20240126_Dohnanyi Chamber Players

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THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC Presents

HOUSEWRIGHT VIRTUOSO SERIES: THE DOHNÁNYI CHAMBER PLAYERS Ian Hobson, Artistic Director Ben Sung, Violin Gregory Sauer, Cello Ian Hobson, Piano Featuring special guest Csaba Erdélyi, Viola

Friday, January 26, 2024 Seven-thirty in the Evening Opperman Music Hall


ng i t r o p p u S e Arts th

850-894-8700

www.beethovenandcompany.com 719 North Calhoun Street, Suite E Tallahassee, Florida 32303

Tom Buchanan, owner


PROGRAM Élégie, Op. 24

Gabriel Fauré (1845–1924) arr. Erdélyi

Adagio for violin and piano (1905)

Zoltán Kodály (1882–1967)

Concertstück

George Enescu (1881–1955)

Rhapsody, Op. 11 3. Vivace (C Major)

Csaba Erdélyi, viola Ian Hobson, piano

Ian Hobson, piano

Ernst von Dohnányi (1877–1960)

INTERMISSION

Piano Quartet No 1 in C Minor, Op. 15 I. Allegro molto moderato II. Scherzo: Allegro vivo III. Adagio IV. Allegro molto Ben Sung, violin Csaba Erdélyi, viola Gregory Sauer, cello Ian Hobson, piano

Gabriel Fauré

Please refrain from talking, entering, or exiting while performers are playing. Food and drink are prohibited in all concert halls. Please turn off cell phones and all other electronic devices. Please refrain from putting feet on seats and seat backs. Children who become disruptive should be taken out of the performance hall so they do not disturb the musicians and other audience members.


ABOUT THE GUEST ARTIST Csaba Erdélyi, born in Hungary, made musical history when, in 1972, he won the prestigious London Carl Flesch Violin Competition with the viola – the first, and so far, the only time. Lionel Tertis, who was present at the finals, called Erdélyi “a great ambassador for the viola and for his country.” The Flesch Prize launched Erdélyi’s international career. He was invited by Joseph Szigeti and Rudolph Serkin to the Marlboro Festival (USA) where he also worked with Pablo Casals. A viola student of Pál Lukács and subsequently Yehudi Menuhin and Bruno Giuranna, Erdélyi became Menuhin’s partner in concertos and chamber music, playing together in several countries. Menuhin wrote to Benjamin Britten: “Erdélyi is an invaluable link between the two great musical cultures of Eastern and Western Europe.” Erdélyi has performed in concerts and recordings with such world-renowned soloists as Rachel Barton, Joshua Bell, Maurice Gendron, Franco Gulli, Ian Hobson, Yo-Yo Ma, George Malcolm, Jessye Norman, András Schiff, Sándor Végh, among others. He was the viola soloist in the film score of Amadeus, with Sir Neville Marrriner conducting the Academy of St. Martin-in-the-Fields. As a soloist, he has recorded for Concordance, Decca, Hungaroton, Lyrita, Nimbus, and Philips records. He played viola concertos with the leading British orchestras in the Royal Festival Hall and on the BBC Promenade Concerts, as well as major international music festivals with Sir Colin Davis, Sir Andrew Davis, Sir Charles McKerras, Riccardo Muti, Kurt Sanderling conducting. Erdélyi was principal viola of the Philharmonia Orchestra of London from 1974 to 1978. He was guest principal violist of the BBC Symphony, invited by Gennady Rozhdestvensky. In 1980 Sir Georg Solti invited Erdélyi to the principal viola post in the Chicago Symphony. He declined in order to embark on a new career as the violist of the Londonbased Chilingirian Quartet, as well as professor of viola at the Guildhall School of Music (1980-1987). As guest violist, he performed with the Pauk-Frankl-Kirshbaum Trio, Fine Arts Quartet, Kocian Quartet, Végh Quartet, Cuarteto Latinoamericano. Professor Erdélyi has a reputation as an extremely dedicated and caring pedagogue, who attracts fine students from all over the world. As Professor of Viola and Chamber Music he taught at Indiana University, Rice University, Butler University, Bowling Green State University. He has held master classes in major conservatories on all five continents. Professor Erdélyi’s former students can be found in prestigious positions in music performance and education all over the world. For over 30 years Professor Erdélyi has researched the original manuscript of the Bartók Viola Concerto, the composer’s last masterpiece, which was left in its first draft. With the help of world- renowned Bartók scholar, Elliott Antokoletz and composers Péter Eötvös and György Kurtág he restored and orchestrated the work in the purest and most


