ARCHITECTURE
PORTFOLIO
FRIZZELL DSOUZA Selected Works 2017 - 2020
“To cr e at e , o n e mu st fir st qu e st io n ev e r yt h in g.” - Eile e n Gr ey
PRO FESS I O NA L SKI L LS
FRIZZELL DSOUZA CO N TA C T
+91 8310164134
• • • • • • •
AutoCAD Sketchup Rhino Lumion Photoshop InDesign Illustrator
• • • •
Hand illustrations Model making Analytical writing Language Proficiency
PERSO NA L SKI L L S
“Pal a z zo”, M orga nsgate, M a nga l ore d s o u za .f ri zzel l @g m a i l .com
E D U C AT I O N Ba ch e l o r ’s p rog ram - B. A rc h R .V. C o l l e ge o f A rc h itec t u re Ban ga lo re 2017 - pre se nt
S e co nd a r y Ed u cat ion M o u nt C a rmel Cent ra l S c h o o l Man ga lo re Bo a rd exa min at io n s - 96% 2011-2017
P ri mar y Ed u cat ion S t . M a r y ’s P r ima r y S c h o o l Ma n ga lo re 2004-2011
Team work
Concept s
I n n ovat io n
Tim e m an age m ent
EXTRA- C URRIC UL A R S •
Workshops Masonry vaults and funicular structures RVCA, Bangalore - 2018
•
Documentation Bangalore Fort, Chikpete - 2018
•
Analytical writing View work at: shorturl.at/wAPWX
•
Volunteering NSS Camp - School Bell Crea�ng be�er learning environments for underpriviledged students, Ramnagar, 2019
•
Music Singer-songwriter/musician Indian independent ar�st 2020 - present
CONTENTS
01
02
03
Trabeata Campus Design
The Tenet Literature Center
The Grand Bay Hospitality Project
04
05
06
Technical Drawings
Workshops
Models
01 T R A B E ATA C a m p u s Des i g n An addition to the Manasa Gangotri campus (Mysore university), the film institute was designed to serve as a stage for learning and a medium for visual stories to unfold in. Theatre is to be watched and engaged with, so why can’t academia be the same? Site area 16,187 sq m Location Mysuru, Karnataka
6
THEORETIC A L PRE MISE Cinema is an art form larger than the big screens. It involves story telling, visual and emo�onal experiences and learnings. The film ins�tute aims to provide students with an environment that encourages learning by watching and engaging with it and its users. It weaves unique yet familiar experiences around its design features.
8
KUCHHA PATH, TREES, TOPOGRAPHY
CONTEXTUAL INFERENCE
OBSERVATIONS & INTERVENTIONS
S I TE PLAN
The site is located in the Manasa Gangotri campus in Mysore. It is situated right at the entrance EXISTING FEATURES and its user group includes students, PATH, TREES, TOPOGRAPHY faculty, staff andKUCHHA campus residents. The larger context of the site also includes the famous Kukkerahalli lake. SITE EDGES PUBLIC AND PRIVATE ZONES BASED ON ACESS AND TRAFFIC DNSITY
DESIGN GUIDE
SITE PLAN
ARCHITECTURAL CONTEXT
CONTEXTUAL INFERENCE
OBSERVATIONS & INTERVENTIONS
Architectural spaces and built forms in Mysore provide narratives of the era they were built in style, language, function are visual stories etched in time.
01 Analyse siteSITE edges PLAN including
pedestrian and vehicular traffic. ARCHITECTURAL CONTEXT
02 Identify existing features like informal paths and vegetation.
Therefore, an important hub for performance and display.
PUBLIC AND PRIVATE ZONES BASED ON ACESS AND TRAFFIC DNSITY IMITATING NATURE
SITE PLAN
Architectural and built forms in Mysore performance spaces and display. provide narratives of era they were builtthein Thus, the intervention isthe to utilize and accomodate style, language, function visual stories existing ecology with the sameare strategies. etched in time.
ACCOMODATION OF THE TWO FACTORS WITHIN SITE
SITE EDGES
ECOLOGICAL AND CULTURAL CONTEXT
within the campus. Built forms often look into courts with trees - a passive design strategy. The site’s microcliTherefore, important hub for mate is alsoan influenced by Kukkerahalli kere in its vicinity.
EXISTING FEATURES
ACCOMODATION OF THE TWO FACTORS WITHIN SITE
ECOLOGICAL AND CULTURAL CONTEXT
The culture of Mysore is made up of art and music dating back to the CONTEXT Wodeyar dynasty. It has been a platARCHITECTURAL The Mysore University has several kinds of vegeation form for Carnatic music, artists, painters, weavers, etc.
