Alex The Astronaut 20, Arts Guide

ARTS GUIDE Exhibitions to see in August

Words by Ben Lamb

Shelley Lasica: When I Am Not There

Monash University’s Museum of Modern Art will be home to works of choreographer and dancer Shelley Lasica this August. With MUMA’s senior curator at the helm, this exhibition is set to move through decades of Lasica’s work, including some elements made specifically for the exhibition. When I Am Not There will be a celebration of the dancer’s 40-year career, with the event paired alongside a monograph, featuring additions from colleagues like Erin Brannigan and Justin Clemens. This monograph will be one of the first published on an Aussie choreographer.

Check this out at Monash’s Museum of Art (Caulfield). It runs from August 16 until August 27.

Kate Durham: It’s All in the Details

Kate Durham is one of Melbourne’s most prolific artists, selling her beautiful creations across the world. The artist focuses on creating decorative arts, painting and jewellery, among much more, with her work exhibited in many Aussie galleries over the years. Over lockdown, the artist created a number of beautiful jewellery pieces, the extended free time allowing her to create some of her most intricate, detailed work, hence this exhibition’s title. These collections will be shared with Melbourne audiences this August.

It’s happening at fortyfivedownstairs. You can check it out from August 16 through to August 27.

David Thomas: Love Poem to Life

The Heide Museum of Modern Art has been home to many great exhibitions in the past, which will often move from one gallery to another, and delight fans across the country. David Thomas’ new show won’t be able to achieve that, as it responds to the shape, atmosphere and ins-and-outs of the Heide Museum itself. Each room attains a unique vibe, and Thomas’ often monochromatic paintings respond to that. It’s set to be a celebration of the iconic Museum.

Check this out at the Heide Museum of Modern Art. It’s happening from August 6.

Michelangelo Russo & Jennifer Jabu – Vele

‘Vele’ is the Italian word for sails, and that’s what this exhibition is all about. Michelangelo Russo and Jennifer Jabu will be displaying their renowned fabric artwork in this exhibition, with every piece the result of a long, arduous process that takes the viewer on their own visual journey. The pieces come to life through fabric and cardboard manipulation, inspired by Michelangelo’s 2002 exhibition WAX, featuring pieces built using cotton and denim.

Vele is happening at the fortyfivedownstairs. It’s taking place from August 2 through to August 13. Meagan Streader is one of Melbourne’s coolest modern artists, really setting herself apart from the pack with her unique artistic approach and consistently intriguing exhibitions. The artist will be bringing This Space of Vibration to Melburnians in August, a futuristic experience created through light, with the aim of crossing visual boundaries. This Space of Vibration also sees Streader turning perceptions on their head – you’ll engage with a range of visual illusions and memorable textures.

Check this out at the MARS Gallery. It’s taking place from August 3 to August 28.

BLEED

BLEED, or the Biennial Live Event in the Everyday Digital, dives into the chasm between art in the online sphere and art in real life. BLEED is a technologically advanced show that’s taking place across Australia and Taiwan, but is partly hosted by Arts House. Melbourne’s incarnation will feature a number of digital pieces that are truly one of a kind.

Check this out at Arts House. It’s taking place from August 29 to September 25.

Jo Carroll: Manifest

Aussie artist Jo Carroll is known for her beautiful art pieces that make great statement pieces for your home. She has an amazing exhibition that’s making its way to the West End Arts Space this August, so you’re able to immerse yourself in many of her beautiful new original pieces.

Check this out at the West End Arts Space from August 17 to September 3.

Margaret Ackland: Balancing Act

The work of Sydney painter Margaret Ackland has been seen in art galleries across the globe, her latest exhibition heads to Melbourne in August. Her stunning watercolours were created over the last couple of years and are set to dazzle all as they hit the Flinders Lane Gallery.

Check this out at the Flinders Lane Gallery from August 9 to August 27.

Credit Dan Bould

SOMETHING FOR KATE

It seems strange in hindsight, but 25 years ago, few would have expected that Melbourne’s Something For Kate would still be a going concern in 2022.

Words by Tyler Jenke

In fact, the first ones tell you that would have been the band themselves, which at the time comprised guitarist/vocalist Paul Dempsey, drummer Clint Hyndman, and bassist Julian Carrol. A quarter of a century later though, Something For Kate have proved themselves wrong, and now they’re taking a retrospective look back at Elsewhere For 8 Minutes, the album that helped them to kick off an enduring, and beloved career.

Looking back on those early days, Dempsey recalls the band’s formative years as consisting almost exclusively of “nervous energy and excitement”. Forming in 1994, they released a demo cassette in 1995, before their The Answer To Both Your Questions and Dean Martin EPs arrived in 1996. Months later, they were in New Zealand, recording their debut album with producer Brian Paulson (Slint, Superchunk, Wilco). “The first couple of years, it just seemed like a lot of things happened really fast,” Dempsey remembers. “We hadn’t really been gigging around for a year before we started getting offers from record companies and things like that. “It just seemed like it was just beyond what we had thought possible or realistic. When we started the band, we just wanted to play some gigs. We were three young guys who went out to see bands almost every night of the week and we just wanted to give it a shot ourselves.”

