Front Production VFX and Hungarian Filmlab reference book by Front Production

VISUAL EFFECTS i

FRONT PRODUCTION

HUNGARIAN FILMLAB

r e f e r e n c e

b o o k

VISUAL EFFECTS IN HUNGARY front production & hungarian filmlab reference book

All rights reserved. No part of this book may be reproduced in any form in any media without written permission of the copyright owners. Not commercial sample. Use strictly limited to marketing purposes of publisher. Not for resale. Published by Front Production & Hungarian Filmlab Front Production Budakeszi út 51. 1021 Budapest, Hungary info@frontprod.hu +36 30 303 9681 www.frontprod.hu Hungarian Filmlab Budakeszi út 51. 1021 Budapest, Hungary labor@filmlab.hu +36 (1) 391 0500 www.filmlab.hu Publisher I László Aradi & Csaba Juhász Design I Bettina Tigyi and Csaba Juhász Design consultants I Barbara Krisztics Editors I Barbara Krisztics and Bettina Tigyi Assistant Editors I Ágnes Magyar and Dalma Farkas Data managers I Krisztián Gulyás and András Takács Art Direction I Csaba Juhász

First edition: May 2010

CONTENTS 7 introduction › 9 company › 10 › 11 full service › 12 › 71 references ›

14 › 19 LA BELLE ÉPOQUE I 20 › 23 NOAH'S ARK 24 › 29 DIRTY FRED I 30 › 35 M&M FILM I 36 › 39 DAWN 40 › 45 SACRA CORONA I 46 › 51 PANIC I 52 › 55 CHAMELEON 56 › 61 ADRIENN PÁL I 62 › 67 DREHER 68 › 71 MATTIE THE GOOSE-BOY

72 › information ›

74 › 81 FULL LIST OF REFERENCES I 82 › 84 CLIENTS 85 SPECIAL THANKS

FROM 1998

300 PROJECTS 150 PARTNERS

1500

VFX SHOTS

10 RESTORED ARCIVE MOVIES

100 HEADLINES

20 000 CUPS OF COFFEE

INTRODUCTION Welcome! You are holding Front Productionâ&#x20AC;&#x2122;s reference book in your hands. We are a digital post production house delivering visual effects. This publication, which is also an adventure for us into the world of design, self expression and desktop publishing, aims to give an overview of our most successful projects over the last decade and also highlights services and systems we use. It might serve as food for thought or reference on a meeting but we hope that it also offers an easy and exciting travel to the world of visual effects.

We hope that you will find answers to questions as follows: What have we done so far? How was one or the other effect created? Are we able to solve one or the other request? Is it possible to capture the essence of our work on a few pages so that readers get a good understanding of it within a few minutes?

Csaba JuhĂĄsz, CEO Front Production www.frontprod.hu

SOME TASKS CAN CAUSE

BIG HEADACHE EVEN IF THEY SEEM

VERY SIMPLE

AT FIRST SIGHT!

IN MANY CASES it was proven that productions can save money by charging professionals instead of looking for ‘home made’ solutions.

IN MANY CASES we were requested to improve quality of ‘home made’ solutions to have the desired end result.

IN MANY CASES we were contacted frighteningly close to deadline and were given materials prepared half through.

WE HAVE SOLVED ALL THESE CASES WITH A HIGH LEVEL OF CONFIDENCE RELYING ON OUR EXPERTISE SINCE THIS OUR JOB.

WE ARE POST PRODUCTION PROFESSIONALS.

COMPANY Our company has been on digital post production market for more than ten years. We created the first digital effect in Hungary back in 1998. We are based on the same site as Hungarian Film Lab, the strongest fortress among production and post production companies in Hungary. Thanks to continuous development in cooperation with Hungarian Film Lab we are a complex post production house taking a leading role in the region. Our strength lies in the scale of our services; we provide full scale service including all analogue and digital technologies, hence we can address any needs of film industry and handle even the most complex projects within one facility. An integrated and proven environment that is run by a team of professionals–this makes us unique in Central Europe. We complete post production works of 15 to 20 Hungarian and foreign movies per year, additionally we have numerous assignments for shorts and advertisements. In many cases we are responsible for all post production works of a movie including design of main title and visual identity, also creation of effects from simple retouches to challenging interferences. We are delighted to contribute to pre-production and cost calculation of projects. In many cases we can significantly reduce costs by finding smart ways to simplify tasks that seem to be really complex at first sight. We also strongly believe that well applied digital effects at well chosen scenes can also be a way of cost reduction. There can be further cost savings achieved by keeping all post production works; from negative developing to production of digital movie copies, in one building. This also saves time as deliveries of copies become unnecessary.

It is also important to note that productions that come to Hungary and use the facilities or work with Hungarian partners in coproduction have a benefit of 20% rebate of tax and tax base within the so called Tax Relief System. We believe that small sized post production companies working with a stable team are on one hand effective, on the other hand provide an atmosphere that nurtures creativity. To provide the most cost effective solutions to our clients, size of our team is flexible, tailored to needs of the specific project. This way we can also complete tasks that require a sizeable team because of their complexity. Over the last ten years we have worked with internationally known representatives of Hungarian film industry; Nimród Antal, Krisztina Goda, Miklós Jancsó, Lajos Koltay HSC ASC, Kornél Mundruczó, Pál Sándor, Béla Tarr, Vilmos Zsigmond HSC ASC to name a few.

TE DIG CO LEC ITA LO INE L IN RC -S TE wit P SC ORR IRIT RME B A h CH HD AN EC D SE R LIG ISTI NI TOR DA IAT E NG TA HT E 2 CIN DA ON K D – B V A N DC S E S CI P OR INC E PM UIT RO ELIG T H I 2K H J E LI E AS T TER IMA WIT CTO FO GHT UR H R IN GE I (3 JV G S I W RECO C H D O UITE HD ITH D P TI RD P C DO ING ROJ ON) R BE AM EC TA SR ED O LBY – TO A , SP S (PA HDC NE R CC RRILA R SE L/N AM ELA 20 TS , DI TED 00 D R C), GI C S DV TAL ERVI P CE CA BE T S M A (PA CAM 3D L T L / O MO AR NTS , DE CH C LLIN I VI N ) G G /3 DT V RE EX ISU ND TU V AL RIN ER DE FX MA G S / 3 MA IGN N I RE 2D ND & D LIG N TIT ER 3 D H T LE I VIR ME NG ANIM ING DY NT (RE TU NA A AL N AT MI SE LRAY DER ION CS T FA R /S RIG E R ET NDE M) IDB SIM OD ULA MA EXTE RING Y / TIO T TE N S SO N PA ION NA FTB FLUID INTI N TU OD RA Y / / CL G L O DE PHE PAR TH MO NO TIC C LE SO USTO LITIO MEN S N CO FT ON M EF MP WA E OS RE XPRE FECT S ITIN DEV SSI ELO ON SM G A S ( OK RC RE ND PMEN E F H IV E I T E CH NI R R AR SHI FILM ESTO FARM AC N G RA RE ) T T S 2D ER S / PR TOR ION E A E TRA TU TI S GR CK P / ENTA ON EE NS AN IN TIO G PH CR / S IMAT N OT EE N/ OS IO T BLU 3D ABILI N HO Z E PSC TRA ING 2D RE C

DIG ITA L

FULL SERVICE

EVERYTHING AT ONE PLACE UNIQUE IN CENTRAL EUROPE

EE CKI N N EA KE G N) YI N R O ED PLA T ITIN TE OM G CO G S CREA ASK LO MO TIO RC N K O E/A W RREC VID AD IRE R TIO AV EM N M ID PRE INIST OVA ME P D RO RATI L AV IA C D U ON OM ID CT ME IO P N DIA OS E CO R M E D O wit M h D PO JO ITIN G NX SER DX HD AD (MA DO C R O LBY PTI ENA ) ON LIN AU TH (W DO OR IN ) LBY ISED S M A PA R / I X UD IN RTN D MW ER OLB G ST IO AL : Y UD GA L K3 S ST RD / IO LAS ON D ER NU ST TS D UD EN OLB OPT OP IO DO Y S ICA TIC DIG R / L SO AL S D U OU ITA L A OLBY ND CA ND UD D IG M IO W ITAL ERA LA OR /D BO KS RA TAT TS IO NE TO N SP GA RY EC TIV S IAL E D ERV N EQ EG E I UIP AT VELO CES IVE ME P NT CO CU ING FO LO TTIN RC R R PR O OM ELEA TIMI G NG JEC ME SE RC PRIN TIO IA L ST N TS OR RO S AG SP POT OM LAS O S E EA (DO R SU TTIN ND G LBY BTI DIS SR TLIN TRI D& G BU T IO DT S) N OF LO GI RE LEA ST IC SE PR I S NT S D(

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LA BELLE ÉPOQUE 3 D E N V I RO N M E N T

NOAH'S ARK S Y N T H E T I C RE A LI T Y

DIRTY FRED

V I RT U A L S E T & S E T E XT E N S I O N

M&M FILM

CREATING VISUAL DESIGN

SACRA CORONA 3 D A N G E L A N I M AT I O N

PANIC

V I S U A L D E LI C A C I E S

CHAMELEON F U LL S C A LE PO S T

ADRIENN PÁL PERFECT LOOK

DREHER

PRODUCING COMMERCIALS WITH PRO STAFF

MATTIE THE GOOSE-BOY A RC H I V E F I LM RE S TO RAT I O N

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ON THE FOLLOWING PAGES YOU CAN FIND A SELECTION OF PICTURES THAT GIVE A TASTE OF OUR WORK

S I M U LAT I O N S I T U AT I O N

VI SUA L EFFECTS I N HUNGA RY

references ›

DAWN

category I SHORT FILM

DIRECTOR I Csaba SZEKERES DOP I Máthé WIDAMON TÓTH PRODUCER I Gergely FODOR

H.S.C.

