carroll. Broadway: Abby’s Song, Ragtime, Finian’s Rainbow. Tour: Lion King, Annie—30th, Joseph... Dreamcoat. Her novel and single, “Beautiful Carnage,” is available on Amazon. CJ PAWLIKOWSKI (Ensemble). Off-Broadway: The Underclassman (The Duke on 42nd). Regional: Memphis (Huey, Phoenix Theatre) (BroadwayWorld Award, Best Actor). Wouldn’t be here without Mom and Dad, Kate and Les, The Crew, The Mine and BoM casting and creatives. “Believe. Cheers!” CONNER PEIRSON (Standby Elder Cunningham) is excited to jump into The Book of Mormon family. Favorite roles include Little Shop of Horrors (Seymour), Rent (Mark), Seussical (Horton) and Commedia in the Park. Thanks to my supportive family, friends and mentors. Curtis G. this is all your fault. JAMARD RICHARDSON (Swing) is overjoyed to join the cast of BoM. Regional: Witness Uganda, The Little Mermaid and Tarzan. Proud alum of the University of Oklahoma. “Thanks to The Mine, OU13, my family and to G.!” @jamardrich. DERECK SEAY (Ensemble). Tour debut! Regional: Goodspeed, Arena Stage, Asolo Repertory. Proud University of Michigan Graduate—B.F.A. Musical Theatre. Thanks to everyone who’s helped along the way. MARCUS TERRELL SMITH (Ensemble) is ecstatic to join the Jumamosi tour of The Book of Mormon. He is a graduate of the University of Arizona with a B.A. in Linguistics. He received his M.F.A. in Acting from the Actors Studio Drama School NYC. Theater: Big River (Jim), The Full Monty (Horse), Song for A New World (Man 1); film: The Griddle House (Officer Darcy). LEONARD E. SULLIVAN (Swing). Nat’l tours: Hairspray, High School Musical. European tours: A Chorus Line, Smokey Joe’s Café, And The World Goes Round. Regional theaters: Paper Mill Playhouse, Goodspeed, Atlanta TUTS, San Jose Music Theatre. Thanks to Mom, Dad and Lenore. KRISTOPHER THOMPSON-BOLDEN (Ensemble) is beyond elated to join this amazing production!! You may remember him from the Broadway national tours of The Color Purple, Billy Elliot, Anything Goes, or as CJ in the world premiere of the musical The Nutty Professor, directed by Jerry Lewis. Many thanks to Mama, the gang at TalentWorks, Carrie and this amazing creative team! NICHOLE TURNER (Ensemble) is grateful! Broadway: The Book of Mormon. Tours: Ghost the Musical (Louise, u/s Oda Mae) and Madagascar Live! (U.K. tour) (Gloria). Regional: Hairspray (Motormouth Maybelle). Biggest thanks to my 9
A NOTE FROM THE PLAYWRIGHT
ABOUT MUSIC AND FRIENDSHIP AND LOVE
BY DOUGLAS McGRATH
W
hen Paul Blake, the producer of Beautiful, asked me if I wanted to write a Broadway musical about Carole King, her ex-husband and lyricist, Gerry Goffin, and their fellow songwriters, Barry Mann and Cynthia Weil, there was something I had to know before I could commit. “Are they all alive?” I asked. “Good news,” Paul said. “They are.” Actually, that sounded like bad news. I had once worked on a screenplay about a real person whose vanity was so advanced that he would not let me portray him as anything less than thrillingly perfect. But audiences aren’t interested in characters without flaws—even Achilles had that tendon trouble. Paul kept after me, constantly telling me things that might entice me. He reminded me that the songwriters had had their offices at 1650 Broadway, one of the two buildings
people mean when they refer to the legendary Brill Building sound. (The Brill Building was down the street at 1619 Broadway.) These buildings had once been the province of the classic American songwriters of the Tin Pan Alley age and then in the ’50s became the place where kids came to create rock and roll. Maybe there was something in that clash, the old being ousted by the new? Carole and Barry and Cynthia were coming to New York to interview book writers. Paul said, “Come meet them. They’re a lot of fun.” So I went and he was right, they were a lot of fun. I was so at ease. I told them my idea, and I could feel as I told it that it was right: a musical about kids chasing out the old guard so they could create the new sound of rock and roll. Carole’s face lit up. I knew I had nailed it. She leaned forward to share her reaction. “That,” she said, “is completely wrong!” “What?” I said, almost losing my balance even though I was seated. Top: 1650 Broadway (l to r) Curt Bouril (Don Kirshner), Liam Tobin (Gerry Goffin), Abby Mueller (Carole King), Ben Fankhauser (Barry Mann), Becky Gulsvig (Cynthia Weil) and the company of Beautiful. Left: The Shirelles (l to r) Britney Coleman, Rebecca E. Covington, Ashley Blanchet and Salisha Thomas. Right: The Drifters (l to r) Dashaun Young, Paris Nix, Josh A. Dawson and Noah J. Ricketts. Photos by Joan Marcus.
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“We idolized Gershwin and Porter and Kern and Berlin,” she explained. “We studied their music.” Cynthia piped in, “I wanted to be Cole Porter.” How surprising. As teenagers they changed the sound of popular music but they were traditionalists at heart—rock and rollers but classicists, too. Before the meeting, I had known only one thing about these songwriters: that they were talented. But now I saw that they were something not all talented people are: they were interesting. I said I would write the show, if they would have me. And I knew what kind of show I wanted to write: not a fictional creation like Mamma Mia which used an original story with the ABBA catalogue, but the true story of these incredible people and how some of the greatest songs of the last century were created. To do this, I interview the songwriters, separately, for many hours over many days. I asked them about everything in their lives— from birth on—because at the beginning I had no idea what the show would be. If you see the show, it seems inevitable now that it starts with Carole on her way into Manhattan to sell her first song and that it ends at Carnegie Hall with her celebrated concert as a solo artist, but when you are looking at four lives and some 70 years worth of memories, to get to the inevitable, you have to weed out a lot of the evitable. After the interviews, I stared at my giant notebook, packed with hundreds of pages of their stories. One feeling hovered above everything: a feeling of friendship. These people had been friends for more than 50 years. It’s one thing to be friends with old school chums but they were not school chums— they met as competitors in 1650 Broadway, vying for Don Kirshner’s attention, racing each other up and down the Billboard chart, fighting for the best artists to sing their songs. And it was not a casual competition—they once took a vacation together just to make sure the other couple wasn’t writing more than they were. It was often fierce. And yet. They loved each other, these four great artists, they really did, and they respected each other. They studied each other the way they studied Cole Porter and Irving Berlin. That was an interesting, even classic dynam-
ic—competitors who loved each other. That sense of friendship pervaded even Carole and Gerry’s relationship, which started as a romance, moved into and then out of marriage, finally settling into a forgiving and affectionate friendship. That sense of kindness infuses much of Carole’s music. Many of her listeners feel she is their friend, a feeling I suspect they do not have about other singers they may adore. They see themselves in her. Her music is marked by forgiveness, compassion and warmth. Even her breakup songs are tinged with understanding. The show had to mirror that. So I began to see the story—it would be about music and friendship and love. There would be heartache in it, because the show is about life, but it would have hope in it, too. Because their music is so good, I wanted to place the songs in a way that gave them their full emotional impact. This was harder than it might seem. You figure, if it’s a good song, it’ll be good wherever you put it. But that is not the case. I would not write a scene and then plop a song into it. I had to write the scene knowing which song it was going to be about. If a song didn’t work, it was because the scene didn’t work, and I would rewrite it until the song felt as though it were written just for that scene. Everything came out of the music, which, even more than the hundreds of pages of notes, is the greatest guide to the thinking and feelings of the four songwriters. The theme of the show itself comes from a song. Early on, Carole says “You know what’s so funny about life? Sometimes it goes the way you want and sometimes it doesn’t. And sometimes when it doesn’t, you find something beautiful.” Beautiful—The Carole King Musical is at the Fisher Theatre Dec. 13, 2016–Jan. 8, 2017. For tickets, please see our ad on page 8.
