22 minute read
Film
WAREHOUSE CINEMAS NEWS AND EVENTS:
$7 TUESDAYS
Any movie, including Dolby Atmos. All day. Anytime.
TAPPY HOUR WEDNESDAYS
50% OFF all beers and ciders on the self-serve beer wall. All Day.
FILM LEAGUE
"Dazed and Confused" from 1993 Wednesday, September 28th • 7 PM
SENSORY SCREENING
“Lyle, Lyle, Crocodile!” Saturday, October 8th • 10 AM
NEW MOVIES
Opening this week: "Bros" "The Greatest Beer Run" "Smile"
Warehouse Cinemas is an independently owned cinema that offers a unique, premium movie going experience by providing first-run movies + retro films, leather recliner seating w/ seat warmers, high-quality picture and sound, including Dolby Atmos, a modern-industrial décor, and premium food and drink options, including movie themed cocktails, wine and a 28-tap self-serve beer wall. Visit us at warehouscinemas.com or scan
the QR Code for this week’s feature films.
‘Love and Basketball’ screening commemorates 50th anniversary of Title IX
In 1972, Title IX was enacted in the United States, prohibiting sexbased discrimination in schools and other federally-funded education programs. The Film Lovers in Carroll County are marking the 50th anniversary of the law’s passing with screenings of the 2000 romantic sports drama “Love & Basketball” at the Carroll Arts Center.
Monica (Sanaa Lathan) and Quincy (Omar Epps) are two childhood friends who both aspire to be professional basketball players. Thanks to Title IX, both of them have the opportunity to play the game at the high school and college level, but society’s view of men versus women in sports become all too apparent.
Quincy, whose father, Zeke (Dennis Haysbert), plays for the Los Angeles Clippers, is praised as a natural talent and a born leader. Monica is ferociously competitive but criticized for being overly emotional on the court. Over the years, the two begin to fall for each other, but their separate paths to basketball stardom threaten to pull them apart.
Writer and director Gina PrinceBythewood told the Los Angeles Times that the film is deeply personal saying, “When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally.’ I love that movie, but I wasn’t seeing myself in movies like that, in love stories. And in addition to that, there was a semiautobiographical story in my head about a Black girl who wanted to be the first girl in the NBA.”
After spending three years writing the script, Prince-Bythewood held a staged reading of the film through
New Line Cinema/Courtesy Everett Collection
“Love and Basketball” stars Omar Epps and Sanaa Lathan.
the Sundance Institute’s Directors Lab. Following the reading, Spike Lee’s production company bought the rights to produce the film.
A matinee showing at 1 p.m. Sept. 30 will have open captioning for those with hearing impairments. The 7:30 p.m. Sept. 30 showing will have captioning if requested in advance. Assistive Listening Devices are always available.
Face masks are optional inside the Carroll Arts Center. These health policies may be modified in the future. Read the Carroll Arts Center’s most current health and safety protocols at CarrollCountyArtsCouncil.org/covid19-policies.
The film runs 2 hours 4 minutes and is rated PG-13 for sexuality and language. Tickets are $7 for adults and $6 for ages 25 and under and ages 60 and up. Tickets are available online and at the box office. The Carroll Arts Center is at 91 W. Main St., Westminster. For more information, call 410-848-7272 or visit carrollcountyartscouncil.org.
Sign up for our On the Town/72 Hours or Eat & Drink newsletters and be automatically entered for a chance to win TWO FREE MOVIE PASSES TO WAREHOUSE CINEMAS
BY ANGELA ROBERTS
aroberts@newspost.com
Naima Coster, the New York Times bestselling author of the intricately told tale “What’s Mine and Yours,” will visit Frederick on Oct. 3 during the Maryland Humanities Council’s One Maryland One Book Tour. 72 Hours caught up with Coster recently about her inspiration for “What’s Mine and Yours” and how her life experiences influenced the writing of it.
Her answers have been edited slightly for length and clarity.
What inspired you to write “What’s Mine and Yours”?
I was inspired by Nikole Hannah-Jones’s reporting for “This American Life” on an integration initiative in the Normandy school district in Missouri, which is the district where Michael Brown graduated from high school. There’s a wonderful episode that includes audio footage of a community meeting about the integration initiative and resistance to it, the origins of it, and it made me wonder about the coming together of students from different parts of the community, across lines of class and race, and how that would affect the children, certainly, but also their parents, and the relationships that formed in the new school.
