YEARBOOK 2010

Page 1

LEEDS COLLEGE OF ART

GRAPHIC DESIGN

BA (Hons.)

Sara Yates

Rhianne Withers

Amy Williams

James Wright

Karl Taylor

William Tapply

Emma Sunderland

Adam Sneade

Cheng Sheng

Oliver Semp

Oliver Shaw

Tom Pratt

Olivia Greaves

Anand Patel

Lauren O’Neill

Claire Nicholson

Jane Mitchell

Jaimini Mistry

2


2


Contents Leeds College of Art Graphic Design 2010

4

BA (Hons.) Graphic Design

This course explores the communication of ideas through type and image, and will equip you with the understanding and skills to operate effectively within the competitive, fast-moving and continually developing design sector. You will explore the designer/ client relationship in response to the brief, and develop your creative understanding, individual drive and ability to communicate ideas, both visually and verbally.

010 Phil Armson 012 Lucy Hawkins 014 Jessica Chodosh 016 Tom Pratt 020 Lauren O’Neill 022 Hannah Lloyd 024 Anand Patel 026 Adam Sneade 028 Will Tapply 032 Claire Nicholson 034 James Laurie 036 Sara Yates 040 Cheng Sheng 042 Olivia Greaves 044 Emma Butler 046 Karl Taylor 047 Scott Marc Berry 048 Nicky Birch 050 Jane Mitchell 052 Claire Birtwistle 054 Nate Welfare 056 Amy Williams 058 Rob Cope 062 Andrew McGowan 108 Yearbook Designers 110 Thank you 111 Contact

064 Karl Cartwright 066 Kevin Knott 068 Alexandra Bucktin 070 Rhianne Withers 072 Dean Gray 074 Oliver Semp 076 Jonathan Chapman 078 Jack Cook 080 Angus MacPherson 082 Caroline Henson 088 Emma Sunderland 090 James Edmonson 092 Jaimini Mistry 094 Oliver Shaw 096 Hayley Kavanagh 098 James Wright 100 Patrick Holmes 102 Gemma Grainger 104 Scott Colley 106 Lucy Gibson


BA (Hons.) Graphic Design 2007 – 2010


8

Programme Leader

fred.bates@leeds-art.ac.uk +44 (0)113 202 8281

“ The designers in this book have risen to the challenge of a course that has rapidly developed a reputation for creative, high quality graduates who can deliver to a professional standard. Three years of hard work, innovation, creativity, blood, sweat and tears, and here they are, more than ready to take the next step into an industry that thrives on new creative talent.

The reputation of the course belongs to them. They have helped build it. They have put the hours in. They have pushed themselves beyond what they thought was possible and I am proud to have been part of that journey. I’d like to thank them for their commitment and thank all those members of the course team, support staff and visiting professionals who have contributed to the success of this year. I wish them all the best and hope the creative industries recognise the considerable talent that is coming its way.� Fred Bates


Phil Armson

Disorder, Fashion look book

10

The main focus of my design work is structured around type and illustration. I always strive to experiment and explore different processes for outcomes. (Toronto)

Zync

(Toronto)

Placements Cresent

Contact www.philarmson.com hello@philarmson.com +44 (0)782 120 5175


Lucy Hawkins

Alice in Wonderland, Stationery for Penguin Books

12

My design practice is based entirely on illustration and its applications, I work to create both hand rendered original images and computer based designs. I work in a selection of various styles taking influences from 1950s pin-ups, handmade craft and kitsch. (London)

Placements Lady Luck Rules OK

Contact lucylikestodraw.blogspot.com lucylikestodraw@hotmail.com +44 (0)779 270 7918


Jessica Chodosh

Metro, Advertisement

14

My strength is concept based design resolutions for advertising and promotional briefs. I thrive on being set a challenge and delivering feasible yet effective results. Idea generation is my main strength, and I use this to respond to briefs within my focal areas of interest such as branding, promotion and advertising across all mediums and formats. (London)

Poetic Gem

(London)

Placements Jda (Leeds) Publicasity

Contact www.justlookandc.com jess_chodosh@hotmail.com +44 (0)784 355 5836


Tom Pratt

Overprint, Identity and stationery

16

In my practice I am concerned with the combination of a mathematical approach to aesthetics and the innovative use of print process. The idea of precision is central to the way I work. (Leeds)

Paper Scissors Stone

(Leeds)

Team Impression

(Leeds)

Placements Brahm

Contact www.tomprattdesign.co.uk tom@tomprattdesign.co.uk +44 (0)788 525 2076


work with people who give one hundred percent. It’s been my privilege to have played a part in the education of just such a talented and committed group of individuals. Through hard work and sheer determination, the BA Graphic Design graduates have developed a focussed understanding of graphic design that has produced highly individual and creative work of the highest caliber. I’m proud of them.”

