20230117_Dohnanyi Chamber Players

COLLEGE OF MUSIC

Presents

THE DOHNÁNYI CHAMBER PLAYERS

Ian Hobson, Artistic Director

Shannon Thomas, Violin

Gregory Sauer, Cello

Jonathan Holden, Clarinet

Featuring special guests

Csaba Erdélyi, Viola Bernhard Scully, Horn

Tuesday, January 17, 2023

Seven-thirty in the Evening Opperman Music Hall

PROGRAM

Sonata in A Major

César Franck

Allegretto ben moderato (1822–1890)

Allegro arr. Csaba Erdélyi Ben moderato: Recitativo – Fantasia Allegretto poco mosso

Csaba Erdélyi, viola Ian Hobson, piano

My recently completed arrangement for viola and piano of the immortal Franck violin sonata presents a new face of the well-known masterpiece. The score also includes some redistribution of Franck’s harmonies in the piano part, thus providing breathing room for the special sonorities of the viola.

– Csaba Erdélyi

Serenade for String Trio, Op. 10 Ernst von Dohnányi Marcia (1877–1960) Romanza Scherzo

Tema con variazioni Rondo (Finale)

Shannon Thomas, violin; Csaba Erdélyi, viola Gregory Sauer, cello

INTERMISSION

Adagio and Allegro for Horn and Piano, Op. 70

Bernhard Scully, horn Ian Hobson, piano

Robert Schumann (1810–1856)

Sextet in C Major, Op. 37 Ernst von Dohnányi

I. Allegro appassionato

II. Intermezzo: Adagio

III. Allegro con sentimento

IV. Allegro vivace, giocoso

Jonathan Holden, clarinet; Bernhard Scully, horn Shannon Thomas, violin; Csaba Erdelyi, viola; Gregory Sauer, cello Ian Hobson, piano

Please refrain from talking, entering, or exiting while performers are playing. Food and drink are prohibited in all concert halls. Please turn off cell phones and all other electronic devices. Please refrain from putting feet on seats and seat backs. Children who become disruptive should be taken out of the performance hall so they do not disturb the musicians and other audience members. Health Reminder: The Florida Board of Governors and Florida State University expect masks to be worn by all individuals in all FSU facilities. Thank you for your cooperation.

ARTISTS

Csaba Erdélyi, born in Hungary, made musical history when, in 1972, he won the prestigious London Carl Flesch Violin Competition with the viola – the first, and so far, the only time. Lionel Tertis, who was present at the finals, called Erdélyi “a great ambassador for the viola and for his country.” The Flesch Prize launched Erdélyi’s international career. He was invited by Joseph Szigeti and Rudolph Serkin to the Marlboro Festival (USA) where he also worked with Pablo Casals. A viola student of Pál Lukács and subsequently Yehudi Menuhin and Bruno Giuranna, Erdélyi became Menuhin’s partner in concertos and chamber music, playing together in several countries. Menuhin wrote to Benjamin Britten: “Erdélyi is an invaluable link between the two great musical cultures of Eastern and Western Europe.”

Erdélyi has performed in concerts and recordings with such world-renowned soloists as Rachel Barton, Joshua Bell, Maurice Gendron, Franco Gulli, Ian Hobson, Yo-Yo Ma, George Malcolm, Jessye Norman, András Schiff, Sándor Végh, among others. He was the viola soloist in the film score of Amadeus, with Sir Neville Marrriner conducting the Academy of St. Martin-in-the-Fields. As a soloist, he has recorded for Concordance, Decca, Hungaroton, Lyrita, Nimbus, and Philips records. He played viola concertos with the leading British orchestras in the Royal Festival Hall and on the BBC Promenade Concerts, as well as major international music festivals with Sir Colin Davis, Sir Andrew Davis, Sir Charles McKerras, Riccardo Muti, Kurt Sanderling conducting.

