FRISO VAN WIJCK
EXORDIUM FOR TUBA AND 19 INSTRUMENTALISTS COMPOSED FOR TJEERD OOSTENDORP AND ASKO/SCHOENBERG-ENSEMBLE
2
FRISO VAN WIJCK
EXORDIUM FOR TUBA AND 19 INSTRUMENTALISTS
COMPOSED FOR TJEERD OOSTENDORP AND ASKO/SCHOENBERG-ENSEMBLE November 28 - 2011 / February 22 - 2012
INSTRUMENTATION:
TUBA - with ringmodulator (used at rehearselmark CC and further) Different settings/sounds are notated with different shaped note-heads. (for details on equipment and settings, see next page)
FLUTE / PICCOLO FLUTE / ALTO FLUTE OBOE / ENGLISH HORN CLARINET IN Bb / BASS CLARINET IN Bb BASS CLARINET IN Bb / CONTRA BASS CLARINET IN Bb BASSOON / CONTRA BASSOON
HORN IN F (also playing claves - one high pair, one low pair) TRUMPET IN C (also playing large woodblock) TENOR TROMBONE with F attachment BASS TROMBONE with F attachment (also playing crotales - for details, see next page)
2X PERCUSSION (for details, see next page)
PIANO / CELESTA, hard plectrum
HARP / SAMPLE-KEYBOARD (for details on equipment and settings, see next page), 2 hard plectrums, soft mallets
2X VIOLIN VIOLA CELLO DOUBLE BASS (5 strings)
DURATION: APPROX. 19:15 ALL MOVEMENTS, TRANSITIONS, INTERLUDE, CADENZAS AND CODA ATTACCA
SCORE IN C PICCOLO AND CELESTA SOUND ONE OCTAVE HIGHER GLOCKENSPIEL AND CROTALES SOUND TWO OCTAVES HIGHER CONTRA BASSOON AND DOUBLE BASS SOUND ONE OCTAVE LOWER
EXCEPT OTHERWISE INDICATED, RHYTHMS HAVE TO BE PLAYED VERY STRICT AND PRECISE, REGARDLESS OF DYNAMICS, PHRASING- AND EXPRESSIONINDICATIONS CHORDS BY PIANO/CELESTA, HARP AND MELODIC PERCUSSION HAVE TO BE PLAYED WITHOUT EMPHASIS ON TOPNOTES
EQUIPMENT AND SETTINGS FOR ELECTRONICS: TUBA: MOOGER FOOGER
SAMPLE-KEYBOARD (opparated by harp) sample-sounddesign by EDWIN WILLEMEN
LIST OF PERCUSSION-INSTRUMENTS:
PERCUSSION 1: -
MARIMBA (with bass extension) GLOCKENSPIEL (with pedal) TUBULAR BELLS 16" OR 18" FLOORTOM (tuned very low, maximum attack, minimum pitch, head preferably Remo pinstripe or other similar double-ply head) TRIANGLE (small) 26" and 32" TIMPANI TAMBOURINE (plastic frame/no head, mountable on a stand if necessary) SNAREDRUM (6,5" deep or less) LOW GONG in G (octave above gong in D from perc.2) WHIP CELESTA (shared with pianist)
PERCUSSION 2: -
VIBRAPHONE TIMPANI (shared with perc.1) GRAN CASSA 2 PLASTIC WOODBLOCKS (high and low, mountable on a stand if necessary) 20" SUSPENDED AUTHENTIC CHINESE CYMBAL 18" SUSPENDED (MEDIUM)THIN TURKISH CRASHCYMBAL TAMTAM MARIMBA (shared with perc.1) 10 PLATECLOCKS (see legenda for piches) LOWEST AVAILABLE GONG IN D LOWEST AVAILABLE GONG in A (octave under gong in D) 16" OR 18" LIONS ROAR RATCHET
MALLETS, STICKS, BEATERS AND MISCELLANEOUS: -
VERY SOFT, SOFT, MEDIUM, MEDIUMHARD, HARD and HARDEST VIBRAPHONE- and MARIMBA MALLETS HARD PLASTIC - and HARD RUBBER GLOCKENSPIEL MALLETS METAL TRIANGLE BEATER HAMMERS FOR TUBULAR BELLS 2 METAL PIPES TO PLAY WHOLE WHITEKEY- and BLACKKEY-NOTE SECTIONS from TUBULAR BELLS LARGE TAMTAM BEATER LARGE GRAN CASSA BEATER 2 MEDIUMSIZED MEDIUMHARD GRAN CASSA BEATERS MEDIUMSOFT BEATERS FOR PLATECLOCKS SNAREDRUMSTICKS HEAVY MARCHING-SNAREDRUMSTICKS SOFT, MEDIUM and HARD TIMPANI MALLETS
PERCUSSION-INSTRUMENTS PLAYED BY OTHER MUSICIANS: - HIGH and LOW CLAVES (played by HORN) - LARGE LOW WOODBLOCK and CROTALE in C# (high octave) played with hard wooden mallet and hard rubber mallet (played by TRUMPET) - CROTALES in Db, D, Eb, E, Gb, G, A, B (low octave), C, D, E, A (high octave) played with hard plactic mallet, hard rubber mallets and thin knittingneedle (played by BASS TROMBONE)
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4
EXORDIUM for Tuba and 19 instrumentalists
Friso van Wijck
FIRST MOVEMENT : INTRODUCTION
A
Flute/Piccolo
Flute/Alto Flute
Oboe/English Horn
Clarinet/Bass Clarinet in Bb
q= 60
INCISIVE, TUMULTUOSO
(PICCOLO) f f FREELY, AGILE FREELY, AGILE
f
f FREELY, AGILE
f f f
f
FREELY, AGILE
Bass Clarinet/ Contra Bass Clarinet in Bb
FREELY, AGILE
Bassoon/Contra Bassoon
Horn in F
Trumpet in C
Tenor Trombone
Bass Trombone
Percussion 1
Percussion 2
Piano/Celesta
Harp
Violin II
Viola
Violoncello
Double Bass
© F.V.W.
f
MISURATO sempre
3
mf
13
MISURATO sempre
7
3
mf
mf
3
take alto flute
take english horn
mf
11
f
MARCATO
mf
5
f f 3
f
3
MISURATO sempre
7
3
5
3
6
mf
MISURATO sempre
f f f mf f 3
hardest marimba mallets tohardglockenspiel rubber mallets
LARGE LOW WOODBLOCK hard wooden mallet
ff
CROTALES hard plastic mallet l.v.
mf
mf
mf
hard mallets
choke
mf
hard rubber mallets
medium hard mallets
f
FREELY, AGILE
pedal every note 3 mp
p
l.v.
f
3
f
5
f
5
3
loco loco 5
f
5
f
ff
l.v.
ff
7
5
to celesta
(f)
3
(f)
f f
f
f
punta d'arco
f
port. port.
iss gl
f
f
f
mp
gliss.
.
f
MISURATO, MARCATO, DECISO
gliss. port.
f f
loco
A
FIRST MOVEMENT : INTRODUCTION INCISIVE, TUMULTUOSO
5
6
3
f
FREELY, AGILE
f
f
3 9 3 f 5
(claves, high and low pair)
f
f
f
f
f
Violin I
MISURATO, MARCATO, DECISO
f
RISOLUTO 3 q= 60
Tuba
3
f f
MISURATO sempre
MISURATO sempre
f
f
f f FREELY, AGILE
ff
ff
f
gliss.
gliss.
f
fmp
gliss.
f
f
DECISO sempre
punta d'arco
gliss.
f
gliss.
gliss.
f
gliss.
gliss.
al talone
gliss.
3
f
mf
mf
gliss. mf
gliss. mf
gliss. mf
Fl./Picc.
p
Fl./A.Fl.
Ob./E.H.
ENGLISH HORN
f
Cl./B.Cl.
Bsn./Cbsn
Hn.
f
Pno./Cel.
Hp.
f
mf
f
3 f f f
DECISO
mf
DECISO take oboe
mf
DECISO
mf
mf
DECISO
mf
to tubular bells hard mallets
medium hard mallets
mf
CELESTA secco
f
mp
DECISO MISURATO sempre
3
mf
B
3
mf
crunch
3 f
mf
port. gliss.
mp
f
3
p mf
f
gliss.
sul pont port.
take medium mallets
hard mallet
sul pont
Vc.
3
Vla.
3
mf
mf
DECISO
TUBULAR BELLS hard mallets
use pedal on every note
mf
Vln. II
Db.
Tba.
Vln. I
ALTO FLUTE
3
Perc. 2
f f fp
mf
Tbn.
Perc. 1
mp
3
C Tpt.
B. Tbn.
B. Cl./Cb.Cl.
5
B
6
mf
DECLAMANDO
mp
DECISO
mf
f
mp
mf
f
fp
f
mf
6
Fl./Picc.
Fl./A.Fl.
D
C
18
POCO MAESTOSO
fmp
f
mf
OBOE
DOLCE
Cl./B.Cl.
B. Cl./Cb.Cl.
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Ob./E.H.
Bsn./Cbsn
DECISO
mf
DECISO
mf
DECISO
mf
DECISO medium
mallet
DOLCE
POCO MAESTOSO
hardest take marimba mallets mp
fmp
f
POCO MAESTOSO
Perc. 2
Pno./Cel.
Hp.
DECISO secco
DOLCE
pp
mp
DOLCE
3
3
4
DECISO
3
f
pp
POCO MAESTOSO
p
D
to timpani soft mallet
mp p
mf
to celesta
mf
C CANTABILE
mf
medium mallets
mp
Tba.
p
mf
DOLCE
POCO MAESTOSO
f
mp
f
mf
Vln. II
Vla.
Vln. I
Vc.
Db.
7
27
Fl./Picc.
Fl./A.Fl.
MAESTOSO
mp
3
3
3
f
f
f f f
f
mf
MAESTOSO
f
f f f f
f
f
3f f fp
fp
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Bsn./Cbsn
Hn.
