gail_MILANO_selected works by Gail Milano

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s e l e c t e d

d e s i g n s

p r o f e s s i o n a l

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w o r k

G 4-9

10 - 11

12-17

18-19

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a r t i n

s e m b l i n g

c t o n i c

o l d i n g

d ay

P 26-29

30-31

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a c t u r e s

Fac

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S L

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t u d i e s

i gh t

t h e s i s

r e s e a r c h

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Revere Quality H Documentation

Inte

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r v e s t

TRACE [ Ar

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p i e c e s

r o f e s s i o n a l

a v i l i o n

r a d u a t e

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RE:texturing a Fabric San Martin Wellness Center

San Martin, Mexico Graduate Design Through its tectonic construction, the wellness center makes use of common construction techniques and materials of the area. By manipulating the bricks, the architecture makes use of a material which is normally hidden in construction throughout the area. These bricks become the expression of construction and also create a filter which retextures the edges of surrounding the plaza and provide the privacy needed for a small scale wellness center

Tectonic Pavilion Charette in Tectonics Graduate Design

The tectonic pavilion charette was intended as an exercise in decision making considering the meeting of components within a construction. This particular construction explores the significance of the separation between overhead and occupied volume. Structure acts as the physical separating medium while trying to achieve a weightlessness that separates it from the woven skin. The exterior skin is an experiment in itself where contrast of the concepts of the rigidity of metal and the operation of weaving are challenged.

Light Pilgrimage Retreat Mykonos, Greece Graduate Design

Programmed as a single occupancy temporary dwelling, this retreat for the duration of the Catholic Orthodox 50 days of lent. It is meant as a space of self reflection, where light enters the volume freely allowing the occupant to keep in touch with time. The entire layout, though small is developed around the idea of journey, transition and ritual. Hovering above ground entry, the procession into the space is marked by the movement of light through a carefully articulated mass. As an occupant emerges into the occupiable volume, the make the transition from a massive volume of darkness into a tectonic volume of light.

1 4

1 2

2 DN 1

REF.

---

A106

1 A106

The articulated mass was generated off the diagrams and concepts of light entry into the passageway. Its gesture is one of the most prominent features anchoring it to the narrow surroundings. The tectonic constructed occupiable volume contrasts with the massiveness of the surroundings.

Urban Revitalization Orlando, Florida Graduate Design

The city of Orlando sought to revitalize the Church Street area of Downtown Orlando. At the time, the new Amway arena was underway, and proposals where intended to occupy the lot next to the arena and supplement with interventions underneath the I-4 overpass. This proposal juxtaposes the solidity of a massive insertions into a translucent lantern volume. Housed within the lantern are hotel accommodations, while more massive areas are programmed for common public uses such as museums, shopping and restaurants.

Urban Revitalization Orlando, Florida Graduate Design

To prepare for this project, a charette for redesigning the I-4 bridge was conducted to generate initial ideas for the activation of the underside of I-4. The installations beneath I-4 utilize the fissures in highway interchanges to strategically install large greenhouses to act as small public green spaces. While the bridge design is minimal, the project is concerned with the interaction between the glass volumes and the movement of the highway.

Fracturing Light

Masterâ&#x20AC;&#x2122;s Research Project Graduate Design This Research Project was an investigation into the roles, and methodologies of designing with light in architecture. Through the research, a process of analyzing light and generating depth and space through this analysis emerged. From this process the understanding of light in three phases/ roles within design manifested: Light as object, light as catalyst, and light as paradigm. All results were intended to end on speculation with the understanding that moving beyond the speculation would remove focus away from the investigation of light and into an investigation of tectonics.

Ceiling

7'6"

Screening

WP Striated Plywood

Screen Door 2'-6" x 6'6"

Lolly Column 3.5"

Screening

Lolly Column 3.5" Screen frame #3

Fixed Glass #3

Glass Jalousie #3

Lolly Column 3.5"

Glass Jalousie #2

Lolly Column 3.5"

Glass Door 2'6"x6'6"

WP Striated Plywood

Glass Door 2'6"x6'6"

Lolly Column 3.5"

Fixed Glass #1

Lolly Column 3.5"

Screen frame #1

floor main house

12'

GL. jALOUSIE #1

12'

1/4" FIXED PLATE GLASS SLAB LINE

1/4" FIXED PLATE GLASS

GL. jALOUSIE #2

LOLLY

12'

GL. jALOUSIE #4

12'

SCREENING

LOLLY

BED ROOM # 1

GLASS SLIDING DOOR

DRAWERS CABINETS

DINING ROOM LIVING ROOM

LALLY

PORCH

LOLLY

LOLLY COLUMN LINE OF OVERHANG

BEDROOM CLOSET LOLLY

PATIO

18'9"

