Exordium 2012 score

Page 1

FRISO VAN WIJCK

EXORDIUM FOR TUBA AND 19 INSTRUMENTALISTS COMPOSED FOR TJEERD OOSTENDORP AND ASKO/SCHOENBERG-ENSEMBLE


2

FRISO VAN WIJCK

EXORDIUM FOR TUBA AND 19 INSTRUMENTALISTS

COMPOSED FOR TJEERD OOSTENDORP AND ASKO/SCHOENBERG-ENSEMBLE November 28 - 2011 / February 22 - 2012

INSTRUMENTATION:

TUBA - with ringmodulator (used at rehearselmark CC and further) Different settings/sounds are notated with different shaped note-heads. (for details on equipment and settings, see next page)

FLUTE / PICCOLO FLUTE / ALTO FLUTE OBOE / ENGLISH HORN CLARINET IN Bb / BASS CLARINET IN Bb BASS CLARINET IN Bb / CONTRA BASS CLARINET IN Bb BASSOON / CONTRA BASSOON

HORN IN F (also playing claves - one high pair, one low pair) TRUMPET IN C (also playing large woodblock) TENOR TROMBONE with F attachment BASS TROMBONE with F attachment (also playing crotales - for details, see next page)

2X PERCUSSION (for details, see next page)

PIANO / CELESTA, hard plectrum

HARP / SAMPLE-KEYBOARD (for details on equipment and settings, see next page), 2 hard plectrums, soft mallets

2X VIOLIN VIOLA CELLO DOUBLE BASS (5 strings)

DURATION: APPROX. 19:15 ALL MOVEMENTS, TRANSITIONS, INTERLUDE, CADENZAS AND CODA ATTACCA

SCORE IN C PICCOLO AND CELESTA SOUND ONE OCTAVE HIGHER GLOCKENSPIEL AND CROTALES SOUND TWO OCTAVES HIGHER CONTRA BASSOON AND DOUBLE BASS SOUND ONE OCTAVE LOWER

EXCEPT OTHERWISE INDICATED, RHYTHMS HAVE TO BE PLAYED VERY STRICT AND PRECISE, REGARDLESS OF DYNAMICS, PHRASING- AND EXPRESSIONINDICATIONS CHORDS BY PIANO/CELESTA, HARP AND MELODIC PERCUSSION HAVE TO BE PLAYED WITHOUT EMPHASIS ON TOPNOTES


EQUIPMENT AND SETTINGS FOR ELECTRONICS: TUBA: MOOGER FOOGER

SAMPLE-KEYBOARD (opparated by harp) sample-sounddesign by EDWIN WILLEMEN

LIST OF PERCUSSION-INSTRUMENTS:

PERCUSSION 1: -

MARIMBA (with bass extension) GLOCKENSPIEL (with pedal) TUBULAR BELLS 16" OR 18" FLOORTOM (tuned very low, maximum attack, minimum pitch, head preferably Remo pinstripe or other similar double-ply head) TRIANGLE (small) 26" and 32" TIMPANI TAMBOURINE (plastic frame/no head, mountable on a stand if necessary) SNAREDRUM (6,5" deep or less) LOW GONG in G (octave above gong in D from perc.2) WHIP CELESTA (shared with pianist)

PERCUSSION 2: -

VIBRAPHONE TIMPANI (shared with perc.1) GRAN CASSA 2 PLASTIC WOODBLOCKS (high and low, mountable on a stand if necessary) 20" SUSPENDED AUTHENTIC CHINESE CYMBAL 18" SUSPENDED (MEDIUM)THIN TURKISH CRASHCYMBAL TAMTAM MARIMBA (shared with perc.1) 10 PLATECLOCKS (see legenda for piches) LOWEST AVAILABLE GONG IN D LOWEST AVAILABLE GONG in A (octave under gong in D) 16" OR 18" LIONS ROAR RATCHET

MALLETS, STICKS, BEATERS AND MISCELLANEOUS: -

VERY SOFT, SOFT, MEDIUM, MEDIUMHARD, HARD and HARDEST VIBRAPHONE- and MARIMBA MALLETS HARD PLASTIC - and HARD RUBBER GLOCKENSPIEL MALLETS METAL TRIANGLE BEATER HAMMERS FOR TUBULAR BELLS 2 METAL PIPES TO PLAY WHOLE WHITEKEY- and BLACKKEY-NOTE SECTIONS from TUBULAR BELLS LARGE TAMTAM BEATER LARGE GRAN CASSA BEATER 2 MEDIUMSIZED MEDIUMHARD GRAN CASSA BEATERS MEDIUMSOFT BEATERS FOR PLATECLOCKS SNAREDRUMSTICKS HEAVY MARCHING-SNAREDRUMSTICKS SOFT, MEDIUM and HARD TIMPANI MALLETS

PERCUSSION-INSTRUMENTS PLAYED BY OTHER MUSICIANS: - HIGH and LOW CLAVES (played by HORN) - LARGE LOW WOODBLOCK and CROTALE in C# (high octave) played with hard wooden mallet and hard rubber mallet (played by TRUMPET) - CROTALES in Db, D, Eb, E, Gb, G, A, B (low octave), C, D, E, A (high octave) played with hard plactic mallet, hard rubber mallets and thin knittingneedle (played by BASS TROMBONE)

frisovanwijck@gmail.com www.frisovanwijck.com www.myspace.com/frisovanwijck Friso van Wijck on Facebook

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4

EXORDIUM for Tuba and 19 instrumentalists

Friso van Wijck

FIRST MOVEMENT : INTRODUCTION

A   

Flute/Piccolo

 

Flute/Alto Flute

 

Oboe/English Horn

Clarinet/Bass Clarinet in Bb

q= 60

INCISIVE, TUMULTUOSO

 (PICCOLO)      f  f FREELY, AGILE           FREELY, AGILE

 

 

   f 

f FREELY, AGILE

 

    

 

 

        f  f  f 

f 

FREELY, AGILE

Bass Clarinet/ Contra Bass Clarinet in Bb

   

FREELY, AGILE

 Bassoon/Contra Bassoon  

  

 

 

  

  

Horn in F

Trumpet in C

Tenor Trombone

Bass Trombone

Percussion 1

Percussion 2

 

 

Piano/Celesta

 

 

Harp

 

 

 

Violin II

Viola

Violoncello

Double Bass

© F.V.W.

f

 

MISURATO sempre                

3

mf

13

MISURATO sempre

        

7

3

mf

mf 

3

take alto flute

take english horn

mf

11

       

f

  MARCATO            



mf

5

          f  f 3

f

3

   

MISURATO sempre

7

          

3

5

      

3

    

6

        

mf

MISURATO sempre

            f  f  f mf f  3



 

 

 

 

 

  

 

  

 hardest  marimba mallets tohardglockenspiel rubber mallets      

 

LARGE LOW WOODBLOCK hard wooden mallet

  

ff

CROTALES hard plastic mallet l.v.

mf

mf

 

mf

  hard mallets  

choke

  

mf

hard rubber mallets

   

medium hard mallets

    f 

 

  

FREELY, AGILE

 



 pedal every note 3              mp

p

  

 

     

l.v.

 

f

 3                  

   

f

 

5

  

f

5

 

 

   3

 loco  loco           5

f

 

5

f

ff

 

   

l.v.

     ff

7

5

to celesta

  

(f)



 

  

3

(f)

   

 

 

 

 

     f       f

f

    f 

punta d'arco

     f

  

port. port.

iss gl

f

  

f

 f 

mp

gliss.

.



 f

 MISURATO, MARCATO, DECISO

  

  gliss. port.

     f      f

loco

A

FIRST MOVEMENT : INTRODUCTION INCISIVE, TUMULTUOSO

   

5

   

6

3

f

  



FREELY, AGILE

  

  

f 

f

   

          

3 9                                 3 f 5

(claves, high and low pair)

 

f

f 

f

     

 

f 

        

f

Violin I

 

 

  

MISURATO, MARCATO, DECISO

f

RISOLUTO 3 q= 60

Tuba



 

  

          3    

f  f 

  

MISURATO sempre

MISURATO sempre

 

f

  f 

f f FREELY, AGILE

 

 

 

      ff

    ff

  

f

gliss.

gliss.

 

f



 

 

 



fmp



gliss.

f

  f

DECISO sempre

punta d'arco

gliss.

 f 

  

gliss.

gliss.

 f

  

  

gliss.

  

gliss.

  

  

      al talone

gliss.

         3

f

mf

mf



gliss. mf



gliss. mf

gliss. mf




Fl./Picc.

  

  

p

Fl./A.Fl.

Ob./E.H.

 

 

 

 

ENGLISH HORN

f

 

Cl./B.Cl.

Bsn./Cbsn

Hn.

f

Pno./Cel.

Hp.

 

 

 

 

 

 

 

 

 

f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



mf

f

              3  f f f



DECISO

mf

DECISO take oboe

mf

DECISO

mf

mf

 

 

 

 

 

 

 

DECISO

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 

 

 

 

 

 



to tubular bells hard mallets



medium hard mallets

mf

 

CELESTA secco

f

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 DECISO MISURATO sempre

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3                  

               

mf

B 

3

         



mf

    

crunch

  3          f

mf

 

 

 

 

 

port.      gliss.           

 

 

 

 

 

mp

 

 

 

 

f

3

p mf

 

      

f

 

gliss.

sul pont port.

take medium mallets

hard mallet     

 sul pont  

Vc.

3

 



Vla.

3



mf

             mf 

DECISO

TUBULAR BELLS hard mallets

 use pedal on every note

 

mf

          

Vln. II

Db.

Tba.

Vln. I

 

ALTO FLUTE

 

3

 Perc. 2

            f  f fp

 

mf

Tbn.

Perc. 1

mp

    

   

  3           

C Tpt.

B. Tbn.

B. Cl./Cb.Cl.

5

B

6



mf

 

DECLAMANDO

mp

DECISO

mf

f

mp

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

   

f

fp

f



 mf


6

 Fl./Picc. 

Fl./A.Fl.

D

C

18

 

 

 

 

 

 

 

 

 

  

 

POCO MAESTOSO

  

fmp

 

 

        

 

   

f

 

mf

   

 

OBOE

 

 

 

 

 

 

  

  

DOLCE

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

 

 



 

 



 

 

 

 

 

  

 

 

 

 

 

 

 

 

Cl./B.Cl.

B. Cl./Cb.Cl.

Hn.

C Tpt.

Tbn.

B. Tbn.

Perc. 1

    

Ob./E.H.

Bsn./Cbsn

DECISO

 

 

 

 

 

    

 

  

mf

DECISO

mf

DECISO

mf

DECISO medium

mallet    

DOLCE

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 

 

POCO MAESTOSO

hardest   take    marimba mallets mp

 

   fmp

f

POCO MAESTOSO

Perc. 2

Pno./Cel.

 

Hp.

DECISO secco

     

DOLCE

  pp  

mp

DOLCE

 

   

 

 

 

 

  

 

3

3

4

    

DECISO

      



3

f

   

 

 

 

 

 

 

 

 

 

 

         

 

 

 

     pp

 

        

 

  

  

POCO MAESTOSO

    

 

p

      

   

D

              

to timpani soft mallet

      mp p  

mf

to celesta

mf

C CANTABILE

     mf 

medium mallets

    

 

mp

Tba.

 



p

mf

DOLCE

POCO MAESTOSO

    

       f

mp

f

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

Vln. II

 

 

 

 

 

 

 

 

 

Vla.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Vln. I

Vc.

Db.


7

  

 

 

    

             

27

Fl./Picc.

Fl./A.Fl.

MAESTOSO

mp

3

3

      

3

f

f 

     f   f  f 



f

mf

MAESTOSO

 f



 

 

   

f  f   f  f 

    f 

f 

 

         3f  f   fp



 

fp

Ob./E.H.

 

 

 

 

Cl./B.Cl.

 

 

 

 

B. Cl./Cb.Cl.

 

   

       

  

 

 

 

  

 

 

 

C Tpt.

 

 

 

 

Tbn.

 

 

 

 

B. Tbn.

  

 

 

 

Perc. 1

 

 

 

 

Perc. 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bsn./Cbsn

Hn.

Pno./Cel.

Hp.

Tba.

 

  

MAESTOSO

mp

              3

3

MAESTOSO

3

f

3 3                               3

mp

f 

     f

   

f   f  f 

f

mf

          f   f  f

3

f

sfz sfz sfz

MAESTOSO

f

  

f  f   f  f 

      f  f   f  f 

MAESTOSO

  f 

f 

     f

 

    3f  f 



 fp

       f  f   fp 3

  fp

 

 

 

fp

  

 

 

 

Vln. II

 

 

 

 

Vla.

 

 

 

 

Vc.

 

 

 

 

Db.

  

 

 

 

Vln. I


8

E

36         Fl./Picc.      

MAESTOSO, MOLTO MARCATO

f

3

   

Fl./A.Fl.

 

mf

           f

      

                        

   

3

3

 

mf

take flute

 

  

    

 

take english horn

 

3

  

    

3

 

                         

        

        

MAESTOSO, MOLTO MARCATO

B. Cl./Cb.Cl.

3

MAESTOSO, MOLTO MARCATO

f

Cl./B.Cl.

                         

        

 

Ob./E.H.

       

   

 

 

  

 

  

 

C Tpt.

 

 

Tbn.

 

 

B. Tbn.

  

 

 

Bsn./Cbsn

Hn.

hardest marimba mallets MAESTOSO, MOLTO MARCATO

       Perc. 1       f

Perc. 2

3

 

Hp.

Tba.

Vln. II

MAESTOSO, MOLTO MARCATO

f

       3

      

3

   timpani

hard mallets      

to tubular bells

to vibraphone medium hard mallets

 soft mallet    

               

                 

     

  

    

to piano

 

    

 

 

3

 

 

 

 

E

 

 

mp

 

 

mp

    

  

 

 

 

 

 

 

 

 

   

SONORE (ord.)

   

pp

SONORE

Db.

      

f secco

pp

Vc.

                  

                 3

SONORE

Vla.