Erdélyi was principal viola of the Philharmonia Orchestra of London from 1974 to 1978. He was guest principal violist of the BBC Symphony, invited by Gennady Rozhdestvensky. In 1980 Sir Georg Solti invited Erdélyi to the principal viola post in the Chicago Symphony. He declined in order to embark on a new career as the violist of the London-based Chilingirian Quartet, as well as professor of viola at the Guildhall School of Music (1980-1987). As guest violist, he performed with the Pauk-Frankl-Kirshbaum Trio, Fine Arts Quartet, Kocian Quartet, Végh Quartet, Cuarteto Latinoamericano.

Professor Erdélyi has a reputation as an extremely dedicated and caring pedagogue, who attracts fine students from all over the world. As Professor of Viola and Chamber Music he taught at Indiana University, Rice University, Butler University, Bowling Green State University. He has held master classes in major conservatories on all five continents. Professor Erdélyi’s former students can be found in prestigious positions in music performance and education all over the world.

For over 30 years Professor Erdélyi has researched the original manuscript of the Bartók Viola Concerto, the composer’s last masterpiece, which was left in its first draft. With the help of world- renowned Bartók scholar, Elliott Antokoletz and composers Péter Eötvös and György Kurtág he restored and orchestrated the work in the purest and most

authentic manner. Former violist of the Kolisch-quartet, Eugene Lehner, friend of Bartók, praised Erdélyi’s score and recording as “an invaluable service to Bartók and all violists.” Score and parts are published by Promethean Editions (promethean-editions.com) and a CD was recorded in 2001 with Erdélyi and the New Zealand Symphony Orchestra with conductor Marc Taddei on Concordance label (concordance.co.nz), which continues to receive worldwide professional acclaim.

In September 2017, Bartók Viola Concerto – Restoration and Orchestration by Csaba Erdélyi, Revised Version 2016, received its European Premiere by the Berlin Philharmonic Orchestra in Berlin Philharmonic Hall. The orchestra’s Music Director, Sir Simon Rattle wrote: “I am in total agreement with the opinions of György Kurtág and Pierre Boulez that Erdélyi’s score is the most faithful realization of Bartók’s last masterpiece that was left in draft.”

Csaba Erdélyi considers himself a world citizen and holds citizenships in his native Hungary, Great Britain and the United States. He serves as principal viola of both the Indianapolis Chamber Orchestra and Sinfonia da Camera at the University of Illinois. His favorite instrument is a magnificent viola made for him by master luthier Joseph Curtin in Ann Arbor, Michigan.

International horn soloist Bernhard Scully is currently the Associate Professor of Horn at the University of Illinois at Urbana-Champaign. He is a member of the University of Illinois Global STEAM and is Artistic Director of the nonprofit 501(c)(3) Cormont Music. He spends most of his summer in the White Mountains of New Hampshire as both the Artistic Director of the Kendall Betts Horn Camp and as the horn player of the North Country Chamber Players. His solo career has spanned across many genres from classical, to jazz and beyond, including being the former long-time horn player of the Canadian Brass and former principal horn of the Saint Paul Chamber Orchestra. Among his many awards are top honors at numerous competitions, most notably being the first classical brass player to win a McKnight Fellowship for Performing Musicians.

Scully was recently made a member of the University of Illinois College of Agricultural Consumer Environmental Sciences (ACES) “Global Academy.” Partnered with faculty colleague, Ann-Perry Witmer from the UI School of Engineering, their Global Academy project combines music and engineering in a long-range cross-disciplinary de-colonial research study focusing on the relationship between the cultural and technological epistemologies of rural/indigenous regions around the world. The long-term aspiration of the project is to establish meaningful relationships with the people in each region (currently Aymara communities in Andean Bolivia and Mende communities in Sierre Leone), learning about their place-based music, culture, and technological practices. On

the musical end, this cross-cultural interdisciplinary exchange allows the horn to enter into areas it has likely never been a part, expanding its musical scope by integrating into diverse cultural contexts. The project will culminate in a book authored by the various project collaborators.

