American Art & Pennsylvania Impressionists

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American Art & Pennsylvania Impressionists 06/07/15



American Art & Pennsylvania Impressionists

Auction

Exhibitions

Catalogue

Sale 1520 Sunday, June 7, 2015 at 2pm 1808 Chestnut Street, Philadelphia PA 19103 Wednesday, June 3 Thursday, June 4 Friday, June 5 Saturday, June 6

$32 in the gallery $38 domestic mail $44 international mail

10:00am-5:00pm 10:00am-5:00pm 10:00am-5:00pm 12:00pm-5:00pm By appointment only on the morning of the sale

Inside Front Cover: Lot 68 Inside Back Cover: Lot 113 Visit www.freemansauction.com/catalogue-subscriptions or call 267.414.1256 to purchase a catalogue. Complimentary digital catalogues may be viewed online along with color images of every lot in the auction.


Important Information for Buyers

Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

v2.2015


American Art & Pennsylvania Impressionists Department

Alasdair Nichol Vice Chairman | Head of Department anichol@freemansauction.com 267.414.1211

David Weiss Senior Vice President | Specialist dweiss@freemansauction.com 267.414.1214

Molly Morrow Department Administrator mmorrow@freemansauction.com 267.414.1253

Whitney Long Bids Department wlong@freemansauction.com 267.414.1207

Bethany Mobbs Shipping & Receiving bmobbs@freemansauction.com 267.414.1242

Client Services

Mary Maguire Carroll Director | Client Services mmaguire@freemansauction.com 267.414.1236



American Art lots 1-82

Lot 52 (detail)



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1 151391/1 THOMAS HART BENTON (american 1889-1975) “WRECK OF THE OL’ 97” 1944. Edition of 250. Pencil signed in the margin, lithograph Image Size: 10 3/8 x 15 in. (26.4 x 38.1cm) Sheet Size: 12 3/16 x 16 3/16 in. (31 x 41.2cm) Associated American Artists, publisher. [Fath 63] provenance: Private Collection, Illinois, ca. 1950s. By descent in the family, 1969. Private Collection, Kentucky. $10,000-15,000


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2 142569/1 THOMAS HART BENTON (american 1889-1975) “INSTRUCTION” 1940. Edition of 250. Pencil signed in the margin, lithograph Image Size: 10 7/16 x 12 5/16 in. (26.6 x 31cm) Sheet Size: 12 1/4 x 14 1/8 in. (31.1 x 35.9cm) Associated American Artists, publisher. [Fath 41] provenance: Associated American Artists, New York, New York. Private Collection, Mississippi. $2,000-3,000

3 151166/3 MARSDEN HARTLEY (american 1877-1943) “FLOWERS IN GOBLET NO. 6” Pencil signed and dated ‘Marsden Hartley 1923’ bottom right, lithograph Image size: 19 1/2 x 13 3/4 in. (49.53 x 34.93cm) Sheet size: 25 1/2 x 19 3/4 in. (64.77 x 50.17cm) together with: GRAPES Pencil signed and dated ‘Marsden Hartley 1923’ bottom right, lithograph Image size: 11 x 13 1/2 in. (29.2 x 34.3cm) Sheet size: 13 1/2 x 15 3/8 in. (34.3 x 39.1cm) provenance: Babcock Galleries, New York, New York (“Grapes”). Private Collection, Florida. $4,000-6,000

4 145053/18 JOHN FRENCH SLOAN (american, 1871-1951) “MOSAIC” 1917. Edition of 100. Pencil signed and inscribed ‘100 proofs’ in margin; also inscribed ‘#59’ bottom left, etching with aquatint Image size: 8 x 9 3/4 in. (20.3 x 24.8cm) Sheet size: 11 x 14 in. (27.9 x 35.6cm) [Morse 185] provenance: Kraushaar Galleries, New York, New York. Private Collection, New Jersey. $2,000-3,000


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5 151063/1 FRANCES HAMMELL GEARHART (american 1869-1958) “UNTROUBLED WATERS” Inscribed with title bottom left, numbered ‘40.3’ bottom left; also with artist and title verso, color woodcut Image size: 10 3/8 x 9 1/16 in. (26.6 x 22.9cm) Sheet size: 12 1/2 x 10 1/2 in. (31.8 x 26.7cm) provenance: Private Collection, New York, New York. $2,500-4,000

6 151063/2 FRANCES HAMMELL GEARHART (american 1869-1958) “AUSTERITY” Signed ‘Frances H. Gearhart’ bottom right, inscribed with title bottom left, and numbered ‘118.9’ bottom left; also inscribed with artist and title verso, color woodcut Image size: 14 3/4 x 11 in. (37.5 x 27.9cm) Sheet size: 18 1/2 x 12 1/2 in. (47 x 31.8cm) provenance: Private Collection, New York, New York. $2,000-3,000


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7 142318/3 CHARLES B. LAWRENCE (american 1790-1864) LANDSCAPE WITH CHILDREN, DOG, AND DISTANT BOATS Signed, dated, and located ‘CBLawrence Pinx/ Philad 1827’ bottom right, oil on panel 26 x 42 1/2 in. (66 x 108cm) provenance: Private Collection, New York, New York. $2,000-3,000

8 151026/1 FERDINAND RICHARDT (american/danish 1819-1895) MOUNT WASHINGTON Signed ‘F. Richardt’ bottom right, oil on canvas laid to board 11 1/4 x 17 1/4 in. (28.6 x 43.8cm) provenance: North Point Gallery, San Francisco, California. Acquired from the above, 1991. Private Collection, Maryland. $4,000-6,000

9 142495/1 WILLIAM STANLEY HASELTINE (american 1835-1900) SHIP OFF THE COAST Signed ‘W.S. Haseltine’ bottom right, oil on canvas 13 1/4 x 17 1/4 in. (33.7 x 43.8cm) provenance: Private Collection, Indiana. $3,000-5,000


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10 151090/5 EDMUND DARCH LEWIS (american 1835-1910) COWS WATERING Signed and dated ‘Edmund D. Lewis 1866’ bottom left, oil on canvas 16 x 27 in. (40.6 x 68.6cm) provenance: Private Collection, Delaware. $2,000-3,000

11 142400/1 EDMUND DARCH LEWIS (american 1835-1910) MOUNTAIN LANDSCAPE WITH WATERFALL Signed ‘Edmund D. Lewis’ and indistinctly dated bottom right, oil on canvas 24 1/4 x 42 1/2 in. (61.6 x 108cm) provenance: Private Collection, Philadelphia, Pennsylvania. $2,000-3,000

12 142434/1 EDMUND DARCH LEWIS (american 1835-1910) SUMMER LANDSCAPE WITH LAKE AND COWS Signed and dated ‘Edmund D. Lewis 1880’ bottom right, oil on canvas 24 x 42 in. (61 x 106.7cm) provenance: Bourgeault Antiques, New Hampshire. Acquired from the above, 1979. Private Collection, Austin, Texas. By descent in the family. Private Collection, Texas. $2,000-3,000


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13 142254/1 LOVELL BIRGE HARRISON (american 1854-1929) THE PAINTING LESSON Signed, located, and dated ‘L.B. Harrison/ Paris 1878’ bottom right; also with ‘HARDY-ALAN’ stencil verso, oil on canvas 32 1/8 x 25 7/8 in. (81.6 x 65.7cm) provenance: Private Collection, New Jersey. $3,000-5,000

14 142398/1 GEORGE WRIGHT (american late 19th/early 20th century) NAP TIME Signed, dated, and located ‘George Wright / Phila 1884’ bottom left, oil on canvas 20 x 16 in. (50.8 x 40.6cm) provenance: Freeman’s, Philadelphia, ca. 1940. Private Collection, Pennsylvania. By descent in the family. Private Collection, Florida. note: The present painting may have been executed by the artist George W. Wright (1834-1934). An American who painted Victorian genre scenes, examples of his works can be found in the Hudson River Museum, New York. $2,500-4,000


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15 141353/32 JOHN SINGER SARGENT (american 1856-1925) STUDY OF THE FIGURE PHILOSOPHY FOR A PANEL OVER THE LIBRARY DOOR, MUSEUM OF FINE ARTS, BOSTON Charcoal on paper, unframed 19 5/8 x 8 5/8 in. (49.6 x 21.7cm) provenance: Emily Sargent & Violet Ormond. Thomas A. Fox, Boston, Massachusetts. Central Picture Galleries, New York, New York, 1968. T. Gilbert Brouillette, Falmouth, Massachusetts, 1968. B. Gertrude Denton, Detroit, Michigan, 1970. The Collection of Rev. John L. Walch, Oklahoma City, Oklahoma, 1970. Acquired from the above, 2005. Private Collection, Oklahoma City, Oklahoma. exhibited: “Oklahoma City Collects.” Oklahoma Museum of Art, Oklahoma City, March, 1974. note: The present drawing will be accompanied by a letter of authenticity from the John Singer Sargent Catalogue Raisonné Committee, New York. $5,000-8,000