PUBLIC AND PRIVATE ZONES BASED ON ACESS AND TRAFFIC DNSITY
KUCHHA PATH, TREES, TOPOGRAPHY
Architectural spaces and built forms in Mysore provide narratives of the era they were built in style, language, function are visual stories etched in time.
The culture of Mysore is made up of art and music dating back to the Wodeyar dynasty. It has been a platform for Carnatic music, artists, painters, weavers, etc.
SITE EDGES
03
Juxtapose observations and program accessibility based on public and private zones
9
10
D e - c o n s t r u c t
The pivotal feature of the design is the path that cuts through the site. It creates a transition space between the semi private zones like the auditorium & set design studio and the academic block. The two main courtyards serve different contexts and are interlinked by means of smaller opento-sky spaces that act as gathering spaces and circulation paths. 11
WALL SECTION
Classroom Theatres
CLASSROOM THEATRES The classroom theatres are situated towards the top-right corner of the site which has less noise and traffic, a result of which is more privacy.
12
Ven�la�on and indirect light is brought in through overhead windows and Z-shaped moulded concrete fins. Compressed stabilised earth blocks are used as in-fill in the RCC structure.
Outer courtyard
The entrance courtyard is flanked by the auditorium, workshop and a set design studio. It serves as a spillout area when events are conducted and provides a pla�orm for performance and display. The path cut�ng through the site draws an audience from other departments in the campus as well.
14
15
02 THE TENET L i t erat u r e C ent er An institution in the heart of Bengaluru dedicated to the literature fraternity of the city. The program involved creating a platform for literary enthusiats with an auditorium, lecture rooms, and residence units. The design design follows the premise that literature is an open ended discipline and that there can be no absolutes. Site area 4100 sq m Location Basavangudi, Bangalore
16
Site Site Site : :Basavangudi Basavangudi : Basavangudi This This This project project project extracts extracts extracts the thelayer the layer layer ofof of literature literature literature that that that is issubjective is subjective subjective and and and has hashas flexibility flexibility flexibility ininmeaning. in meaning. meaning. Poems Poems Poems and and and pieces pieces pieces ofofwriting of writing writing may may may bebe be interpreted interpreted interpreted differently differently differently from from from indiviual indiviual indiviual toto to individual individual individual and and and grow grow grow seeds seeds seeds for fordiscussion for discussion discussion ofofideas. of ideas. ideas. This This This crucial crucial crucial difference difference difference inin in interpretation interpretation interpretation is isnecesary is necesary necesary for forpersonal for personal personal growth growth growth and and and growth growth growth ofofthe of thesociety. the society. society. These These These ideas ideas ideas have have have been been been translated translated translated into into into design design design bybyadopting by adopting adopting soft soft soft forms forms forms that that that enhance enhance enhance the theabsense the absense absense ofofa of avertice vertice a vertice -- the theabsence the absence absence ofofanyhing of anyhing anyhing absolute. absolute. absolute.
01
02
03
THEORETICAL
PREMISE
This project extracts the layer of literature that is subjec�ve and has flexibility in meaning. Poems and pieces of wri�ng may be interpreted differently from indiviual to individual and grow seeds for discussion of ideas.
Functions Functions Functions at at two at two ends two ends ends with with with circulation circulation circulation asas intermediate as intermediate intermediate NoNo heirarchy No heirarchy heirarchy Sense Sense Sense of of direction of direction direction
18
Constantly Constantly Constantly changing changing changing views views views generatd generatd generatd byby curvilinear by curvilinear curvilinear element element element Soft Soft corners Soft corners corners implying implying implying nono no absolutes absolutes absolutes
Auditorium Auditorium Auditorium 1 circulation 1 circulation 1 circulation 2 circulation 2 circulation 2 circulation
Heirarchy Heirarchy Heirarchy established established established
The concept is translated into design by adop�ng so� forms that enhance the absence of a ver�ce the absence of anyhing absolute.
This project extracts the layer of literature that is subjective and has flexibility in meaning.
Site Plan
Poems and pieces of writing may be interpreted differently from indiviual to individual and grow seeds for discussion of ideas. This crucial difference in interpretation is necesary for personal growth and growth of the society. These ideas have been translated into design by adopting soft forms that enhance the absense of a vertice the absence of anyhing absolute.
The literature center has four main components: The auditorium, the hoirzontal circula�on component, the ver�cal circula�on componnt and the main block. The narrow curvilinear strip that is the horizontal circula�on divides the space into two and provides a transi�on between the inside and out.
