Fine American & European Paintings

06/03/12

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EDWAR RD WILLIS REDFIELD (american 1869-1965) “EARLY MORNING SUNLIGHT, SPRING” Signed ‘E.W. Redfield’ lower right; also inscribed ‘Early Morning Sunlight, Spring $5,000’ in pencil on upper stretcher, oil on canvas 50 x 56 in. (127 x 142.4cm) In an original Harer frame. provenance: The artist.

Walter Teaagle of the Standard Oil Company.

By descent in the family to the current owner.

Private Collection, Canada.

f i n e a m e r i c a n & e u r o p e a n pa i n t i n g s & s c u l p t u r e

HENRY ALKEN (british 1785-1851) “DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEEN VOLLIGEUR AND RUSSBOROUGH” Signed ‘H Alken’ bottom right, inscribed and dated ‘Dead Heat for the Doncaster St. Leger / 1850’ bottom left, oil on canvas 14 x 21 in. (135.6 x 53.3cm) provenance: Frost & Reed, London, United Kingdom.

The Sporting Gallery & Bookshop, Inc., New Yorrk.

Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey.

Fine American & European Paintings & Sculpture, including Sporting Art 06/03/12

Fine American & European Paintings & Sculpture, including Sporting Art 06/03/12

Fine American & European Paintings & Sculpture, including Sporting Art Sale 1432

Exhibitions Times:

Bidding:

Thursday, May 31st, 10am-5pm Friday, June 1st, 10am-5pm Saturday, June 2nd, 12pm-5pm

bids department bridgette bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com

Sunday June 3rd at 12 noon Catalogue $35 Inquiries: alasdair nichol direct tel: 267.414.1211 anichol@freemansauction.com

Inside Front Cover: Lot 172 (detail) Inside Back Cover: Lot 50 (detail)

david weiss direct tel: 267.414.1214 dweiss@freemansauction.com

Color images of every lot are available at www.freemansauction.com

maya o’donnell-shah direct tel: 267.414.1210 mshah@freemansauction.com

Printing by Brilliant Studio Exton, Pennsylvania

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Important Information for Buyers Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

Payment

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer.

To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid.

Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.

Payment may be made in cash, by check, money order, or debit card.

Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

European Paintings, Sculpture & Sporting Art

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06/03/12 1 121443/1 ALESSANDRO POMI (italian 1890-1976) “ATELIER” Signed ‘A. POMI’ bottom right, oil on panel 27 5/8 x 23 7/8 in. (70.2 x 60.6cm) provenance: Private Collection, New Mexico. exhibited: Carnegie Institute, Pittsburgh (n.d.) $5,000-8,000

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06/03/12 2 121520/1 FRANCISCO PERALTA DEL CAMPO (spanish 1837-1897) READING THE NEWS Signed and located ‘F. Peralta / Roma’ bottom left, oil on panel, unframed 20 x 13 3/4 in. (50.8 x 34.9cm) provenance: Private Collection, New York. $5,000-8,000

3 121472/2 THÉODORE LOUIS AUGUSTE RIVIÈRE (french 1857-1912) “SALAMMBO CHEZ MATHO” Signed ‘THÉODORE RIVIÈRE,’ inscribed ‘SALAMMBO’ and ‘Susse Fes Edts. Paris’ and with ‘Susse Frères Editeurs Paris’ foundry seal flanked by stamped initals ‘H P,’ bronze group with golden and golden brown patinas Height: 25 in. (63.5cm) Width: 13 3/4 in. (34.9cm) Depth: 11 7/8 in. (30.2cm) Executed circa 1920 provenance: Private Collection, Maine. literature: Harold Berman, Bronzes: Sculptors & Founders 1800-1930, vol.

2, no. 1762, p. 448, (another cast illustrated.) $7,000-9,000

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06/03/12 4 121077/2 GIOVANNNI COSTA (italian 1833-1893) REVERIE Signed ‘G. Costa’ bottom right, oil on canvas 44 1/2 x 27 in. (112.4 x 70.5cm) provenance: Private Collection, Rhode Island. $10,000-15,000

5 121109/51 WALTER DENDY SADLER (british 1854-1923) “A FAVORITE CUT” Inscribed ‘To J. Hullneck / From W. Dendy Sadler’ bottom right, oil on canvas laid on panel 18 x 14 in. (45.7 x 35.6cm) provenance: Frank S. Schwarz, Inc., Philadelphia, Pennsylvania.

The Estate of John M. Seabrook, New Jersey. $2,500-4,000

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06/03/12 6 11-2284/1 JULES HENRI VERON-FARE (french fl. 1836-1870) VENICE Signed ‘J.H. Veron’ bottom left, oil on canvas 14 x 30 in. (35.6 x 76.2cm) provenance: Private Collection, Maryland. $1,500-2,500

7 121453/1 ALFRED-ÉMILE GAUBAULT (french d. 1895) AT FULL GALLOP Signed ‘A Gaubault’ bottom right, oil on panel 14 5/8 x 18 in. (37.1 x 45.7cm) provenance: Private Collection, New Jersey. $2,000-3,000

8 121504/1 ALBERT FERDINAND DUPRAT (italian 1882-1974) FISHING BOATS OFF THE SHORE Signed ‘A Duprat’ bottom left, oil on canvas 29 1/2 x 50 1/2 in. (74.9 x 128.3cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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06/03/12 9 11-2416/3 FRANZ LEFLER (czech 1831-1898) ALLEGORY OF THE HARVEST Signed ‘Fr. Lefler’ bottom left, oil on canvas 32 1/2 x 43 3/8 in. (92.6 x 110.2cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

10 121235/1 CORNELIS CHRISTIAAN DOMMERSEN (dutch 1842-1928) “VLISSINGUE - ENTRANCE TO THE SCHELDE; A THREE MASTED MERCHANT SHIP TAKING IN THEIR PILOT” Signed and dated ‘Chr Dommershuizen 1890’ bottom right; also signed and inscribed with title and dated verso, oil on canvas, unframed 20 1/2 x 28 in. (52 x 71cm) provenance: Private Collection, North Carolina. $3,000-5,000

11 128018/1 ELCHANON VERVEER (dutch 1826-1900) AWAITING HIS RETURN Signed and dated ‘Elchanon Verveer / 1880 ft.’ bottom right, oil on canvas 20 7/8 x 30 1/8 in. (53 x 76.5cm) provenance: Private Collection, Virginia. $2,500-4,000

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12 11-1506/6 EDOUARD VUILLARD (french 1868-1940) “STILL LIFE WITH CHERRY PLUMS” With stamped signature ‘E Vuillard’ bottom left, oil on canvas 8 x 10 in. (20.3 x 25.4cm) provenance: The artist’s studio.

Renou et Colle, Paris circa 1949.

Louis Bonn, Paris.

Sam Salz, New York, circa 1979.

An Estate, Florida. exhibited: Musée Toulouse-Lautrec, Albi, France, 1960, cat. no. 3. literature: Antoine Salomon and Guy Cogeval, Vuillard - The Inexhaustible Glance Critical Catalogue of Paintings and Pastels, vol. 1, Wildenstein Institute, p. 18 I20, (illus.) $30,000-50,000

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13 11-1784/1 EUGENE FROMENTIN (french 1820-1876) “BORDS DU NIL” Signed and dated ‘Eug. Fromentin 1850’ bottom right, oil on canvas 22 1/2 x 34 in. (57.2 x 86.4cm) provenance: Private Collection, Pennsylvania. note: We would like to thank Dr. James Thompson for his assistance cataloguing this lot. Dr. Thompson has verified the authenticity of this work on the basis of photographs and has suggested that this work may have been executed during the artist’s second trip to Algeria. $20,000-30,000

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06/03/12 14 121516/3 LEOPOLD FRANZ KOWALSKI (russian/french 1856-1931) DÉSIR D’ÉTÉ Signed ‘L. KOWALSKY’ bottom right, oil on canvas 36 x 55 1/2 in. (91.4 x 140.8cm) provenance: Private Collection, Maryland. $6,000-10,000

15 11-2380/1 HENRY WALKER D’ACOSTA (european 19th century) MONKS IN A STUDY Signed ‘Hy Walker d’Acosta’ bottom right, oil on panel 12 3/4 x 19 3/4 in. (32.4 x 50.2cm) provenance: Private Collection, Philadelphia. $1,500-2,500

16 11-2048/31 NICOLAS VERMONT (romanian 1886-1932) FEMALE NUDE Signed, inscribed and dated ‘Nicolae Vermont / Paris / 1925’ bottom right, oil on canvasboard 15 3/4 x 27 3/4 in. (40 x 70.5cm) provenance: Private Collection, The Bronx, New York. $1,000-1,500

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06/03/12 17 121020/1 GEORGES MANZANA-PISSARRO (french 1871-1961) FIGURE ON PATHWAY Signed and dated ‘manzana 1902’ bottom right; also with Parisian preparer’s stencil verso, oil on canvas 25 5/8 x 21 3/8 in. (65.1 x 54.3cm) provenance: Private Collection, Florida. $10,000-15,000

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06/03/12 18 11-8082/10 ANDRÉ HAMBOURG (french 1909-1999) SAIL BOATS IN A HARBOR Signed ‘A Hambourg’ bottom left, oil on canvas 12 x 15 in. (30.5 x 38.1cm) provenance: Private Collection, Florida. $5,000-8,000

19 11-8082/13 FRANÇOIS NARDI (french 1861–1936) BOATS BEACHED ON JETTY ROCKS Signed ‘Fr. Nardi’ bottom right, oil on canvas 15 x 21 3/4 in. (38.1 x 55.2cm) provenance: Private Collection, Florida. $4,000-6,000

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06/03/12 20 11-8082/11 PAUL EMILE PISSARRO (french 1884-1972) “RAMASSEUSE DE POMMES” Signed ‘Paulémile Pissarro’ bottom center left, oil on canvas 18 1/4 x 24 in. (46.4 x 61cm) provenance: Wally Findlay Galleries, New York, New York. $6,000-8,000

21 11-8082/12 PAUL EMILE PISSARRO (french 1884-1972) STILL LIFE OF MIXED FLOWERS IN A BLUE VASE Signed ‘Paulémile Pissarro’ bottom right, oil on canvas 24 x 18 1/4 in. (61 x 46.4cm) provenance: Private Collection, Florida. $6,000-8,000

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22 11-2429/1 ALFRED DE BREANSKI, SR. (british 1852-1928) “IN WILD ABERDEEN, SCOTLAND” (HUNTING DEER) Signed ‘Alfred de Breanski’ bottom left, oil on canvas 30 x 50 in. (76.2 x 127cm) provenance: Private Collection, North Carolina. $12,000-18,000

23 11-8097/12 EDWARD BURNE-JONES (british 1833-1898) STANDING MALE NUDE Signed with initials and dated ‘EBJ / 1885’ bottom center right, pencil on paper laid to paper 8 5/8 x 4 7/8 in. (21.9 x 12.4cm) (sheet) provenance: Private Collection, Florida. $3,000-5,000

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06/03/12 24 11-2243/1 WILLIAM GEORGE GILLIES (scottish 1898-1973) “TEMPLE, MIDLOTHIAN” Signed and dated ‘W. Gillies / 1942’ in pencil bottom right; also inscribed with title and signed in ink on label verso, watercolor on paper 20 x 25 1/2 in. (50.8 x 64.8cm) provenance: Private Collection, The Bronx, New York. $3,000-5,000

25 121539/2 SAMUEL JOHN LAMORNA BIRCH (british 1869-1955) TRAVELLERS ON A FOOTPATH ALONG A RIVER Signed and dated ‘S J Lamona Birch 1927’ bottom right, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Maryland. $2,500-4,000

26 121516/1 TERENCE JOHN MCCAW (south african 1913-1978) TOPOGRAPHICAL VIEW, SOUTH AFRICA Signed and dated ‘Terence McCaw 55’ bottom right, oil on masonite 19 1/2 x 25 1/2 in. (49.5 x 64.8cm) provenance: Pieter Wenning Gallery, Johannesburg, South Africa.

Private Collection, Pennsylvania.

Private Collection, Maryland. $2,500-4,000

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27 121105/1 ATTRIBUTED TO ROBERT DODD (british 1748-1816) AN EAST INDIAMAN OFF SOUTHAMPTON WATER Oil on canvas 33 x 44 1/8 in. (83.8 x 112.1cm) provenance: RJ Reynolds Tobacco Company Corporate Collection, Winston-Salem, North Carolina. note: This lot will be sold to benefit the The Arts Council of Winston-Salem and Forsyth County, Winston-Salem, North Carolina. $15,000-25,000

28 121109/47 ATTRIBUTED TO LAI FONG (chinese active 1870-1910) “SHIP GLENLUI” Oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: Colin Denny, Ltd., London, United Kingdom.