La belle époque is a thirteen minute short film about Beslan school siege (2004); in name of their fight for freedom of Chechnya, Chechen separatists stormed a school and were holding more than 1000 hostages. The short film focuses on hostage-takers’ cruelty, to dramatize this strong visual effects were needed.

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From plaster on the wall we unnoticeably enter into the inside of a body. From inside we see how the bullet reaches the heart and following the blood through the trachea, finally through the mouth we return to reality, i.e. to shot material, from damaged human body to location of hostage drama.

In this project we had to address various challenges: liquid simulation, blending of liquids, anatomic modeling, detail-rich texturing, lighting of internal space, merging of real and computer created shots. We set ourselves accuracy of a heart surgeon as a standard as we aimed to create a realistic set for a human drama. The director wanted to tell the story in one single shot without any cut. We made transitions between different camera movements and used enlarged textures to create one single shot and thereby an impressive short film.

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PUSHING IT TO PHOTOREAL 15

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REALISTIC LOOK

SPECIAL FLUID SIMULATIONS blending of fluids

blood sticking

flakes in the fluid at heartbeats

RENDERMAN RENDERING with INTERIOR OCCLUSION 40 RENDER PASSES ANATOMICAL MODELING › SEAMLESS › TRANSITIONS › PRE-VISUALIZATION SMOOTHING CAMERA movements & rotations into & back from 3D space between steadicam shots

tracking and matching the movements

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CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ 3D MAYA ARTIST, TEXTURES I Mátyás SZABÓ 3D FLUID SIMULATION, RENDER MANAGEMENT I Attila SZALMA MAIN TITLE, COMPOSITOR I Dániel BARTHA

category I FEATURE FILM

NOAH’S ARK

DIRECTOR I Pál SÁNDOR DOP I Gábor SZABÓ H.S.C. I Gábor MAROSI PRODUCER I Pál SÁNDOR

H.S.C.

We delivered main title and visual effects in this movie; most challenging scene was the final one in that the grandfather rides a Harley Davidson on a road in the pampas accompanied by his dead friend. Director wanted to give the impression that bikers were traveling on the eternal hunting grounds. For this we had to create a dream like atmosphere. Production considered using stock footage, however uncontrollable motion and other details of such material would have made this option too risky. To shoot in Arizona would have been simply too expensive.

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Finally we used green screen technology with track points for the bikers. Pampas were created with 3D technology, in other words we created synthetic reality.

Computer generated landscapes of large scale have always been a challenge for digital studios because of high complexity. To perfectly recreate nature would have been too detail-rich so we had to optimize. After several rounds of optimization we still had to handle and render a 3D model of more than ten thousand elements. We had to pay special attention on making virtual pampas look real both from big and small distance.

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THE COST EFFECTIVE SOLUTION 21

OVER

TEN THOUSAND ELEMENTS NUMEROUS DIFFERENT REPEATLESS

PLANTS I ROCKS I SOILS

LARGE SCALE GROUND & 3D REPEATLESS ROAD

SPECIAL OCCLUSION & SHADOW SOLUTION 5 LAYERS OF 3D CLOUDS I 3D DUST I 3D DISTANT FOG

MOTORCYCLE

› › › ›

3d tracking greenbox keying & difficult rotomasks flying from 3d track data & keeping the right angle dust, shadow, occlusion

MAIN TITLE DESIGN & COMPOSITING

50 PASSES IN THE 250 NODE COMPOSITING

SIMULATED REAL CAMERA

SHAKING I DISTORTION I LENS FLARES

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CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR I Csaba JUHÁSZ COMPOSITOR, PRODUCTION MANAGER I Dániel BARTHA 3D ARTIST, DESIGNER I Olivér AUGUSZT SMOKE ARTIST I Antonin KRIZSANICS 3D PRE-VISUALISATION, ON STAGE COMPOSITOR I Attila SZALMA COMPOSITOR I Levente BARTHA

category I PRE-PRODUCTION

DIRTY FRED

WRITER I P. HOWARD DIRECTOR I Tamás SAS

We were given the thrilling task to ‘build up’ the set of an entire series in 3D. According to plans the entire series would be shot in front of green screen. Virtual set and set extension was chosen after thorough considerations of both financial and visual aspects. We conducted tests as part of pre-production.

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The director imagined a misty, tale-like and somewhat grotesque atmosphere. We were provided drawings as a base for 3D modeling.

As a test we built up virtual scenes and inserted an actor shot in front of green screen to one of these scenes. We built models and created textures of various objects striving to keep grotesque style of drawings still giving a realistic impression. To achieve the best result we created textures based on high resolution photos of objects and environment. One of the most interesting experiments was to see how the oversized Moon was reflected on a virtual water surface. Taking adventage of RenderMan rendering system we created several effects; lamps drawing stripes of light into wreathing fog, real looking rugged plaster crackles. Closer parts of the scene were more detail-rich whereas further parts were rougher.

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LOOK & FEEL FOR AN IMAGINARY WORLD 25

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RENDERMAN PIPELINE

GLOBAL ILLUMINATION & SHADOW BAKING

WREATHING VOLUMETRIC FOG & LIGHTS WITH SHADOW

RENDERING PASSES

KEEPING GROTESQUE STYLE OF DRAWINGS

CREATING TEXTURES

HIGH RESOLUTION PHOTOGRAPHS HIGH QUALITY DISPLACEMENT MAPS WATER SIMULATION physical interaction with columns MOON REFLECTIONS ON THE WATER GREENBOX KEYING WITH LOT OF ROTOMASKS RENDERMAN PASSES & Z DEPTH USAGE

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CREDITS TECHNICAL DIRECTOR, 3D ARTIST I Csaba JUHÁSZ 3D ARTIST I András TAKÁCS 3D ARTIST, RENDER MANAGEMENT I Krisztián GULYÁS

VI SUA L EFFECTS I N HUNGA RY

from

category I COMPANY ID

M&M FILM

PRODUCER I Monika MÉCS SOUND I Gábor MADARÁSZ

M&M Film has produced quite a few popular Hungarian movies. Management of the company decided to develop a company ID that could be used before movies, instead of the simple logo they had been using. We were really pleased to work on a task where we could unleash our creativity and appreciated flexible approach of M&M Film. Logo of M&M Film is a lotus flower which is an important Buddhist symbol. Lotus flower was given but not mandatory, we still felt that it was a good basis for a short animation to be widely used.

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First frames of animation were prepared by an in-house developed DeFocus effect. Among others this effect is able to select highlights and supports high dynamic range processing.

Number seven, another important Buddhist symbol also appears in the logo. To emphasize this we developed a seven sided kaleidoscope which created a picture without breaks. We placed the logo into the middle of the flower as the leaf of the lotus symbolizes the fertile earth; the middle of the flower represents the mother's lap and eternal renewal.