16 141353/21 JOHN SINGER SARGENT (american 1856-1925) STUDY OF THE FIGURE ATHENA MINERVA FOR THE MURAL ‘CLASSIC AND ROMANTIC ART’ Charcoal on paper, unframed 18 3/4 x 24 11/16 in. (47.6 x 62.9cm) provenance: Emily Sargent & Violet Ormond. Thomas A. Fox, Boston, Massachusetts. Central Picture Galleries, New York, New York, 1968. T. Gilbert Brouillette, Falmouth, Massachusetts, 1968. B. Gertrude Denton, Detroit, Michigan, 1970. The Collection of Rev. John L. Walch, Oklahoma City, Oklahoma, 1970. Acquired from the above, 2005. Private Collection, Oklahoma City, Oklahoma. exhibited: “Oklahoma City Collects.” Oklahoma Museum of Art, Oklahoma City, March, 1974. note: The finished composition can be found in the dome of the rotunda at the Museum of Fine Arts, Boston. The present drawing will be accompanied by a letter of authenticity from the John Singer Sargent Catalogue Raisonné Committee, New York. $5,000-8,000


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17 141360/1 WILLIAM TROST RICHARDS (american 1833-1905) “SCENES ON THE SCOTTISH COAST” Signed ‘Wm T. Richards’ and indistinctly dated bottom left, oil on canvas 19 1/4 x 32 1/4 in. (48.9 x 81.9cm) provenance: Private Collection, New Jersey. By descent in the family. Private Collection, New Jersey. $8,000-12,000

18 151496/2 WILLIAM FREDERICK DE HAAS (american 1830-1880) VIEW OF THE HUDSON Signed and dated ‘William F de Haas 77’ bottom left, oil on canvas 18 x 30 in. (45.7 x 76.2cm) provenance: Private Collection, Connecticut. $6,000-8,000


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19 151069/1 CONRAD WISE CHAPMAN (american 1842-1910) “VALLEY OF PUEBLA” Signed in ligature, dated, and located ‘CWChapman Mexico 1898’ bottom left; also inscribed ‘Valley of Puebla from the Pyramid of Cholula, for Eustace Barron, Esq. - by C.W. Chapman’ verso, oil on board 5 3/4 x 9 1/4 in. (13.3 x 23.5cm) provenance: Private Collection, Pennsylvania. note: We are grateful to Dr. Ben Bassham, author of Conrad Wise Chapman: Artist & Soldier of the Confederacy (Kent, Ohio, 1998) for his assistance in researching and cataloguing this lot. According to Dr. Bassham, the painting’s subject matter, which depicts a horizontal, panoramic view of the landscape in the Valley of Mexico, is consistent with the artist’s oeuvre. The painting also includes salient stylistic treatment of figures, animals, trees, and other plants, as well as characteristic handling of atmospheric effects and brushwork techniques. The color choices are also highly typical of Chapman's pallet; the Naples yellow, burnt siennas, viridian greens, and lavenders correspond to many other paintings executed by the artist in the 1890s. Dr. Bassham notes that the inscription on the back most likely refers to the recipient of the painting, Eustace Joseph Barron, a member of the Barron Family, who settled in Mexico in the early nineteenth century from Spain, and was involved in mining and banking there. The present painting will be accompanied by his letter of research and opinion of authenticity. $12,000-18,000


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20 151091/1 CHARLES CARYL COLEMAN (american 1840-1928) “TERRACE OFF VILLA HAAN, ISOLA CAPRI” Signed with monogram, located ‘Capri’, and dated ‘1890’ bottom left; also inscribed with title in pencil verso 9 5/8 x 13 in. (24.2 x 33cm) provenance: The Artist. Acquired from the above by Charles K. Landis, Capri, 1890. Gifted to Vineland Historical Society, New Jersey, by the Estate of Charles K. Landis, 1931. note: The present painting will be included in the forthcoming Catalogue Raisonné of Coleman’s works compiled by Dr. Adrienne Baxter Bell. Proceeds to benefit the Vineland Historical and Antiquarian Society, Vineland, New Jersey. $3,000-5,000

21 151216/1 FREDERICK ARTHUR BRIDGMAN (american 1841-1895) PORTRAIT OF A GIRL IN ORIENTALIST DRESS Signed and dated ‘F A Bridgman 1878’ bottom right, oil on canvas 13 3/4 x 10 3/4 in. (34.9 x 27.3cm) provenance: An estate, Pittsburgh, Pennsylvania. Acquired from the above. Private Collection, West Virginia. By descent in the family. Private Collection, North Carolina. $2,000-3,000

22 142353/2 BEN AUSTRIAN (american 1870-1921) “CHICK TALK” Signed and dated ‘Ben Austrian/ 1908’ bottom right; also inscribed with artist and title on label verso, oil on canvas 8 x 10 in. (20.3 x 25.4cm) provenance: Walter Baum Galleries, Sellersville, Pennsylvania. Private Collection, Pennsylvania. $2,000-3,000


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23 141360/23 HERMANN HERZOG (american/german 1831-1932) RIVER LANDSCAPE WITH PALM TREES Signed ‘H. Herzog’ bottom left, oil on canvas 19 x 16 in. (48.3 x 40.6cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $3,000-5,000


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24 141360/16 HERMANN HERZOG (american/german 1831-1932) GLACIAL LAKE WITH FLYING GEESE Signed ‘ H. Herzog’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $4,000-6,000

25 141360/11 HERMANN HERZOG (american/german 1831-1932) SUNRISE OVER THE WATER WITH DUCKS Signed ‘H. Herzog’ bottom right, oil on canvas 20 x 30 in. (50.8 x 76.2cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $5,000-8,000

26 141360/8 HERMANN HERZOG (american/german 1831-1932) MOOSE IN A GLACIAL LANDSCAPE Signed ‘H. Herzog’ bottom right, oil on canvas 19 1/4 x 27 in. (48.9 x 68.6cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $1,500-2,500


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27 141360/3 HERMANN HERZOG (american/german 1831-1932) “THE FALL OF HEMDALEN” Signed ‘H. Herzog’ bottom left, oil on canvas 36 x 30 in. (91.4 x 76.2cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $6,000-10,000

28 141360/9 HERMANN HERZOG (american/german 1831-1932) MOUNTAIN VALLEY WITH EAGLE Signed ‘H. Herzog’ bottom right, oil on canvas 33 x 23 in. (83.82 x 58.4cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $2,500-4,000

29 141360/15 HERMANN HERZOG (american/german 1831-1932) “WATERFALL, GERMANY” Signed ‘ H. Herzog’ bottom right, oil on canvas 33 x 23 in. (83.8 x 58.2cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $4,000-6,000


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30 141360/13 HERMANN HERZOG (american/german 1831-1932) ALPINE LANDSCAPE WITH BOY, DOG, AND EAGLE Signed ‘H. Herzog’ bottom left, oil on canvas 20 x 27 in. (50.8 x 68.6cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $3,000-5,000

31 141360/10 HERMANN HERZOG (american/german 1831-1932) ALPINE VALLEY WITH FIGURES AND CHALETS Signed ‘H. Herzog’ bottom right, oil on canvas 20 x 28 in. (50.8 x 71.1cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $3,000-5,000

32 141360/14 HERMANN HERZOG (american/german 1831-1932) TOWN ON A CANAL Signed ‘H. Herzog’ bottom right, oil on canvas 22 x 28 in. (55.9 x 71.1cm) provenance: The Artist. By descent in the family. Acquired from the above as part of a grouping by R.M. Norstrom, ca. 1944. Acquired from the above. Private Collection, New Jersey. $2,000-3,000


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33 151335/3 RALPH ALBERT BLAKELOCK (american 1847-1919) “INDIAN ENCAMPMENT” Signed ‘RA Blakelock’ bottom right, oil on canvas 16 1/8 x 24 1/4 in. (41.15 x 61.6cm) provenance: Borghi and Co., New York, New York. Bonham’s, New York, sale of May 21, 2008, lot 1005. Private Collection, New York, New York. note: The present painting is recorded as no. 1011 Blakelock Inventory from the University of Nebraska (cat. III). $10,000-15,000


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34 151431/1 JOHN JOSEPH ENNEKING (american 1841-1916) “NOVEMBER” Signed and dated ‘Enneking 75’ bottom left; also inscribed with artist and title on labels verso, oil on canvas 31 3/4 x 39 1/2 in. (80.65 x 100.33cm) provenance: Vose Galleries, Boston, Massachusetts (as “Cloudy Day, October”). Pierce Galleries, North Abington, Massachusetts (as “Cattle Grazing”). Private Collection, New York. literature: Patricia Jobe Pierce and Marco Pierce, John Joseph Enneking Catalogue Raisonné, vol. 3, no. III-C250. $10,000-15,000

35 151456/1 JOHN JOSEPH ENNEKING (american 1841-1916) “TROUT BROOK” Signed and dated ‘Enneking 90’ bottom right, oil on canvas 22 x 30 in. (55.88 x 76.2cm) provenance: Arvest Galleries, Essex, Massachusetts. Pierce Galleries, Hingham, Massachusetts. Private Collection, New York. literature: Patricia Jobe Pierce and Marco Pierce, John Joseph Enneking Catalogue Raisonné, vol.4, no. IV-B241.1. $8,000-12,000