Pno./Cel.
Hp.
Tba.
MAESTOSO
mp
3
3
MAESTOSO
3
f
3 3 3
mp
f
f
f f f
f
mf
f f f
3
f
sfz sfz sfz
MAESTOSO
f
f f f f
f f f f
MAESTOSO
f
f
f
3f f
fp
f f fp 3
fp
fp
Vln. II
Vla.
Vc.
Db.
Vln. I
8
E
36 Fl./Picc.
MAESTOSO, MOLTO MARCATO
f
3
Fl./A.Fl.
mf
f
3
3
mf
take flute
take english horn
3
3
MAESTOSO, MOLTO MARCATO
B. Cl./Cb.Cl.
3
MAESTOSO, MOLTO MARCATO
f
Cl./B.Cl.
Ob./E.H.
C Tpt.
Tbn.
B. Tbn.
Bsn./Cbsn
Hn.
hardest marimba mallets MAESTOSO, MOLTO MARCATO
Perc. 1 f
Perc. 2
3
Hp.
Tba.
Vln. II
MAESTOSO, MOLTO MARCATO
f
3
3
timpani
hard mallets
to tubular bells
to vibraphone medium hard mallets
soft mallet
to piano
3
E
mp
mp
SONORE (ord.)
pp
SONORE
Db.
f secco
pp
Vc.
3
SONORE
Vla.
mp
mf
Vln. I
3
CELESTA
secco
Pno./Cel.
pp
f
f
f
MOLTO MARCATO
MAESTOSO, MOLTO MARCATO
MAESTOSO, MOLTO MARCATO
MAESTOSO,
G
F
(alto flute)
40
Fl./Picc.
Fl./A.Fl.
FLUTE
DECISO sempre
mf
DECISO sempre
9
3
3
mf
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Hn.
Pno./Cel.
Hp.
F
G AGITATO, IRRESOLUTO
Tba.
3
mf
f
3
mp
f
DECISO sempre
mf 6
3
3
Vln. II
Vla.
Vc.
Db.
Vln. I
H MARCATO take piccolo
10
46
Fl./Picc.
Fl./A.Fl.
f
f
fff
fff
ff
f
3
take flute
ff
DOLCE
FLUTE
p p p
ENGLISH HORN
p
3
3 3 f f f f
f
p p p
B. Tbn.
Perc. 1
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
mp
hard mallets
to celesta
take oboe
f
CELESTA secco
3
p
3
p
pp
medium hard mallets
Perc. 2
Pno./Cel.
Hp.
use pedal on every note
3
mp sempre
take medium hard mallets
3
H MARCATO
f
3
mf
f
fff
5
f
3
DOLCE
mf ff
3
Vln. II
Vla.
Db.
Vc.
Vln. I
Tba.
f
3
RISOLUTO
p subito
3
3
pp
INCISIVE
f
gliss. port.
port.
pp
3
INCISIVE, TUMULTUOSO
I
FREELY, AGILE PICCOLO 54
Fl./Picc.
Fl./A.Fl.
Cl./B.Cl.
Hn.
AGILE FREELY,
7
fmf
5
p mf
3
3
FREELY, AGILE
f sub.
p mf
fp mf
p mf
PIANO
Pno./Cel.
f
Vln. I
Vln. II
Vla.
Vc.
l.v.
mf
MISURATO hardest marimba mallets
5
f f
FREELY, BRILLANTE
mp
3
6
FREELY, AGILE
5
3
p
MISURATO
7
5
mp
3
3
3
p
MISURATO sempre to celesta
mf
MISURATO sempre
mf
FREELY, AGILE
mp
p
(crotale)
f MISURATO sempre
3
f sub.
loco
mp FREELY, BRILLANTE l.v.
FREELY, AGILE FREELY, BRILLANTE 5 5 f sub.
ggliss lis . glis s. s.
mp
MISURATO l.v.
FREELY, AGILE
mf
3
mfp
mf
5
fmp mfp
f
3
f sub.
mf
MISURATO sempre
mf
f
I
INCISIVE, TUMULTUOSO
gliss.
f
glis
f
s.
gliss.
gliss.
port.
gliss.
f
gliss.
gliss.
gliss.
fmf
p
pp
mp
3
3
mp
port.
mp
mp
port.
mp
fmp
gliss.
3
s. gliss. glis
gliss.
f
3
CALMANDO
INCISIVE, TUMULTUOSO
CALMANDO
f sub.
f sub.
Db.
mfp
MISURATO sempre
mf
loco
CANTABILE sempre Tba.
loco
fmp mfp
MISURATO
3
FREELY, AGILE
Hp.
MISURATO sempre
mfp
6
f subito
fmp
MISURATO sempre
f
FREELY, AGILE
7
FREELY, AGILE
mfp
p
CROTALES hard plastic mallet
mp
mf
fmp
mfp mfp
3
fmp
MISURATO sempre
5
p
9
B. Tbn.
5
f subito FREELY, AGILE
p
mfp
Perc. 2
p
3
p mf-p mf
5
3
p mf
3
3
fmp
MISURATO sempre
FREELY, AGILE
fp mf
ff
FREELY, AGILE medium hard mallets
p
mf p mf
Tbn.
Perc. 1
p mp
MISURATO sempre
LARGE LOW WOODBLOCK hard wooden mallet
to marimba hardest marimba mallets
f subito
MISURATO sempre
11
f subito
5
mf
3
7
6
3
p
11
MISURATO sempre
FREELY, AGILE
MISURATO sempre
9
p mf
p
FREELY, AGILE
CALMANDO
13
f subito
p mf
fmf
fmf
FREELY, AGILE
p
FREELY, AGILE
f subito
5
mf
MISURATO sempre
p
fmf
3
p mf
MISURATO sempre
3
FREELY, AGILE
INCISIVE, TUMULTUOSO
MISURATO sempre
11
f
C Tpt.
3
f sub.
f
Bsn./Cbsn
FREELY, AGILE
13
f
B. Cl./Cb.Cl.
CALMANDO
f
OBOE
Ob./E.H.
port.
p
p
port.
port.
3
3
p
gliss.
p
p
f sub.
gliss.
gliss.
f sub.
mp
fmp
f sub.
3
fmp
f sub.
fmf
f sub.
port.
p
3
gliss.
fmp
fmp
gliss.
fmp
12
DECISO
MARCATO
59
Fl./Picc.
Fl./A.Fl.
Cl./B.Cl.
mp-p
Hn.
mf
mp
3
3
3
mf mf
p
p
p mfp
3
mf
mf
mf mf
p mfp
mf
p mfp
mf
p
mf
hard mallets mf
hard mallets
hard mallets
Vla.
mp
mp
3
to gran cassa take medium mallets
mp
mf
MARCATO
mf
3
3
mp
3
3
3
3
mf
DECISO
mf
DECISO
f
mf
mp
gliss.
gliss.
pp
3
poco forte mf
gliss.
J
DECISO
p
Vln. II
f
3
mf
mp
mp
p
medium hard mallets 3 mp
mf
to tubuler bells hard mallets
secco
secco
mf
CELESTA
pp
pp
mf
FLUTE
CLAVES (high) DECISO sempre
DECISO
choke
DECISO
p
3
3
mf
mf
Perc. 2
Db.
Vc.
ENGLISH HORN
mf
Perc. 1
Vln. I
Tba.
J
B. Tbn.
Hp.
9
poco f
mp-p
C Tpt.
Pno./Cel.
ALTO FLUTE
mf
Tbn.
mf
mp
mp-p
Bsn./Cbsn
take english horn
mp-p
p mf sub.
mf
B. Cl./Cb.Cl.
mf
take alto flute
mp-p
Ob./E.H.
mp-p
take flute
port. sempre
mp
p
mf
3
pizz.
mf
3
mf
p
mf
mf
mf
Fermata (on 2nd beat), if neccesary for woodwinds to change instruments
69
Fl./Picc.
DECISO
MAESTOSO
mf
Fl./A.Fl.
f
mf
Ob./E.H.
p
mf
f
13
DECISO DOLCE
mf
f
f
f
f
mf sub.
mp
mf sub.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
mp
take flute
mf
f
take oboe
p mp
mf sub.
p
p
DOLCE
f
mp
mf sub.
take piccolo
mp
p
C Tpt.
Tbn.
B. Tbn.
hammers
to triangle and floortom metal beater and hard mallet
Perc. 1
Perc. 2
Pno./Cel.
Hp.
LARGE FLOORTOM hard mallet
TRIANGLE
to tubular bells take hammers
metal beater mp
f
LONTANO
GRAN CASSA medium mallets
pp
mf
to vibraphone medium mallets
pp
medium mallets
to marimba hardest marimba mallets
f
take medium hard mallets
mp
MAESTOSO
f
mf
mp
mf
f
Fermata (on 2nd beat), if neccesary for woodwinds to change instruments
DECISO
DECISO
AGITATO, IRRESOLUTO Tba.
RISOLUTO
DOLCE 3
p
mf
f
mf sub.
mp
p
mfp
Vln. II
Vla.
Vc.
Db.
Vln. I
mf
f
INCISIVE, TUMULTUOSO
K
14
Fl./Picc.
FREELY, AGILE
PICCOLO 79
13
ff
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
Bsn./Cbsn
Hn.
ff FREELY, AGILE
5
3
9
6
5
3
take trumpet with harmon mute without stem
ff
CROTALES hard plastic mallet l.v.
7
3
p
5
9
f f
p
p
p
3
5
p
f
11
f
3
3
7
f f
3
6
3
5
f
3
6
LARGE LOW WOODBLOCK hard wooden mallet
5
3
3
Tbn.
7
ff FREELY, AGILE
ff
7
7
9
3
5
3
ff FREELY, AGILE
C Tpt.
B. Tbn.
OBOE
B. Cl./Cb.Cl.
11
ff FREELY, AGILE
13
6
11
CALMANDO
13
FREELY, AGILE
FLUTE
f
mp mf
p
f
Perc. 1
FREELY, AGILE
medium hard mallets
Perc. 2
Tba.