10"

LINE OF ROOF

HOOD LINE 14'3"

LOLLY COLUMN

KITCHEN

BED ROOM # 2 SCREEN DOOR 3'0"X6'6"

LINE OF SCREENING LOLLY

2'-9"

LOLLY COLUMN

GLASS JALOUSIE #5

LOLLY

GLASS JALOUSIE #5

LOLLY

GLASS JALOUSIE #4

GLASS JALOUSIE #5

GLASS JALOUSIE #4

Fixed Glass #8

Glass #9

LOLLY COLUMN

LOLLY

LINE OF OVERHANG

Lolly Column 3.5"

Screening

Fixed Glass #7

6" Concrete

Fixed Glass #3

Glass Door 3-0"x6'6"

Fixed Obscure Glass #11 Glass Jalousie #6

WP Striated Plywood Fixed Glass

Glass Jalousie #4

Lolly Column 3.5"

Screen Door 2'-6"x6'6" S

E N I

Glass Jalousie #5 Glass Jalousie #4 Lolly Column 3.5" WP Striated Plywood

WP Striated Plywood Conc. Wall

Lolly Column 3.5"

Revere Quality House

Sarasota, Florida Graduate Studies Documentation In this study of one of Paul Rudolph’s houses, students were charged with the task of converting, confirming and re dimensioning existing construction documents of the house, into digital format.( which do not currently exist) This assignment brought attention to the subtle details in Rudolph’s work, as well discovery of Florida vernacular of the time period.

Glass Jalousie #1

STORAGE

W.P. STRIATED PLYWOOD

LOLLY

LOLLY COLUMN

ARPORT

Screening

Rough Ceiling

Screen Frame # 12

Sliding Door (west elevation)

WP Striated Plywood

C O N C R E T E

7'-6"

C O N C R E T E

WP Striated Plywood

LOLLY COLUMN Lolly Column 3.5" Line of Pump House

Door Cut From WP Striated Plywood

Lolly Column 3.5"

10'1 1/8" P.H.

1'-4"

10'1 1/8" P.H. 1'-4" 6/12 PITCH

HI P

6/12 PITCH

10'1 1/8" P.H.

P HI

6/12 PITCH 6' 0/R VENT RIDGE

P HI

6/12 PITCH

VA L

6/12 PITCH

10'1 1/8" P.H.

6' 0/R VENT

1'-4"

10'1 1/8" P.H.

RIDGE

1'-4"

6/12 PITCH

10'-1 1/8" P.H.

VA L LE

L VA Y

RIDGE HI P

P HI

L VA

CONVENT. FRAMED CRICKET T.B.D.

6' 0/R VENT

6/12 PITCH

FALSE WALLS TO BE FRAMED (SEE ELEV)

8'-11"

RIDGE

1'-4"

TC H

6/12 PITCH

CRICKET T.B.D.

RIDGE

17'1 1/8" P.H.

RIDGE

10'1 1/8" P.H.

RIDGE HI P Y

10'1 1/8" P.H.

EY LL VA HIP

6/12 PITCH

EY LL VA HIP

V HI AL LE P

6/12 PITCH

EY LL VA IP H

6/12 PITCH 10'1 1/8" P.H.

P HI

HI P

4' 0/R VENT

10'1 1/8" P.H.

6/12 PITCH P HI

6/12 PITCH

HI P

6/12 PITCH

10'-0

RIDGE

HI P

P HI

1'-4"

1 2"

6/12 PITCH

3'-5

1 2"

8'-0"

3'-5

1 2"

7'-6"

1'-5

8'-0"

5 8"

1'-5

9'-3"

5 3 8 " 98 "

3 8"

1'-8

9'-3"

The Benvenuto

54'-4"

Intern Work : Intervest Construction Inc. Jacksonville, Florida The design seen belongs entirely to ICI homes in Jacksonville Florida. During the period of time worked, a full set of architectural construction documents including electrical plans were produced. Shown are selected plans elevations and details demonstrating knowledge of the construction document process from foundation plan to roof plan.

1'-4" 6/12 PITCH

PRE-ENG'D TRUSS BOTTOM CHORD

P HI

2x4 FRAMING

10'1 1/8" P.H.

11-3/4"

10' CLG HT.

FIELD FRAME DOWN FROM TRUSSES

11' CLG HT.

6/12 PITCH

2x4 FRAMED WALL

TYPICAL FRAME DOWN FOR TRAY CEILING

MASTER BEDROOM

10'1 1/8" P.H.