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36 151459/2 LEE LUFKIN KAULA (american 1865-1957) “A QUIET EVENING” Inscribed with artist and title on label verso, oil on canvas 29 x 29 in. (73.66 x 73.66cm) provenance: Private Collection, Bucks County, Pennsylvania. Acquired from the above. Private Collection, New Jersey. $8,000-12,000

37 151224/1 ROBERT WILLIAM VONNOH (american 1858-1933) “GIRL FROM THE NORTH” Signed ‘Vonnoh’ upper left, oil on canvas 14 x 11 1/4 in. (35.6 x 27.9cm) provenance: Skinner Auctioneers, Boston, sale of September 7, 2012, lot 607. Acquired from the above. Private Collection, New York, New York. $6,000-10,000


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38 151453/1 ROBERT WILLIAM VONNOH (american 1858-1933) “MYSTIC SUMMER” Signed ‘Vonnoh’ bottom left, oil on board 14 x 19 1/4 in. (35.6 x 48.9cm) provenance: R.H. Love Galleries, Chicago, Illinois. Knoke Galleries, Atlanta, Georgia. Private Midwestern Collection. $5,000-8,000

39 151481/1 EDMUND CHARLES TARBELL (american 1862-1938) STILL LIFE WITH FLOWERS AND STATUE Signed and dated ‘Tarbell 36’ bottom right, oil on canvas 30 x 25 in. (76.2 x 63.5cm) provenance: Mary Tarbell Schaffer, daughter of the Artist. By descent in the family. Tarbell Clay Hoes, granddaughter of the artist. By descent in the family. Private Collection, New York, New York. $7,000-10,000


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40 151139/2 GEORGE LOFTUS NOYES (american/canadian 1864-1954) HOUSE IN A SPRING LANDSCAPE Signed ‘G. L. Noyes’ bottom left, oil on canvas 25 x 30 1/8 in. (63.5 x 76.5cm) provenance: Private Collection, New Jersey. $12,000-18,000


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41 151166/2 MAURICE BRAZIL PRENDERGAST (american 1858-1924) “LANDSCAPE WITH FIGURES” Signed ‘Prendergast’ bottom right; also with artist and title on label, and inscribed ‘Maurice Prendergast/ painted in Massachusetts/ Walter Pach’ on stretcher bar verso, oil on panel 10 1/4 x 13 3/4 in. (26 x 34.9cm) provenance: Walter Pach and Estate. Acquired from the above. Salander-O’Reilly Gallery, New York, New York, 1983. Private Collection, Florida. literature: Carol Clark, Nancy Mowll Mathews, & Gwendolyn Owens, Maurice Brazil Prendergast/ Charles Prendergast: A Catalogue Raisonné, Williams College Museum of Art, no. 264, p. 264 (illustrated). Richard J. Wattenmaker, "Maurice Prendergast," Allen Memorial Art Museum Bulletin, Oberlin College, no. 40, 1982-1983, pp. 25-37 (as "Sea and Boats"). $100,000-150,000


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42 151272/3 JULIAN ONDERDONK (american 1882-1922) “AUTUMN EVENING” Signed ‘Julian Onderdonk’ bottom left; also signed, titled, and dated ‘1909’ in pencil verso, oil on board 10 1/2 x 14 1/8 in. (26.7 x 35.9cm) provenance: Private Collection, Colorado. Acquired from the above. Private Collection, New Jersey. note: The present painting will be included in the forthcoming Catalogue Raisonné of the artist's works compiled by Harry Halff and Lisa Halff. $10,000-12,000

43 158038/1 ADOLPH ROBERT SHULZ (american, 1869-1963) INDIANA FIELD IN WINTER Signed ‘A.R. Shulz’ bottom left, oil on panel 8 7/8 x 12 1/8 in. (22.6 x 30.9cm) provenance: Private Collection, Virginia. $1,500-2,500


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44 142548/1 THEODORE CLEMENT STEELE (american 1847-1926) COWS WATERING BY A STREAM Signed 'T.C. Steele' and indistinctly dated bottom right, oil on canvas 19 1/8 x 24 in. (48.6 x 61cm) provenance: Private Collection, Hanover, New Hampshire. By descent in the family. Private Collection, West Chester County, New York. $20,000-30,000


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45 151176/1 JONAS LIE (american/norwegian 1880-1940) “LANDING FISH, PERCE ROCK” Signed ‘Jonas Lie/ S.L.’ bottom left, oil on canvas 32 1/4 x 37 1/4 in. (81.9 x 94.6cm) provenance: Vose Galleries, Boston, Massachusetts. Private Collection, Pennsylvania. exhibited: Rhode Island School of Design, n.d. note: The present painting is recorded as no. 729 in the Jonas Lie Estate inventory. $5,000-8,000

46 151220/1 JONAS LIE (american/norwegian, 1880-1940) “ON THE COAST” Signed and dated ‘Jonas Lie 1920’ bottom right, oil on canvas 22 x 26 in. (55.9 x 66cm) provenance: Ainslie Galleries, New York, New York. Private Collection, California. $5,000-8,000


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47 151482/1 FREDERICK JUDD WAUGH (american 1861-1940) ROCKY SEASCAPE Signed ‘Waugh’ bottom right, oil on canvas 25 1/4 x 30 in. (64.1 x 76.2cm) provenance: Sotheby’s, New York, sale of March 25, 1997, lot 139. Acquired from the above. Private Collection, North Carolina. $6,000-10,000

48 151497/1 GEORGE GARDNER SYMONS (american 1863-1930) “WINTER SCENE” Signed ‘Gardner Symons’ bottom right; also inscribed with artist and title on label verso, oil on canvas 20 x 25 in. (50.8 x 63.5cm) provenance: Private Collection, St. Louis, Missouri. William A. Karges Fine Art Gallery, Carmel, California. Acquired from the above. Private Collection, Washington. $10,000-15,000


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49 151456/3 ANTHONY THIEME (american 1888-1954) “HARBOR SCENE” Signed ‘A Thieme’ (scratched out) bottom right; also with artist’s stamp and inscribed with title verso, oil on canvas 25 x 29 in. (63.5 x 73.66cm) provenance: Marine Arts Gallery, Salem, Massachusetts. Acquired from the above. Private Collection, New York. $7,000-10,000


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50 151456/2 EMILE ALBERT GRUPPE (american 1896-1978) “THE YANKEE DOCKING” Signed ‘Emile A. Gruppe’ bottom right; also inscribed with artist, title, and date ‘1959’ on stretcher bar verso, oil on canvas 30 x 35 in. (76.2 x 88.9cm) provenance: The Artist. Acquired from the above, ca. 1977. Private Collection, New York. $7,000-10,000


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51 151025/1 NEWELL CONVERS WYETH (american 1882-1945) “HOWEVER, AT LAST I TAUGHT HIM TO CALL ME BY MY NAME VERY FAMILIARLY” Signed with monogram bottom left, oil on canvas, unframed 24 3/8 x 26 1/4 in. (61.9 x 66.7cm) provenance: The Artist. Acquired from the above by the present owner, 1923. Property from the Wilmington Institute Library. exhibited: (Possibly) Boston Public Library, Boston, Massachusetts,1923. Wilmington, Delaware, 1981. literature: Daniel Defoe, Robinson Crusoe, New York, 1920, cover illustration, (edition with maroon binding) and cover label (undated edition, Philadelphia). Douglas Allen and Douglas Allen, Jr., N.C. Wyeth, The Collected Paintings, Illustrations and Murals, New York, 1972, p. 203. Christine B. Podmaniczky, N.C. Wyeth: Catalogue Raisonné of Paintings, vol. one, London, 2008, p. 402, no. I.809, (as “Robinson Crusoe, cover, 1920”) (illustrated). $80,000-120,000


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52 151025/2 NEWELL CONVERS WYETH (american 1882-1945) “I REAPED IT MY WAY, FOR I CUT NOTHING OFF BUT THE EARS, AND CARRIED IT AWAY IN A GREAT BASKET WHICH I HAD MADE” Signed ‘NC Wyeth’ bottom right, oil on canvas, unframed 40 3/4 x 30 1/4 in. (103.5 x 76.8cm) provenance: The Artist. Acquired from the above by the present owner, 1923. Property from the Wilmington Institute Library. exhibited: Wilmington, Delaware, 1921, no. 85 (as “Robinson Crusoe and His Grainfield”). Philadelphia Art Alliance (?), Philadelphia, Pennsylvania, 1921. (Possibly) Boston Public Library, Boston, Massachusetts, 1923. Harrisburg, Pennsylvania, 1965, no. 94 (as “The Reaper”). Chadds Ford, 1976. Wilmington, Delaware, 1981. Chadds Ford, Pennsylvania, 1985. literature: Daniel Defoe, Robinson Crusoe, New York, 1920, opp. 154 (illustrated). Douglas Allen and Douglas Allen, Jr., N.C. Wyeth, The Collected Paintings, Illustrations and Murals, New York, 1972, p. 203. Christine B. Podmaniczky, N.C. Wyeth: Catalogue Raisonné of Paintings, vol. one, London, 2008, p. 405, no. I.817, (illustrated). $100,000-150,000