The Estate of John M. Seabrook, New Jersey. note: The Glenlui was built in Liverpool by T. Royden & Sons for W. Alexander & Co. in 1884. She was an iron ship of 1847 gross tons. $4,000-6,000

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06/03/12 29 128027/17 EUGÈNE DELACROIX (french 1798-1863) HORSE STUDIES With the artist’s ‘E.D.’ studio stamp bottom right, pencil on paper 7 3/8 x 9 3/8 in. (18.7 x 23.8cm) provenance: Private Collection, Virginia. $2,000-3,000

30 128027/18 ANTOINE CHARLES HORACE VERNET (french 1758-1836) “CHEVAL DE CHASSE ANGLAISE” Signed ‘Carle Vernet f.’ bottom left, charcoal heightened with white on paper 14 1/2 x 21 1/8 in. (36.8 x 53.7cm) (sight) provenance: Christie’s New York, sale of February 25, 1988, lot no. 146.

Private Collection, Virginia. $1,000-1,500

31 128027/16 ATTRIBUTED TO GEORGE HEMNING MASON (british 1818-1872) STUDIES OF GOATS Oil on board 7 3/4 x 11 1/2 in. (19.7 x 29.2cm) provenance: Private Collection, Virginia. $800-1,200

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06/03/12 32 12-8005/2 HENRI DE TOULOUSE-LAUTREC (french 1864-1901) “CHEVAUX, LAD ET CHIEN” and “GRAFITTI: (SKETCH OF HORSE)” A double-sided drawing, pencil on paper 6 x 7 15/16 in. (15.2 x 20.2cm) Executed circa 1880 provenance: Sotheby’s New York, sale of February 28, 1992, lot 4.

Private Collection, Virginia. note: M.G. Dortu, Toulouse-Lautrec et Son Oeuvre, vol. 4, New York, 1971, no.

D.1.754, p. 288, (illus. p. 289.) $2,000-3,000

33 12-8005/10 JAMES SEYMOUR (british 1702-1752) “MATCH BETWEEN DUKE OF BOLTON’S BROWN COLT ‘LOOBY’ AND LORD WEYMOUTH’S ‘CONQUEROR’ ON 6TH OCTOBER, 1735 AT NEWMARKET, 4 MILES, 300 GUINEAS” Inscribed ‘Looby’ upper center left and ‘Conquerer’ upper center right, pencil on paper 7 7/8 x 12 1/4 in. (20 x 31.1cm) provenance: Fry Gallery, London, United Kingdom.

Sotheby’s London, sale of Drawings and Watercolors from the Collection of the Late Sir John and Lady Witt, February 19, 1987, lot 44.

Private Collection, Virginia. $800-1,200

34 12-8005/32 ARTHUR FITZWILLIAM TAIT (american 1819-1905) HOUNDS ON THE SCENT Signed and dated ‘A. F. Tait 99’ bottom right, watercolor over pencil on paper 4 3/4 x 8 in. (12.1 x 20.3cm) provenance: Private Collection, Virginia. $1,000-1,500

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06/03/12 35 12-8005/23 THOMAS ROWLANDSON (british 1756-1827) “THE HAYMAKERS” Signed ‘Rowlandson’ bottom right, ink and watercolor on paper 10 5/8 x 8 3/8 in. (27 x 21.3cm) provenance: Arthur U. Newton Galleries, New York, New York.

Christie’s New York, sale of May 19, 1987, lot 177.

Private Collection, Virginia. $2,000-3,000

36 12-8005/24 THOMAS ROWLANDSON (british 1756-1827) “MRS. THORNTON RIDING AT YORK” Sepia ink with sepia and gray washes over pencil on paper, laid to paper 5 5/8 x 8 13/16 in. (14.3 x 22.4cm) provenance: Christie’s London, sale of April 9, 1991, lot 80.

Private Collection, Virginia. $1,000-1,500

37 12-8005/22 THOMAS ROWLANDSON (english (1756-1827) AT THE RACES Signed and dated ‘Rowlandson 1816’ bottom left, ink, watercolor and wash on paper 5 3/4 x 9 1/8 in. (14.6 x 23.2cm) provenance: Christie’s sale of September 4, 1991, lot 84.

Private Collection, Virginia. $1,000-1,500

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06/03/12 38 128027/15 JAMES SEYMOUR (british 1702-1752) HORSE AND RIDER; with HORSE AND RIDER verso Inscribed ‘25’ upper right, sepia ink on paper 5 3/8 x 6 3/8 in. (13.7 x 16.2cm) provenance: Private Collection, Virginia. $800-1,200

39 128027/22 BRITISH SCHOOL (19th century) “JACK SPIGOT WITH JOCKEY UP, 1821” Oil on canvas and two companions by the same hand; “THEODORE WITH JOCKEY UP, 1822” and “BAREFOOT WITH JOCKEY UP, 1823” Bears signature ‘J. F. Herring’ bottom right, oil on canvas, a set of three 14 x 18 in. (35.6 x 45.7cm) (each) (3) provenance: Private Collection, Virginia. $2,000-3,000

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06/03/12 40 12-8005/7 SIR ALFRED MUNNINGS (british 1878-1959) FIGURAL STUDIES Pencil signed ‘AJ Munnings’ bottom right, ink on paper 6 1/16 x 4 3/8 in. (15.4 x 11.1cm) provenance: The Sporting Gallery, Middleburg, Virginia.

Private Collection, Virginia. $1,000-1,500

41 12-8005/8 SIR ALFRED MUNNINGS (british 1878-1959) “SIR ALFRED AND LADY MUNNINGS WITH JOCKEY” Signed ‘Alfred Munnings’ bottom right, and inscribed upper left and upper right; also inscribed verso, pencil on ‘The Cooling Galleries, London’ printed paper invitation 4 x 4 in. (10.2 x 10.2cm) (sheet) provenance: Private Collection, Virginia. $1,000-1,500

42 12-8005/11 SIR ALFRED MUNNINGS (british 1878-1959) “STUDY FOR THE BRAMHAM MOOR HOUNDS,” with HORSE AND JOCKEY STUDY verso Pencil on paper 6 3/4 x 7 3/8 in. (17.1 x 18.7cm) Executed circa 1929 provenance: Private Collection, Virginia. literature: Sir Alfred Munnings, The Second Burst, London, 1952. $2,000-3,000

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06/03/12 43 121109/60 CHARLES COOPER HENDERSON (british 1803-1877) “LONDON TO BRIGHTON ROYAL MAIL COACH” Signed ‘C. Cooper Henderson 1846’ bottom center left, oil on canvas 41 1/2 x 75 5/8 in. (105.4 x 192.1cm) provenance: David Geiger Gallery, London, United Kingdom, 1972.

The Estate of John M. Seabrook, New Jersey. $10,000-15,000

44 121109/61 JOHN CHARLES MAGGS (british 1819-1896) THE NIMROD COACH ENTERING BATH Signed ‘J.C. MAGGS’ bottom left, oil on canvas 33 x 44 3/8 in. (83.8 x 112.7cm) provenance: Sotheby’s New York, sale of April 11, 1997, lot 81.

The Estate of John M. Seabrook, New Jersey. $3,000-5,000

45 121109/54 JAMES POLLARD (british 1792-1867) THE BRIGHTON-LONDON ROYAL MAIL COACH PASSING REGENT CIRCUS Signed and dated ‘J. Pollard 1822’ bottom left, oil on canvas 31 1/2 x 39 3/4 in. (80 x 101cm) provenance: The Estate of John M. Seabrook, New Jersey. $2,000-3,000

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06/03/12 46 121109/68 JOHN PAUL (british 19th century) A HORSE PULLED COACH With strengthened signature ‘J Paul’ bottom right, oil on canvas 24 x 36 in. (61 x 91.4cm) provenance: The Estate of John M. Seabrook, New Jersey. $5,000-8,000

47 121109/69 JAMES LYNWOOD PALMER (british 1868-1941) “HARNESSED GREY HORSE WITH ATTENDANT COACHMAN” Signed and dated ‘Lynwood Palmer / 1913’ bottom left, oil on canvas 29 1/8 x 25 1/8 in. (74 x 63.8cm) provenance: Frank Partridge & Sons, Ltd., London, United Kingdom.

The Estate of John M. Seabrook, New Jersey. $3,000-5,000

48 121109/50 ALAN ELLISON (american 20th century) “RUFUS” Signed and dated ‘Alan Ellison / 1993’ oil on canvas 26 x 28 in. (66 x 71.1cm) provenance: The Estate of John M. Seabrook, New Jersey. note: The present painting was commissioned by John M. Seabrook.

Painted at the family farm in Salem, this painting was specifically patterned on a work by James Lynwood Palmer. $1,000-1,500

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06/03/12 49 128025/5 HENRY ALKEN (british 1785-1851) “THE FIND” Oil on canvas and a companion by the same hand; “THE DEATH” Signed ‘H. Alken’ bottom center right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) (each) (2) provenance: Schillay & Rehs, Inc., New York, New York.

Christie’s New York, sale of December 1, 1999, lot 12.

Private Collection. $15,000-25,000

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50 11-2226/104 HENRY ALKEN (british 1785-1851) “DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEEN VOLLTIGUER AND RUSSBOROUGH” Signed ‘H Alken’ bottom right, inscribed and dated ‘Dead Heat for the Doncaster St. Leger / 1850’ bottom left, oil on canvas 14 x 21 in. (135.6 x 53.3cm) provenance: Frost & Reed, London, United Kingdom.

The Sporting Gallery & Bookshop, Inc., New York.

Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey. $15,000-25,000

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06/03/12 51 128025/4 JOHN NOST SARTORIUS (british 1759-1828) “CATCHING THE SCENT” Signed and dated, ‘J. N. Sartorius 1812’ bottom right, oil on canvas, and a companion by the same hand; “THE KILL,” Signed and dated ‘J. N. Sartorius pin* 1812’ bottom left, pair oils on canvas 25 x 30 in. (63.5 x 76.2cm) (each) (2) provenance: Private Collection. $40,000-60,000

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52 128025/12 JOHN NOST SARTORIUS (british 1759-1828) “THE CHARGER OF AN OFFICER OF YEOMANRY HELD BY A GROOM IN STABLE DRESS WITH MEMBERS OF THE TROOP IN THE BACKGROUND” Signed and dated ‘JN Sartorius pinxit 1804’ bottom left, oil on canvas laid to board 25 x 30 in. (63.5 x 76.2cm) provenance: The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot no. 212.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955. $15,000-25,000

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53 128025/10 BENJAMIN MARSHALL (british 1767-1835) “‘PASTIME’ A BAY FILLY, LED BY ONE OF HER TRAINERS, WITH A GROOM IN ATTENDANCE” Signed and inscribed ‘PASTIME / B Marshall Pt’ lower right, oil on canvas 28 x 36 in. (71.1 x 91.4cm) Painted circa 1822 provenance: Sir Walter Gilbey.

Christie’s London, sale of June 11, 1915, lot 336.

The Property of a Lady title.

Sotheby’s London, sale of July 27, 1949, lot 102.

With Ellis & Smith, London, United Kingdom.

With Frost & Reed, London, United Kingdom.

The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot 209.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955.

‘The Equestrian in Art,’ The Muckenthaler Cultural Center, Fullerton, California, September 7-30, 1984. literature: Aubrey Noakes, Ben Marshall, Leigh-on-Sea, 1978, p. 56, 64, and 74, no. 227. $150,000-250,000

32 free≤an’s fine american & european paintings & sculpture, including sporting art

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54 128025/13 JOHN NOST SARTORIUS (british 1759-1828) “‘DIAMOND,’ HELD BY A GROOM, WITH HIS JOCKEY DENNIS FITZPATRICK, IN A LANDSCAPE” Signed ‘JN Sartorius pinxit’ lower left, oil on canvas 23 3/4 x 30 in. (60.3 x 76.2cm) provenance: The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot no. 208.

Private Collection.

exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955. note: Dennis Fitzpatrick (1764-1806) was active from 1795 - 1800. He is arguably best known for his matches against rival jockey, Francis Buckle, including the great match at the Beacon Course, Newmarket Craven Meeting in 1799, in which Buckle, riding Sir H.T. Vane’s ‘Hambletonian’ defeated Fitzpatrick riding ‘Diamond’.