    

mp

mf

Vln. I

3

CELESTA

 

 

secco            

Pno./Cel.

        

    

pp







 

 

f

 f

 f

           

  

  

MOLTO MARCATO           

  

    

MAESTOSO, MOLTO MARCATO                

  



 

 

MAESTOSO, MOLTO MARCATO

 

MAESTOSO,

     


G

F

  

 

 

 

(alto flute)

40

Fl./Picc.

Fl./A.Fl.

FLUTE

DECISO sempre

   mf

DECISO sempre

  





9

 

  

 

  

3

3

mf

Ob./E.H.

 

 

Cl./B.Cl.

 

 

B. Cl./Cb.Cl.

 

 

Bsn./Cbsn

  

 

  

 

C Tpt.

 

 

Tbn.

 

 

B. Tbn.

  

 

Perc. 1

 

 

Perc. 2

 

 

 

 

 

 

 

 

 

 

Hn.

Pno./Cel.

Hp.

 

F

G AGITATO, IRRESOLUTO

Tba.

 



                3

mf

f

       

3             

mp

f

DECISO sempre

               mf 6

3

 

 

      3

  

 

Vln. II

 

 

Vla.

 

 

Vc.

 

 

Db.

  

 

Vln. I

 


H MARCATO take piccolo      

10

  46

Fl./Picc.



  

Fl./A.Fl.

  

f

  

f



fff



fff

     ff

f

3

 take flute    

ff

DOLCE

 

 

 

 

 

FLUTE

      p p p

ENGLISH HORN

 

 

  

p

3

 

  3                      3  f  f  f  f

      

 

 

 

      

 

 

 

 

 

 

 

 f

     p p p

 

 

 

 

 

 

 

 

 

 

 

 

B. Tbn.



 

 

 

 

Perc. 1

 

 

    

Ob./E.H.

Cl./B.Cl.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

C Tpt.

Tbn.

  mp 

hard mallets

to celesta

 

take oboe

  f

CELESTA secco

3

    p

    3

p

 

 

pp

medium hard mallets

Perc. 2

Pno./Cel.

Hp.

 use pedal on every note        

3

mp sempre

take medium hard mallets

 3                

     

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

H MARCATO

 

   

   f

   

3

   

mf

f

fff

5

       f

3

DOLCE

      

mf ff

 

 

         

 

3

 

 

Vln. II

 

 

 

Vla.

 

 

 

 

 

 

 

 

 

Db.

 

Vc.

 

Vln. I

Tba.

 f

3

    

RISOLUTO



p subito

3

 

 

      3

pp

INCISIVE

         

 

 

 

f

 gliss.    port.

port.

pp

3

   


INCISIVE, TUMULTUOSO

I

FREELY, AGILE PICCOLO    54

Fl./Picc.

Fl./A.Fl.

  

Cl./B.Cl.



 

  

Hn.

AGILE FREELY,  

7

fmf

5

p mf

3

3

      FREELY, AGILE

  

f sub.



  

p mf

fp mf

p mf

     

PIANO

 

Pno./Cel.

 

f

  

Vln. I

Vln. II

Vla.

Vc.

  

 







 

 

 

 

 

l.v.

mf

MISURATO hardest marimba mallets

5

   f f



 







 

FREELY, BRILLANTE

 

 



mp



3

  



6

FREELY, AGILE

       5

3

   

p

MISURATO

   

7

5

mp

      

 

3

 

  

3

 



 

  



3

p

 

    

MISURATO sempre to celesta

mf

     

MISURATO sempre

   



mf

     

FREELY, AGILE

 

mp

     

p

(crotale)

f MISURATO sempre

3

f sub.

loco

mp FREELY, BRILLANTE l.v.

   

  FREELY, AGILE FREELY, BRILLANTE 5                           5 f sub.

    

ggliss lis . glis s. s.

  

mp

MISURATO l.v.

   

FREELY, AGILE

mf

3

mfp

mf

5

  

fmp mfp

f

    

3

f sub.

   

mf

MISURATO sempre

 

mf

f

I

INCISIVE, TUMULTUOSO

 

        



  

 

 

gliss.

f

glis

f

s.

 

 

gliss.

gliss.

port.

 

gliss.

 f

 

 

 

 

gliss.

gliss.

gliss.

 

   

fmf

 p

pp

  

mp



 

3



 

3

 



mp

 port.

mp



mp

port.

mp

fmp

 

gliss.

3

s.  gliss. glis

  

gliss.

f

   3   

CALMANDO

INCISIVE, TUMULTUOSO

CALMANDO

f sub.

f sub.

Db.

 

 

mfp

MISURATO sempre

 

mf

loco

CANTABILE sempre Tba.

    loco

fmp mfp

MISURATO     

3

FREELY, AGILE

 

Hp.

             

MISURATO sempre

 

mfp

        

6

f subito

 fmp

     

  

       

 

MISURATO sempre

f

FREELY, AGILE

7

FREELY, AGILE

mfp

 

      

p

 

 

CROTALES hard plastic mallet

mp

mf



 

fmp

 

 

  

 

mfp mfp

3

fmp

MISURATO sempre

 

  

5

p

9

   

B. Tbn.

5

  

   



  

f subito FREELY, AGILE

p

 

mfp

 

 

Perc. 2

p

3

p mf-p mf

 

5

        

3

p mf

 

 3  

3

fmp

MISURATO sempre

 

FREELY, AGILE

       

fp mf

ff

FREELY, AGILE medium hard mallets

p

     mf p mf 

Tbn.

 Perc. 1   

p mp

MISURATO sempre

 

   

LARGE LOW WOODBLOCK hard wooden mallet

to marimba hardest marimba mallets

f subito

         

MISURATO sempre

 

11

f subito

5

  

mf

3             

7

        6

  

3

p

    

11

MISURATO sempre

FREELY, AGILE

MISURATO sempre

9

   

 

p mf

  

p

      

FREELY, AGILE

 

CALMANDO

13

f subito



p mf

fmf

fmf

FREELY, AGILE

 

p

FREELY, AGILE               

f subito

5

  

mf

MISURATO sempre

                         

 

p

       

fmf

        

3



p mf

MISURATO sempre

3

FREELY, AGILE

INCISIVE, TUMULTUOSO

MISURATO sempre

         11

         

f

 

C Tpt.

    

3

f sub.

f

Bsn./Cbsn

        

FREELY, AGILE

 

           13

f

B. Cl./Cb.Cl.

CALMANDO

     

f

OBOE   

Ob./E.H.





port.

 

 

p

 

p

 port.  

 port.  

3

3

p

 

gliss.

  p

p

  f sub.

 

gliss.

gliss.

 

 

 

f sub.

mp

 

fmp

f sub.

 

3

   

fmp

f sub.

 

 

fmf

f sub.

port.

 

  

p

3

 gliss. 

fmp



fmp



gliss.

 



fmp


12

DECISO

MARCATO

  

59

Fl./Picc.

Fl./A.Fl.

   

 

Cl./B.Cl.

mp-p

Hn.

 

mf

  

  

         

    mp

3

3

3

      mf mf

p

p

p mfp

3

mf

mf

        mf mf

  

p mfp

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    



p mfp

 

mf

p

mf

 hard mallets      mf 

 

 hard mallets     

 

 

 

 

 

 

 

 hard mallets     

 

 

 

  

   

      

Vla.

 

 

      mp 

     mp

3

  

to gran cassa take medium mallets

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

mf

MARCATO

 



mf

3

3

                 mp

3

3

3

3

mf

 

 

 

DECISO



mf

DECISO

    

f

  

 

mf

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

  

gliss.

  



  

gliss.

      

     pp

3

            poco forte mf 

 gliss.  

J

DECISO

      

p

  

Vln. II

 

 



f

3

 

 

 

mf

 

 

  

 

 

 

mp



mp

 

p

 

 

       

  

 

  

 

 

 

 

 medium hard mallets 3        mp   

 

       

 

 

   

 



 

 

mf

 

 

 

to tubuler bells hard mallets

 

 

secco

 

secco

 

mf

 

      

 

CELESTA

 

 

pp

 

 



pp

  



 

 

 



mf

  

FLUTE

           

 

CLAVES (high) DECISO sempre

 

DECISO

                

 

choke      

DECISO

p

3

 

    

3

     mf

mf

  Perc. 2   

Db.

  

 

 

Vc.

ENGLISH HORN

mf

Perc. 1

Vln. I

  

   

 

 

 

Tba.

J

B. Tbn.

Hp.

9

        poco f

mp-p

C Tpt.

Pno./Cel.

ALTO FLUTE

mf

    

   

Tbn.

mf

 

mp

 

 

mp-p

Bsn./Cbsn

take english horn

       mp-p

p mf sub.

mf

   

   

B. Cl./Cb.Cl.

      

 mf

take alto flute      

mp-p

 

Ob./E.H.

  

mp-p

take flute

port. sempre

mp

  

   

p

 

 

mf

3

pizz.

 

mf

3

mf

 p

    mf



mf

mf

 


Fermata (on 2nd beat), if neccesary for woodwinds to change instruments

   69

Fl./Picc.

DECISO

MAESTOSO

 

 

   

 

 

mf

 

Fl./A.Fl.

 

 

  

 

f



 

mf

 

Ob./E.H.

 

 

           

              

       

   

p

mf

f

 

 

 

13

DECISO DOLCE

mf

f

f

f

f

mf sub.

mp

mf sub.

Cl./B.Cl.

 

 

 

 

 

 

B. Cl./Cb.Cl.

 

 

 

 

 

 

  

 

 

 

 

Bsn./Cbsn

Hn.

      

  

     

    

   mp

      

take flute

mf

f

 

 

take oboe

                  p mp

mf sub.

 

 

 

             

 

 

 

          

p

 

p

     

DOLCE

f

mp

mf sub.

take piccolo

mp

p

 

 

 

 

 

C Tpt.

 

 

 

 

 

 

 

 

Tbn.

 

 

 

 

 

 

 

 

B. Tbn.

  

 

 

 

 

 

 

 

 

 

 hammers    

 

 

 

 

to triangle and floortom metal beater and hard mallet

Perc. 1

Perc. 2

Pno./Cel.

Hp.

   

 

 

 

LARGE FLOORTOM hard mallet

TRIANGLE

to tubular bells take hammers

metal beater         mp

f

LONTANO

GRAN CASSA medium mallets

 

    

pp

mf

to vibraphone medium mallets

pp

 medium mallets      

to marimba hardest marimba mallets

f

take medium hard mallets

 

 

mp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAESTOSO

             f

      

        

  

mf

mp

    

  

mf

f

Fermata (on 2nd beat), if neccesary for woodwinds to change instruments

DECISO

DECISO

AGITATO, IRRESOLUTO Tba.

RISOLUTO

DOLCE                                            3

p

mf

f

mf sub.

mp

p

mfp

  

 

 

 

 

 

 

 

Vln. II

 

 

 

 

 

 

 

 

Vla.

 

 

 

 

 

 

 

 

Vc.

 

 

 

 

 

 

 

 

Db.

  

 

 

 

 

  

 

 

Vln. I



mf

f


INCISIVE, TUMULTUOSO

K

14

  Fl./Picc.  

   

FREELY, AGILE

                      

PICCOLO 79

13

ff

 

Fl./A.Fl.

 

Ob./E.H.

 

Cl./B.Cl.

Bsn./Cbsn

Hn.

ff FREELY, AGILE  

   

5

3

 

9

 

 

      

   

6

  

5

3

 

take trumpet with harmon mute without stem

ff

CROTALES hard plastic mallet l.v.

     

   



7

     

3

p

          5

9

f f

p

    

p

             

p

3

  

5

 

 p

f

11

        

 



f

           

3

  

   

3

7

f f

3

6

3

    

5

    

 

     

f

 

3

       

6

LARGE LOW WOODBLOCK hard wooden mallet

   

5

3

      

 

        

  

  

 

    

3

  

Tbn.

    

7

ff FREELY, AGILE

ff

    

           

7

7

9



 

         

3

5





3

     

ff FREELY, AGILE

  

C Tpt.

B. Tbn.

     

OBOE

 

B. Cl./Cb.Cl.

11

ff FREELY, AGILE

13

6

                            11

CALMANDO

                 

            

13

FREELY, AGILE

FLUTE



   

 



f

 

mp mf

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

f

Perc. 1

 

 FREELY, AGILE

 medium hard mallets    

 Perc. 2   

 

Tba.

3

 

ff

    

 

5



3

          

 

  

3

  



Vln. II

Vla.

Vc.

Db.



 



  

FREELY, BRILLANTE

   

3

f

       

loco 

 

 

   



loco

5

5

5

 loco   



5



   l.v.



3

 glis

   

3

s.

3

 

 

 . iss gl

    3

 

   5

6

 

 

   

 

gliss.

ff

 

  

gliss.

ff

 

ff

gliss.

gliss.

gliss.

 

  

 

 

gliss.

 

gliss.

  

arco

   ff

     ff

port.

 

gliss.



3



 

p

7

3

3

  

f

    

 l.v.        

 

  

 

5

3

 

p

CALMANDO

    



   

gliss.

 

pp

 

5

fff FREELY, BRILLANTE

INCISIVE, TUMULTUOSO

    

  

                             3 f p        loco   5

fff

K

 

FREELY, BRILLANTE

ff sub.

Vln. I

 

3

ff

   

loco

FREELY, AGILE

 

  

3

5

   

Hp.

  

FREELY, AGILE

  

 

3

 

Pno./Cel.

ff



gliss.





 

gliss.

f

 

gliss.

 

 

 

 

 

gliss.

gliss.

 

  

  

f

 

gliss.

f

f

 

mp-pp

 f

 



mf

 

p

 

p

 

 

 

p

p

p


CALMANDO

INCISIVE, TUMULTUOSO

FREELY, AGILE        Fl./Picc.  

    

82

Fl./A.Fl.

Ob./E.H.

   

 

 



             ff sub.

  

  

ff-mp

 

3

   



ff-mp

pp



mf

  

mp

pp

mp

  

 

pp

mp-p

  

 

9



 

 mp mf

mp

  

ff-mp

mf-p

mp-pp



ff-f

5

mp

mf

pp

 

mf

p

  mf

p

  

 

 

 

C Tpt.

