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VISUAL EFFECTS IN HUNGARY
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VISUAL EFFECTS IN HUNGARY front production reference book
© 2010 Front Production
All rights reserved. No part of this book may be reproduced in any form in any media without written permission of the copyright owners. Not commercial sample. Use strictly limited to marketing purposes of publisher. Not for resale.
Published by Front Production Budakeszi út 51. 1021 Budapest Hungary info@frontprod.hu +36 30 303 9681 www.frontprod.hu
Publisher I Csaba Juhász Design I Bettina Tigyi and Csaba Juhász Design consultants I Barbara Krisztics Editors I Barbara Krisztics and Bettina Tigyi Assistant Editors I Ágnes Magyar and Dalma Farkas Data managers I Krisztián Gulyás and András Takács Art Direction I Csaba Juhász
First edition: May 2010
CONTENTS 7 introduction › 9 company › 10 › 11 full service › 12 › 71 references ›
72 ›
14 › 19 LA BELLE ÉPOQUE I 20 › 23 NOAH'S ARK 24 › 29 DIRTY FRED I 30 › 35 M&M FILM I 36 › 39 DAWN 40 › 45 SACRA CORONA I 46 › 51 PANIC I 52 › 55 CHAMELEON 56 › 61 ADRIENN PÁL I 62 › 67 DREHER 68 › 71 MATTIE THE GOOSE-BOY
information ›
74 › 81 FULL LIST OF REFERENCES I 82 › 84 CLIENTS 85 SPECIAL THANKS
FROM 1998
300 PROJECTS 150 PARTNERS
1500
VFX SHOTS
10 RESTORED ARCIVE MOVIES
100 HEADLINES
20 000 CUPS OF COFFEE
INTRODUCTION Welcome! You are holding Front Production’s reference book in your hands. We are a digital post production house delivering visual effects. This publication, which is also an adventure for us into the world of design, self expression and desktop publishing, aims to give an overview of our most successful projects over the last decade and also highlights services and systems we use. It might serve as food for thought or reference on a meeting but we hope that it also offers an easy and exciting travel to the world of visual effects.
We hope that you will find answers to questions as follows: What have we done so far? How was one or the other effect created? Are we able to solve one or the other request? Is it possible to capture the essence of our work on a few pages so that readers get a good understanding of it within a few minutes?
Csaba JuhĂĄsz, CEO Front Production www.frontprod.hu
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SOME TASKS CAN CAUSE
BIG HEADACHE EVEN IF THEY SEEM
VERY SIMPLE
AT FIRST SIGHT!
IN MANY CASES it was proven that productions can save money by charging professionals instead of looking for ‘home made’ solutions.
IN MANY CASES we were requested to improve quality of ‘home made’ solutions to have the desired end result.
IN MANY CASES we were contacted frighteningly close to deadline and were given materials prepared half through.
WE HAVE SOLVED ALL THESE CASES WITH A HIGH LEVEL OF CONFIDENCE RELYING ON OUR EXPERTISE SINCE THIS OUR JOB.
WE ARE POST PRODUCTION PROFESSIONALS.
COMPANY Our company has been on digital post production market for more than ten years. We created the first digital effect in Hungary back in 1998. We are based on the same site as Hungarian Film Lab, the strongest fortress among production and post production companies in Hungary. Thanks to continuous development in cooperation with Hungarian Film Lab we are a complex post production house taking a leading role in the region. Our strength lies in the scale of our services; we provide full scale service including all analogue and digital technologies, hence we can address any needs of film industry and handle even the most complex projects within one facility. An integrated and proven environment that is run by a team of professionals–this makes us unique in Central Europe. We complete post production works of 15 to 20 Hungarian and foreign movies per year, additionally we have numerous assignments for shorts and advertisements. In many cases we are responsible for all post production works of a movie including design of main title and visual identity, also creation of effects from simple retouches to challenging interferences. We are delighted to contribute to pre-production and cost calculation of projects. In many cases we can significantly reduce costs by finding smart ways to simplify tasks that seem to be really complex at first sight. We also strongly believe that well applied digital effects at well chosen scenes can also be a way of cost reduction. There can be further cost savings achieved by keeping all post production works; from negative developing to production of digital movie copies, in one building. This also saves time as deliveries of copies become unnecessary.
It is also important to note that productions that come to Hungary and use the facilities or work with Hungarian partners in coproduction have a benefit of 20% rebate of tax and tax base within the so called Tax Relief System. We believe that small sized post production companies working with a stable team are on one hand effective, on the other hand provide an atmosphere that nurtures creativity. To provide the most cost effective solutions to our clients, size of our team is flexible, tailored to needs of the specific project. This way we can also complete tasks that require a sizeable team because of their complexity. Over the last ten years we have worked with internationally known representatives of Hungarian film industry; Nimród Antal, Krisztina Goda, Miklós Jancsó, Lajos Koltay HSC ASC, Kornél Mundruczó, Pál Sándor, Béla Tarr, Vilmos Zsigmond HSC ASC to name a few.
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UA L D VF X E M SI 3D AIN GN REN M T DE 3D ODE ITLE RM L TE IN AN REN 2D & 3D XTUR G IN L DE I 3 D A GH G RI VIR MEN NG ( NIM TING DY TU R NA AL TALR END ATIO MI N SET AY ER CS / S REN FARM RIG DE ET ) IDB SIM OD ULA MA EXTE RING Y / TIO TTE NS PA ION SO N F NA FTBO LUID INTIN TU RA DY / / CLO G L DE PHE PART TH MO NO IC C ME LES LITI S US O CO OFTWTOM N E NON FF E MP OS ARE D XPRES ECTS ITIN EV SIO E G SM (RE LOPM NS OK ARC ND EN H E RES ERFA T CH FINIS IVE F I L T R AR H M O AC ING RE RAT M) S T I 2D ER SE / PR TORA ON TI TRA TU ESE CK P / NTA ON ING AN TIO G REE PH / S IMAT N OT NB ION TA OS OX HO / B 3D T BILIZIN PRA LU G 2
V IS
DI G TEL ITAL EC BA INE FILM SEL - SP , D IGH W I DA IRIT H T O ITH B D NE CH AS NO VIN DC CI SU RIST ELIG R PM ITE IE 2 HT THLIG 2K AS W F TER ITH K DC OUR HT II ING JVC I PR SU HD HD OJE ITE W ITH C BE CAM P RO TO TA DO JEC R S SP LBY T (N R / H SC ARRI OR TSC DC C2 LAS A L S AM 00 E O) / 0 R / D DIG REDR DCP U VC ITAL AM BE SHES T AC (N LTO TSC AM AR ALS CH O) IVIN G
FULL SERVICE EVERYTHING AT ONE PLACE UNIQUE IN CENTRAL EUROPE
UE G A BO CKIN (CL XK EA EY G N) R ED PLAT OTO ING ITIN E MA CO G S CREA SK M T LO R C OKE ION OR /AV W REC ID AD IRE R TION M EM AV ID PRE INIST OV ME R PRO AT E D DU ION AV IA C ID CT ME OMP ION DIA OS AV E ID R C E ME WIT OM MO DI DIA H PO JO TIN CO DNX SER DX (M G H A MP OS D OP DREN AC) TIO ER A MO N LIN JO (WI SD N (W ) DO IN) LBY MW SR GAS / D TO AUD AL LK3 OL N S IO BY T LAS SRD UDIO E DO R OP /D OP L B Y T IC T TS SR AL S ICAL / D OU SO OL N BY D C UND DIG AM ITA ERA L/ NU DTS EN DO NE GA TIV F NE E DE ILML GA VEL A OP B TIV PO E I N S C G ITIV CO PRO LO UTT E JEC CO COP R TI ING I ON MM IES MIN ( 80 / G E SEA OP RCIA PRIN TS, TIC L C TS DO AL B OPIE SU LBY S LOW S BTI -UP RD T LAS LE SP & DT S) O ER SU TTIN BTI G TLIN G PR LO OD GI ST UC ICS TIO N SE RV ICE
2D
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VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
LA BELLE ÉPOQUE 3D ENVIRONMENT
NOAH'S ARK SYNTHETIC REALITY
DIRTY FRED
VIRTUAL SET & SET EXTENSION
M&M FILM
CREATING VISUAL DESIGN
ON THE FOLLOWING PAGES YOU CAN FIND A SELECTION OF PICTURES THAT GIVE A TASTE OF OUR WORK
S I M U L AT I O N S I T U AT I O N
SACRA CORONA 3 D A N G E L A N I M AT I O N
PANIC
VISUAL DELICACIES
CHAMELEON FULL SCALE POST
ADRIENN PÁL PERFECT LOOK
DREHER
PRODUCING COMMERCIALS WITH PRO STAFF
MATTIE THE GOOSE-BOY A R C H I V E F I L M R E S TO R AT I O N
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
references ›
DAWN
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category I SHORT FILM
LA BELLE ÉPOQUE © 2006 DOR-KA MEDIA
DIRECTOR I Csaba SZEKERES DOP I Máthé WIDAMON TÓTH PRODUCER I Gergely FODOR
H.S.C.