LIBRARY
Functions at two ends with circulation as intermediate No heirarchy Sense of direction
Constantly changing views generatd by curvilinear element Soft corners implying no absolutes
Auditorium 1 circulation 2 circulation
Heirarchy established
Plan at level 1 THIRD FLOOR PLAN
FOUR
LIBRARY ROOMS
ROAD
Plan at level 0
Plan at level 3
19
Section AA
Elevation AA’
20
The design takes a brutalist approach, exposing the surface of materials like concrete and glass. The entrance to the literature center provides a sense of mystery brought out by the half sunken auditorium whose roof doubles as an open air theatre. The woven steel pipes were inspired by the Bird’s Nest stadium in Beijing and they also serve as shading devices to a facade facing east. 21
Residence Lecture Halls Lecture Halls Library Cafe Basement
Attention to function
22
The func�ons of the program have been organised ver�cally on the precendence of required privacy and access. The ground floor contains the auditorium and a cafe; the first a library; the 2nd and 3rd contain lecture halls and admin quarters; the top most is dedicated to a residence floor.
23
03 T H E G R A N D BAY Hospitality Design Given a site on the coast of the Bay of Bengal, the project aimed at invoking a sustainable approach to the design of a hospitality project. Along with it were the constraints of a small site area to be conjuncted with the regulations of buildings laws and green building codes. Site area
10293 sq m Location
VISAKHAPATNAM
24
DESIGN GUIDE
01 26
02
03
04
The site is situated overlooking the sea and has a port dock in its vicinity. On the le� of the site is the Town Hall, a public heritage building and towards the south of the site is a mixed residen�al zone.
To adapt to the warm and humid climae of Vizag, the building mass is split into two linear elements in a N-S orienta�on. It is further interlinked at the center and this allows for ven�la�on based on the Venturi effect by capturing incoming winds. The building is made porous to accomodate cross ven�la�on in the higher levels.
Venturi Effect Principle
27
28 Plan at Ground Level
Section DD
Plan at level 1
Section BB
Plan at level 2 Common ground In the plan, each wing of the building is designated to a different function and they are all linked by a common transition space in the center. On the ground level this transition is open to the general public and encourages them to detour from the unshaded foothpath to the walkway underneath the trees leading to the north of the site.
Plan at level 3
29
To insulate solar radiation from the south-west, the design incorporates perforated balcony walls of varying projections in each unit. The CSEB walls with perforations aim to reduce the heat gainwhile maintaining ventilation and privacy.
Two-bed units | South
Bar & Restaurant | East
30
Shading devices are designed for the south east facade based on solar altitude and azimuth throughout the year.
31
04 TECHNICAL DRAWINGS The working drawings studio focussed on crafting good for construction drawings for an office building located in B a n g a l o r e . It involved the understanding and coordination of various disciplines required to build a real time project.
32
Contents C
B
E
D
G
F
Fire Storage tank
Overhead tank
7