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53 151047/2 VIOLET OAKLEY (american 1874-1960) “COLOR STUDY FOR GEORGE WASHINGTON MARCHING THROUGH PHILADELPHIA 1977 (THE WAY TO THE BRANDYWINE)” Mixed media on canvasboard 17 5/8 x 24 5/8 in. (44.8 x 62.5cm) provenance: The Artist. Donated by the above to the Moral Rearmament Estate, Armonk, New York. Acquired from the above, 1970. By descent in the family. Private Collection, Connecticut. exhibited: Architectural League of New York Annual Exhibition, n.d. $10,000-15,000


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54 151047/1 VIOLET OAKLEY (american 1874-1960) “GENERAL MEADE AND PENNSYLVANIA TROOPS IN CAMP BEFORE GETTYSBURG” Mixed media on canvasboard 17 5/8 x 24 1/2 in. (44.8 x 62.2cm) provenance: The Artist. Donated by the above to the Moral Rearmament Estate, Armonk, New York. Acquired from the above, 1970. By descent in the family. Private Collection, Connecticut. exhibited: Architectural League of New York Annual Exhibition, n.d. note: The present work is an original sketch for a mural in the Pennsylvania State Capitol building in Harrisburg. $10,000-15,000


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55 158024/1 OGDEN MINTON PLEISSNER (american 1905-1983) “JUNE, HELL’S HALF ACRE” Signed ‘Pleissner’ bottom right; also inscribed with title bottom left with: "JUNE-DEVIL'S HALF ACRE" verso; inscribed ‘June-/ Devil’s Half Acre/ Ristigouche; also affixed with exhibition label bottom right, watercolor on paper 20 1/4 x 27 1/4 in. (51.44 x 69.22cm) provenance: Private Collection, Virginia. exhibited: “New Water-Colours of Trout and Salmon Fishing by Ogden M. Pleissner”, The Sporting Gallery and Bookshop, New York, New York, April 2-24, 1937, no. 12. literature: Charles Phair. Atlantic Salmon Fishing, New York, 1937, p. 19 (illustrated). note: The present watercolor will be accompanied by the aforementioned book by Charles Phair. $20,000-30,000


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56 151272/2 OGDEN MINTON PLEISSNER (american 1905-1983) “THE UPPER MARGAREE-CAPE BRETON (SALMON FISHING)” Signed and dated ‘Pleissner 31’ bottom left, oil on canvas laid to board 12 x 16 in. (30.5 x 40.6cm) provenance: Casson Galleries, Boston, Massachusetts. Acquired from the above. Dr. Gilbert Horrax, Boston, Massachusetts. By descent to his son, Dr. Trudeau, Horrax, Philadelphia, Pennsylvania. Freeman’s, “Fine American and European Paintings,” June 21, 2009, lot 85. Acquired from the above. Private Collection, New Jersey. $12,000-18,000


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57 151496/1 JOHANN BERTHELSEN (american 1883-1972) “WASHINGTON SQUARE, NEW YORK CITY” Signed ‘Johann Berthelsen’ bottom right; also inscribed with artist and title verso, oil on canvas 16 1/8 x 12 in. (41 x 30.5cm) provenance: Private Collection, Connecticut. $4,000-6,000

58 151139/3 CARL SPRINGER (american 1874-1935) SNOWY TOWN Signed ‘Carl Springer’ bottom right, oil on canvas 24 1/2 x 29 1/2 in. (62.2 x 74.9cm) provenance: Private Collection, New Jersey. $4,000-6,000


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59 151335/4 ALFRED HENRY MAURER (american 1868-1932) “PAYSAGE” Signed ‘A.H. Maurer’ bottom left, oil on board laid to fiberboard 17 3/4 x 22 in. (45.09 x 55.88cm) provenance: The Artist. Acquired from the above by Baroness Margrethe von Seebeck (Wife of Grand General von Seebeck, under Kaiser Wilhelm 1914-1918), Germany. Tobey C. Moss Gallery, Los Angeles, California. Christie’s, New York, sale of November 11, 2007, lot 42. Private Collection, New York, New York. $20,000-30,000


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60 142569/2 THOMAS HART BENTON (american 1889-1975) “OVENS IN FRONT OF TAOS PUEBLO” Signed ‘Benton’ bottom left, sepia, charcoal, and ink on paper 8 1/4 x 11 1/4 in. (21 x 28.6cm) provenance: Nedra Matteucci Galleries, Santa Fe, New Mexico. Acquired from the above. Private Collection, Mississippi. exhibited: “Artistic Crossroads: Historic New Mexico Paintings”. Nedra Matteucci Galleries, Santa Fe, New Mexico. November 4-26, 2005. note: The present drawing is believed to have been executed between 1930 and 1940. $4,000-6,000

61 151166/1 PRESTON DICKINSON (american 1891-1930) “LANDSCAPE” Signed ‘Preston Dickinson’ bottom right, oil, pencil, and watercolor on paper laid to board 8 7/16 x 11 3/16 in. (21 .5 x 28.5cm) provenance: Munson Gallery, New Haven, Connecticut. Columbus Gallery of Fine Arts. Kraushaar Galleries, New York, New York. Weyhe Gallery, New York, New York. Davis Gallery, New York, New York. Private Collection, Florida. $5,000-8,000


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62 151418/1 ALBERT EUGENE GALLATIN (american 1882-1952) “NO. 20” Inscribed ‘No 20/ A.E. Gallatin/ 1949’ verso, oil on board 16 x 12 in. (40.6 x 30.5cm) provenance: Willard Gallery, New York, New York. Private Collection, New York. By descent in the family. Private Collection, Connecticut. $8,000-12,000


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63 151485/1 JOHN W. MCCOY (american 1910-1989) CABIN WITH BIRDHOUSE BY A LAKE Signed ‘John W. McCoy’ bottom left, watercolor on paper 30 x 22 in. (76.2 x 55.9cm) provenance: The Estate of Ann Wyeth McCoy. Acquired from the above. Private Collection, Delaware. $2,000-3,000

64 151168/1 DAVID DAVIDOVICH BURLIUK (american/ukranian 1882-1967) PIPE SMOKER WITH HARBOR BEYOND Signed ‘Burliuk’ and indistinctly dated bottom left, oil on panel 11 1/2 x 8 5/8 in. (29.2 x 22.7cm) provenance: The Artist. Acquired from the above. Private Collection, Boston, Massachusetts. By descent in the family. Private Collection, Florida. $2,000-3,000

65 151422/9 ROBERT ARTHUR GOODNOUGH (american 1917-2010) ABSTRACT COMPOSITION Signed ‘Goodnough’ bottom right and dated twice ‘12/19/61’ and ‘12/20/61’ upper left; also signed and inscribed ‘SMALL/ PAN/ KK/ goodnough’ verso, mixed media on board 13 1/2 x 13 1/2 in. (34.29 x 34.29cm) provenance: Private Collection, New York, New York. $2,000-3,000


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66 151504/1 ALLAN HOUSER (american 1914-1994) “RIO GRANDE MAIDEN I” Signed and dated ‘Allan Houser © 1991 3/6’ bottom verso, bronze with brown patina and concrete base 67 x 21 x 11 in. (170.2 x 53.3 x 27.9cm) With base: 76.5 x 12 x 12 in. (194.3 x 53.3 x 30.5cm) provenance: Glenn Green Galleries, Scottsdale, Arizona. Acquired from the above, 1996. Private Collection, Washington, DC. $25,000-40,000


Property from the Estate of Theodore & Aristea S. Helkadis

67 151454/5 MARTHA WALTER (american 1875-1976) AT THE SEASIDE Oil on panel 7 1/2 x 11 in. (19.1 x 27.9cm) provenance: The Estate of Theodore and Aristea S. Halkedis, New York, New York. note: Although Theodore Halkedis lived in Manhattan, he was born in Philadelphia and graduated from Pennsylvania State University. Following service in the United States Army he went on to become a prominent figure in the international shipping business. Together with his wife Aristea, originally of Lowell, Massachusetts, he assembled an impressive art collection with a strong emphasis on antiquities, Egyptology and Orientalist Art. His fine collection of works by Martha Walter, another native Philadelphian, which was somewhat outside the primary focus of his collecting, was perhaps a nod towards his origins. Other works from the Estate of Theodore & Aristea Halkedis will feature in future auctions at Freeman’s. $7,000-10,000


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68 151454/1 MARTHA WALTER (american 1875-1976) “COLORFUL GROUP” Signed ‘Martha Walter’ bottom left, oil on board 14 x 17 3/4 in (35.6 x 45.1cm) provenance: David David Gallery, Philadelphia, Pennsylvania. The Estate of Theodore and Aristea S. Halkedis, New York, New York. $40,000-60,000


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69 151454/6 MARTHA WALTER (american 1875-1976) MOTHER AND CHILD Signed ‘Martha Walter’ bottom left, oil on canvas 26 x 21 in. (66 x 53.3cm) provenance: The Estate of Theodore and Aristea S. Halkedis, New York, New York. $8,000-12,000