La belle époque is a thirteen minute short film about Beslan school siege (2004); in name of their fight for freedom of Chechnya, Chechen separatists stormed a school and were holding more than 1000 hostages. The short film focuses on hostage-takers’ cruelty, to dramatize this strong visual effects were needed.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
From plaster on the wall we unnoticeably enter into the inside of a body. From inside we see how the bullet reaches the heart and following the blood through the trachea, finally through the mouth we return to reality, i.e. to shot material, from damaged human body to location of hostage drama.
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In this project we had to address various challenges: liquid simulation, blending of liquids, anatomic modeling, detail-rich texturing, lighting of internal space, merging of real and computer created shots. We set ourselves accuracy of a heart surgeon as a standard as we aimed to create a realistic set for a human drama. The director wanted to tell the story in one single shot without any cut. We made transitions between different camera movements and used enlarged textures to create one single shot and thereby an impressive short film.
3D ENVIRONMENT VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
PUSHING IT TO PHOTOREAL 15
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REALISTIC LOOK
SPECIAL FLUID SIMULATIONS blending of fluids
I
blood sticking
I
flakes in the fluid at heartbeats
RENDERMAN RENDERING with INTERIOR OCCLUSION 40 RENDER PASSES ANATOMICAL MODELING › SEAMLESS › TRANSITIONS › PRE-VISUALIZATION SMOOTHING CAMERA movements & rotations into & back from 3D space between steadicam shots
tracking and matching the movements
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CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ 3D MAYA ARTIST, TEXTURES I Mátyás SZABÓ 3D FLUID SIMULATION, RENDER MANAGEMENT I Attila SZALMA MAIN TITLE, COMPOSITOR I Dániel BARTHA
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category I FEATURE FILM
NOAH’S ARK
© 2007 HUNNIA FILMSTÚDIÓ
DIRECTOR I Pál SÁNDOR DOP I Gábor SZABÓ H.S.C. I Gábor MAROSI PRODUCER I Pál SÁNDOR
H.S.C.
We delivered main title and visual effects in this movie; most challenging scene was the final one in that the grandfather rides a Harley Davidson on a road in the pampas accompanied by his dead friend. Director wanted to give the impression that bikers were traveling on the eternal hunting grounds. For this we had to create a dream like atmosphere. Production considered using stock footage, however uncontrollable motion and other details of such material would have made this option too risky. To shoot in Arizona would have been simply too expensive.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
Finally we used green screen technology with track points for the bikers. Pampas were created with 3D technology, in other words we created synthetic reality.
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Computer generated landscapes of large scale have always been a challenge for digital studios because of high complexity. To perfectly recreate nature would have been too detail-rich so we had to optimize. After several rounds of optimization we still had to handle and render a 3D model of more than ten thousand elements. We had to pay special attention on making virtual pampas look real both from big and small distance.
SYNTHETICREALITY VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
THE COST EFFECTIVE SOLUTION 21
OVER
TEN THOUSAND ELEMENTS NUMEROUS DIFFERENT REPEATLESS
PLANTS I ROCKS I SOILS
LARGE SCALE GROUND & 3D REPEATLESS ROAD
SPECIAL OCCLUSION & SHADOW SOLUTION 5 LAYERS OF 3D CLOUDS I 3D DUST I 3D DISTANT FOG
MOTORCYCLE
› › › ›
3d tracking greenbox keying & difficult rotomasks flying from 3d track data & keeping the right angle dust, shadow, occlusion
MAIN TITLE DESIGN & COMPOSITING
50 PASSES IN THE 250 NODE COMPOSITING
SIMULATED REAL CAMERA
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SHAKING I DISTORTION I LENS FLARES
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR I Csaba JUHÁSZ COMPOSITOR, PRODUCTION MANAGER I Dániel BARTHA 3D ARTIST, DESIGNER I Olivér AUGUSZT SMOKE ARTIST I Antonin KRIZSANICS 3D PRE-VISUALISATION, ON STAGE COMPOSITOR I Attila SZALMA COMPOSITOR I Levente BARTHA
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category I PRE-PRODUCTION
DIRTY FRED
© 2009 GREENWORKS
WRITER I P. HOWARD DIRECTOR I Tamás SAS
We were given the thrilling task to ‘build up’ the set of an entire series in 3D. According to plans the entire series would be shot in front of green screen. Virtual set and set extension was chosen after thorough considerations of both financial and visual aspects. We conducted tests as part of pre-production.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
The director imagined a misty, tale-like and somewhat grotesque atmosphere. We were provided drawings as a base for 3D modeling.
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As a test we built up virtual scenes and inserted an actor shot in front of green screen to one of these scenes. We built models and created textures of various objects striving to keep grotesque style of drawings still giving a realistic impression. To achieve the best result we created textures based on high resolution photos of objects and environment. One of the most interesting experiments was to see how the oversized Moon was reflected on a virtual water surface. Taking adventage of RenderMan rendering system we created several effects; lamps drawing stripes of light into wreathing fog, real looking rugged plaster crackles. Closer parts of the scene were more detail-rich whereas further parts were rougher.
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LOOK & FEEL FOR AN IMAGINARY WORLD 25
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RENDERMAN PIPELINE
GLOBAL ILLUMINATION & SHADOW BAKING
WREATHING VOLUMETRIC FOG & LIGHTS WITH SHADOW
RENDERING PASSES
KEEPING GROTESQUE STYLE OF DRAWINGS
CREATING TEXTURES
HIGH RESOLUTION PHOTOGRAPHS HIGH QUALITY DISPLACEMENT MAPS WATER SIMULATION physical interaction with columns MOON REFLECTIONS ON THE WATER GREENBOX KEYING WITH LOT OF ROTOMASKS RENDERMAN PASSES & Z DEPTH USAGE
CREDITS TECHNICAL DIRECTOR, 3D ARTIST I Csaba JUHÁSZ 3D ARTIST I András TAKÁCS 3D ARTIST, RENDER MANAGEMENT I Krisztián GULYÁS
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from
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category I COMPANY ID
M&M FILM
© 2008 M&M FILM
PRODUCER I Monika MÉCS SOUND I Gábor MADARÁSZ
M&M Film has produced quite a few popular Hungarian movies. Management of the company decided to develop a company ID that could be used before movies, instead of the simple logo they had been using. We were really pleased to work on a task where we could unleash our creativity and appreciated flexible approach of M&M Film. Logo of M&M Film is a lotus flower which is an important Buddhist symbol. Lotus flower was given but not mandatory, we still felt that it was a good basis for a short animation to be widely used.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
First frames of animation were prepared by an in-house developed DeFocus effect. Among others this effect is able to select highlights and supports high dynamic range processing.
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Number seven, another important Buddhist symbol also appears in the logo. To emphasize this we developed a seven sided kaleidoscope which created a picture without breaks. We placed the logo into the middle of the flower as the leaf of the lotus symbolizes the fertile earth; the middle of the flower represents the mother's lap and eternal renewal.
CREATING VISUALDESIGN VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
OUR CREATIVITY UNLEASHED 31
CREATIVE IDEA
› EXTENSIVE COLLECTION OF MATERIALS › UNDERSTANDING THE SYMBOLISM › DRAFTING 5-10 BASE IDEAS
DESIGN
IN-HOUSE DEVELOPED DEFOCUS IN-HOUSE DEVELOPED, 7 SIDED KALEIDOSCOPE › › › › ›
C++ COMPOSITING NODE PLUG-IN SPECIAL HILITE SELECTION METHOD COLORED BOKEH EFFECT HIGH DYNAMIC RANGE REALISTIC APERTURE
› 250 NODE BASED COMPOSITE › 7 SIDES WITHOUT BREAKS
MENTAL RAY RENDERING
› SPECIAL SHADERS TO GET COLORED LEAVES
HIGH DYNAMIC RANGE COMPOSITING with
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MANAGING TRANSPARENCY & DEPTH
MULTI FORMAT VERSIONS
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CREDITS TECHNICAL DIRECTOR, DESIGNER, 3D ARTIST, RENDER MANAGEMENT, COMPOSITOR I Csaba JUHÁSZ DESIGN CONSULTANT I Bettina TIGYI SMOKE ARTIST I Krisztián GULYÁS
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VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
category I TV FANTASY SERIAL
DAWN
© 2008 PCN FILM
DIRECTOR I József SIPOS DOP I Márk GYŐRI H.S.C. PRODUCER I József SIPOS
Due to budget restrictions there were only a few simple effects requested for Dawn, a TV fantasy serial. There was one scene however for that a more complex effect was needed; in a valley two characters are escaping from flooding water. At that time we were internally experimenting with liquid simulation systems, so we valued the opportunity to work on a real case and set ourselves especially high standards.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
Parameters such as quantity and speed of water, splashing, foaming, etc. can be freely set in computer simulation but would be really hard, if at all, to control in reality. To give the impression of big quantity of water, several hundred thousands or even few million particles have to be moved. This requires extensive and time consuming calculation as particles are interacting with each other and also with the environment.