MAX BUILDING HEIGHT

1" 5"

6" 6" FOAM STUCCO FRIEZE

RADIUS 1" RADIUS 4-1/2"

STUCCO CORBEL DIMS

BARREL TILE ROOFING

12 6

6 DECOR. STUCCO CORBEL

GARAGE P.H.

BEDROOM #4 P.H.

18'-7

10'-1 1/8" P.H.

6/12 PITCH

STONE FINISH

WINDOW HDR.

1 8"

CRICK

6/12 PITCH

4' 0/R VENT

FIN. FLR.

OPT. ALUM. GATE TBD

STUCCO FINISH

DECOR. CARRIAGE DOORS MANUFACTURER T.B.D.

L VA

6/12 PITCH

RIDGE

4" FOAM STUCCO BULLNOSE TO RUN THROUGH ENTRY

RIDGE

3'-0"

10'1 1/8" P.H.

18"x48" 2x4 P.T. SHUTTERS BUILT IN FIELD

10'-1

8'-0"

4'-0" 1 8"

7'-6"

14"x60" 2x4 P.T. SHUTTERS BUILT IN FIELD

FIN. FLR. 4" FOAM STUCCO BULLNOSE BANDING

10'-1

1 8"

STONE FINISH

1'-4"

3'-10

5 8"

1'-4"

6" DECOR. "THIN BRICK" BANDING TYP.

54'-4" 1 2" 1 2"

3'-3"

4040 SH (TEMP) HDR @8'-0" AFF

2X6

1 2"

13'-5

10'-11

10' P.H.

2'-6" 1 2"

10'-3

6'-10 3'-6

1 2"

10'-0"

17'-7

10'1 1/8" P.H.

D/W

KITCHEN 11-10 X 14-1

SINK & DISP.

5'-5

30'-2

3 4"

5'-0"

3060 SH HDR @8'-0" AFF

1 2" 1 2"

4'-8"

3'-5

RIDGE

4'-5"

(2)4044 SH HDR @8'-0" AFF TEMP

10'1 1/8" P.H.

5 SH 16" D

REF. BY OWNER

TOWER OVEN

(2) 2680 FR. DRS. 1 LITE

W R&SH

2X6

5 SH 16" D

1 2"

21'-11

18-0 X 23-0

D 1'-4"

2068

10' P.H.

OPEN COURTYARD

1 6' 0/R VENT 1 3'-3 2 " 2"

GATHERING ROOM

1'-4"

1 2"

4'-1"

7'-7

5 SH 16" D

3 4"

10'-8

6'-1

1 2"

3186 EB

6'-0"

2'-10" 1668 BF

BEAM BY ENGINEER

3 4"

10' P.H.

4'-1

LE VA L

1 4"

1 2"

3'-9

3 21 "

1 2"

4'-2

LAUN.

1 2"

19'-7

1 2"

2X6

2'-8

6'-6"

6'-2"

21-6 X 8-0

1 2"

21'-11

4'-3

36" GAS F/P 1 2"

6'-11

10' P.H.

OPT SINK

AHU

COVERED LANAI

R&SH

R/A

OPT BUILT IN

1 2"

6'-11

3'-5"

2'-0"

1 2"

3'-6"

3'-5"

1 2"

3'-5

3'-2 10'CLG.

1 2"

3'-9 3'-0"

68 24 6/12 PITCH

1 2"

4'-2

1'-4"

5 SH 12" D

1 2"

2'-6"

1 2"

13'-5 P

(2)R&SH 2X6

HI 10' P.H.

20 68

2'-4"

OPT BUILT IN

HI P

1 2"

3'-8

2668 BF

6'-4"

1 2"

17'-3

3 4"

1 2"

2'-5

3'-8

5'-1"

6X6 P.T. POST WRAPPED W/ STUCCO OPT. 5' MASONRY WALL OR IRON FENCE

12-0 X 13-0

2'-1 5'-1"

10'1 1/8" P.H. BEAM BY ENGINEER

29'-9

1 2"

13'-5 17'-3"

3'-11" 3 4"

1 4"

1'-10

1 2"

5'-3

RIDGE

6/12 PITCH

IRON GATE FOR FENCE

1 4"

6'-6"

68 28

4'-3

OPT SUMMER KITCHEN

10'-11

10' P.H.

11'

BED #2 10' P.H.(TRAY CLG.)

1 2"

W.I.C.

6' 0/R VENT

6/12 PITCH

3'-3

TYP.

1 4"

3'2068 2468

2'-0"

TYP.

3'-3

2'-8"

1 2"

18'-3

1 2 " 1'-11

5 SH 16" D

10' P.H.

10' CLG.