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70 151454/4 MARTHA WALTER (american 1875-1976) “SULTRY DAY” Signed ‘Martha Walter’ bottom right, oil on board 14 x 18 in. (35.6 x 45.7cm) provenance: Hammer Gallery, New York, New York. The Estate of Theodore and Aristea S. Halkedis, New York, New York. $40,000-60,000


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71 151454/3 MARTHA WALTER (american 1875-1976) CLOUDY DAY ON THE BEACH Signed ‘Martha Walter’ bottom left, oil on panel 6 1/2 x 9 3/4 in. (16.5 x 24.8cm) provenance: The Estate of Theodore and Aristea S. Halkedis, New York, New York. $5,000-8,000

72 151454/7 MARTHA WALTER (american 1875-1976) “PARIS IN WINTER, 1904” Inscribed with artist and title on label verso, oil on panel 6 1/2 x 8 1/2 in. (16.5 x 21.6cm) provenance: David David Gallery, Philadelphia, Pennsylvania. The Estate of Theodore and Aristea S. Halkedis, New York, New York. $3,000-5,000

73 151454/13 MARTHA WALTER (american 1875-1976) AFRICAN CAFÉ Signed ‘Martha Walter’ bottom right; also with artist and partial title on label verso, oil on panel 15 x 18 in. (38.1 x 45.7cm) provenance: David David Gallery, Philadelphia, Pennsylvania. The Estate of Theodore and Aristea S. Halkedis, New York, New York. $1,500-2,500


Other Properties 74 151481/2 MARTHA WALTER (american 1875-1976) GIRL IN HAT WITH TWO FIGURES OUTDOORS Oil on canvas 30 x 24 in. (76.2 x 61cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. $8,000-12,000


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75 151472/1 MARTHA WALTER (american 1875-1976) STILL LIFE WITH ROSES Signed ‘Martha Walter’ bottom right, oil on canvas laid to board 25 1/4 x 30 in. (64.14 x 76.2cm) provenance: Private Collection, New York, New York. $4,000-6,000

76 151218/1 MARTHA WALTER (american 1875-1976) “BRETON NURSES” Signed ‘Martha Walter’ upper left, oil on panel 8 3/4 x 10 3/4 in. (22.2 x 27.3cm) provenance: David David Gallery, Philadelphia, Pennsylvania. Private Collection, Georgia. $3,000-5,000

77 151249/1 MARTHA WALTER (american 1875-1976) “VENICE BRIDGE” Signed ‘Martha Walter’ bottom right; also inscribed ‘385’ verso, watercolor on paper 9 7/8 x 11 3/4 in. (25.1 x 29.8cm) provenance: Estate of the Artist, no. 385. Private Collection, Ohio. $2,000-3,000


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78 151481/3 MARTHA WALTER (american 1875-1976) “CARD GAME ON ITALIAN DOCKS AT GLOUCESTER” Signed ‘Martha Walter’ bottom right; also inscribed with title verso, oil on board 13 7/8 x 17 7/8 in. (35.5 x 45.6cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. $6,000-10,000

79 151475/1 HENRY BAINBRIDGE MCCARTER (american 1864-1942) STEAM SHIPS IN AN INDUSTRIAL HARBOR Signed ‘Henry McCarter’ bottom right, oil on canvas 32 x 40 in. (81.3 x 101.6cm) provenance: Pook and Pook Inc., sale of October 26, 2007, lot 142. Acquired from the above. Private Collection, Maryland. $5,000-8,000


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80 158034/1 LAURA D. STROUD (MRS. WESTRAY) LADD (american 1863-1943) “BRIDGE” Signed ‘Laura D. S. Ladd’ bottom left, oil on canvas 34 x 36 in. (86.4 x 91.4cm) provenance: The Lawrence Gallery, New York, New York. Acquired from the above, ca. 1980. Private Collection, Virginia. $6,000-10,000

81 151456/4 ELIZABETH FISHER WASHINGTON (american 1871-1953) “AN OCTOBER AFTERNOON” Signed ‘E.F. Washington’ bottom right; also inscribed with artist and title on label verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Hartford, Connecticut. By descent in the family, ca. 1995. Private Collection, New York. exhibited: Second Annual Art Exhibition, Trenton Inter-State Fair, 1924. $5,000-8,000


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82 151484/1 ELIZABETH FISHER WASHINGTON (american 1871-1953) “WHERE MILL CREEK AND MILL RACE MEET” Signed ‘E.F. Washington’ bottom right, oil on canvas 32 x 38 in. (81.3 x 96.5cm) In a Newcomb-Macklin frame. provenance: DuMouchelles Auction House, sale of January 19, 2014, lot 2023. Private Collection, Philadelphia, Pennsylvania. exhibited: Pennsylvania Academy of the Fine Arts, 1916. $10,000-15,000



Pennsylvania Impressionists lots 83-122

Lot 96 (detail)



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83 142476/1 FERN ISABEL COPPEDGE (american 1883-1951) “EVENING GLOUCESTER HARBOR” Signed ‘Fern I. Coppedge’ bottom center; also inscribed with title verso, oil on canvas 14 x 16 in. (35.6 x 40.6cm) provenance: The Artist. Acquired from the above. Collection of Mr. and Mrs. Watson and Augusta Janney, New Hope, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. $8,000-12,000


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84 151483/1 EDWARD WILLIS REDFIELD (american 1869-1965) BROOKLYN BRIDGE Inscribed ‘New York, Brooklyn, Janvier 1909/ very rainy (?)’ bottom left, watercolor and pencil on card with: WOMAN WITH WIDE BRIMMED HAT verso, pencil on card 11 1/8 x 23 1/4 in. (28.3 x 59.1cm) provenance: Private Collection, Paris, France. note: The present watercolor will be accompanied by a letter of authenticity by Dr. Tom Folk, and will be included in his forthcoming Catalogue Raisonné of Redfield’s work. $10,000-15,000


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85 151495/3 HARRY LEITH-ROSS (american 1886-1973) “SPRING IS HERE” Signed ‘Leith-Ross’ bottom left; also inscribed with artist and title on stretcher bar verso, oil on canvas 24 x 32 in. (61 x 81.28cm) provenance: The Artist. Acquired from the above. Private Collection, New Jersey. By descent in the family. Private Collection, Florida. Acquired from the above. Private Collection, Halifax, Canada. $10,000-15,000


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86 151347/1 JOHN FULTON FOLINSBEE (american, 1892-1972) “CANAL TOLL HOUSE” Signed ‘John Folinsbee’ bottom left, oil on board 10 x 14 in. (25.4 x 35.6cm) provenance: Richard Stuart Gallery, Pipersville, Pennsylvania. The Coryell Gallery, Lambertville, New Jersey. Private Collection, Pennsylvania. note: The present painting will be added to the online Catalogue Raisonné for the artist, prepared by Dr. Kirsten Jensen, and was painted ca. 1955. $7,000-10,000

87 151459/1 HENRY ASBURY RAND (american 1886-1961) SNOW COVERED ROAD Signed and dated ‘Henry A. Rand/ 1935’ (scratched out) bottom right, oil on board 10 x 12 in. (25.4 x 30.48cm) provenance: Private Collection, New Jersey. $2,500-4,000


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88 151482/5 ANTONIO PIETRO MARTINO (american 1902-1989) “MILLTOWN IN PENNSYLVANIA” Signed ‘Antonio P. Martino’ bottom left, oil on canvas 24 x 40 1/8 in. (61 x 101.6cm) provenance: Sotheby’s, New York, sale of March 25, 1997, lot 232. Acquired from the above. Private Collection, North Carolina. exhibited: 119th Annual Exhibition, National Academy of Design, New York, New York, 1945. $4,000-6,000

89 148038/1 ANTONIO PIETRO MARTINO (american 1902-1989) “THE RED HOUSE” Signed ‘Antonio P. Martino’ bottom right, oil on board 21 1/2 x 33 1/4 in. (54.6 x 84.5cm) provenance: Private Collection, Virginia. $4,000-6,000

90 151482/6 ANTONIO PIETRO MARTINO (american 1902-1989) “DEAD END” Signed ‘Antonio P. Martino’ bottom right; also inscribed with artist, title, and date ‘1967’ verso, oil on canvas 21 1/4 x 40 1/4 in. (54 x 102.2cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. By descent in the family. Private Collection, North Carolina. $4,000-6,000


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91 151434/4 WILLIAM LANGSON LATHROP (american 1859-1938) “THE DISTANT TOWN” Signed ‘W L Lathrop’ bottom right; also inscribed with title and date ‘1926’ on stretcher bar verso, oil on canvas 19 1/4 x 25 1/4 in. (48.9 x 61.14cm) provenance: Private Collection, New Hope, Pennsylvania. $15,000-25,000


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92 151139/1 WALTER ELMER SCHOFIELD (american 1867-1944) COTTAGES BY A TURN IN THE ROAD Signed ‘Schofield’ and indistinctly dated bottom left, oil on canvas 26 x 30 1/4 in. (66 x 76.8cm) provenance: Private Collection, New Hampshire. Freeman’s, “Fine American and European Paintings”, June 27, 2004, lot 178. Private Collection, New Jersey. $25,000-40,000