FIRE SUMP
1950
A
PUMP ROOM 16 x 6 x 3.5 Raw Water Sump
Soft water sump
2650
KEY PLAN
4
C1
1950
Fire Storage tank
3
C1
4300
6
TERRACE+27.45 FFL
DG YARD
2650
170
168
172
E
174
TERRACE+27.45 FFL
3750
166
164
DOWN
5
LEGEND
SIXTH FLOOR +23.7 FFL
RETAIL/OFFICE LIFTS
+1.20
4
RETAIL STACK
161
159
157
C3
151
153
155
D
3750
163
3
MS RAILING
TERRACE FLOOR STAIRCASE PLAN
FIFTH FLOOR +19.95 FFL
3750
RETAIL STACK
SIXTH FLOOR +23.7 FFL
3750
3750
SOFFIT OF SLAB +4.65
D4
FIFTH
NOTES FLOOR
RETAIL STACK
FOURTH FLOOR +16.20 FFL
RAMP
RAMP
2
ENTRANCE
14
16
18
20
22
E
3
24
4
GROUND FLOOR PLAN +1.5 m
1950
Fire Storage tank
Overhead tank
3
GROUND FLOOR PLAN
3750
+1.5m
DOWN
HT YARD
7 - +25.575
6 - +21.825 5 - +18.075
1
166
164
2650
TYPICAL FLOOR LEVELS: 4300
THIRD FLOOR +12.45 FFL
+19.95 FFL
3750
4
7 6 5 4 3 2 1
170
168
RAILING FIXING (TOP) DETAIL 1:10
Staircase Detail
172
174
TERRACE+27.45 FFL
E
FOURTH FLOOR +16.20 FFL
3750
3750
3
3750
+1.20
DOWN
4 - 14.325 3750 SIXTH FLOOR +23.7 FFL
13
9
11
30
32
28
26
3750
UP
GROUND FLOOR PLAN
D 161
163 TYPICAL FLOOR STAIRCASE PLAN
3750
159
157
151
153
155
3750
KEY PLAN
4
(STAIRCASE 1)
3
SEMESTER V SECTION A
4
GALVANIZED STEEL DOOR
FRAME
9A
11A
5A
7A
3A
1A
14
600
SHUTTER
5 5 50
225
6 - +21.825 5 - +18.075 1000
4 - 14.325
3
20
USN: 1RW17AT028
3
13
11
1
3750
5
230 THK BRICK WALL
300
300
300
300
300
300
STEEL DOOR D (900x2100)
300
300
300
300
300
300
3
Door Window Schedule (Refer dwg no. 13) 14 1500x1200 W1 W2 1 D 1400X1200 V1 2 600X300 D 900X2100 4 D1 1 1800X2100 1 900X1200 SP1 SP2 1 580X1200 9
11A
9A
GROUND FLOOR +1.20 FFL
30
28
26
7A
5A
3A
D
SHEET SIZE:
A2
TYPICAL FLOOR 20 mm STONE TILE STAIRCASE PLAN 20 mm MORTAR RCC SLAB 75 thk
4
REVISION NO:
0
4
NOSING DETAIL 1:10
E
1A
DOWN
230thk BRICK WALL 100 thk LINTEL 40
HOLDFAST
DATE MIDLANDING -0.675 FFL
REVI
SHEET TITLE:
STAIRCA
(STAIRCASE
SEMESTER V
SUBJECT: WO
SHEET NO.: 1
NOSING & GROOVES
DATE: SCALE:
REVIEW
SHEET TITLE:
NORTH: DATE
FIRST FLOOR +4.95 FFL
R. V. C. A.
5 5 50
GROUND LEVEL 0.0
3750
32
Door details
3750
PLAN
GROUND FLOOR STAIRCASE PLAN FIRST FLOOR +4.95 FFL
FRIZZELL D'SOUZA
NOTES
3750
7
16A
SECOND FLOOR +8.70 FFL
1:10
SCALE:
3750
3750
3750
30
14A
SECTION
200
RAILING FIXING (TOP)
DATE:DETAIL
UP
VENTILATOR V UP 300 x 600
2700
3750
SHEET NO.: 15
375
2 - +6.825 1 - +3.075 SECOND FLOOR +8.70 FFL
ELEVATION
2 PLANS 1:50
E
3750
STEEL FRAME 90x110
7 - +25.575
12A BASEMENT 2 -5.4 FFL
DOWN
NOSING & GROOVES
3
LOUVERED GLASS 6mm
20 20
300
2100
3750 3750
3750
DOWN
230
BASEMENT 1 -2.7 FFL
34
24
3 - +10.575
HINGE
00
22
TYPICAL FLOOR LEVELS:
THIRD FLOOR +12.45 FFL
MIDLANDING -0.675 FFL
SECTION
E
18 LEGEND 20
16
400
GROUND FLOOR +1.20 FFL
20 20
STAINLESS STEEL HANDLE
3750
SUBJECT: WORKING DRAWING 1 FOURTH FLOOR +16.20 FFL
3750
3750
TEEL SHUTTER 30mm
STEEL FRAME 50x90
STAIRCASE DRAWINGS
3750
3 3750
STEEL FRAME 50x90
THIRD FLOOR +12.45 FFL
MS RAILING
3750
3750
40
FIFTH FLOOR +19.95 FFL
HOLDFAST
REVIEW
SHEET TITLE:
TERRACE FLOOR STAIRCASE PLAN
FRAME
FIRST FLOOR +4.95 FFL
DATE
D
3
3750
SECOND FLOOR +8.70 FFL
225
3750
3 - +10.575 2 - +6.825 1 - +3.075
20
375
GROUND FLOOR +1.20
USN: 1RW1
40000 8000
24000
8000
A
B
C
D
E
F
G
8000
7
6
LANDSCAPING
2
5
4
3
5
6
7
SITE AREA = 1600 sq m BUILDING AREA = 420 sq m
24000
1
4
3 +1.20
LANDSCAPING
7 6 5 4 3 2 1
RAMP
2000
2
RAMP
8000