3
ff
5
3
3
Vln. II
Vla.
Vc.
Db.
FREELY, BRILLANTE
3
f
loco
loco
5
5
5
loco
5
l.v.
3
glis
3
s.
3
. iss gl
3
5
6
gliss.
ff
gliss.
ff
ff
gliss.
gliss.
gliss.
gliss.
gliss.
arco
ff
ff
port.
gliss.
3
p
7
3
3
f
l.v.
5
3
p
CALMANDO
gliss.
pp
5
fff FREELY, BRILLANTE
INCISIVE, TUMULTUOSO
3 f p loco 5
fff
K
FREELY, BRILLANTE
ff sub.
Vln. I
3
ff
loco
FREELY, AGILE
3
5
Hp.
FREELY, AGILE
3
Pno./Cel.
ff
gliss.
gliss.
f
gliss.
gliss.
gliss.
f
gliss.
f
f
mp-pp
f
mf
p
p
p
p
p
CALMANDO
INCISIVE, TUMULTUOSO
FREELY, AGILE Fl./Picc.
82
Fl./A.Fl.
Ob./E.H.
ff sub.
ff-mp
3
ff-mp
pp
mf
mp
pp
mp
pp
mp-p
9
mp mf
mp
ff-mp
mf-p
mp-pp
ff-f
5
mp
mf
pp
mf
p
mf
p
C Tpt.
Tbn.
Hn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Tba.
hardest marimba mallets
CROTALES hard plastic mallet
ff sub.
6
5
loco
5
3
3
ff
gliss.
gliss.
port.
ff
Db.
ff
mf
mp
pp
f sub.
port.
gliss.
pp
mp mf
pp
pp
pp
f sub.
ff sub.
3
3
mp
f sub.
loco
ff
f sub.
CALMANDO
p
gliss.
gliss.
ff
ff sub.
port.
3
mf
pp
pp
f sub.
port.
gliss.
f
f sub.
f sub.
ff sub.
3
f sub.
ff sub.
pp
f
5
ff
ff sub.
f sub.
mp
6
ff sub.
f sub.
f
INCISIVE, TUMULTUOSO
f sub.
ff
Vc.
CALMANDO
INCISIVE, TUMULTUOSO
ff
Vla.
pp
(crotales)
3
f sub.
ff
Vln. II
choke
f sub.
ffp
Vln. I
3
loco
ff
f
5
ff sub.
ff sub.
7
f
mp mf
ff-mp
pp
ff-f
6
ff
15
7
ff sub. FREELY, AGILE
ff-f
5
ff sub. FREELY, AGILE
ff-f
ff sub. FREELY, AGILE
11
mp p
p
3
pp
13
ff sub. FREELY, AGILE
pp
mf
CALMANDO
ff FREELY, AGILE
mp mf
7 6
ff-f
p
p
mp
ff-f
mp mf
3
3
ff-f
9
ff sub. FREELY, AGILE Bsn./Cbsn
5
ff sub. FREELY, AGILE
B. Cl./Cb.Cl.
p
3
3
ff-f
11
ff sub. FREELY, AGILE
Cl./B.Cl.
FREELY, AGILE
5
ff sub. FREELY, AGILE
13
ff FREELY, AGILE
INCISIVE, TUMULTUOSO
f sub.
gliss.
mp mfp
pp
pp
16
CALMANDO
INCISIVE, TUMULTUOSO
Fl./Picc. 86
Fl./A.Fl.
Ob./E.H.
ff sub.
MISURATO sempre
ff sub.
mp ff sub.
mp
MISURATO sempre
mp ff sub.
ff sub.
mp
MISURATO sempre mp ff sub.
mp
MISURATO sempre
Cl./B.Cl.
mp ff sub.
ff sub.
mp
ff sub.
POCO LARGHETTO
mf
take alto flute
ff sub.
mf
L
p
take flute
mp
ALTO FLUTE
mp
mp
B. Cl./Cb.Cl.
MISURATO sempre
ff sub.
Bsn./Cbsn
Hn.
ff sub.
B. Tbn.
Perc. 1
Perc. 2
MISURATO sempre
mf
mf
p
mf
mp
(crotales)
choke all
ff
ff
f
f
ff
f
f
f
f
to tubular bells hard mallets
p sub.
mp
to gran cassa take soft mallets
to triangle and floortom metal beater and hard mallet
mf
f
hard mallets
f
f
loco
mf
f
f
f
ff sub.
ff sub.
ff sub.
gliss.
ff
ff sub.
ff sub.
mp ff sub.
mp ff sub.
mp ff sub.
mp ff sub.
mp ff sub.
3
loco
L
q= 40
mp p
rit.
mp
p
mp-p
mf
mp
QUASI RUBATO, PATETICO sempre 3
mp sempre
mp
mp
poco a poco ord...... ord port. port.
sul pont
ff sub.
mp
gliss
.
mp
p
mp
mp sempre
mp
3
3
3
mp sempre
mf
mp sub. 3
QUASI RUBATO, PATETICO sempre
mf
QUASI RUBATO, PATETICO sempre
QUASI RUBATO, PATETICO sempre
mp
mp
mf
POCO LARGHETTO
CALMANDO
mp
INCISIVE, TUMULTUOSO
mf
mf
Db.
Vc.
Vla.
mf
Vln. II
ff sub.
Vln. I
take flute
Tba.
Hp.
mp ff sub.
mp ff sub.
Pno./Cel.
mp
q= 40
rit.
C Tpt.
Tbn.
mp ff sub.
(mp sempre)
TRANSITION 1
M
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
94
Fl./Picc.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
crotales thin knitting needle
Db.
stem without
mp
harmon mute
mp
BASS mp TROMBONE
harmon mute
without stem
mp
3
mp
mp
5
TRIANGLE metal beater
p
LONTANO soft mallets
to timpani soft mallets
mf
LARGE FLOORTOM hard mallet
TRIANGLE metal beater
soft mallets
ff
pp
pp mf
to timpani
mp
mp
mallets medium
mp
pp
TRUMPET
TRANSITION 1
M
q= 70
IRRESOLUTO, DRY, ABSTRACT
QUASI RUBATO, PATETICO
mp
mp
mp
mp
mp
3
3
pp
3
Vc.
mf
mute without stem harmon
take low claves
Vla.
(claves)
Vln. II
mf
mp
loco
Vln. I
CLAVES (high) DECISO sempre
take bass trombone put in harmon mute without stem
pp
pp
Tba.
17
q= 70
IRRESOLUTO, DRY, ABSTRACT
SECOND MOVEMENT 18
Fl./Picc.
105
Fl./A.Fl.
N
q= 85
FLUTE
FLUTE
DECISO
DECISO
mf
mf
mf
mf
mf
(oboe)
mf
mf mf mf
mf
mf mf mf
mf
mf
mf mf
mf
mf
mf mf
mf
mf
mf
O
mf
mf
mf
mf
mf
mf
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
Cl./B.Cl.
C Tpt.
B. Tbn.
(harmon mute without stem sempre)
(harmon mute without stem sempre)
(harmon mute without stem sempre)
Perc. 2
Pno./Cel.
Hp.
Tba.
Vln. II
(claves)
mf
f
mf
mf
3
5
mf
mf
mf
mf mf
mf
f
mf
mf
mf
f
mf
mf
mf
3
5
medium mallet
Vc.
f
f
f
f
(claves)
Vla.
Db.
mf
mf
mf
mf
SECOND MOVEMENT
N
q= 85
RISOLUTO
f
Vln. I
mf
mf TIMPANI
Perc. 1
CLAVES (low)
Tbn.
mf
mf
mf
mf
mf
Ob./E.H.
DECISO
DECISO
5 3 3 f f sub.
mf
f
f
f
f
f
f
f
f
f
f
f
pizz.
f
f
O
DECISO
DECISO
f
f
f
f
f
f
f
f
f sub.
f f
f
f
f f
f
f
pizz.
f
f
3
mf
f
f
f
f
f
f
f
f
f
f
f
pizz. f
f
f
mf f
f
crunch
f
f
f
ff
crunch
ff crunch
ff
crunch ff
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
DECISO sempre
DECISO
113
mf
mf
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
mf mf
gliss.
mf mf
gliss.
f
mf
mf
mf
mf
mf mf
mf
mf
mf
5
f
mf
3
mf
mf
f
f
mf
3
mf
mf
mf
(claves)
mf
mf
3
5
mf
mf
f
DECISO sempre
DECISO
3
ord.
f
f
ord.
f
pizz.
f
f
f
f f
f f
f f
ord.
f
f
mf
mf
ord.
Db.
Vc.
gliss.
mf mf
mf
Vla.
f
Vln. II
mf
19
mf mf
f sub.
Vln. I
Tba.
gliss.
mf
f
mf
mf
mf Tbn.
mf
mf mf
(claves)
f
f
f
f
mf
f
gliss.
gliss.
gliss.
gliss.
f
ff
f
ff
f
ff
f
ff
3
f
mf
f
f
f
f
f
f
f
f
mf
f
pizz. f
Fl. 1,2, Ob & Cl: slow up and down 1/4tone-vibrato, Synchronize.
20
119
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
3 mf mf
3 mf mf
mf
3 mf mf
mf
3
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf mf
mf
mf
mf mf
mf mf mf
mf
mf
P
q= 90
f
MOLTO DECISO
f
3f
f
f
f
f
f
f
f
f
f
f
f
f
f
3
3f
f
3f
f
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Tba.
(claves) DECISO
f
mf
take horn
mf
mf
mf
3
mf
mf
mf
3
mf
HORN
fmp
f
f
f
tambourine (diamond-shaped notes) played with shank of mallet)
medium beater
f
3
f
mp
3
mf f
3
mf f
mf f
mf
ff
f
MOLTO DECISO
P
q= 90
mf
ff
Vln 1,2 Vla & Vc: slow up and down 1/4tone-vibrato, produced by sliding the finger. Synchronize.