 

 

 

 

Tbn.

 

 

 

 

  

Hn.

B. Tbn.

Perc. 1

  

 Perc. 2    

Pno./Cel.

 

 

Hp.

Tba.

 

   

 hardest marimba mallets      

 

CROTALES hard plastic mallet

ff sub.

6

5

   

  

 

loco



 





5

   

3

 

 

3







 

 

     

    ff



 

gliss.

   

 

gliss.

port.

  

 

ff

Db.

     ff

 

  

mf

mp

 

 



pp



f sub.

port.



gliss.

pp



mp mf

pp

pp

   

pp

f sub.

 ff sub.

  3

3

 

 

  

mp

      

         

f sub.

 

 loco

 

ff



 

 

     

f sub.

CALMANDO

  

 p



gliss.

gliss.

ff

   

 

ff sub.

port.

 3

mf



pp



pp

    



f sub.

port.



gliss.

 

f

f sub.

f sub.

ff sub.

 3

f sub.

ff sub.

 

pp

f

5

  

     ff

ff sub.

 



f sub.

  

 

 

mp

6

  

ff sub.

 



f sub.

 

 





f

INCISIVE, TUMULTUOSO

f sub.

ff

Vc.

 

CALMANDO

INCISIVE, TUMULTUOSO

ff

Vla.

pp

(crotales)

3

f sub.

  

 

 

ff

Vln. II

  

 

choke

 

          f sub.

  

    

  





ffp

Vln. I

 3

loco

ff

          f 



5

ff sub.

ff sub.

7



 

       

  

   

 

 

f

mp mf

 

ff-mp

pp



ff-f

   

6

ff

15

  

7

ff sub. FREELY, AGILE

   

ff-f

5

ff sub. FREELY, AGILE

 

  

ff-f

ff sub. FREELY, AGILE

 



11

         

mp p

p

   

3

pp

 

13

ff sub. FREELY, AGILE

pp

mf

CALMANDO

    

   

 

   

ff FREELY, AGILE

mp mf

   

7 6

  

ff-f



p

p

    



mp

 

ff-f

mp mf

  

3



3



 

 



  

   



ff-f

9

ff sub. FREELY, AGILE Bsn./Cbsn

   5

ff sub. FREELY, AGILE

B. Cl./Cb.Cl.



p

  

3

3



ff-f

11

ff sub. FREELY, AGILE

Cl./B.Cl.

       

FREELY, AGILE



  

5

ff sub. FREELY, AGILE

   

  

13

ff FREELY, AGILE

 

 

INCISIVE, TUMULTUOSO

  

f sub.



gliss.

mp mfp

pp

pp


16

CALMANDO

INCISIVE, TUMULTUOSO

 Fl./Picc.  86

Fl./A.Fl.

Ob./E.H.

    ff sub.

 

MISURATO sempre



ff sub.



mp ff sub.

mp

MISURATO sempre   





mp ff sub.

ff sub.

 

 

mp

MISURATO sempre    mp ff sub.





mp

MISURATO sempre

      

Cl./B.Cl.

  mp ff sub.

ff sub.



mp

 

 

  ff sub.  

POCO LARGHETTO

     

   mf

   

take alto flute

ff sub.

mf

L

  

p

 

take flute

mp

  

ALTO FLUTE

mp

 

 

 

 

 

 

 

      



mp

B. Cl./Cb.Cl.

MISURATO sempre  

ff sub.

Bsn./Cbsn

Hn.

ff sub.

B. Tbn.

Perc. 1

Perc. 2

MISURATO sempre  





  

mf

 

 

     

   mf

    

p

  

  

mf

mp

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

(crotales)

choke all

 



    ff

 

  ff

  

 

 

 

    

     f 

 

  

 f



    ff

f

f

f

f

to tubular bells hard mallets

p sub.

mp

 to gran cassa    take soft mallets  

  

to triangle and floortom metal beater and hard mallet

mf

 

 

 

 

 

 

 

 

 

 

 

 

     

   

f

 hard mallets         

      

 

 

f

f

loco

mf

 

  

 

f

f

    

 

 

 

 

 

 

 

 

 

 

 

f

ff sub.

 

  

ff sub.

 

     ff sub.

gliss.

ff

     ff sub.

  ff sub.

        

   mp ff sub.

   mp ff sub.  

mp ff sub.

 

    mp ff sub.

  

mp ff sub.





 

                 3

 

  

loco

L

 

q= 40

   

              

 

 

mp p

rit.

mp

p

mp-p

 

mf

  

mp

QUASI RUBATO, PATETICO sempre 3

   



mp sempre

mp

 

 

 

 

 

 

    mp

 

poco a poco ord...... ord port. port.

sul pont

ff sub.

mp

 

gliss

.

 

  

 

mp

p

 

 

   

 

   

 

    

mp

  



mp sempre

mp

  

 

3

            

3

3

mp sempre

mf

   

 mp sub. 3

 

                    

QUASI RUBATO, PATETICO sempre

mf

  

QUASI RUBATO, PATETICO sempre

 

 

QUASI RUBATO, PATETICO sempre

mp

mp

mf

POCO LARGHETTO

CALMANDO

   

mp

 

INCISIVE, TUMULTUOSO



mf

mf

Db.

 



 

 

Vc.

Vla.

 

mf

 

Vln. II

 

ff sub.

Vln. I

 



take flute

  

 



Tba.

 

 

Hp.

 

    mp ff sub.

mp ff sub.

 

 

Pno./Cel.

mp

  

q= 40

rit.

 



 

C Tpt.

Tbn.

    

  mp ff sub.

 

(mp sempre)

   

 


TRANSITION 1

M

 

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

94

Fl./Picc.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

    

      

 

          

 

    

 



    

 

 

 

C Tpt.

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

                    

crotales thin knitting needle





Db.

 

 stem   without     

   

mp

harmon mute

mp

BASS mp TROMBONE

harmon mute

 without stem    

   



mp

     

 

     

 

      3

mp

mp

5

TRIANGLE metal beater

  

p

    

LONTANO soft mallets         

to timpani soft mallets

mf

LARGE FLOORTOM hard mallet

TRIANGLE metal beater

 

   

 

soft mallets      

ff

pp

pp mf

  

to timpani

mp

mp

mallets  medium    

 

 

 

 

mp

pp

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

    

 

 

 

 

 

          

    

 

TRUMPET

TRANSITION 1

M

q= 70

IRRESOLUTO, DRY, ABSTRACT

    

    

QUASI RUBATO, PATETICO

  mp

    

       

 

mp

mp

mp

      

      

  

mp

    

 

 

 

 

 

   

    

 

 

 

 

 

 

    

 

 

 

 

 

   

    

 

 

 

 

 



    

 

 

 

 

 

                

3

3

   

pp

3

  

      

   

 

Vc.

mf

mute without stem harmon          

take low claves

 

Vla.

 

   

(claves)

Vln. II

mf

          

mp

loco

Vln. I

CLAVES (high) DECISO sempre

take bass trombone put in harmon mute without stem

pp

pp

Tba.

17

q= 70

IRRESOLUTO, DRY, ABSTRACT

 


SECOND MOVEMENT 18

  Fl./Picc.  

 

105

Fl./A.Fl.

N

q= 85

 

 

FLUTE

FLUTE

 

 

DECISO

DECISO

mf

 mf

 

mf 

mf





mf 

(oboe)

mf

 

 

 

 

 

     mf  mf  mf 

mf

 

     mf  mf  mf 

 mf

mf

 mf  mf 

  mf

mf





 mf  mf 

mf

 

 

 

 

  

 

  

mf

 mf

 

O

mf 

mf  





mf 

mf  

mf

 

mf

 

 

  

B. Cl./Cb.Cl.

 

 

 

 

 

 

 

 

Bsn./Cbsn

  

 

 

 

 

 

 

 

  Hn.  

 

  

 

  

 

  

 

 

 

  

   

 

 



 

 

  

 

  



 

 

  

 

  

 

Cl./B.Cl.

C Tpt.

B. Tbn.

  

  

 

(harmon mute without stem sempre)

 

(harmon mute without stem sempre)

 

(harmon mute without stem sempre)

 

Perc. 2

Pno./Cel.

Hp.

Tba.

Vln. II

     

(claves)

mf

f

     

mf

 

 

mf

  

   

   3



   

5

  

mf 

mf  

 mf 

   mf   mf 

mf

f

   

mf

  

 

mf

mf

f

  

  

mf

     mf

   

mf

3

5

 medium mallet   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

      

Vc.

f

  f

  f

  f

(claves)

 

Vla.

Db.

 mf

  

mf

mf

mf

SECOND MOVEMENT

N 

q= 85

 

RISOLUTO

 

 

f

Vln. I

 mf 

 

mf TIMPANI

Perc. 1

CLAVES (low)

 

Tbn.

mf

mf

  

  

mf

mf 

 

 

 

mf

 

Ob./E.H.

DECISO

 

 

   

 

 

 

 

 

  

 

DECISO

 

5 3 3                   f f sub.

 mf

f 

f







f

f

f 

 

   f

f 

f

 

   f

 f 

 f

   

pizz.

f

f

 

   

O

DECISO

DECISO



 

   

 

  f

 f 

f 

f

 





f

f

 f 

f 

f sub.

   

    f  f 

f 

f

 

    f  f 

 f 

 f

 

   

 

pizz.

f

f

3            

 



 

   

 

mf

f 

f 







f

f

f 

   f

f 

f 

   f

 f 

 f 

  

pizz. f

f 

      f

 

 

mf f

 f

crunch

  f

   f

   f  

 

ff

 

crunch

ff crunch

  

 

ff

 

crunch ff


Fl./Picc.

 

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

C Tpt.

DECISO sempre

DECISO

113



mf

 mf



B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

 

     mf   mf

gliss.  

   

    mf   mf

gliss. 

   

f

 mf

  

  

mf 

  

 mf 



mf 

 

 

     mf  mf 



 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

  

 

  

mf

 

 



mf

    mf

5

f

  

 

  

  mf

3

  

  

    

 

mf

  mf

f

f

       

mf

    3

mf

 

mf

mf



 

(claves)

  

 

mf

     

 

mf

 

   

 

3

 

 

5

   

 

   

mf



mf

 

f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DECISO sempre

DECISO

 

 

3

       





ord.

f

 f

ord.



f

 

pizz.

f

f

 f 

    f  f 

  

     f  f 



 

 

  

      f  f 

ord.

f

 

 

      f

mf

 

mf 



ord.

Db.

 

Vc.

    gliss.  

    mf   mf

mf

 

 

Vla.

 

f

Vln. II

mf

19



  

     mf  mf 

f sub.

Vln. I



Tba.



gliss.  

 

mf  

 

f

 mf 

 

mf

mf Tbn.

mf



     mf  mf 

(claves)

 

  

  f 

  f 

  f 

  f 

 

    

mf

f

               

gliss.  

 

 

 

    gliss.  

 

  

gliss.   

  

gliss. 

 

f

ff

f

ff

f

ff

f

 

ff

 

3





   f

 mf

   f



f 



f 

   f



f 

   f



 f 

  

f

mf

 f

pizz. f

 



         


  

Fl. 1,2, Ob & Cl: slow up and down 1/4tone-vibrato, Synchronize.

20

  

 

 

119

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

 

  

Cl./B.Cl.

 

 

 

      3 mf  mf 



    

     3 mf  mf 

mf 

    

     3 mf  mf 

 mf 

    

3

mf 



mf 

mf

 mf 

  

mf 

mf 



mf   

 

 mf 

   

mf 

   mf    mf 

mf 

   

mf 

   mf    mf 

       mf  mf    mf 

mf 

mf 

 

P

q= 90

f

   

   

   

 

 

MOLTO DECISO

f 

3f 

f









f 

   f

f 

   f

f 

f

f

f

f

f

f 

 

 

f

3

3f 

 

 

f

3f 

f

B. Cl./Cb.Cl.

 

 

 

 

 

 

 

Bsn./Cbsn

  

 

 

 

 

 

 

  

 

 

 



 

 

 

 

 

     

  

 

      

  

Hn.

C Tpt.

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

Tba.

(claves) DECISO

f

  

 

    mf

  

 

take horn

 

 

  

 



mf

 

  

mf

  mf

3  

mf

 

     

  

     

 

mf

mf

  

 

3

mf



 

HORN

fmp

f

 

   

  

f

 f

 

    

 

tambourine (diamond-shaped notes) played with shank of mallet)

 

   

 

 medium beater     



f

3

 

     

   

f

mp

 

 

   

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

         

          mf f

3  

 

mf f

 mf f

 mf

    

      

 ff

f

MOLTO DECISO

P

q= 90

 

mf

ff

Vln 1,2 Vla & Vc: slow up and down 1/4tone-vibrato, produced by sliding the finger. Synchronize.

  Vln. I  

 

 

Vln. II

Vla.

Vc.

Db.

 

     

 

 

 

f 

f 

      3 f  f 



    



f

 f



3

     3 f  f       3 f  f   

pizz.

f

f 

f 

f 

    

f 

 f 

    

 f 

  

  

pizz.

f

   f 

f 

   

   f 

    f 

f 

    f 

    f  f 

    f 

f 

f 

    f 

pizz.

  3

 

pizz.

f

 

  

ff

 

 ff 

 ff

 ff 

3ff 

 ff

   ff 

 ff   ff 

   

   

   ff 

 

ff

ff

 

 ff 

ff

ff

   

 

 ff

arco

ff



3



3ff  

3ff 



   

 

 

 ff  ff

 


MOLTO DECISO sempre

MOLTO DECISO

  

 

 

 

127

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

 

 

f 

3f   f





 

f

f 

   f

f 

   f

f 

f

 

  f3  f 

f

f  

f

    

f 

  f 

         3 f   f  f  f  f 

        f   f    f 

3f   f

         3 f   f  f  f  f 

        f   f    f 

 f  f 

f  f

 

f  

3

f

3

 

 



 f  

f



f  f

   

 

21

         f   f    f 

3

    

   f   f    f 

         f  3 f  

         f     f   f    f 

        f  3 f  

   f

          f     f   f    f 

         f  3 f  

   f

          f   f    f 

         f  3 f  

    f

f 

3

3

3

 

 

  

f 

3

 

 f



   

ff



   

ff



   

ff



  

ff

B. Cl./Cb.Cl.

 

 

 

 

 

 

 

 

 

Bsn./Cbsn

  

 

 

 

 

 

 

 

 

  

  



  

 

Hn.