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OUR CREATIVITY UNLEASHED 31

CREATIVE IDEA

› EXTENSIVE COLLECTION OF MATERIALS › UNDERSTANDING THE SYMBOLISM › DRAFTING 5-10 BASE IDEAS

DESIGN

IN-HOUSE DEVELOPED DEFOCUS IN-HOUSE DEVELOPED, 7 SIDED KALEIDOSCOPE › › › › ›

C++ COMPOSITING NODE PLUG-IN SPECIAL HILITE SELECTION METHOD COLORED BOKEH EFFECT HIGH DYNAMIC RANGE REALISTIC APERTURE

› 250 NODE BASED COMPOSITE › 7 SIDES WITHOUT BREAKS

MENTAL RAY RENDERING

› SPECIAL SHADERS TO GET COLORED LEAVES

HIGH DYNAMIC RANGE COMPOSITING with

MANAGING TRANSPARENCY & DEPTH

MULTI FORMAT VERSIONS

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CREDITS TECHNICAL DIRECTOR, DESIGNER, 3D ARTIST, RENDER MANAGEMENT, COMPOSITOR I Csaba JUHÁSZ DESIGN CONSULTANT I Bettina TIGYI SMOKE ARTIST I Krisztián GULYÁS

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category I TV FANTASY SERIAL

DAWN

DIRECTOR I József SIPOS DOP I Márk GYŐRI H.S.C. PRODUCER I József SIPOS

Due to budget restrictions there were only a few simple effects requested for Dawn, a TV fantasy serial. There was one scene however for that a more complex effect was needed; in a valley two characters are escaping from flooding water. At that time we were internally experimenting with liquid simulation systems, so we valued the opportunity to work on a real case and set ourselves especially high standards.

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Parameters such as quantity and speed of water, splashing, foaming, etc. can be freely set in computer simulation but would be really hard, if at all, to control in reality. To give the impression of big quantity of water, several hundred thousands or even few million particles have to be moved. This requires extensive and time consuming calculation as particles are interacting with each other and also with the environment.

After completing first phase of simulation we obtained a set of moving data as particles do not have any surface. In the next phase we added surface to particles. For main water streams we created a certain surface, while for parts of smaller density, e.g. for splashes, we created a different surface with volumetric, foam-like material, again for vaporized water we created a third type of surface.

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SIMULATION SITUATION

WATER

SIMULATION MILLIONS

PARTICLES

RENDERMAN

BASED WORKFLOW IMAGE BASED LIGHTING REAL OCCLUSION & DEEP SHADOW PASSES

VOLUMETRIC

FOAM SHADER CAMERA LENS REACTING WITH WATER ADDITIONAL WATER VAPORIZATION PASSES SCRIPTS FOR FOAM GENERATION & CHANGING BACK TO WATER MAYA PARTICLE

EXPRESSIONS TO REFINE SOME PASSES

150 HOURS FOR SIMULATION STEPS ANOTHER 150 HOURS FOR TEXTURES & RENDERING IN TOTAL

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CREDITS RENDER MANAGEMENT, COMPOSITOR I Csaba JUHÁSZ FLUID SIMULATION I Olivér AUGUSZT, Csaba JUHÁSZ DESIGNER, PRODUCTION ASSISTANT I Bettina TIGYI 3D MODELER, COMPOSITOR I Krisztián GULYÁS COMPOSITOR I András TAKÁCS

category I FEATURE FILM

SACRA CORONA

DIRECTOR I Gábor KOLTAY DOP I Emil NOVÁK H.S.C. PRODUCER I Gábor KOLTAY

Digital post production was in its infancy at the time director and producer of Sacra Corona contacted us. In one of the key scenes of the movie he imagined to visualize a dream with help of animation. This became the first Hungarian movie including sophisticated visual effects. Visualization required 3D character animation, including detail-rich simulation of cloth and water drops which was a major challenge for softwares of those days.

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The fact that it took us two months of multi machine rendering to complete this sequence makes us smile today. Thanks to revolutionary development of post production systems nowadays the same calculations could be completed in one or two weeks with an average PC.

For another scene we had to make the battle field look more real by showing the entire army. For financial reasons mass was multiplied digitally. 3 to 20 extras were shot in various costumes and groups in front of blue screen. In the first phase of composition we spread these equestrians in time and space. In the second phase we spread 2D plates of equestrians in 3D, finally these created bulk of the background. We developed a script which spread movements in time.

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3D ANGEL ANIMATION

3D CHARACTER ANIMATION

CLOTH SIMULATION RAIN DYNAMICS & INTERACTIONS RENDERMAN RENDERING VOLUMETRIC LIGHTING & FOG SHADOW 3D PRECISE MODEL of the

HUNGARIAN HOLY CROWN DIFFICULT ROTOMASKS SPRITE BASED MASS MAIN TITLE DESIGN & COMPOSITING

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CREDITS VFX SUPERVISOR, COMPOSITOR I Csaba JUHÁSZ LEAD 3D ARTIST I Gergely VASS 3D ARTISTS I Szabolcs HORVÁTH, Mátyás SZABÓ 3D CROWN MODEL I Dániel BUKOVEC COMPOSITOR, ROTOMASKS I Pál TAUSZIG GRAPHIC ARTIST, STORYBOARD, ROTOMASKS I Gergely CZIRÁKI GRAPHIC ARTIST I Annamária TAMÓK

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category I FEATURE FILM

DIRECTOR I Attila TILL DOP I Imre JUHÁSZ PRODUCER I András MUHI

Opening scene of the movie Panic was a visual ’delicacy’, tracking shot around a woman in front of a mirror. Despite of making a 180° move behind her in front of a mirror, i.e. covering 360° with the camera, no crew was to be seen. We separated the actress and her picture in the mirror from the original background but this way we lost details of her hair. We virtually painted layers of hair and inserted these into the shot. Insertion of details of the hair meant challenges for 2D and 3D tracking.

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We also had to create a background to be seen in the mirror as a replacement of the original background with the crew. Background followed camera movement, for this we had to create a special tracking method as there had not been any tracking points used at shooting.

Furthermore for manipulation of hair and background we had to create a lot of animated masks. Style of visual effect used in this opening scene set the style for all other visual effects of this movie such as the camera rushing through underground cars or the mother’s back steaming where the steam was created in 3D.

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SHOT SAVED WITH IDEAS AND HARDWORK 47

TRACKING SOLUTION PRECISE ROTOMASK

WITHOUT ANY MARKERS

FOR ACTRESS I ACTRESS’ REFLECTION I REPLACEMENTS

FACE AND REFLECTED FACE 3D MATCHMOVE

3D HAIR RENDERS

3D TRACKS

PAINTING HAIR DETAILS

3D SCENE MODELING & 3D ANIMATED ACTRESS FOR STEAM MOVEMENT I COLLISIONS I FORCES

PRECISE ROTOMASKS FOR THE ACTRESS & OBJECTS

25 VFX SHOTS

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MAIN TITLE DESIGN & COMPOSITING

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CREDITS VFX SUPRVISOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ SMOKE ARTIST, FINISH I Antonin KRIZSANICS 3D ARTIST, SIMULATIONS, RENDER MANAGEMENT, MAIN TITLE DESIGN I Olivér AUGUSZT COMPOSITOR, PRODUCTION ASSISTANT I Dániel BARTHA ROTO MASKS, COMPOSITOR I Csaba ZUBONYAI

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category I FEATURE FILM

CHAMELEON

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS H.S.C. I Tamás BABOS PRODUCER I Gábor KÁLOMISTA

H.S.C.

Production team of the movie Chameleon involved top professionals of Hungarian film industry. Standards of such a professional team are obviously the highest, thus several effects, refinements, corrections, retouches were requested to have perfect end result.Thanks to thorough pre-production we had a deep understanding of our task before starting the work. At post production we were in a favourable situation as editing took place in our studio, this enabled us to continuously harmonize various needs and solutions already at editing phase.

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There were quite a few displays in the movie into that visual content had to be inserted. We created a different look for each type of display, e.g. TV screen, PC and laptop monitor, hidden camera and mobile phone display. These looks were differing in pixel structures, color correction, dirts and light reflections.

An interesting visual effect was needed at the very end of the movie; we had to make the main character disappear. For this shot we had to recreate the background of the main character. We prepared a rough model of the environment in 3D, created the shot without character and spent a few days on preparing manual rotomasks to insert back the actor.

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WORKING WITH TOP PROFESSIONALS 53

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CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ COMPOSITOR, PRODUCTION MANAGER I Dániel BARTHA DESIGN CONSULTANT, PRODUCTION ASSISTANT I Bettina TIGYI SMOKE ARTIST I Krisztián GULYÁS COMPOSITOR, 3D ARTIST I András TAKÁCS

IN TOTAL 160 VFX SHOTS MAIN TITLE CONCEPT & COMPOSITING 5-10

effective, clear but chiseled look

design steps to the

40 node composite per title

FINAL CONCEPT

FACE RETOUCHES DIFFERENT KIND OF DISPLAYS

mobile phone camera i laptop monitor television i computer monitor i web page perspective

DISAPPEARING EFFECT

3d tracking i 3d environment modeling i 3d texture projection i precise rotomasks

ALTERNATIVE ENDING VFX FOR DVD 55

category I FEATURE FILM

ADRIENN PÁL

DIRECTOR I Ágnes KOCSIS DOP I Ádám FILLENZ H.S.C. PRODUCER I Ferenc PUSZTAI

End result refined till perfection–this is how we could best describe working on the visual effects of the movie Adrienn Pál. The director paid attention to even the tiniest detail or mistake. On our meetings all digital interferences were examined a few times under ‘magnifying glass’ to achieve perfect result. In long static shots of few minutes even the smallest mistakes can be spotted, accordingly all our trackings, masks, color corrections, film grain structures, etc had to be perfect. We were set a challenge by sequences of dead bodies that were shot with real people; we had to remove all breathing, swallowing, eye movements and other unavoidable fine movements.