authentic manner. Former violist of the Kolisch-quartet, Eugene Lehner, friend of Bartók, praised Erdélyi’s score and recording as “an invaluable service to Bartók and all violists.” Score and parts are published by Promethean Editions (promethean-editions.com) and a CD was recorded in 2001 with Erdélyi and the New Zealand Symphony Orchestra with conductor Marc Taddei on Concordance label (concordance.co.nz), which continues to receive worldwide professional acclaim. In September 2017, Bartók Viola Concerto – Restoration and Orchestration by Csaba Erdélyi, Revised Version 2016, received its European Premiere by the Berlin Philharmonic Orchestra in Berlin Philharmonic Hall. The orchestra’s Music Director, Sir Simon Rattle wrote: “I am in total agreement with the opinions of György Kurtág and Pierre Boulez that Erdélyi’s score is the most faithful realization of Bartók’s last masterpiece that was left in draft.” Csaba Erdélyi considers himself a world citizen and holds citizenships in his native Hungary, Great Britain and the United States. He serves as principal viola of both the Indianapolis Chamber Orchestra and Sinfonia da Camera at the University of Illinois. His favorite instrument is a magnificent viola made for him by master luthier Joseph Curtin in Ann Arbor, Michigan. ABOUT THE FACULTY ARTISTS Pianist and conductor Ian Hobson—called “powerful and persuasive” by the New York Times—is internationally recognized for his command of an extraordinarily comprehensive repertoire, his consummate performances of the Romantic masters, his deft and idiomatic readings of neglected piano music old and new, and his assured conducting from both the piano and the podium. As guest soloist, Hobson has appeared with many of the world’s major orchestras; in the United States these include the Chicago Symphony Orchestra and the Philadelphia Orchestra, the symphony orchestras of Baltimore, Florida, Houston, Indianapolis, Pittsburgh, St. Louis, and the American Symphony Orchestra and Orquesta Sinfónica de Puerto Rico. Abroad, he has been heard with Great Britain’s Royal Philharmonic Orchestra, the London Philharmonic Orchestra, Scottish National Orchestra, Royal Liverpool Philharmonic Orchestra, and Hallé Orchestra, ORF-Vienna, Orchester der Beethovenhalle, Moscow Chopin Orchestra, Israeli Sinfonietta, and New Zealand Symphony Orchestra. Most recently, Hobson appeared in solo recital at Zankel Hall at Carnegie Hall, presented by Florida State University. The program, which featured works by Brahms and the contemporary American composer Robert Chumbley, also celebrated the composer Ernst von Dohnányi. Hobson has also recently released the final two volumes of his complete


Frédéric Chopin edition on the Zephyr label. An artist of prodigious energy and resource, Hobson has to date amassed a discography of some 60 releases, including the complete edition of the works of Frédéric Chopin, the complete piano sonatas of Beethoven and Schumann, and a complete edition of Brahms’s variations for piano. Since his debut in the double role of conductor and soloist with the Stuttgart Chamber Orchestra in 1996, Maestro Hobson has been invited to lead the English Chamber Orchestra, the Sinfonia Varsovia (including an appearance at Carnegie Hall), the Pomeranian Philharmonic (Poland), the Fort Worth Chamber Orchestra (Bass Hall), and the Kibbutz Chamber Orchestra of Israel, among others. Hobson is known for artfully programming recital series showcasing the complete piano works of noted composers, matching the subtleties of the composer’s works for each concert. He recently completed a six-concert series at New York’s downtown venue SubCulture entitled “Sound Impressions,” featuring the complete solo piano repertoire of Ravel and Debussy. Similar artistic endeavors include Hobson’s 2015 “Uptown/ Downtown: Preludes, Etudes, and Variations” series—focusing on outstanding examples of each genre by Fauré, Schumann, Rachmaninoff, Debussy, and Szymanowski, with world premieres by Yehudi Wyner (Preludes), Robert Chumbley (Etudes), and Stephen Taylor (Variations)—as well as his performance of the complete solo piano works and chamber music with piano of Johannes Brahms. Hobson continues in the role of music director of the Sinfonia da Camera, a professional chamber orchestra affiliated with the Krannert Center for the Performing Arts and College of Fine and Applied Arts of the University of Illinois at Urbana-Champaign, where Hobson is the Swanlund Emeritus Professor of Music. He is also Professor of Music at Florida State University. In addition to being a celebrated performer, Hobson is a dedicated scholar and educator who has pioneered renewed interest in the music of such lesser known masters as Ignaz Moscheles and Johann Hummel. He has also been an effective advocate of works written expressly for him by a number of today’s noted composers, including Robert Chumbley, Benjamin Lees, John Gardner, David Liptak, Alan Ridout, and Yehudi Wyner. Hobson is also a much sought-after judge for national and international competitions and has been invited to join numerous juries, among them the Van Cliburn International Piano Competition (at the specific request of Cliburn), the Arthur Rubinstein Competition in Poland, the Chopin Competition in Florida, the Leeds Piano Competition in the U.K., and the Schumann International Competition in Germany. In 2005 Hobson served as Chairman of the Jury for the Cleveland International Competition and the Kosciuszko Competition in New York; in 2008 he was Chairman of Jury of the New York Piano Competition; and in 2010 he again served in that capacity of the newly renamed New York International Piano Competition.