C Tpt.

 

  

 

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

Tba.

Vln. I

Vln. II

Vla.

Vc.

Db.

fmp

mp

f

   

  

  

  

  

f

  

f

 

 

   

f

(square-shaped noteheads; always woodblocks) WOODBLOCKS

f

  f

fmp

f

 

   f

    

  

   

3

f

f

 f

   

     

mp fmp

mp f

ff

   

 

 

  

 

 

 

 

  

 

 

 

  

   

f

   

mp

   

       

f

f

3

f

f

 

  

 

     

f

 

f

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



   

 

MOLTO DECISO

3  3              

  

 

 

 

  

   

 ff

 ff

   ff     ff   

 ff 

3

mf

ff

3       

 ff   ff   ff

 

 ff   ff   ff 3

 ff  3ff   ff 

 

3

 

 

  ff   ff  3

 ff  

      ff   ff  3

 

 

mf ff

    

 

ff

  

mf ff

ff

 ff  3ff   ff 

mf ff

3





 

 

 

 

 

MOLTO DECISO sempre



 

3



     

 

3    

 3         

  



f

3  3         

3

 

mp fmp

 

   

  

f

f

f

    

mp

f

fmp

  

woodblocks played with hard vibraphonemallet, gran cassa with medium mallet

3    

  

fmp

  

  

f

  

 ff  

   

 ff

 ff

3        ff   ff   ff

    ff    ff 

      ff 

         ff   ff    ff 

         3  ff   ff  ff   ff   ff 

        ff   ff    ff 

         3         ff ff ff ff ff 

        ff   ff    ff 

 

 ff 

    ff 

 

  ff 

  3

 ff 

 

mf ff

 

mf ff

  

   f   f    f 

         3  ff     f   f    f   3

3

  

mf

 

 ff

3         

       ff   ff   3

        ff  3 ff  

      ff     f   f    f 

         ff  3 ff  

        ff     f   f    f 

         ff  3 ff  

 

  ff 

      ff 

  ff 

 

 ff

   ff 

    ff       ff   

     ff 



   

f

fff



crunch

    



   

fff

   

crunch

fff



   

crunch

fff



  

crunch

fff



   

crunch

fff


Q MARCATISSIMO SUBITO,

22

   135

Fl./Picc.

  

BRUSCAMENTE, VIOLENT



     

fff sempre

 

Fl./A.Fl.

 

Ob./E.H.

 

Cl./B.Cl.

Hn.

    ff

  

 

 

 

  ff

 

to marimba hardest marimba

  mallets 

             

Pno./Cel.

     

    

   fff    

   

     

  

Tba.

ff

 

 

MARTELLATO secco

     fff secco     fff

ffff

ffmp

  

  

pp

mp

   

   

  

        

3

3

  

       

      3

3

   

      

ord   

fff

quivre

  

ff

3

3

ffff

  

  

     

3

ff

  

ffmp

  

pp

 

  

       

  

          3

pp

               

 

     

ffff

                            

  

       

3        ff sempre 3



mf

ff

ff

   3

   3

ff

ff

  3

hard mallet snaredrumsticks 3

 

 

 

 

3

  

3



ff sempre (for gr. c. and woodblocks)

ffff

       ffff fff MARCATO sempre secco 3    sempre          3   ffff

f sempre

secco sempre

MARCATO sempre

 

    

ff sempre (for timp. and tambourine) woodblocks (square-shaped notes) played with shank of heavy marching-snaredrumstick. gran cassa played with large beater

p

             

ff sempre

ffff

   ffff   

    

nasal, sharp sempre until Q

ffff-ff

                    3                      

    

         

  

ff



ff sempre



   

3

3

  

        

fff

 3   

3

  

ff

          

   

       

ff

 

ff sempre

   

 

     

ff sempre

 

 

3

  

        3

 

ff sempre

Q

  



  

 

MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT



fff

7

7

ff

              

              

              

              

3

3

3

          



          

          

3

non vibr.

    ff

3

3

fff

  

 

          

3

          

fff

 

      



fff

                 6

 

7

ff

SINISTRO, GRAVE sempre

3

  ord.             ff

ord.

  

        

6

Db.

        

bisb.

          ord.               Vln. I    

Vc.

      

 

 

 

 

ffmp

  

mp



Vla.

        3

   

fff sempre

Vln. II

3

    



mf

 

Hp.

3

   

    

 hardest marimba mallets

3

 

   

                    

          

  

ff

3

    

ff sempre

   

                     

mp

   

3

3

 

  

ff

  

      

ff

3

 

   

ff

 

   

  fff

fff

p

     

 

fff

 3                          ffff

    

3

        

  

          

ff

   

3

3

 

      

     

mp

    

ff

 

    

3

          

3

    

3

          

       

large Chinese cymbal medium mallets

  

3

ffmp

Perc. 2

      

  ff

fff

  

 

        

    ff

fff

   

ENGLISH HORN

Tbn.

Perc. 1

  

C Tpt.

B. Tbn.

 

 

B. Cl./Cb.Cl.

Bsn./Cbsn

take English horn



3

SINISTRO, GRAVE sempre

  

  

                       



    



3

mp

 

    

     ff

p

   

       

     ff

    

  

ff

fff

 

 

3

f

                         3

 

3

   

3

             3

  

mp



ff

3

fff sempre

 

  

ffff

fff sempre

  

ffff

 

 

fff sempre

  

ffff

   

    

          

    

fff sempre

  

ffff

    

    

loco

loco                         

            

3

  

fff sempre al talone

ord. 3         ffff  fff

3

fff


    

 

141

Fl./Picc.

3

Fl./A.Fl.

   

Cl./B.Cl.

  

3

  

Ob./E.H.

  

 

Bsn./Cbsn

Hn.

   

 

 

 

3

  

3

 



 

mf



  

C Tpt.

ff



  

Tbn.

ff

 

Perc. 1

 

Perc. 2

  

B. Tbn.

  

  

  

mf mp

 

   

p

ff

mp

       

 

    

Vln. I

   

Vln. II

Vla.

Vc.

Db.

  

  3

  3

  3

  

  

 

 

 

 3    



 

    

3 3            

ff

mp

 

3

          

 

p

l.v.

3

 

3

 

3

   

fff

 

 

  

  

 

   

  

 

  

  

 

  

 



3

   3



 3     fff

 3



 3

   

    

    

    

    

 

       fff

    

   

 3  3    

mp

  

  

ff

ff

  







3

     

  

   3

        

 

  

 

3

3

       fff

 

ff sempre (for gr. c. and woodblocks)

  3     

 

    

 

     

3

3

            

                

           

3

3

3

           

3

3

fff

3

3

fff

  3   3

       

  

ff

  

    

ff

3

  3        3

  

   ff   

3

                

3

l.v.

        3 



 

p

                

3

 

           

   

 

mp mf

3

ff

 

ff

ff

3

     3 ff       

   



mf

     

3

 

 

 

  

3



  

            3

ff

3

    



    3

3             3

  

ff

 3   3   

23

   

         

3

3

3 3                           

    

  

ff



  

ff

3

      

and woodblocks)

   

           

mp mf

3      ff sempre (for gr. c.

3

3

 3      

ff

    

            

3

         

   

 

 

3

  

      

3

ff

3

3

3

  

                      3 

  

 

ff

 

ff

3

    

  

mf

   

3

      3

3

    

  

3

                            3 3 3 

3

      

     

      

 

3

fff



        

 

 

                             

   

 

     

     

mp mf

3     

  

ff

3



       

Tba.

  

  ff sempre (for gr. c.

ff

 

3

 

 

  

           

3

   

ff

Hp.

3

3

ff

 

 

3





ff



     

3

 

  

ff



  

ff

3

 

mf

  

     

 

 3

  

and woodblocks)

Pno./Cel.

3

 



  

upsidedown triangle-shaped notehead = tamtam, played with large beater TAM TAM l.v.

  

3



ff

   

  

3

ff tambourine (diamond-shaped notes) played with shank of snaredrumstick (have 2nd snaredrumstick ready for roll in bar 154)

3

 

ff

  

  

         

  

ff

 

3

  

         

  

3

  



3

3

B. Cl./Cb.Cl.

3

 

 

                

   3


24

     

Cl./B.Cl.

B. Cl./Cb.Cl.

    

 

   

 

ff

3

Perc. 1

 

   

ff

ff

3

 

 

  

 3   

 

 

3



 

3

    3 

Tba.

     Vln. I 

Vln. II

Vla.

Vc.

Db.

ff

l.v.    p

mp mf

 

ff

mp

mf

     

  

3

 

      

 



3

   

  

   3

    

 

  

   

 

3

3

  

   

3

    

 

 

 



 

  

 3

 



 

        

 

  



 

     

      



 

  

3

       fff

         3

     3

 



3

3

3

mf

  

  

fff

ff

mf

3



3

mf





ff

mp

mf

ff



3

  

   

  

 

 

3

      

ff

 

3

   

  

  

   

3

   

MARCATO

  ff

 

3

 3

    3

  

 3

  

 3

 

p

 

l.v. 3

 

 

put away tam tam beater and take 2nd marching-snaredrumstick

3

   

 



 

 

3

  

 

 

 

  

fff

 

 



  

mf

ff

mf

ff



  

    

         

 

  3

   3

3

 3

   

  



  

ff

 

  

ff put away mallet



3

 

   

3

 

 

3

        

 

        

 

   fff

fff

 

 

       MARCATO

 3

6

MARCATO

    

 3

6



3

3

 

loco fff

f

 

 

3

 

 

 

  



 

 

3

  

 

 

    

   

 

fff

         

 

3

     

    

   

        

 

3



mp

ff

  

   

        

ff

ff

          

 

  

mf

       

   

 

ff



3

ff

  

ff

     

ff sempre (for gr. c. and woodblocks)

   

mp



ff

3

  

    



mf

 

  

6



mf

 

ff

ff

3

 

  

   

      

     3 ff    

ff

ff

3

 



 

  



3

 

6

3

   

ff

    

   

mp

         

   

ff

MARCATO

     



ff



MARCATO

6

  

3



       

 3

ff

          ff

 

3

3

3

3

3    

3

3

ff

        

ff

ff sempre (for gr. c. and woodblocks)

3

3

      

   

  

fff

   

ff

      

 3   

  

 

  3

3

3

         ff ff ff        

ff

         

 

    

  

     3

 

3     

 

 

3

  

mf

 

3



3

 

mp

ff



   

3

   

3



 3

    

  

ff

Hp.



mp

Pno./Cel.

  



3

  

3

Perc. 2



3

Tbn.

B. Tbn.

3

  

  



   

3

   

 

  

C Tpt.

 

3

3

 3 Bsn./Cbsn     

   

   

 3

3

3   

Ob./E.H.

3

     

Fl./A.Fl.

Hn.

   

 

148

Fl./Picc.

MARCATO

6

 

  

MARCATO

   


R

DECISO, INCISIVE

Fl./Picc.

   

          

fff

f sub.

   

Fl./A.Fl.

f sub.

fff

multiphonic

Cl./B.Cl.

 

multiphonic    

ord.          

f sub.

 

  quivre  

 

fff

ffff

    ffff     

Tbn.

ffff

B. Tbn.

      

snaredrum with snaredrumsticks

   

      ffff 

     

R

fff sub.

 

 

 fff

 

fff

 

 

take contre bass clarinet

 

to crotales

 

 remove mute 

 

 remove mute 

 

 

 

to glockenspiel hard plastic mallets



 hardest mallets       

 

   

l.v.

 

    

 

    

 

fff

loco

   

fff

 

ff



  

loco

fff

fff

    

   

fff

  fff

 

     

DECISO, INCISIVE

    ffff

l.v.

  

  

fff



  Vln. I  

Vln. II

 

  ffff



fff

 

Vla.

Vc.

    Db.     ffff

fff

6

6

5

          6

5

fff

6          

ffff

arco

5

fff

ffff

    

        

          

ffff

  

6

   

fff

 

5

     

 

 

3       

 ffff

fff

ffff

fff

    

ffff

6

3

3

   



         7

6

    

fff

    6

ff





   

   

   

  

fff

   

7

6

ffff

   



                   

ffff

5

    

    

    



ff

POCO LARGHETTO rit.

DECISO, INCISIVE, MARCATO

 

 

 hard plastic mallets   

hardest marimba mallets

   

     

MARCATO Tba.

 

ff

take hardest marimba mallets

fff

 

bisb.

ffff

POCO 25 LARGHETTO rit.

mf

to vibraphone hardest mallets

  

    

ff sub.

 

Hp.

6

ff sub. back-end of

 

take contra bassoon

 heavy   marching-snaredrum  sticks Perc. 2     

Pno./Cel.

6

 remove harmon mute, put instraight mute 

ffff

Perc. 1

mp

5

   

C Tpt.

5

sub.f

multiphonic

Hn.

ord.            

fff

Bsn./Cbsn

    fff

B. Cl./Cb.Cl.

mf

take oboe

   

take piccolo

mf

5

multiphonic

 

6

5

6           

fff

Ob./E.H.

DECISO, INCISIVE, MARCATO

MARCATO

154

 fff

            7

       

3

  



7

7          fff

 ff

ff


INTERLUDE MISURATO

26

  159

Fl./Picc.

 

AGILE, PLAYFUL

S

q= 65

QUASI RUBATO sempre

PICCOLO

             

f



 

3

f

 

Ob./E.H.

  

Fl./A.Fl.

3

mp f

mpf

 

  

   

f

   

       3

3

mp f

 OBOE

QUASI RUBATO sempre 3

 

 

f

mp f

mp

QUASI RUBATO sempre

 

Cl./B.Cl.