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Our version is sliiiightly different.
The musical is entertaining. The book? It’s life changing. Get a free copy at thebookofmormon.org or text BOOK to 33733
WHO’S WHO backbone, and my family, I love you more than words can express. Peace and blessings. TREY PARKER (Co-Director, Book, Music, Lyrics) wrote and directed his first feature film, Cannibal! The Musical, while attending the University of Colorado in Boulder. A few years later, he co-created the hit animated series South Park with Matt Stone (his college friend and Cannibal! producer). Debuting on Comedy Central in 1997 and currently in its 16th season, South Park has won four Emmy Awards as well as the coveted Peabody Award. The same year South Park debuted, Mr. Parker wrote, directed, and starred in the film Orgazmo. Two years later he and Stone released the critically acclaimed feature film South Park: Bigger, Longer & Uncut. The musical, which Mr. Parker directed and co-wrote, earned an Oscar nomination for Best Song and the first ever New York Film Critics Circle Award for Best Animated Film. In 2004 the pair returned to movies with Team America: World Police, an action movie co-written and directed by Parker, starring a cast of marionettes. It has been a long-time dream of his to write a musical for Broadway. Mr. Parker is originally from Conifer, Colorado. ROBERT LOPEZ (Book, Music, Lyrics) is the Tony, Grammy, and Emmy-winning co-creator of the smash hit musicals Avenue Q and The Book of
Mormon. With wife Kristen Anderson-Lopez, he wrote the songs for Disney’s blockbuster movie Frozen, their hit song “Let It Go” nominated for an Oscar and Golden Globe Award. They also wrote songs for Winnie the Pooh (Disney Animation, 2011) and Finding Nemo: The Musical (playing at Walt Disney World since 2006). They are currently writing an original stage musical called Up Here, directed by Alex Timbers. Mr. Lopez shared two Emmy Awards for his music for The Wonder Pets and an Emmy nomination for the Scrubs musical episode. His work has been seen on South Park, The Simpsons, and Phineas and Ferb. He is a member of BMI Workshop, Dramatists Guild Council, WGA, and AEA. He is a Yale grad and native New Yorker. Thanks Buzzetti, Mom, Dad, Billy, Katie, Annie, and especially, Kristen for all the love and support. MATT STONE (Book, Music, Lyrics) met Trey Parker at the University of Colorado, and together they made a short animated piece called The Spirit of Christmas. This launched their most recognized work, the critically acclaimed and award-winning television show, South Park. The animated series is in its 16th season on Comedy Central and has won Mr. Stone four Emmy Awards and the coveted Peabody Award. South Park: Bigger, Longer & Uncut, which he produced and co-wrote, earned an Oscar nomination and the New York Film Critics Circle Award for Best Animated Film. In addition
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“FUN HOME MOVES YOU TO YOUR FOUNDATION.” - New York Daily News
Fisher Theatre • Nov. 29–Dec. 11 ticketmaster.com, 800-982-2787 & box office. Info: BroadwayInDetroit.com & 313-872-1000. Groups (10+): Groups@BroadwayInDetroit.com or 313-871-1132. 7:30PM 12/4.
WHO’S WHO to South Park, he has partnered with Parker on the low-budget Cannibal! The Musical, the superhero comedy Orgazmo, and the marionette action thriller Team America: World Police. Mr. Stone is originally from Littleton, Colo. CASEY NICHOLAW (Co-Director, Choreographer) won 2011 Tony, Drama Desk, and Outer Critics Circle awards for his work as co-director of The Book of Mormon. Other Broadway credits: Elf: The Musical, The Drowsy Chaperone (2006 Tony, Drama Desk, and Outer Critics Circle nominations) and Monty Python’s Spamalot, directed by Mike Nichols (2005 Tony, Drama Desk, and Outer Critics Circle nominations for Best Choreography). Additional New York credits: for City Center Encores!, the highly acclaimed productions of Anyone Can Whistle and Follies (direction and choreography), Bye Bye Birdie (choreography), and CanCan (musical staging); and for NY Philharmonic Candide; South Pacific at Carnegie Hall (also on PBS Great Performances), and Sinatra: His Voice, His World, His Way at Radio City Music Hall starring the world-famous Rockettes. He directed and choreographed the world premieres of Minsky’s at Center Theatre Group, Robin and the 7 Hoods at the Old Globe, and Disney’s Aladdin at the 5th Avenue in Seattle. SCOTT PASK (Scenic Design). Selected Broadway: The Book of Mormon (Tony); The Pillowman (Tony); The House of Blue Leaves, A Steady Rain; A Behanding in Spokane; Promises, Promises; Hair; The Coast of Utopia (Tony, Drama Desk, Outer Critics Circle, and Hewes awards); Pal Joey (Tony nom); Les Liaisons Dangereuses (Tony nom and Drama Desk Award); Nine; The Lieutenant of Inishmore; Speed-the-Plow; November; Take Me Out; Martin Short…; The Vertical Hour; Sweet Charity and Urinetown. London credits i.nclude The Country Girl, Love Song, On an Average Day (all West End); Barnum (U.K. tour) Also Peter Grimes (Metropolitan Opera) and Cirque du Soleil’s Amaluna. BArch. and Honorary Doctorate from The University of Arizona, MFA Yale School of Drama. ANN ROTH (Costume Design). Theater credits include Hurlyburly, The Best Little Whorehouse in Texas, Singin’ in the Rain, Purlie, The Odd Couple, and Waiting for Godot. Tony nominations: The Crucifer of Blood, The Royal Family, Present Laughter, and The House of Blue Leaves. Films include: Midnight Cowboy, Klute, The Day of the Locust (BAFTA), The Goodbye Girl, Coming Home, Hair, Working Girl, Sabrina, Silkwood, The Unbearable Lightness of Being, The Mambo Kings, The Birdcage, The English Patient (Oscar), The Talented Mr. Ripley, The Hours, Cold Mountain, Angels in America, The Way Way Back, The Stepford Wives, The Village, Closer, and Evening. She won an Irene Sharaff Lifetime Achievement Award in 2000.