That became the seed of “What’s Mine and Yours,” but from there, I had to imagine the distinct characters and the two families the book would focus on.
As I listened to it, I thought particularly, like, what is it like to be a Black child in the audience who is going to be one of the new kids in school? To be hearing the resistance to your presence and your inclusion and your opportunity and your future? I was really interested, in particular, in that kind of emotional experience.
How did your own experience with schooling influence your writing of the book? I read in an interview that you attended a primarily white private school.
I did. You know, it’s interesting. The high school that I went to is quite different from the high school in “What’s Mine and Yours,” but there are things that are similar about my experience and the experience of my character, Gee, in the novel. We both landed in well-resourced, more privileged schools because of a program. And then, we were one of the few children of color in this new environment. I was thinking a lot about my own experiences — certainly not experiences unique only to me: having less financially than your peers, being an outsider racially, being visible in that way in a predominantly white environment, and also feeling the pressure to prove one’s belonging.
Gee gets told by a teacher in the novel that he has to be a torch, sort of path light for others, and be exemplary. And that’s certainly a pressure that I felt in a way, that I had to prove my belonging in this space, which was a burden that not everyone in the school had. For Gee, this is crushing advice, because he’s sensitive and anxious and just sort of wants to fly under the radar. He doesn’t want to be exemplary. He just wants to be a teenage boy. He’s also a young man who has elements of his family history that he’s absorbed. He lost his father. He’s experienced violence. And he has the sense that that’s not the background that anyone wants to hear. There’s sort of an added layer of shame about the hardships that he’s been through that also mark him as an outsider in his new community.
I also read that you’ve had experience working with young people. (Coster has mentored young people at several different organizations and has taught at the undergraduate and graduate level.) How did that influence your writing of teenagers and help you capture them with empathy?
I think something that amazes me about young people is how fierce and how profound their relationships with one another can be. I think I, as a teenager, really knew something about loyalty and empathy and connection from my friendships. And I think that I’ve translated that into the book.
Gee and Noelle both really want to belong. Their desire to belong is powerful. Neither of them really have a strong sense of belonging in their homes. And then in each other, they find a relationship that’s young but that, in many ways, is deep and real. And they’re able to offer each other understanding and connection that they’re missing in other places.
I think that those relationships can be really sustaining for young people, so that’s one of the things that I wanted to depict.
Also, the school play plot of the novel: Sometimes an extracurricular time to be with your friends, time to be expressive and connect the parts of yourself that you don’t get to give voice to in other spaces can be tremendously empowering and healing for young people. Even if maybe the play itself isn’t going to win any awards, it still has tremendous meaning for those involved in it.
I’m sure you get this question a lot, but is there a particular young person who you met throughout your experience that inspired one of the characters in your book?
No young person in particular who I worked with found their way into the novel. I think that I’m in all of my characters, even the most unlikely ones. There’s some sort of element of me in all my characters, and then, of course, impressions collected from all over, from films to passing acquaintances, but there’s no one who really maps onto a particular person I’ve worked with.
One of the great things about fiction is that you can dive into the interior of another character in a way that isn’t really possible — like, I wouldn’t claim to fully know the interior of people in my life in the way that I do my characters.
How did the character of Gee come to be?
Gee’s mother came to me before Gee, which is also true of Noelle and Magarita and Diana. Their mother came to me first.
I think that, in many ways, Gee’s character is one that’s formed because of who his mother is and how she shaped him. She is someone who wants to defend every opportunity for her son, who thinks her son is someone who’s had too much taken away from him in his life, and she wants to make sure he has the tools and opportunities that he needs. And Gee is someone who just wants acceptance and affection and the sense that he’s good enough just the way that he is and doesn’t have to achieve in the way that his mother hopes that he will.
That sort of became where Gee began for me — that longing for his mother to see and accept and be close to him, not only to carve out a path forward for him, past his grief and loss. I wanted to think about what would help Gee become someone who finds his own strength and his own path forward, beyond his mother’s expectations. And that’s partially what the school production of “Measure for Measure” gives him. Naima Coster
That’s a good segue to my next question. I read that you gave birth to your daughter shortly after you finished “What’s Mine and Yours.” I guess I have two questions. First of all, how did your experience with pregnancy and preparing for motherhood shape the way you depicted motherhood in “What’s Mine and Yours”?