  

 

f

3

QUASI RUBATO sempre

B. Cl./Cb.Cl.

 

CONTRA BASS CLARINET

    3

  

  

f

Bsn./Cbsn

Hn.

Tbn.

Perc. 1

Perc. 2

Pno./Cel.

 crotales hard plastic mallets

 

 

 

 

 

     

 

     

       

  

    

    

 

f

  

 

Vla.

mf

to celesta

 

  



  

3

 

 f

 

   

 

 

 



 

put in (straight) mute

 

mf

ff

S

q= 65

3                   3

     

    ff

3

mp ff

mp



ff

f



   

     mf ff

mp

   ffp

3

ffp

   ff

ff

mp

     ff

     ff

     ff



 mf

  f

3

f

                               5                      6

6

7

MOLTO MARCATO

(f)

ff

6

6

7

                    7

MOLTO MARCATO 6

(f)

ff

6

 

mf

ff





mf

   

sul pont. sempre fpp sub.

 

(pp sempre)

sul pont. sempre

(pp sempre)

 sul pont. sempre

ppp

   

fpp sub.

fpp sub.

(pp sempre)

 

 

 

ppp

ff

AGILE, PLAYFUL

MOLTO MARCATO

5

ff

   



ff

 

    

f

f

 

5

INTERLUDE

 

Vc.

ff



ff

Vln. II

ff

MISURATO

  

 Vln. I 



ff

    

  

  

    

     

 

CELESTA    

to celesta

   

mp

 f

p

 

f

  

p

   

mp

QUASI RUBATO sempre

5      

   

 



mp f



   

Tba.

Db.

CONTRA BASSOON

f

Hp.

 



C Tpt.

B. Tbn.

 

mp

choke




      163

Fl./Picc.

mp

f

Ob./E.H.

   f

Bsn./Cbsn

mp

mp

f

3

3

              

f

mp

    3

3

 

p f

       f

3

3

f

 Hn.

f

3

  

mp

                    

                  



    

B. Cl./Cb.Cl.

mp f

3

  

Fl./A.Fl.

Cl./B.Cl.

 

 

   

f

  mp f

      mp f

  

      

3

 mp f



mp f

3

f

 

 

   

 

3

mp

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

 

3

f

mp f mp f

        

mp f

   

 

f

  

mp

5

 

f



f

mp

   f

       

f

mp f

mf

f

mp

    

3

  

f

p

f



 

mp f 3

to marimba medium hard mallets

p

 

medium hard mallets

QUASI RUBATO, BRILLANTE sempre

5

3

3

5

         

p

QUASI RUBATO, BRILLANTE sempre

3

 

mp

QUASI RUBATO, BRILLANTE sempre

 

Vla.



MOLTO MAESTOSO, MISURATO (straight) mute

  







3



  

 













MOLTO MAESTOSO, MISURATO

sul pont 3

  

mf sempre

5

   

   





   

7

mp

 Vln. I 

3



T

mp f

f

CELESTA

Vln. II

 

f





p



f

HORN

f

Db.

6

f



Vc.

         

  f

      

 

5

   

f

       mp f  

    3

mp



MOLTO MAESTOSO, MISURATO take horn

   

Tba.

 

fp

C Tpt.



f

          

5

 



   

 

mp f

27

T

  



 

mf


28

   Fl./Picc. 

  

3

p

167

3

Ob./E.H.

     

Hn.

 

B. Tbn.

Perc. 2

Pno./Cel.

Hp.

 

 

(flute)

p

           MISURATO, MARCATO sempre

mf

f

3

mp

3

3

f

mf

f

mp

f

       

f

mf

3

 

3

MISURATO, MARCATO sempre

 

 

3

               

f

  

  

3

f

  

  

f





f

p

  

f

p f

 

p

f

   3

3

f

3

 

 





p

p





 

sfzp

sfzp

sfzp

sfzp



f

 

MOLTO MAESTOSO, MISURATO straight mute

 



p

      

secco

5

            mf 

ord.

    

3

3

   

mf

3

    

Vla.

Vc.

 



  

3

  

  6       ord.                   f

7

5

    

  

7

mf

 

   

   



f

 



 





 







3



3

  

3

  

  

3

             3

 

7

STACCATO             5

6

  7

f

 



 

 





f



   

   

3

     

    

mf

5



3

mp

 5

3

5

mp

5

3

f

STACCATO

6

          

    

  

p

7

   Vln. I 

5

3

 

 





mp

   3   

secco 3  5   3                                        3     7 5 p 5 3 3 3 3 3 mf p   STACCATO, secco ord.            loco                                    



 

ff 3

3

7

f

  

          3

STACCATO, secco

3

    

 

p

     loco

  

 medium hard mallets

  

mp

3



   

f



 

Vln. II

      

mp f

f

Db.

f

3

mp f

Tba.

3

  

Perc. 1

MISURATO, MARCATO sempre

      

f

mp

f

Tbn.

  

 

5

 

C Tpt.

 

MISURATO, MARCATO sempre

f

 

               

f

 

                 

3

mp

B. Cl./Cb.Cl.



 

Cl./B.Cl.

 

 

f

Fl./A.Fl.

Bsn./Cbsn

  

 

 


THIRD MOVEMENT part 1 : CADENZA

  170

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

  

  

   

   

Cl./B.Cl.

  

   

   

   

   

   

   

 

B. Cl./Cb.Cl.

Perc. 2

Pno./Cel.



     

 

 

Hp.



 



  

p

5

3

 

3

5

Db.

      

3

5



3

  

  

 

  

 









q= 60

  



 

put in stopping mute

put in bucket mute

INCISIVE





  

 

INCISIVE



  

take English Horn

 

ff

INCISIVE

 

 

   

 

 

ff

INCISIVE

mf

p

mf

p

29

MISTERIOSO

INCISIVE take flute

ff

  

    

 

 

 

ff

INCISIVE

   ff

f

ord.



mp

   

5

3



secco

5



f remove mute

 

 

3

 





    loco







mp-p

mp-p

mp

mp-p

     

(no mute)

   

 

  

 

ff INCISIVE

ff

 



 



 





    

    



5

 

 

3







3



          p

3

3

              5

3

 

      

   

 

  ff  

put in bucket mute

 

INCISIVE

 take softest marimba mallets

INCISIVE

    

     

 INCISIVE release pedal when sound is gone, after that, go to celesta             

 

    loco loco   

ff

  l.v.

3

INCISIVE put in bucket mute

ff

7

fff INCISIVE motor on 1/4 speed l.v. until sound is gone, then go to Chinese cymbal softest marimba mallets

7

3

ff

 

 

6



 

5

mf

mp

 



mp-p

ord.

 

 

to samplekeyboard for sample 1

 



SAMPLE 1

ppp

 

THIRD MOVEMENT part 1 : CADENZA

U REMOVE MUTE PUT IT DOWN HARD ON LETTER T

  

5

STACCATO, secco

3

 

 

MISURATO, MARCATO sempre



  



   



 

    ff  

..........ord



MISURATO, MARCATO sempre



poco......a.....poco.......ord........

 

 

..........ord

 

poco......a.....poco.......ord........

   





..........ord







(pp)



 

poco......a.....poco.......ord........

 

   

  

  

ord.





 



LONTANO sempre





ff ppp sub. INCISIVE loco LONTANO sempre

 

(pp)

MISURATO, MARCATO sempre

MISTERIOSO

INCISIVE loco

(pp)



q= 60

INCISIVE PUT MUTE DOWN HARD WHILE PLAYING SIMULTANIOUSLY

poco......a.....poco.......ord........

  

Vc.

 

  

         

  

  

Vla.

     

   Vln. I 

Vln. II



 

pp

 

mf

Tba.

      

 

ff

    

pp



 



MOLTO MAESTOSO, MISURATO (no mute)



      

  

 

MISURATO, MARCATO sempre (no mute)

  

Perc. 1





  

 

 

pp B. Tbn.



 



INCISIVE

 

Tbn.



 

C Tpt.

  

 Bsn./Cbsn  

Hn.

      

U

     

 

  



ff ppp sub. INCISIVE loco LONTANO sempre

 

ff ppp sub.

  



ff ppp sub.

    





(ppp sempre)

(ppp sempre)

LONTANO sempre INCISIVE

ff ppp sub.

(ppp sempre)

INCISIVE LONTANO sempre

 

 (ppp sempre)



 (ppp sempre)


30

 

 

Fl./A.Fl.

 

Ob./E.H.

 

Cl./B.Cl.

 

 

 



 

 

 

 

p

       

175

Fl./Picc.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

C Tpt.

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

Tba.

Vln. I

           LOW CLAVES

p



 

 

 

 

 

 

 

IRISOLUTO, MISTERIOSO sempre (no mute)

         p sempre

 

 

3

                     3

3

                  3

  

 

 























 

 

 

Vln. II

Vla.

Vc.

Db.

    

LOW CLAVES

   


31

V

  

 

Fl./A.Fl.

 

 

Ob./E.H.

 

 

Cl./B.Cl.

 

 

B. Cl./Cb.Cl.

 

 

Bsn./Cbsn

  

 

  

 

            

(bucket mute)

 

               

  

bucket mute        

 

 

 Perc. 2   

 

 

 

 

187

Fl./Picc.

Hn.

C Tpt.

Tbn.

B. Tbn.

Perc. 1

Pno./Cel.

Hp.

Tba.

Vln. I

Vln. II

 

     

  

pp sempre

3

LONTANO bucket mute

3     

pp sempre LONTANO bucket mute

3

LONTANO pp sempre

3

   

pp sempre

  

ppp

3

  

pp sempre

 



  

LONTANO

    3   

3

LONTANO (stopping mute)

3

   ppp

             

   

   

  

    ppp 

SUSPENDED CYMBAL softest marimba mallets

ppp

ppp

3                     

 

             

 

  

3

   

pp sempre LONTANO 3

   

pp sempre (bucket mute) LONTANO

LOW CLAVES

p

(bucket mute)

 

     

3     

pp sempre

    

 

 

 

 

V

  

    

 

  

 

p sempre

     

5

 

    

p sempre

5

3

    

 

   

  

  

  

















  

  

Vla.

 

Vc.

 

Db.

LONTANO stopping mute

   

 

3        


32

 

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

197

Fl./Picc.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

 

Tbn.

Perc. 1

  

 

C Tpt.

B. Tbn.

 

Pno./Cel.

Hp.

Tba.

Vln. I

           

      

CLAVES (high)

mf

mf



 

   



mf

remove mute

 

         

        

   

remove mute

                         

       

  

3

   

ppp

to crotales remove mute hard rubber mallets

ppp

 softest marimba mallets     p

 

 marimba mallets  l.v. softest motor on 1/4 speed        p

 

ppp

pppp to vibraphone soft mallets

pppp

 

ppp



ppp

 pppp

to samplekeyboard for sample 2



SCHIZOPHRENIC RUBATO with fluctuating dynamics

        5

  



    

     



   

ppp



3



p / mp / mf

  



3

           5

  

 















poco a poco......

 

.......sul pont gliss.

 

.......sul pont gliss.

 

poco a poco......

 

.......sul pont gliss.

Vln. II

Vla.

Vc.

Db.

       

LARGE CHINESE CYMBAL softest marimba mallets Perc. 2

take high claves

ppp

           3



mute   

3

 

            

remove

  

poco a poco......

 

poco a poco......



   

.......sul pont gliss.

poco a poco......



.......sul pont gliss.

 




W

 

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

Fl./Picc.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

Perc. 1

Pno./Cel.

soft mallets

  pp 

7 3

      

3

  

BRILLANTE, MISTERIOSO, QUASI RUBATO CELESTA loco

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo release pedal when sound is gone, after that, go to piano

pp 5



SAMPLE 2

 

l.v. sempre

 

5

5

 

pp BRILLANTE, MISTERIOSO, QUASI RUBATO

 

l.v.

      

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo

cadenza-options from rehearsalmark W: 1 - play cadenza as written 2 - improvise with the material of the written cadenza 3 - improvise ad lib, but always use modus as material MODE: A-B-C-Db-Eb-F-G-A when playing option 2 or 3: never use the note D , since it is the targetnote/root for section Z (it is also not in the mode) DURATION AD LIB. SOLO ± 01:00 / 01:30 ALWAYS PLAY BARS 207/208 AS WRITTEN ALWAYS FIT THE SOLO TO THE ATMOSPHERE OF THE BACKGROUNDCHORD ALWAYS PLAY THE CUE FOR THE CONDUCTOR AT X

W

  

Tba.

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo



                      7

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo

release pedal when sound is gone, after that, go to gong in D and gran cassa medium large beater UNCONDUCTED UNTIL Y and soft large beater the amount of "bars" can vary, depending on the length of the tubasolo

BRILLANTE, MISTERIOSO, QUASI RUBATO

Hp.

Perc. 2

take horn

   

Tbn.

B. Tbn.

 

C Tpt.

33

(q= ± 60 or slower)

206

p

RUBATO, UNCONDUCTED UNTIL Y (q= ± 60 or slower) 3

BREATH-LIKE sempre

3 5 3 3 4          5                                                             5 mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following

LIRICO sempre

the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)

Vln. I

a poco...........  poco    (ppp sempre)

poco a poco...........

 

Vln. II

(ppp sempre)

poco a poco...........

  

gliss. Vla.

(ppp sempre) poco a poco...........

  

Vc.

(ppp sempre)

Db.

poco a poco...........

 

(ppp sempre)

...........ord.

 

UNCONDUCTED UNTIL Y the amount of "bars" can vary, depending on the length of the tubasolo

 

 

 

 

 











.................ord.

 

 

 

 

 

 

.................ord.

 

 

 

 

 

 

.................ord.

.................ord.




34

  213

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

 

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.



C Tpt.

Tbn.

B. Tbn.

Perc. 1

Perc. 2



Pno./Cel.

Hp.



 

Tba.

Vln. I

Vla.

Vc.

Db.