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VI SUAL EFFECT S I N HUNG ARY

Resuscitation and use of defibrillator could not be performed by real actors or actresses, thus digital interference was needed to enhance these sequences.

Animation of crows fluttering at the arrival of the tram was another exciting task; individual crows of various behaviors were sitting on the lines forming a mass as they flew out of the picture. Further effects included seamless transition between two shots of different camera movements.

PERFECTLOOK front production & hungarian filmlab

VI SUA L EFFECTS I N HUNGA RY

EVERY NICETY COUNTS 57

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VI SUAL EFFECT S I N HUNG ARY

555 CROWS 3D CHARACTER ANIMATION & DYNAMICS

A LOT OF DIFFERENT BEHAVIOR

MASS BEHAVIOR

SCRIPT DRIVEN TURNING OF CROWS

Z DEPTH COMPOSITING

MULTIPLE KEYER BASED KEYING TREES

DEFIBRILLATOR DISPLAYS DEAD PEOPLE RETOUCHES

8-12 DIFFICULT RETOUCHES PER SHOT

CHANGING EYE I MOUTH I FACE I COMPLETE BODY

RETOUCHES, CORRECTIONS

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VI SUA L EFFECTS I N HUNGA RY

OTHER

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VI SUA L EFFECTS I N HUNGA RY

CREDITS VFX SUPERVISOR, COMPOSITOR, 3D ARTIST I Csaba JUHÁSZ VFX PROJECT MANAGER I Péter ZÁVORSZKY SMOKE ARTIST, COMPOSITOR I Krisztián GULYÁS COMPOSITOR, 3D ARTIST I András TAKÁCS 2D ARTIST I Barbara KRISZTICS, Bettina TIGYI

category I TVC

DREHER

DIRECTOR I Krisztina GODA DOP I János VECSERNYÉS H.S.C. CLIENT I DREHER AGENCY I JWT Budapest PRODUCTION COMPANY I FILM POSITIVE

Extremely short deadline set us a real challenge in this project. Experience of crew members and thorough preparations helped us to meet the deadline. Discipline in following storyboard and pre-production agreements was another important condition for us to finish on time.

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VI SUAL EFFECT S I N HUNG ARY

Few small scale retouches and packshot were the easiest bits of post production tasks. To create seamless visual transitions between shots was more complicated. According to the visual idea of the adverisement a bottle of beer is placed from one frame to the other in eye catching ways. Thanks to experience of crew members blue screen shots were well keyable. In such cases setting accurately the bluebox keying is essential to avoid that foreground becomes damaged and to ensure that blue areas have correct transparency, similarly to ensure that transparency of liquids and glasses is kept.

We had to pay special attention to keying of the glasses as our eyes recognize glass material but we immediately spot falseness if fine details are missing. Furthermore we must see details of background in the glass distorted based on principles of light fraction so that our eyes are misled and we believe what we see.

front production & hungarian filmlab

WHEN EVERYTHING GOES AS PLANNED

VI SUA L EFFECTS I N HUNGA RY

PRODUCING COMMERCIALS WITH PRO STAFF

spectacular

VISUAL TRANSITIONS

KEYING OF SENSITIVE & SEMI-TRANSPARENT AREAS OF GLASS & BEER

MULTIPLE KEYING PASSES USED FOR A SINGLE SHOT

ADDITIONAL KEYING TO BRING BACK DETAILS 50-70 NODE COMPOSITING PER TRANSITION

creating

PANORAMIC TEXTURE

using

4 SHOTS

BACKGROUND REFRACTIONS TO THE GLASS

REFLECTIONS ON THE TABLE AT THE PUB SCENE

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VI SUAL EFFECT S I N HUNG ARY

FULL HD WORKFLOW & BIG SCREEN PRESENTATION

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VI SUA L EFFECTS I N HUNGA RY

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VI SUAL EFFECT S I N HUNG ARY

CREDITS TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ PRODUCTION ASSISTANT I Bettina TIGYI COMPOSITOR, ROTOMASKS I András TAKÁCS SMOKE ARTIST, COMPOSITOR I Krisztián GULYÁS

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VI SUA L EFFECTS I N HUNGA RY

category I HUNGARIAN ARCHIVE FILM

MATTIE THE GOOSE-BOY

DIRECTOR I Kálmán NÁDASDY, László RADNÓTY DOP I Barnabás HEGYI PRODUCER I Vitéz MIKLÓSNÉ

Mattie the Goose-Boy is a truly Hungarian story written by Mihály Fazekas in the early 18th century. The movie itself was the first Hungarian color movie produced in 1949. After fifty years raw material of the film was severely damaged. 98% of colors of nitro negatives had been lost, furher signs of damage were 1-2% shrinkage, damaged perforation, traces of chemicals and glue, tears, few missing frames.

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VI SUAL EFFECT S I N HUNG ARY

Already in the 50’s it was impossible to produce color copy of the movie using traditional laboratory technology, that’s why management of Hungarian National Film Archive decided to digitally restore the material. Digital restoration took a full year including six months of digital picture restoring.

After manually cleaning the raw material we scanned the material using a scanner that we had developed in-house. We started the next phase by improving and restoring colors with help of software that we had also developed in-house. After digital cleaning and correction of typical archive damages we manually restored colors by masking and modifying. We worked for several months on the manual color restoration.

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VI SUA L EFFECTS I N HUNGA RY

A WONDER OF DIGITAL TECHNOLOGY 69

6 MONTH PROCESS

SEVERAL RESTORATION STEPS › › ›

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VI SUAL EFFECT S I N HUNG ARY

› › ›

physical cleaning color gaining & transforming restoration of flickering, dusts, scratches, instability & noise rotomasking color correction pipeline di colorist giving final look

in-house developed

& STANDALONE COLOR RESTORER SOFTWARE

in-house developed filmscanner

SOFTWARE & HARDWARE

MAIN TITLE RESTORATION

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VI SUA L EFFECTS I N HUNGA RY

CREDITS VFX PROJECT MANAGER I Balázs SCHIFTER TECHNICAL DIRECTOR, LEAD DEVELOPER I Csaba JUHÁSZ DEVELOPER, ROTOMASKS I Róbert CSÍK ROTOMASKS, COMPOSITOR I Attila SZALMA, Mátyás SZABÓ

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VI SUAL EFFECT S I N HUNG ARY

FULL LIST OF REFERENCES 2 0 0 1 -2 0 1 0

CLIENTS

D I RE C TO RS, D O Ps, PRO D U C E RS

SPECIAL THANKS

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ON THE FOLLOWING PAGES YOU CAN FIND INFORMATION FROM OUR DATABASE

VI SUA L EFFECTS I N HUNGA RY

information ›

REFERENCES 2010 › CZUKOR SHOW feature film

DIRECTOR I Tamás DÖMÖTÖR DOP I Máté TÓTH WIDAMON PRODUCER I Ferenc PUSZTAI, Inez MÁTIS PRESSZÓ 10 ÉV feature film

DIRECTOR I Tamás SAS DOP I Márton MIKLAUZIC PRODUCER I Attila FARAGÓ, Tamás SAS ÍGY, AHOGY VAGYTOK movie trailer

DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI PÁL ADRIENN feature film

DIRECTOR I Ágnes KOCSIS DOP I Ádám FILLENZ PRODUCER I Ferenc PUSZTAI

front production & hungarian filmlab

VI SUAL EFFECT S I N HUNG ARY

TALÁN EGY MÁSIK ÉLETBEN

feature film

DIRECTOR I Elisabeth SCHARANG DOP I Jean-Claude LARRIEU PRODUCER I Dieter POCHLATKO, Nikolaus WISIAK

MORGEN feature film

DIRECTOR I Marian CRIŞAN DOP I Róbert KÖTELES, Tudor MIRCEA PRODUCER I Anca PUIU

A ZÖLDSÁRKÁNY GYERMEKEI

DAVID AND KAMAL feature film

DIRECTOR I Bence MIKLAUZIC DOP I János VECSERNYÉS PRODUCER I József BERGER

DIRECTOR I Kikuo KAWASAKI DOP I Itamar HADAR PRODUCER I Fuminori HAYASHIDA, Mike CLINE

CZUKOR SHOW

A SÍRÁSÓ

KENTAUR

movie trailer

feature film

archive film

ADÁS

THE CHOSEN ONE

movie trailer

ODA AZ IGAZSÁG!