Sylvie Rosokoff
Because I was pregnant in the drafting of the book, I was very interested in writing about longing for motherhood and longing for a mother. They’re connected impulses in the book. The character of Noelle in adulthood experiences pregnancy loss and really wants to have a child, which isn’t a desire that necessarily the people around her understand.
But then there’s also all the children who are longing for parental connection — Gee, Noelle, Margarita and Diane clasp it when they can, and then other times, try to find familial connections in other ways. I was also thinking a lot about chosen family and the bonds that people choose.
So, I think the book was really driven by longing in many ways, and the characters are all just full of yearning.
I revised the book in the first year of my daughter’s life. I was able to write more about some of the physical realities and difficulties of having a small child — for Jade, writing in some of her exhaustion and worry and the physical challenge of caring for oneself and caring for a small child. I think I did less romanticizing in the revision and was more in touch with some of the difficulties and realities of having a child.
How do you think you would have depicted motherhood differently if you had written the book now, when your daughter is 3 years old?
I don’t know if there’d be that much of a change in the core characters. Lacey May and Jade have origin stories in the novel. Like, the first chapter, which is where we meet Lacey May, actually started out as a standalone short story that I wrote about a mother trying to keep the heat on for her kids after her husband’s gone away to jail. I think that short story, which became a chapter in the novel, really gave me a core for Lacey May that I think would be unchanged in later versions of the book.
That chapter follows a transformation from a mother who felt cared for, to some extent, by her partner and felt secure and was sort of playful and more connected to her daughters, into someone who would go to lengths that she wouldn’t have imagined before to secure the future of her daughter.
I might change some of the shading or the texture around those characters, but those first stories I wrote about them gave me insight that carried me throughout the whole writing process.
What was it like to see the moral panic surrounding Critical Race Theory explode into the ecosystem of public education after you finished drafting and revising “What’s Mine and Yours”?
I’m not sure that thought is connected to “What’s Mine and Yours” explicitly because it seems that kind of resistance to honesty about history and racial progress is, unfortunately, ongoing, and there are constantly efforts to disrupt it. I think that something that has certainly
AUTHOR VISITS
Naima Coster is the author of two novels, What’s Mine and Yours, an instant New York Times bestseller, and her debut, “Halsey Street,” which was a finalist for the 2018 Kirkus Prize for Fiction. Her stories and essays have appeared in Elle, Time, Kweli, The New York Times, The Cut, The Sunday Times, Catapult and elsewhere. In 2020, she received the National Book Foundation’s 5 Under 35 honor. “What’s Mine and Yours” is a multigenerational saga featuring two North Carolina families who connect in ways that neither is prepared for. Events reach a boiling point when an initiative is set in motion to bring Black students from the east side of the county to the predominantly white schools on the west side. “What’s Mine and Yours” was chosen by a committee of librarians, educators, authors and bibliophiles from nearly 300 titles suggested last fall by readers across the state for the theme New Beginnings.
DISCUSSIONS
• 7 p.m. Oct. 3 at Frederick Community College’s Jack B. Kussmaul Theater, 7932 Opossumtown Pike, Frederick • 7 p.m. Oct. 19 at Urbana Regional Library, 9020 Amelung St., Frederick
All tour events are free, and no registration is required.
been striking is seeing the refusal of many people with privilege to cede any degree of comfort or advantage for what’s just, what’s equitable, or what might actually be healing for individuals in the community. That certainly comes up in “What’s Mine and Yours,” where the parents who oppose the integration describe themselves as victims.
I’ve had people read “What’s Mine and Yours” and say that they can’t stand Lacey May [a white mother who opposes the integration of the school that Gee and her half-Latina daughter, Noelle, attend], that she’s a despicable character, someone they’d never like to meet, maybe someone that they’ve never met. As the writer who created Lacey May, I don’t really see her that way. I don’t see her as a villain, and I don’t see her as an anomaly. I see her as a complicated and human figure who wants to preserve the status quo and her position, no matter the harm that it causes, and she has the unimpeachable defense of only wanting what’s best for her children, which we see employed again and again and again in defense of all kinds of terrible policies that are harmful. I see her as a highly recognizable and familiar figure, rather than the mad woman at the PTA meeting.