BRIAN MacDEVITT (Lighting Design). The Book of Mormon (Tony Award). Recent New York City: Death of a Salesman directed by Mike Nichols, The Mountaintop with Samuel L. Jackson, Chinglish on Broadway, and The Enchanted Island at the Metropolitan Opera. Last season he designed Le Compte Ory at the Metropolitan Opera. Dance: American Ballet Theater, Tere O’Connor Dance, Merce Cunningham, Lar Lubovitch, and Nancy Bannon, among others. Director: Proof at Theater Three. Awards: five Tonys, Obie, Bessie, Outer Critics’, Hewes, and Drama Desk, among others. He is a member of Naked Angels and faculty at University of Maryland. He is a father to Jake and Georgie. BRIAN RONAN (Sound Design) has designed the sound for more than 20 Broadway musicals and plays. Some recent designs include Bring It On; Nice Work If You Can Get It (Tony nomination); The Book of Mormon (Tony Award); Anything Goes (Drama Desk); American Idiot; Promises, Promises; Next to Normal (Tony nomination); Grease; Curtains; and Spring Awakening; as well as Grey Gardens and The Pajama Game, which both earned Drama Desk nominations. Off-Broadway designs include Rent, Everyday Rapture, Saved, 10 Million Miles and Bug (Obie and Lucille Lortel awards). Regional designs include Giant (Dallas Theater Center), Bonnie & Clyde (La Jolla), Dancing in the Dark (Old Globe) and A Christmas Carol (McCarter). His career has spanned 25 years, taken him across America, Europe, and Asia, and afforded him the opportunity to work with the most talented composers, directors, designers, actors, musicians, and stagehands in the world, for which he is eternally grateful. STEPHEN OREMUS (Music Director, Vocal Arranger, Co-Orchestrator). Broadway: Kinky Boots (2013 Tony Award for Best Orchestrations and 2013 Grammy Award), The Book of Mormon (2011 Tony and Drama Desk awards for Best Orchestrations and 2012 Grammy Award). Worldwide music supervisor/arranger of Wicked; music supervisor/vocal arranger/orchestrator of Broadway productions/ tours of The Book of Mormon, Avenue Q, All Shook Up and 9 to 5: The Musical. Other credits: music supervisor, vocal arranger and orchestrator: Tick, Tick… Boom!; music director: Andrew Lippa’s The Wild Party; conductor and contributing orchestrator for the Oscar-winning Disney film Frozen; music director of the 87th Academy Awards telecast and “The Wiz Live!” on NBC TV. ALAN BUKOWIECKI (Music Director/Conductor) National tour: Hair. Off-Broadway: Dr. Sex. Chicago: Music Director of Dee Snider’s Rock and Roll Christmas Tale, Altar Boyz and I Love Lucy Live on Stage. Regional: Drury Lane Oakbrook, Chicago Shakespeare. M.A. from the Royal Conservatoire of Scotland. JOSH MARQUETTE (Hair Design). Broadway and Off-Broadway: Dogfight, The Best Man, The 15
butthat given mythat boOk myis boOk is a boOkaIboOk wrote I wrote has beEn hasturned beEn turned into a musical into a musical that’s that’s but given about coming my coming out as out a as a opening opening on broadway. on broadway. This has This bEen hasas bEen exciting as exciting and and about my lesbian, lesbian, my father’s my father’s closeted closeted as glamorous as glamorous as you as might youimagine. might imagine. homOsexuality, homOsexuality, and hisand likely his likely suicide... suicide... your parents your parents would would be so be so proud!proud! uhH... uhH... welL...they welL...they would would be a lot be a lot of things... of things...
the “fun” thehome “fun”of home the of title the is title the family is the funeral family funeral home my home dad my ran. dad ran.
but I’mbut I’m not sure not sure “proud” “proud” would would be be one ofone of them. them.
it it would would be be strange strange enoughenough seEing seEing fictional fictional characters characters one had one had created created brought brought to lifeto life onstage. onstage.
kids! kids! get out get ofout of therE! therE! now! now!
but this but is this is my actual my actual family. family.
...there...there is alsoisa also certain a certain disSonance disSonance to it. to it.
another another disSonant disSonant thing about thing the about the the playwright II gueSs had beEn I hadexpecting beEn expecting that a that a the playwright lisa kron lisaand kron the and the I gueSs musicalmusical has beEn hastrying beEn trying to underto under- composer version version of theof boOk thewould boOk would composer jeaninejeanine tesori tesori worked worked musicalmusical stand my stand relationship my relationship to it. it’s to not it. it’s not for years beartificial--a a bit artificial--a lighter, lighter, arm’s- arm’sfor before years before I saw the I saw script the script be a bit mine. Imine. didn’t I make didn’tit.make but it. it’sbut my it’s life.my life.or heard lengthlength take on take my childhoOd. on my childhoOd. or any heard of any theof songs. the songs.
2010
2010
I was not I was prepared not prepared for for the opPosite the opPosite impact.impact.
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E
very once in a while a show comes along memoir, Fun Home introduces us to Alison at that surprises, moves and excites in ways three different ages as she explores and unonly a truly landmark musical can. The ravels the many mysteries of her childhood. A Media Sponsor “groundbreaking,” (Wall Street Journal) “life- refreshingly honest musical about seeing your affirming” (Chicago Tribune) and “exquisite” parents through grown-up eyes, “Fun Home is (NY Daily News) new musical Fun Home was extraordinary, a rare beauty that pumps fresh the event of the 2015 Broadway season, receiv- air into Broadway” (New York Times). ing raves, winning five Tony Awards including Fun Home is at the Fisher Theatre Nov. 29–Dec.11. Best Musical, and making history along the way. For tickets, please see our ad on page 14. Based on Alison Bechdel’s best-selling graphic Hurry for best seats at DPACnc.com
On Stage at DPAC Oct. 25-30
herE was herE mywas distant, my distant, represSed represSed it seEmed it seEmed to get to to get the to emotional the emotional heart of heart things of things more directly more directly than mythan boOk my boOk family family brought brought close. close. I listened I listened had. and had. certainly and certainly more directly more directly than mythan parents my parents and I ever and Ihad ever in had realin life. real life. to the to score the score over and over OVER andagain. OVER again. workshop, workshop, 2011 2011
if you can if you getcan some getbrilLiant some brilLiant artistsartists to make toa make musical a musical about your aboutchildyour childhoOd, I hoOd, highly I highly recomMend recomMend it. it.
it’s very it’s very cathartic. cathartic.
mom in acted sumMer in sumMer stock, stock, and and my parents my parents met in a met play, in ainplay, colLege. in colLege. mom acted dad was dad onwas theon theater’s the theater’s board board of directors. of directors. they made theyregular made regular pilgrimages pilgrimages to broadway. to broadway.
I can’tIhelp can’twondering help wondering what they what they would would make of make seEing of seEing themselves themselves turnedturned into characters into characters on theon the stage. stage.
but ofbut course, of course, if my PARENTS if my PARENTS COULD COULD SEE THESEE PLAY, THETHERE PLAY, WOULD THERE WOULD BE NO BE NO PLAY. PLAY.
they scan theythe scan crowd. the crowd. the house the house lights lights go down. go my down. mother my mother and and fatherfather are rapt, areexcited rapt, excited to be to be in the theater. in the theater.
for the for ocCasional, the ocCasional, FLickering FLickering moMent, moMent, though, though, I’m able I’mto able seE to seE past this past paradox this paradox and imagine and imagine them inthem the audience. in the audience.
my imposSible my imposSible wish iswish that is that the play the can play heal canthem, healtoo. them, too.