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After completing first phase of simulation we obtained a set of moving data as particles do not have any surface. In the next phase we added surface to particles. For main water streams we created a certain surface, while for parts of smaller density, e.g. for splashes, we created a different surface with volumetric, foam-like material, again for vaporized water we created a third type of surface.
IMITATING NATURE WITH HARD COMPUTING VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
SIMULATION SITUATION
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WATER
SIMULATION MILLIONS
OF
PARTICLES
RENDERMAN
BASED WORKFLOW IMAGE BASED LIGHTING REAL OCCLUSION & DEEP SHADOW PASSES
VOLUMETRIC
FOAM SHADER CAMERA LENS REACTING WITH WATER ADDITIONAL WATER VAPORIZATION PASSES SCRIPTS FOR FOAM GENERATION & CHANGING BACK TO WATER MAYA PARTICLE
EXPRESSIONS TO REFINE SOME PASSES
150 HOURS FOR SIMULATION STEPS ANOTHER 150 HOURS FOR TEXTURES & RENDERING IN TOTAL
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VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
CREDITS RENDER MANAGEMENT, COMPOSITOR I Csaba JUHÁSZ FLUID SIMULATION I Olivér AUGUSZT, Csaba JUHÁSZ DESIGNER, PRODUCTION ASSISTANT I Bettina TIGYI 3D MODELER, COMPOSITOR I Krisztián GULYÁS COMPOSITOR I András TAKÁCS
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category I FEATURE FILM
SACRA CORONA
© 2001 KORONA FILM
DIRECTOR I Gábor KOLTAY DOP I Emil NOVÁK H.S.C. PRODUCER I Gábor KOLTAY
Digital post production was in its infancy at the time director and producer of Sacra Corona contacted us. In one of the key scenes of the movie he imagined to visualize a dream with help of animation. This became the first Hungarian movie including sophisticated visual effects. Visualization required 3D character animation, including detail-rich simulation of cloth and water drops which was a major challenge for softwares of those days.
VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
The fact that it took us two months of multi machine rendering to complete this sequence makes us smile today. Thanks to revolutionary development of post production systems nowadays the same calculations could be completed in one or two weeks with an average PC.
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For another scene we had to make the battle field look more real by showing the entire army. For financial reasons mass was multiplied digitally. 3 to 20 extras were shot in various costumes and groups in front of blue screen. In the first phase of composition we spread these equestrians in time and space. In the second phase we spread 2D plates of equestrians in 3D, finally these created bulk of the background. We developed a script which spread movements in time.
PIONEERS OF DIGITAL POST PRODUCTION VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
3D ANGEL ANIMATION
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3D CHARACTER ANIMATION
CLOTH SIMULATION RAIN DYNAMICS & INTERACTIONS RENDERMAN RENDERING VOLUMETRIC LIGHTING & FOG SHADOW 3D PRECISE MODEL of the
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HUNGARIAN HOLY CROWN DIFFICULT ROTOMASKS SPRITE BASED MASS MAIN TITLE DESIGN & COMPOSITING
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CREDITS VFX SUPERVISOR, COMPOSITOR I Csaba JUHÁSZ LEAD 3D ARTIST I Gergely VASS 3D ARTISTS I Szabolcs HORVÁTH, Mátyás SZABÓ 3D CROWN MODEL I Dániel BUKOVEC COMPOSITOR, ROTOMASKS I Pál TAUSZIG GRAPHIC ARTIST, STORYBOARD, ROTOMASKS I Gergely CZIRÁKI GRAPHIC ARTIST I Annamária TAMÓK
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VI SUA L EFFECTS I N HUNGA RY front production ’ s reference book
category I FEATURE FILM
PANIC © 2007 INFORG STUDIO
DIRECTOR I Attila TILL DOP I Imre JUHÁSZ PRODUCER I András MUHI
Opening scene of the movie Panic was a visual ’delicacy’, tracking shot around a woman in front of a mirror. Despite of making a 180° move behind her in front of a mirror, i.e. covering 360° with the camera, no crew was to be seen. We separated the actress and her picture in the mirror from the original background but this way we lost details of her hair. We virtually painted layers of hair and inserted these into the shot. Insertion of details of the hair meant challenges for 2D and 3D tracking.
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
We also had to create a background to be seen in the mirror as a replacement of the original background with the crew. Background followed camera movement, for this we had to create a special tracking method as there had not been any tracking points used at shooting.
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Furthermore for manipulation of hair and background we had to create a lot of animated masks. Style of visual effect used in this opening scene set the style for all other visual effects of this movie such as the camera rushing through underground cars or the mother’s back steaming where the steam was created in 3D.
VISUALDELICACIES V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
SHOT SAVED WITH IDEAS AND HARDWORK 47
TRACKING SOLUTION PRECISE ROTOMASK
WITHOUT ANY MARKERS
FOR ACTRESS I ACTRESS’ REFLECTION I REPLACEMENTS
FACE AND REFLECTED FACE 3D MATCHMOVE
3D HAIR RENDERS
by
3D TRACKS
PAINTING HAIR DETAILS
3D SCENE MODELING & 3D ANIMATED ACTRESS FOR STEAM MOVEMENT I COLLISIONS I FORCES
PRECISE ROTOMASKS FOR THE ACTRESS & OBJECTS
25 VFX SHOTS
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MAIN TITLE DESIGN & COMPOSITING
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CREDITS VFX SUPRVISOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ SMOKE ARTIST, FINISH I Antonin KRIZSANICS 3D ARTIST, SIMULATIONS, RENDER MANAGEMENT, MAIN TITLE DESIGN I Olivér AUGUSZT COMPOSITOR, PRODUCTION ASSISTANT I Dániel BARTHA ROTO MASKS, COMPOSITOR I Csaba ZUBONYAI
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
category I FEATURE FILM
CHAMELEON
© 2008 MEGAFILM
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS H.S.C. I Tamás BABOS PRODUCER I Gábor KÁLOMISTA
H.S.C.
Production team of the movie Chameleon involved top professionals of Hungarian film industry. Standards of such a professional team are obviously the highest, thus several effects, refinements, corrections, retouches were requested to have perfect end result.Thanks to thorough pre-production we had a deep understanding of our task before starting the work. At post production we were in a favourable situation as editing took place in our studio, this enabled us to continuously harmonize various needs and solutions already at editing phase.
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
There were quite a few displays in the movie into that visual content had to be inserted. We created a different look for each type of display, e.g. TV screen, PC and laptop monitor, hidden camera and mobile phone display. These looks were differing in pixel structures, color correction, dirts and light reflections.
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An interesting visual effect was needed at the very end of the movie; we had to make the main character disappear. For this shot we had to recreate the background of the main character. We prepared a rough model of the environment in 3D, created the shot without character and spent a few days on preparing manual rotomasks to insert back the actor.
FULL SCALE POST V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
WORKING WITH TOP PROFESSIONALS 53
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CREDITS VFX SUPERVISOR, TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ COMPOSITOR, PRODUCTION MANAGER I Dániel BARTHA DESIGN CONSULTANT, PRODUCTION ASSISTANT I Bettina TIGYI SMOKE ARTIST I Krisztián GULYÁS COMPOSITOR, 3D ARTIST I András TAKÁCS
IN TOTAL 160 VFX SHOTS MAIN TITLE CONCEPT & COMPOSITING 5-10
effective, clear but chiseled look
design steps to the
I
40 node composite per title
FINAL CONCEPT
FACE RETOUCHES DIFFERENT KIND OF DISPLAYS
mobile phone camera i laptop monitor television i computer monitor i web page perspective
DISAPPEARING EFFECT
3d tracking i 3d environment modeling i 3d texture projection i precise rotomasks
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category I FEATURE FILM
ADRIENN PÁL
© 2010 KMH FILM
DIRECTOR I Ágnes KOCSIS DOP I Ádám FILLENZ H.S.C. PRODUCER I Ferenc PUSZTAI
End result refined till perfection–this is how we could best describe working on the visual effects of the movie Adrienn Pál. The director paid attention to even the tiniest detail or mistake. On our meetings all digital interferences were examined a few times under ‘magnifying glass’ to achieve perfect result. In long static shots of few minutes even the smallest mistakes can be spotted, accordingly all our trackings, masks, color corrections, film grain structures, etc had to be perfect. We were set a challenge by sequences of dead bodies that were shot with real people; we had to remove all breathing, swallowing, eye movements and other unavoidable fine movements.