8000
ENTRANCE
HT YARD
+0.0
1
10000
3500
14000
12000 EXIT
ENTRY
200
MAIN ROAD 18m WIDE
KEY PLAN HATCH LEGEND 230 TH BRICK WALL RCC SHEAR WALL 6 mm TH GLAZING
TERRACE +27.45 m
RETAINING WALL GRASS HARD PAVING
HVAC DUCTS BATTEN LIGHTS SMOKE DETECTORS
2850
FIRE SPRINKLERS
SIXTH FLOOR
COLUMN/BEAM TYPE DIM C1 750 x 750 C2 1125 x 500 C3 250 x 500 PB1 300 x 500 PB2 250 x 400
+23.70 m HVAC DUCTS BATTEN LIGHTS SMOKE DETECTORS
2850
FIRE SPRINKLERS
FIFTH FLOOR +19.95 m
SCHEDULES DOORS TYPE W H D1 900 2100 D2 1200 2400 D3 1000 2100 D4 1800 2400
STAIRCASE TYPE WIDTH TREAD RISER
HVAC DUCTS BATTEN LIGHTS SMOKE DETECTORS
2850
FIRE SPRINKLERS
FOURTH FLOOR
S1 2000 300 150
+16.20 m
S2 (FPS) 1500 300 150
SPRINKLER RING M HVAC DUCTS BATTEN LIGHTS
ELECTRICAL CABLE
SMOKE DETECTORS
2850
FIRE SPRINKLERS
SMOKE DETECTOR CONDUIT CABLE
THIRD FLOOR +12.45 m
HVAC DUCTS HVAC DUCTS BATTEN LIGHTS
SPRINKLERS
SMOKE DETECTORS
2850
FIRE SPRINKLERS
SMOKE DETECTOR
SECOND FLOOR +8.70 m
20 W BATTEN LAMP HVAC DUCTS BATTEN LIGHTS SMOKE DETECTORS
2850
FIRE SPRINKLERS
FINISHING MATRIX: WALL FINISH: OFF WHITE WALL RENDER SKIRTING: 10 mm VITRIFIED TILES PARKING AREA: CEMENT FLOOR FINISH
FIRST FLOOR +4.95 m HVAC DUCTS BATTEN LIGHTS SMOKE DETECTORS
2850
FIRE SPRINKLERS
1. 2. 3.
GROUND FLOOR +1.20 m
ALL DIMENSIONS MEASURED IN MM DO NOT SCALE THE DRAWING FOLLOW GIVEN MEASUREMENTS
GL 0.0
NORTH:
TITLE:
COORDINATED SECTION AA
1:
BASEMENT 1
DRAWING NO:
-3.69 m
COMO_A_033 BASEMENT 2
SUBJECT : WORKING DRAWINGS 2 NAME : FRIZZELL DSOUZA USN : 1RW17AT028 SEM :VI - A
-6.98 m
COORDINATED SERVICES - SECTION AA
B
927,08
939
440,38
462,62
C
906
1225
1215
5
1055
900
1985
MEN'S
10 mm DROP
4655
900
900
400
D
300 450
D
150
10 mm DROP
600
WOMEN'S
Individual Stall Detail
Washroom details
SC
35
05 WORKSHOPS Engaging in intensive discussion and activity on the use and incorporation of mud blocks in construction also included team co-operation and division of tasks. From grasping the subject of constructing sans mortar to implementing it, the learning experience was unique and handson.
36
A
FUNICULAR STRUCTURES
The process begins with constructing steel frameworks attached to the concrete beam. Bricks of size 100x50x25mm^3 are used and further cut into smaller units as per requirements during construction. An angle measurement device is used to help lay the bricks on the formwork at the required inclination (70 deg). The bricks are laid pressed against each other until th entire circlular formwork is filled. Open spaces are filled with smaller aggregates. Finally, the props and circular slab is released.
38
B MASONRY VAULTS The challenge is this workshop was to construct a vault and release the formwork within in a day. The mounts were first constructed and the formwork laid over it. Bricks were laid perpendicular to the surface of the formwork and open spaces filled with either small aggregates or mortar to keep the structure in place.
39
06
MODEL MAKING
Capilla del Retiro | Se m e s te r 3
40
C ase Study
Residence design |
Semester 2
Temporary Housing design | Semester 4
41
This portfolio is created solely for the purpose of internship in architectural organisations. All works are primarily carried out by Frizzell D’Souza unless otherwise mentioned.
dsouza.frizzell@gmail.com +91 8310164134