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VIP PACKAGES TAKE THE SPOTLIGHT
AT THE FISHER THEATRE’S
T
ucked into the lower level of the Fisher Theatre lobby you’ll find the Spotlight Room—a quaint and elegant private event room that comfortably accommodates up to 40 people for Fisher Theatre events. Shortly after opening the room, Broadway In Detroit began a test program for individual pre-show VIP Packages. When configured in this way, the room can seat up to 25 people, creating a unique experience. With buffet dinner and luncheons, complimentary soft drinks and access to the room’s private bar and restroom, the response was enough to expand the program. Last season, the Fisher Theatre hosted more VIP package events than ever before. As the 2016–2017 season begins, Broadway In Detroit is happy to announce an expanded dinner menu and earlier ordering availability for Spotlight Room VIP packages. Dinner packages now feature a
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rotating buffet menu, provided by Andiamo Riverfront, ensuring more variety in dining options for season ticket holders. VIP Packages are now available for shows that are currently on sale. Reservations and menu descriptions can be found online at BroadwayInDetroit.com/spotlightroom. The Spotlight Room is also available for private parties of 15 or more and can accommodate up to 40 people for a standing reception. For larger events, groups can utilize the entire lower level lounge or host a pre-show event in the Fisher Theatre’s main lobby and mezzanine. Complete details on private events is available on the Broadway In Detroit website or by calling (313) 872-1177.
WHO’S WHO Book of Mormon, Elf, The Drowsy Chaperone (and West End), To Be Or Not To Be, Pig Farm, The Great American Trailer Park Musical, Altar Boyz, and Mamma Mia!. West Coast: Aladdin, Robin and the 7 Hoods, Peep Show, Minsky’s, and Vanities. Other New York: Show Boat at Carnegie Hall; No, No, Nanette; and Follies at Encores! Numerous productions at Juilliard. National tours: Drowsy Chaperone, and Barbie Live! Television: 30 Rock. CARRIE GARDNER, C.S.A. (Casting) also serves as casting director for the Roundabout. Broadway: Cyrano De Bergerac, Importance of Being Earnest, The Pee-Wee Herman Show, Bloody Bloody Andrew Jackson, American Idiot, Spring Awakening, Mrs. Warren’s Profession, and Les Liaisons Dangereuses. Off-Broadway: Sons of the Prophet, Look Back in Anger, Suicide Incorporated, Dream of the Burning Boy, Tigers Be Still, Ordinary Days, The Understudy, The Language of Trees, Distracted, Speech & Debate, and Marriage of Bette & Boo. GLEN KELLY (Dance Arrangements). Music supervisor and arranger for The Producers and Young Frankenstein. Other Broadway credits include Death of a Salesman, Scottsboro Boys, Spamalot, The Drowsy Chaperone, Beauty and the Beast, Death of a Salesman, The Frogs, High Society, Steel Pier, Dance a Little Closer, and A Christmas
Carol. For NYCB he arranged the music and cowrote the libretto for Double Feature. Other ballet credits: Thou Swell (for NYCB) and But Not for Me for the Martha Graham Company. MICHAEL KELLER (Music Coordinator). Current Broadway: Hamilton, The Color Purple (2015), School of Rock, Kinky Boots, The Book of Mormon, Wicked, The Lion King. Upcoming Broadway: Gotta Dance, SpongeBob. Tours: Kinky Boots, If/ Then, The Bridges of Madison County, The Book of Mormon, The Lion King, Wicked. Pamela, Alexis, Zachary and Christin make it all worthwhile. STEVE BEBOUT (Associate Director) also served as associate director of The Addams Family (Broadway, tour, Brazil, and Australia), Sister Act (Broadway), 101 Dalmatians (tour), and Girl Crazy (Encores!). Directing credits include I Got Fired and Two Rooms in New York City. Regional: The Full Monty, The Buddy Holly Story, and Little Shop of Horrors. NYU: Urinetown and Bye Bye Birdie. Thanks to Casey, Trey, Jen, and the entire BOM team. STEPHEN SPOSITO (Associate Director). Wicked. Associate Director on Broadway: Cat…; How to Succeed…; Promises, Promises; Shrek. Director: Shrek (national tour), American Theatre Wing Gala, The Obie Awards. Member: Stage Directors and Choreographers Society. Graduate The University of Michigan.
COMING SOON
to THEATRE AND DANCE AT WAYNE
Based On The Novel By
Charles Dickens AT THE BONSTELLE THEATRE
DECEMBER 2 – 18, 2016
Theatre and Dance at Wayne 313-577-2972 | THEATREANDDANCE.WAYNE.EDU Children 12 and under receive FREE ADMISSION when you bring two canned goods to a performance*. Donated canned goods benefit Gleaners Community Food Bank of Detroit. *one admission with purchase of an adult ticket. For A Christmas Carol only.