        

   

Vln. II

ESPRESSIVO, CAPRICCIO, BUT A BIT AGITATED AND SLIGHTLY SCHIZOPHRENIC 3

3

 

    

   

         3

5

          3

  

when playing option 2 or 3, pick up notated cadenza from here as written sempre

5 7 3  3                                        5  loco  3 3

mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)

 

 

 

 

 

 

 

 

 

















  

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 


cue for conductor to start conducting at Y

X

  222

Fl./Picc.

q= 60

Y

35

CONDUCTED (sempre)

 

 

Fl./A.Fl.

 

 

Ob./E.H.

 

 

Cl./B.Cl.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Perc. 1

 

  

Perc. 2



 



 

 

 

 

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.



C Tpt.

Tbn.

B. Tbn.

CONDUCTED (sempre)

CONDUCTED (sempre)

 CONDUCTED (sempre)

 CONDUCTED (sempre)

Pno./Cel.

Hp.

to samplekeyboard for sample 3

      CONDUCTED (sempre)

 

Tba.

cue for conductor to start conducting at Y

X



      mf

          ord.

 

 

 

 

q= 60 CONDUCTED (sempre)

Y

AS WRITTEN sempre MOLTO ESPRESSIVO sempre

                                                                3

3

3

5

3

7

3

3

3

 

 

     

 

mp (as general dynamic. fluctuate dynamics above and under mp ad lib. following the natural development of the melodic/rhythmic shapes, and fitting the atmosphere of the backgroundchord)

Vln. I

   

Vln. II

Vla.

Vc.

Db.

 

 

CONDUCTED (sempre)

 

 

 

 

   

 

 

 













   



 

  

 

 

 

 

 

 

   

 

 

  

 

 

 

 

 

 

   



 

 

  

 


36

Z

  Fl./Picc.  

THIRD MOVEMENT part 2 : SOLEMNE MEDITATIVE

230

AA

    

 

 

Fl./A.Fl.

 

    

 

 

Ob./E.H.

 

    

 

 

Cl./B.Cl.

 

    

 

 

B. Cl./Cb.Cl.

 

    

 

 

 

  

      p

(contrabass clarinet) BREATH-LIKE

p

(contra bassoon) BREATH-LIKE

 Bsn./Cbsn   

    

          p

    

BREATH-LIKE

 

    p

BREATH-LIKE

            p 

BREATH-LIKE

  

    

 

 

C Tpt.

 

    

 

 

Tbn.

 

    

 

 

B. Tbn.

  

    

 

 

      p       

     

Hn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

CELESTA

        p  

Vln. I

 ppp

 

 

        p

     

      

      

      p 

MISTERIOSO, almost inaudible

soft mallets        pp      

 

Vla.

 

l.v.

take mallets

 mp

p

 

      

   

 

pppp

      

      p 

 

pppp

      

pppp

      p

    

  

      

p

    p

 

     

      p

p

    

p

 

 

p

  

pppp

     

      

 

pppp

   

     

      p

p

    

p

p

   

soft mallets

 

  

ppp

      

 loco

p

AA

   

 

 

 

 

 

 

 

 

 

 

 

   

 

pp sempre

     

    

ord.

l.v.

      

       

       

p

p

 

p

 

  

  

  

  



 

p

p

BREATH-LIKE

     

    

p

p

     

    

p p (8vb for bottomstave only sempre)

THIRD MOVEMENT part 2 : SOLEMNE

MEDITATIVE Z BREATH-LIKE      p 

pp sempre

Db.

p

     

SAMPLE 3

pp sempre

Vc.

    

GRAN CASSA with soft large beater

pp sempre

Vln. II

  

  

LONTANO, almost inaudible

 

     

     

           

 

Tba.

     

MISTERIOSO, almost inaudible LOW GONG in D with medium large beater GRAN CASSA with soft large beater

 

     

p sempre

    

 

 p

 



 

BREATH-LIKE

 

  

  

 

 

 

 

   

   

   

 

 

 

 

 

   

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 p


37

 

 

 

 

 

 

 

 

 

Fl./A.Fl.

 

 

 

 

 

 

 

 

Ob./E.H.

 

 

 

 

 

 

 

 

Cl./B.Cl.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

BREATH-LIKE

 

 

 

 

 

 

  

      p

 

244

Fl./Picc.

BREATH-LIKE

 

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

   p

   

Hp.

Vln. I

   p

BREATH-LIKE

         p

 

BREATH-LIKE

 

   

p

   

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

  

  

 

pppp

    p

   

 

  

 

  

    

    p  p

 

pppp

p

p

    

  

p

 

  

 

 

 

p

p

   

  

p

 

 

p

   

    

  

  

  

   

    

    p 

p

   p

p

 

pppp

p

p

  

    

    

  

p

   pppp

p

p

 

 

 

pppp

p

   

    

  

  

  

   

    

p

p

p

  

p

 

pppp

    

  

 

p

  

p

 

 

pppp

p

p

    

 



p

    

 p

    

 

p

  

p

p

 

pppp

p

        

  



pppp

             

  

p

p

 

     

   

                

    

  

  

Vc.

    p

    

  

p

Vla.

 

p

pppp

p

   

 

   

pppp

   

    

  

p

    

  

p

   

Vln. II

Db.

 

    

Tba.

 

    

Pno./Cel.

BREATH-LIKE

    

Perc. 2

Tbn.

Perc. 1



C Tpt.

B. Tbn.

 

 

 

p

     



p

 

p

   

   

   

   

 

 

 





 

 

         



 



      p

      

  

p

p

     

  

p

p

BREATH-LIKE

 

 p

  

   p

   

    

  

  

  

    

p

 

   

   

   



   

 

 

 

 

 

 

 

 

  



 

 

 

 

 

 

 

 

 

 





 

 



 

 

 

 

   

  

 







p

 

   

 

p

 

  

   

p

p

   



p

BREATH-LIKE

 

 

           



 

 

 

p

    

p

    p

p





 

 


38

BB

  Fl./Picc.    256

FLUTE

 

mp

  

Fl./A.Fl.

     mp  mp

mp

 

Ob./E.H.

     mp

mp

 mp

   mp

   mp

mp 

  

  

  

take piccolo

 

 alto flute   

 

take

    

 

 

 

 

 

 

 

 

ALTO FLUTE

 

 

 ESPRESSIVO sempre 3

     mp

p

ENGLISH HORN ESPRESSIVO sempre

  

3

   

  

mp

   

p mp



     3

mp

     p mp p

Cl./B.Cl.

 

    

 

 

 

 

 

B. Cl./Cb.Cl.

 

    

 

 

 

 

 

Bsn./Cbsn

  

    

 

 

 

 

BREATH-LIKE

 

 

 

p



 

  

    

 

 

 

 

 

C Tpt.

 

    

 

 

 

 

 

Tbn.

 

 

 

 

 

 



   

        

 

 

 

 

 



   

loco



     

 

  

Hn.

B. Tbn.

CROTALES hard rubber mallets

   

mf mf

Perc. 2

mf

    

Hp.

Tba.

    

mf

mf

mf

 

     pp pp pp

mf

         

mf

mf

mf

mf

mf

mf

mf

 

   

mf



mf

       mf

 

 pp

mf

mf



mf

            

   

Pno./Cel.

mf

          mf

mf

 



            

    

Perc. 1

      

 

 

     pp            mf

mf

   

     

  mf          loco   mf mf    

mf

        mf mf     mf

    

 

mf

 

               mf

mf

  

 

 

 

Vla.

   

 

 

Vc.

 

   

Db.

      mf       p

p mf

        

mf

    

 pppp

mf

  

      mf       p

 

 pppp

   

 

  

mf

mf

 

mf



p mf

mf loco

 



loco

mf loco

 

mf

      

    mf

 

  

 

mf

          

 

  pppp

 

  

 

  

mp

LOW GONG in A

 

ppp

    mf

 

  

 

mf

mp

   pppp

l.v.

mp

 

  

 

  

mp

    

 

     

 

 

 p

      pppp  

    

       

MISTERIOSO, RITUALISTIC, almost inaudible PLATECLOCKS with medium beater GRAN CASSA (soft large beater)

    

          p

 

          p         p

 

       

     

 

mf

   

 

mf

 

   

 

mf

mf

mf

    

mf

 



          

    mf

   mp 

  

mf



  

   

mp

 

     

 

    

 

             p           p

(8vb for bottomstave only sempre)

   

Vln. II

   

pp

                

mf

Vln. I

    

take bass trombone



 

 

 



  

   



   

   

   



 

 

 

 

 

 







 

BREATH-LIKE

  mp

   



  

 

 

   



 

   

  

 

   

   

 

 

 

 

 

 





 

 

 

 

 

BB  



 

 

 

   





 

   


39

  268

Fl./Picc.

 

Fl./A.Fl.

 

p

 

   mp

3               

3

 

               mp p mp

Perc. 2

Pno./Cel.

Hp.

Vln. I

3

mp

4            

3

 



       



                    



p mp

p

   

p

p

mp

    mp

mp-p

mp

p

 

 

 

 



 

 

 

 

 

 

 

 

 

  

 

   

   



 

p

 

  

p

  

 p

 

  

p

 p

 

 

p

             

p

p

  

 

p

 

p

   

p

p

p

  

 

 

 

 

 



 

p

pppp

pppp

 

pppp

  

pppp

   

 

  



   

   

 

p

p

p

p

p

     

p

p

p

pppp



pppp

 

 

  



       

 

                     p p p

p

 

p

  

 

p

 

p

   

p

  

 

 

 

 

p

p

p

pppp

 

                     p p p                

p

    

 

  p

   

p

 

p

  

 

   

 

   

p

p

   

p

p

 

p

  

 

p

 

p

 

p

p

 

   

  

   

 

 

 

 

p

p

 



  

p

p

pppp

p

pppp

p

pppp

                p

p

p

 

  

    

Vc.

p

  

Vla.

    

p

pppp

 

     

 

mp

mp

 

mp

mp

Vln. II

Db.

3

p mp

 

Tba.

     

     

mp

Tbn.

Perc. 1

p

 

C Tpt.

B. Tbn.

  

mp

 

B. Cl./Cb.Cl.

Hn.

mp-p

Cl./B.Cl.

Bsn./Cbsn

 

p

Ob./E.H.

   

                     p p p          p  p   p

 

  



   

 

 

 

 

 



   

 

 

 

 

 





 

   


40

  276

Fl./Picc.

Fl./A.Fl.

Ob./E.H.



  

3

3

           

mp

              3

3

3

   

   mf

         3

mp

Cl./B.Cl.

 

       mf  mf sfz       mf 

mf

 

mf 

3

 

sfz



 

 

 

take flute

 

take oboe

sfz

mfp

mp

OBOE

p

 

 mf 



 mf 

mf

mf

B. Cl./Cb.Cl.

Bsn./Cbsn



Hn.

HORN (no mute)



 

 

     

LONTANO, DECLAMANDO

3

mfp

C Tpt.

Tbn.

B. Tbn.

Perc. 1

Perc. 2

Pno./Cel.

Hp.

Vln. I

Db.

p

3

mf mfp

mf

  

 

p

 

 

 

 

 

 



   

 

      

 

  

      p p

  

 

  

  

 

    

    pppp



    pppp

      p p

  

 

      

 

    

  

  

 

p

       p

     pppp pppp

p

       p

p

 

  

     p

p

p

    p

 

 

  

    

p

 

p

 

p

p

p

   pppp  p

 

p

 

     

 

  

to tubular bells take metal bars

go to timpani and gran cassa l.v. medium hard mallets

   

 

     

 

 

 

  

 

  

 

 to samplekeyboard for sample 4

     

     p  p

  

 

 



       p     p

 

 

  

  

p

     p

 

    

   

 

put moogerfooger on

  

3



 mf

  

  

p

p

mf

mf

    p

mf

   





 

 

   

















 

 

 

 

  

 

 

loco

DECLAMANDO

 

 



   





p

     



 

p

  

          

mf

 

Vc.

mfp

   

mf

          p p

Vla.

 

Vln. II

    

Tba.

 



 

 

mfp

 

 

   

p mf

   

 

pp

         


TRANSITION 2

CC    Fl./Picc.  





   

fff sub.

Fl./A.Fl.

AGILE FREELY,    

Cl./B.Cl.



  

 

  

6

fff sub.

fff sub. FREELY, AGILE (contrabass clarinet)



   

    

(no mute)

 

(no mute)

 B. Tbn.  

(no mute)

Perc. 1

 

  



 

      

5

3

 

 

 

 

 

fff

       

 

 

fff

 

   fff

black key-cluster with underarm   

 

SAMPLE 4

SAMPLE 5

ff sub.

ff

 

 

 

TRANSITION 2

CC

  

MOLTO INCISIVE, MOLTO TUMULTUOSO, VERY AGGRESSIVE, EARTH-SHATTERING SETTING 0



 

3

SETTING 1

 

 



 

fff

     

  

 

    

  

 

    

 

 

   

  

 

    

  

 

fff sub.

fff sub.

Db.

fff sub.

fff sub.

Vc.

     9



fff sub.

Vla.

     

7

3

     

white key-cluster with underarm

fff sub.

Vln. II

  

ff

 

Vln. I

 metal bar     

   

Tba.

fff

   

   

9

 

fff

fff sub.

 

5

3

 

fff sub.

 

Hp.

 

      

 

fff

 medium hard mallet  

5

11



 

fff sub.

Pno./Cel.

    

   

fff

 metal bar           

3

     

 

fff sub.

ff sub.

Perc. 2

        

fff

 

Tbn.

 

fff

 

 

fff sub.

C Tpt.

                 

fff

fff sub.

Hn.

            

fff sub. FREELY, AGILE (contra bassoon)

Bsn./Cbsn

41

 

13

fff

5

   

B. Cl./Cb.Cl.

 

3

FREELY, AGILE

 



fff sub. FREELY, AGILE

 

Ob./E.H.

fff

FLUTE

 

 

MOLTO INCISIVE, MOLTO TUMULTUOSO, VERY AGGRESSIVE, EARTH-SHATTERING

PICCOLO FREELY, AGILE 284  

fff sub.

fff

fff

fff

fff

fff


42

       

286

Fl./Picc.