As the horn player for Canadian Brass, Bernhard annually toured the world over, is featured on many CDs and videos, and has soloed in front of nearly every major North American orchestra including the New York Philharmonic, Philadelphia Orchestra, Detroit Symphony, Vancouver Symphony, National Arts Centre Orchestra, and the Toronto Symphony. The Canadian Brass have been featured guest artists at prestigious music events and festivals including Music Academy of the West, Oregon Bach Festival, Banff Centre for the Arts, Texas Music Educators Convention, Midwest Band and Orchestra Clinic, Chautauqua Festival, Schleswig-Holstein Festival, NAMM Convention, and numerous others.

As Principal Horn of the Saint Paul Chamber Orchestra, Bernhard was often featured as a soloist, performing notable works by Mozart, Strauss, and Britten. He toured with the SPCO both nationally and internationally, most notably performing at Carnegie Hall. His concerts with the SPCO were broadcast weekly on National Public Radio. He is also featured on the SPCO’s 50th Anniversary Chamber Orchestra Festival recording. Since his departure to pursue a solo and teaching career, Bernhard has returned to play guest principal horn under acclaimed director Pinchas Zuchermann. He has collaborated with many great North American Orchestras including the Chicago Symphony, San Francisco Symphony, Minnesota Orchestra, Cleveland Orchestra as guest principal horn, Pittsburgh Symphony as guest principal horn, and as principal horn of the Violon du Roy in Quebec City.

As a soloist Bernhard is featured on numerous recordings. His solo album, Dialogue en Francais: French Masterpieces for Horn and Piano was featured on Minnesota Public Radio. His recording, The G. Schirmer Horn Collection Volumes One, Two, and Three (Hal Leonard Publishing), includes much of the standard repertoire for horn and piano. The Instrumentalist describes these three volumes: “Scully offers musical, intuitive performances that provide a fine example for hornists of all levels. These carefully thoughtout publications are a good investment for future growth and belong in every horn teacher and players library.” Bernhard can be heard as a featured performer on numerous Canadian Brass CDs. His most recent solo CD, along with his UI colleagues in chamber music, features the works of composer Andrew Lewinter. His CD Windows in Time features the premiere recording of Gunther Schuller’s Quintet for Horn and Strings (2009) in collaboration with the acclaimed Jupiter String Quartet. The album also includes W.A. Mozart’s Quintet for Horn and Strings, K. 407. Gunther Schuller produced this recording himself, and this was one of the last projects he took part in before his passing in 2015.

As a pedagogue Bernhard has given lectures and master classes around the world and is a regular featured artist at international music conventions and festivals. He has been on the faculties at the Chautauqua Festival, Rafael Mendez Brass Institute as a member of

the Summit Brass, Music Academy of the West, Brevard Music Festival, Eastman School of Music, Isla Verde Bronces International Brass Festival, in residence at the University of Toronto with the Canadian Brass. His students now occupy positions all over the globe as performers, educators, and scholars.

His degrees are from Northwestern University (with honors), and the University of Wisconsin-Madison, where he attended on a Paul Collins Distinguished Graduate Fellowship. In 2010 the University of Wisconsin awarded him a Distinguished Alumni Award for excellence in artistry. His teachers include Herman Baumann, Kendall Betts, Douglas Hill, and Froydis Ree Werkre, and Gail Williams.

ABOUT THE FACULTY ARTISTS

A Tennessee native, violinist Shannon Thomas has garnered a reputation for exciting, thoughtful performances as a chamber musician, soloist, and in recital throughout North and South America, Europe, and Asia. Recent performing engagements have taken her to the Kennedy Center, Spoleto Festival USA, Carnegie Hall Stern Auditorium, Bolivia’s Centro Sinfonico in La Paz, and the Banff Centre where she has collaborated with distinguished artists such as the St. Lawrence String Quartet, David Halen, Richard King, Wendy Chen, Anita Pontremoli, and Midori.