SZUPERBOJZ

feature film

UTOLSÓ JELENTÉS ANNÁRÓL

movie trailer

feature film

KÖNTÖRFALAK

movie trailer

feature film

DIRECTOR I Tamás DÖMÖTÖR DOP I Máté TÓTH WIDAMON PRODUCER I Ferenc PUSZTAI, Inez MÁTIS ÍGY, AHOGY VAGYTOK tv main title

DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI

2009 › ÍGY, AHOGY VAGYTOK feature film

DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI LÁTOGATÁS feature film

DIRECTOR I Róbert PEJÓ DOP I Gergely POHÁRNOK PRODUCER I Andreas HRUZA, Erich LACKNER 41. MAGYAR FILMSZEMLE logo animation

PRODUCER I Gábor GARAMI

feature film

DIRECTOR I Sándor KARDOS DOP I Sándor KARDOS PRODUCER I András MUHI

DIRECTOR I Roland VRANIK DOP I Gergely POHÁRNOK PRODUCER I Gábor KOVÁCS, Ági PATAKI

DIRECTOR I Miklós JANCSÓ DOP I Nyika JANCSÓ PRODUCER I József BERGER

DIRECTOR I Márta MÉSZÁROS DOP I Emil NOVÁK PRODUCER I Pál SÁNDOR

DIRECTOR I Pater SPARROW DOP I Máté Tóth WIDAMON PRODUCER I Zoltán KAMONDI

DIRECTOR I Tamás SZENTJÓBY DOP I János GULYÁS WRITER I Tamás SZENTJÓBY

DIRECTOR I Rob SCHNEIDER DOP I Kees Van OOSTRUM PRODUCER I Joe Q. BRETZ, Boon COLLINS, Scott DOLEZAL

DIRECTOR I Barna KABAY DOP I Tibor MÁTHÉ PRODUCER I Barna KABAY

DIRECTOR I Márta MÉSZÁROS DOP I Emil NOVÁK PRODUCER I Pál SÁNDOR

DIRECTOR I Zsombor DYGA DOP I Gábor MAROSI PRODUCER I György DURST, István MAJOR

feature film

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS PRODUCTION COMPANY I Film Positve Company AGENCY I JWT CLIENT I Dreher Sörgyárak Zrt. HITVALLÓK ÉS ÜGYNÖKÖK documentary feature film

DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY SVIK feature film

DIRECTOR I Haakon GUNDERSEN DOP I Hans Kristian RIISE PRODUCER I Haakon GUNDERSEN THE CHOSEN ONE feature film

DIRECTOR I Rob SCHNEIDER DOP I Kees Van OOSTRUM PRODUCER I Joe Q. BRETZ, Boon COLLINS, Scott DOLEZAL MÁSODIK JELENLÉT archive dokumentary

DIRECTOR I Miklós JANCSÓ DOP I János KENDE DIRTY FRED preproduction

DIRECTOR I Tamás SAS

DIRECTOR I Renen SCHORR DOP I Renen SCHORR PRODUCER I Assaf AMIR KAMÉLEON DVD EXTRA feature film

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA A HETEDIK KÖR movie trailer

DIRECTOR I Árpád SOPSITS DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR AZ ARANYEMBER archive film

DIRECTOR I Béla GAÁL DOP I István EIBEN PRODUCER I Lajos HIRSCH, Imre TSUK GODA KRISZTINA SHOWREEL 2009

2008 › 1 feature film

DIRECTOR I Pater SPARROW DOP I Máté TÓTH WIDAMON PRODUCER I Zoltán KAMONDI DELTA movie trailer

DIRECTOR I Kornél MUNDRUCZÓ DOP I Mátyás ERDÉLY PRODUCER I Viktória PETRÁNYI DIMARSON commercial

EGYKÉTHÁ short movie

DIRECTOR I Balázs KRASZNAHORKAI DOP I Mátyás ERDÉLY PRODUCER I Ferenc PUSZTAI ESZTER HAGYATÉKA movie trailer

DIRECTOR I Krisztina GODA

DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS

SUPERDIGITAL

EVERY BREATH YOU TAKE

showreel dvd

short movie

DIRECTOR I István MADARÁSZ DOP I Gábor MAROSI PRODUCER I István MADARÁSZ

feature film

DIRECTOR I Igor STERK DOP I Simon TANSEK PRODUCER I Danijel HOCEVAR

PAPÍRKUTYÁK movie trailer

DIRECTOR I Bence GYÖNGYÖSSY DOP I Tamás SAS PRODUCER I Barna KABAY GYENGÉBB NAPOK feature film

DIRECTOR I Ádám CSÁSZI DOP I András Gábor SZŐKE PRODUCER I László KÁNTOR HITVALLÓK ÉS ÜGYNÖKÖK documentary serial

DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY HITVALLÓK ÉS ÜGYNÖKÖK movie trailer

DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY HYPPOLIT, A LAKÁJ archive film

DIRECTOR I István SZÉKELY DOP I István EIBEN PRODUCER I Albert SAMEK KAMÉLEON feature film

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA

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THE LONERS

commercial

VI SUA L EFFECTS I N HUNGA RY

DREHER

REFERENCES KAMÉLEON

PAPÍRKUTYÁK

movie trailer

feature film

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA M&M FILM

MAJDNEM SZŰZ

PARA

feature film

movie trailer

MAJDNEM SZŰZ movie trailer

DIRECTOR I Péter BACSÓ DOP I Tamás ALMÁSI PRODUCER I Gábor KÁLOMISTA MÁRIÓ, A VARÁZSLÓ movie trailer

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feature film

PRODUCER I Mónika MÉCS, Ernő MESTERHÁZY

DIRECTOR I Péter BACSÓ DOP I Tamás ALMÁSI PRODUCER I Gábor KÁLOMISTA

VI SUAL EFFECT S I N HUNG ARY

PARA DIRECTOR I Péter FAZAKAS DOP I Tamás LAJOS PRODUCER I Tamás LAJOS

logo animation

DIRECTOR I Bence GYÖNGYÖSSY DOP I Tamás SAS PRODUCER I Barna KABAY

DIRECTOR I Tamás ALMÁSI DOP I György BECK PRODUCER I Gábor GARAMI PÁNIK movie trailer

DIRECTOR I Attila TILL DOP I Imre JUHÁSZ PRODUCER I András MUHI

DIRECTOR I Péter FAZAKAS DOP I Tamás LAJOS PRODUCER I Tamás LAJOS PÉKEK movie trailer

DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Róbert DEBRECZENI PIRANDELLO

SEVEN MINUTES IN HEAVEN feature film

DIRECTOR I Omri GIVON DOP I Nitay NETZER PRODUCER I Marek ROZENBAUM TABLÓ - MINDEN, AMI EGY NYOMOZÁS MÖGÖTT VAN! tv main title

DIRECTOR I Gábor DETTRE DOP I Zsolt TÓTH PRODUCER I László KÁNTOR TURBÓ DIÉTA commercial

DIRECTOR I János VECSERNYÉS DOP I János VECSERNYÉS PRODUCTION COMPANY I Megafilm CLIENT I Turbó Diéta TŰZVONALBAN II. évad tv serial

DIRECTOR I Igor VRATCNIK DOP I Georgij RERBERG PRODUCER I Igor VRATCNIK

DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN

PIRKADAT

TŰZVONALBAN III. évad

feature film

tv serial

feature film

DIRECTOR I József SIPOS DOP I Márk GYŐRI PRODUCER I József SIPOS

DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN

DELTA feature film

DIRECTOR I Kornél MUNDRUCZÓ DOP I Mátyás ERDÉLY PRODUCER I Viktória PETRÁNYI A HETEDIK KÖR feature film

DIRECTOR I Árpád SOPSITS DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR ESZTER HAGYATÉKA feature film

DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS

2007 › A LONDONI FÉRFI feature film

DIRECTOR I Béla TARR DOP I Fred KELEMEN PRODUCER I Gábor TÉNI A LONDONI FÉRFI movie trailer

DIRECTOR I Béla TARR DOP I Fred KELEMEN PRODUCER I Gábor TÉNI A PÁL UTCAI FIÚK feature film

DIRECTOR I Zoltán FÁBRI DOP I György ILLÉS PRODUCER I Endre BOHÉM

DIRECTOR I Panikos CHRISSANTHOU DOP I Andras GOERE PRODUCER I Panikos CHRISSANTHOU, András GERŐ, Dervis ZAIM BAHRTALO! feature film

DIRECTOR I Róbert LAKATOS DOP I György RÉDER PRODUCER I András MUHI BUHERA MÁTRIX feature film