Vln. I
Vln. II
Vla.
Vc.
Db.
f
f
3 f f
f
f
3
3 f f 3 f f
pizz.
f
f
f
f
f
f
f
pizz.
f
f
f
f
f
f
f
f f
f
f
f
f
pizz.
3
pizz.
f
ff
ff
ff
ff
3ff
ff
ff
ff ff
ff
ff
ff
ff
ff
ff
ff
arco
ff
3
3ff
3ff
ff ff
MOLTO DECISO sempre
MOLTO DECISO
127
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
f
3f f
f
f
f
f
f
f
f
f3 f
f
f
f
f
f
3 f f f f f
f f f
3f f
3 f f f f f
f f f
f f
f f
f
3
f
3
f
f
f f
21
f f f
3
f f f
f 3 f
f f f f
f 3 f
f
f f f f
f 3 f
f
f f f
f 3 f
f
f
3
3
3
f
3
f
ff
ff
ff
ff
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Tba.
Vln. I
Vln. II
Vla.
Vc.
Db.
fmp
mp
f
f
f
f
(square-shaped noteheads; always woodblocks) WOODBLOCKS
f
f
fmp
f
f
3
f
f
f
mp fmp
mp f
ff
f
mp
f
f
3
f
f
f
f
MOLTO DECISO
3 3
ff
ff
ff ff
ff
3
mf
ff
3
ff ff ff
ff ff ff 3
ff 3ff ff
3
ff ff 3
ff
ff ff 3
mf ff
ff
mf ff
ff
ff 3ff ff
mf ff
3
MOLTO DECISO sempre
3
3
3
f
3 3
3
mp fmp
f
f
f
mp
f
fmp
woodblocks played with hard vibraphonemallet, gran cassa with medium mallet
3
fmp
f
ff
ff
ff
3 ff ff ff
ff ff
ff
ff ff ff
3 ff ff ff ff ff
ff ff ff
3 ff ff ff ff ff
ff ff ff
ff
ff
ff
3
ff
mf ff
mf ff
f f f
3 ff f f f 3
3
mf
ff
3
ff ff 3
ff 3 ff
ff f f f
ff 3 ff
ff f f f
ff 3 ff
ff
ff
ff
ff
ff
ff ff
ff
f
fff
crunch
fff
crunch
fff
crunch
fff
crunch
fff
crunch
fff
Q MARCATISSIMO SUBITO,
22
135
Fl./Picc.
BRUSCAMENTE, VIOLENT
fff sempre
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
Hn.
ff
ff
to marimba hardest marimba
mallets
Pno./Cel.
fff
Tba.
ff
MARTELLATO secco
fff secco fff
ffff
ffmp
pp
mp
3
3
3
3
ord
fff
quivre
ff
3
3
ffff
3
ff
ffmp
pp
3
pp
ffff
3 ff sempre 3
mf
ff
ff
3
3
ff
ff
3
hard mallet snaredrumsticks 3
3
3
ff sempre (for gr. c. and woodblocks)
ffff
ffff fff MARCATO sempre secco 3 sempre 3 ffff
f sempre
secco sempre
MARCATO sempre
ff sempre (for timp. and tambourine) woodblocks (square-shaped notes) played with shank of heavy marching-snaredrumstick. gran cassa played with large beater
p
ff sempre
ffff
ffff
nasal, sharp sempre until Q
ffff-ff
3
ff
ff sempre
3
3
fff
3
3
ff
ff
ff sempre
ff sempre
3
3
ff sempre
Q
MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT
fff
7
7
ff
3
3
3
3
non vibr.
ff
3
3
fff
3
fff
fff
6
7
ff
SINISTRO, GRAVE sempre
3
ord. ff
ord.
6
Db.
bisb.
ord. Vln. I
Vc.
ffmp
mp
Vla.
3
fff sempre
Vln. II
3
mf
Hp.
3
hardest marimba mallets
3
ff
3
ff sempre
mp
3
3
ff
ff
3
ff
fff
fff
p
fff
3 ffff
3
ff
3
3
mp
ff
3
3
3
large Chinese cymbal medium mallets
3
ffmp
Perc. 2
ff
fff
ff
fff
ENGLISH HORN
Tbn.
Perc. 1
C Tpt.
B. Tbn.
B. Cl./Cb.Cl.
Bsn./Cbsn
take English horn
3
SINISTRO, GRAVE sempre
3
mp
ff
p
ff
ff
fff
3
f
3
3
3
3
mp
ff
3
fff sempre
ffff
fff sempre
ffff
fff sempre
ffff
fff sempre
ffff
loco
loco
3
fff sempre al talone
ord. 3 ffff fff
3
fff
141
Fl./Picc.
3
Fl./A.Fl.
Cl./B.Cl.
3
Ob./E.H.
Bsn./Cbsn
Hn.
3
3
mf
C Tpt.
ff
Tbn.
ff
Perc. 1
Perc. 2
B. Tbn.
mf mp
p
ff
mp
Vln. I
Vln. II
Vla.
Vc.
Db.
3
3
3
3
3 3
ff
mp
3
p
l.v.
3
3
3
fff
3
3
3 fff
3
3
fff
3 3
mp
ff
ff
3
3
3
3
fff
ff sempre (for gr. c. and woodblocks)
3
3
3
3
3
3
3
3
fff
3
3
fff
3 3
ff
ff
3
3 3
ff
3
3
l.v.
3
p
3
mp mf
3
ff
ff
ff
3
3 ff
mf
3
3
3
ff
3
3
3 3
ff
3 3
23
3
3
3 3
ff
ff
3
and woodblocks)
mp mf
3 ff sempre (for gr. c.
3
3
3
ff
3
3
3
ff
3
3
3
3
ff
ff
3
mf
3
3
3
3
3 3 3
3
3
fff
mp mf
3
ff
3
Tba.
ff sempre (for gr. c.
ff
3
3
ff
Hp.
3
3
ff
3
ff
3
ff
ff
3
mf
3
and woodblocks)
Pno./Cel.
3
upsidedown triangle-shaped notehead = tamtam, played with large beater TAM TAM l.v.
3
ff
3
ff tambourine (diamond-shaped notes) played with shank of snaredrumstick (have 2nd snaredrumstick ready for roll in bar 154)
3
ff
ff
3
3
3
3
B. Cl./Cb.Cl.
3
3
24
Cl./B.Cl.
B. Cl./Cb.Cl.
ff
3
Perc. 1
ff
ff
3
3
3
3
3
Tba.
Vln. I
Vln. II
Vla.
Vc.
Db.
ff
l.v. p
mp mf
ff
mp
mf
3
3
3
3
3
3
3
3
fff
3
3
3
3
3
mf
fff
ff
mf
3
3
mf
ff
mp
mf
ff
3
3
ff
3
3
MARCATO
ff
3
3
3
3
3
p
l.v. 3
put away tam tam beater and take 2nd marching-snaredrumstick
3
3
fff
mf
ff
mf
ff
3
3
3
3
ff
ff put away mallet
3
3
3
fff
fff
MARCATO
3
6
MARCATO
3
6
3
3
loco fff
f
3
3
fff
3
3
mp
ff
ff
ff
mf
ff
3
ff
ff
ff sempre (for gr. c. and woodblocks)
mp
ff
3
mf
6
mf
ff
ff
3
3 ff
ff
ff
3
3
6
3
ff
mp
ff
MARCATO
ff
MARCATO
6
3
3
ff
ff
3
3
3
3
3
3
3
ff
ff
ff sempre (for gr. c. and woodblocks)
3
3
fff
ff
3
3
3
3
ff ff ff
ff
3
3
3
mf
3
3
mp
ff
3
3
3
ff
Hp.
mp
Pno./Cel.
3
3
Perc. 2
3
Tbn.
B. Tbn.
3
3
C Tpt.
3
3
3 Bsn./Cbsn
3
3
3
Ob./E.H.
3
Fl./A.Fl.
Hn.
148
Fl./Picc.
MARCATO
6
MARCATO
R
DECISO, INCISIVE
Fl./Picc.
fff
f sub.
Fl./A.Fl.
f sub.
fff
multiphonic
Cl./B.Cl.
multiphonic
ord.
f sub.
quivre
fff
ffff
ffff
Tbn.
ffff
B. Tbn.
snaredrum with snaredrumsticks
ffff
R
fff sub.
fff
fff
take contre bass clarinet
to crotales
remove mute
remove mute
to glockenspiel hard plastic mallets
hardest mallets
l.v.
fff
loco
fff
ff
loco
fff
fff
fff
fff
DECISO, INCISIVE
ffff
l.v.
fff
Vln. I
Vln. II
ffff
fff
Vla.
Vc.
Db. ffff
fff
6
6
5
6
5
fff
6
ffff
arco
5
fff
ffff
ffff
6
fff
5
3
ffff
fff
ffff
fff
ffff
6
3
3
7
6
fff
6
ff
fff
7
6
ffff
ffff
5
ff
POCO LARGHETTO rit.
DECISO, INCISIVE, MARCATO
hard plastic mallets
hardest marimba mallets
MARCATO Tba.
ff
take hardest marimba mallets
fff
bisb.
ffff
POCO 25 LARGHETTO rit.
mf
to vibraphone hardest mallets
ff sub.
Hp.
6
ff sub. back-end of
take contra bassoon
heavy marching-snaredrum sticks Perc. 2
Pno./Cel.
6
remove harmon mute, put instraight mute
ffff
Perc. 1
mp
5
C Tpt.
5
sub.f
multiphonic
Hn.
ord.
fff
Bsn./Cbsn
fff
B. Cl./Cb.Cl.
mf
take oboe
take piccolo
mf
5
multiphonic
6
5
6
fff
Ob./E.H.
DECISO, INCISIVE, MARCATO
MARCATO
154
fff
7
3
7
7 fff
ff
ff
INTERLUDE MISURATO
26
159
Fl./Picc.