In addition to the present painting, Sartorius painted several works depicting ‘Diamond” and ‘Hambletonian’ at the finish line at Newmarket. $12,000-18,000

33 free≤an’s fine american & european paintings & sculpture, including sporting art

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55 128025/14 JOHN NOST SARTORIUS (british 1759-1828) “A SADDLED HORSE WITH GROOM OUTSIDE A COUNTRY HOUSE” Signed and dated ‘1802 Sartorius’ bottom right, oil on canvas laid to board 25 x 30 in. (63.5 x 76.2cm) provenance: The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings April 15, 2008, lot no. 213.

Private Collection. exhibited: ‘English Sporting Art,’ The Pasadena Art Museum, Pasadena, California, November 11 - December 11, 1955. $8,000-12,000

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06/03/12 56 128025/7 THOMAS WEAVER (british 1774-1843) “THE MASTER OF THE HOUNDS” Signed and dated ‘T. Weaver pinxt 1811’ bottom center left, oil on canvas 28 x 35 7/8 in. (71.1 x 91.1cm) provenance: Christie’s New York, sale of December 1, 1999, lot 4.

Private Collection. $4,000-6,000

57 128025/8 ATTRIBUTED TO BENJAMIN HERRING SR. (british circa 1806-1830) “THE HONORABLE THOMAS ORDE POWLETT’S ‘JACK SPIGOT’ WITH WILLIAM SCOTT” Bears signature ‘J F Herring’ bottom right, oil on canvas 15 3/4 x 20 in. (40 x 50.8cm) provenance: Christie’s New York, sale of December 1, 1999, lot 14.

Private Collection. note: ‘Jack Spigot’ was foaled by ‘Ardrossan’ out of the sister to ‘Bourbon ‘in 1818. ‘Spigot,’ a dark bay colt, went on to win a sweep at Doncaster, the St. Leger and Aconvival Stakes, New Castle. $5,000-8,000

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58 128025/6 JOHN FREDERICK HERRING THE YOUNGER (british 1815-1907) “THE BLACKSMITH’S SHOP” Signed ‘J F Herring’ bottom right, oil on canvas 16 1/8 x 24 1/8 in. (41 x 61.3cm) provenance: Christie’s New York, sale of December 1, 1999, lot no. 26.

Private Collection. $10,000-15,000

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06/03/12 59 128025/2 HEYWOOD HARDY (british 1842-1933) “FOX HOUNDS” Signed and dated ‘Heywood Hardy 1913’ bottom left, oil on canvas and a companion by the same hand; also signed and dated ‘Heywood Hardy 1913’ oil on canvas, a pair 28 x 36 in. (71.1 x 91.4cm) (each) (2) provenance: Richard Green, London, United Kingdom.

Sotheby’s London, sale of December 13, 1989, lot 150.

Private Collection. $30,000-50,000

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60 128025/3 JOHN EMMS (british 1843-1912) “HUNTSMAN, BAY HUNTER AND FOXHOUNDS OUTSIDE KENNEL” Signed ‘J. EMMS’ bottom left, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Phillips London, sale of April 28, 1992, lot 55.

Private Collection. $40,000-60,000

38 free≤an’s fine american & european paintings & sculpture, including sporting art

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61 121109/48 MICHAEL LYNE (british 1912-1989) “RIGHT BE DONE” Signed ‘Michael Lyne’ bottom right, oil on canvas 19 3/4 x 24 in. (50.2 x 61cm) provenance: Major Brian Shone, Berkshire, United Kingdom.

The Estate of John M. Seabrook, New Jersey. literature: Brian Shone, We Command That Right Be Done, England, 1990, p. 109, (illus.) note: The present painting depicts the conclusion of the 200th Meet at The Coaching Club in a Cloudburst, at Hampton Court Palace, June 12, 1982. Just behind The Bay Team of His Royal Highness the Duke of Edinburgh is the Grey Team of John Seabrook.

A hand-written letter by Michael Lyne discussing this painting will accompany the lot. $3,000-5,000

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06/03/12 62 121109/64 MICHAEL LYNE (british 1912-1989) “WE COMMAND THAT” Signed ‘Michael Lyne’ bottom left, oil on canvas 28 x 36 in. (71.1 x 91.4cm) provenance: Major Brian Shone, Berkshire, United Kingdom.

The Estate of John M. Seabrook, New Jersey. literature: Brian Shone, We Command That Right Be Done, England, 1990, p. 108, (illus.) note: A label attached verso states ‘The President of the Coaching Club Lt. Colonel Sir John Miller, KCVO, DSO MC taking a mixed team from the Royal Mews through the Water Splash at the 1971 International Grand Driving Prix. On the back of the canvas I have added the information given to me by the Royal Groom who rode behind him: - Off Wheel - Frobisher / Near Wheel - Eagle / Off Lead - Rio / Near Lead - Santiago.’

The present painting depicts the former Crown Equerry and President of the Coaching Club taking the Royal Team through the Water Splash at Virginia Water. $5,000-8,000

63 121109/59 MICHAEL LYNE (british 1912-1989) “IN DAYS GONE BY” Signed ‘Michael Lyne’ bottom right, oil on canvas 24 x 36 in. (61 x 91.3cm) provenance: Frost & Reed, London, United Kingdom.

Private Collection, Baltimore, Maryland, 1967.

The Estate of John M. Seabrook, New Jersey. exhibited: ‘Michael Lyne Exhibition,’ Frost & Reed, London, United Kingdom, 1967, no, 41736. $4,000-6,000

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64 11-5052/24 SIR PETER MARKHAM SCOTT (british 1909-1989) “GEESE” Signed and dated ‘PETER SCOTT 1935’ bottom right, oil on canvas 40 x 59 7/8 in. (101.6 x 152.1cm) provenance: The Pew Estate, Gladwyne, Pennsylvania. $12,000-18,000

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06/03/12 65 11-5052/23 SIR PETER MARKHAM SCOTT (british 1909-1989) “BLACK DUCKS AT NOON” Signed and dated ‘Peter Scott 1940’ bottom left; also titled in pencil verso, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: The Pew Estate, Gladwyne, Pennsylvania. $6,000-10,000

66 11-2226/44 GEORGE WRIGHT (english 1860-1942) CLEARING THE FENCE Signed ‘G. Wright’ bottom right, oil on canvas and a companion by the same hand; AFTER THE RACE Signed ‘G. Wright’ bottom right, oil on canvas 7 x 10 in. (17.8 x 25.4cm) (each) (2) provenance: Arthur Ackermann & Son, Inc., New York, New York.

The Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey. $1,500-2,500

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06/03/12 67 128022/2 MARIE GUISE NEWCOMB (american 1865-1895) SPANIEL WITH WOODCOCK Signed ‘Marie Guise Newcomb’ bottom right, oil on canvas 22 x 15 in. (55.9 x 38.1cm) provenance: Private Collection, Virginia. $1,500-2,500

68 128025/16 EDMUND HENRY OSTHAUS (american 1858-1928) AN ENGLISH SETTER Signed ‘Edm. H. Osthaus’ bottom right, watercolor on paper laid to card 12 x 18 in. (30.5 x 45.7cm) provenance: With partial label ‘The Sporting Gallery, New York’ verso.

Christie’s New York, sale of December 1, 1999, lot 89.

Private Collection. $7,000-10,000

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69 128025/11 HENRY STULL (american 1851-1913) “‘IROQUOIS’ WITH FRED ARCHER UP, WINNER OF THE EPSOM DERBY, ST. LEGER AND PRINCE OF WALES STAKES, 1881” Signed ‘Henry Stull’ bottom right; also inscribed ‘From the Artist / to his friend / Jas F. J. Archibald / San Francisco / May 1 / 95’ bottom left, oil on canvas 23 1/4 x 28 1/8 in. (59.1 x 71.4cm) provenance: A gift from the artist to James A. Archibald, San Francisco, 1895.

The Los Angeles Turf Club, Inc., Los Angeles, California.

Christie’s New York, sale of Important Old Master Paintings, April 15, 2008, lot 219.

Private Collection.

note: ‘Iroquois,’ a bay stallion by Leamington out of ‘Maggie BB’ by ‘Australia,’ was bred at Erdenheim Stud in Pennsylvania by Aristides Welch. In 1881, ‘Iroquois’ became the first American horse to win the British Epsom Bay Derby, a feat not repeated until 1954. The victory was a triumph of American Thoroughbred breeding. Americans were so excited over his victory that the New York Stock Exchange suspended trading the day the news arrived in the city. That same year, ‘Iroquois’ went on to win at St. Leger, Payne Stakes, Prince of Wales Stakes at Ascot, and St. James Palace Stakes. In 1886, ‘Iroquois’ was purchased from Pierre Lorillard by William Hicks Jackson and was transported to the Belle Meade Plantation near Nashville where he became the leading sire of 1892. $60,000-100,000

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06/03/12 70 128025/15 ROBERT FARRINGTON ELWELL (american 1874-1962) OUT SHOOTING Signed ‘R. Farrington Elwell’ bottom left, oil on canvas 38 1/4 x 26 in. (97.2 x 66cm) provenance: Christie’s New York, sale of December 1, 1999, lot 91.

Private Collection. $4,000-6,000

American Paintings & Sculpture

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06/03/12 71 11-1789/5 PHILIPPE CHARTRAND (cuban 1825-1889) LANDSCAPE WITH DEER AND HUNTER Signed ‘Ph. Chartrand’ bottom left, oil on panel 16 3/8 x 12 1/2 in. (41.6 x 31.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $5,000-8,000

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72 121548/1 MARINA NUÑEZ DEL PRADO (bolivian 1910-1996) FIGURAL STUDY Signed ‘M. Nunez del Prado’ verso, carved wood with dark stain Height: 19 5/8 in. (49.8cm) Width: 26 in. (66cm) Depth: 3 3/8 in. (8.6cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

73 121548/2 MARINA NUÑEZ DEL PRADO (bolivian 1910-1996) “DANZA DE CHOLOS” Signed and dated ‘M. Nunez Del Prado 1938’ verso, earthenware Height: 12 5/8 in. (32.1cm) Width: 17 in. (43.2cm) Depth: 10 1/2 in. (26.7cm) provenance: Private Collection, Pennsylvania. $3,000-5,000

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06/03/12 74 121020/3 ALFONSO X. PEÑA (mexican 1903-1964) “RICO PULMON” Signed and dated ‘A.X. Peña / 1955’ upper right; also titled upper left, oil on canvas laid to board 10 1/2 x 13 1/2 in. (26.7 x 34.3cm) $3,000-5,000

75 121020/2 ALFONSO X. PEÑA (mexican 1903-1964) MARKETPLACE Located, signed and dated ‘MEX / A.X. Peña / 49’ bottom right, oil on canvas laid down to board 10 x 12 in. (25.4 x 30.5cm) $3,000-5,000

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06/03/12 76 11-2058/65 WASHINGTON ALLSTON (american 1779-1843) “UNA SLEEPING IN A WOOD” Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: E.T. Hastings, Medford, Massachusetts.

Mrs. John B. Hatch, Medford, Massachusetts.

Miss Ruth Charlotte Dana.

M. Knoedler & Co. Inc., New York, New York.

Purchased from the above by the present owner, February 18, 1960.

The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania. exhibited: ‘Exhibition of the Works of Washington Allston,’ Boston Museum of Fine Arts, Boston, Massachusetts, July 18, 1881, no. 240.

‘Forty American Painters,’ Akron Art Institute, Ohio, December 1945, no. 5. literature: M. F. Sweester, Artist Biographies, Boston, Massachusetts, 1877, p. 188.

Jared B. Flagg, Life and Letters of Washington Allston, London 1893, p. 392.

Edgar Preston Richardson, Washington Allston, Chicago, Illinois, p. 149, p. 152, p. 215, no. 162. $15,000-25,000

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06/03/12 77 128028/1 JASPER FRANCIS CROPSEY (american 1823-1900) PANORAMIC LANDSCAPE, SUNSET Signed and dated ‘J F Cropsey 1889’ bottom left, watercolor, unframed 7 x 11 in. ((17.8 x 27.9cm) (image) 9 1/2 x 13 1/2 in. (24.1 x 34.3cm) (sheet) provenance: Private Collection, Virginia. note: The present work will be included in the forthcoming catalogue raisonné of the works of Jasper Francis Cropsey by the Newington-Cropsey Foundation, Hastings-On-Hudson, New York.