One of the youngest ever graduates of the Royal Academy of Music, Hobson began his international career in 1981 when he won First Prize at the Leeds International Piano Competition, after having earned silver medals at both the Arthur Rubinstein and ViennaBeethoven competitions. Born in Wolverhampton, England, he studied at Cambridge University (England), and at Yale University, in addition to his earlier studies at the Royal Academy of Music. Professor of Cello Gregory Sauer joined the College of Music in 2006. A native of Davenport, Iowa, Gregory Sauer attended the Eastman School of Music and the New England Conservatory. His principal teachers included Ada Marie Snyder, Charles Wendt, Paul Katz, Laurence Lesser, Bonnie Hampton and Colin Carr. For eleven years prior to his arrival at FSU Sauer taught at the University of Oklahoma, where he was named Presidential Professor (2005). Praised for his versatility, Sauer performs in many different musical arenas. He has appeared in recital at the Old First Concert Series in San Francisco, the Crocker Art Museum in Sacramento, the Brightmusic Concert Series in Oklahoma City, at universities and schools of music such as the Blair School of Music at Vanderbilt, the Shepherd School at Rice University, the University of Iowa and the University of Tennessee, among many others. Sauer was a prizewinner in the Hudson Valley Philharmonic and Ima Hogg National competitions and has performed concertos with the Hudson Valley Philharmonic, the Houston Symphony, the New American Chamber Orchestra, the Quad City Symphony, Oklahoma City Philharmonic, the Columbus (GA) Symphony, the Tallahassee Symphony, and the Missoula Symphony, among others. Sauer joined the Carpe Diem String Quartet in 2019, playing concerts in Carnegie Hall’s Weill Recital Hall, Siena, Italy, and in the group’s first China tour. Along with his brother, Thomas Sauer, he serves as co-Artistic Director of Chamber Music Quad Cities in their hometown of Davenport, Iowa. Other chamber music ventures have resulted in appearances at the Austin Chamber Music Center, the Snake River Music Festival, the Victoria Bach Festival, the Texas Music Festival, the Colorado Music Festival, and the Garth Newel Music Center. As a member of the Fidelio Quartet, a prizewinning group in the London International String Quartet Competition, he performed concerts in the UK, Germany, Italy, and the Tanglewood and Aspen Music Festivals. In 2006, Sauer was appointed to the music faculty at Florida State University. Prior to that he taught eleven years at the University of Oklahoma, where he was named Presidential Professor. Other teaching/performing positions have been a visiting professorship at the University of California at Los Angeles, summer programs such as the Texas Music Festival, the Duxbury Music Festival, the Foulger International Music Festival, the Green Mountain Chamber Music Festival, Red Lodge Music Festival, and the Hot Springs