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
Resuscitation and use of defibrillator could not be performed by real actors or actresses, thus digital interference was needed to enhance these sequences.
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Animation of crows fluttering at the arrival of the tram was another exciting task; individual crows of various behaviors were sitting on the lines forming a mass as they flew out of the picture. Further effects included seamless transition between two shots of different camera movements.
PERFECTLOOK V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
EVERY NICETY COUNTS 57
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
555 CROWS 3D CHARACTER ANIMATION & DYNAMICS
A LOT OF DIFFERENT BEHAVIOR
MASS BEHAVIOR
SCRIPT DRIVEN TURNING OF CROWS
Z DEPTH COMPOSITING
MULTIPLE KEYER BASED KEYING TREES
DEFIBRILLATOR DISPLAYS DEAD PEOPLE RETOUCHES
8-12 DIFFICULT RETOUCHES PER SHOT
CHANGING EYE I MOUTH I FACE I COMPLETE BODY
RETOUCHES, CORRECTIONS
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
OTHER
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CREDITS VFX SUPERVISOR, COMPOSITOR, 3D ARTIST I Csaba JUHÁSZ VFX PROJECT MANAGER I Péter ZÁVORSZKY SMOKE ARTIST, COMPOSITOR I Krisztián GULYÁS COMPOSITOR, 3D ARTIST I András TAKÁCS 2D ARTIST I Barbara KRISZTICS, Bettina TIGYI
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category I TVC
DREHER
© 2009 DREHER SÖRGYÁRAK ZRT.
DIRECTOR I Krisztina GODA DOP I János VECSERNYÉS H.S.C. CLIENT I DREHER AGENCY I JWT Budapest PRODUCTION COMPANY I FILM POSITIVE
Extremely short deadline set us a real challenge in this project. Experience of crew members and thorough preparations helped us to meet the deadline. Discipline in following storyboard and pre-production agreements was another important condition for us to finish on time.
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
Few small scale retouches and packshot were the easiest bits of post production tasks. To create seamless visual transitions between shots was more complicated. According to the visual idea of the adverisement a bottle of beer is placed from one frame to the other in eye catching ways. Thanks to experience of crew members blue screen shots were well keyable. In such cases setting accurately the bluebox keying is essential to avoid that foreground becomes damaged and to ensure that blue areas have correct transparency, similarly to ensure that transparency of liquids and glasses is kept.
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We had to pay special attention to keying of the glasses as our eyes recognize glass material but we immediately spot falseness if fine details are missing. Furthermore we must see details of background in the glass distorted based on principles of light fraction so that our eyes are misled and we believe what we see.
WHEN EVERYTHING GOES AS PLANNED
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
PRODUCING COMMERCIALS WITH PRO STAFF
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spectacular
VISUAL TRANSITIONS
KEYING OF SENSITIVE & SEMI-TRANSPARENT AREAS OF GLASS & BEER
MULTIPLE KEYING PASSES USED FOR A SINGLE SHOT
ADDITIONAL KEYING TO BRING BACK DETAILS 50-70 NODE COMPOSITING PER TRANSITION
creating
PANORAMIC TEXTURE
using
4 SHOTS
BACKGROUND REFRACTIONS TO THE GLASS
REFLECTIONS ON THE TABLE AT THE PUB SCENE
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
FULL HD WORKFLOW & BIG SCREEN PRESENTATION
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
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CREDITS TECHNICAL DIRECTOR, COMPOSITOR, SMOKE ARTIST I Csaba JUHÁSZ PRODUCTION ASSISTANT I Bettina TIGYI COMPOSITOR, ROTOMASKS I András TAKÁCS SMOKE ARTIST, COMPOSITOR I Krisztián GULYÁS
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
category I HUNGARIAN ARCHIVE FILM
MATTIE THE GOOSE-BOY
© 2005 HUNGARIAN NATIONAL FILM ARCHIVE
DIRECTOR I Kálmán NÁDASDY, László RADNÓTY DOP I Barnabás HEGYI PRODUCER I Vitéz MIKLÓSNÉ
Mattie the Goose-Boy is a truly Hungarian story written by Mihály Fazekas in the early 18th century. The movie itself was the first Hungarian color movie produced in 1949. After fifty years raw material of the film was severely damaged. 98% of colors of nitro negatives had been lost, furher signs of damage were 1-2% shrinkage, damaged perforation, traces of chemicals and glue, tears, few missing frames.
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
Already in the 50’s it was impossible to produce color copy of the movie using traditional laboratory technology, that’s why management of Hungarian National Film Archive decided to digitally restore the material. Digital restoration took a full year including six months of digital picture restoring.
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After manually cleaning the raw material we scanned the material using a scanner that we had developed in-house. We started the next phase by improving and restoring colors with help of software that we had also developed in-house. After digital cleaning and correction of typical archive damages we manually restored colors by masking and modifying. We worked for several months on the manual color restoration.
ARCHIVEFILM RESTORATION V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
A WONDER OF DIGITAL TECHNOLOGY 69
6 MONTH PROCESS
SEVERAL RESTORATION STEPS › › › › › ›
physical cleaning color gaining & transforming restoration of flickering, dusts, scratches, instability & noise rotomasking color correction pipeline di colorist giving final look
in-house developed
& STANDALONE COLOR RESTORER SOFTWARE
in-house developed filmscanner
SOFTWARE & HARDWARE 70
MAIN TITLE RESTORATION
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CREDITS VFX PROJECT MANAGER I Balázs SCHIFTER TECHNICAL DIRECTOR, LEAD DEVELOPER I Csaba JUHÁSZ DEVELOPER, ROTOMASKS I Róbert CSÍK ROTOMASKS, COMPOSITOR I Attila SZALMA, Mátyás SZABÓ
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
ON THE FOLLOWING PAGES YOU CAN FIND INFORMATION FROM OUR DATABASE
FULL LIST OF REFERENCES 2001-2010
CLIENTS
D I R E C TO R S, D O Ps, P R O D U C E R S
SPECIAL THANKS
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
information ›
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REFERENCES 2010 › CZUKOR SHOW feature film
DIRECTOR I Tamás DÖMÖTÖR DOP I Máté TÓTH WIDAMON PRODUCER I Ferenc PUSZTAI, Inez MÁTIS PRESSZÓ 10 ÉV feature film
DIRECTOR I Tamás SAS DOP I Márton MIKLAUZIC PRODUCER I Attila FARAGÓ, Tamás SAS ÍGY, AHOGY VAGYTOK movie trailer
DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI PÁL ADRIENN feature film
DIRECTOR I Ágnes KOCSIS DOP I Ádám FILLENZ PRODUCER I Ferenc PUSZTAI
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
TALÁN EGY MÁSIK ÉLETBEN
74
feature film
DIRECTOR I Elisabeth SCHARANG DOP I Jean-Claude LARRIEU PRODUCER I Dieter POCHLATKO, Nikolaus WISIAK
MORGEN feature film
DIRECTOR I Marian CRIŞAN DOP I Róbert KÖTELES, Tudor MIRCEA PRODUCER I Anca PUIU
A ZÖLDSÁRKÁNY GYERMEKEI
DAVID AND KAMAL feature film
DIRECTOR I Bence MIKLAUZIC DOP I János VECSERNYÉS PRODUCER I József BERGER
DIRECTOR I Kikuo KAWASAKI DOP I Itamar HADAR PRODUCER I Fuminori HAYASHIDA, Mike CLINE
CZUKOR SHOW
A SÍRÁSÓ
KENTAUR
movie trailer
feature film
archive film
ADÁS
THE CHOSEN ONE
movie trailer
movie trailer
ODA AZ IGAZSÁG!