We wish to thank Dr. Kenneth Maddox for his assistance cataloguing this lot. $3,000-5,000

78 121243/3 HARRIET WHITNEY FRISHMUTH (american 1880-1980) “ALLEGRA” (SOLO DANCER) 1929. Edition of 52. Signed ‘HARRIET W. FRISHMUTH,’ copyrighted and dated 1929, and inscribed ‘ROMAN BRONZE WORKS INC. NY.’ bronze, greenish brown patina, on Belgian marble base Height: 11 1/2 in. (29.2cm) Width: 6 1/4 in. (15.9cm) Depth: 3 in. (7.6cm) Height with base: 11 7/8 in.

(30.2cm) provenance: Private Collection, Allentown, Pennsylvania. literature: James Conner, Leah Rosenblatt Lehmbeck, Thayer Tolles, Captured Motion: The Sculpture of Harriet Whitney Frishmuth, A Catalogue of Works, New York, 2006, pp. 195-197, p. 260 (another cast illustrated). $10,000-15,000

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06/03/12 79 11-2058/2 THOMAS COLE (american 1801-1848) “PART OF THE RUINS OF KENILWORTH CASTLE” Signed ‘T. Cole’ bottom left and inscribed on partial label verso, oil on canvas 16 x 22 1/4 in. (40.6 x 56.5cm) provenance: Charles M. Leupp, New York.

Sale of his collection at E. H. Ludlow and Company, November 13, 1860.

John Taylor Johnston (Bowman Johnson).

The Estate of Gerald M. Bordman, Bala Cynwyd, Pennsylvania. note: When Thomas Cole was commissioned by Thomas H. Faile to paint an Italian coastal scene, the artist persuaded Faile to accept instead, paintings of a favorite English site. He travelled to England in summer 1841, to paint and sketch Kenilworth Castle, which he described to his wife as ‘…country [that] was rich and beautiful … the ruins went beyond my expectations … the ivy-clad towers, roofless halls, whose floors are covered with green turf and flowers, and cropped by flocks of sheep, over which, through the dismantled windows and ragged loopholes, the sun casts his wandering rays, inspired me with a melancholy pleasure…’

According to Alan Wallach, Cole completed at least four paintings and four drawings at Kenilworth Castle.

The paintings are: 1. ‘The Ruins at Kenilworth Castle, England, 1841’, oil on millboard (Juniata College Museum of Art, Huntingdon, PA); 2. ‘Study for Ruins of Kenilworth Castle, England, circa 1842-3’ (private collection, location unknown); 3. ‘Ruins of Kennilworth (sic) Castle, England, 1843’ (formerly in the collection of Thomas H. Faile;’ present whereabouts unknown); 4. The present work; 5. (and a fifth work of Kenilworth Castle that is possibly by Cole, private collection, Missouri); Alan Wallach has named the present painting ‘Part of the Ruins of Kenilworth Castle, England’, as that was the exact name given to it by Charles M. Leupp, a New York City businessman, financier and art collector, and the painting’s original owner who acquired this painting in 1846.

The present painting derives from one of the oil sketches (number 1 and/or 2 above) and a graphite drawing of the subject, entitled ‘Kenilworth Castle, Warwichshire, England, 1841’ (Founders Society Purchase, William H. Murphy Fund).

As compared to the extant sketch of Kenilworth Castle (no. 1), the present work is ‘clear and brilliant. Brush strokes are much smaller…Forms are more precisely articulated, contrasts between light and dark subtler and more attenuated. A hundred small details enhance the composition. Sheep graze within the ruined walls of the castle. The castle itself seems larger and more imposing. To achieve this effect, Cole diminishes the relative size of ancillary elements such as the wall, the figure in the foreground, and the birds circling the tower to the left…(with) luminous colors and convincing detail…’ (Alan Wallach, letter of October 12, 2011).

We wish to thank Professor Wallach for his kind assistance cataloguing this lot. The above referenced letter will convey with this lot and is available to view in its entirety on our website. $150,000-250,000

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06/03/12 80 11-2384/2 ALFRED THOMPSON BRICHER (american 1837-1908) ROCKY COAST Signed ‘AT Bricher’ bottom left, watercolor on paper 20 7/8 x 14 1/2 in. (53 x 36.8cm) provenance: Private Collection, Florida. $3,000-5,000

81 11-2384/1 ALFRED THOMPSON BRICHER (american 1837-1908) CALM INLET Signed ‘AT Bricher’ bottom right, watercolor on paper 14 3/8 x 20 3/8 in. (36.5 x 51.8cm) provenance: Private Collection, Florida. $3,000-5,000

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06/03/12 82 128025/9 DAVID JOHNSON (american 1827-1908) “SCENERY AT SHELBURN, (SIC) VERMONT” Signed with artist’s monogrammed signature and dated ‘DG 1865’ bottom right, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Private Collection. $50,000-80,000

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06/03/12 83 11-2203/28 SAMUEL LANCASTER GERRY (american 1813-1891) A SHEPHERD AND HIS FLOCK Signed ‘SL Gerry’ bottom left, oil on canvas 12 x 20 in. (30.5 x 50.8cm) provenance: Private Collection, New Hampshire. $1,500-2,500

84 11-2203/25 FRANK HENRY SHAPLEIGH (american 1842-1906) “M.T. WASHINGTON FROM GLEN ROAD, JACKSON, NEW HAMPSHIRE” Signed and titled verso, oil on board 7 1/2 x 12 1/4 in. (19.1 x 31.1cm) provenance: Private Collection, New Hampshire. $1,000-1,500

85 11-2203/27 BENJAMIN CHAMPNEY (american 1817-1907) MOUNT WASHINGTON Signed ‘B Champney’ bottom right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) provenance: Private Collection, New Hampshire. $2,000-3,000

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06/03/12 86 11-2203/14 ATTRIBUTED TO THOMAS HILL (american 1829-1908) VIEW OF GOODRICH FALLS, NEW HAMPSHIRE With strengthened signature ‘T Hill 1881’ lower right, oil on canvas 25 x 21 in. (63.5 x 53.3cm) provenance: Private Collection, New Hampshire. $6,000-8,000

87 11-2203/26 BENJAMIN CHAMPNEY (american 1817-1907) SILVER BIRCHES Signed and dated ‘B Champney 53’ bottom right, oil on canvas 24 x 16 in. (61 x 40.6cm) provenance: Private Collection, New Hampshire. $2,000-3,000

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06/03/12 88 11-2203/21 WILLIAM PRESTON PHELPS (american 1848-1923) “MOUNT MONADNOCK, NEW HAMPSHIRE, SPRING” Signed ‘W P Phelps’ bottom left; also inscribed indistinctly, and with title in pencil on upper stretcher verso, oil on canvas 12 x 18 in. (30.5 x 45.7cm) provenance: Private Collection, New Hampshire. $2,000-3,000

89 11-2203/20 WILLIAM PRESTON PHELPS (american 1848-1923) “MONADNOCK, NELSON, NH” Signed ‘W P Phelps’ bottom right; also inscribed with title in pencil verso, oil on canvas 12 x 18 in. (30.5 x 45.7cm) provenance: Private Collection, New Hampshire. $2,000-3,000

90 11-2203/19 WILLIAM PRESTON PHELPS (american 1848-1923) THE DAY’S CATCH Signed ‘W.P. Phelps’ bottom left, oil on canvas 20 x 40 in. (50.8 x 101.6cm) provenance: Private Collection, New Hampshire. $3,000-5,000

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06/03/12 91 11-2203/24 WILLIAM PRESTON PHELPS (american 1848-1923) SPRING THAW Signed ‘W P Phelps’ bottom right, oil on canvas 16 x 24 in. (40.6 x 61cm) provenance: Private Collection, New Hampshire. $3,000-5,000

92 11-2203/22 WILLIAM PRESTON PHELPS (american 1848-1923) SHEEP GRAZING IN A WOODLAND INTERIOR Signed ‘W.P. Phelps’ bottom left, oil on canvas 26 1/4 x 41 3/8 in. (66.7 x 105.1cm) provenance: Private Collection, New Hampshire. $5,000-7,000

93 11-2203/7 WILLIAM PRESTON PHELPS (american 1848-1923) “THE ROAD HOME” Signed ‘W P Phelps’ bottom right, oil on canvas 28 1/4 x 48 in. (71.8 x 121.9cm) provenance: Private Collection, New Hampshire. $4,000-6,000

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06/03/12 94 11-2382/5 HERMANN HERZOG (american/german 1831-1932) “A FISHERMAN” Signed ‘H. Herzog’ bottom left, oil on canvas 22 x 27 in. (55.9 x 68.9cm) provenance: An Estate, Pennsylvania. exhibited: ‘American Paintings of Hermann Herzog,’ Brandywine River Museum, Chadds Ford, Pennsylvania, September 11, 1992 - November 22, 1982. $7,000-10,000

95 11-2203/23 WILLIAM PRESTON PHELPS (american 1848-1923) A LOGGING WAGON, WINTER Signed ‘W P Phelps’ bottom right, oil on canvas 18 x 24 in. (45.7 x 61cm) provenance: Private Collection, New Hampshire. $2,000-3,000

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06/03/12 96 121542/1 DANIEL RIDGWAY KNIGHT (american 1839-1924) “WOMAN WITH GOLD COINS” Signed and dated ‘D. R. Knight 1871’ bottom right, oil on canvas 26 1/8 x 20 in. (66.4 x 50.8cm) provenance: Private Collection, Pennsylvania. note: A certificate of authenticity from Howard L. Rehs dated June 7, 2011, will accompany this lot. $4,000-6,000

97 121543/2 HERMANN HERZOG (american/german 1831-1932) THE DONKEY CART Signed ‘H. Herzog,’ bottom right, oil on canvas 24 x 20 in. (61 x 50.8cm) $5,000-8,000

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98 121551/1 WILLIAM AIKEN WALKER (american 1838-1921) SHARECROPPERS OUTSIDE CABIN Signed ‘WAWalker’ bottom left, oil on board 9 x 12 in. (22.9 x 30.5cm) provenance: Private Collection, United Kindom. note: This painting will be included in the forthcoming catalogue raisonné being prepared by John Fowler. $8,000-12,000

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06/03/12 99 121152/14 HENRY OSSAWA TANNER (american 1859-1937) “MOROCCAN MAN” Signed ‘H.O. TANNER’ bottom right, oil on panel 13 x 9 1/4 in. provenance: Christie’s New York, sale of May 29, 1987, lot 107.

Ex-collection: The Museum of Fine Arts, Boston.

Sotheby’s New York, sale of May 24, 2006, lot 75.

Private Collection, Long Island, New York. $50,000-80,000

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06/03/12 100 121037/1 FRANKLIN DULLIN BRISCOE (american 1844-1903) A STIFF BREEZE Signed ‘FD Briscoe’ bottom right, oil on board 14 x 10 in. (35.6 x 27.3cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

101 11-2419/10 FRANKLIN DULLIN BRISCOE (american 1844-1903) UNDER FULL SAIL Signed with initials ‘F.B.’ bottom right; also signed ‘F.D. Briscoe’ verso, oil on canvas 6 1/2 x 10 in. (16.5 x 25.4cm) provenance: Private Collection, New Jersey. $1,000-1,500

102 11-2419/9 FRANKLIN DULLIN BRISCOE (american 1844-1903) ATLANTIC CITY, BUOY AT DUSK Signed ‘F. D. Briscoe’ bottom right, oil on panel 7 3/4 x 13 1/2 in. (19.7 x 34.3cm) provenance: Private Collection, New Jersey. $1,000-1,500

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06/03/12 103 11-2419/6 FRANKLIN DULLIN BRISCOE (american 1844-1903) “OYSTER BOATS” Signed ‘F. D. Briscoe’ bottom right; also signed, titled, and dated 1901 verso, oil on board 6 1/8 x 10 3/8 in. (15.6 x 26.4cm) provenance: Private Collection, New Jersey. $1,000-1,500

104 11-2419/11 FRANKLIN DULLIN BRISCOE (american 1844-1903) FISHERMEN ON CHOPPY WATERS Signed ‘F.D. Briscoe’ bottom right, oil on canvas 8 7/8 x 15 in. (22.5 x 38.1cm) provenance: Private Collection, New Jersey. $1,500-2,500

105 11-2419/7 FRANKLIN DULLIN BRISCOE (american 1844-1903) “MOONLIGHT ON THE COAST” Signed with initials ‘F. D. B.’ bottom left; also signed, titled, and dated 1900 verso, oil on board 7 x 11 in. (17.8 x 27.9cm) provenance: Private Collection, New Jersey. $1,000-1,500

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106 121547/1 JAMES HAMILTON (american 1819-1878) “VIEW OF PHILADELPHIA HARBOR” Signed ‘J. Hamilton’ bottom left, oil on canvas 40 x 60 in. (101.6 x 152.4cm) provenance: Berry-Hill Galleries, Inc., New York, New York.