Fl./A.Fl.

 

Ob./E.H.



 

Cl./B.Cl.

    

 

 

 



fff

5

    

 



3

  

3

7

  

 

11

fff



    

13

3

fff



     

6

fff

 

      

   

  5

9

    

   

   fff

Bsn./Cbsn

Hn.

       

C Tpt.

 

Tbn.

B. Tbn.

Perc. 1

  

 

 

fff

 



fff

 



fff

 

  fff

 



fff

  

Hp.

 

fff



Vln. II

Vla.

      

 

fff

3

loco

  

  

 

5 9

 

        

 

 

 

 5

3

7

    

3

 



fff

 

 

 

 

fff

fff

 



fff

 



 

 



black and white key-cluster with underarms

 

 

 

SAMPLE 7

 

ff

 

 

button 2 - frequency external podmeter 8, amount 9, rate 12 squarewave/high

3

   

SETTING 2

fff

   

 

   

 

  



 

  

 

 

 

fff

fff

 

 

 

  

    

 

  

   

 

fff

fff

Db.

 

fff

Vc.

7

  

fff

 

     

    fff 

 

ff

   

  

11

fff

SAMPLE 6

fff

Vln. I

             

 

Tba.

 

        

   

black and white key-cluster with underarms

3

fff





 

 

       

ff

 

Pno./Cel.

   

 2 metal bars     

 



13

fff

fff

 2 metal bars          

fff

fff

ff

Perc. 2

                

fff

 

B. Cl./Cb.Cl.

 

 

fff

fff

fff

fff


DD

   288

Fl./Picc.

 

Fl./A.Fl.

 

Ob./E.H.

Cl./B.Cl.

 

B. Cl./Cb.Cl.

 



MOLTO MOLTO INCISIVE, MOLTO MOLTO TUMULTUOSO, VERY AGGRESSIVE   

 

   

  

 

C Tpt.

Tbn.

 

B. Tbn.

  

Perc. 1



  

  

 

  



43

5







 





 



 



 

 



 



 



  

 

5



 

6

 

3



 

3

3

 

7

3

5

    

      



3

3

  

 

11

7

  ffff poss.



      



3

 

ffff poss.

ffff poss.

  Hn. 



3

 

ffff poss.

Bsn./Cbsn

   



ffff poss.   



13

ffff poss.

 

     

 5

 

FREELY, AGILE

  ffff poss.

5



7





   

 

ffff poss. FREELY, AGILE



  ffff poss.

 

FREELY, AGILE

  ffff poss.

 

 2 metal bars             

 

fff

Perc. 2

 

 suspended cymbal   medium hard mallets     (ppp)

      



 







  

            

                        loco

f

 

SAMPLE 8

ffff-fff

 

                 

FREELY, AGILE

 

Vln. I

f

ffff poss.

  

Tba.

l.v.

FREELY, AGILE, chromatic run

lowest back/white key-cluster with both underarms

 

Hp.

 

ffff poss.

 

Pno./Cel.

 

7

 

DD   

  

Vln. II

 

Vla.

 

Vc.

 

Db.

  

f

 

   

7



 

    

loco

MOLTO MOLTO INCISIVE, MOLTO MOLTO TUMULTUOSO, VERY AGGRESSIVE 5

SETTING 1

  ffff poss.

  ffff poss. 

 

iss.. gl gliss

gliss.

gliss.



gliss.





gliss.

gliss.



gliss.

ffff poss.

   ffff poss.

    ffff poss.

    ffff poss.

 



gliss.

gliss. gliss.

   

loco

gliss.

  

gliss.

gliss. gliss.

   

 

         


44

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

B. Cl./Cb.Cl.

Bsn./Cbsn

Hn.

  289   

         



 

  



 

3



5









 





Tbn.

B. Tbn.

Perc. 1

 

3

   

  

  

   

 

5

  





 

3

  

3

3



 



 f



Hp.

 

  



 





9











 

 

 

Tba.

Vln. I

Vln. II

Vla.

Vc.

Db.

 

                          7

5

  

    

        

s. glisss. gli





 

  

11



                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          













7

VERY SCHIZOPHRENIC RUBATO, large intervallic leaps, chromatic chaos, as fast and crippled as possible, fluctuate with settings fast and randomly from approx. bar 290 until high trill



 

    

gliss.

  gliss.      

7

10

                 

7





                                                           Pno./Cel.          

  

 

7

 





3

put away metal bars and take hammers. do not lift pedal before bar 291

      



3



3

 

  

FREELY, AGILE medium hard mallets

Perc. 2



3

 3



3



 



3



  





FREELY, AGILE C Tpt.





3

   





3



     

 

3







 

  

5



       



gliss.

    

gliss.

    



                               6

5

7

   

5

port. port.

5

  gliss. gliss.



gliss.

gliss.


     Fl./Picc.   

  

290



B. Tbn.

Perc. 1

Perc. 2

 

  

  

3

  

5



   

3

 





  

  

    

  

 

  

5

3

 

 

 

 

pp

pp

 pp

to crotale hard rubber mallet

pp

 

 

 

pp

 

   

  pp





                                                                                                                                                                                                                                                                                     

loco

 

 





  

loco l.v.

(choke cymbal, if neccesary)

 

 

 

 

p

    

setting 3 ,7,9,12 sq/high

Tba.

   

Hp.

 

pp

mp

Pno./Cel.

 

pp

  



pp

take bass clarinet



loco

pp

    

  

 



pp

  take English horn   

 



loco take flute

 

  

 

45

  

  

3

  

Tbn.

 

4

 Hn.

C Tpt.

  

  



B. Cl./Cb.Cl.

Bsn./Cbsn

7

Cl./B.Cl.



Ob./E.H.



Fl./A.Fl.

  

pp

p

 

 poco ..........a .......poco.........sul pont.      Vln. I   mp

      poco .....a ...poco...sul pont

Vln. II

mp

   poco ..........a .......poco.........sul pont.

Vla.

poco ..........a .......poco.........sul pont.................

Vc.

gliss.

gliss. gliss.

Db.

7





gliss.

 

  sul pont      mp

mp

loco/ord

pp

 


FOURTH MOVEMENT : RECAPITULATION 46

    291

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

EE

 

 

f sub.

  

f sub.

B. Cl./Cb.Cl.

  

  



f sub.

 Bsn./Cbsn   

C Tpt.

Tbn.

B. Tbn.

   

   

pp

Perc. 2

(bass clarinet)

Tba.

  

  Vln. I   

Vln. II

Vla.

Vc.

     

      

 

     

 

 

 

multiphonic                      3 3 

 

 

 

 

 

 

       

 

 

 

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 



 go to celesta         

 

 

 

    

 

3

ff

f

3

3

          

f 3

p

multiphonic

f

f

         

    

    

 

p

hammers

 

f sub.

f

 

p



3

 

   

loco

mp

             mp sempre

non vibr. sempre loco/ord

  

  

  

f sub.

mp sempre

non vibr. sempre     

  

non vibr. sempre

  

f sub.

mp sempre

   f sub.

 

mp sempre

    f

 

 

   

mp sempre



 

3

    

    

3

3

3

mp

3

f

mp fp

f

f

           f

3

3

3

3

3

3

  

3

3

3

3



 

        

          3

p

     ff   

 

 

 

scrape strings with hard plectrums

     

  

secco

 

ord.

3

f

 

3

   

 

mf

AGITATO

3

3

3

3

   

       

f

3

3

3

ff

f



 

f

f

3 3           

f

f

f

3

mf sempre

  

 

    

 

      

 

    loco           

   

 

         

     

 

 

mp

 

mf

mp

mp

mf

mf

mf

3

         

3

mf

            

mp

ff

ff

   



       

    

ff

f

f

ff

3            3

f

ff

ff

          



 

INCISIVE, VIOLENT

                

scrape string with hard plectrum ord.

3

f 3

3

 5                                

  

3 3 3     3                 3 3

3

 

    

          

mp sempre

non vibr. sempre

f sub.

3

 

  

 hammer    (if necessary, side  of s.d. stick)               f   p f p to vibraphone   medium LIONS ROAR medium hard mallets   mallet                f mp ff

take hard plectrums

mp

to trumpet

ff

FOURTH MOVEMENT : RECAPITULATION EE DECISO, MISURATO SETTING 1



f sub.

     

mp

ff

ff

    



loco

f sub.

take hard plectrum

     p

secco

   

CROTALE hard rubber mallet choke

SNARE take DRUM hammer

medium mallets

secco

f sub.

   

medium hard mallets



5

ff

ff

WOODBLOCKS with side of s.d.sticks take snaredrumsticks

ff

    

f sub.

ff

ff

 



      

p

p

ff

multiphonic

 f sub.

ff

3

f

p

ff

ff

f

f

         

ff

multiphonic

3

p

non vibr. sempre Db.

  

 

ff

   

f

  

Hp.

 

f

 



  

  multiphonic                3 3

ff

   

 

f

p

  

Pno./Cel.

f

        

 Perc. 1

 

3

    

f sub.

f

f

p

    

 

3

(mp)

 

f sub.

  

  

p

f sub.

Hn.

BASS CLARINET

f sub.

p

ENGLISH HORN

  

f sub.

Cl./B.Cl.

INCISIVE, VIOLENT

          

DECISO, MISURATO

FLUTE

3    

 

   

mf

f

mf

3      

suoni    reali ord.3           mf

mf

 

 


FF DECISO      Fl./Picc.    300

f

3

 

   

pp

   

     ff

take flute

f

  



  

sharp, cutting, nasal

MOLTO SINISTRO, MARCATO

  

  

FLUTE

 

gliss.

 

 

ff sempre

sharp, cutting, nasal

Fl./A.Fl.

       

     

       

 

  

  

f

Ob./E.H.

f

Cl./B.Cl.

3

3

  

    

ALTO FLUTE

take alto flute

f

take oboe

ppp

 take English Horn        

pppp

 

3

 

 

    

loco

 3       f

 

   

3

  

  

sharp, cutting, nasal

 



ff sempre

f

B. Cl./Cb.Cl.

  

ff sempre

3

  

 

sharp, cutting, nasal

   

ff sempre

 

  

gliss.

   

3

     

3

      

 

 

abrupt silence

47



  

ord.

abrupt silence

gliss.

 

   

ord.

  

DECISO

gliss.

take alto flute

abrupt silence

 

 sharp, cutting, nasal

 

 abrupt silence

ff sempre

  Bsn./Cbsn        3 f

Hn.

C Tpt.

Tbn.

B. Tbn.

  

 

 

 

 

TRUMPET

 

Hp.

Tba.

Vln. I

Vln. II

Vla.

Vc.

Db.

put in harmon mute with stem

take plunger

take plunger

 hammers          mf   use pedal on every note medium hard mallets      Perc. 2         

Pno./Cel.

  p

Perc. 1

 

 

 

 

 

sharp, cutting, nasal

   

ff sempre

 

 

 

  ff sempre

 ff sempre

 

 

 

 hammers    

 



3

   

3

 



3

   

medium hard mallets

3

secco

mf



 

 

 

  

 

 

 

 

 

 

 

 

  

 

 

 

 

  

3

     



ff l.v.

ff

 

          

ffmp

  

plunger

 

 

f

take soft mallets

    ff .....o

  

  

fmp

  

   

     f



 

 

 

    

f

 

3

 

      f

             f

3

f

 

 



f

  f

f

f

  f

 f

  

3

3

pp

f

 3

 

     

 

  

    

ff

 

mp fmpf

  mallets soft      

  

  

go to piano

 

      mf    

 

 

  

  

 

ff

 

ffmp

             3

3

3

ff

ffmp

l.v.

ffmp ff

 

 

 

 

  3        

 

 

  

   

  3

 

 

port

   

gliss.

ff

  

sul pont



  

ff

 

    ff

pizz.

 3

 sul pont

  

mf

5

ffmp

  

 

     



            

3

mp

mf

3           

3

abrupt silence

 

3

poco sul pont



  

3

         (ord.)

mf



CELESTA secco

MOLTO SINISTRO, MARCATO

 

3

f

f

 

 

             3 f

3

 rubber mallet    

ff

FF DECISO

abrupt silence

mp .......o

ff

       

f

o

ff plunger o.....+

  

abrupt silence

 



ff

gliss. o.....+

ffmf

to glockenspiel rubber mallet

ff

l.v.

  

  hammer  

    

gliss.     

ff

plunger o ........ + +.......

f

f

ff p ffmp ff p harmon mute with stem o.......+...... o gliss.

       

mediumhard mallet

 

 

  

  

  

3

 

 



plunger +....... o ........ +



  

   

ffmp

   

f

 



 

 

mf

CELESTA

  

p

3

    

  

 

ffp

ff

DECISO

abrupt silence

mf

  

 

mf



  

  

  

 

mf

ord.

  loco    mf

ord.

  



mf

suoni arco reali ord.

    mf


48

   309

Fl./Picc.

ALTO FLUTE

f sub.

  

mp

f sub.

3



p

     3

f

  

 

3

 

  

 

C Tpt.

Tbn.

B. Tbn.

 remove mute

put away plunger

put away plunger

Perc. 1

Perc. 2

 

to marimba medium mallets

mf

secco sempre

        3

mf

loco

 3

 

 3

    

sul pont

ord.          3

sul pont

         ord.

3

3  

sul pont

ord.

      3

sul pont Db.

mf

 

     3

 

f









  

p

 3

ff

  

ord.

3

        3        3

f sub.

ff sub.

3

    

 

 

3 3                      f sub. ff sub. p

f sub.

3

ff sub.

f sub.

pizz.

ord.

ff

p

 3         

p

fff sub.

 

f 3



 

 3

  

   

f

3     

3

 

 

 

 

 

 

 

 

 

 

 

  

 

  

  

 

 

 

 

 

 

 

 

 3    

    mf mp

3

CELESTA

mf

mf

mf

go to piano

mf

 

  

 

   

 

f

  p

   

                       mp

f

mp

 

      

 

mf mp 3

      

mf mp

    

f

3

3

   

PIANO

secco

 

    

l.v.