As a chamber musician, Shannon has performed at the Innsbrook Summer Music Festival, Garth Newel Music Center, Sarasota Music Festival, Kneisel Hall, ENCORE School for Strings, Aspen Music Festival, Stony Brook University, the International Clarinet Association National Conference (Belgium), Northwestern University, Brancaleoni International Music Festival (Italy), and with the Bryant Park Chamber Players in New York City. In addition to concerts with the Tallahassee Symphony Orchestra where she serves as principal second violin, Shannon performs regularly with the IRIS Orchestra under the direction of Michael Stern. Shannon has recorded for the Blue Griffin Records, and her CD celebrating the music of women composers Lera Auerbach, Ellen Taaffe Zwilich, and Jennifer Higdon was released in 2018.

Interested in sharing her enthusiasm for the arts through teaching, Shannon is in demand as a pedagogue. She currently serves as Associate Professor of Violin at Florida State University and gives master classes throughout the United States and abroad. She also teaches at Green Mountain Chamber Music Festival, University of North Carolina at Chapel Hill’s Luby Violin Symposium, and Hilton Head Chamber Music Institute. Previously on the faculties of University of Southern Mississippi, the Cleveland Institute of Music Preparatory Division, and Interlochen Arts Camp, her students have been prizewinners and finalists at national competitions, including MTNA and the Sphinx Competition. She has also taught at the Kinhaven Music School, Stony Brook University

Chamber Music Camp, and the Innsbrook Institute Summer Music Academy and Festival, where she served as Education Director. Shannon has presented educational sessions at the National ASTA conferences, Florida Music Educators Association annual conference, and the Luby Violin Symposium. In addition, she has served as an adjudicator and clinician for the Seattle Young Artists Music Festival Association in addition to regional All-State orchestral auditions.

Shannon earned a Doctorate of Musical Arts at the Cleveland Institute of Music, where she was Paul Kantor’s teaching assistant. She received a Master of Music at Yale University and a Bachelor of Music at Vanderbilt University, and also pursued graduate work at Arizona State University, where she was the first student to be accepted into the Artist Diploma program. She studied chamber music with Peter Salaff, Merry Peckham, George Sopkin, Christopher von Baeyer, Laurie Smukler and members of the Juilliard, Blair, Tokyo, and Cavani String Quartets. Her principal teachers have included Paul Kantor, Cornelia Heard, Jonathan Swartz, Robert Lipsett, and Ani Kavafian.

Professor of Cello Gregory Sauer joined the College of Music in 2006. A native of Davenport, Iowa, Gregory Sauer attended the Eastman School of Music and the New England Conservatory. His principal teachers included Ada Marie Snyder, Charles Wendt, Paul Katz, Laurence Lesser, Bonnie Hampton and Colin Carr. For eleven years prior to his arrival at FSU Sauer taught at the University of Oklahoma, where he was named Presidential Professor (2005).

Praised for his versatility, Sauer performs in many different musical arenas. He has appeared in recital at the Old First Concert Series in San Francisco, the Crocker Art Museum in Sacramento, the Brightmusic Concert Series in Oklahoma City, at universities and schools of music such as the Blair School of Music at Vanderbilt, the Shepherd School at Rice University, the University of Iowa and the University of Tennessee, among many others. Sauer was a prizewinner in the Hudson Valley Philharmonic and Ima Hogg National competitions and has performed concertos with the Hudson Valley Philharmonic, the Houston Symphony, the New American Chamber Orchestra, the Quad City Symphony, Oklahoma City Philharmonic, the Columbus (GA) Symphony, the Tallahassee Symphony, and the Missoula Symphony, among others.