AGILE, PLAYFUL
S
q= 65
QUASI RUBATO sempre
PICCOLO
f
3
f
Ob./E.H.
Fl./A.Fl.
3
mp f
mpf
f
3
3
mp f
OBOE
QUASI RUBATO sempre 3
f
mp f
mp
QUASI RUBATO sempre
Cl./B.Cl.
f
3
QUASI RUBATO sempre
B. Cl./Cb.Cl.
CONTRA BASS CLARINET
3
f
Bsn./Cbsn
Hn.
Tbn.
Perc. 1
Perc. 2
Pno./Cel.
crotales hard plastic mallets
f
Vla.
mf
to celesta
3
f
put in (straight) mute
mf
ff
S
q= 65
3 3
ff
3
mp ff
mp
ff
f
mf ff
mp
ffp
3
ffp
ff
ff
mp
ff
ff
ff
mf
f
3
f
5 6
6
7
MOLTO MARCATO
(f)
ff
6
6
7
7
MOLTO MARCATO 6
(f)
ff
6
mf
ff
mf
sul pont. sempre fpp sub.
(pp sempre)
sul pont. sempre
(pp sempre)
sul pont. sempre
ppp
fpp sub.
fpp sub.
(pp sempre)
ppp
ff
AGILE, PLAYFUL
MOLTO MARCATO
5
ff
ff
f
f
5
INTERLUDE
Vc.
ff
ff
Vln. II
ff
MISURATO
Vln. I
ff
CELESTA
to celesta
mp
f
p
f
p
mp
QUASI RUBATO sempre
5
mp f
Tba.
Db.
CONTRA BASSOON
f
Hp.
C Tpt.
B. Tbn.
mp
choke
163
Fl./Picc.
mp
f
Ob./E.H.
f
Bsn./Cbsn
mp
mp
f
3
3
f
mp
3
3
p f
f
3
3
f
Hn.
f
3
mp
B. Cl./Cb.Cl.
mp f
3
Fl./A.Fl.
Cl./B.Cl.
f
mp f
mp f
3
mp f
mp f
3
f
3
mp
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
3
f
mp f mp f
mp f
f
mp
5
f
f
mp
f
f
mp f
mf
f
mp
3
f
p
f
mp f 3
to marimba medium hard mallets
p
medium hard mallets
QUASI RUBATO, BRILLANTE sempre
5
3
3
5
p
QUASI RUBATO, BRILLANTE sempre
3
mp
QUASI RUBATO, BRILLANTE sempre
Vla.
MOLTO MAESTOSO, MISURATO (straight) mute
3
MOLTO MAESTOSO, MISURATO
sul pont 3
mf sempre
5
7
mp
Vln. I
3
T
mp f
f
CELESTA
Vln. II
f
p
f
HORN
f
Db.
6
f
Vc.
f
5
f
mp f
3
mp
MOLTO MAESTOSO, MISURATO take horn
Tba.
fp
C Tpt.
f
5
mp f
27
T
mf
28
Fl./Picc.
3
p
167
3
Ob./E.H.
Hn.
B. Tbn.
Perc. 2
Pno./Cel.
Hp.
(flute)
p
MISURATO, MARCATO sempre
mf
f
3
mp
3
3
f
mf
f
mp
f
f
mf
3
3
MISURATO, MARCATO sempre
3
f
3
f
f
f
p
f
p f
p
f
3
3
f
3
p
p
sfzp
sfzp
sfzp
sfzp
f
MOLTO MAESTOSO, MISURATO straight mute
p
secco
5
mf
ord.
3
3
mf
3
Vla.
Vc.
3
6 ord. f
7
5
7
mf
f
3
3
3
3
3
7
STACCATO 5
6
7
f
f
3
mf
5
3
mp
5
3
5
mp
5
3
f
STACCATO
6
p
7
Vln. I
5
3
mp
3
secco 3 5 3 3 7 5 p 5 3 3 3 3 3 mf p STACCATO, secco ord. loco
ff 3
3
7
f
3
STACCATO, secco
3
p
loco
medium hard mallets
mp
3
f
Vln. II
mp f
f
Db.
f
3
mp f
Tba.
3
Perc. 1
MISURATO, MARCATO sempre
f
mp
f
Tbn.
5
C Tpt.
MISURATO, MARCATO sempre
f
f
3
mp
B. Cl./Cb.Cl.
Cl./B.Cl.
f
Fl./A.Fl.
Bsn./Cbsn
THIRD MOVEMENT part 1 : CADENZA
170
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Perc. 2
Pno./Cel.
Hp.
p
5
3
3
5
Db.
3
5
3
q= 60
put in stopping mute
put in bucket mute
INCISIVE
INCISIVE
take English Horn
ff
INCISIVE
ff
INCISIVE
mf
p
mf
p
29
MISTERIOSO
INCISIVE take flute
ff
ff
INCISIVE
ff
f
ord.
mp
5
3
secco
5
f remove mute
3
loco
mp-p
mp-p
mp
mp-p
(no mute)
ff INCISIVE
ff
5
3
3
p
3
3
5
3
ff
put in bucket mute
INCISIVE
take softest marimba mallets
INCISIVE
INCISIVE release pedal when sound is gone, after that, go to celesta
loco loco
ff
l.v.
3
INCISIVE put in bucket mute
ff
7
fff INCISIVE motor on 1/4 speed l.v. until sound is gone, then go to Chinese cymbal softest marimba mallets
7
3
ff
6
5
mf
mp
mp-p
ord.
to samplekeyboard for sample 1
SAMPLE 1
ppp
THIRD MOVEMENT part 1 : CADENZA
U REMOVE MUTE PUT IT DOWN HARD ON LETTER T
5
STACCATO, secco
3
MISURATO, MARCATO sempre
ff
..........ord
MISURATO, MARCATO sempre
poco......a.....poco.......ord........
..........ord
poco......a.....poco.......ord........
..........ord
(pp)
poco......a.....poco.......ord........
ord.
LONTANO sempre
ff ppp sub. INCISIVE loco LONTANO sempre
(pp)
MISURATO, MARCATO sempre
MISTERIOSO
INCISIVE loco
(pp)
q= 60
INCISIVE PUT MUTE DOWN HARD WHILE PLAYING SIMULTANIOUSLY
poco......a.....poco.......ord........
Vc.
Vla.
Vln. I
Vln. II
pp
mf
Tba.
ff
pp
MOLTO MAESTOSO, MISURATO (no mute)
MISURATO, MARCATO sempre (no mute)
Perc. 1
pp B. Tbn.
INCISIVE
Tbn.
C Tpt.
Bsn./Cbsn
Hn.
U
ff ppp sub. INCISIVE loco LONTANO sempre
ff ppp sub.
ff ppp sub.
(ppp sempre)
(ppp sempre)
LONTANO sempre INCISIVE
ff ppp sub.
(ppp sempre)
INCISIVE LONTANO sempre
(ppp sempre)
(ppp sempre)
30
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
p
175
Fl./Picc.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Tba.
Vln. I
LOW CLAVES
p
IRISOLUTO, MISTERIOSO sempre (no mute)
p sempre
3
3
3
3
Vln. II
Vla.
Vc.
Db.
LOW CLAVES
31
V
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
(bucket mute)
bucket mute
Perc. 2
187
Fl./Picc.
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Pno./Cel.
Hp.
Tba.
Vln. I
Vln. II
pp sempre
3
LONTANO bucket mute
3
pp sempre LONTANO bucket mute
3
LONTANO pp sempre
3
pp sempre
ppp
3
pp sempre
LONTANO
3
3
LONTANO (stopping mute)
3
ppp
ppp
SUSPENDED CYMBAL softest marimba mallets
ppp
ppp
3
3
pp sempre LONTANO 3
pp sempre (bucket mute) LONTANO
LOW CLAVES
p
(bucket mute)
3
pp sempre
V
p sempre
5
p sempre
5
3
Vla.
Vc.
Db.
LONTANO stopping mute
3
32
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
197
Fl./Picc.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
Tbn.
Perc. 1
C Tpt.
B. Tbn.
Pno./Cel.
Hp.
Tba.
Vln. I
CLAVES (high)
mf
mf
mf
remove mute
remove mute
3
ppp
to crotales remove mute hard rubber mallets
ppp
softest marimba mallets p
marimba mallets l.v. softest motor on 1/4 speed p
ppp
pppp to vibraphone soft mallets
pppp
ppp
ppp
pppp
to samplekeyboard for sample 2
SCHIZOPHRENIC RUBATO with fluctuating dynamics
5
ppp
3
p / mp / mf
3
5
poco a poco......
.......sul pont gliss.
.......sul pont gliss.
poco a poco......
.......sul pont gliss.
Vln. II
Vla.
Vc.
Db.
LARGE CHINESE CYMBAL softest marimba mallets Perc. 2
take high claves
ppp
3
mute
3
remove
poco a poco......
poco a poco......
.......sul pont gliss.
poco a poco......
.......sul pont gliss.
W
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
Fl./Picc.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
Perc. 1
Pno./Cel.
soft mallets
pp
7 3
3
BRILLANTE, MISTERIOSO, QUASI RUBATO CELESTA loco
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo release pedal when sound is gone, after that, go to piano
pp 5
SAMPLE 2
l.v. sempre
5
5
pp BRILLANTE, MISTERIOSO, QUASI RUBATO
l.v.
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo
cadenza-options from rehearsalmark W: 1 - play cadenza as written 2 - improvise with the material of the written cadenza 3 - improvise ad lib, but always use modus as material MODE: A-B-C-Db-Eb-F-G-A when playing option 2 or 3: never use the note D , since it is the targetnote/root for section Z (it is also not in the mode) DURATION AD LIB. SOLO ± 01:00 / 01:30 ALWAYS PLAY BARS 207/208 AS WRITTEN ALWAYS FIT THE SOLO TO THE ATMOSPHERE OF THE BACKGROUNDCHORD ALWAYS PLAY THE CUE FOR THE CONDUCTOR AT X
W
Tba.