The Ritz-Carlton, Laguna Niguel, California.

Bonham’s San Francisco, sale of California and American Paintings & Sculpture, December 12, 2005, lot 20.

Vallejo Gallery, Newport Beach, California. $15,000-25,000

67 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 107 121538/3 CLAWSON SHAKESPEARE HAMMITT (american 1857-1927) COVERED BRIDGE, PENNSYLVANIA Signed ‘C S Hammitt’ bottom right, oil on canvas 15 x 25 in. (38.1 x 63.5cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

108 121538/2 CLAWSON SHAKESPEARE HAMMITT (american 1857-1927) A DAM ON THE RIVER, PENNSYLVANIA Signed and dated ‘C S Hammitt 1885’ bottom right, oil on canvas 22 x 36 in. (55.9 x 91.4cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

109 121543/1 WILLIAM E. WINNER (american 1815-1883) “NEAR THE BEACH, GLOUCESTER, 1877” Signed ‘W. E. Winner / Pinx’ bottom right, oil on canvas 26 1/8 x 20 5/8 in. (66.4 x 52.4cm) provenance: Spanierman Gallery, New York. $3,000-5,000

68 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 110 121503/1 MILNE RAMSEY (american 1847-1915) STILL LIFE WITH ROSES AND COVERED URN ON A MARBLE TOP TABLE Signed ‘M. Ramsey’ upper right, oil on canvas 28 1/2 x 21 1/2 in. (72.4 x 54.6cm) provenance: Private Collection, California. $3,000-5,000

111 121275/3 GEORGE COCHRAN LAMBDIN (american 1830-1896) ROSES Signed and inscribed ‘Geo C. Lambdin / Philad’ bottom right, oil on canvas, 23 1/2 x 14 in. (59.7 x 35.6cm) provenance: Martha Webb Foundation, Birmingham, Alabama.

Christie’s New York, sale of September 28, 2010, lot 131.

Private Collection, New York. $8,000-12,000

69 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

112 121535/1 LOUIS CHARLES MOELLER (american 1855-1930) “THE CHESS GAME” Signed ‘Louis Moeller N.A.’ bottom right, oil on canvas 18 x 24 1/4 in. (46.4 x 61.6cm) provenance: O’Shea Gallery, Tulsa, Oklahoma.

Private Collection. $5,000-8,000

113 12-1132/1 JOHN FRANCIS MURPHY (american 1853-1921) EVENING GLOW Signed ‘J Francis Murphy’ bottom right; also signed in pencil verso, oil on canvas laid down on board 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, North Carolina. $1,500-2,500

70 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 114 128022/1 WILLIAM KEITH (american 1838-1911) “SNOW CAPPED MOUNTAINS” Signed, located and dated ‘Wm Keith / SF / 10’ bottom left, oil on canvas 22 x 16 in. (55.9 x 40.6cm) provenance: Kennedy Galleries, Inc., New York, New York.

Private Collection, Virginia. $10,000-15,000

115 121447/1 JOHN FERY (american/austrian 1859-1934) GLACIER NATIONAL PARK Signed ‘J. Fery’ bottom right, oil on board 9 7/8 x 18 in. (25.1 x 45.7cm) provenance: Private Collection, Pennsylvania. $4,000-6,000

71 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

116 12-8001/36 THOMAS HILL (american 1829-1908) AN INDIAN ENCAMPMENT IN THE YOSEMITE VALLEY Signed ‘T. Hill.’ bottom left, oil on canvas 17 3/4 x 23 5/8 in. provenance: Private Collection, Virginia. $30,000-50,000

72 free≤an’s fine american & european paintings & sculpture, including sporting art

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117 11-5052/15 OLAF CARL WIEGHORST (american 1899-1988) “DESERT HOME” Signed ‘O-Wieghorst’ and with artist’s device bottom left, also inscribed ‘DESERT HOME 28 X 38

by O. Weighorst’ on stretcher, oil on canvas 28 x 38 in. (71.1 x 96.5cm) provenance: The Pew Estate, Gladwyne, Pennsylvania. $20,000-30,000

73 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

118 11-5052/21 OLAF CARL WIEGHORST (american 1899-1988) “NAVAJO CORRAL” Signed ‘O-Wieghorst’ and with artist’s device bottom left; also inscribed in pencil ‘Navajo Corral by O. Weighorst Copyright by Artist’ on stretcher, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: The Pew Estate, Gladwyne, Pennsylvania. $10,000-15,000

74 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 119 11-5052/25 EDGAR SAMUEL PAXSON (american 1852-1909) “INDIAN BRAVES” Signed and dated ‘E.S. PAXSON / 1909’ bottom right, watercolor on paper laid to board 19 5/8 x 13 in. (49.8 x 33cm) (sight) provenance: McClees Gallery, Ardmore, Pennsylvania.

The Pew Estate, Gladwyne, Pennsylvania. $10,000-15,000

120 11-1786/2 BERT GEER PHILLIPS (american 1868-1956) “MOONLIGHT IN THE ASPEN FOREST” Signed ‘Phillips’ bottom left, inscribed in pencil with title verso, oil on board 13 5/8 x 10 5/8 in. (34.6 x 27cm) provenance: The Collection of Frederick and Katherine Farrar. note: This lot will be sold to benefit the Western Museum of Mining and Industry, Colorado Springs, Colorado. $3,000-5,000

75 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 121 11-1786/3 BERT GEER PHILLIPS (american 1868-1956) “OCATILLO” Signed ‘Phillips’ bottom left and dated ‘1941’ verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: The Collection of Frederick and Katherine Farrar. note: This lot will be sold to benefit the Western Museum of Mining and Industry, Colorado Springs, Colorado. $6,000-10,000

122 121529/1 MAURICE BRAUN (american 1877-1941) SPRING LANDSCAPE Signed ‘Maurice Braun’ bottom right, oil on canvas 16 x 12 in. (40.6 x 30.5cm) provenance: Private Collection, California. $6,000-10,000

76 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 123 121519/7 JOHN FRANCIS MURPHY (american 1853-1921) MARSH AT DAWN Signed ‘J. Francis Murphy’ bottom left, oil on canvas 11 1/8 x 14 1/8 in. (28.3 x 36.1cm) provenance: Private Collection, Bala Cynwyd, Pennsylvania. $2,500-4,000

124 11-2419/8 JOHN JOSEPH ENNEKING (american 1841-1916) “LANDSCAPE, OCTOBER” Signed ‘Enneking’ bottom left; also inscribed on hand-written label verso, oil on board 9 x 13 1/2 in. (22.9 x 34.3cm) provenance: Private Collection, New Jersey. $1,200-1,800

125 121519/11 JOHN JOSEPH ENNEKING (american 1841-1916) A GATHERING STORM, AUTUMN With artist’s label verso, oil on board 10 1/2 x 14 in. (26 x 35.6cm) provenance: Pierce Galleries Inc., Hingham, Massachusetts.

Private Collection, Bala Cynwyd, Pennsylvania. $1,000-1,500

77 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 126 121470/1 ROBERT WILLIAM VONNOH (american 1858-1933) “PLEASANT VALLEY, LYME, CONNECTICUT” Signed ‘Vonnoh’ bottom left; also signed and titled verso and on stretcher, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Pennsylvania. $7,000-10,000

127 121519/1 ROBERT HENRI (american 1865-1929) “SEGOVIA, SPAIN” Signed ‘Robert Henri’ bottom center right; also signed, inscribed and dated ‘Robert Henri / Segovia Spain / Aug 1906’ verso, oil on panel 8 x 10 in. (20.3 x 15.4cm) provenance: Castellani Collection, New York (according to label verso).

Tom Veilleux Gallery, Portland, Maine.

Private Collection, Bala Cynwyd, Philadelphia. $7,000-10,000

78 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 128 11-8030/7 FREDERICK CARL FRIESEKE (american 1874-1939) “SKATERS IN SWITZERLAND” Signed ‘F.C. Frieseke’ bottom right, also with Parisian preparer’s stencil verso, oil on canvas 19 7/8 x 24 in. (50.5 x 61cm) Executed by 1931 provenance: The Estate of the artist, 1939.

By descent to Sarah O’Bryan Frieseke, the artist’s widow.

By gift to Mrs. Allene Richmond, Falls Church, Virginia, 1950s.

By descent to her daughter, Patricia Richmond Lundquist, Arlington, Virginia.

Private Collection, Raleigh, North Carolina. note: This painting was executed in Samaden, Switzerland. A letter dated April 7, 2011 from ‘The Frederick Carl Frieseke Catalogue Raisonné’ stating that the present work will be included in the Frederick C. Frieseke Catalogue Raisonné will accompany this lot. The catalogue raisonné of Frieseke’s work is being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $6,000-10,000

129 11-8030/8 FREDERICK CARL FRIESEKE (american 1874-1939) “THE PRACTICE HOUR” Signed ‘F.C. Frieseke’ bottom right, watercolor on paper laid on card 9 3/8 x 12 1/2 in. (23.8 x 31.8cm) provenance: The Estate of the artist, 1939.

By descent to Mrs. Sarah O’Bryan Frieseke, the artist’s widow.

By gift to Mrs. Allene Richmond, Fall’s Church, Virginia 1950’s.

By descent to her daughter Patricia Richmond Lundquist, Arlington, Virginia, 1993.

Private Collection, Raleigh, North Carolina. note: This watercolor was executed in the artist’s home in Normandy. A letter dated April 7, 2011 from ‘The Frederick Carl Frieseke Catalogue Raisonné’ stating that the present work will be included in the Frederick C. Frieseke Catalogue Raisonné will accompany this lot. The catalogue raisonné of Frieseke’s work is being compiled by Nicholas Kilmer, the artist’s grandson, and sponsored by Hollis Taggart Galleries, New York. $3,000-5,000

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06/03/12 130 121455/3 JOHN EDWARD COSTIGAN (american 1888-1972) FAMILY OUTING Signed ‘J. E. COSTIGAN N.A.’ bottom right, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection, New Jersey. $5,000-8,000

131 11-2065/1 JEROME MYERS (american 1867-1940) “BLOSSOM TIME” Signed ‘JEROME MYERS 1928’ bottom right, oil on canvas 14 x 20 in. (35.6 x 50.8cm) provenance: Private Collection, New Jersey. $3,000-5,000

80 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 132 121245/3 JOSEPH SOLMAN (american 1909-2008) “CAT” Signed with initials ‘JS’ bottom right; also inscribed with title, dated, and signed ‘CAT 1960 / by / J. Solman’ verso, oil on board 12 x 20 in. (30.5 x 50.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

133 121519/12 OSCAR FLORIANUS BLUEMNER (american 1867-1938) “A CAT IN A BASKET” Signed with initials and dated ‘OFB Feb 6 ‘27’ bottom left, watercolor over pencil on paper 9 x 7 3/8 in. (22.9 x 18.7cm) (sight) provenance: Private Collection, Bala Cynwyd, Pennsylvania. $2,000-3,000

134 121245/4 WILLIAM ZORACH (american 1887-1966) ESTUARY WITH BOAT Signed ‘W. Zorach’ bottom right, oil on panel 7 9/16 x 14 1/8 in. (19.2 x 35.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500

81 free≤an’s fine american & european paintings & sculpture, including sporting art

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135 121529/2 EDWARD HENRY POTTHAST (american 1857-1927) “ROCKY PASTURE” Signed ‘E. Potthast’ bottom right; also titled and inscribed verso, oil on canvasboard 12 x 16 in. (30.5 x 40.6cm) provenance: Sotheby’s New York, sale of February 1, 1990, lot 172.