DIRECTOR I István MÁRTON DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA CLAUDIA SHOW tv main title

DIRECTOR I Gabriella KOVÁCS PRODUCER I Kristóf KOVÁCS CSAPDA

DOLINA - AZ ÉRSEK LÁTOGATÁSA movie trailer

DIRECTOR I Zoltán KAMONDI DOP I Gábor MEDVIGY PRODUCER I András TÓTH EGY NŐ IGAZ TÖRTÉNETE short movie

DIRECTOR I Marcell IVÁNYI DOP I Mátyás ERDÉLY PRODUCER I Pál SÁNDOR EGY NŐ IGAZ TÖRTÉNETE tv main title

DIRECTOR I Marcell IVÁNYI DOP I Mátyás ERDÉLY PRODUCER I Pál SÁNDOR EGYÜTT short movie

DIRECTOR I Dénes NAGY DOP I Tamás DOBOS PRODUCER I Miklós BOSNYÁK AZ EMIGRÁNS movie trailer

DIRECTOR I Srdan GOLUBOVIC DOP I Aleksandar ILIC PRODUCER I Kántor LÁSZLÓ

DIRECTOR I István DÁRDAY, Györgyi SZALAI DOP I Zsolt TÓTH PRODUCER I Jenő HÁBERMANN

KYTHERA

ESZTER HAGYATÉKA

movie trailer

feature film

DIRECTOR I Péter MÉSZÁROS DOP I Marosi GÁBOR PRODUCER I András DÁVID, György DURST

DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS

FÖVENYÓRA

HBO - KIKÖPÖTT VESZTES

feature film

tv serial

DIRECTOR I Szabolcs TOLNAI DOP I Gergely POHÁRNOK PRODUCER I András DÁVID, Ivan DJUROVIC, György DURST, Szabolcs TOLNAI H.S.C.- ARANYSZEM

DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR HBO - MAJDNEM BOND tv serial

image animation

DIRECTOR I Emil NOVÁK

DIRECTOR I Barnabás TÓTH DOP I György RÉDER PRODUCER I Tibor BOGNÁR

HASUTASOK

HBO - MÚMIA BOSSZÚJA

movie trailer

tv serial

LÁNYOK

HBO - NEM A TE NAPOD

feature film

tv serial

LÁNYOK

HBO - ROBBANÉKONY ALKAT

DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Pál SÁNDOR

DIRECTOR I Anna FAUR DOP I András GONDÁR PRODUCER I Pál SÁNDOR

movie trailer

DIRECTOR I Anna FAUR DOP I András GONDÁR PRODUCER I Pál SÁNDOR HBO - AKI MÁSNAK tv serial

DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR HBO - DEATH METAL tv serial

DIRECTOR I Barnabás TÓTH DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR

DIRECTOR I Péter BARTOS DOP I Ábris G.S. PRODUCER I Tibor BOGNÁR

DIRECTOR I Barnabás TÓTH DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR

tv serial

DIRECTOR I Péter BARTOS DOP I Ábris G.S. PRODUCER I Tibor BOGNÁR HBO - TÜZES VÍZ tv serial

DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR

front production & hungarian filmlab

feature film

VI SUA L EFFECTS I N HUNGA RY

AKAMAS

REFERENCES A HORTOBÁGY LEGENDÁJA

ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA

feature film

hungarian movie trailer

DIRECTOR I László VITÉZY DOP I Ferenc PAPP PRODUCER I Gábor KÁLOMISTA MÁRIÓ A VARÁZSLÓ

ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA

feature film

national movie trailer

TŰZVONALBAN I. évad tv serial

TEJÚT

OVERNIGHT

TÖREDÉK

feature film

movie trailer

DIRECTOR I Ferenc TÖRÖK DOP I Garas DÁNIEL PRODUCER I Iván ANGELUSZ, Gábor KOVÁCS

MÍNUSZ

OVERNIGHT

short movie

movie trailer

DIRECTOR I Áron MÁTTYÁSI DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR MY LITTLE feature film

front production & hungarian filmlab

DIRECTOR I Vinko MÖDERNDORFER DOP I Dusan JAKSIMOVIC PRODUCER I Eva RAHRMAN

DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR

DIRECTOR I Benedek FLIEGAUF DOP I Gergely POHÁRNOK, Ádám FILLENZ PRODUCER I András MUHI

VI SUAL EFFECT S I N HUNG ARY

movie trailer

DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN

DIRECTOR I Tamás ALMÁSI DOP I György BECK PRODUCER I Gábor GARAMI

DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR

POKRAJINA ST. 2

DIRECTOR I Docho BODJAKOV DOP I Ivan VARIMEZOV PRODUCER I Jelio JELEV NOÉ BÁRKÁJA feature film

DIRECTOR I Pál SÁNDOR DOP I Gábor SZABÓ, Gábor MAROSI PRODUCER I Sándor PÁL

DIRECTOR I Ferenc TÖRÖK DOP I Garas DÁNIEL PRODUCER I Iván ANGELUSZ, Gábor KOVÁCS PÁNIK feature film

DIRECTOR I Till ATTILA DOP I Imre JUHÁSZ PRODUCER I András MUHI PÉKEK feature film

DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Róbert DEBRECZENI

DIRECTOR I Gyula MAÁR DOP I Gábor MEDVIGY PRODUCER I Béla TARR ZUHANÓREPÜLÉS feature film

DIRECTOR I Erik NOVÁK DOP I János VECSERNYÉS PRODUCER I Gábor KÁLOMISTA ÖREG FA short movie

DIRECTOR I Tamás DOBOS DOP I Tamás DOBOS

2006 › 37. FILMSZEMLE logo animation

A HÉT NYOLCADIK NAPJA feature film

DIRECTOR I Judit ELEK DOP I László BERGER PRODUCER I Judit ELEK A KÜLÖNÖS HÁZASSÁG archive film

DIRECTOR I Márton KELETI DOP I Barnabás HEGYI BUDAKESZI SRÁCOK feature film

DIRECTOR I Erdőss PÁL DOP I Ferenc PAP PRODUCER I János DRABIK CSAPÁS short movie

DIRECTOR I Decklan HANNIGAN DOP I Gergely POHÁRNOK PRODUCER I Iván ANGELUSZ DOLINA - AZ ÉRSEK LÁTOGATÁSA feature film

DIRECTOR I Zoltán KAMONDI DOP I Medvigy GÁBOR PRODUCER I Andrei BONCEA, György DURST, Zoltán KAMONDI, András TÓTH

short movie

DIRECTOR I Miklós JANCSÓ DOP I Nyika JANCSÓ PRODUCER I Gábor GARAMI

DIRECTOR I Csaba SZEKERES DOP I Máté TÓTH WIDAMON PRODUCER I Fodor GERGELY

EGYETLENEIM

TÖREDÉK

feature film

DIRECTOR I Gyula NEMES DOP I Balázs DOBÓCZI PRODUCER I György DURST

DIRECTOR I Gyula MAÁR DOP I Gábor MEDVIGY PRODUCER I Béla TARR

AZ EMIGRÁNS

LIBERTÉ '56

feature film

DIRECTOR I István DÁRDAY, Györgyi SZALAI DOP I Ferenc PAP, Zsolt TÓTH PRODUCER I Stefano ALBÉ, László BERTA, István DÁRDAY, Jenő HÁBERMANN, Aron SIPOS HASUTASOK feature film

DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Pál SÁNDOR IDEGÖLŐ feature film

DIRECTOR I Gergely FONYÓ DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA KYTHERA feature film

DIRECTOR I Péter MÉSZÁROS DOP I Gábor MAROSI PRODUCER I Görgy DURST, András DÁVID

DIRECTOR I Attila VIDNYÁNSZKY DOP I Péter VAJDA PRODUCER I János CSÁNYI, László KÁNTOR, Zsuzsa KULCSÁR MANSFELD feature film

DIRECTOR I Andor SZILÁGYI DOP I Gábor MEDVIGY PRODUCER I Jenő HÁBERMANN, Zoltán FÜREDI, Andor SZILÁGYI ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA feature film

DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR TABLÓ feature film

DIRECTOR I Dettre GÁBOR DOP I Tóth ZSOLT PRODUCER I László KÁNTOR

2005 › 36. FILMSZEMLE logo animation

A HERCEG HALADÉKA feature film

DIRECTOR I Péter TÍMÁR DOP I Sándor CSUKÁS PRODUCER I Gábor KÁLOMISTA, György SÁNDOR A MISKOLCI BONIÉSKLÁJD

EGY SZOKNYA, EGY NADRÁG feature film

DIRECTOR I Bence GYÖNGYÖSSY DOP I Tibor MÁTHÉ PRODUCER I Barna KABAY H.S.C. - A LEGENDA logo animation