“ Good graphic design sorts your life out. It amber.smith@leeds-art.ac.uk +44 (0)113 202 8082

lorenzo.madge@leeds-art.ac.uk +44 (0)113 202 8127

“ It’s not very often one is lucky enough to

Course Tutor

Course Tutor

Over the past three years students have learnt how to work hard. The energy and commitment has been unwavering so it is not a surprise that they have become very good graphic designers.” Amber Smith

Lorenzo Madge

18

makes you work hard or makes you realise you’re not working hard enough.


Lauren O’Neill

Bacardi Flirt & Spring typography

20

The area that I specialise in is design for advertising and promotion, focusing on retail and fashion, type and layout. Working to a large scale such as billboard, bus panels, and shop front window display. My style of design is pattern, shape, simple imagery, symbol and bold colour. (Cambridge)

Brownstone Procreate

(Cambridge)

Placements Barter & Barrett

Contact www.laurenoneillcreative.com lauone136@yahoo.co.uk +44 (0)751 884 5238


Hannah Lloyd

Amperpost, Stationery

22

I am a designer that works with the crafting of typefaces and producing concept driven design for publishing. I enjoy creating illustrative type for limited edition or bespoke design work as well as commercially driven design. (Leeds)

Placements Cubo (London) Paper Scissors Stone

Contact www.hannahlloyddesign.com hello@hannahlloyddesign.com +44 (0)798 302 1784


Anand Patel

Generation Press, Adopt a Northerner

My main area of interest in design is print and production, in terms of considering appropriate, effective processes and stocks that best suit the projects I am working on. I love producing work for specialist promotions, which allow me to express freedom within my work.

24

(Newcastle)

Paul Windle

(Brighton)

Placements Generation Press

Contact www.anand-design.com hello@anand-design.com +44 (0)776 253 3206


Adam Sneade

End of Year Show, Promotional material

26

As a designer I focus on type and layout in relation to print based media. I am currently developing a practice that takes inspiration from the way I keep my bedroom, clean yet messy. Contact www.milk-1sugar.com adam@milk-1sugar.com +44 (0)791 202 1807


Will Tapply

Hulk Comic Machine, Don’t Panic poster

28

I see myself as an animator and illustrator, with a focus on storyboard artwork and an appreciation for a hand rendered aesthetic within my work. Contact www.will-tapply.com contact@will-tapply.com +44 (0)759 584 4315


“ I have really enjoyed my time with the students. Bright, articulate, great ideas and a willingness to listen and learn. I expect some great things from them in the future.” Chris Jackson Elmwood

“ The thing that struck us most about the course was the unbridled enthusiasm – both from the students and the tutors! We really enjoyed working with the students and were amazed by the strong sense of community that exists in their studios. The creative vibe is very infectious and we were blown away by the standard of work and the professionalism. We came away from our visit feeling excited and full of beans!”

30

Tado


Claire Nicholson

Childware packaging

32

I’m an illustrator with an interest Placements Arthur Steen in vintage design, namely use of colour, texture, weight of line, type, Horne Adamson shape and pattern. My main areas (Cheltenham) of interest are hand rendered and vectored imagery applied to print based media such as book covers, limited edition screen prints, packaging and gift packaging ranges. Contact www.clairenicholson.co.uk claire@clairenicholson.co.uk


Cornered Clean-Break

34

James Laurie

Within my practice the emphasis is upon a conceptual understanding and that the idea should remain paramount through to its execution. I enjoy the point at which ideas are conceived and how they are formulated within a design practice, which serves as a platform to which these can be explored and developed from an informed perspective.

Contact www.james-laurie.com studio@james-laurie.com +44 (0)791 235 9573


Sara Yates

Perfume, Penguin Books

36

The past three years have allowed Placements me to explore many areas of graphic Lemon Zest design. My current design practice (Manchester) focuses on print based layout, as I Reform Creative love the challenge of communicating a (Manchester) message to a specific target audience. Print processes, stocks, and finishing effects have helped to add extra depth to the finished designs. Contact www.sarayates.com hello@sarayates.com +44 (0)782 453 1944


1. 2. 3. 4.