SZUPERBOJZ
feature film
feature film
UTOLSÓ JELENTÉS ANNÁRÓL
UTOLSÓ JELENTÉS ANNÁRÓL
movie trailer
feature film
1
KÖNTÖRFALAK
movie trailer
feature film
DIRECTOR I Tamás DÖMÖTÖR DOP I Máté TÓTH WIDAMON PRODUCER I Ferenc PUSZTAI, Inez MÁTIS ÍGY, AHOGY VAGYTOK tv main title
DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI
2009 › ÍGY, AHOGY VAGYTOK feature film
DIRECTOR I Károly MAKK DOP I Gábor MEDVIGY PRODUCER I András OZORAI LÁTOGATÁS feature film
DIRECTOR I Róbert PEJÓ DOP I Gergely POHÁRNOK PRODUCER I Andreas HRUZA, Erich LACKNER 41. MAGYAR FILMSZEMLE logo animation
PRODUCER I Gábor GARAMI
feature film
DIRECTOR I Sándor KARDOS DOP I Sándor KARDOS PRODUCER I András MUHI
DIRECTOR I Roland VRANIK DOP I Gergely POHÁRNOK PRODUCER I Gábor KOVÁCS, Ági PATAKI
DIRECTOR I Miklós JANCSÓ DOP I Nyika JANCSÓ PRODUCER I József BERGER
DIRECTOR I Márta MÉSZÁROS DOP I Emil NOVÁK PRODUCER I Pál SÁNDOR
DIRECTOR I Pater SPARROW DOP I Máté Tóth WIDAMON PRODUCER I Zoltán KAMONDI
DIRECTOR I Tamás SZENTJÓBY DOP I János GULYÁS WRITER I Tamás SZENTJÓBY
DIRECTOR I Rob SCHNEIDER DOP I Kees Van OOSTRUM PRODUCER I Joe Q. BRETZ, Boon COLLINS, Scott DOLEZAL
DIRECTOR I Barna KABAY DOP I Tibor MÁTHÉ PRODUCER I Barna KABAY
DIRECTOR I Márta MÉSZÁROS DOP I Emil NOVÁK PRODUCER I Pál SÁNDOR
DIRECTOR I Zsombor DYGA DOP I Gábor MAROSI PRODUCER I György DURST, István MAJOR
THE LONERS
commercial
feature film
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS PRODUCTION COMPANY I Film Positve Company AGENCY I JWT CLIENT I Dreher Sörgyárak Zrt. HITVALLÓK ÉS ÜGYNÖKÖK documentary feature film
DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY SVIK feature film
DIRECTOR I Haakon GUNDERSEN DOP I Hans Kristian RIISE PRODUCER I Haakon GUNDERSEN THE CHOSEN ONE feature film
DIRECTOR I Rob SCHNEIDER DOP I Kees Van OOSTRUM PRODUCER I Joe Q. BRETZ, Boon COLLINS, Scott DOLEZAL MÁSODIK JELENLÉT archive dokumentary
DIRECTOR I Miklós JANCSÓ DOP I János KENDE DIRTY FRED preproduction
DIRECTOR I Tamás SAS
DIRECTOR I Renen SCHORR DOP I Renen SCHORR PRODUCER I Assaf AMIR KAMÉLEON DVD EXTRA feature film
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA A HETEDIK KÖR movie trailer
DIRECTOR I Árpád SOPSITS DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR AZ ARANYEMBER archive film
DIRECTOR I Béla GAÁL DOP I István EIBEN PRODUCER I Lajos HIRSCH, Imre TSUK GODA KRISZTINA SHOWREEL 2009
2008 › 1 feature film
DIRECTOR I Pater SPARROW DOP I Máté TÓTH WIDAMON PRODUCER I Zoltán KAMONDI DELTA movie trailer
DIRECTOR I Kornél MUNDRUCZÓ DOP I Mátyás ERDÉLY PRODUCER I Viktória PETRÁNYI DIMARSON commercial
EGYKÉTHÁ short movie
DIRECTOR I Balázs KRASZNAHORKAI DOP I Mátyás ERDÉLY PRODUCER I Ferenc PUSZTAI ESZTER HAGYATÉKA movie trailer
DIRECTOR I Krisztina GODA
DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS
SUPERDIGITAL
EVERY BREATH YOU TAKE
showreel dvd
short movie
DIRECTOR I István MADARÁSZ DOP I Gábor MAROSI PRODUCER I István MADARÁSZ
feature film
DIRECTOR I Igor STERK DOP I Simon TANSEK PRODUCER I Danijel HOCEVAR
PAPÍRKUTYÁK movie trailer
DIRECTOR I Bence GYÖNGYÖSSY DOP I Tamás SAS PRODUCER I Barna KABAY GYENGÉBB NAPOK feature film
DIRECTOR I Ádám CSÁSZI DOP I András Gábor SZŐKE PRODUCER I László KÁNTOR HITVALLÓK ÉS ÜGYNÖKÖK documentary serial
DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY HITVALLÓK ÉS ÜGYNÖKÖK movie trailer
DIRECTOR I Katalin PETÉNYI DOP I Péter JANKURA PRODUCER I Barna KABAY HYPPOLIT, A LAKÁJ archive film
DIRECTOR I István SZÉKELY DOP I István EIBEN PRODUCER I Albert SAMEK KAMÉLEON feature film
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
DREHER
75
REFERENCES KAMÉLEON
PAPÍRKUTYÁK
movie trailer
feature film
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS, Tamás BABOS PRODUCER I Gábor KÁLOMISTA M&M FILM
feature film
PRODUCER I Mónika MÉCS, Ernő MESTERHÁZY MAJDNEM SZŰZ
PARA
feature film
movie trailer
DIRECTOR I Péter BACSÓ DOP I Tamás ALMÁSI PRODUCER I Gábor KÁLOMISTA MAJDNEM SZŰZ movie trailer
DIRECTOR I Péter BACSÓ DOP I Tamás ALMÁSI PRODUCER I Gábor KÁLOMISTA MÁRIÓ, A VARÁZSLÓ movie trailer
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
PARA DIRECTOR I Péter FAZAKAS DOP I Tamás LAJOS PRODUCER I Tamás LAJOS
logo animation
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DIRECTOR I Bence GYÖNGYÖSSY DOP I Tamás SAS PRODUCER I Barna KABAY
DIRECTOR I Tamás ALMÁSI DOP I György BECK PRODUCER I Gábor GARAMI PÁNIK movie trailer
DIRECTOR I Attila TILL DOP I Imre JUHÁSZ PRODUCER I András MUHI
DIRECTOR I Péter FAZAKAS DOP I Tamás LAJOS PRODUCER I Tamás LAJOS PÉKEK movie trailer
DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Róbert DEBRECZENI PIRANDELLO
SEVEN MINUTES IN HEAVEN feature film
DIRECTOR I Omri GIVON DOP I Nitay NETZER PRODUCER I Marek ROZENBAUM TABLÓ - MINDEN, AMI EGY NYOMOZÁS MÖGÖTT VAN! tv main title
DIRECTOR I Gábor DETTRE DOP I Zsolt TÓTH PRODUCER I László KÁNTOR TURBÓ DIÉTA commercial
DIRECTOR I János VECSERNYÉS DOP I János VECSERNYÉS PRODUCTION COMPANY I Megafilm CLIENT I Turbó Diéta TŰZVONALBAN II. évad tv serial
DIRECTOR I Igor VRATCNIK DOP I Georgij RERBERG PRODUCER I Igor VRATCNIK
DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN
PIRKADAT
TŰZVONALBAN III. évad
feature film
tv serial
feature film
DIRECTOR I József SIPOS DOP I Márk GYŐRI PRODUCER I József SIPOS
DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN
DELTA feature film
DIRECTOR I Kornél MUNDRUCZÓ DOP I Mátyás ERDÉLY PRODUCER I Viktória PETRÁNYI A HETEDIK KÖR feature film
DIRECTOR I Árpád SOPSITS DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR ESZTER HAGYATÉKA feature film
DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS
2007 › A LONDONI FÉRFI feature film
DIRECTOR I Béla TARR DOP I Fred KELEMEN PRODUCER I Gábor TÉNI A LONDONI FÉRFI movie trailer