Private Collection, California. literature: Chapellier Galleries, New York, 1969, Edward Henry Potthast 1857 to 1927, no. 44 (illus.) $30,000-50,000

82 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

136 121455/2 RAPHAEL SOYER (american 1899-1987) FEMALE NUDE STUDIES Signed ‘RAPHAEL SOYER’ bottom right, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Private Collection, New Jersey. $3,000-5,000

137 11-2288/2 RAPHAEL SOYER (american 1899-1987) WOMAN WITH RED SWEATER Signed ‘RAPHAEL SOYER’ bottom right, oil on canvas 20 x 16 in (50.8 x 40.6cm) provenance: Private Collection, Maryland. $2,500-4,000

138 121516/2 RAPHAEL SOYER (american 1899-1987) WOMAN SEATED Signed ‘RAPHAEL SOYER’ bottom right, oil on canvas 14 x 10 in. (35.6 x 25.4cm) provenance: Private Collection, Baltimore, Maryland. $2,000-3,000

83 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 139 11-2288/1 MOSES SOYER (american 1899-1974) “DAVID BURLIUK PAINTING (THE IMPRESSIONIST)” Signed ‘M. SOYER’ bottom left, oil on canvas 12 x 18 in. (30.5 x 45.7cm) provenance: Rabin & Kreuger Gallery, Newark, New Jersey.

Private Collection, Maryland. $1,200-1,800

140 11-2494/1 DAVID DAVIDOVICH BURLIUK (american/russian 1882-1967) BOATS IN A COVE Signed ‘BURLIUK’ bottom left, oil on canvasboard 21 7/8 x 27 7/8 in. (55.6 x 70.8cm) provenance: Private Collection, Tennessee. $15,000-25,000

84 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 141 121519/13 WILLIAM SAMUEL HORTON (american 1865-1936) WINTER LANDSCAPE, POSSIBLY GSTAADT Signed ‘W.S. Horton’ bottom right, pastel on paper laid to paperboard 18 1/2 x 24 1/4 in. (47 x 61.6cm) provenance: Private Collection, Bala Cynwyd, Pennsylvania. $1,200-1,800

142 11-2440/2 WILLIAM WOODWARD (american 1859-1939) FRENCH OPERA HOUSE, NEW ORLEANS Signed and inscribed ‘Wm Woodward New Orleans’ bottom left, and inscribed ‘FRENCH OPERA HOUSE’ bottom right, pastel on paper 13 3/4 x 9 1/2 in. (34.9 x 24.1cm) (image) provenance: Private Collection, Canada. $8,000-12,000

85 free≤an’s fine american & european paintings & sculpture, including sporting art

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143 121111/1 ERNEST FIENE (american 1894-1965) “CORAL BEACH” Signed and dated ‘E Fiene 49’ bottom left, oil on canvas 36 x 48 in. (91.4 x 121.9cm) provenance: Private Collection, Texas. exhibited: ‘Painting in the United States 1949,’ Carnegie Institute, Pittsburgh, Pennsylvania, October 13 December 11, 1949. $8,000-12,000

86 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 144 121455/1 ANTHONY THIEME (american 1888-1954) “THE SUN BREAK” Signed ‘A. Thieme’ bottom left; also titled verso, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: John Hanna, Inc., Detroit, Michigan.

Private Collection, Detroit, Michigan.

Private Collection, New Jersey. note: This lot will be accompanied by a bill of sale from John Hanna, Inc., dated August 11, 1941. $7,000-10,000

145 121539/3 HENRY MARTIN GASSER (american 1909-1981) AFRICAN-AMERICANS ON A COUNTRY ROAD Signed ‘H. GASSER’ bottom left; also inscribed ‘WILLIS ROAD’ verso, watercolor on paper 10 3/4 x 15 in. (27.3 x 38.1cm) provenance: Private Collection, Maryland. $1,000-1,500

87 free≤an’s fine american & european paintings & sculpture, including sporting art

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146 11-5052/13 ROCKWELL KENT (american 1882-1971) “TIERRA DEL FUEGO” Signed ‘Rockwell Kent’ bottom right, oil on panel 15 1/2 x 20 in. (39.4 x 50.8cm) provenance: The Pew Estate, Gladwyne Pennsylvania. note: This painting will be included in the catalogue raisonné of Rockwell Kent’s paintings by Scott R. Ferris. We wish to thank Dr. Ferris for his assistance cataloguing this lot. $20,000-30,000

88 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 147 11-8093/1 ORVILLE BULMAN (american 1904-1978) “THE CAPTIVE” Signed ‘Bulman’ bottom right and signed, titled and dated 1957 verso, oil on canvas 20 x 22 in. (50.8 x 55.8cm) provenance: An Estate, Florida. $5,000-7,000

148 11-8093/4 HENRY LAWRENCE FAULKNER (american 1924-1981) CHRIST THE FISHERMAN Oil on masonite 9 1/2 x 7 1/2 in. (24.1 x 19.1cm) provenance: An Estate, Florida. $1,500-2,500

89 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 149 11-8093/3 HENRY LAWRENCE FAULKNER (american 1924-1981) UNICORN Signed ‘Faulkner’ bottom left, oil on masonite 19 7/8 x 9 7/8 in. (50.5 x 25.1cm) provenance: An Estate, Florida. $3,000-5,000

150 11-8093/2 HENRY LAWRENCE FAULKNER (american 1924-1981) FIGURE WITH CANDLE Signed ‘Faulkner’ bottom right, oil on masonite 9 1/2 x 6 3/8 in. (24.1 X 16.2cm) provenance: An Estate, Florida. $1,500-2,500

90 free≤an’s fine american & european paintings & sculpture, including sporting art

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151 121447/2 CHARLES MORRIS YOUNG (american 1869-1964) “GENERAL MEADE’S HEADQUARTERS” Signed ‘Charles Morris Young’ bottom left, oil on canvas 32 x 48 in. (81.3 x 121.9cm) provenance: Private Collection, Pennsylvania. note: The present painting depicts General George Gordon Meade’s headquarters, the Lydia Leister House, during the Battle of Gettysburg. His headquarters were located along the Teneytown Road in Gettysburg, Pennsylvania. $10,000-15,000

152 11-2382/4 BEN KAMAHIRA (american 1925-2004) “BATHERS” Signed and dated ‘Kamahira ‘53’ bottom right with; MOTHER AND CHILD verso, oil on canvas 22 1/4 x 26 in. (56.5 x 66cm) provenance: Woodmere Art Gallery, Chestnut Hill, Pennsylvania.

An Estate, Pennsylvania. $1,500-2,500

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153 11-2419/4 HUMBERT HOWARD (american 1915-1992) “THE YELLOW PEAR” Signed and dated ‘Humbert Howard /70’ upper right, oil on board 4 3/4 x 6 in. (12.1 x 15.2cm) provenance: Private Collection, New Jersey. $1,000-1,500

154 121530/1 JULIUS BLOCH (american 1888-1966) “CITY DWELLER” Inscribed with title and dated ‘1963’ on upper stretcher verso, oil on canvas 24 x 20 in. (61 x 50.9cm) provenance: Ex-collection, Samuel L. Evans and the American Foundation of Negro Affairs.

Private Collection, New York. $2,500-4,000

155 121519/2 DORCAS COOKE DOOLITTLE (american 1901-1993) “PORTRAIT OF A WOMAN (MARGARET BRECKENRIDGE)” Oil on canvas 12 x 10 in. (30.5 x 25.4cm) provenance: Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Bala Cynwyd, Pennsylvania. $1,000-1,500

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06/03/12 156 121111/2 HENRY MCCARTER (american 1886-1942) “THREE WOMEN IN A GARDEN” Signed and dated ‘Henry McCarter 22’ bottom right; also signed, inscribed, and dated ‘Henry McCarter / Denver Col. / 22’ verso, oil on canvas 28 x 26 in. (71.1 x 66cm) provenance: According to label verso, E. Richardson Tierry.

Private Collection, Houston, Texas. exhibited: ‘55 Works of Modern Art Owned in Houston,’ The Museum of Fine Arts, Houston, Houston, Texas, January 12, 1947 - February 2, 1947. $4,000-6,000

157 121525/1 ARTHUR BEECHER CARLES (american 1882-1952) FEMALE NUDE STUDY Oil on paper 18 1/8 x 21 5/8 in. (46 x 54.9cm) (sheet) provenance: The artist.

Caroline Robin Carles.

Private Collection, Philadelphia, Pennsylvania.

To the present owner, circa 1990.

Private Collection, Pennsylvania. $2,500-4,000

Pennsylvania Impressionists

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06/03/12 158 121077/6 FRANK F. ENGLISH (american 1854-1922) THE RETURN HOME, DUSK Signed ‘F.F. English’ bottom right, watercolor on paper 22 x 32 in. (55.9 x 81.3cm) (sight) provenance: Private Collection, Rhode Island. $2,000-3,000

159 121441/1 WILLIAM LANGSON LATHROP (american 1859-1938) “OYSTER BAY” Signed ‘W.L. LATHROP’ bottom right, oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Anderson Galleries, Chicago, Illinois.

Ferargil Galleries, New York.

Private Collection, Easton, Pennsylvania.

By desent in the family to the present owners.

Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

160 121541/1 LAURENCE A. CAMPBELL (american b. 1939) “MORNING SUNLIGHT, WASHINGTON SQUARE PHILADELPHIA” Signed ‘Laurence A. Campbell’ bottom right; also titled and dated verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, New Jersey. $2,500-4,000

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06/03/12 161 121518/2 PAULETTE VICTORINE J. VAN ROEKENS (american 1896-1988) STILL LIFE WITH FLOWERS Signed and dated ‘P VAN ROEKENS 29’ bottom right, oil on canvas 14 x 13 in. (35.6 x 33cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. $2,000-3,000

162 121550/1 SUSAN GERTRUDE SCHELL (american 1891-1970) “OUT OF THE GROUND” Signed ‘S. Gertrud (sic) Schell’ bottom right, oil on canvas 14 x 16 in. (35.6 x 40.6cm) provenance: The Woodmere Art Gallery, Chestnut Hill, Pennsylvania. $1,200-1,800

163 128017/37 LAURA D. STROUD (MRS. WESTRAY) LADD (american 1863-1943) “EARLY AUTUMN” Signed ‘Laura D.S. Ladd’ bottom left; also signed and inscribed with title verso, oil on canvas 16 x 18 in. (40.6 x 45.7cm) provenance: Private Collection, Virginia. $1,500-2,500

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164 121151/1 MARY ELIZABETH PRICE (american 1877-1965) “PATTERN OF FLOWERS AND LEAF I.” Signed ‘M. ELIZABETH PRICE’ bottom right; also inscribed and titled verso, mixed media with silver leaf on board 18 7/8 x 23 3/4 in. (47.9 x 60.3cm) provenance: Private Collection, Seattle, Washington. $15,000-25,000

98 free≤an’s fine american & european paintings & sculpture, including sporting art

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165 121524/1 ROY CLEVELAND NUSE (american 1885-1975) STILL LIFE WITH PEACOCK FEATHER Signed ‘R C Nuse’ bottom left, oil on canvasboard 24 x 18 7/8 in. (61 x 47.9cm) provenance: The family of the artist.

Private Collection, Bucks County, Pennsylvania. $5,000-8,000

166 121539/1 MAUDE DREIN BRYANT (american 1880-1946) MIXED FLOWERS Signed ‘Maud Drein’ bottom right; also with (partial) stretcher labels 40 x 29 7/8 in. (101.6 x 75.9cm) provenance: According to partial label verso, Baltimore Museum of Art, Baltimore, Maryland.

Private Collection, Maryland. $2,500-4,000

167 121518/1 ARTHUR MELTZER (american 1893-1989) “APPLE GREEN PORCELAIN” Signed and dated ‘Arthur Meltzer 29’ bottom left; also signed and inscribed with title on label attached verso, and in pencil on upper stretcher 13 x 14 in. (33 x 35.6cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. $2,500-4,000

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06/03/12 168 121549/1 FREDERICK R. WAGNER (american 1864-1940) “MASTS, PHILADELPHIA WATERFRONT” Signed ‘F. Wagner’ bottom right, oil on canvas 37 x 32 in. (94 x 81.3cm) $5,000-8,000

169 121532/1 RICHARD GIBSON WEDDERSPOON (american 1889-1976) THE RED HOUSE Oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: The artist.

Gift to the current owner’s mother.

Private Collection, Pennsylvania. $4,000-6,000

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170 121537/3 ROY CLEVELAND NUSE (american 1885-1975) “THE QUARRY AT RUSHLAND” Signed with initials and dated ‘RN / 38’ bottom left, oil on canvas 22 x 24 in. (55.9 x 61cm) provenance: Freeman’s sale of Fine American & European Paintings & Sculpture, June 23, 2002, lot 125.