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93 151300/1 WALTER EMERSON BAUM (american 1884-1956) “A VILLAGE SCENE, SOUDERTON, PENNSYLVANIA” Signed ‘W.E. Baum’ bottom right, oil on canvas board 31 x 39 in. (78.7 x 99.1cm) provenance: Ingham Springs Antiques, New Hope, Pennsylvania. Acquired from the above. Private Collection, Pennsylvania. $10,000-15,000


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94 142477/1 WILLIAM FRANCIS TAYLOR (american/canadian 1883-1970) WINTER LANDSCAPE, NEW HOPE, PENNSYLVANIA Signed ‘Wm Francis Taylor’ bottom left, oil on canvas 18 1/4 x 24 1/4 in. (46.4 x 61.6cm) provenance: The Artist. Acquired from the above. Collection of Mr. and Mrs. Watson and Augusta Janney, New Hope, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. $5,000-7,000

95 151295/4 JOHN FULTON FOLINSBEE (american 1892-1972) “HORSE SHOES” Signed ‘John Folinsbee’ bottom right; also inscribed with artist and title on label verso, oil on canvasboard 10 x 14 in. (25.4 x 35.6cm) provenance: Bianco Gallery, Buckingham, Pennsylvania. Acquired from the above. Private Collection, Pennsylvania. note: The present painting will be added to the online Catalogue Raisonné for the artist, prepared by Dr. Kirsten Jensen. $5,000-8,000


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96 142473/1 EDWARD WILLIS REDFIELD (american 1869-1965) “THE ROAD TO CENTRE BRIDGE” Signed ‘E.W. Redfield’ bottom left, oil on canvas 38 x 50 in. (96.5 x 127cm) provenance: The Artist. The Estate of the Artist. To the Artist's son, Laurent Redfield. By descent in the family to the Artist's great-grandson. Private Collection, Washington, DC. note: When Edward Redfield and his family settled in the charming environs of Centre Bridge, Pennsylvania, on the banks of the Delaware River in 1898, he surely could not have known that in doing so, he was laying the foundation for one of the great American Art colonies—the New Hope School. The town of Centre Bridge—the Anglicized spelling is traditional— was integral to both Redfield’s life and practice. In “The Road to Centre Bridge,” one can see the eponymous original wooden bridge in the distance. During a thunderstorm on the night of July 22, 1923, lightning struck the 112 year-old bridge causing it to

ignite. Redfield was driving home with his family when he saw the blaze in the distance. Fearing that it was his house, on fire, he sped homewards only to realize— presumably with a measure of relief—that it was, in fact, the adjacent bridge. Redfield and his family gathered together with many other spectators including his fellow artist, William Lathrop, on the river bank to witness the inferno and the firefighters’ frantic efforts to extinguish it. Redfield later remarked, “Lathrop said it was a pity it couldn’t be painted. So I took out an envelope and painted all the next day. The following day, I painted it again.” This painting, “The Fire at Centre Bridge,” believed to be one of the only ones created entirely in his studio from memory, is widely considered to be one of his best and is a highlight of the collection in the Michener Museum in Doylestown, Pennsylvania, where it was presented as a partial gift by the Laurent Redfield family. “The Road to Centre Bridge” comes with an impeccable provenance. The painting formed part of the artist’s estate and was chosen by his son, Laurent, following a

drawing of lots within the family to determine ownership. From Laurent Redfield, the painting has descended to the artist’s great grandson, to whom it currently belongs. As one present family member pointed out, their grandmother, at one time, had paintings of “the bridge before, during, and after the fire.” Together, these works are a splendid testament to the artist’s creative powers and his love of the Centre Bridge area which he called his home. The present painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield's work, compiled by Dr. Thomas Folk. $150,000-250,000


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97 142477/2 JOHN FULTON FOLINSBEE (american 1892-1972) “MECHANIC STREET BRIDGE” Signed ‘John Folinsbee’ bottom left; also inscribed with title verso, oil on board 15 1/8 x 23 3/4 in. (38.4 x 60.3cm) provenance: The Artist. Acquired from the above. Collection of Mr. and Mrs. Watson and Augusta Janney, New Hope, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. note: The present painting is number 1536 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen, and is believed to have been painted in the 1940s. $5,000-7,000

98 151243/1 JOHN FULTON FOLINSBEE (american 1892-1972) “UNTITLED (CLAM DIGGERS)” Signed ‘John Folinsbee’ bottom right, oil on canvas 17 x 16 in. (43.2 x 40.6cm) provenance: Private Collection, Trumansburg, New York. Shannon’s Fine Art Auctioneers, sale of April 26, 2007, lot 27. Private Collection, New Jersey. note: The present painting is number 1360 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen, and was painted between 1915 and 1916. $7,000-10,000


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99 151348/1 WALTER ELMER SCHOFIELD (american 1867-1944) “HOUSE AT OTLEY” Oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: The Artist. Acquired from the above by his wife, Muriel Redmayne Schofield. Acquired from the above by their son, Seymour Schofield. Acquired from the above by his daughter, Loveday Redmayne Hart. Acquired from the above by her son, Martin, Andrew Redmayne Hart. Acquired from the above. Private Collection, Pennsylvania. note: This painting will be accompanied by a letter of authenticity from Dr. Thomas Folk. $15,000-25,000


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100 151439/1 KENNETH R. NUNAMAKER (american 1890-1957) “MARCH” Signed ‘KR Nunamaker’ bottom right; also inscribed with artist and title verso, oil on canvas 16 1/4 x 20 in. (41.28 x 50.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $10,000-15,000


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101 151434/1 HENRY BAYLEY SNELL (american 1858-1943) SAILING IN SPRINGTIME Signed ‘Henry B Snell’ bottom right, oil on canvas 18 x 24 in. (45.72 x 60.96cm) provenance: Brown Bros. Auction, Buckingham, Pennsylvania. Acquired from the above. Private Collection, New Hope, Pennsylvania. $12,000-18,000


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102 151058/1 EDWARD WILLIS REDFIELD (american 1869-1965) “CENTRE BRIDGE” Signed ‘E.W. Redfield’ bottom right, oil on canvas 32 x 40 in. (81.3 x 101.6cm) provenance: The Artist. Acquired from the above. "History House." Acquired from the above by the Artist's son and daughter-in-law, Laurent and Dorothy Redfield. By descent in the family to the Artist's great grandson, New York, New York, and great granddaughter, Phoenix, Arizona.

note: As a plein air artist—one who paints outside in the elements, rather than in the studio—Redfield soon became a familiar figure in the town of Centre Bridge and surrounding vacinity, trudging through the snow to set-up a canvas, or strapping one to a tree and energetically capturing the landscape in front of him with his vigorously bold brushwork and rich impasto. Redfield’s charismatic presence soon attracted many other artists to the area, including George Sotter, Fern Coppedge, John Folinsbee, Daniel Garber, Harry Leith-Ross, and Kenneth Nunamaker, many of whom were directly influenced either by Redfield’s work or his methods. Collectively, these artists became known as the “Pennsylvania Impressionists” and their work, Redfield’s in particular, was celebrated as the embodiment of a uniquely American vision. At the time, the noted painter and critic, Guy Pene du Bois, described it as

“our first truly national expression.” “Centre Bridge,” an evocative winter scene, depicts the current bridge which was completed in 1926 and built upon the remaining piers and abutments of the original (see Note for lot 96 regarding the original bridge). The present painting has impeccable provenance. After the artist’s death, it was acquired from “History House” by the artist’s daughter-in-law, Dorothy. It is believed that Dorothy Redfield may have bought the painting because she wanted her collection to show examples of the bridge before, during, and after the fire. The work has since descended through the family to the current owners, the artist’s great grandson and great granddaughter. The present painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield’s work, compiled by Dr. Thomas Folk. $120,000-180,000


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103 151482/2 ANTONIO PIETRO MARTINO (american 1902-1989) “MANAYUNK WINTER” Signed ‘Antonio P. Martino’ bottom left; also inscribed with title on stretcher bar verso, oil on canvas 15 x 20 in. (38.1 x 50.8cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. By descent in the family. Private Collection, North Carolina. $1,500-2,500

104 151506/2 HARRY LEITH-ROSS (american 1886-1973) “A NOVA SCOTIA COVE” Signed ‘Leith-Ross’ bottom right; also inscribed with artist and title on label verso, oil on canvasboard 12 x 16 in. (30.5 x 40.6cm) provenance: Salmagundi Club, New York, New York. exhibited: Auction Sale and Exhibition, Salmagundi Club, New York, New York, 1962. $5,000-8,000


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105 151434/2 FERN ISABEL COPPEDGE (american 1883-1951) “SCREEN OF GOLD” Signed ‘Fern I. Coppedge’ bottom center; also inscribed with artist and title on stretcher bar verso, oil on canvas 24 x 24 in. (61 x 61cm) provenance: Ms. Bertha Becker, New Hope, Pennsylvania. Private Collection, New York. Freeman’s, “Fine American and European Paintings”, June 4, 2000, lot 116. Acquired from the above. Private Collection, New Hope, Pennsylvania. $60,000-80,000