    

p

 

mf

 

 

mf

 

    

  

3



mf

  3

 

  

  

 

 

   

 

f

 

          f

 

f

p

   loco        p

mf

          f

 

p

            f

 

 

mf

mf

3         mf mp

  

mf

DECISO, QUASI DOLCE, BRILLANTE

3

mf

 hard rubber mallet  

mf

f

DELICATE

f

ff sub.

 3      

mf mp



mp

f

p

3 3  3                   f sub. p

mf

  

to glockenspiel hard rubber mallets

f

p

  loco 3 3            



 

3

 

3



mf

 



f sub.

fffmf fffmp

ff sub.



     

   3              3 3 f sub.

     

           

   

p



mf

f sub.

INCISIVE, VIOLENT ord.

 

mf

OBOE

CLARINET

take clarinet

          

3

p

p

 

mf

 

  go to celesta      

 

 

fff sub.

 hammers    

3

3        

mf

mf

fff sub.

fff sub.

f sub.

             mp

pp

f sub.

f

sul pont

Vc.

  

(no mute)

f

take oboe

     

     

FLUTE mf

 

f

mf

fff sub.

          3 3

    ord.       3

Vla.

 

Vln. II

mf

Vln. I

mp

   

medium mallets sempre

               

Tba.

ff

  

mf

 

3

mf

      

mp

 



f sub.

       

take flute

3

   

 



mp

                 f sub.

fff sub.

f

 

Hp.

hammers



f

p



 

fff sub.

fff sub.



3

     

PICCOLO

 



    

 3 

 

secco sempre PIANO

 

Pno./Cel.

fff sub.

p

 

f go to tub. bells take hammers

 

 

 

f



pp

p

 

 3    

 



fff sub.

p

f

Hn.

 

 

f sub.

Bsn./Cbsn

p

ord.

 



fff sub.

p

f

B. Cl./Cb.Cl.

 

f

 

DECISO, QUASI DOLCE, BRILLANTE

DELICATE take piccolo

p

 

f sub.

Cl./B.Cl.

INCISIVE, VIOLENT

f

Ob./E.H.

3

p

 

Fl./A.Fl.

  

      p



f

      3

 

3

3

f

mf

   3 f

    

mf

   mf suoni reali

mf

   3

3

  





f

3    

 ord.     



       

mf

 3       

p

     f

 

3

 f 

       3

 f

 


INCISIVE, VIOLENT, BRUSCAMENTE

GG

   317

Fl./Picc.

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

B. Cl./Cb.Cl.

   

 

ff sub.

ff sub.

   

     

     

ff sub.

C Tpt.

Tbn.

B. Tbn.

   

 ff sub.



   

Perc. 2

Pno./Cel.

Hp.

Tba.

     

     

   

 

     

 medium mallets      pppp   motor topspeed    

to tubular bells medium mallets

 

to vibraphone

loco secco

ff sub. secco

    

ff sub.

          

 

 

  

ff sub.

Vln. II

Vla.

Vc.

   

   ff sub.

 ff sub.

 

          

       

      

    

        

ff sub.

 ff sub.



 

 

3

  

    



ff sub.

3

 

 

    

  

 

 

     

to timpani

 

 

3

   

    

 

 



ff

     

    

 





ff sub. secco sempre

     

   



         

      

            3

SETTING 4

  

           

fff sempre

  

     

  

  

     

 

   

  

          

   

               

                3

  

 

 

3

           3

          3

          

   

          3

SNAREDRUM snaredrumsticks   

3

  3

f

 

 

p

3

f

 pedal every note    

  

                    

  

  



   

 

3

fff

3

       

SNAREDRUM    

                    

     

 

   

to vibraphone motor off

                     3

                    

3

to snaredrum take snaredrumsticks and hard mallets for timpani and gran cassa

  

        

   

3

         

 

   

           

   

 

 

 



 

  

3

3

  

ff sub.

   

   

  

  

   

   3

    3

  



 

       

3

3

3

3   

 



3

                        

 

 

     

                          3

               

3

3

                  

3

   

3

                   

3

ff sub.

ff sub.

 

   

3

3

ff sub.

 

                  

MOLTO MAESTOSO, CON FUOCO

ff sub.

  

 

3

 

3

   

MOLTO MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT, MOLTO MAESTOSO sempre

HH

  

 

                     

fff

CODA



   

3

MOLTO MARCATO MOLTO MAESTOSO, CON FUOCO

 

3

f

3

         

3

3

           

3

fff

MARTELLATO secco sempre

 

3

to snaredrum snaredrumsticks keep medium mallets for timp.

 

 

3

3

   

3



fff

       

49

3

3

    

  

3

 

3

medium mallets

  

3

              

3

 



 

          

   



  

  

3



3



    

3



3

   

3

              

   

  

3

3

  

3

3

 





3

fff sempre

     3

         

 

    

 

3

3

 

3

        

    

3

ff sub.

pppp sub.

  

   

3

ff sub.

   (liptrill)

 

 

q= 80

    

ff sub.

Db.

      

LONTANO

  

Change of setting 1: button 1 frequency external potmeter 7, change amount and rate to 0, squarewave/high

INCISIVE, VIOLENT, BRUSCAMENTE

  

fff sempre

MOLTO MAESTOSO, CON FUOCO (contra bassoon)

ff sub.

 

    



ff sub.

Vln. I

   

(contrabass clarinet)

 

GG

 ff sub.

         

        3

ff sub.

pppp

ff

  

 

ff sub.

ff sub.

Perc. 1

   



ff sub.

 

   

 

 

 Bsn./Cbsn  

Hn.

     

  

fff sempre

pppp sub.

ff sub.

  

 

MOLTO MAESTOSO, CON FUOCO

ff sub.

MOLTO MARCATISSIMO SUBITO, BRUSCAMENTE, VIOLENT, MOLTO MAESTOSO sempre

MOLTO MAESTOSO,    CON FUOCO         pppp sub.



ff sub.

HH

LONTANO





CODA

q= 80

 



                     3

                 3

                  

   3                                 

   

  

 

         

 3                    

           

  

 

         

                    

3

3

       

3

  

3

                 3

3


50

  323

Fl./Picc.



q= 60 SUBITO

 

 

   

3

 



II INCISIVE, TUMULTUOSO FREELY, AGILE          

 

3

Fl./A.Fl.

Ob./E.H.

 

 

   

3

 

 

Cl./B.Cl.



  

  

 





 

 



 

 

3

  

   

3

3

 

  

3

3

 

  

 

FREELY, AGILE   

 

B. Cl./Cb.Cl.

Bsn./Cbsn

 

  Hn. 

C Tpt.

 

  Perc. 1   

Perc. 2

Pno./Cel.



 



 



  

 

    



 

 

 

p

 medium mallets      

  

RATCHET

f

 



ff

 

         

 

  

     

      f



 

 

 

   

 

 

     

 

 

   

    

    

 

   

  





  

    

 

    

  



   

  

   

 

    

  



 

    

   

   



 

   

3

3

3

3



  

 

   





 







   

       3

 



FREELY, AGILE   

 

           

                      3

3

3



       

   

3

3

   

 

            

   

 

 

 

 

  

 

 

 

FREELY, AGILE

 

 

 

3

  

7





 

 



 

     

6



 

3

 

gliss.

 

fff

  

 

gliss.

 fff

 

gliss.

 

fff

  

 

gliss.

 



3

     

mf

 

    

  

    

 

               

  

        

  

   

     

 

 3    

3       

  

       

  

        

lowest clustertremolo with two hands/fists

      pp 

twohanded gliss.

 

 

  

gliss.

gliss. mf

 

  



        

   

II INCISIVE, TUMULTUOSO   

INCISIVE

 

      

 

  

gliss. gliss.

fff

    

  

    

      

   

 

gliss.

 

gliss.

 

fff

  

   

fff

  

 

 

 

3

      3

mf

choke

fpp

 

 

   

fffp

   

3

   

  

 hard mallets     

   

 

CHINESE CYMBAL hard mallets

   

3

3

 3    

  

 

3

3

 

 

3

 

  9

    

     3

fff

3

3



5

    

 

 

fff

 hard plastic mallets              

3

 

  

3

    

Db.

   

 

f

   

  

3

  

 

    



3

ff

      

 

3

fff FREELY, AGILE

 

  



to gran cassa 4 hard mallets

    Vln. I 

Vc.

3

3

 

q= 60 SUBITO

 

Vla.

   

3

take hard plastic glockenspiel mallets keep med. mallets for Chinese cymbal

Vln. II

  

 

    

Tba.

 



 

Hp.



3

  

  

  

Tbn.

B. Tbn.

    

3

 

FREELY, AGILE

 

fff

     

11

  

 

5

 

fff

fff

 

   

13

fff

 

gliss.



fff

      fff

gliss. gliss.

 


INCISIVE, VIOLENT, MOLTO TUMULTUOSO

                      Fl./Picc.  

   

  

Cl./B.Cl.

B. Cl./Cb.Cl.

 

9

  7

3

 

  

   

6





 

    

       

    

      

gliss.











 

 



3

ffff sempre MOLTO MAESTOSO, MOLTO CON FUOCO

Tbn.

B. Tbn.

 

Perc. 2

  

 

      





 

 

 



 



  













 



  

 

  

mp

TAM TAM

  

 

LOW GONG IN G medium gongbeater



 





 



 

 

 

 



 



      

3

        

MARTELLATO, secco





  

 

3

3

5

loco ord.

medium tamtam beater hard mallet(s)

   

 





3

ffff sempre

 







3

 

MARTELLATO, secco

  

    ord.                 3

  

3





 

5

 

 

 

    

5



3

5

       

INCISIVE, VIOLENT, MOLTO TUMULTUOSO

  

3





 

  

 

gliss.

  



ffff sempre

    ffff sempre      

ffff sempre

3

  

  

  

punta d'arco

  

punta d'arco

     ffff sempre  

 

 

ord.

 





       

 

ord.

 

  

 



      

ord.

  

    

punta d'arco

 

  

   

ord.

  

punta d'arco

  



MOLTO MAESTOSO, MOLTO CON FUOCO

fffff poss.

MOLTO MAESTOSO, MOLTO CON FUOCO



  

5

  

 



5

ffff sempre

Db.

 

   Vln. I    

Vc.

  

punta d'arco

Vla.

 

p (dynamics for both instruments)

3

fffff poss

Vln. II

ffff sempre

             ffff

 

Tba.



  

 fff



 

to tam tam, take medium beater keep the (4) hard mallets for vibraphone and gran cassa

   gliss.

Hp.



 

to gong in G medium gongbeater keep one mallet for timpani

  

Pno./Cel.



3



  

3

   

  





 

  

ffff sempre MOLTO MAESTOSO, MOLTO CON FUOCO

ffff sempre

Perc. 1

 

MOLTO MAESTOSO, MOLTO CON FUOCO

MOLTO MAESTOSO, MOLTO CON FUOCO

3

ffff sempre

C Tpt.

 

3

      





3

3

5





 

3

   

  

ffff sempre

Hn.

3

  

loco



 

 

 

5

ffff sempre

Bsn./Cbsn

  

7



   



3

 

       ffff sempre

3

5

ffff sempre

    

11

ffff sempre

Ob./E.H.

 

    

       



 

13

ffff sempre

Fl./A.Fl.

51



327

  

 


SONORE, BRILLANTE INCISIVE, DECISO non vibr.

JJ

52

  329

Fl./Picc.

 

 

 

fffff

fffff poss.

fffff poss.

 

 

fffff

fffff poss.

fffff poss.

MISURATO sempre

 

 

 

fffff

fffff poss.

fffff poss.

MISURATO sempre

 

MISURATO sempre

Fl./A.Fl.

Ob./E.H.

Cl./B.Cl.

B. Cl./Cb.Cl.

 

MISURATO sempre

 

fffff

fffff poss.

 

fffff

Bsn./Cbsn

Hn.

Perc. 2

Pno./Cel.

  

 



quivre

     fffff

 

 

    fffff







ff

 

 

 

MARTELLATO, secco ord.

7

MARTELLATO, secco ord.

  

Vla.

 

 

 

 

 

 

 

  

 

 

 

 

 

 

fffff poss.

fffff poss.

  

fffff poss.

choke tam tam. to vibraphone



  ffff

fffff poss.

     

     

secco

fffff poss.

MARTELLATO, secco 7



fffff poss.

3

               

  fffff

 

 

    

3

 

fffff poss. secco

3





 loco

 

  

fffff poss.

fffff poss.

 

 ////////////////////////////////////////////////////////////////

SAMPLE 9

SAMPLE 10

ffff

ffffp

to samplekeyboard for sample 9

 

 

  

   fffff poss.

 

   

 

 

 

  

fffff poss

fffff poss

  

 

ord.



  fffff poss.

  

fffff poss

  

   

fffff poss

gliss.

gliss.



put Mooger Fooger off

DECLAMANDO ord.

          f

sfz

RISOLUTO Ex abrupto

sfz

3

      p f

 

 

 

                       fff

mf

   fffff poss

  

 

  

   fffff poss

 

fffff poss

DECISO 3

   

f

ricochet

fffff poss

ord.

Db.

fffff poss.

fff

 

Vc.

JJ

punta d'arco

SONORE, BRILLANTE non vibr. INCISIVE, DECISO

  

Vln. II

 

GONG IN D hard choke WHIP gong choke mallet + med. gong beater

to timpani and gong in D

fffff poss.

Vln. I

  

 

   

  

fffff poss.

 

secco

5

3

fffff poss.

 

 

  fffff poss.

fffff poss.

 

 

 

fffff poss.

  

fffff poss.



f

           

Tba.

 

 

fffff

 

 

 

Hp.

 

 

  fffff poss.

fffff poss.

 

ord.

fffff

 

Tbn.

Perc. 1

 

fffff

fffff poss.

MISURATO sempre

 

C Tpt.

B. Tbn.

28 November 2011 - 22 February 2012

  

MISURATO sempre

F.V.W.

fffff poss

F.V.W. Rotterdam, November 28 - 2011 / February 22 - 2012


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