38

Patrick Holmes Lucy Gibson Dean Gray & Angus MacPherson James Edmonson

2.

4.

3.

1.

03.


I don’t see Graphic Design as specifically categorised groups of genres, as the media is constantly evolving and merging together via digital formats, it’s the concepts and understanding of the context that makes good design. My interest lies in digital based designs that are driven by a strong concept, which solves the given problem creatively. I feel it’s important to experiment and enjoy the process of making mistakes then learn from it and progress further.

Cheng Sheng

Solar Ghost, Music video

40

(London)

Bianca Redgrave & Co.

(London)

Not To Scale

(Shanghai)

Placements Make Me

Contact www.boycrywolf.co.uk csheng@boycrywolf.co.uk +44 (0)793 523 5810


Olivia Greaves

Media T-shirt design

42

I’m a vector based graphic illustrator, interested in digital and traditional print with an application to a range of print media. Focused on the contexts of commercial application in the following areas; retail, commercial graphics, music and book publication. (York)

Placements FPP (Newcastle) Space Creative

Contact www.oliviagreavesdesign.com hello@oliviagreavesdesign.com +44 (0)773 183 1802


Emma Butler

Happy Birthday Stationery

44

My main focus is within design for print, including applied illustration to publication. In combining the uses of both traditional and digital print processes. With a focus on the aesthetic qualities of a product such as paper stocks, finishes and colour. Contact www.emmabutler.co.uk emmabutlerdesign@googlemail.com +44 (0)798 156 9319


46

The relationship between product Placements and audience is my main focus. I Paper Scissors Stone want my audience to engage with my (Leeds) design, to touch it, feel it and explore it. To me design is a process which starts in your imagination and ends in reality. Where else do you have such freedom as you do when you design?

Scott Marc Berry

Contact www.smbstudio.co.uk scott@smbstudio.co.uk +44 (0)790 759 5865

Contact k.taylor1989@hotmail.com +44 (0)787 101 6449

I’m a passionate designer that focuses on package design, branding, corporate identity and typography. My skillful use of Adobe Illustrator, Photoshop and InDesign allow for fast pace designing and learning.

Karl Taylor


Nicky Birch

Dead Head, Skate designs

48

My main area of interest in graphics is illustration, with heavy leanings towards character design. My love of illustration comes from things like Warner Bros and Gary Larson cartoons. I always try to inject I little bit of humor into my work. Life can be a bit grim, cheering people up is an important job and a powerful method of communication. (Leeds)

X-ray Brewery

(Leeds)

Westgate Studios

(Leeds)

Placements Artomata

Contact n.birch1980@hotmail.com +44 (0)754 364 3108


Jane Mitchell

Neuroscience Booklet X-ray Book

50

I have a passion for communicating through type and layout with an emphasis on print, format and process. Communicating to educate and inform an audience drives me. Each new design problem lends itself to testing out new ideas, concepts and print formats to solve it. (Leeds)

Placements SBT Design

Contact www.eyredesign.com jane@eyredesign.com +44 (0)779 158 9519


Claire Birtwistle

Sarah Tew, Cumbrian Artist stationery Film book covers, Faber & Faber

52

I’m a designer who creates simple design using typography as image in a clever context. (Cumbria)

Placements Cactus Creative

Contact www.clairebirtwistle.com claire@clairebirtwistle.com +44 (0)781 475 7634


Nate Welfare

Feel Good poster

54

In my main area of interest is within packaging design and print. I take initial concepts then design and aim to produce an innovative resolution focusing around these main areas. Contact www.n-welfare.blogspot.com nwelfare@gmail.com +44 (0)754 027 4767


Amy Williams

Sweets, Seven Deadly Sins

56

AMY LEIGH WILLIAMS

aw82270@students.leeds-art.ac.uk

As a designer my focus lies within conceptually led design and communication. I am interested in a range of design processes and mediums. Poster, billboard and packaging design are my main attraction. Cultural understanding has become a strong interest within my design practice; its effects within visual communication and the impact it has on the delivery of a message. (Cape Town)

Placements Draft FCB

Contact aw82270@students.leeds-art.ac.uk +44 (0)786 542 9099


Rob Cope

Don’t Panic poster pack

My working practice is within graphic design and illustration with a focus on applied illustration. I really enjoy working with type, both illustrated and computer generated working within a print based medium. I think illustration is a great way of expressing yourself and your work, and the potential of it’s application to both print and product based mediums.