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106 151475/2 WALTER EMERSON BAUM (american 1884-1956) “THE FROZEN CREEK” Signed ‘Baum’ bottom right; also inscribed with artist and title verso, oil on canvasboard 16 x 20 in. (40.64 x 50.8cm) provenance: Private Collection, Maryland. $4,000-6,000

107 151435/1 WALTER ELMER SCHOFIELD (american 1867-1944) WINTER LANDSCAPE AT TWILIGHT Oil on canvas laid to board 30 x 35 in. (76.2 x 88.9cm) provenance: The Artist. Possibly acquired from the above. Joshua Bertram Lippincott (son of publisher Joshua Ballinder Lippincott) and Joanna Wharton Lippincott (daughter of industrialist Joseph Wharton), Philadelphia, Pennsylvania. By descent in the family. Sarah Lippincott Biddle and General Nicholas Biddle, Bethayres, Pennsylvania. By descent in the family. Josephine Wharton Biddle Johnson, Philadelphia, Pennsylvania. By descent in the family. Josephine Wharton Johnson Williams, Philadelphia, Pennsylvania. By descent in the family. Sarah Bay Williams Gachot, Los Feliz, California. Acquired from the above, 2009. Private Collection, New York, New York.. note: Joanna Wharton Lippincott's sister was married to Harrison Morris, director of Pennsylvania Academy of the Fine Arts from 1892-1905, where Schofield studied from 1889-1892. It is possible that this painting was obtained directly from the young artist prior to his move to England in 1899. $6,000-8,000


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108 151434/5 ANTONIO PIETRO MARTINO (american 1902-1989) “LONG SHADOWS” Signed and dated ‘A.P. Martino/ 1928’ bottom left; also inscribed with artist and title on label verso, oil on canvas 25 1/4 x 30 1/4 in. (64.14 x 76.84cm) provenance: Plymouth Meeting Gallery, Plymouth Meeting, Pennsylvania. Acquired from the above. Private Collection, New Hope, Pennsylvania. $10,000-15,000


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109 151299/1 ROBERT SPENCER (american 1879-1931) “THE LITTLE VILLAGE” Signed ‘Robert Spencer’ bottom right, oil on canvas 30 x 36 in. (76.2 x 91.4cm) In a Bernard Badura frame incised ‘BB’ and inscribed ‘Frame by “Badura” New Hope, Pa’ provenance: Jim’s of Lambertville, Lambertville, New Jersey. Avery Galleries, Bryn Mawr, Pennsylvania. Private Collection, Pennsylvania. exhibited: Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1920. Group Exhibition with William Lathrop, Joseph T. Pearson, Jr., and Daniel Garber, Milch Gallery, New York, New York, February, 1921. International Exhibition, Carnegie Institute, Pittsburgh, Pennsylvania, 1922. Group Exhibition with Henry Golden Dearth and Daphne Dunbar, New York, New York, May 1923. Solo Exhibition, Milwaukee Art Institute, Milwaukee, Wisconsin, 1925. literature: International Studio Magazine, “Spencer and Romance”, March 1923, p. 490 (illustrated). $100,000-150,000


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110 151506/1 RAE SLOAN BREDIN (american 1881-1933) “GIRL AT TABLE” Inscribed with artist and title on label verso, oil on board, unframed 10 3/4 x 13 in. (27.3 x 33cm) provenance: Salmagundi Club, New York, New York. exhibited: Salmagundi Club, New York, New York, 1933. $6,000-10,000

111 142400/2 ALFRED NUNAMAKER (american 1915-1988) “THE ROAD HOME” Signed ‘A. Nunamaker’ bottom left; also inscribed with artist and title verso, oil on canvasboard 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. exhibited: Phillips Mill Community Association Annual Exhibition, New Hope, Pennsylvania, n.d. $2,000-3,000


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112 151434/3 EDWARD WILLIS REDFIELD (american 1869-1965) WINTER LANDSCAPE WITH SLEIGH Signed ‘E W Redfield bottom right, oil on canvas 23 x 32 1/4 in. (58.42 x 81.28cm) provenance: Private Collection, South Carolina. Freeman’s, “Fine American and European Paintings”. December 3, 2006, lot 123. Acquired from the above. Private Collection, New Hope, Pennsylvania. note: The present painting will be included in the forthcoming Catalogue Raisonné of Edward Redfield’s work, compiled by Dr. Thomas Folk. $60,000-80,000


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113 151223/1 DANIEL GARBER (american 1880-1958) “SHADOWS” Signed ‘Daniel Garber’ bottom center; also inscribed with title and artist on stretcher bar verso, oil on canvas 30 x 28 in. (76.2 x 71.1cm) February-March 1922 [Humphries P440] provenance: The Artist. Acquired from the above. Holmas S. Gangewer, Lanark, Pennsylvania. Newman Galleries, Philadelphia, Pennsylvania. Acquired from the above, 1970. Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania.

exhibited: “Summer Exhibition,” Milch Galleries, New York, New York, July 1922. “Exhibition of Paintings by Daniel Garber, Robert Henri, Frederick J. Waugh,” The Corcoran Gallery of Art, Washington, DC, October 12 November 2, 1922, no. 8. “Exhibition of Paintings by Daniel Garber, Robert Henri, Frederick J. Waugh,” Art Club of Philadelphia, Philadelphia, Pennsylvania. November 18 - December 10, 1922, no. 2. “Exhibition of Contemporary American Painting and Sculpture,” Art Association of Newport, Newport, Rhode Island. July 10 August 8, 1926. literature: Harper’s Magazine no. 157, (November 1928), illustrated on frontispiece. Lance Humphries. Daniel Garber: A Catalogue Raisonné. Hollis Taggart Galleries, New York, 2006. vol II. p. 160, no. 440. (illustrated).

note: According to the aforementioned Catalogue Raisonné, “Although the artist did not indicate a location for this work in his records, his son, John Franklin Garber, noted that it depicted his father’s cottage (Bitter Sweet) in Lumberville, Pennsylvania, not far from Cuttalossa. The artist first captured in a photograph the image of the tree shadow on the side of the building, composed very similarly to the completed painting. In the canvas, however, he eliminated most of the small trees behind the shed and greatly developed the opposite shore of the river. A figure was added at the wood pile, and other small additions and deletions were made as well.” (p. 160). $150,000-250,000


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114 151466/1 WALTER EMERSON BAUM (american 1884-1956) “SNOW IN THE VILLAGE” Signed ‘WE Baum’ bottom left; also inscribed with artist and title verso, oil on canvas 30 1/8 x 38 1/8 in. (76.6 x 96.9cm) provenance: The Artist. Acquired from the above, ca. 1950s. By descent in the family. Private Collection, Pennsylvania. $7,000-10,000

115 151415/1 ROY CLEVELAND NUSE (american 1885-1975) “RED CABIN” Oil on canvas, unframed 20 1/4 x 22 in. (51.4 x 55.9cm) provenance: The artist. By descent in the family to his son. By descent in the family to the current owner (Artist’s grandson). Private Collection, Georgia. $6,000-10,000


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116 151495/2 HARRY LEITH-ROSS (american 1886-1973) “MCDANIEL’S FARMS” Signed ‘Leith-Ross’ bottom left; also inscribed with artist and title on label verso 12 x 16 in. (30.5 x 40.6cm) provenance: Golden Door Gallery, New Hope, Pennsylvania. Acquired from the above. Private Collection, Florida. Acquired from the above. Private Collection, Halifax, Canada. note: This painting may be alternately titled “MCDANIEL’S BARNS” according to inscription verso. $2,500-4,000

118 151495/1 HARRY LEITH-ROSS (american 1886-1973) “SHADOW TIME” Signed ‘Leith-Ross’ bottom left; also inscribed with artist and title on label verso, oil on board 8 x 16 in. (20.3 x 40.6cm) provenance: The Artist. Acquired from the above. Private Collection, New Jersey. By descent in the family. Private Collection, Florida. Acquired from the above. Private Collection, Halifax, Canada. $2,000-3,000

117 151381/1 JOHN FULTON FOLINSBEE (american 1892-1972) “INDIAN HEAD” Signed ‘John Folinsbee’ bottom right; also inscribed with title verso, oil on board, unframed 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Virginia. Freeman’s, “Fine American and European Paintings”, December 7, 2008, lot 139. Acquired from the above. Private Collection, Pennsylvania. exhibited: Art Association, Harrisburg, Pennsylvania, “John Folinsbee and Charles Rudy, February 4-24, 1968. literature: Kirsten M. Jensen, Folinsbee Considered, Hudson Hills Press, 2013, p. 274. note: The present painting is number 628 in the John F. Folinsbee Catalogue Raisonné prepared by Dr. Kirsten Jensen, and is believed to have been painted in 1950s. $5,000-8,000


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119 142201/1 GEORGE WILLIAM SOTTER (american 1879-1953) THE HILL ROAD IN WINTER Signed ‘G.W. Sotter’ lower center right, oil on board 14 x 16 in. (35.6 x 40.6cm) provenance: The Artist. Acquired from the above. Private Collection, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. $30,000-50,000