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WHO’S WHO JENNIFER WERNER (Broadway Associate Director). Associate director: Follies (Encores!), Robin and the 7 Hoods (Old Globe), and Winnie the Pooh (international tour). Choreography: ABC’s Upfronts, As Long As (Roundabout), NFL national commercials, and Drama League Awards. Regional: Ogunquit, TriArts, Engeman, and NC Theaters. Off-Broadway choreography: Bloodsong of Love, (ArsNova), The Plant That Ate Dirty Socks (Lortel/TheatreworksUSA), ReWrite (Urban Stages), Things to Ruin (Second Stage), and The Black Suits (The Public Theatre/SPF). JOHN MacINNIS (Associate Choreographer). Credits include: director and choreographer of medal ceremonies at the Olympic Winter Games (2002 and 2010) and Radio City Christmas Spectacular in Mexico City, Mexico. He choreographed Disney’s Beauty and the Beast, currently running in Europe. He also choreographed at Shaw Festival, Goodspeed, 5th Avenue, Pittsburgh CLO, TUTS, MTW, Sacramento Music Circus, and North Shore Music Theatre. He has performed in eight Broadway shows. AURORA PRODUCTIONS (Production Management). Current projects: Matilda (Broadway and national tour); The Curious Incident of the Dog in the Night-Time (Broadway and national tour); School of Rock; The Humans; An Act of God; Cats; Holiday Inn; A View from the Bridge (L.A. and D.C.); The Cherry Orchard; The Front Page; Love, Love, Love; Hedwig and the Angry Inch (national tour); Kingdom Come; Les Liaisons Dangereuses; Anastasia; The Present; If I Forget; and Hello, Dolly! Aurora has been providing technical supervision and production management to the entertainment industry since 1989. auroraprod.com. JOYCE DAVIDSON (Production Stage Manager) is happy to be a part of The Book of Mormon. National tours: Billy Elliot and Mamma Mia! Commercial: Blue Man Group (Live at Luxor). Regional: productions for Theatreworks in Northern California, workshops for Center Theatre Group in Los Angeles, and eight seasons with La Jolla Playhouse in San Diego. STEVE HENRY (Stage Manager). Broadway: On a Clear Day You Can See Forever. National tours: Billy Elliot, Mamma Mia! Off-Broadway: Fat Camp, From Up Here, Tryst, It Goes Without Saying. “Love to my family!” DERRIC NOLTE (Assistant Stage Manager). Broadway: Bullets Over Broadway, Annie, Evita. Off-Broadway: Rent, Avenue Q. New York: Gentlemen Prefer Blondes, Cotton Club Parade (Encores!), Carousel (N.Y. Philharmonic). Regional: Paper Mill Playhouse, Porthouse Theatre. Education: University of Cincinnati’s College—Conservatory of Music. LARRY HOCHMAN (Co-Orchestrator) won a Tony Award for The Book of Mormon. Tony nomi20
nations: Fiddler on the Roof, A Class Act, and Spamalot. He won four Emmy Awards as composer of The Wonder Pets (Nickelodeon). Other Broadway includes The Addams Family, The Scottsboro Boys, and Jane Eyre. Off-Broadway: 28 shows, including The Visit (Kander & Ebb). Seventeen films, including multiple Disney films and Marvin Hamlisch’s The Informant! Composer: Little Mermaid II (additional music), Spielberg’s Amazing Stories and In Memoriam (symphonic, publ. E.B. Marks). Recordings and concerts: Sir Paul McCartney, Barbra Streisand, Not the Messiah (Eric Idle), Mandy Patinkin, Audra McDonald, Brian Stokes Mitchell, Barry Manilow, Maury Yeston, Boston Pops, and San Francisco Symphony. BRIAN USIFER (Associate Music Supervisor). Broadway and Off-Broadway orchestras: The Book of Mormon, Sister Act, Wicked, …Spelling Bee, Avenue Q, Altar Boyz, and The Burnt Part Boys. Five years of regional theater, including: Follies (Barrington Stage Co.). Concerts: Clay Aiken Tried and True DVD, arrange and /orchestrator for many readings and workshops of new musicals, and music director for Kinky Boots. He graduated with a bachelor’s in music from SUNY Fredonia and master’s from NYU Steinhardt. DAVID TURNER (General Manager). Since joining Stuart Thompson Productions in 2008, Mr. Turner has managed 12 Broadway productions and tours, including The Book of Mormon and Jerusalem. Previously he managed numerous Broadway and Off-Broadway shows, including …Spelling Bee, Show Boat, and Barrymore. From 1994 to 2007 he founded and ran the Adirondack Theatre Festival, where he produced more than 60 plays and musicals and led the construction of a new theater in a vacant Woolworths store in Glens Falls, New York. ALLIED LIVE (Press and Marketing) is a fullservice marketing and advertising agency representing Broadway shows, national tours, performing arts institutions, and experiential entertainment entities. Current clients include: Blue Man Group, The Book of Mormon, A Christmas Story, Rodgers + Hammerstein’s Cinderella, Elf, Ghost, Kinky Boots, Mamma Mia!, Motown, Once, Peter and the Starcatcher, Stomp, We Will Rock You, West Side Story, and Irving Berlin’s White Christmas. ANNE GAREFINO (Producer) is the executive producer for the Emmy and Peabody Award-winning television series South Park. She has produced two critically acclaimed films with Trey Parker and Matt Stone: South Park: Bigger, Longer & Uncut and Team America: World Police. Before moving to Los Angeles she lived in Washington, D.C., and worked for the public television station WETA-TV. During her tenure at WETA she co-produced the In Performance at the White House series. The Tony and Grammy Award–winning production of The Book of Mormon marks Ms. Garefino’s Broadway debut. She began her career in entertainment at the Folger Shakespeare Theatre on Capitol Hill and is
thrilled and honored to be working in theater once again! She attended Boston College and the American Film Institute and is originally from Lambertville, New Jersey. SCOTT RUDIN (Producer). Films include Moonrise Kingdom; The Girl with the Dragon Tattoo; Extremely Loud & Incredibly Close; Moneyball; Margaret; The Social Network; True Grit; Greenberg; It’s Complicated; Fantastic Mr. Fox; Julie & Julia; Doubt; No Country for Old Men; There Will Be Blood; Reprise; The Queen; Margot at the Wedding; Notes on a Scandal; Venus; Closer; Team America: World Police; I Heart Huckabees; School of Rock; The Hours; Iris; The Royal Tenenbaums; Zoolander; Sleepy Hollow; Wonder Boys; Bringing Out the Dead; South Park: Bigger, Longer & Uncut; The Truman Show; In & Out; Ransom; The First Wives Club; Clueless; Nobody’s Fool; The Firm; Searching for Bobby Fischer; Sister Act; and The Addams Family. Theater includes Passion; Hamlet; Seven Guitars; A Funny Thing Happened on the Way to the Forum; Skylight; The Chairs; The Blue Room; Closer; Amy’s View; Copenhagen; The Designated Mourner; The Goat, or Who Is Sylvia?; Caroline, or Change; The Normal Heart; Who’s Afraid of Virginia Woolf?; Doubt; Faith Healer; The History Boys; Shining City; Stuff Happens; The Vertical Hour; The Year of Magical Thinking; Gypsy; God of Carnage; Fences; The House of Blue Leaves; Jerusalem; The Motherf**ker With
the Hat; One Man, Two Guvnors, and Death of a Salesman. Television includes The Newsroom. ROGER BERLIND (Producer). Recent productions include Copenhagen; Kiss Me, Kate; Proof; Medea; Anna in the Tropics; Caroline, or Change; Wonderful Town; Doubt; The History Boys; Who’s Afraid of Virginia Woolf?; Faith Healer; Deuce; The Year of Magical Thinking; Curtains; Rock ’n’ Roll; Is He Dead?; Gypsy; 13; Equus; Ragtime; A Little Night Music; A Behanding in Spokane; Driving Miss Daisy; La Bête; Arcadia; and Jerusalem. SCOTT M. DELMAN (Producer) has previously co-produced Arcadia, That Championship Season, All My Sons, Speed-the-Plow, Blithe Spirit, Mary Stuart (Tony nominee), Reasons to Be Pretty (Tony nominee), Hamlet, Ragtime (Tony nominee), The Addams Family, and American Idiot (Tony nominee). JEAN DOUMANIAN (Producer). Tribes (Drama Desk Award); Cock; The Mountaintop (Olivier Award); Death of a Salesman (Tony Award); The Motherf**ker with the Hat; The House of Blue Leaves; August: Osage County (Tony Award, Pulitzer Prize); and Our Town (Lortel and Obie Awards); as well as film adaptations of August: Osage County, Blackbird, and Galveston. SONIA FRIEDMAN PRODUCTIONS (Producer) has initiated and produced more than 130 new productions in the West End and on Broadway.