DIRECTOR I Béla TARR DOP I Fred KELEMEN PRODUCER I Gábor TÉNI A PÁL UTCAI FIÚK feature film
DIRECTOR I Zoltán FÁBRI DOP I György ILLÉS PRODUCER I Endre BOHÉM
feature film
DIRECTOR I Panikos CHRISSANTHOU DOP I Andras GOERE PRODUCER I Panikos CHRISSANTHOU, András GERŐ, Dervis ZAIM BAHRTALO! feature film
DIRECTOR I Róbert LAKATOS DOP I György RÉDER PRODUCER I András MUHI BUHERA MÁTRIX feature film
DIRECTOR I István MÁRTON DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA CLAUDIA SHOW tv main title
DIRECTOR I Gabriella KOVÁCS PRODUCER I Kristóf KOVÁCS CSAPDA
DOLINA - AZ ÉRSEK LÁTOGATÁSA movie trailer
DIRECTOR I Zoltán KAMONDI DOP I Gábor MEDVIGY PRODUCER I András TÓTH EGY NŐ IGAZ TÖRTÉNETE short movie
DIRECTOR I Marcell IVÁNYI DOP I Mátyás ERDÉLY PRODUCER I Pál SÁNDOR EGY NŐ IGAZ TÖRTÉNETE tv main title
DIRECTOR I Marcell IVÁNYI DOP I Mátyás ERDÉLY PRODUCER I Pál SÁNDOR EGYÜTT short movie
DIRECTOR I Dénes NAGY DOP I Tamás DOBOS PRODUCER I Miklós BOSNYÁK AZ EMIGRÁNS movie trailer
DIRECTOR I Srdan GOLUBOVIC DOP I Aleksandar ILIC PRODUCER I Kántor LÁSZLÓ
DIRECTOR I István DÁRDAY, Györgyi SZALAI DOP I Zsolt TÓTH PRODUCER I Jenő HÁBERMANN
KYTHERA
ESZTER HAGYATÉKA
movie trailer
feature film
feature film
DIRECTOR I Péter MÉSZÁROS DOP I Marosi GÁBOR PRODUCER I András DÁVID, György DURST
DIRECTOR I József SIPOS DOP I Franciscó GÓZON PRODUCER I József SIPOS
FÖVENYÓRA
HBO - KIKÖPÖTT VESZTES
feature film
tv serial
DIRECTOR I Szabolcs TOLNAI DOP I Gergely POHÁRNOK PRODUCER I András DÁVID, Ivan DJUROVIC, György DURST, Szabolcs TOLNAI H.S.C.- ARANYSZEM
DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR HBO - MAJDNEM BOND tv serial
image animation
DIRECTOR I Emil NOVÁK
DIRECTOR I Barnabás TÓTH DOP I György RÉDER PRODUCER I Tibor BOGNÁR
HASUTASOK
HBO - MÚMIA BOSSZÚJA
movie trailer
tv serial
LÁNYOK
HBO - NEM A TE NAPOD
feature film
tv serial
LÁNYOK
HBO - ROBBANÉKONY ALKAT
DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Pál SÁNDOR
DIRECTOR I Anna FAUR DOP I András GONDÁR PRODUCER I Pál SÁNDOR
movie trailer
DIRECTOR I Anna FAUR DOP I András GONDÁR PRODUCER I Pál SÁNDOR HBO - AKI MÁSNAK tv serial
DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR HBO - DEATH METAL tv serial
DIRECTOR I Barnabás TÓTH DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR
DIRECTOR I Péter BARTOS DOP I Ábris G.S. PRODUCER I Tibor BOGNÁR
DIRECTOR I Barnabás TÓTH DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR
tv serial
DIRECTOR I Péter BARTOS DOP I Ábris G.S. PRODUCER I Tibor BOGNÁR HBO - TÜZES VÍZ tv serial
DIRECTOR I Márton SZIRMAI DOP I Márton MIKLAUZIC PRODUCER I Tibor BOGNÁR
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
AKAMAS
77
REFERENCES A HORTOBÁGY LEGENDÁJA
ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA
feature film
hungarian movie trailer
DIRECTOR I László VITÉZY DOP I Ferenc PAPP PRODUCER I Gábor KÁLOMISTA MÁRIÓ A VARÁZSLÓ
ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA
feature film
national movie trailer
DIRECTOR I Vinko MÖDERNDORFER DOP I Dusan JAKSIMOVIC PRODUCER I Eva RAHRMAN TŰZVONALBAN I. évad tv serial
DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR
TEJÚT
OVERNIGHT
TÖREDÉK
feature film
feature film
movie trailer
DIRECTOR I Benedek FLIEGAUF DOP I Gergely POHÁRNOK, Ádám FILLENZ PRODUCER I András MUHI
DIRECTOR I Ferenc TÖRÖK DOP I Garas DÁNIEL PRODUCER I Iván ANGELUSZ, Gábor KOVÁCS
MÍNUSZ
OVERNIGHT
short movie
movie trailer
DIRECTOR I Áron MÁTTYÁSI DOP I Márk GYŐRI PRODUCER I Pál SÁNDOR MY LITTLE feature film
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
movie trailer
DIRECTOR I Péter SOÓS DOP I Péter VAJDA PRODUCER I Jenő HÁBERMANN
DIRECTOR I Tamás ALMÁSI DOP I György BECK PRODUCER I Gábor GARAMI
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DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR
POKRAJINA ST. 2
DIRECTOR I Docho BODJAKOV DOP I Ivan VARIMEZOV PRODUCER I Jelio JELEV NOÉ BÁRKÁJA feature film
DIRECTOR I Pál SÁNDOR DOP I Gábor SZABÓ, Gábor MAROSI PRODUCER I Sándor PÁL
DIRECTOR I Ferenc TÖRÖK DOP I Garas DÁNIEL PRODUCER I Iván ANGELUSZ, Gábor KOVÁCS PÁNIK feature film
DIRECTOR I Till ATTILA DOP I Imre JUHÁSZ PRODUCER I András MUHI PÉKEK feature film
DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Róbert DEBRECZENI
DIRECTOR I Gyula MAÁR DOP I Gábor MEDVIGY PRODUCER I Béla TARR ZUHANÓREPÜLÉS feature film
DIRECTOR I Erik NOVÁK DOP I János VECSERNYÉS PRODUCER I Gábor KÁLOMISTA ÖREG FA short movie
DIRECTOR I Tamás DOBOS DOP I Tamás DOBOS
2006 › 37. FILMSZEMLE logo animation
A HÉT NYOLCADIK NAPJA feature film
DIRECTOR I Judit ELEK DOP I László BERGER PRODUCER I Judit ELEK A KÜLÖNÖS HÁZASSÁG archive film
DIRECTOR I Márton KELETI DOP I Barnabás HEGYI BUDAKESZI SRÁCOK feature film
DIRECTOR I Erdőss PÁL DOP I Ferenc PAP PRODUCER I János DRABIK CSAPÁS short movie
DIRECTOR I Decklan HANNIGAN DOP I Gergely POHÁRNOK PRODUCER I Iván ANGELUSZ DOLINA - AZ ÉRSEK LÁTOGATÁSA feature film
DIRECTOR I Zoltán KAMONDI DOP I Medvigy GÁBOR PRODUCER I Andrei BONCEA, György DURST, Zoltán KAMONDI, András TÓTH
LA BELLE ÉPOQUE
feature film
short movie
DIRECTOR I Miklós JANCSÓ DOP I Nyika JANCSÓ PRODUCER I Gábor GARAMI
DIRECTOR I Csaba SZEKERES DOP I Máté TÓTH WIDAMON PRODUCER I Fodor GERGELY
EGYETLENEIM
TÖREDÉK
feature film
feature film
DIRECTOR I Gyula NEMES DOP I Balázs DOBÓCZI PRODUCER I György DURST
DIRECTOR I Gyula MAÁR DOP I Gábor MEDVIGY PRODUCER I Béla TARR
AZ EMIGRÁNS
LIBERTÉ '56
feature film
feature film
DIRECTOR I István DÁRDAY, Györgyi SZALAI DOP I Ferenc PAP, Zsolt TÓTH PRODUCER I Stefano ALBÉ, László BERTA, István DÁRDAY, Jenő HÁBERMANN, Aron SIPOS HASUTASOK feature film
DIRECTOR I András SZŐKE DOP I Gábor HALÁSZ PRODUCER I Pál SÁNDOR IDEGÖLŐ feature film
DIRECTOR I Gergely FONYÓ DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA KYTHERA feature film