I don’t think the ways she doesn’t see, or refuses to see, her privilege are particularly rare.
What is it like to have your book selected for the One Maryland One Book Tour?
It’s totally amazing to have this platform to bring the book to new readers and communities. I’m really eager to hear from people who have read the book. The book came out in early 2021. I did many, many virtual events, but my first in-person events for
“What’s Mine and Yours” are going to be for the One Maryland One Book Tour.
This is a book that I started four years ago, and I haven’t been able to talk about it with people in-person — and I wrote this book to explore human experiences of big issues, like immigration and bussing, belonging to a mixed family, experiencing alienation in your own family, loving across lines of difference, and I know that readers have their own experiences of all of these issues and feelings and questions and memories.
I’m excited to hear from readers across
Maryland about how the book intersects with their own lives and experiences — what resonated, what didn’t — and to answer what questions it raised for them. I think I’m gonna be in a privileged position of learning and hearing from people, so I’m really looking forward to that.
What do you hope people will take away from reading your book?
I think “What’s Mine and Yours” acknowledges the very many things in life that we cannot control, from tragedies to the systems that shape our opportunities to the parameters that we’re born into, and I think it’s also a book that really displays that what we choose can determine the shape of our lives. So, the choices of the mothers are incredibly powerful in the formation of their children and the legacies of their families. What the young people in the high school choose in doing the school play and becoming friends with one another also has powerful effects on the rest of their lives. I hope it’s a book that makes people think about how, even in our most intimate relationships and in our communities, what we do can have such powerful effects.
Follow Angela Roberts on Twitter: @24_angier 72 HOURS | Thursday, sepT. 29, 2022 | 17
(ROCK from 7)
At the age of 13, Taylor began performing professionally as the featured guitarist for the Ken Smith Band out of Northern Virginia. Opportunities followed as a member of Come Back Iris and the Sara Gray Band. As a member of Sara Gray’s band, he appeared at many major events. Upon graduation from high school, Taylor was invited to become a member of the Sam Grow Band. Touring with this professional group, based in Nashville, gave him the experience he would need to hone his skills as a musician and learn about the rigors and rewards of a professional touring musician. With Sam, Taylor toured throughout the Eastern and Midwestern U.S., which gave him the opportunity to open for national acts. Today, Taylor is a soughtafter guest guitarist and released his first EP as a solo artist in early 2020.
Tickets are $22 for adults and $18 for ages 25 and under and 60 and up and can be purchased at carrollcountyartscouncil.org or by calling 410-848-7272. The Carroll Arts Center is at 91 W. Main St., Westminster. (BIRDS from 11) you go, you can expect to see bald eagles, northern harriers, black vultures or American kestrels. Keep your fingers crossed for a blustery day, because birds will ride the winds from morning till evening, offering visitors lots of chances to marvel.
Open daily, 9 a.m. to 5 p.m. 1700 Hawk Mountain Road, Kempton, Pa. 610-756-6961. Adults, $10; seniors 65 and up, $7; ages 6 to 12, $5; 5 and younger, free.
CHINCOTEAGUE NATIONAL WILDLIFE REFUGE
Travel to the barrier island to get a glimpse of an array of species — birds of prey, herons, egrets, songbirds and shorebirds — dotted across its sandy beaches, boggy marshes, sweeping grasslands and verdant forests. Pack bug spray; the mosquitoes are even more prevalent than the birds.
Open from 5 a.m. to 10 p.m. daily through September, 6 a.m. to 8 p.m. April and October, 6 a.m. to 6 p.m. November through March. 8231 Beach Road, Chincoteague, Va. 757336-6122. $10 per car.
Casey Manera/U.S. Fish and Wildlife Service A white ibis hunts for food on Assawoman Island, part of Virginia’s Chincoteague National Wildlife Refuge.
KIPTOPEKE STATE PARK, VIRGINIA
If raptors get your heart fluttering, try this 562-acre park on the Eastern Shore. It features an elevated wooden viewing platform to provide an uninhibited view over the treetops. Cooper’s hawks, sharpshinned hawks and broad-winged hawks are commonly seen during the migration period. If you’re lucky, you might catch a rare sighting of a swallow-tailed kite, zone-tailed hawk or gyrfalcon.