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ROY FURMAN (Producer). Currently on Broadway: The Heiress, Annie, War Horse (Tony), Nice Work If You Can Get It, and Evita. Other productions include: The Addams Family, Seminar, West Side Story, Spamalot (Tony), Gypsy, The Color Purple, and The History Boys (Tony). Mr. Furman co-founded the investment firm Furman Selz, and is now vice chairman of Jefferies & Company and chairman of Jefferies Capital Partners, its private equity arm. He is also vice-chairman of Lincoln Center and chairman emeritus of the Film Society of Lincoln Center. STEPHANIE P. MCCLELLAND (Producer) founded Green Curtain Productions (GCP). Ms. McClelland has six Tony and Drama Desk Awards and more than 50 theatrical productions worldwide. Broadway credits include: Cripple of Inishman, All The Way, A Raisin in the Sun, After Midnight, Betrayal, Twelfth Night/Richard III, Testament of Mary, I’ll Eat You Last, The Heiress, One Man Two Guvnors, Jerusalem, Arcadia, La Bête, Red, The Addams Family, A Behanding in Spokane, Ragtime, Hamlet, All My Sons, Sunday in the Park with George, Cyrano de Bergerac, Journey’s End, History Boys, Drowsy Chaperone, The Color Purple, Spamalot, Glengarry Glen Ross, Pillowman, Democracy, Jumpers, and Flower Drum Song. Boards: The Juilliard School and American Associates of the National Theatre. Love and gratitude to my family. KEVIN MORRIS (Producer) is proudly Trey and Matt’s lawyer and friend since they slept on his couch. He is producer of the documentary Hands on a Hardbody and author of op-eds for the Wall Street Journal and Los Angeles Times. In addition to running his law practice, he now writes fiction. Thanks to Gaby and their beautiful kids Rocky and Dulcie, who won’t be allowed to see this production for a long time. JON B. PLATT (Producer). Tony Awards: Angels in America: Millennium Approaches (Pulitzer Prize) and Perestroika; Clybourne Park (Pulitzer Prize); Copenhagen; God of Carnage; The Book of Mormon; and Death of a Salesman. Nominations: Wicked, A View from the Bridge, The Motherf**cker with the Hat, Jerusalem, Venus in Fur, and Nice Work If You Can Get It. OffBroadway: C*ck. STUART THOMPSON (Executive Producer). Currently on Broadway: The Curious Incident of the Dog in the Night-Time. His numerous producing credits include King Charles III, No Man’s Land/ Waiting for Godot, The Testament of Mary, Cat on a Hot Tin Roof, Death of a Salesman, Jerusalem, The Motherf*cker With the Hat, A View From the Bridge (2010), God of Carnage, Exit the King.
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STAFF FOR THE BOOK OF MORMON GENERAL MANAGEMENT STUART THOMPSON PRODUCTIONS Alexa Bishop Toni Marie Davis Kevin Emrick Micah Frank Leanne Gallati Garrett Holtz Carrie Jablansky James Lawson Samantha Liebman Adam J. Miller Shaun Moorman Spencer Smith Brittany Weber ASSOCIATE GENERAL MANAGER Adam J. Miller COMPANY MANAGER Shaun Moorman PRODUCTION MANAGEMENT AURORA PRODUCTIONS Ben Heller, Chris Minnick, Geoff Quart, Liza Luxenberg, Anthony Jusino, Isaac Katzanek, Ryan Murphy, Eric Casanova, Luke Ricca, Rebecca Habel, Melissa Mazdra, Gene O’Donovan TOUR BOOKING AND ENGAGEMENT MANAGEMENT THE BOOKING GROUP Meredith Blair, President Kara Gebhart, Vice President Operations TOUR PRESS & MARKETING ALLIED LIVE LAURA MATALON MARYA PETERS Andrew Damer John Gilmour Meghan McDonald Doug Blemker Mary Alyce Blum Sarah Dahlberg Jen Gallagher Anne Dailey Meyer Jacqueline Smith Anne Waisanen BROADWAY PRESS OFFICE BONEAU/BRYAN-BROWN Chris Boneau Jim Byk Kelly Guiod ASSOCIATE DIRECTORS Steve Bebout Stephen Sposito BROADWAY ASSOCIATE DIRECTOR Jennifer Werner ASSOCIATE CHOREOGRAPHER John MacInnis SCOTT RUDIN PRODUCTIONS Colin Greten Robert Moya Melody Ramnath Jason Sack Jeff Schwartz Production Stage Manager ............................................Joyce Davidson Stage Manager..............................................................................Steve Henry Assistant Stage Manager..............................................................Derric Nolte Assistant Company Manager....................................................Spencer Smith Dance Captain....................................................................... Kenny Francoeur Assistant Dance Captain.............................................................. Kristen Jeter Associate Scenic Designer................................................... Frank McCullough Assistant Scenic Designers............................Lauren Alvarez, Christine Peters Associate Costume Designer............................................Matthew Pachtman Assistant Costume Designer......................................................Irma Brainard Costume Shoppers....................................Summer Lee Jack, Isabelle Simone Associate Lighting Designers...............Benjamin C. Travis, Jennifer Schriever Assistant Lighting Designer............................................................. Carl Faber Associate Sound Designer...........................................................Cody Spencer Production Carpenter...............................................................Mike Martinez Production Electrician.......................................................................Dan Coey Production Sound Engineer.............................................Christopher C. Sloan Production Props........................................................................ Peter Sarafin Moving Light Programmer.................................................... David John Arch Keyboard Programmer............................................................... Randy Cohen Drum Programmer....................................................................Sean McDaniel Head Carpenter..................................................................... LaVoid McKibbin Advance Carpenter....................................................................Tom Bertino Jr. Deck Carpenter.............................................................................Steve Ruelle Automation........................................................................................Tony Ball Flyman.......................................................................Brent “Squatch” Jahnke Head Props............................................................................... Ryan Marquart Assistant Props.......................................................................... Jill B. Gounder
Head Electrician...........................................................................Bruce Tyrrell Deck Electrician...........................................................................Mike Novosel Advance Electricians....................... Jody Durham, EJ Mechley, Collier Woods Followspot.................................................................................. Mike Holmes Head Sound...........................................................................Nathan Flanagan Assistant Sound........................................................................Matt McShane Wardrobe Supervisor..............................................................Gerbie Connolly Assistant Wardrobe.............................................................................Joe Reid Stitcher.....................................................................................Michael Harrell Hair Supervisor.......................................................................Sonya Reynolds Assistant Hair Supervisor........................................................... Jimmy Goode Associate Musical Supervisor.........................................................Brian Usifer Assistant to Anne Garefino.......................................................... Carly J. Price Production Assistants......................Alan D. Knight, Katrina Olson, Lori Byars Casting Associates..............................................Kate S. Boka, Rebecca Scholl Casting Consultant........................................................................Jeremy Rich Rehearsal Pianist...................................................................Kathryn Sherrell Rehearsal Drummer................................................................... Gary Seligson Banking............................ City National Bank/Erik Piecuch, Michele Gibbons Payroll.........................................................................Castellana Services, Inc. Accountant.................................Fried & Kowgios CPAs LLP/Robert Fried, CPA Controller........................................................................................J.S. Kubala Insurance..........................................................................DeWitt Stern Group Legal Counsel.........Lazarus & Harris LLP/Scott Lazarus, Esq., Robbert C. Harris, Esq. Marketing Consultant........................................................... Crispin Ollington Advertising......... Serino/Coyne/Nancy Coyne, Greg Coradetti, Scott Johnson, Sarah Marcus, Ryan Murphy, Brian DeVito Digital Outreach.......................................................BLT Communications, Inc. Logo and Artwork Design....................................... BLT Communications, Inc. Website Deisgn....................................................... BLT Communications, Inc. Vocal Consultant..............................................................................Liz Caplan Production Photographer............................................................ Joan Marcus Travel Agent............................................................ Tzell Travel/The “A” Team Company Housing....................................................Chris Renzulli/Tourwerks Transportation................................................................Executive Car service Physical Therapy.................................................Neuro Tour Physical Therapy
CREDITS
Scenery fabrication by PRG-Scenic Technologies, a division of Production Resource Groups, LLC, New Windsor, NY. Lighting equipment provided by PRG Lighting, Secaucus, NJ. Sound equipment provided by Masque Sound. Costumes by Eric Winterling, Inc; Gilberto Designs, Inc.; Katrina Patterns; Izquierdo Studios, Ltd; Studio Rouge, Inc. Millinery by Rodney Gordon, Inc. Custom fabric printing by First 2 Print LLC.; Jeff Fender Studios; Eyewear provided by Dr. Wayne Goldberg. Custom footwear by LaDuca Shoes, Inc., Props executed by Cigar Box Studios, Tom Carroll Scenery, Jerard Studios, Deadalus Design and Production, Joe Cairo, J&M Special Effects, Jeremy Lydic, Josh Yoccom, Anna Light. Wigs made by Hudson Wigs. Makeup provided by MAC Cosmetics. Keyboards from Yamaha Corporation of America.