Jim’s of Lambertville, Lambertville, New Jersey.

Private Collection, New Jersey. $15,000-25,000

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171 121538/1 ANTONIO PIETRO MARTINO (american 1902-1989) REFLECTIONS Signed and dated ‘A. P. Martino 30’ bottom left, oil on canvas 30 x 36 in. (76.2 x 91.4cm) provenance: Private Collection, Pennsylvania. $10,000-15,000

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06/03/12 172 11-2440/1 EDWARD WILLIS REDFIELD (american 1869-1965) “EARLY MORNING SUNLIGHT, SPRING” Signed ‘E.W. Redfield’ lower right; also inscribed ‘Early Morning Sunlight, Spring $5,000’ in pencil on upper stretcher, oil on canvas 50 x 56 in. (127 x 142.4cm) In an original Harer frame. provenance: The artist.

Walter Teagle of the Standard Oil Company.

By descent in the family to the current owner.

Private Collection, Canada. note: This work depicts the identical scene by Redfield depicted in his 'Spring Morning.'

Which is illustrated in Charles V. Wheeler, Redfield, Washington D.C., 1925, n.p.

'Early Morning Sunlight, Spring' is one of several spring scenes that Redfield depicted at Point Pleasant, Pennsylvania, where he had maintained a studio. Point Pleasant is located a short distance north of the artist's residence at Center Bridge, Pennsylvania. Although a rare few spring scenes were painted earlier, the artist began to favor spring scenes in the late teens. This scene was executed near River Road, which parallels the Delaware Canal and River. The canal is to the viewer's left and the river is depicted toward the center. Although Redfield was particularly noted for his snow scenes, his spring scenes also became particularly prized. The technique used, with very thick impasto, is typical. ‘Early Morning Sunlight, Spring’ is a fine example, and the size of this work, measuring 50 x 56 inches, is his largest.

The present work will be included in the forthcoming catalogue raisonné which is being prepared by Tom Folk. $300,000-500,000

104 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 173 11-2244/2 WALTER EMERSON BAUM (american 1884-1956) “SELLERSVILLE STREET” Signed ‘WE BAUM’ bottom right; also signed and inscribed with title verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

174 11-2244/3 WALTER EMERSON BAUM (american 1884-1956) “SENE (SIC) NEAR TRUMBAUERSVILLE PA” Signed ‘WE BAUM’ bottom left; also signed and inscribed with title verso, oil on board 12 x 16 in. (30.5 x 40.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000

175 11-2244/1 WALTER EMERSON BAUM (american 1884-1956) “FLOWERS” Signed ‘WE BAUM’ bottom left; also signed, inscribed with title and dated ‘1946,’ oil on canvas 17 x 14 in. (43.2 x 35.6cm) provenance: Private Collection, Pennsylvania. $1,000-1,500

105 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 176 11-2286/2 ANTONIO PIETRO MARTINO (american 1902-1989) MANAYUNK Signed ‘Antonio P. Martino’ bottom right, oil on canvas 13 x 20 in. (33 x 50.8cm) provenance: Private Collection, Pennsylvania. $1,500-2,500

177 121440/2 GIOVANNI MARTINO (american 1908-1988) “HOUSES ON TOWER STREET (GREEN LANE)” Signed and dated ‘Giovanni Martino ‘95’ bottom left, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: Private Collection, Pennsylvania. exhibited: National Academy of Design, Annual Exhibition, (n.d.). $5,000-8,000

178 121440/1 GIOVANNI MARTINO (american 1908-1988) “FIRST SNOW” Signed ‘Giovanni Martino’ bottom left, oil on canvas 20 x 36 in. (50.8 x 91.4cm) provenance: Private Collection, Pennsylvania. $5,000-8,000

106 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

179 11-2385/1 FERN ISABEL COPPEDGE (american 1888-1951) “SNOW COVERED VALLEY” Signed ‘Fern I Coppedge’ bottom left; also signed and inscribed with title on label verso, oil on canvas 30 1/8 x 30 1/8 in. (76.5 x 76.5cm) provenance: Private Collection, Pennsylvania. $40,000-60,000

107 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

180 121537/2 FERN ISABEL COPPEDGE (american 1888-1951) “WOODLAND BROOK” Signed ‘Fern I Coppedge’ bottom center; also signed and inscribed with title in pencil on upper stretcher verso, oil on canvas 20 x 18 in. (50.8 x 45.7cm) provenance: Private Collection, New Jersey. $40,000-60,000

109 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 181 121553/1 JOHN FULTON FOLINSBEE (american 1892-1972) “HIGH RIVER” Signed ‘John F. Folinsbee’ bottom right; also inscribed with title on upper stretcher, oil on canvas 24 x 30 in. (61 x 76.2cm) provenance: Private Collection.

The Estate of the Artist to 1977.

Newman Galleries, Philadelphia, Pennsylvania.

Private Collection, Pennsylvania. exhibited: ‘96th Annual Exhibition,’ National Academy of Design, New York, New York, November 9 December 18, 1921.

‘Paintings by John Folinsbee,’ Ferargil Gallery, New York, New York, March 1922.

‘8th Annual Exhibition of Paintings by American Artists,’ Detroit Institute of Arts, Detroit, Michigan, April 11 - May 31, 1922.

‘11th Annual Exhibition of Selected Paintings by American Artists,’ Toledo Museum of Art, Toledo, Ohio, June - August, 1922.

‘Association of American Painters & Sculptors Annual Exhibition,’ Grand Central Galleries, New York, New York, February 1923.

‘John Folinsbee,’ Carson, Pirie & Scott, Chicago, Illinois, February 1926.

‘John Folinsbee and American Modernism,’ Woodmere Art Museum, Philadelphia, Pennsylvania, November 6, 2010 - March 6, 2011. note: This work is included in the catalogue raisonné of John Folinsbee’s work by the Folinsbee Art Trust as catalog number JFF.335.

“By 1921, Folinsbee had won a number of awards at the National Academy, including Second and Third Julius Hallgarten prizes in 1916 and 1917 respectively. Along with his friend Harry LeithRoss, many critics considered Folinsbee to be the heir to the American Impressionist and Tonalist tradition, particularly as practiced his former teachers, Frank Vincent DuMond and Birge Harrison, as well as by the older artists of the New Hope colony: Edward Redfield, Daniel Garber, and Charles Rosen. Folinsbee’s reputation was also growing nationally, through annual exhibitions at museums such as those in Detroit, St. Louis, Chicago, and Houston, which were known for their continued support of American Impressionism despite growing interest in new forms of art. In 1921 Folinsbee won three prestigious awards: the Carnegie Prize at the National Academy of Design Winter exhibition and the Corcoran Gallery’s Bronze Medal for Jersey Waterfront (JFF.517), the William Clark Purchase Prize at the Corcoran Gallery for Grey Thaw (JFF.814), and the J. Francis Murphy Prize at the National Academy’s annual for this painting, High River.

With its complex and dynamic composition, High River illustrates Folinsbee’s continued interest in Japanese design, which he had begun studying in 1912 while working with Herbert Faulkner in Washington, Connecticut. The painting’s cropped view of the New Hope Bridge and the sinuous trunks and branches of the trees lining the Delaware River are reminiscent of Ando Hiroshige’s series One Hundred Famous Views of Edo. The scene also suggests the influence of Garber and Rosen, both of whom painted similar views of the Delaware River.

Even this early in his career, Folinsbee was well known for his scenes of the Delaware River and the industrial buildings lining its banks and the bridges spanning the river, but High River gives the viewer a much more intimate perspective. Its focus is not the bridge itself, but rather the reflection it creates in the rippling water of the Delaware on a lazy summer day. His primary interest in the subtleties of the changing effects of light and color not only draws the viewer in to the work, but also lends the painting a much more universal appeal, transforming the view from another Delaware River scene, and placing it instead in the broader context of American imagery.” (John F Folinsbee Catalogue Raisonne Project) $50,000-80,000

110 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

182 121537/1 EDWARD WILLIS REDFIELD (american 1869-1965) “AETNA VALLEY” Signed ‘E.W. REDFIELD’ bottom right; also signed and inscribed with title on stretcher verso, oil on canvas 26 x 32 in. (66 x 81.3cm) provenance: The Estate of the artist, distributed among his heirs.

Chosen by Edward Redfield, his grandson, choice #63, 1975.

Private Collection, New Jersey.

exhibited: 'Exhibition of Paintings by Edward Redfield and Edmund Tarbell,' the Corcoran Gallery of Art, Washington D.C., April 25- May 21, 1918, cat. no. 3.

'Catalogue of Paintings by Edward W. Redfield,' Memorial Art Gallery, Rochester, New York, April 1919, cat. no. 118 (priced at $2500.00).

'Catalogue of Paintings by Edward Redfield,' Art Club of Philadelphia, November 17- December 5, 1920, cat. no. 23.

'A Retrospective Exhibition of the Work of the Great American Impressionist,' Edward Willis Redfield, March 31- May 13, 1973, cat. no. 15.

Memorial Exhibition, Bucks County Conservancy, June 19- July 6, 1975. note: This work will be included in the forthcoming catalogue raisonné on Edward Redfield, being compiled by Tom Folk. $60,000-100,000

111 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

183 121537/6 DANIEL GARBER (american 1880-1958) “THE KIMBALL FARM” Signed ‘DANIEL GARBER’ bottom center, inscribed with title, numbered and dated ‘27 S / 1915’ verso, oil on board 9 3/8 x 10 in. (23.8 x 25.4cm) Painted in early summer, 1915. provenance: The artist.

To the Estate of the artist, 1958.

Tanis Garber Paige, by 1989.

Private Collection.

Private Collection, New Jersey.

exhibited: Art Alliance 1918 DG, cat. no. 6. literature: Humphries, Lance, Daniel Garber Catalogue Raisonné pub. Hollis Taggart Galleries, New York, New York, 2006; vol. II, p. 115, under cat. no. P340 (illus.) note: The present work is recorded in Artist’s Record Book III, p.185, number 27 S., ‘Painted in 1915 on Kimbal[l] Hill above my home in Lumberville. An early afternoon effect in early summer. The Old Kimbal[l] Farm is suggested in distance. Sky is mostly white.’ $30,000-50,000

112 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 184 121552/1 WALTER ELMER SCHOFIELD (american 1867-1944) WINTER THAW Signed and dated ‘W.E. Schofield 97’ bottom left, oil on canvas 32 x 29 1/2 in. (81.3 x 100.3cm) provenance: Alexander McCune, Philadelphia, Pennsylvania.

Private Collection, Southern California.

J.C. Ames Auctioneers.

Private Collection, Florida. $20,000-30,000

113 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

185 121537/4 CLARENCE RAYMOND JOHNSON (american 1894-1981) “THE FARM” Signed ‘C Johnson’ bottom right, oil on canvas 24 3/4 x 30 in. (62.9 x 76.2cm) provenance: Jim’s of Lambertville, Lambertville, New Jersey.

Private Collection, New Jersey. $25,000-40,000

114 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 186 11-2320A/1 ROY CLEVELAND NUSE (american 1885-1975) RUSHLAND, PENNSYLVANIA Signed with monogrammed signature bottom left, oil on canvas laid on board 11 7/8 x 15 3/4 in. (30.2 x 40cm) provenance: The artist.

Private Collection.

By descent in the family to the present owner.

Private Collection, Bucks County, Pennsylvania. $4,000-6,000

187 121549/2 GIOVANNI MARTINO (american 1908-1988) “WINTER MANAYUNK” Signed and dated ‘M. Giovanni 32’ bottom left, oil on canvas 30 x 36 in. (76.2 x 91.4cm) $6,000-10,000

115 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

188 121537/5 WALTER ELMER SCHOFIELD (american 1867-1944) “ROCKY COAST” Signed ‘Schofield’ bottom left, oil on panel 12 x 14 in. (30.5 x 35.6cm) provenance: Private Collection, New Jersey. $8,000-12,000

116 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12 189 121517/1 WALTER EMERSON BAUM (american 1884-1956) HOUSE IN THE SNOW Signed ‘W E Baum’ bottom left, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Florida. $3,000-5,000

190 12-1120/12 ANTONIO PIETRO MARTINO (american 1902-1989) “FLEMING STREET, WINTER” Signed ‘Antonio P. Martino’ bottom center right; also signed and titled on stretcher, oil on canvas, unframed 30 x 45 in. (76.2 x 114.3cm) provenance: Private Collection, New York, New York. exhibited: ‘116th Annual Exhibition,’ National Academy of Design, New York, New York, April 8-May 16, 1942. $4,000-6,000

191 12-1120/13 ANTONIO PIETRO MARTINO (american 1902-1989) “MANAYUNK WINTER” Signed ‘Antonio P. Martino’ bottom right; also titled on stretcher, unframed 27 x 36 in. (68.6 x 91.4cm) provenance: Private Collection, New York, New York. $6,000-10,000

117 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

192 11-2320A/2 ROY CLEVELAND NUSE (american 1885-1975) “CLOUD SHADOWS” Signed with initials ‘RN’ bottom right, oil on canvas 20 x 22 in. (50.8 x 55.9cm) provenance: The artist.