Open from 6 a.m. to 10 p.m. daily. 3540 Kiptopeke Drive, Cape Charles, Va. 757-331-2267. $7 per car.
BUY MORE. SAVE MORE. 25% OFF
Save an extra 5% on 2 or more spaces
Get 25% OFF all custom storage solutions with FREE installation. Plus, take an additional 5% OFF two or more spaces. Call today to schedule a design consultation. But hurry, this sale ends Sept 30.
240.724.1725 closetamerica.com
Offer expires 9/30/22. Not valid with any other promotions or prior sales. Restrictions apply. MHIC #127711, VA #2705158787, DC Perm #8236
Local Mentions
600 MUMS
of all colors, sizes & shapes $6.00 for BIG mumsBREAKFAST BUFFET Giant orangeNew field-groMidway wnVolpumpkins. Fire Co. - $6.00 Decorative S pumpkinun, Sept.s, gourds25, 2022 and corn stalks S for Halerving: lowe7amento availaNoon ble! Largest P Selectionancakes, and the Lowest PScrambled Eggs rices SauAnywsage,here!Potatoes Only atPuddin’DR Virts, Hominy Sau 800 Petersage Gravy,sville RdSpiced Apples Brunswick,Orange Juice, MdCoffee Come on dowAdults:n and se$10.00 e me! ChCashildren & 5-Cards10: $5.00 Under 5: Free BUFFET DINNER COVID Rules Apply Mt. Airy VFC Auxiliary Fri, Oct. 7, 2022COUNTRY HAM AND FRIED Fr 4:00-7:00p or until sold out Eat in or Carry-out ied Chicken, Fried Shrimp, Mac & Cheese Green Beans, Stewed tomatoes, Baked Apples, Corn, Cole Slaw, and Rolls & a Drink Adults: $17.00 Children 6-12: $9.00 Under 5 is FREE ($2 extra for carry-out) Mt. Airy VFC Reception Hall 1008 Twin Arch Rd, Mt Airy CHICKEN PLATTERS Burkittsville Ruritan Club Carry-Out or Eat Under Pavilion Pre-order by 10/1 Pick-up 10/8 (11am-2pm) Platters include: 2 Baked Ham Sandwiches or 4-pc Fried Chicken w/French fries, green beans, applesauce and a drink - $15/platter Sliced Country Ham - $12/lb. Country Ham Sandwich - $4/each , CARRY-OUT DINNERSBean Soup - $8/quart To order call 301-371-7795 at New Midway Vol. Fire Co. Sat., October 15, 2022 Featuring: Roast Turkey w/Dressing or Fried Shrimp With: Mashed Potatoes/Gravy Green Beans Applesauce Roll Serving Time: 2-6 p.m. Cost: $12.00 CASH BINGO
Fri, Sept. 30, 2022 New Midway Vol. Fire Co. Doors Open 5:00pm Game Starts 7:00pm Admission: $25.00 includes 20 reg. games 3 Specials and $500 Jackpot Extra Cards Avail. Food and ATM Avail. For info call 301-898-7985 or 301-271-4650
ST. JOHN’S LUTHERAN CHURCH CREAGERSTOWN
8619 Blacks Mill Road will be boiling apple butter on October 8th We invite you to come and observe the sweet heritage of apple butter boiling. We will also be selling ham sandwiches, drinks and baked goods. If you would like to order apple butter, please call Carmi Saylar at 301-401-0633.