SPECIAL THANKS
John Barlow, Lisa Gajda, Angela Howard, Bruce Howell, Beth Johnson-Nicely, Sarah Kooperkamp, Kristen Anderson-Lopez, Katie Lopez, Annie Lopez, Kathy Lopez, Frank Lopez, Billy Lopez, Brian Shepherd, Eric Stough, Boogie Tillmon, The Vineyard Theatre, Darlene Wilson.
Souvenir merchandise designed and created by The Araca Group. Rehearsed at New 42nd Street Studios. The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.). The musicians, conductors, music preparation personnel, and librarians employed in this production are members of the American Federation of Musicians of the United States and Canada. The Director and Choreographer are members of the Stage Directors and Choreographers Society, an independent national labor union. The press agents and company managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.
ON SALE SUNDAY, NOV. 13 February 1 – 26 Detroit Opera House
©Disney
BroadwayInDetroit.com | 866-870-2717
minimum size for
Groups (12+): 313-871-1132 23
DETROIT/ C M Y K
91540 / BOM PLAYBILL
PRELUDES & ENCORES • Special places to go before & after
5057
@ M ACC A B E E S 5057 Woodward Avenue • Detroit 313.831.9311 • 5057viale.com
W 5057 Viale
e proudly present Preludes & Encores, our recommendations for a great meal before the show, or a place to close the night’s curtain with a delicious dessert. Please consider these wonderful Publication: Broadway inyou Detroit restaurants—and mention that heard about them in theplaybill Broadwayprogram In Detroit program. Thanks!
Run dates: 2016–2017 season GUIDE: $ =Size: <$10,1/4 $$ =pg. $10-$25, $$$ = $25-$50, $$$$ = >$50, vert. (2-1/4” x 3-1/4”) F=Free Parking, = Groups, P=Prix Fixe packages available, R =10/13/16; Reservations, S = Shuttle Service, Proof 3: 2:22PM V=Valet Parking For: Nederlander Detroit
5057 @ Maccabees • 5057viale.com • page 24 Midtown, Woodward Design:5057 Frank Bach, Ave., Detroit MI 48202. (313) 831-9311. Type of cuisine: Modern Italian, Price: $$, Bach & Associates; Amenities: In Midtown across Woodward from the Phone GRSV. 313-822-4303, DIA. Save 20% with your Broadway In Detroit ticket stub.
frank@frankbach.com
20% Off Your Meal
With your Broadway In Detroit ticket stub! (Excludes alcohol)
Andiamo Riverfront • andiamoitalia.com ; and Joe Muer Seafood • joemuer.com • page 25 Detroit Riverfront, Renaissance Center. Type of Cuisine: Italian, Seafood, Price: $$$, Amenities: R,G,V. We are proud to welcome Broadway In Detroit guests before the show, after the show and anytime at all! Enjoy a great atmosphere and professional service with incredible views along the Detroit River. La Musique • hotelstregisdetroit.com • page 24 New Center, 3071 W Grand Blvd., Detroit, MI 48202. (313) 873-3000. Type of cuisine: American, Price: $$, Amenities: GPRV. Eat. Play. Stay. Park and dine at La Musique in the historic St. Regis Hotel and walk to the Fisher Theatre. Contemporary American Cuisine. The Maple Kitchen • themapletheater.com • page 26 The Maple Theater, 4135 W. Maple Rd., Bloomfield Twsp., MI 48301. (248) 325-9139. Type of cuisine: American, Price $$, Amenities: FG, V weekends. Present Broadway In Detroit ticket stubs within one month of attending and receive 10% off your total bill. Not valid with other offers. Mario’s • mariosdetroit.com • page 26 Midtown, 4222 Second St., Detroit, MI 48201. (313) 832-1616. Type of cuisine: Italian, Price: $$$, Amenities: GPRSV. Complimentary shuttle to & from the theatre. Show your tickets and receive 10% off food on your performance date. Afterglow specials too! Party with the people who perform.
☛ restaurants continue on page 26
24
CRITICS’ CHOICE!
“BEST ITALIAN”
WDIV Click on Detroit
For reservations call 313.567.6700 or visit andiamoitalia.com
Two of Detroit’s Award Winning Restaurants – Perfect for Dining Before or After a Show. Just minutes away from the Fisher Theatre at the fabulous GM Renaissance Center.
“2016 Seafood Restaurant of the Year” HOUR Detroit Magazine
For reservations call 313.567.6837 or visit joemuer.com 25
PRELUDES & ENCORES • Special places to go before & after Mercury Burger Bar • mercuryburgerbar.com • page 27 Corktown, 2163 Michigan Ave. Detroit MI. 48216, (313) 964-5000. Type of cuisine: American, Price: $. Classic American burger bar, gourmet burgers, hot dogs, grilled bologna, tater tots, Guernsey dairy milk shakes, Michigan craft beers, full bar.
t
Ottava Via • ottavavia.com • page 27 Corktown, 1400 Michigan Ave. Detroit MI. 48216, (313) 962-5500. Type of cuisine: Casual/Rustic Italian, Price: $$, Amenities: FR. Stone fired pizza, small plates, pasta, Italian entrees, gelato, outdoor seating, bocci ball in season, full bar. The Rattlesnake Club • rattlesnakedetroit.com • page 28 300 River Place Drive, Detroit, MI 48207. (313) 567-4400. Type of cuisine: American, Price $$$ GRV. The Rattlesnake Club celebrates over 25 years in Detroit! Chef Chris Franz’s innovative cuisine, our attentive service and awardwinning wine list await on Detroit’s Riverfront!