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120 151482/3 ANTONIO PIETRO MARTINO (american 1902-1989) “WINTER MORNING” Signed ‘Antonio P. Martino’ bottom right; also with artist and title verso, oil on canvas 33 x 36 in. (83.8 x 91.4cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. By descent in the family. Private Collection, North Carolina. $4,000-6,000

121 151482/4 ANTONIO PIETRO MARTINO (american 1902-1989) “EAST MANAYUNK” Signed ‘Antonio P. Martino’ bottom right; also inscribed with artist and title verso, oil on canvas 26 1/4 x 50 in. (66.7 x 127cm) provenance: The Artist. Acquired from the above. Private Collection, Philadelphia, Pennsylvania. By descent in the family. Private Collection, North Carolina. exhibited: 159th Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, 1964. 53rd Annual Delaware Exhibition, Delaware Art Center, Wilmington, n.d. $4,000-6,000


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122 151533/1 FERN ISABEL COPPEDGE (american 1883-1951) “THE HOME PORT” Signed ‘Fern I. Coppedge’ bottom left; also inscribed with title on stretcher bar verso, oil on canvas 38 1/4 x 40 in. (97.2 x 101.6cm) provenance: Private Collection, Pennsylvania. $25,000-40,000

END OF SALE


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Index Austrian, B, 22 Baum, W.E., 93, 106, 114 Benton, T.H., 1, 2, 60 Berthelsen, J. 57 Blakelock, R.A., 33 Bredin, R.S., 110 Bridgman, F.A., 21 Burliuk, D.D., 64 Chapman, C.W., 19 Coleman, C.C., 20 Coppedge, F.I., 83, 105, 122 de Haas, W.F., 18 Dickinson, P., 61 Enneking, J.J., 34, 35 Folinsbee, J.F., 86, 95, 97, 98, 117 Gallatin, A.E., 62 Garber, D., 113 Gearhart, F.H., 5, 6 Goodnough, R.A., 65 Gruppe, E.A., 50 Harrison, L.B., 13 Hartley, M., 3 Haseltine, W.S., 9 Herzog, H., 23-32 Houser, A., 66 Kaula, L.L., 36 Ladd, L.D.S., 80 Lathrop, W.L., 91

Lawrence, C.B., 7 Leith-Ross, H., 85, 104, 116, 118 Lewis, E.D., 10, 11, 12 Lie, J., 45, 46

Tarbell, E.C., 39 Taylor, W.F., 94 Thieme, A., 49 Vonnoh, R.W., 37, 38

Martino, A.P., 88, 89, 90, 103, 108, 120, 121 Maurer, A.H., 59 Mccarter, H.B., 79 Mccoy, J.W., 63 Noyes, G.L., 40 Nunamaker, A., 111 Nunamaker, K.R., 100 Nuse, R.C., 115 Oakley, V., 53, 54 Onderdonk, J., 42 Pleissner, O.M., 55, 56 Prendergast, M.B., 41 Rand, H.A., 87 Redfield, E.W., 84, 96, 102, 112 Richards, W.T., 17 Richardt, F., 8 Sargent, J.S., 15, 16 Schofield, W.E., 92, 99, 107 Shulz, A.R., 43 Sloan, J.F., 4 Snell, H.B., 101 Sotter, G.W., 119 Spencer, R., 109 Springer, C., 58 Steele, T.C., 44 Symons, G.G., 48

Walter, M., 67-78 Washington, E.F., 81, 82 Waugh, F.J., 47 Wright, G., 14 Wyeth, N.C., 51, 52


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Glossary any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. freeman’s reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

names

Forename(s) and surname of painter is in our opinion a work by that artist; e.g. Charles Willson Peale. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, wether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

attributed to

Refers to probably a work by the artist; e.g. Attributed to Charles Willson Peale.

studio of

Refers to a work from the studio of the artist which may or may not have been executed under his direction; e.g. Studio of Charles Willson Peale.

circle of

Circle of..... refers to a work of the period of the artist executed under his immediate influence; e.g. Circle of Charles Willson Peale.

follower of

Follower of..... refers to a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil; e.g. Follower of Charles Willson Peale.

manner of

Manner of..... refers to a work in a style related to that of the artist, but of a later date; e.g. Manner of Charles Willson Peale.

school of

School accompanied by the name of a place or country and a date means that we believe the picture was executed at that time and in that location; e.g. Italian School, 18th Century.

after an artist

signatures & dates

After an artist is in our opinion a copy of any date after a work by that artist; e.g. After Charles Willson Peale. Signed and/or dated and/or inscribed means that we believe the signature and/or date and/or inscription are from the hand of the artist. Bears a signature and/or a date and/or an inscription means that we believe the artist’s name and/or date and/or inscription have been added by another hand. All references to signature, inscriptions and dates refer to the present state of the work.

measurements

Dimensions are given height before width.


European Art & Old Masters Auction 06/16/15 David Weiss | 267.414.1214 dweiss@freemansauction.com To purchase a catalogue, visit our website or call 267.414.1256.

LAURENCE STEPHEN LOWRY (BRITISH 1887-1976) “PEEL PARK, SALFORD” Signed ‘L.S. Lowry’ and indistinctly dated bottom right, oil on canvas 16 1/8 x 12 in. (41 x 30.5cm) $250,000-350,000 (detail)

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On the Hunt F

reeman’s has successfully sold sporting art and related accoutrements throughout our distinguished history. The extensive knowledge of our specialists coupled with their understanding of the current market has brought excellent prices for paintings, sporting-themed silver, and decorative arts. We are pleased to introduce our inaugural sporting art auction in November 2015. Our specialists are currently in hot pursuit of American and European sporting paintings as well as important equestrian bronzes, silver trophies, and other related decorative arts through summer 2015. We invite you to be a part of this specially curated new sale!

Alasdair Nichol American Art & Pennsylvania Impressionists 267.414.1211 | anichol@freemansauction.com David Weiss European Art & Old Masters 267.414.1214 | dweiss@freemansauction.com David Walker English & Continental Furniture, Silver & Decorative Arts 267.414.1216 | dwalker@freemansauction.com

JOHN EMMS (British 1843-1912) “HUNTSMAN, BAY HUNTER AND FOXHOUNDS OUTSIDE KENNEL” oil on canvas, 20 x 24 in. Sold for $60,000

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Purchase removal, shipping and offsite storage information To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email bmobbs@freemansauction. com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net

A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net

Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.235.0402 | Fax: 215.235.0421 info@atelierartservices.com

The Packaging Store ‡ Duane Freed 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com

Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com

UPS Store ‡ John Bohach 51 North 3rd Street Philadelphia, PA 19106 215.629.4990 | Fax: 215.629.4992 store4242@theupsstore.com

Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com

U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com VG Packaging LLC ‡ Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 484.552.8741 | Fax: 484.552.8744 quotes@vgpackagingllc.com FURNITURE & LARGE ITEMS For larger pieces when delivery time is not a rush, we suggest: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com ‡ Shippers that can fulfill international deliveries

v1.2015


Terms & Conditions All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency

in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of the hammer price of each lot, 20% on the portion from $100,001 through $2,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania. v1.2015


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resale / tax identification

state

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $100,000 of hammer price of each lot, 20% on the hammer from $100,001 through $2,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.

lot no

description

maximum bid

please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,000 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion

bank reference bank name

account no

contact name

telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

q id confirmed

(signature required to execute your bids)

q please send me information to subscribe to freeman’s catalogs v1.2015


Directory Officers

Specialist Departments

Representatives

Samuel M. Freeman II Chairman

American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com

New England Kelly Wright kwright@freemansauction.com

Alasdair Nichol Vice Chairman Margaret D. Freeman Vice Chairman Paul S. Roberts President Hanna Dougher Chief Operating Officer

Departments Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Mark Beckerman mbeckerman@freemansauction.com Marketing & Communication Tara Theune Davis ttdavis@freemansauction.com

American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com American Silver Samuel M. Freeman II beaufreeman@freemansauction.com Asian Arts Richard A. Cervantes rcervantes@freemansauction.com Books, Manuscripts, Maps & Ephemera David Bloom dbloom@freemansauction.com

Mid-Atlantic Matthew Wilcox mwilcox@freemansauction.com Southeast  Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Gabrielle Aruta garuta@freemansauction.com

English & Continental Furniture & Decorative Arts David Walker dwalker@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Michael Larsen, GIA GG mlarsen@freemansauction.com Virginia B. Salem, GIA GG vsalem@freemansauction.com

Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com

Modern & Contemporary Art Anne Henry ahenry@freemansauction.com

Photography Elizabeth Field efield@freemansauction.com

Musical Instruments Frederick Oster foster@freemansauction.com

Press & Media Melissa Geller mgeller@freemansauction.com

Oriental Rugs & Tapestries Richard A. Cervantes rcervantes@freemansauction.com

Shipping & Receiving Bethany Mobbs bmobbs@freemansauction.com

Photographs & Photobooks Christiana Scavuzzo cscavuzzo@freemansauction.com

Trust & Estates Samuel T. Freeman III sfreeman@freemansauction.com

Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu David Walker dwalker@freemansauction.com

v2.2015



www.freemansauction.com 1808 Chestnut Street Philadelphia Pennsylvania 19103 Tel-215.563.9275 | Fax-215.563.8236


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