Local Mentions
HARVESTFEST ARTISAN ANDHARVESTFEST ARTISAN AND CRAFT FAIRCRAFT FAIR
SomethingSomething forfor everyone!everyone! LocatedLocated inin thethe St.St. JohnJohn RegionalRegional CatholicCatholic SchoolSchool GymGym atat St.St. KatharineKatharine DrexelDrexel CatholicCatholic ChurchChurch 84148414 OpossumtownOpossumtown PikePike Frederick,Frederick, MDMD 2170221702 ParticipantParticipant inquiriesinquiries andand additionaladditional informationinformation availableavailable atat https://www.saintdrexel.org/event/harvestfest-https://www.saintdrexel.org/event/harvestfest2022/2022/ SaveSave thethe datedate Sat.Sat. OctOct 2929 9am-3pm9am-3pm Sun.Sun. OctOct 3030 9am-1pm9am-1pm LONGABERGERST. JOHN’S LUTHERAN CHURCH BASKET BINGO CREAGERSTOWN
8619 BenefitsBlacks Mill REmmanueload will be boiling apple
Trinity Lutheran Cbutter on Octoberhur8th ch
We invOctober 8,ite you to come2022and observe the sweet Doors Open:heritage of apple b4:3utter0 boiling. We will Bingo Salso be selling tarts: 6:00ham sandwiches, drinks and bakedKing-Tut: 5:45goods. If you would like to order
Jefferson Rurapple butter, please itancall CCenterarmi Saylar at 4603 Lander R301-401-0633. d Jefferson, MD Filled Baskets! USED BOOK SALE
For Tickets - $25/ea info call 301-874-8To benefit Operation Second Chance 409 Fri, Sept 23, 9 a.m. to 7 p.m. SPORTSMAN’S BINGOSat, Sept 24, 9 a.m. to 7 p.m. Sun, Sat.Sept 25, N 9ovembera.m. to 112, 2p.m.022w/ Bake Sale New MidwEvangelicalay Vol. FiLutheranre CCo. hurch Doo31 rsE open: 5Church :00 pmStreet Buffet Dinner: 6:00 pm Games Start: 7:30 pm Guns Include: Ruger American 22 LR, Savage Axis w/Scope 25-06, Winchester SPX 12ga.,
Stevens Model 320 Thumbhole 20ga.,
Heritage Roughrider Mdl 22 Revolver,
Charles Daly Walnut/Blued O/U .410,
Iver Johnson Pump Shotgun 12ga., Hi Point MKS 380 Cal, Glock 43x Cherry Frame Engraved Barrel 9mm,
Weatherby Vanguard II 300 Win Mag Beer and Wine Coolers on Sale: No outside alcohol $40/Person Includes Buffet Dinner Only 250 Tickets Sold (Advanced Tickets Only)
Call 301-898-7985 or 301-271-4650
Benefits: New Midway Vol. Fire Co.
Local Mentions
VIGILANTVIGILANT HOSEHOSECOMPANYCOMPANY NEWNEW YEAR'SYEAR'S EVEEVE BINGOBINGO
1770117701 CreameryCreameryRoad,Road,Emmitsburg,Emmitsburg,MDMD Saturday,Saturday, 12/31/12/31/DoorsDoorsOpenOpen@ @ 5pm/Games5pm/Games@ @8pm8pm AllAll InclusiveInclusive 99 pk/$50pk/$50forfor5050gamesgamesincl.incl.44 $1000$1000JackpotsJackpots AllAll otherother gamesgames $200/Incl.$200/Incl.DinnerDinnerPlatter!Platter! ReservedReservedseatingseating ifif ticketstickets purchasedpurchasedbyby12/16.12/16.TicketsTickets purchasedpurchased afterafter12/1612/16willwillbebe$60$60 NoNo checkschecks mailedmailed afterafter12/16.12/16.ForForinfo:info:PamPam @ @ 240-472-3484240-472-3484 oror@ @MarylouMarylou@ @240-285-240-28531843184 ReserveReserve rightright toto changechangepayoutspayoutsifif200200areare notnotsold.sold.
Yard Sales
25-GAL COPPER KETTLEUSED BOOK SALE To benefit Operation w/stand and stirrer, $600, cash only, 301-980-2136 Second Chance Fri, Sept 23, 9 a.m. to 7 p.m. Sat, Sept 24, 9 a.m. to 7 p.m. Call Sun, Sept 25, 9 a.m. to 1 p.m. w/ Bake Sale Evangelical Lutheran Church 31 E Church Street
CAREGIVER
I am Looking for a Caregiver for my Mother and these are the qualities I want from the person who is applying. Provides friendly companionship and assistance with daily activities including dressing guidance, grooming, meal preparation, medication reminders, running errands, laundry and light housekeeping. Personal Care including bathing, dressing, mobility, incontinence care, feeding and other services. Basic Salary is; $30.05 per Hour 5 days a Week Email for more details White (mewills07@gmail.com)
LIVE-IN NANNY
In search of live in nanny for our 3 and 6 year olds starting June 2023 in Owings Mills. Must be able to drive, Spanish/English bilingual, CPR certified. Light housework required. 40-50 hrs per week. Prefer bachelors in early childhood education. $32115 annually. Please contact 312-502-5845