DIRECTOR I Péter MÉSZÁROS DOP I Gábor MAROSI PRODUCER I Görgy DURST, András DÁVID
DIRECTOR I Attila VIDNYÁNSZKY DOP I Péter VAJDA PRODUCER I János CSÁNYI, László KÁNTOR, Zsuzsa KULCSÁR MANSFELD feature film
DIRECTOR I Andor SZILÁGYI DOP I Gábor MEDVIGY PRODUCER I Jenő HÁBERMANN, Zoltán FÜREDI, Andor SZILÁGYI ÓPIUM - EGY ELMEBETEG NŐ NAPLÓJA feature film
DIRECTOR I János SZÁSZ DOP I Tibor MÁTHÉ PRODUCER I Pál SÁNDOR TABLÓ feature film
DIRECTOR I Dettre GÁBOR DOP I Tóth ZSOLT PRODUCER I László KÁNTOR
2005 › 36. FILMSZEMLE logo animation
A HERCEG HALADÉKA feature film
DIRECTOR I Péter TÍMÁR DOP I Sándor CSUKÁS PRODUCER I Gábor KÁLOMISTA, György SÁNDOR A MISKOLCI BONIÉSKLÁJD
EGY SZOKNYA, EGY NADRÁG feature film
DIRECTOR I Bence GYÖNGYÖSSY DOP I Tibor MÁTHÉ PRODUCER I Barna KABAY H.S.C. - A LEGENDA logo animation
PRODUCER I Emil NOVÁK LOPOTT KÉPEK feature film
DIRECTOR I Krisztina DEÁK DOP I Tibor MÁTHÉ PRODUCER I Gábor GARAMI
DIRECTOR I József PACSKOVSZKY DOP I Sándor KARDOS PRODUCER I Jenő HÁBERMANN
ACTIVITY
LÚDAS MATYI
feature film
tv main title
DIRECTOR I Gabriella KOVÁCS PRODUCER I Kristóf KOVÁCS CSAK SZEX ÉS MÁS SEMMI feature film
DIRECTOR I Krisztina GODA DOP I Buda GULYÁS PRODUCER I Gábor KÁLOMISTA DIGITAL POST PRODUCTION logo animation
archive film
DIRECTOR I Kálmán NÁDASDY, László RADNÓTY DOP I Barnabás HEGYI SZŐKE KÓLA feature film
DIRECTOR I Ákos BARNÓCZKY DOP I Gábor FORGÁCS PRODUCER I György DORA, Péter BARBALICS, Csaba VESTER TIBOR VAGYOK, DE HÓDÍTANI AKAROK! feature film
DIRECTOR I Gergely FONYÓ DOP I Balázs MÁRTON PRODUCER I Gábor KÁLOMISTA, György SÁNDOR
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
EDE MEGEVÉ EBÉDEM
79
REFERENCES 2004 › CSODA KRAKKÓBAN feature film
DIRECTOR I Diána GROÓ DOP I Sándor KARDOS PRODUCER I Iván ANGELUSZ, Gábor GARAMI, Péter GÁRDOS, Péter REICH FEKETE KEFE feature film
DIRECTOR I Roland VRANIK DOP I Gergely POHÁRNOK PRODUCER I István MAJOR, Ági PATAKI KÉSZ CIRKUSZ feature film
DIRECTOR I Zsombor DYGA DOP I Árpád HORVÁTH PRODUCER I György DURST LE A FEJJEL feature film
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
DIRECTOR I Péter TÍMÁR DOP I Sándor CSUKÁS PRODUCER I Pál SÁNDOR, Tamás TOLMÁR
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RAP, REVÜ, RÓMEÓ feature film
DIRECTOR I Gábor OLÁH J. DOP I Zoltán JÁNOSSA PRODUCER I Zsófia KENDE, Kornél SIPOS
TEMETETLEN HALOTT
VAGABOND
FELHŐ A GANGESZ FELETT
feature film
feature film
feature film
ÜVEGFAL
2002 ›
HAMVADÓ CIGARETTAVÉG
DIRECTOR I Márta MÉSZÁROS DOP I Nyika JANCSÓ PRODUCER I Attila CSÁKY, Igor HUDEC, Michal KWIECINSKI
feature film
DIRECTOR I Pál ERDŐSS DOP I Ferenc PAP PRODUCER I Ferenc SZOHÁR
DIRECTOR I György SZOMJAS DOP I Ferenc GRUNWALSKY PRODUCER I Katalin ROSTA
A SZALMABÁBÚK LÁZADÁSA feature film
2003 ›
DIRECTOR I György PALÁSTHY DOP I Ifj. László SEREGI PRODUCER I Gábor SARUDI
LIBIOMFI
BÁNK BÁN
feature film
feature film
DIRECTOR I Zsolt VÉGH, Zoltán KÁLMÁNCHELYI DOP I Balázs DOBÓCZI PRODUCER I András MUHI, György BUDAI TÁNCALAK feature film
DIRECTOR I Ferenc GRUNWALSKY DOP I Ferenc GRUNWALSKY PRODUCER I András OZORAI TESÓ feature film
DIRECTOR I Zsombor DYGA DOP I Árpád HORVÁTH PRODUCER I György DURST
DIRECTOR I Csaba KÁEL DOP I Vilmos ZSIGMOND PRODUCER I András WERMER CSOCSÓ, AVAGY ÉLJEN MÁJUS 1-JE! feature film
DIRECTOR I Róbert KOLTAI DOP I Tibor MÁTHÉ PRODUCER I Gábor GARAMI EL NINO - A KISDED feature film
DIRECTOR I Tibor KLÖPFLER DOP I János VECSERNYÉS PRODUCER I Jenő HÁBERMANN
DIRECTOR I Gábor DETTRE DOP I Ferenc PAP PRODUCER I György BUDAI, Sándor SIMÓ
feature film
DIRECTOR I Péter BACSÓ DOP I Tamás ANDOR PRODUCER I Gábor KÁLOMISTA, Gábor GARAMI HÍDEMBER feature film
DIRECTOR I Géza BEREMÉNYI DOP I Sándor KARDOS PRODUCER I Jenő HÁBERMANN KÍSÉRTÉSEK feature film
DIRECTOR I Zoltán KAMONDI DOP I Gábor MEDVIGY PRODUCER I Áron SIPOS NA VÉGRE, ITT A NYÁR! feature film
DIRECTOR I Gergely FONYÓ DOP I Gábor HALÁSZ PRODUCER I Gábor KÁLOMISTA SEJTJEINK documentary film
DIRECTOR I Tamás ALMÁSI DOP I Tamás ALMÁSI
SZÉP NAPOK
MACERÁS ÜGYEK
feature film
feature film
SZERELEM UTOLSÓ VÉRIG
MOSZKVA TÉR
feature film
feature film
VADEMBEREK
NEKEM LÁMPÁST ADOTT KEZEMBE AZ ÚR, PESTEN
DIRECTOR I György DOBRAY DOP I Dániel GARAS PRODUCER I György DOBRAY
feature film
DIRECTOR I Miklós SZURDI DOP I András SZALAI PRODUCER I Pál BOKOR
2001 › ANARCHISTÁK feature film
DIRECTOR I Tamás TÓTH DOP I Kinga G. TÓTH PRODUCER I Csaba BERECZKY, András BÖHM FILM... feature film
DIRECTOR I András SURÁNYI DOP I István BORBÁS PRODUCER I Gábor VARGA, Zsuzsanna HOLLÓSI G.
DIRECTOR I Szabolcs HAJDÚ DOP I Mátyás ERDÉLY PRODUCER I György BUDAI, Sándor SIMÓ
DIRECTOR I Ferenc TÖRÖK DOP I Dániel GARAS PRODUCER I Sándor SIMÓ
feature film
DIRECTOR I Miklós JANCSÓ DOP I Ferenc GRUNWALSKY PRODUCER I József BÖJTE SACRA CORONA feature film
DIRECTOR I Gábor KOLTAY DOP I Emil NOVÁK PRODUCER I Gábor KOLTAY WERCKMEISTER HARMÓNIÁK feature film
DIRECTOR I Béla TARR DOP I Gábor MEDVIGY PRODUCER I Miklós SZITA
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
DIRECTOR I Kornél MUDRUCZÓ DOP I András NAGY PRODUCER I Viktória PETRÁNYI
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V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CLIENTS I DIRECTORS
82
TAMÁS ALMÁSI
KRISZTINA GODA
ISTVÁN MÁRTON
IGOR STERK
PÉTER BACSÓ
DIÁNA GROÓ
ÁRON MÁTTYÁSI
ANDRÁS SURÁNYI
ÁKOS BARNÓCZKY
FERENC GRUNWALSKY
MÁRTA MÉSZÁROS
GYÖRGYI SZALAI
PÉTER BARTOS
HAAKON GUNDERSEN
PÉTER MÉSZÁROS
JÁNOS SZÁSZ
GÉZA BEREMÉNYI
BENCE GYÖNGYÖSSY
BENCE MIKLAUZIC
CSABA SZEKERES
DOCHO BODJAKOV
SZABOLCS HAJDÚ
VINKO MÖDERNDORFER
TAMÁS SZENTJÓBY
PANIKOS CHRISSANTHOU
DECKLAN HANNIGAN
KORNÉL MUNDRUCZÓ
ANDOR SZILÁGYI
MARIAN CRIŞAN
MARCELL IVÁNYI
DÉNES NAGY
MÁRTON SZIRMAI
ÁDÁM CSÁSZI
MIKLÓS JANCSÓ
GYULA NEMES
ANDRÁS SZŐKE
ISTVÁN DÁRDAY
BARNA KABAY
ERIK NOVÁK
GYÖRGY SZOMJAS
KRISZTINA DEÁK
CSABA KÁEL
GÁBOR OLÁH J.