To the present owner’s family.

By descent in the family to the present owner.

Private Collection, Bucks County, Pennsylvania. $10,000-15,000 END OF SALE

118 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g.

Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.

119 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

Index Alken, H., 49, 50 Allston, W., 76 Baum, W. E., 173, 174, 175, 189 Birch, S. J. L., 25 Bloch, J., 154 Bluemner, O. F., 133 Braun, M., 122 Bricher, A. T., 80, 81 Briscoe, F. D., 100, 101, 102, 103, 104, 105 British School, 39 Bryant, M. D., 166 Bulman, O., 147 Burliuk, D. D., 140 Burne-Jones, E., 23 Campbell, L. A., 160 Carles, A. B., 157 Champney, B., 85, 87 Chartrand, P., 71 Cole, T., 79 Coppedge, F. I., 179, 180 Costa, G., 4 Costigan, J. E., 130 Cropsey, J. F., 77 D'Acosta, H. W., 15 De Breanski, Sr., A., 22 De Toulouse-Lautrec, H., 32 Del Campo, F. P., 2 Del Prado, M. N., 72, 73 Delacroix, E., 29 Dodd, R., Attributed to, 27 Dommersen, C. C., 10 Doolittle, D. C., 155 Duprat, A. F., 8 Elwell, R. F., 70 Emms, J., 60 English, F. F., 158 Enneking, J. J., 124, 125

Faulkner, H. L., 148, 149, 150 Fery, J., 115 Fiene, E., 143 Folinsbee, J. F., 181 Fong, L., Attributed to, 28 Frieseke, F. C., 128, 129 Frishmuth, H. W., 78 Fromentin, E., 13 Garber, D., 183 Gasser, H. M., 145 Gaubault, A.-É., 7 Gerry, S. L., 83 Gillies, W. G., 24 Hambourg, A., 18 Hamilton, J., 106 Hammitt, C. S., 107, 108 Hardy, H., 59 Henderson, C. C., 43 Henri, R. F., 127 Herring, Jr., 58 Herring, Sr., B., Attributed to, 57 Herzog, H., 94, 97 Hill, T., Attributed to, 86 Hill, T., 116 Horton, W. S., 141 Howard, H., 153 Johnson, D., 82 Johnson, C. R., 185 Kamahira, B., 152 Keith, W., 114 Kent, R., 146 Knight, D. R., 96 Kowalski, L. F., 14 Ladd, L. D. S., 163 Lambdin, G. C., 111 Lathrop, W. L., 159

Lefler, F., 9 Lyne, M., 61, 62, 63 Lynwood, J., 47 Maggs, J., 44 Manzana-Pissarro, G., 17 Marshall, B., 53 Martino, A. P., 171, 176 Martino, G., 177, 178, 187 Martino, A. P., 190, 191 Mason, A. P., Attributed to, 31 Mccarter, H., 156 Mccaw, T. J., 26 Meltzer, A., 167 Moeller, L. C., 112 Munnings, Sir A., 40, 41, 42 Murphy, J. F., 113, 123 Myers, J., 131 Nardi, F., 19 Newcomb, M. G., 67 Nuse, R. C., 165, 170, 186, 192 Osthaus, E. H., 68 Palmer, A. E., 48 Paul, J., 46 Paxson, E. S., 119 Peña, A. X., 74, 75 Phelps, W. P., 88, 89, 90, 91, 92, 93, 95 Phillips, B. G., 120, 121 Pissarro, P. E., 20, 21 Pollard, J., 45 Pomi, A., 1 Potthast, E. H., 135 Price, M. E., 164 Ramsey, M., 110 Redfield, E. W., 172, 182 Rivière, T. L. A., 3 Rowlandson, T.,

Sadler, W. D., 5 Sartorius, J. N., 51, 52, 54, 55 Schell, S. G., 162 Schofield, W. E., 184, 188 Scott, Sir P. M., 64, 65 Seymour, J., 33, 38 Shapleigh, F. H., 84 Solman, J., 132 Soyer, R., 136, 137, 138 Soyer, M., 139 Stull, H., 69 Tait, A. F., 34 Tanner, H. O., 99 Thieme, A., 144 Van Roekens, P. V. J., 161 Vermont, N., 16 Vernet, A. C. H., 30 Veron-Fare, J. H., 6 Verveer, E., 6 Vonnoh, R. W., 126 Vuillard, E., 12 Wagner, F. R., 168 Walker, W. A., 98 Weaver, T., 56 Wedderspoon, R. G., 169 Wieghorst, O. C., 117, 118 Winner, W. E., 109 Woodward, W., 142 Wright, G., 66 Young, C. M., 151 Zorach, W., 134

120 free≤an’s fine american & european paintings & sculpture

06/10/12

Purchase removal, shipping and offsite storage information To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

Fine Jewelry & Watches 06/04/12 including the Ann B. Ritt Collection

Lady’s platinum, emerald and diamond suite by Mauboussin. $28,000-42,000 (£17,500-26,250) To be offered separately

Auction: Monday, June 4th at 12 noon Exhibitions Thursday, May 31st Friday, June 1st Saturday, June 2nd Sunday, June 3rd Please contact the department or www.freemansauction.com for further details Catalogue $20

Inquiries: kate waterhouse direct tel: 215.982.0368 kwaterhouse@freemansauction.com madeline corcoran mccauley direct tel: 267.414.1227 mmccauley@freemansauction.com samuel (beau) m. freeman ii direct tel: 267.414.1200 beaufreeman@freemansauction.com

www.freemansauction.com

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275

Upcoming at Freeman’s

Photographs & Photobooks 09/19/12

NICK BRANDT (british b. 1966) "ZEBRA ON LAKE, NGORONGORO CRATER" 2005, edition 11/25. Pigment print.

28 x 22 in. $6,000-8,000

Currently seeking consignments

Contact: aimee pflieger direct tel: 267.414.1221 apflieger@freemansauction.com

www.freemansauction.com

Books, Manuscripts, Maps, Posters & Ephemera 05/31/12

Upcoming at Freeman’s

Auction: Thursday, May 31st at 10am Exhibitions Tuesday, 29th May Wednesday, 30th May 10am to 6pm Catalogue $20

Inquiries: david bloom tel: 267.414.1246 dbloom@freemansauction.com kerry-lee jeffery tel: 267.414.1247 kjeffery@freemansauction.com

Hand-Colored Engraving with Aquatint and Etching. Audubon, John, James. “Snowy Owls.”

London: R. Havell, 1831. [Plate 121, Birds of America, London, 18271838]. $70,000-100,000 One of ten Audubon folios to be sold.

www.freemansauction.com

“One of the top 100 hotels in the world” Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud to announce our new partnership with Freeman’s. We are pleased to offer Freeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.

215-790-2541, jheim@rittenhousehotel.com

Fine Paintings Thursday, 31st May, 2012 33 Broughton Place, Edinburgh EH1 3RR

AUGUSTUS JOHN O.M., R.A. (WELSH 1878-1961) MAGNOLIA Signed, oil on canvas 91cm x 71cm (36in x 28in)

ÂŁ20,000-30,000 ($32,000-48,000)

Viewing times Sunday 27th May 2pm - 5pm Monday 28th May 10am - 5pm Tuesday 29th May 10am - 5pm Wednesday 30th May 10am - 5pm Morning of Sale by appointment only

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

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3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

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The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and

will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s.

Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

11 No “buy” bids shall be accepted at any time for any purpose.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

absentee bidding form sale no

bidder no

name

business name

address city

state

zip code

e-mail

phone (h)

phone (w)

fax

resale / tax identification

state

25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on the portion of the hammer price exceeding $1,000,000.

All lots.must be paid for and removed within 5 days.

lot no

description

maximum bid please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account n0

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed (signature required to execute your bids)

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: info@freemansauction.com www.freemansauction.com

128 free≤an’s fine american & european paintings & sculpture, including sporting art

06/03/12

Directory specialist departments

American Furniture, Decorative & Folk Art lynda a cain samuel ≤ free≤an ii amy parenti whitney bounty American Silver samuel ≤ free≤an ii amy parenti Asian Arts robert waterhouse richard cervantes tianhan gao English & Continental Furniture, Silver & Decorative Arts david walker benjamin fisher nicholas clarke Fine Jewelry kate waterhouse samuel ≤ free≤an ii madeline mccauley Fine Paintings & Sculpture alasdair nichol david weiss maya o’donnell-shah aimee pflieger Fine Prints anne henry david weiss aimee pflieger maya o’donnell-shah

depart≤ents

officers

Old Master Paintings & Works of Art david weiss maya o’donnell-shah

Appraisals sa≤uel ≤ free≤an ii james e buckley donald e walter

chair≤an samuel ≤ freeman ii

Photographs & Photobooks aimee pflieger

Appraisal Services natalie difeliciantonio

Modern & Contemporary Art anne henry alasdair nichol david weiss aimee pflieger

Consignments samuel h cooper james e buckley

Pop Culture simeon lipman, consultant kerry-lee jeffery Oriental Rugs & Tapestries richard cervantes david weiss Rare Books, Manuscripts, & Ephemera david j bloom kerry-lee jeffery

≤useum Services thomas b. mccabe iv lynda a cain Client Services mary maguire carroll jessica carter bethany mobbs susannah mcgovern bridgette bonner mallory malkasian jocelyn olsen-accad Operations nathan norley gerald lightfoot marlon glover michael fredricks andrew zajack gerald davis alex hampshire

vice chair≤an margaret d freeman vice chair≤an alasdair nichol president paul roberts chief operating officer hanna dougher executive vice president ja≤es e buckley senior vice president david weiss chief financial officer eric a smith vice presidents david j bloom lynda a cain anne henry robert waterhouse samuel t. freeman iii kate waterhouse

Finance jeffrey miller

representatives david weiss Washington, DC dweiss@freemansauction.com Telephone: 202.412.8345

Business Development & ≤arketing tara theune davis thomas b. mccabe iv mary knapp christopher browne

colin clarke Charlottesville, VA cclarke@freemanssouth.com Telephone: 434.296.4096 Fax: 434.296.4011

Trusts & Estates samuel t freeman iii thomas b. mccabe iv natalie difeliciantonio holen mile lewis Photography elizabeth field elizabeth schultz thom clark

kelly wright Boston, MA kwright@freemansauction.com Telephone: 617.367.3400 robert and kate waterhouse Annapolis, MD rwaterhouse@freemansauction.com Telephone: 267.414.1226 john jones Mountain Brook, AL jjones@freemansauction.com Telephone: 205.803.4949

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EDWAR RD WILLIS REDFIELD (american 1869-1965) “EARLY MORNING SUNLIGHT, SPRING” Signed ‘E.W. Redfield’ lower right; also inscribed ‘Early Morning Sunlight, Spring $5,000’ in pencil on upper stretcher, oil on canvas 50 x 56 in. (127 x 142.4cm) In an original Harer frame. provenance: The artist.

Walter Teaagle of the Standard Oil Company.

By descent in the family to the current owner.

Private Collection, Canada.

f i n e a m e r i c a n & e u r o p e a n pa i n t i n g s & s c u l p t u r e

HENRY ALKEN (british 1785-1851) “DEAD HEAT FOR THE DONCASTER ST. LEGER 1850 BETWEEN VOLLIGEUR AND RUSSBOROUGH” Signed ‘H Alken’ bottom right, inscribed and dated ‘Dead Heat for the Doncaster St. Leger / 1850’ bottom left, oil on canvas 14 x 21 in. (135.6 x 53.3cm) provenance: Frost & Reed, London, United Kingdom.

The Sporting Gallery & Bookshop, Inc., New Yorrk.

Estate of Mr. and Mrs. William R. Wister, Oldwick, New Jersey.

Fine American & European Paintings & Sculpture, including Sporting Art 06/03/12