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo
7
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo
release pedal when sound is gone, after that, go to gong in D and gran cassa medium large beater UNCONDUCTED UNTIL Y and soft large beater the amount of "bars" can vary, depending on the length of the tubasolo
BRILLANTE, MISTERIOSO, QUASI RUBATO
Hp.
Perc. 2
take horn
Tbn.
B. Tbn.
C Tpt.
33
(q= ± 60 or slower)
206
p
RUBATO, UNCONDUCTED UNTIL Y (q= ± 60 or slower) 3
BREATH-LIKE sempre
3 5 3 3 4 5 5 mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following
LIRICO sempre
the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)
Vln. I
a poco........... poco (ppp sempre)
poco a poco...........
Vln. II
(ppp sempre)
poco a poco...........
gliss. Vla.
(ppp sempre) poco a poco...........
Vc.
(ppp sempre)
Db.
poco a poco...........
(ppp sempre)
...........ord.
UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo
.................ord.
.................ord.
.................ord.
.................ord.
34
213
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Tba.
Vln. I
Vla.
Vc.
Db.
Vln. II
ESPRESSIVO, CAPRICCIO, BUT A BIT AGITATED AND SLIGHTLY SCHIZOPHRENIC 3
3
3
5
3
when playing option 2 or 3, pick up notated cadenza from here as written sempre
5 7 3 3 5 loco 3 3
mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)
cue for conductor to start conducting at Y
X
222
Fl./Picc.
q= 60
Y
35
CONDUCTED (sempre)
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
Perc. 1
Perc. 2
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
CONDUCTED (sempre)
CONDUCTED (sempre)
CONDUCTED (sempre)
CONDUCTED (sempre)
Pno./Cel.
Hp.
to samplekeyboard for sample 3
CONDUCTED (sempre)
Tba.
cue for conductor to start conducting at Y
X
mf
ord.
q= 60 CONDUCTED (sempre)
Y
AS WRITTEN sempre MOLTO ESPRESSIVO sempre
3
3
3
5
3
7
3
3
3
mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)
Vln. I
Vln. II
Vla.
Vc.
Db.
CONDUCTED (sempre)
36
Z
Fl./Picc.
THIRD MOVEMENT part 2 : SOLEMNE MEDITATIVE
230
AA
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
p
(contrabass clarinet) BREATH-LIKE
p
(contra bassoon) BREATH-LIKE
Bsn./Cbsn
p
BREATH-LIKE
p
BREATH-LIKE
p
BREATH-LIKE
C Tpt.
Tbn.
B. Tbn.
p
Hn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
CELESTA
p
Vln. I
ppp
p
p
MISTERIOSO, almost inaudible
soft mallets pp
Vla.
l.v.
take mallets
mp
p
pppp
p
pppp
pppp
p
p
p
p
p
p
p
pppp
pppp
p
p
p
p
soft mallets
ppp
loco
p
AA
pp sempre
ord.
l.v.
p
p
p
p
p
BREATH-LIKE
p
p
p p (8vb for bottomstave only sempre)
THIRD MOVEMENT part 2 : SOLEMNE
MEDITATIVE Z BREATH-LIKE p
pp sempre
Db.
p
SAMPLE 3
pp sempre
Vc.
GRAN CASSA with soft large beater
pp sempre
Vln. II
LONTANO, almost inaudible
Tba.
MISTERIOSO, almost inaudible LOW GONG in D with medium large beater GRAN CASSA with soft large beater
p sempre
p
BREATH-LIKE
p
37
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
BREATH-LIKE
p
244
Fl./Picc.
BREATH-LIKE
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
p
Hp.
Vln. I
p
BREATH-LIKE
p
BREATH-LIKE
p
pppp
p
p p
pppp
p
p
p
p
p
p
p
p
p
p
p
pppp
p
p
p
pppp
p
p
pppp
p
p
p
p
p
pppp
p
p
pppp
p
p
p
p
p
p
p
pppp
p
pppp
p
p
Vc.
p
p
Vla.
p
pppp
p
pppp
p
p
Vln. II
Db.
Tba.
Pno./Cel.
BREATH-LIKE
Perc. 2
Tbn.
Perc. 1
C Tpt.
B. Tbn.
p
p
p
p
p
p
p
p
BREATH-LIKE
p
p
p
p
p
p
p
p
BREATH-LIKE
p
p
p
p
38
BB
Fl./Picc. 256
FLUTE
mp
Fl./A.Fl.
mp mp
mp
Ob./E.H.
mp
mp
mp
mp
mp
mp
take piccolo
alto flute
take
ALTO FLUTE
ESPRESSIVO sempre 3
mp
p
ENGLISH HORN ESPRESSIVO sempre
3
mp
p mp
3
mp
p mp p
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
BREATH-LIKE
p
C Tpt.
Tbn.
loco
Hn.
B. Tbn.
CROTALES hard rubber mallets
mf mf
Perc. 2
mf
Hp.
Tba.
mf
mf
mf
pp pp pp
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
pp
mf
mf
mf
Pno./Cel.
mf
mf
mf
Perc. 1
pp mf
mf
mf loco mf mf
mf
mf mf mf
mf
mf
mf
Vla.
Vc.
Db.
mf p
p mf
mf
pppp
mf
mf p
pppp
mf
mf
mf
p mf
mf loco
loco
mf loco
mf
mf
mf
pppp
mp
LOW GONG in A
ppp
mf
mf
mp
pppp
l.v.
mp
mp
p
pppp
MISTERIOSO, RITUALISTIC, almost inaudible PLATECLOCKS with medium beater GRAN CASSA (soft large beater)
p
p p
mf
mf
mf
mf
mf
mf
mf
mp
mf
mp
p p
(8vb for bottomstave only sempre)
Vln. II
pp
mf
Vln. I
take bass trombone
BREATH-LIKE
mp
BB
39
268
Fl./Picc.
Fl./A.Fl.
p
mp
3
3
mp p mp
Perc. 2
Pno./Cel.
Hp.
Vln. I
3
mp
4
3
p mp
p
p
p
mp
mp
mp-p
mp
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
pppp
pppp
pppp
pppp
p
p
p
p
p
p
p
p
pppp
pppp
p p p
p
p
p
p
p
p
p
p
pppp
p p p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
p
pppp
p
pppp
p
pppp
p
p
p
Vc.
p
Vla.
p
pppp
mp
mp
mp
mp
Vln. II
Db.
3
p mp
Tba.
mp
Tbn.
Perc. 1
p
C Tpt.
B. Tbn.
mp
B. Cl./Cb.Cl.
Hn.
mp-p
Cl./B.Cl.
Bsn./Cbsn
p
Ob./E.H.
p p p p p p
40
276
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
3
3
mp
3
3
3
mf
3
mp
Cl./B.Cl.
mf mf sfz mf
mf
mf
3
sfz
take flute
take oboe
sfz
mfp
mp
OBOE
p
mf
mf
mf
mf
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
HORN (no mute)
LONTANO, DECLAMANDO
3
mfp
C Tpt.
Tbn.
B. Tbn.
Perc. 1
Perc. 2
Pno./Cel.
Hp.
Vln. I
Db.
p
3
mf mfp
mf
p
p p
pppp
pppp
p p
p
p
pppp pppp
p
p
p
p
p
p
p
p
p
p
p
p
pppp p
p
to tubular bells take metal bars
go to timpani and gran cassa l.v. medium hard mallets
to samplekeyboard for sample 4
p p
p p
p
p
put moogerfooger on
3
mf
p
p
mf
mf
p
mf
loco
DECLAMANDO
p
p
mf
Vc.
mfp
mf
p p
Vla.
Vln. II
Tba.
mfp
p mf
pp
TRANSITION 2
CC Fl./Picc.
fff sub.
Fl./A.Fl.
AGILE FREELY,
Cl./B.Cl.
6
fff sub.
fff sub. FREELY, AGILE (contrabass clarinet)
(no mute)
(no mute)
B. Tbn.
(no mute)
Perc. 1
5
3
fff
fff
fff
black key-cluster with underarm
SAMPLE 4
SAMPLE 5
ff sub.
ff
TRANSITION 2
CC
MOLTO INCISIVE, MOLTO TUMULTUOSO, VERY AGGRESSIVE, EARTH-SHATTERING SETTING 0
3
SETTING 1
fff
fff sub.
fff sub.
Db.
fff sub.
fff sub.
Vc.
9
fff sub.
Vla.
7
3
white key-cluster with underarm
fff sub.
Vln. II
ff
Vln. I
metal bar
Tba.
fff
9
fff
fff sub.
5
3
fff sub.
Hp.
fff
medium hard mallet
5
11
fff sub.
Pno./Cel.
fff
metal bar
3
fff sub.
ff sub.
Perc. 2
fff
Tbn.
fff
fff sub.
C Tpt.
fff
fff sub.
Hn.
fff sub. FREELY, AGILE (contra bassoon)
Bsn./Cbsn
41
13
fff
5
B. Cl./Cb.Cl.
3
FREELY, AGILE
fff sub. FREELY, AGILE
Ob./E.H.
fff
FLUTE
MOLTO INCISIVE, MOLTO TUMULTUOSO, VERY AGGRESSIVE, EARTH-SHATTERING
PICCOLO FREELY, AGILE 284
fff sub.
fff
fff
fff
fff
fff
42
286
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
fff
5
3
3
7
11
fff
13
3
fff
6
fff
5
9
fff
Bsn./Cbsn
Hn.
C Tpt.
Tbn.
B. Tbn.
Perc. 1
fff
fff
fff
fff
fff
Hp.
fff
Vln. II
Vla.
fff
3
loco
5 9
5
3
7
3
fff
fff
fff
fff
black and white key-cluster with underarms
SAMPLE 7
ff
button 2 - frequency external podmeter 8, amount 9, rate 12 squarewave/high
3
SETTING 2
fff
fff
fff
fff
fff
Db.
fff
Vc.