MIKLÓS SZURDI
GÁBOR DETTRE
ZOLTÁN KÁLMÁNCHELYI
JÓZSEF PACSKOVSZKY
BÉLA TARR
TAMÁS DOBOS
ZOLTÁN KAMONDI
GYÖRGY PALÁSTHY
ATTILA TILL
GYÖRGY DOBRAY
SÁNDOR KARDOS
RÓBERT PEJÓ
PÉTER TÍMÁR
TAMÁS DÖMÖTÖR
KIKUO KAWASAKI
KATALIN PETÉNYI
SZABOLCS TOLNAI
ZSOMBOR DYGA
TIBOR KLÖPFLER
PÁL SÁNDOR
FERENC TÖRÖK
JUDIT ELEK
ÁGNES KOCSIS
TAMÁS SAS
BARNABÁS TÓTH
PÁL ERDŐSS
RÓBERT KOLTAI
ELISABETH SCHARANG
TAMÁS TÓTH
ANNA FAUR
GÁBOR KOLTAY
ROB SCHNEIDER
JÁNOS VECSERNYÉS
PÉTER FAZAKAS
GABRIELLA KOVÁCS
RENEN SCHORR
ZSOLT VÉGH
BENEDEK FLIEGAUF
BALÁZS KRASZNAHORKAI
JÓZSEF SIPOS
ATTILA VIDNYÁNSZKY
GERGELY FONYÓ
RÓBERT LAKATOS
PÉTER SOÓS
LÁSZLÓ VITÉZY
OMRI GIVON
GYULA MAÁR
ÁRPÁD SOPSITS
ROLAND VRANIK
SRDAN GOLUBOVIC
ISTVÁN MADARÁSZ
PATER SPARROW
IGOR VRATCNIK
TAMÁS ALMÁSI
FRANCISCÓ GÓZON
RÓBERT KÖTELES
GEORGIJ RERBERG
TAMÁS ANDOR
FERENC GRUNWALSKY
LAJOS KOLTAI
KRISTIAN RIISE HANS
TAMÁS BABOS
BUDA GULYÁS
TAMÁS LAJOS
TAMÁS SAS
GYÖRGY BECK
JÁNOS GULYÁS
JEAN-CLAUDE LARRIEU
RENEN SCHORR
LÁSZLÓ BERGER
MÁRK GYŐRI
GÁBOR MAROSI
IFJ. LÁSZLÓ SEREGI
ISTVÁN BORBÁS
ITAMAR HADAR
BALÁZS MÁRTON
GÁBOR SZABÓ
SÁNDOR CSUKÁS
GÁBOR HALÁSZ
TIBOR MÁTHÉ
ANDRÁS SZALAI
BALÁZS DOBÓCZI
ÁRPÁD HORVÁTH
GÁBOR MEDVIGY
GÁBOR ANDRÁS SZŐKE
TAMÁS DOBOS
ALEKSANDAR ILIC
MÁRTON MIKLAUZIC
SIMON TANSEK
MÁTYÁS ERDÉLY
DUSAN JAKSIMOVIC
TUDOR MIRCEA
MÁTÉ TÓTH WIDAMON
ÁDÁM FILLENZ
NYIKA JANCSÓ
ANDRÁS NAGY
ZSOLT TÓTH
GÁBOR FORGÁCS
PÉTER JANKURA
NITAY NETZER
PÉTER VAJDA
KINGA G. TÓTH
ZOLTÁN JÁNOSSA
EMIL NOVÁK
JÁNOS VECSERNYÉS
ÁBRIS G.S.
IMRE JUHÁSZ
KEES VAN OOSTRUM
VILMOS ZSIGMOND
DÁNIEL GARAS
SÁNDOR KARDOS
FERENC PAP
ANDRÁS GOERE
FRED KELEMEN
GERGELY POHÁRNOK
ANDRÁS GONDÁR
JÁNOS KENDE
GYÖRGY RÉDER
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CLIENTS I DOPs
83
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
CLIENTS I PRODUCERS
84
STEFANO ALBÉ
IVAN DJUROVIC
FRED KELEMEN
GYÖRGY SÁNDOR
ASSAF AMIR
GYÖRGY DOBRAY
ZSÓFIA KENDE
PÁL SÁNDOR
IVÁN ANGELUSZ
SCOTT DOLEZAL
GÁBOR KOLTAY
GÁBOR SARUDI
PÉTER BARÁTH
GYÖRGY DORA
GÁBOR KOVÁCS
TAMÁS SAS
PÉTER BARBALICS
JÁNOS DRABIK
KRISTÓF KOVÁCS
SÁNDOR SIMÓ
CSABA BERECZKY
GYÖRGY DURST
ZSUZSA KULCSÁR
ARON SIPOS
JÓZSEF BERGER
JUDIT ELEK
MICHAL KWIECINSKI
JÓZSEF SIPOS
LÁSZLÓ BERTA
ATTILA FARAGÓ
ERICH LACKNER
KORNÉL SIPOS
TIBOR BOGNÁR
GERGELY FODOR
TAMÁS LAJOS
LAJOS SZAKÁCSI
PÁL BOKOR
ZOLTÁN FÜREDI
ISTVÁN MADARÁSZ
ANDOR SZILÁGYI
ANDREI BONCEA
GÁBOR GARAMI
ISTVÁN MAJOR
MIKLÓS SZITA
MIKLÓS BOSNYÁK
PÉTER GÁRDOS
INEZ MÁTIS
FERENC SZOHÁR
ANDRÁS BÖHM
ANDRÁS GERŐ
MÓNIKA MÉCS
BÉLA TARR
JÓZSEF BÖJTE
HAAKON GUNDERSEN
ERNŐ MESTERHÁZY
GÁBOR TÉNI
JOE Q. BRETZ
FUMINORI HAJASHIDA
ANDRÁS MUHI
TAMÁS TOLMÁR
GYÖRGY BUDAI
JENŐ HÁBERMANN
EMIL NOVÁK
SZABOLCS TOLNAI
PANIKOS CHRISSANTHOU
JÁNOS HEVESI T.
ANDRÁS OZORAI
ANDRÁS TÓTH
MIKE CLINE
DANIJEL HOCEVAR
ÁGI PATAKI
GÁBOR VARGA
BOON COLLINS
ZSUZSANNA HOLLÓSI G.
VIKTÓRIA PETRÁNYI
CSABA VESTER
ANDRÁS CZORAI
IGOR HUDEC
DIETER POCHLATKO
IGOR VRATCNIK
ATTILA CSÁKY
ANDREAS HRUZA
FERENC PUSZTAI
ANDRÁS WERMER
JÁNOS CSÁNYI
BARNA KABAY
ANCA PUIU
NIKOLAUS WISIAK
LÁSZLÓ CSELÉNYI
TAMÁS KALLÁNYI
EVA RAHRMAN
DERVIS ZAIM
ISTVÁN DÁRDAY
GÁBOR KÁLOMISTA
PÉTER REICH
ANDRÁS DÁVID
ZOLTÁN KAMONDI
KATALIN ROSTA
RÓBERT DEBRECZENI
LÁSZLÓ KÁNTOR
MAREK ROZENBAUM
SPECIAL THANKS TO ALL OF OUR PARTNERS! TO HUNGARIAN FILMLAB: István Erdélyi, László Aradi, Klára Gewand, Ibolya Németh, Tibor Csige, Róbert Nagy, Gábor Pintér, Szabolcs Barta, Judit Szép, Éva Balog, László Kovács and others AND TO CONTRIBUTORS: Márk Jászberényi, Viktória Balogh, Balázs Schifter, Dániel Batha, Olivér Auguszt, Antonin Krizsanics, Levente Bartha, Csaba Zubonyai, Ádám Sipos, Patrícia Varga, Erika Köcsky, Gergely Cziráki, Zsolt Gémes, Sándor Herceg, Szabolcs Horváth, Lajos Kondor, Eszter Nagy, Mátyás Szabó, Attila Szalma,
V I SUA L EFFEC TS I N HUNG A RY front production ’ s reference book
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