After only around “15 or 20 gigs”, the young band were already faced with the notion of writing and recording an album. However, given the trajectory other contemporaries had faced, it almost felt as though things would end before they’d even begun. “When we did sign with Murmur, the initial deal was for two EPs and an album, and we kind of expected that would be it,” Dempsey notes. “Then we’d all have to get real jobs and we’d get dropped by the label because our record would bomb. “That was sort of a cycle back then. Bands got signed, they made an EP and an album, and then most of them disappeared.”

Needless to say, no one in Something For Kate could have foreseen a career that would last almost three decades, comprise numerous chart-topping records, and both local and international acclaim. “We just never thought we were that band. I think you could say we’ve always been the sort of band that doesn’t exactly fit anywhere, but even more so back then,” Dempsey notes. “We weren’t like the bands that were typically becoming big, successful, and well known.”

While their debut album was the start of something wonderful, it also was the end of something just as special, with bassist Julian Carroll making the decision to depart the band following the recording. For the accompanying tour, they were joined by Toby Ralph, before Sandpit’s Stephanie Ashworth solidified their final lineup in 1998. While Carroll’s impending departure might have cast a shadow over the recording in some ways, it was a wholly amicable decision, and one that spurned the band on to make an even better debut. “We decided that the right send-off for Julian would be to go to New Zealand and make the first album together, because we also thought it might be the last album,” he recalls. “So we thought, ‘let’s just see this thing through and let’s just make this record together’. And we finished the recording sessions in New Zealand, Julian said goodbye, and he got on a plane.

“But it felt good, because we felt we were doing the right thing by each other. We wrote those songs together, we totally understood Julian’s decision, and there were no hard feelings. If anything, we wanted it to be a good feeling that we completed this journey together.”

Upon its release, Elsewhere For 8 Minutes didn’t reach the Aussie charts (the band’s only release not to do so), but in true Something For Kate fashion, commercial success was the furthest thing from their minds. ”We were just watching our audience get bigger,” Dempsey recalls. “We weren’t all over the radio or anything like that, but that there was no change for us. The thing that was really measurable was that every time we went to Sydney or Brisbane or wherever, we were moving to a slightly bigger venue than last time.

“That’s always been my only kind of measure of anything. It’s not what people say about you or what radio station is playing you – none of that has ever mattered to me as much as the people you’re standing in front of playing to. That to me is the point of music.” “That’s always been my only kind of measure of anything. It’s not what people say about you or what radio station is playing you – none of that has ever mattered to me as much as the people you’re standing in front of playing to. That to me is the point of music.”

To celebrate the record’s silver anniversary, Something For Kate have not only reissued Elsewhere For 8 Minutes on vinyl, but they’re hitting the road for a trio of shows to play the album in full – much like they did with Echolalia’s 20th anniversary recently. “We never saw ourselves doing this kind of stuff, playing an anniversary of a record,” Dempsey laughs. “This time around, we didn’t want to get sucked back into doing this whole anniversary thing where you’re always looking back because, as a band, we’re always looking forward.”

Notably, these forthcoming shows won’t see the group joined by bandmates Adrian Stoyles and Olivia Bartley, instead seeing Something For Kate playing as a three-piece for the first time since the ‘90s.

“Because it is such a stripped back, raw rock record, it occurred to me that this is probably our only record that we can just do as a three piece; just me, Clint, and Steph,” says Dempsey.

Initially planning a one-night-only affair, the rehearsal process soon inspired shows in Adelaide and Sydney. Due to the retrospective nature of the shows, it’s set to feature some songs which haven’t appeared on a setlist in over 20 years, or in the case of ‘Glass Timing’, never.

“There’s a lot of songs that are not common, but just to do it all just from start to finish is exciting, and fun,” Dempsey explains. “It’s just all going to be really exciting as well to just be on stage just with Clint and Steph, like it was in 1998, just the three of us.” But while 2022 is predominantly featuring Something For Kate looking into their back catalogue, fans can rest assured the band won’t be becoming a nostalgia act any time soon. Rather, they’re here to celebrate an important moment in their career in a unique way.

“We’re really wary about playing on nostalgia, but it’s just going to be fun to bash this record out, and there’s going to be a lot of people who really associate this particular record with some point in their life or whatever, and that’s a good vibe; that’s fun,” Dempsey says. “And it won’t just be this record, we’ll round it out with some other things that are from that era of the band as well..

“But the main thing is just that it’s going to be sort of a return to three-piece Something For Kate, which hasn’t happened in a while.”

Something for Kate are celebrating the 25th anniversary of their debut album, Elsewhere for Eight Minutes, at Northcote Theatre on August 26.