Sauer joined the Carpe Diem String Quartet in 2019, playing concerts in Carnegie Hall’s Weill Recital Hall, Siena, Italy, and in the group’s first China tour. Along with his brother, Thomas Sauer, he serves as co-Artistic Director of Chamber Music Quad Cities in their hometown of Davenport, Iowa. Other chamber music ventures have resulted in appearances at the Austin Chamber Music Center, the Snake River Music Festival, the Victoria Bach Festival, the Texas Music Festival, the Colorado Music Festival, and the Garth Newel Music Center. As a member of the Fidelio Quartet, a prizewinning group in

the London International String Quartet Competition, he performed concerts in the UK, Germany, Italy, and the Tanglewood and Aspen Music Festivals.

In 2006, Sauer was appointed to the music faculty at Florida State University. Prior to that he taught eleven years at the University of Oklahoma, where he was named Presidential Professor. Other teaching/performing positions have been a visiting professorship at the University of California at Los Angeles, summer programs such as the Texas Music Festival, the Duxbury Music Festival, the Foulger International Music Festival, the Green Mountain Chamber Music Festival, Red Lodge Music Festival, and the Hot Springs Music Festival.

Sauer has recorded for MSR Classics, Harmonia Mundi, Albany, and Mark Records.

Sauer attended the Eastman School of Music and the New England Conservatory. His teachers included Ada Marie Snyder, Charles Wendt, Paul Katz, Laurence Lesser, Bonnie Hampton, and Colin Carr.

Jonathan Holden is Associate Professor of Clarinet at Florida State University, Principal Clarinetist of the West Michigan Symphony and a member of the Tallahassee Symphony Orchestra. A frequent guest of numerous orchestras, he has performed with ensembles such as the Grand Rapids, Kalamazoo, Baton Rouge and Lansing symphony orchestras, the Fort Wayne Philharmonic, the Mobile Symphony and the Sarasota Orchestra. He is a founding member of the Vireo Ensemble (clarinet, violin, cello, piano) and the Argot Trio (clarinet, violin, piano).

Holden is an ardent soloist and chamber music collaborator. He has made guest appearances with ensembles such as the Degas, Ciompi and Voxare string quartets and has performed as a soloist and chamber musician by invitation of the British Clarinet Congress, Oklahoma Clarinet Symposium, College Music Society, Music Teachers National Association, Festival South, Festival Contempoaneo (Brazil), Alfredo de Saint Malo Festival (Panama), Chamber Music Wilmington, American Music Festival and Saugatuck Chamber Music Festival. He has given performances, clinics and masterclasses at collegiate establishments in the US and overseas including Vanderbilt, Michigan State University, the national conservatories of Panama and Paris and the universities of Memphis, Florida, Mississippi, Oklahoma, Alabama, Tennessee, Texas and Rio de Janeiro.

A proponent of new chamber music, Holden’s latest work with the Argot Trio has yielded notable fundraising success and the commissioning of several new trios to be included on a forthcoming CD, Made in Mississippi, featuring works inspired by the birthplace of America’s music. Contributing composers include Luigi Zaninelli, Michael Burns, Alan Theisen and James Sclater. The Argot Trio’s recording of a new work by Steven Holochwost

was released in 2013 on the Albany label. Holden has also prepared and performed works for composers Bright Sheng, Peter Sculthorpe, Ricardo Tacuchian and Judith Zaimont.

Jonathan Holden received his Doctor of Musical Arts degree from Michigan State University where he studied with eminent soloist and chamber musician Dr. Elsa Ludewig-Verdehr, as well as Nathan Williams and Theodore Oien. He received his BM and MM performance degrees from the Guildhall School of Music & Drama under Joy Farrall, Andrew Webster and celebrated recording artist Dame Thea King.

Pianist and conductor Ian Hobson—called “powerful and persuasive” by the New York Times—is internationally recognized for his command of an extraordinarily comprehensive repertoire, his consummate performances of the Romantic masters, his deft and idiomatic readings of neglected piano music old and new, and his assured conducting from both the piano and the podium.