PRODUCER I Emil NOVÁK LOPOTT KÉPEK feature film

DIRECTOR I Krisztina DEÁK DOP I Tibor MÁTHÉ PRODUCER I Gábor GARAMI

DIRECTOR I József PACSKOVSZKY DOP I Sándor KARDOS PRODUCER I Jenő HÁBERMANN

ACTIVITY

LÚDAS MATYI

feature film

tv main title

DIRECTOR I Gabriella KOVÁCS PRODUCER I Kristóf KOVÁCS CSAK SZEX ÉS MÁS SEMMI feature film

DIRECTOR I Krisztina GODA DOP I Buda GULYÁS PRODUCER I Gábor KÁLOMISTA DIGITAL POST PRODUCTION logo animation

archive film

DIRECTOR I Kálmán NÁDASDY, László RADNÓTY DOP I Barnabás HEGYI SZŐKE KÓLA feature film

DIRECTOR I Ákos BARNÓCZKY DOP I Gábor FORGÁCS PRODUCER I György DORA, Péter BARBALICS, Csaba VESTER TIBOR VAGYOK, DE HÓDÍTANI AKAROK! feature film

DIRECTOR I Gergely FONYÓ DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA, György SÁNDOR

front production & hungarian filmlab

LA BELLE ÉPOQUE

feature film

VI SUA L EFFECTS I N HUNGA RY

EDE MEGEVÉ EBÉDEM

REFERENCES 2004 › CSODA KRAKKÓBAN feature film

DIRECTOR I Diána GROÓ DOP I Sándor KARDOS PRODUCER I Iván ANGELUSZ, Gábor GARAMI, Péter GÁRDOS, Péter REICH FEKETE KEFE feature film

DIRECTOR I Roland VRANIK DOP I Gergely POHÁRNOK PRODUCER I István MAJOR, Ági PATAKI KÉSZ CIRKUSZ feature film

DIRECTOR I Zsombor DYGA DOP I Árpád HORVÁTH PRODUCER I György DURST LE A FEJJEL feature film

front production & hungarian filmlab

VI SUAL EFFECT S I N HUNG ARY

DIRECTOR I Péter TÍMÁR DOP I Sándor CSUKÁS PRODUCER I Pál SÁNDOR, Tamás TOLMÁR

RAP, REVÜ, RÓMEÓ feature film

DIRECTOR I Gábor OLÁH J. DOP I Zoltán JÁNOSSA PRODUCER I Zsófia KENDE, Kornél SIPOS

TEMETETLEN HALOTT

VAGABOND

FELHŐ A GANGESZ FELETT

feature film

ÜVEGFAL

2002 ›

HAMVADÓ CIGARETTAVÉG

DIRECTOR I Márta MÉSZÁROS DOP I Nyika JANCSÓ PRODUCER I Attila CSÁKY, Igor HUDEC, Michal KWIECINSKI

feature film

DIRECTOR I Pál ERDŐSS DOP I Ferenc PAP PRODUCER I Ferenc SZOHÁR

DIRECTOR I György SZOMJAS DOP I Ferenc GRUNWALSKY PRODUCER I Katalin ROSTA

A SZALMABÁBÚK LÁZADÁSA feature film

2003 ›

DIRECTOR I György PALÁSTHY DOP I Ifj. László SEREGI PRODUCER I Gábor SARUDI

LIBIOMFI

BÁNK BÁN

feature film

DIRECTOR I Zsolt VÉGH, Zoltán KÁLMÁNCHELYI DOP I Balázs DOBÓCZI PRODUCER I András MUHI, György BUDAI TÁNCALAK feature film

DIRECTOR I Ferenc GRUNWALSKY DOP I Ferenc GRUNWALSKY PRODUCER I András OZORAI TESÓ feature film

DIRECTOR I Zsombor DYGA DOP I Árpád HORVÁTH PRODUCER I György DURST

DIRECTOR I Csaba KÁEL DOP I Vilmos ZSIGMOND PRODUCER I András WERMER CSOCSÓ, AVAGY ÉLJEN MÁJUS 1-JE! feature film

DIRECTOR I Róbert KOLTAI DOP I Tibor MÁTHÉ PRODUCER I Gábor GARAMI EL NINO - A KISDED feature film

DIRECTOR I Tibor KLÖPFLER DOP I János VECSERNYÉS PRODUCER I Jenő HÁBERMANN

DIRECTOR I Gábor DETTRE DOP I Ferenc PAP PRODUCER I György BUDAI, Sándor SIMÓ

feature film

DIRECTOR I Péter BACSÓ DOP I Tamás ANDOR PRODUCER I Gábor KÁLOMISTA, Gábor GARAMI HÍDEMBER feature film

DIRECTOR I Géza BEREMÉNYI DOP I Sándor KARDOS PRODUCER I Jenő HÁBERMANN KÍSÉRTÉSEK feature film

DIRECTOR I Zoltán KAMONDI DOP I Gábor MEDVIGY PRODUCER I Áron SIPOS NA VÉGRE, ITT A NYÁR! feature film

DIRECTOR I Gergely FONYÓ DOP I Gábor HALÁSZ PRODUCER I Gábor KÁLOMISTA SEJTJEINK documentary film

DIRECTOR I Tamás ALMÁSI DOP I Tamás ALMÁSI

SZÉP NAPOK

MACERÁS ÜGYEK

feature film

SZERELEM UTOLSÓ VÉRIG

MOSZKVA TÉR

feature film

VADEMBEREK

NEKEM LÁMPÁST ADOTT KEZEMBE AZ ÚR, PESTEN

feature film

DIRECTOR I Miklós SZURDI DOP I András SZALAI PRODUCER I Pál BOKOR

2001 › ANARCHISTÁK feature film

DIRECTOR I Tamás TÓTH DOP I Kinga G. TÓTH PRODUCER I Csaba BERECZKY, András BÖHM FILM... feature film

DIRECTOR I András SURÁNYI DOP I István BORBÁS PRODUCER I Gábor VARGA, Zsuzsanna HOLLÓSI G.

DIRECTOR I Ferenc TÖRÖK DOP I Dániel GARAS PRODUCER I Sándor SIMÓ

feature film

DIRECTOR I Miklós JANCSÓ DOP I Ferenc GRUNWALSKY PRODUCER I József BÖJTE SACRA CORONA feature film

DIRECTOR I Gábor KOLTAY DOP I Emil NOVÁK PRODUCER I Gábor KOLTAY WERCKMEISTER HARMÓNIÁK feature film

DIRECTOR I Béla TARR DOP I Gábor MEDVIGY PRODUCER I Miklós SZITA front production & hungarian filmlab

DIRECTOR I György DOBRAY DOP I Dániel GARAS PRODUCER I György DOBRAY

DIRECTOR I Szabolcs HAJDÚ DOP I Mátyás ERDÉLY PRODUCER I György BUDAI, Sándor SIMÓ

VI SUA L EFFECTS I N HUNGA RY

DIRECTOR I Kornél MUDRUCZÓ DOP I András NAGY PRODUCER I Viktória PETRÁNYI

front production & hungarian filmlab

VI SUAL EFFECT S I N HUNG ARY

CLIENTS I DIRECTORS

TAMÁS ALMÁSI

KRISZTINA GODA

ISTVÁN MÁRTON

IGOR STERK

PÉTER BACSÓ

DIÁNA GROÓ

ÁRON MÁTTYÁSI

ANDRÁS SURÁNYI

ÁKOS BARNÓCZKY

FERENC GRUNWALSKY

MÁRTA MÉSZÁROS

GYÖRGYI SZALAI

PÉTER BARTOS

HAAKON GUNDERSEN

PÉTER MÉSZÁROS

JÁNOS SZÁSZ

GÉZA BEREMÉNYI

BENCE GYÖNGYÖSSY

BENCE MIKLAUZIC

CSABA SZEKERES

DOCHO BODJAKOV

SZABOLCS HAJDÚ

VINKO MÖDERNDORFER

TAMÁS SZENTJÓBY

PANIKOS CHRISSANTHOU

DECKLAN HANNIGAN

KORNÉL MUNDRUCZÓ

ANDOR SZILÁGYI

MARIAN CRIŞAN

MARCELL IVÁNYI

DÉNES NAGY

MÁRTON SZIRMAI

ÁDÁM CSÁSZI

MIKLÓS JANCSÓ

GYULA NEMES

ANDRÁS SZŐKE

ISTVÁN DÁRDAY

BARNA KABAY

ERIK NOVÁK

GYÖRGY SZOMJAS

KRISZTINA DEÁK

CSABA KÁEL

GÁBOR OLÁH J.