7
fff
fff
ff
11
fff
SAMPLE 6
fff
Vln. I
Tba.
black and white key-cluster with underarms
3
fff
ff
Pno./Cel.
2 metal bars
13
fff
fff
2 metal bars
fff
fff
ff
Perc. 2
fff
B. Cl./Cb.Cl.
fff
fff
fff
fff
DD
288
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
MOLTO MOLTO INCISIVE, MOLTO MOLTO TUMULTUOSO, VERY AGGRESSIVE
C Tpt.
Tbn.
B. Tbn.
Perc. 1
43
5
5
6
3
3
3
7
3
5
3
3
11
7
ffff poss.
3
ffff poss.
ffff poss.
Hn.
3
ffff poss.
Bsn./Cbsn
ffff poss.
13
ffff poss.
5
FREELY, AGILE
ffff poss.
5
7
ffff poss. FREELY, AGILE
ffff poss.
FREELY, AGILE
ffff poss.
2 metal bars
fff
Perc. 2
suspended cymbal medium hard mallets (ppp)
loco
f
SAMPLE 8
ffff-fff
FREELY, AGILE
Vln. I
f
ffff poss.
Tba.
l.v.
FREELY, AGILE, chromatic run
lowest back/white key-cluster with both underarms
Hp.
ffff poss.
Pno./Cel.
7
DD
Vln. II
Vla.
Vc.
Db.
f
7
loco
MOLTO MOLTO INCISIVE, MOLTO MOLTO TUMULTUOSO, VERY AGGRESSIVE 5
SETTING 1
ffff poss.
ffff poss.
iss.. gl gliss
gliss.
gliss.
gliss.
gliss.
gliss.
gliss.
ffff poss.
ffff poss.
ffff poss.
ffff poss.
gliss.
gliss. gliss.
loco
gliss.
gliss.
gliss. gliss.
44
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
289
3
5
Tbn.
B. Tbn.
Perc. 1
3
5
3
3
3
f
Hp.
9
Tba.
Vln. I
Vln. II
Vla.
Vc.
Db.
7
5
s. glisss. gli
11
7
VERY SCHIZOPHRENIC RUBATO, large intervallic leaps, chromatic chaos, as fast and crippled as possible, fluctuate with settings fast and randomly from approx. bar 290 until high trill
gliss.
gliss.
7
10
7
Pno./Cel.
7
3
put away metal bars and take hammers. do not lift pedal before bar 291
3
3
FREELY, AGILE medium hard mallets
Perc. 2
3
3
3
3
FREELY, AGILE C Tpt.
3
3
3
5
gliss.
gliss.
6
5
7
5
port. port.
5
gliss. gliss.
gliss.
gliss.
Fl./Picc.
290
B. Tbn.
Perc. 1
Perc. 2
3
5
3
5
3
pp
pp
pp
to crotale hard rubber mallet
pp
pp
pp
loco
loco l.v.
(choke cymbal, if neccesary)
p
setting 3 ,7,9,12 sq/high
Tba.
Hp.
pp
mp
Pno./Cel.
pp
pp
take bass clarinet
loco
pp
pp
take English horn
loco take flute
45
3
Tbn.
4
Hn.
C Tpt.
B. Cl./Cb.Cl.
Bsn./Cbsn
7
Cl./B.Cl.
Ob./E.H.
Fl./A.Fl.
pp
p
poco ..........a .......poco.........sul pont. Vln. I mp
poco .....a ...poco...sul pont
Vln. II
mp
poco ..........a .......poco.........sul pont.
Vla.
poco ..........a .......poco.........sul pont.................
Vc.
gliss.
gliss. gliss.
Db.
7
gliss.
sul pont mp
mp
loco/ord
pp
FOURTH MOVEMENT : RECAPITULATION 46
291
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
EE
f sub.
f sub.
B. Cl./Cb.Cl.
f sub.
Bsn./Cbsn
C Tpt.
Tbn.
B. Tbn.
pp
Perc. 2
(bass clarinet)
Tba.
Vln. I
Vln. II
Vla.
Vc.
multiphonic 3 3
go to celesta
3
ff
f
3
3
f 3
p
multiphonic
f
f
p
hammers
f sub.
f
p
3
loco
mp
mp sempre
non vibr. sempre loco/ord
f sub.
mp sempre
non vibr. sempre
non vibr. sempre
f sub.
mp sempre
f sub.
mp sempre
f
mp sempre
3
3
3
3
mp
3
f
mp fp
f
f
f
3
3
3
3
3
3
3
3
3
3
3
p
ff
scrape strings with hard plectrums
secco
ord.
3
f
3
mf
AGITATO
3
3
3
3
f
3
3
3
ff
f
f
f
3 3
f
f
f
3
mf sempre
loco
mp
mf
mp
mp
mf
mf
mf
3
3
mf
mp
ff
ff
ff
f
f
ff
3 3
f
ff
ff
INCISIVE, VIOLENT
scrape string with hard plectrum ord.
3
f 3
3
5
3 3 3 3 3 3
3
mp sempre
non vibr. sempre
f sub.
3
hammer (if necessary, side of s.d. stick) f p f p to vibraphone medium LIONS ROAR medium hard mallets mallet f mp ff
take hard plectrums
mp
to trumpet
ff
FOURTH MOVEMENT : RECAPITULATION EE DECISO, MISURATO SETTING 1
f sub.
mp
ff
ff
loco
f sub.
take hard plectrum
p
secco
CROTALE hard rubber mallet choke
SNARE take DRUM hammer
medium mallets
secco
f sub.
medium hard mallets
5
ff
ff
WOODBLOCKS with side of s.d.sticks take snaredrumsticks
ff
f sub.
ff
ff
p
p
ff
multiphonic
f sub.
ff
3
f
p
ff
ff
f
f
ff
multiphonic
3
p
non vibr. sempre Db.
ff
f
Hp.
f
multiphonic 3 3
ff
f
p
Pno./Cel.
f
Perc. 1
3
f sub.
f
f
p
3
(mp)
f sub.
p
f sub.
Hn.
BASS CLARINET
f sub.
p
ENGLISH HORN
f sub.
Cl./B.Cl.
INCISIVE, VIOLENT
DECISO, MISURATO
FLUTE
3
mf
f
mf
3
suoni reali ord.3 mf
mf
FF DECISO Fl./Picc. 300
f
3
pp
ff
take flute
f
sharp, cutting, nasal
MOLTO SINISTRO, MARCATO
FLUTE
gliss.
ff sempre
sharp, cutting, nasal
Fl./A.Fl.
f
Ob./E.H.
f
Cl./B.Cl.
3
3
ALTO FLUTE
take alto flute
f
take oboe
ppp
take English Horn
pppp
3
loco
3 f
3
sharp, cutting, nasal
ff sempre
f
B. Cl./Cb.Cl.
ff sempre
3
sharp, cutting, nasal
ff sempre
gliss.
3
3
abrupt silence
47
ord.
abrupt silence
gliss.
ord.
DECISO
gliss.
take alto flute
abrupt silence
sharp, cutting, nasal
abrupt silence
ff sempre
Bsn./Cbsn 3 f
Hn.
C Tpt.
Tbn.
B. Tbn.
TRUMPET
Hp.
Tba.
Vln. I
Vln. II
Vla.
Vc.
Db.
put in harmon mute with stem
take plunger
take plunger
hammers mf use pedal on every note medium hard mallets Perc. 2
Pno./Cel.
p
Perc. 1
sharp, cutting, nasal
ff sempre
ff sempre
ff sempre
hammers
3
3
3
medium hard mallets
3
secco
mf
3
ff l.v.
ff
ffmp
plunger
f
take soft mallets
ff .....o
fmp
f
f
3
f
f
3
f
f
f
f
f
f
f
3
3
pp
f
3
ff
mp fmpf
mallets soft
go to piano
mf
ff
ffmp
3
3
3
ff
ffmp
l.v.
ffmp ff
3
3
port
gliss.
ff
sul pont
ff
ff
pizz.
3
sul pont
mf
5
ffmp
3
mp
mf
3
3
abrupt silence
3
poco sul pont
3
(ord.)
mf
CELESTA secco
MOLTO SINISTRO, MARCATO
3
f
f
3 f
3
rubber mallet
ff
FF DECISO
abrupt silence
mp .......o
ff
f
o
ff plunger o.....+
abrupt silence
ff
gliss. o.....+
ffmf
to glockenspiel rubber mallet
ff
l.v.
hammer
gliss.
ff
plunger o ........ + +.......
f
f
ff p ffmp ff p harmon mute with stem o.......+...... o gliss.
mediumhard mallet
3
plunger +....... o ........ +
ffmp
f
mf
CELESTA
p
3
ffp
ff
DECISO
abrupt silence
mf
mf
mf
ord.
loco mf
ord.
mf
suoni arco reali ord.
mf
48
309
Fl./Picc.
ALTO FLUTE
f sub.
mp
f sub.
3
p
3
f
3
C Tpt.
Tbn.
B. Tbn.
remove mute
put away plunger
put away plunger
Perc. 1
Perc. 2
to marimba medium mallets
mf
secco sempre
3
mf
loco
3
3
sul pont
ord. 3
sul pont
ord.
3
3
sul pont
ord.
3
sul pont Db.
mf
3
f
p
3
ff
ord.
3
3 3
f sub.
ff sub.
3
3 3 f sub. ff sub. p
f sub.
3
ff sub.
f sub.
pizz.
ord.
ff
p
3
p
fff sub.
f 3
3
f
3
3
3
mf mp
3
CELESTA
mf
mf
mf
go to piano
mf
f
p
mp
f
mp
mf mp 3
mf mp
f
3
3
PIANO
secco
l.v.
p
mf
mf
3
mf
3
f
f
f
p
loco p
mf
f
p
f
mf
mf
3 mf mp
mf
DECISO, QUASI DOLCE, BRILLANTE
3
mf
hard rubber mallet
mf
f
DELICATE
f
ff sub.