2015
3,
Traffic Jam & Snug • trafficjamdetroit.com • page 29 511 W. Canfield St., Detroit MI, 48201. (313) 831-9470. Type of cuisine: American, Price: $$, Amenities: FGR. Featuring an eclectic menu of vegetarian items, burgers, fresh fish, pastas & salads. Decadent house-made desserts. Free, guarded parking. Minutes from the Fisher Theatre. Save 15% on your next entrée when you let your server know that you’re a Fisher Theatre fan. ☛ restaurants continue on page 28
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PRELUDES & ENCORES • Special places to go before & after Three restaurants in The Westin Book Cadillac Downtown Detroit, 1128 Washington Blvd. at Michigan Ave., Detroit MI 48226 • page 31: ● Roast • roastdetroit.com, (313) 961-2500. Type of cuisine: American, Price: $$$, Amenities: RV. The Detroit Free Press recently named Iron Chef Michael Symon’s Roast Restaurant of the Year. ● 24 Grille • spa1924grille.com, (313) 964-3821. Type of cuisine: American, Price: $$$, Amenities: RV. Features Executive Chef Christian Borden’s interpretation of classic American dishes. Take 10% off your entire bill with your theatre ticket. ● Motor Bar • bookcadillacwestin.com, (313) 442-1600. Type of cuisine: American, Price: $$, Amenities: V. On the second floor, a comfortable location for a classic late night cocktail, dessert or appetizer after the show.
Minimum of 2 entrees must be ordered. Must be used within one week of performance date. 300 River Place Dr | Detroit | 313-567-4400 | rattlesnakedetroit.com
The Whitney • thewhitney.com • page 2 Midtown, 4421 Woodward Ave., Detroit MI 48201. (313) 832-5700. Type of cuisine: American, Price: $$$, Amenities: GPRV. Detroit’s most romantic restaurant. Experience our Prix Fixe Theatre Menu before your next show or join us anytime for dinner or an elegant dessert seven nights a week. Call for reservations during intermission or after tonight’s performance!
GOD LOVES FLOWERS… AND WANTS YOU TO HAVE MORE OF THEM!
Ferndale Detroit 248.398.5130 313.964.5777 www.blumz.com SHOWS • THEATERS • PROFESSIONALS • YOUTH/FAMILY • E-CASTING encoremichigan.com
28
Holiday Events
Handcrafted & Homemade Since 1965 The
TRAFFIC JAM & Snug
Restaurant Brewery • Dairy • Bakery Second at Canfield • Midtown TrafficJamDetroit.com 313-831-9470
BIRMINGHAM TREE LIGHTING
Wednesday, Nov. 23, 6 p.m. Shain Park
SANTA HOUSE
Michigan’s first brew-pub • 1992
SMALL BUSINESS SATURDAY
Tell us that you are a
Nov. 26 Downtown Birmingham
Fisher Theatre fan
BIRMINGHAM WINTER MARKT
and we’ll take
Friday, Dec. 2 – Sunday, Dec. 4 Shain Park
15% off your entrée.
CARRIAGE RIDES
Stop in before the show…
Select Dates Nov. 23 – Dec. 24 Rides begin at Henrietta & Merrill
or anytime! One of Detroit’s hidden treasures—for
www.ALLINBirmingham.com
over fifty years. Our kitchen only uses the best and freshest ingredients. Each morning, our bakery turns out a new Bread of the Day. We make shamefully delicious selection of pies, cakes, and cookies too, not to mention our very own ice cream and hot fudge.
Select Dates Nov. 23 – Dec. 24 Shain Park
Birmingham Shopping District @BhamShopping
First 2 Hours ALWAYS FREE in the parking decks. Pay by mobile app at ALL downtown meters. www.parkmobile.com 29 BSD 2016 Holiday Events Fisher Theatre Ad 2.25x7.625.indd 10/3/16 1 4:52 PM
More than 375,000 upscale theatre patrons see YOUR full-season ad here!
To reserve your space in Beautiful and upcoming shows, contact:
BROADWAY IN DETROIT The Program for the Fisher Theatre Volume 55, Number 2 November 1–13, 2016 Fisher Theatre • Fisher Building 3011 W. Grand Blvd., Detroit, MI 48202 BroadwayInDetroit.com
Under the Management of Nederlander Detroit, LLC Executive Director.............................................Alan N. Lichtenstein Assistant to Mr. Lichtenstein.......................................... Nancy King Director, Corporate Sales/Marketing............................. Scott Myers Senior Director, Marketing........................................... Alyssa Cohen Advertising Director.....................................Debbie Michelson, SMZ Press Agent................... Brendy Barr, Brendy Barr Communications Program Design................................Frank Bach, Bach & Associates THE FISHER THEATRE Business Office Staff Accounting..................................................................Barbara Jones House Staff Theatre Manager.....................................................James Manduzzi House Manager........................................................... Reuben Perez Box Office Treasurer.....................................................Mirena Cantu Group Sales Manager....................................................... Amy Yokin Subscription Manager................................................. Gwen Harden Lost and Found........................................................... Robin Teachey Production Staff Head Stage Technician...................................................... Sam Aluia Head Lighting Technician....................................Suzanne Johnston Head Propman................................................................. Joe Achatz Head Sound Technician..............................................J. B. Ralbovsky Head Scenery Technician................................................Ronald Ivey Musical Director........................................................ Paul McCaffrey The photographing or sound recording of any performance or the possession of any device for such photographing or sound recording inside the theater without the written permission of the management is prohibited by law. Violations may be punishable by ejection and may render the offender liable for money damages.
UNITY • HARMONY • ARTISTRY
• Alyssa Cohen, (248) 608-1884 acohen@broadwayindetroit.com
The Musicians of the Fisher Theatre Orchestra employed in this production are members of the Detroit Federation of Musicians, Local 5. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E).
Handicap (wheelchair) facilities are located in the main floor lobby near elevators. Articles found in the theater will be held for 30 days only. Lost • Scott Myers, article inquiries should be made by phone to (313) 872-l000 between 10AM and 4PM. (313) 872-1177 Fisher Theatre Offices................................................(313) 872-1000 smyers@nederlanderdetroit.com Broadway In Detroit Season Ticket Office & Subscription Information.......................................... (313) 872-1180 Group Sales Information............................................(313) 871-1132 AGE LIMIT As a courtesy to our patrons, it is the policy of Broadway If you expect emergency phone calls please leave your seat In Detroit not to admit children under the age of 5. This policy may location with the ticket taker. be altered from time to time based on Shows and Show content. You will be made aware of particular age restrictions during your For emergencies only during performances.............. (313) 872-1111 purchase. Some shows make further age appropriate recommen- Please silence your electronic devices by putting them on silent in dations and Broadway In Detroit will provide those on its website; airplane mode or turning them off. If you need to be reached for however, judgment of the content for each show should be made an emergency, please text your seat location and the emergency on an individual basis prior to purchase. When available, Broadway number listed above to your contacts and have them contact our In Detroit provides links to show websites for further information. staff if you are needed during the performance. All patrons, regardless of age, must have a ticket. 30
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