2'-10"

1 2"

2X6

10' P.H. (STEP CLG.)

18-0 X 16-9

2'-11" MC

M. BATH 1 2"

5'-6

1 2"

42" KNEE WALL W/ TEMP GLS ABV

1 2"

8'-10 6/12 PITCH

OWNER'S SUITE 1 2"

3'-1

1'-0"

R&SH

2'-3" K/S

10'-0"

12'-11

10'1 1/8" P.H.

1 2"

2X6

R&SH

12'

6080 SGD

33'-6

2X6

11'

VALVES

3'-2

12'-9" HB

6/12 PITCH

1 2"

3'-2

2'6"TEMP GLS DOOR

HI 1 2"

5'-5

4'-10

1 2"

2X6

6'-6"

4010 FXD HDR @8'-0" AFF

10'

4'-3

3'-3" 10'1 1/8" P.H. 3060 SH HDR @8'-0" AFF

6/12 PITCH

2'-11

1 2"

2X6

4040 SH (TEMP) HDR @8'-0" AFF

1'-4"

11'-6"

3060 SH HDR @8'-0" AFF

1 2"

24'-6 1 2"

5'-3

BATH #3

5'-11

2X6

1 2"

2'-10

42" BAR TOP

1 2"

2'-11

18'-0"

1'-4"

11'-9

1 4"

3 4"

3'-11 3'-8"

4'-0

1 4"

4'-6

6' 0/R VENT

1 4"

1 2"

11'-8"

3060SH-HDR @8'-0" AFF 3060SH-HDR @8'-0" AFF

11'-10" RIDGE

1'-0"

P HI

10'-0

RIDGE 3686 EB

VA L

TC H

1 8"

3'-6 4'-2"

1 2" 1 4"

3'-8

7" WALL

1'-9" 3 4"

2'-0

1 2"

6/12 PITCH

CURB REQUIRED BY CODE

3080 (2) 12" S.L.

4'-3"

2X6

RIDGE

TYP.

1 1'-

9'-5

COVERED 17'1 1/8" P.H. 10' P.H.

1 2"

14'-5

1 2"

21'-6

RIDGE

25'-4

1 2" 1 4"

HI P

10'1 1/8" P.H.

4'-3" 10'1 1/8" P.H. 2'-8" 26 68

10' P.H.

23-0 X 24-5

4'-0"

8'-0"

1 2"

1'-1

1'-7"

1 2"

4'-0"

10'1 1/8" P.H.

1'-1

3056 SH EB HDR.@7'-0" AFF

3'-5

1 2"

3'-5

1 2"

2'-3"

5'-3" 7'-6"

4'-0"

4'-0" 8'-0"

6'-1

9'0" X 8'0" O/H DOOR

9'0" X 8'0" O/H DOOR 1 8"

12'-2

1 4"

1'-1

P HI

10'1 1/8" P.H.

1 2"

P HI

5'-5

1 2"

NICHE

1 2"

5'-3

6/12 PITCH

OPT. IRON GATE TBD

R&SH

EY LL VA HIP

2-CAR GARAGE

2668 BF

2X4

RIDGE

1 2"

3'-11

OPEN AIR

EY LL VA HIP

VA L

ENTRY

3'-11"

6/12 PITCH

1 2"

3'-6

LE P HI

HI P

7'-5

68 P HI

4' 0/R VENT P

2'-0"

3060SH-HDR HDR @8'-0" AFF

3'-1"

2'-1

1'-4"

3 4"

10'-8 3 4"

15'-9 10'1 1/8" P.H.

3 5

1 2"

1'-9

L VA

6/12 PITCH

11'-10"

2X6

Note: Garage attic space not rated for storage. 6/12 PITCH

ATTIC ACCESS 22x54

4086 EB

6/12 PITCH

13'-2"

10' P.H.

1 2"

1'-0"

TOWER ENTRY

" '-6

1 2"

5 SH 16" D

R&SH

14-0 X 11-4

1'-1

10' P.H.

6068 BF

BED #4

1 2"

FOYER

10'

3'-7

1 2"

23'-11"

NICHE

3'-5

1 2"

10'6" CLG

3 PITCH 2'-06/12 3'-6 8"

7'-9"

5'-5"

CONVENT. FRAMED

CRICKET T.B.D. 5 " 3068 8 20 MIN. 4 RATED 1'-

'6"

CRICKET T.B.D.

6/12 PITCH

19'-1

8x12" BOX FRAME COL.

10' P.H.

BATH #2

2'1"

12-0 X 14-0

1'-4"

1 8"

3'1

10' P.H.

5 8"

6'-2

R&SH

4'-10 26 68

10' P.H.