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Contact robcopestudio.com hello@robcopestudio.com +44 (0)758 119 4356


“ We’ve taken a number of graphic design students from the BA (Hons.) Graphic Design course over the past year. They all have drive, ambition and a clear creative thought process. This course will entice companies looking to hire designers with a creative edge.”

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Alex Atkinson, The Consult

“ The energy and buzz I experience in the studio is contagious. I am consistently inspired by the creative dialogue, around all aspects of graphic design, that I share with the students on this course.” Joe Gilmore Qubik Studio


Andrew McGowan

Art & Interdisciplinary Yearbook 2010

62

As a designer I work with type and layout. As a person I am concerned with ethics regarding the work I produce, or who I’m producing it for, such as tackling charity briefs or raising social/ environmental concerns. I prefer a smaller, personal relationship with my work and clients.

ABOUT

The main focus of my design work is structured around type and illustration. I always strive to experiment and explore processes and outcomes.

(Manchester)

Placements The Consult (Leeds) DaVinci Communications

2.

Contact www.mcgow.co.uk andy@mcgow.co.uk +44 (0)784 050 2388


I’m a designer who focuses on design for packaging, advertising and aspects of promotion. I like how type and image work together to form a piece of design that works. In image I enjoy the photography, as it’s a large part of my practice, and in type, I enjoy how the type works along side the image and makes a message clear.

Karl Cartwright

BBC postcards from the 90s

64

(Leeds)

Placements Jda

Contact www.karlcdesign.com hello@karlcdesign.com +44 (0)774 819 1490


Kevin Knott

HG Wells book covers

66

I believe in graphic design that is functional, whether that is through physical interaction or delivery of content. Functional design shouldn’t need to negate a visual aesthetic, its about finding a balance between the two. I strive to deliver work that effectively communicates as well as delivers as much enjoyment looking at as I had producing it. (Leeds)

The Wow Wall

(Sunderland)

Placements Lee Harnett

Contact www.supasonicdesign.co.uk hifriend@supasonicdesign.co.uk +44 (0)754 070 6351


Alexandra Bucktin

Alice in Wonderland Penguin Books HG Wells Orion book covers

68

My design practice explores print Placements design from layout and identity to The One Off packaging and publishing. I create (London) design that is simple and effective, Exposure: The Gild with the audience and outcome in (London) mind. Tea, cake and an ambition for perfection get me through the day. Contact www.alexandrabucktin.com a.bucktin@gmail.com +44 (0)775 342 2983


Rhianne Withers

Project Wednesday promotional material

70

The focus of my work is centred around considered concepts delivered through clarity and function. Using print based material and experimenting with formats, layouts and language. (York)

Bivouac

(Leeds)

The Consult

(Leeds)

Placements Tag:Pac

Contact www.rhiannewithers.com hello@rhiannewithers.com +44 (0)792 690 2330


Dean Gray

Life in 2050, Exhibition poster Wooden toy surface pattern

72

2050

Character and illustration driven approach, applied to a variety of applications and media. (London)

Placements Lion Creative

Contact www.letsmakestuff.co.uk deangray@letsmakestuff.co.uk +44 (0)796 158 0831


Oliver Semp

Bacardi, Flirt poster

74

To sum me up as a designer in a phrase I would say my key areas are print based packaging and promotion with a focus on advertising. I am concept driven, trying to explore different ways of thinking. Design for print, layout, image and type are all areas of interest to me. (Manchester)

Key 103

(London)

Placements Heat Magazine

Contact www.o-semp0710.blogspot.com o.semp1988@hotmail.com +44 (0)773 693 3992


Jonathan Chapman

Hand cut geometric cards

76

I have a keen interest in materials, techniques and processes that inspire me to experiment with paper and its possibilities. I use paper cuts and paper engineering techniques to communicate my ideas through graphic design and illustration. (Leeds)

Placements The Leeds Guide

Contact www.mr-yen.com mryen@mr-yen.com +44 (0)770 813 5224


Jack Cook

Comedy Central advert

78

Placements I use film and animation with a bias on post production to promote and/or Flynn Productions investigate my own social, political or (London) environmental concerns with a focus on Treend Construction narrative. I like my work to be applicable (London) to both an independent environment and in a commercial context. Contact www.jackcook.co.uk hello@jackcook.co.uk +44 (0)783 210 3664


I am a designer that primarily works in print. I am passionate about typography and the infinite ways in which it can communicate. I am very interested in the way objects are produced and how this affects what they ultimately look like. I am always looking for new formats and ways of delivering predictable information in unexpected ways. I believe I produce my best work when I enjoy the design process and push myself in new directions.