As guest soloist, Hobson has appeared with many of the world’s major orchestras; in the United States these include the Chicago Symphony Orchestra and the Philadelphia Orchestra, the symphony orchestras of Baltimore, Florida, Houston, Indianapolis, Pittsburgh, St. Louis, and the American Symphony Orchestra and Orquesta Sinfónica de Puerto Rico. Abroad, he has been heard with Great Britain’s Royal Philharmonic Orchestra, the London Philharmonic Orchestra, Scottish National Orchestra, Royal Liverpool Philharmonic Orchestra, and Hallé Orchestra, ORF-Vienna, Orchester der Beethovenhalle, Moscow Chopin Orchestra, Israeli Sinfonietta, and New Zealand Symphony Orchestra.

Most recently, Hobson appeared in solo recital at Zankel Hall at Carnegie Hall, presented by Florida State University. The program, which featured works by Brahms and the contemporary American composer Robert Chumbley, also celebrated the composer Ernst von Dohnányi. Hobson has also recently released the final two volumes of his complete Frédéric Chopin edition on the Zephyr label.

An artist of prodigious energy and resource, Hobson has to date amassed a discography of some 60 releases, including the complete edition of the works of Frédéric Chopin, the complete piano sonatas of Beethoven and Schumann, and a complete edition of Brahms’s variations for piano.

Since his debut in the double role of conductor and soloist with the Stuttgart Chamber Orchestra in 1996, Maestro Hobson has been invited to lead the English Chamber Orchestra, the Sinfonia Varsovia (including an appearance at Carnegie Hall), the Pomeranian Philharmonic (Poland), the Fort Worth Chamber Orchestra (Bass Hall), and the Kibbutz Chamber Orchestra of Israel, among others.

Hobson is known for artfully programming recital series showcasing the complete piano works of noted composers, matching the subtleties of the composer’s works for each concert. He recently completed a six-concert series at New York’s downtown venue SubCulture entitled “Sound Impressions,” featuring the complete solo piano repertoire of Ravel and Debussy. Similar artistic endeavors include Hobson’s 2015 “Uptown/ Downtown: Preludes, Etudes, and Variations” series—focusing on outstanding examples of each genre by Fauré, Schumann, Rachmaninoff, Debussy, and Szymanowski, with world premieres by Yehudi Wyner (Preludes), Robert Chumbley (Etudes), and Stephen Taylor (Variations)—as well as his performance of the complete solo piano works and chamber music with piano of Johannes Brahms.

Hobson continues in the role of music director of the Sinfonia da Camera, a professional chamber orchestra affiliated with the Krannert Center for the Performing Arts and College of Fine and Applied Arts of the University of Illinois at Urbana-Champaign, where Hobson is the Swanlund Emeritus Professor of Music. He is also Professor of Music at Florida State University.

In addition to being a celebrated performer, Hobson is a dedicated scholar and educator who has pioneered renewed interest in the music of such lesser known masters as Ignaz Moscheles and Johann Hummel. He has also been an effective advocate of works written expressly for him by a number of today’s noted composers, including Robert Chumbley, Benjamin Lees, John Gardner, David Liptak, Alan Ridout, and Yehudi Wyner.

Hobson is also a much sought-after judge for national and international competitions and has been invited to join numerous juries, among them the Van Cliburn International Piano Competition (at the specific request of Cliburn), the Arthur Rubinstein Competition in Poland, the Chopin Competition in Florida, the Leeds Piano Competition in the U.K., and the Schumann International Competition in Germany. In 2005 Hobson served as Chairman of the Jury for the Cleveland International Competition and the Kosciuszko Competition in New York; in 2008 he was Chairman of Jury of the New York Piano Competition; and in 2010 he again served in that capacity of the newly renamed New York International Piano Competition.

One of the youngest ever graduates of the Royal Academy of Music, Hobson began his international career in 1981 when he won First Prize at the Leeds International Piano Competition, after having earned silver medals at both the Arthur Rubinstein and ViennaBeethoven competitions. Born in Wolverhampton, England, he studied at Cambridge University (England), and at Yale University, in addition to his earlier studies at the Royal Academy of Music.

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