Music Festival. Sauer has recorded for MSR Classics, Harmonia Mundi, Albany, and Mark Records. Sauer attended the Eastman School of Music and the New England Conservatory. His teachers included Ada Marie Snyder, Charles Wendt, Paul Katz, Laurence Lesser, Bonnie Hampton, and Colin Carr. Associate Professor of Violin at Florida State University, violinist Benjamin Sung is also a Faculty Artist and violin coordinator at the Brevard Music Center, and principal second violin of the Brevard Music Center Orchestra. Recent concert highlights include the 2018 Brevard Music Festival; a complete Beethoven cycle with pianist David Kalhous; an appearance with the FSU University Symphony Orchestra in Piazzolla’s Estaciones Portenas for the 2016 ASTA National Conference; and a TED talk for TEDx Fargo. Sung has performed as soloist with numerous orchestras, including the Camerata Romeu of Havana, Cuba, the Virtuosi of Festival Internacionale de Musica in Recife, Brazil, and the National Repertory Orchestra. He is equally in demand as a chamber musician, having shared the stage with great performers including pianist Monique Duphil, and cellists Antonio Meneses and Marcio Carneiro. He is a past winner of the Starling Award of the Eastman School of Music and the Violin Fellowship of the Montgomery Symphony, and an Aaron Copland Fund Recording Grant. An enthusiastic advocate of contemporary music, Sung has recorded the music of composers Steve Rouse and Marc Satterwhite for Centaur Records, has performed and taught for Studio 2021 at Seoul National University, and has worked with many of the greatest composers of this generation, including John Adams, Pierre Boulez, George Crumb, and Helmut Lachenmann. In 2012, he released an album of new American works on Albany Records entitled FluxFlummoxed, a recording hailed by Fanfare Magazine as “a brilliant performance of four superb works” with “impeccable intonation and tone production.” Sung holds the Bachelor’s degree from the Eastman School of Music, where he studied with Oleh Krysa, and Master’s and Doctorate degrees from the Indiana University Jacobs School of Music, from the studio of Nelli Shkolnikova. Sung also studied at the Professional Training Program at Carnegie Hall, the Lucerne Festival Academy, the New York String Seminar, and the Chamber Music Residency at The Banff Centre.


HOUSEWRIGHT VIRTUOSO SERIES

FESTIVAL of NEW MUSIC RUBY DIAMOND CONCERT HALL FEBRUARY 3, 2024 | 7:30PM Ready for something new? Experience the Festival of New Music (February 1-3) and join us for the closing concert in Ruby Diamond Concert Hall. This final performance of the festival will feature the University Symphony Orchestra, conducted by Alexander Jiménez, and the University Wind Orchestra, conducted by Rodney Dorsey.

For tickets and additional information, visit: tickets.music.fsu.edu


HOUSEWRIGHT VIRTUOSO SERIES

NEW DIRECTIONS IN BRAZILIAN MUSIC OPPERMAN MUSIC HALL FEBRUARY 9, 2024 | 7:30PM FSU Musicology professor and composer Panayotis (Paddy) League presents a program of works inspired by decades of research and performance in Brazil. The suite of pieces, “Sereias do Mar Mineiro” (Mermaids of the Mountain Sea), pays homage to the popular music traditions of the states of Minas Gerais and Paraíba and features an ensemble of FSU and FAMU faculty and students on accordion, harp, strings, brass, woodwinds, and Afro-Brazilian percussion.

For tickets and additional information, visit: tickets.music.fsu.edu






2023–2024 CONCERT SEASON FALL November 19, 2023 Elijah Felix Mendelssohn

UNITY 17 January 28, 2024 Sounds of Cinema Celebrating Tallahassee’s Bicentennial

SPRING April 28, 2024 Lord Nelson Mass Joseph Haydn

TICKETS: TCCHORUS.ORG OR 850-597-0603 All performances in Ruby Diamond Concert Hall, Florida State University Funded in part by


UNIVERSITY MUSICAL ASSOCIATES 2023-2024 Dean’s Circle Les and Ruth Ruggles Akers Richard Dusenbury and Kathi Jaschke CarolAline Flaumenhaft

Jim and Betty Ann Rodgers Tate and Jo Todd

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Sustainer cont’d Robert and Caryl Pierce * David and Joanne Rasmussen Stephen and Elizabeth Richardson * Ken and J.R. Saginario Jonathan Jackson and Greg Springer Nell and Marshall Stranburg

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The University Musical Associates is the community support organization for the FSU College of Music. The primary purposes of the group are to develop audiences for College of Music performances, to assist outstanding students in enriching their musical education and careers, and to support quality education and cultural activities for the Tallahassee community. If you would like information about joining the University Musical Associates, please contact Kim Shively, Director of Special Programs, at kshively@fsu.edu or 850-644-4744.

The Florida State University provides accommodations for persons with disabilities. Please notify the College of Music at 850-644-3424 at least five business days prior to a musical event if accommodation for disability or publication in alternative format is needed.



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