3
mf mp
mp
f
p
3 3 3 f sub. p
mf
to glockenspiel hard rubber mallets
f
p
loco 3 3
3
3
mf
f sub.
fffmf fffmp
ff sub.
3 3 3 f sub.
p
mf
f sub.
INCISIVE, VIOLENT ord.
mf
OBOE
CLARINET
take clarinet
3
p
p
mf
go to celesta
fff sub.
hammers
3
3
mf
mf
fff sub.
fff sub.
f sub.
mp
pp
f sub.
f
sul pont
Vc.
(no mute)
f
take oboe
FLUTE mf
f
mf
fff sub.
3 3
ord. 3
Vla.
Vln. II
mf
Vln. I
mp
medium mallets sempre
Tba.
ff
mf
3
mf
mp
f sub.
take flute
3
mp
f sub.
fff sub.
f
Hp.
hammers
f
p
fff sub.
fff sub.
3
PICCOLO
3
secco sempre PIANO
Pno./Cel.
fff sub.
p
f go to tub. bells take hammers
f
pp
p
3
fff sub.
p
f
Hn.
f sub.
Bsn./Cbsn
p
ord.
fff sub.
p
f
B. Cl./Cb.Cl.
f
DECISO, QUASI DOLCE, BRILLANTE
DELICATE take piccolo
p
f sub.
Cl./B.Cl.
INCISIVE, VIOLENT
f
Ob./E.H.
3
p
Fl./A.Fl.
p
f
3
3
3
f
mf
3 f
mf
mf suoni reali
mf
3
3
f
3
ord.
mf
3
p
f
3
f
3
f
INCISIVE, VIOLENT, BRUSCAMENTE
GG
317
Fl./Picc.
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
ff sub.
ff sub.
ff sub.
C Tpt.
Tbn.
B. Tbn.
ff sub.
Perc. 2
Pno./Cel.
Hp.
Tba.
medium mallets pppp motor topspeed
to tubular bells medium mallets
to vibraphone
loco secco
ff sub. secco
ff sub.
ff sub.
Vln. II
Vla.
Vc.
ff sub.
ff sub.
ff sub.
ff sub.
3
ff sub.
3
to timpani
3
ff
ff sub. secco sempre
3
SETTING 4
fff sempre
3
3
3
3
3
SNAREDRUM snaredrumsticks
3
3
f
p
3
f
pedal every note
3
fff
3
SNAREDRUM
to vibraphone motor off
3
3
to snaredrum take snaredrumsticks and hard mallets for timpani and gran cassa
3
3
3
ff sub.
3
3
3
3
3
3
3
3
3
3
3
3
3
ff sub.
ff sub.
3
3
ff sub.
MOLTO MAESTOSO, CON FUOCO
ff sub.
3
3
MOLTO MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT, MOLTO MAESTOSO sempre
HH
fff
CODA
3
MOLTO MARCATO MOLTO MAESTOSO, CON FUOCO
3
f
3
3
3
3
fff
MARTELLATO secco sempre
3
to snaredrum snaredrumsticks keep medium mallets for timp.
3
3
3
fff
49
3
3
3
3
medium mallets
3
3
3
3
3
3
3
3
3
3
3
3
fff sempre
3
3
3
3
3
ff sub.
pppp sub.
3
ff sub.
(liptrill)
q= 80
ff sub.
Db.
LONTANO
Change of setting 1: button 1 frequency external potmeter 7, change amount and rate to 0, squarewave/high
INCISIVE, VIOLENT, BRUSCAMENTE
fff sempre
MOLTO MAESTOSO, CON FUOCO (contra bassoon)
ff sub.
ff sub.
Vln. I
(contrabass clarinet)
GG
ff sub.
3
ff sub.
pppp
ff
ff sub.
ff sub.
Perc. 1
ff sub.
Bsn./Cbsn
Hn.
fff sempre
pppp sub.
ff sub.
MOLTO MAESTOSO, CON FUOCO
ff sub.
MOLTO MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT, MOLTO MAESTOSO sempre
MOLTO MAESTOSO, CON FUOCO pppp sub.
ff sub.
HH
LONTANO
CODA
q= 80
3
3
3
3
3
3
3
3
3
3
50
323
Fl./Picc.
q= 60 SUBITO
3
II INCISIVE, TUMULTUOSO FREELY, AGILE
3
Fl./A.Fl.
Ob./E.H.
3
Cl./B.Cl.
3
3
3
3
3
FREELY, AGILE
B. Cl./Cb.Cl.
Bsn./Cbsn
Hn.
C Tpt.
Perc. 1
Perc. 2
Pno./Cel.
p
medium mallets
RATCHET
f
ff
f
3
3
3
3
3
FREELY, AGILE
3
3
3
3
3
FREELY, AGILE
3
7
6
3
gliss.
fff
gliss.
fff
gliss.
fff
gliss.
3
mf
3
3
lowest clustertremolo with two hands/fists
pp
twohanded gliss.
gliss.
gliss. mf
II INCISIVE, TUMULTUOSO
INCISIVE
gliss. gliss.
fff
gliss.
gliss.
fff
fff
3
3
mf
choke
fpp
fffp
3
hard mallets
CHINESE CYMBAL hard mallets
3
3
3
3
3
3
9
3
fff
3
3
5
fff
hard plastic mallets
3
3
Db.
f
3
3
ff
3
fff FREELY, AGILE
to gran cassa 4 hard mallets
Vln. I
Vc.
3
3
q= 60 SUBITO
Vla.
3
take hard plastic glockenspiel mallets keep med. mallets for Chinese cymbal
Vln. II
Tba.
Hp.
3
Tbn.
B. Tbn.
3
FREELY, AGILE
fff
11
5
fff
fff
13
fff
gliss.
fff
fff
gliss. gliss.
INCISIVE, VIOLENT, MOLTO TUMULTUOSO
Fl./Picc.
Cl./B.Cl.
B. Cl./Cb.Cl.
9
7
3
6
gliss.
3
ffff sempre MOLTO MAESTOSO, MOLTO CON FUOCO
Tbn.
B. Tbn.
Perc. 2
mp
TAM TAM
LOW GONG IN G medium gongbeater
3
MARTELLATO, secco
3
3
5
loco ord.
medium tamtam beater hard mallet(s)
3
ffff sempre
3
MARTELLATO, secco
ord. 3
3
5
5
3
5
INCISIVE, VIOLENT, MOLTO TUMULTUOSO
3
gliss.
ffff sempre
ffff sempre
ffff sempre
3
punta d'arco
punta d'arco
ffff sempre
ord.
ord.
ord.
punta d'arco
ord.
punta d'arco
MOLTO MAESTOSO, MOLTO CON FUOCO
fffff poss.
MOLTO MAESTOSO, MOLTO CON FUOCO
5
5
ffff sempre
Db.
Vln. I
Vc.
punta d'arco
Vla.
p (dynamics for both instruments)
3
fffff poss
Vln. II
ffff sempre
ffff
Tba.
fff
to tam tam, take medium beater keep the (4) hard mallets for vibraphone and gran cassa
gliss.
Hp.
to gong in G medium gongbeater keep one mallet for timpani
Pno./Cel.
3
3
ffff sempre MOLTO MAESTOSO, MOLTO CON FUOCO
ffff sempre
Perc. 1
MOLTO MAESTOSO, MOLTO CON FUOCO
MOLTO MAESTOSO, MOLTO CON FUOCO
3
ffff sempre
C Tpt.
3
3
3
5
3
ffff sempre
Hn.
3
loco
5
ffff sempre
Bsn./Cbsn
7
3
ffff sempre
3
5
ffff sempre
11
ffff sempre
Ob./E.H.
13
ffff sempre
Fl./A.Fl.
51
327
SONORE, BRILLANTE INCISIVE, DECISO non vibr.
JJ
52
329
Fl./Picc.
fffff
fffff poss.
fffff poss.
fffff
fffff poss.
fffff poss.
MISURATO sempre
fffff
fffff poss.
fffff poss.
MISURATO sempre
MISURATO sempre
Fl./A.Fl.
Ob./E.H.
Cl./B.Cl.
B. Cl./Cb.Cl.
MISURATO sempre
fffff
fffff poss.
fffff
Bsn./Cbsn
Hn.
Perc. 2
Pno./Cel.
quivre
fffff
fffff
ff
MARTELLATO, secco ord.
7
MARTELLATO, secco ord.
Vla.
fffff poss.
fffff poss.
fffff poss.
choke tam tam. to vibraphone
ffff
fffff poss.
secco
fffff poss.
MARTELLATO, secco 7
fffff poss.
3
fffff
3
fffff poss. secco
3
loco
fffff poss.
fffff poss.
////////////////////////////////////////////////////////////////
SAMPLE 9
SAMPLE 10
ffff
ffffp
to samplekeyboard for sample 9
fffff poss.
fffff poss
fffff poss
ord.
fffff poss.
fffff poss
fffff poss
gliss.
gliss.
put Mooger Fooger off
DECLAMANDO ord.
f
sfz
RISOLUTO Ex abrupto
sfz
3
p f
fff
mf
fffff poss
fffff poss
fffff poss
DECISO 3
f
ricochet
fffff poss
ord.
Db.
fffff poss.
fff
Vc.
JJ
punta d'arco
SONORE, BRILLANTE non vibr. INCISIVE, DECISO
Vln. II
GONG IN D hard choke WHIP gong choke mallet + med. gong beater
to timpani and gong in D
fffff poss.
Vln. I
fffff poss.
secco
5
3
fffff poss.
fffff poss.
fffff poss.
fffff poss.
fffff poss.
f
Tba.
fffff
Hp.
fffff poss.
fffff poss.
ord.
fffff
Tbn.
Perc. 1
fffff
fffff poss.
MISURATO sempre
C Tpt.
B. Tbn.
28 November 2011 - 22 February 2012
MISURATO sempre
F.V.W.
fffff poss
F.V.W. Rotterdam, November 28 - 2011 / February 22 - 2012