MIKLÓS SZURDI

GÁBOR DETTRE

ZOLTÁN KÁLMÁNCHELYI

JÓZSEF PACSKOVSZKY

BÉLA TARR

TAMÁS DOBOS

ZOLTÁN KAMONDI

GYÖRGY PALÁSTHY

ATTILA TILL

GYÖRGY DOBRAY

SÁNDOR KARDOS

RÓBERT PEJÓ

PÉTER TÍMÁR

TAMÁS DÖMÖTÖR

KIKUO KAWASAKI

KATALIN PETÉNYI

SZABOLCS TOLNAI

ZSOMBOR DYGA

TIBOR KLÖPFLER

PÁL SÁNDOR

FERENC TÖRÖK

JUDIT ELEK

ÁGNES KOCSIS

TAMÁS SAS

BARNABÁS TÓTH

PÁL ERDŐSS

RÓBERT KOLTAI

ELISABETH SCHARANG

TAMÁS TÓTH

ANNA FAUR

GÁBOR KOLTAY

ROB SCHNEIDER

JÁNOS VECSERNYÉS

PÉTER FAZAKAS

GABRIELLA KOVÁCS

RENEN SCHORR

ZSOLT VÉGH

BENEDEK FLIEGAUF

BALÁZS KRASZNAHORKAI

JÓZSEF SIPOS

ATTILA VIDNYÁNSZKY

GERGELY FONYÓ

RÓBERT LAKATOS

PÉTER SOÓS

LÁSZLÓ VITÉZY

OMRI GIVON

GYULA MAÁR

ÁRPÁD SOPSITS

ROLAND VRANIK

SRDAN GOLUBOVIC

ISTVÁN MADARÁSZ

PATER SPARROW

IGOR VRATCNIK

FRANCISCÓ GÓZON

RÓBERT KÖTELES

GEORGIJ RERBERG

TAMÁS ANDOR

FERENC GRUNWALSKY

LAJOS KOLTAI

KRISTIAN RIISE HANS

TAMÁS BABOS

BUDA GULYÁS

TAMÁS LAJOS

TAMÁS SAS

GYÖRGY BECK

JÁNOS GULYÁS

JEAN-CLAUDE LARRIEU

RENEN SCHORR

LÁSZLÓ BERGER

MÁRK GYŐRI

GÁBOR MAROSI

IFJ. LÁSZLÓ SEREGI

ISTVÁN BORBÁS

ITAMAR HADAR

BALÁZS MÁRTON

GÁBOR SZABÓ

SÁNDOR CSUKÁS

GÁBOR HALÁSZ

TIBOR MÁTHÉ

ANDRÁS SZALAI

BALÁZS DOBÓCZI

ÁRPÁD HORVÁTH

GÁBOR MEDVIGY

GÁBOR ANDRÁS SZŐKE

TAMÁS DOBOS

ALEKSANDAR ILIC

MÁRTON MIKLAUZIC

SIMON TANSEK

MÁTYÁS ERDÉLY

DUSAN JAKSIMOVIC

TUDOR MIRCEA

MÁTÉ TÓTH WIDAMON

ÁDÁM FILLENZ

NYIKA JANCSÓ

ANDRÁS NAGY

ZSOLT TÓTH

GÁBOR FORGÁCS

PÉTER JANKURA

NITAY NETZER

PÉTER VAJDA

KINGA G. TÓTH

ZOLTÁN JÁNOSSA

EMIL NOVÁK

JÁNOS VECSERNYÉS

ÁBRIS G.S.

IMRE JUHÁSZ

KEES VAN OOSTRUM

VILMOS ZSIGMOND

DÁNIEL GARAS

SÁNDOR KARDOS

FERENC PAP

ANDRÁS GOERE

FRED KELEMEN

GERGELY POHÁRNOK

ANDRÁS GONDÁR

JÁNOS KENDE

GYÖRGY RÉDER

front production & hungarian filmlab

TAMÁS ALMÁSI

VI SUA L EFFECTS I N HUNGA RY

CLIENTS I DOPs

front production & hungarian filmlab

VI SUAL EFFECT S I N HUNG ARY

CLIENTS I PRODUCERS

STEFANO ALBÉ

IVAN DJUROVIC

FRED KELEMEN

GYÖRGY SÁNDOR

ASSAF AMIR

GYÖRGY DOBRAY

ZSÓFIA KENDE

PÁL SÁNDOR

IVÁN ANGELUSZ

SCOTT DOLEZAL

GÁBOR KOLTAY

GÁBOR SARUDI

PÉTER BARÁTH

GYÖRGY DORA

GÁBOR KOVÁCS

TAMÁS SAS

PÉTER BARBALICS

JÁNOS DRABIK

KRISTÓF KOVÁCS

SÁNDOR SIMÓ

CSABA BERECZKY

GYÖRGY DURST

ZSUZSA KULCSÁR

ARON SIPOS

JÓZSEF BERGER

JUDIT ELEK

MICHAL KWIECINSKI

JÓZSEF SIPOS

LÁSZLÓ BERTA

ATTILA FARAGÓ

ERICH LACKNER

KORNÉL SIPOS

TIBOR BOGNÁR

GERGELY FODOR

TAMÁS LAJOS

LAJOS SZAKÁCSI

PÁL BOKOR

ZOLTÁN FÜREDI

ISTVÁN MADARÁSZ

ANDOR SZILÁGYI

ANDREI BONCEA

GÁBOR GARAMI

ISTVÁN MAJOR

MIKLÓS SZITA

MIKLÓS BOSNYÁK

PÉTER GÁRDOS

INEZ MÁTIS

FERENC SZOHÁR

ANDRÁS BÖHM

ANDRÁS GERŐ

MÓNIKA MÉCS

BÉLA TARR

JÓZSEF BÖJTE

HAAKON GUNDERSEN

ERNŐ MESTERHÁZY

GÁBOR TÉNI

JOE Q. BRETZ

FUMINORI HAJASHIDA

ANDRÁS MUHI

TAMÁS TOLMÁR

GYÖRGY BUDAI

JENŐ HÁBERMANN

EMIL NOVÁK

SZABOLCS TOLNAI

PANIKOS CHRISSANTHOU

JÁNOS HEVESI T.

ANDRÁS OZORAI

ANDRÁS TÓTH

MIKE CLINE

DANIJEL HOCEVAR

ÁGI PATAKI

GÁBOR VARGA

BOON COLLINS

ZSUZSANNA HOLLÓSI G.

VIKTÓRIA PETRÁNYI

CSABA VESTER

ANDRÁS CZORAI

IGOR HUDEC

DIETER POCHLATKO

IGOR VRATCNIK

ATTILA CSÁKY

ANDREAS HRUZA

FERENC PUSZTAI

ANDRÁS WERMER

JÁNOS CSÁNYI

BARNA KABAY

ANCA PUIU

NIKOLAUS WISIAK

LÁSZLÓ CSELÉNYI

TAMÁS KALLÁNYI

EVA RAHRMAN

DERVIS ZAIM

ISTVÁN DÁRDAY

GÁBOR KÁLOMISTA

PÉTER REICH

ANDRÁS DÁVID

ZOLTÁN KAMONDI

KATALIN ROSTA

RÓBERT DEBRECZENI

LÁSZLÓ KÁNTOR

MAREK ROZENBAUM

SPECIAL THANKS TO ALL OF OUR PARTNERS! TO HUNGARIAN FILMLAB: István Erdélyi, László Aradi, Klára Gewand, Ibolya Németh, Tibor Csige, Róbert Nagy, Gábor Pintér, Szabolcs Barta, Judit Szép, Éva Balog, László Kovács and others AND TO CONTRIBUTORS: Márk Jászberényi, Viktória Balogh, Balázs Schifter, Dániel Batha, Olivér Auguszt, Antonin Krizsanics, Levente Bartha, Csaba Zubonyai, Ádám Sipos, Patrícia Varga, Erika Köcsky, Gergely Cziráki, Zsolt Gémes, Sándor Herceg, Szabolcs Horváth, Lajos Kondor, Eszter Nagy, Mátyás Szabó, Attila Szalma,

front production & hungarian filmlab

VI SUA L EFFECTS I N HUNGA RY

Annamária Tamók, Pál Tauszig, Gergely Vass, Péter Závorszky, Benedek Kabán, Ádám Halász

VISUAL EFFECTS i

FRONT PRODUCTION & HUNGARIAN FILMLAB R E F E R E N C E B O O K

DESIGN BETTINA TIGYI and CSABA JUHÁSZ, design consultant BARBARA KRISZTICS

editors BARBARA KRISZTICS, BETTINA TIGYI, ÁGNES MAGYAR, DALMA FARKAS

data managers KRISZIÁN GULYÁS and ANDRÁS TAKÁCS, art direction CSABA JUHÁSZ Published by

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