Angus MacPherson

Young Typographic Designers Exhibition

80

(London)

19-77 Design

(Leeds)

Placements Bivouac (York) Team Impression

Contact www.angus-macpherson.co.uk hello@angus-macpherson.co.uk +44 (0)780 743 1501


Invisible Grids Identity & stationery

Contact www.carolinehenson.co.uk caroline@carolinehenson.co.uk +44 (0)796 984 4813

Caroline Henson

As a designer I enjoy working with type and layout for publications of varying formats. I appreciate simplicity, grids and Modernist design principles. I am also known to be partial to the odd custard danish‌

82

CAROLINE HENSON

www.carolinehenson.co.uk caroline@carolinehenson.co.uk +44 (0) 7969844813


Showcase

Scott Marc Berry Phil Armson & Tom Pratt Lucy Hawkins Anand Patel Rhianne Withers

84

1. 2. 3. 4. 5.

2.

5.

1.

4.

3.


“ If I could go back and do my time again I would like to think it is the kind of course I would have the intuition and ability to study on.” Si Scott, Si Scott Studio

“ It has been a real pleasure to be introduced to this year’s students. I have been really impressed with the dedication and commitment that the students have shown, only to be matched by the amazing array of talent on show.”

86

Paul Hewitt, Generation Press


Emma Sunderland

Identity for home and packaging products

The main focus of my design practice is type, image and layout driven packaging and promotion for the retail sector. Working to the requirements of the client and target audience within this sector creates exciting challenges and design problems to solve. I aim to achieve more unique and collectable designs by using a range of processes including laser cutting, paper folding and screen-printing with the overall piece being handcrafted.

88

Graphixasset (Bristol)

(Cheltenham)

Placements 1HQ ( London) FLB

Contact www.emmasunderland.com sunderland.design@googlemail.com +44 (0)759 554 8948


My current work explores ethical design issues such as sustainability & renewability in both local & global environments. I have investigated these issues through a range of briefs that have often utilised innovative print based products with a clear bias towards typography and layout.

James Edmondson

The Portlands, Promotional material

90

(Wales)

Placements Howies

Contact www.jimmyed.com hello@jimmyed.com +44 (0)787 152 4814


Jaimini Mistry

Coffee Island identity Love your skin poster

92

2.

I feel that without trying and testing, design is nothing. My design practice focuses on print based design using type and layout. My main interests lie within corporate identity, branding and promotional design. I like to work on briefs for a range of clients as it allows me to get to know my audience and deliver something which they can understand and engage with. (Milton Keynes)

Placements Grassroots

Contact www.jaiminimistrydesign.com jaiminimistrydesign@hotmail.com +44 (0)751 607 6968


Oliver Shaw

Fedrigoni promotional material

As a designer I believe in pure, simple, aesthetics. These should not be without concepts. I strongly believe in clear communication through Graphic Design. I work with type and image with print being the forefront of my practice. I believe that as a designer knowledge of print and process is vital and crucial to any successful practice. Every brief is individual; therefore each design should be as distinctive and confident as the other.

94

(Leeds)

Placements SBT Design

Contact ollie@olivershawdesign.co.uk www.olivershawdesign.co.uk +44 (0)779 227 1656

OLIVER SHAW

www.olivershawdesign.co.uk ollie@olivershawdesign.co.uk +44 (0) 7792271656


Hayley Kavanagh

Alice in Wonderland Penguin Books 2010

96

I am a creative designer with a strong focus on typography and illustration combined. My individual style is very suited to commercial briefs and clear driven concepts when necessary. Placements Attik (Leeds)

Contact www.hkfreshdesign.com hayleykavanagh@hotmail.com +44 (0)792 040 7820


98

James Wright

Sink Florida Sink 78rpm – mp3 poster

www.james-laurie.com studio@james-laurie.com +44 (0)7912359573

I work with type and layout print based resolutions with a bias towards social comment/theory with a lo-fi yet clinical aesthetic. Contact www.james-wright-design.com j.wright1988@hotmail.co.uk +44 (0)773 817 2601


Communication is always at the forefront of my design; I focus on concept to deliver an effective message consistently throughout briefs, from initial ideas through to a range of printed outcomes.

Patrick Holmes

Film festival promotion

100

(Leeds)

Dig For Fire

(Leeds)

Placements The Consult

Contact www.holmes-sweet-holmes.com hello@holmes-sweet-holmes.com +44 (0)758 879 2570


Gemma Grainger

Valentines day cards for graphic designers

102

As a graphic designer I believe that it is my job to make people aware of an existing product or to promote a new one. My main interest lies within brand identity and retail graphics focusing on type as image. I enjoy working within all retail sectors but I am particularly interested in Fashion retail. (Leeds)

Placements Totality

Contact www.gg-designs.co.uk gemma@gg-designs.co.uK +44 (0)773 243 2908


Scott Colley

Flick promotional material

104

I’d like to say that my motto is ”Never Not Working” but that would be a lie. Life moves pretty fast and if you don’t stop and look around once in a while, you could miss it. I like to enjoy the little things: high impact visuals, strong aesthetics, limited editions, limited colour palettes, a good movie and a slice of Grandma’s Meat and Potato Pie. (Nottingham)

Placements I dress myself

Contact www.rinsedesign.com scott@rinsedesign.com +44 (0)792 909 3564


Lucy Gibson

Midnight Mode, Promotional material

Hand crafted illustration acts as my focal point in which my design practice revolves around. The feel of the material which I am working with between my fingers and the inevitable imperfections of the process make it more exciting for me than purely digital work. I like to cut things out, wherever is appropriate and extending illustrations into three dimensional forms.

106

(Brighton)

Placements Matt Wingfield Studio

Contact www.lucygibson.com lucywasgibson@gmail.com +44 (0)796 723 5969


Yearbook Designers

1. Rhianne Withers 2. Patrick Holmes 3. Anand Patel 4. Lucy Gibson

108

Rhianne Withers Patrick Holmes Lucy Gibson Anand Patel


110

Thank you for all Achievements your help, support and advice. Chris Jackson – Elmwood Sir John Hegarty – BBH Matt Ferres Alex Atkinson – The Consult Paul Hewit – Generation Press Grafik Magazine Cresent Zync Andy Lodge – Brahm DaVinci Communications Attik Team Impression Paper Scissors Stone Barter & Barrett Brownstone Procreate Cubo Rachel Oliver – Gratterpalm Bianca Redgrave & Co Nottoscale Make Me Paper Scissors Stone I Dress Myself Lion Creative Arthur Steen Horne Adamson Lemon Zest Reform Creative FPP Space Creative Treend Construction Artomata Westgate Studios X-ray Brewery The Leeds Guide

Leeds College of Art Blenheim Walk Leeds LS2 9AQ United Kingdom Tel: +44 (0)113 202 8000 info@leeds-art.ac.uk

Fred Bates Programme Leader fred.bates@leeds-art.ac.uk +44 (0)113 202 8281

Amber Smith Course Tutor amber.smith@leeds-art.ac.uk +44 (0)113 202 8082

Lorenzo Madge Course Tutor lorenzo.madge@leeds-art.ac.uk +44 (0)113 202 8127

Draft FCB Lady Luck Rules OK Tado Lee Harnett The Wow Wall The One Off Exposure: The Gild Totality Cactus Creative Heat Magazine Tag:pac Key 103 Bivouac Paul Dodd All Good 19-77 Design 1HQ Si Scott FLB Karl Mead Steve Banks Graphixasset Howies Grassroots SBT Design Jda Alec Doherty – Lonely Punks Urban Outfitters Publicasity Poetic Gem Flynn Production John Watters Justin Burns Jane Denton


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Andrew McGowan

Angus MacPherson

Hannah Lloyd

James Laurie

Nate Welfare

Kevin Knott

Hayley Kavanagh

Patrick Holmes

Caroline Henson

Lucy Hawkins

Dean Gray

Gemma Grainger

Lucy Gibson

James Edmondson

Robert Cope

Jack Cook

Scott Colley

Jessica Chodosh

Jonathan Chapman

Karl Cartwright

Emma Butler

Alexandra Bucktin

Claire Birtwistle

Nicky Birch

Scott Berry

Phil Armson


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