14-0 X 12-0

FALSE WALLS TO BE FRAMED (SEE ELEV)

L VA

BED #3

3 8"

7'-0

12'-9"

DINING ROOM

5'-

RIDGE 2'-9"

CAFE 10' P.H. 10-6 X 11-0

8'-11"

3'-4"

10'CLG.

1 2"

19'-7

L VA

6/12 PITCH

12'-8

6/12 PITCH

E AC

FI 2 1 L 680 ITE

6080 SGD

6/12 PITCH

OP 10'-1 1/8" P.H.

2X6

3'-2

3 4"

5'-9

1 2"

(2)3060 SH HDR @8'-0"AFF

6'-0"

5'-7

TEMP

79'-6

1 2"

4'-2

2X6

1 2"

COOKTOP

1 2"

6'-1

1 8"

5'-4

7 8"

6'-3 11'-8

3 4"

7 8"

54'-4" 5'-9"

5'-7"

43'-0"

3 8"

3'-2

2'-7" 6 (R 0"L EF X6 : 6 0"W 0.0 X 0 20 X -1 60 /2 .0 "H D 0)

5 8"

2'-1"

27'-0"

4'-8

3'-3

17'-8

1 2"

AC CHA SE

1 8"

7'-3"

1 2"

7'-1"

PLEASE VERIFY DRAIN LOCATION W/ MANUFACTURE BEFORE PLUMBING STUB-UPS ARE INSTALLED.

2'-8

1 2"

2'-6

2'-3

1 2"

1'-3

2'-5

RECESS SHOWER 6"

4'-

10'-5

1 4"

1 8"

17'-9"

1 2"

3'-4

1 2"

RECESS FOR SGD

6" STEP DOWN

OPT. SINK

6'-0"

2'-5"

2'-1" 4"

2" SLP

10'-1

1 2"

13'-5"

AHU

BUILD PEDESTAL @ F.F.E. W

MONOLITHIC SLAB 6" BELOW FLOOR GRADE

21'-11

1 2" ICE LINE

8'-10

3 8"

1'-11

3 8"

0'-0"

-0'-7-1/2" (MIN)

12'-3

1 2"

DW SINK

2'-7"

32'-9

33'-0

3 4"

MONOLITHIC FOUNDATION (SEE FOUNDATION DETAILS & INTERIOR BEARING LOCATIONS BY ENGINEER OF RECORD)

26'-8"

79'-6

1 2"

32'-10

9'-4"

6'-0"

RECESS FOR SGD

18'-10

4'-5"

RECESS FOR SGD

1 2"

1 2" WH

4" MONO.

5'-10"

-0'-4"

2'-8

(MIN)

5 8"

7'-9

1 2"

3 8"

4'-9

1 2"

12'-8

1 2"

7-1/2"

6'-1

17'-0"

4" CONC. SLAB (2500 PSI) REINFORCED W/ EITHER 6x6 10/10 WWM OR FIBERMESH ON 6 MIL VAPOR BARRIER OVER CLEAN, COMPACTED FILL.

3'-6

1 2"

6" CURB REQUIRED BY CODE

27'-7

3 4"

6'-7

4" MONO.

1 2"

1'-1

1 2"

1'-1

1 2"

3'-4

1 4"

18'-11"

9'-5

3 4"

SLOPE SLAB 2"

SLOPE SLAB 1"

3'-5

1 2"

8'-0"

3'-5

1 2"

7'-6"

8'-0" 54'-4"

1'-5

5 8"

9'-3"

1'-5

5 3 8 " 98 "

9'-3"

1'-8

3 8"

79'-6

1 2"

7-1/2"

2" SLP

TRACE [re]PLACE

Llalla Yeddouna Fez, Morocco Intern work: Armstrong+Cohen Architecture Gainesville, Florida The design seen is attributed to Armstrong+Cohen Architecture as a competitive submission for the Redesign of the Historical District of Llalla Yeddouna in Fez Morocco. The intent of this competition was the revitalization of a dying area using local techniques and local vernacular. During this competition, main responsibilities included large elevation and aerial renderings to display the scalar articulations to the stereotomic volumes. The most powerful attribute of the project are the solar screens that originate suspended above the volumes and protrude inward creating interior courtyards.

FOOT CANDLES

Imbed[able] Massive Resin Lumenaries The design is an experiment of between light and materiality resulting in the development of a series of resin luminaries. These more massive luminaries sit free standing on the ground providing additional lighting at the ground level, while narrower light designs are intended to be imbedded into overheads and hung so that the occupant can view into the tube. Resin was explored in a variety of methods and colors. While the resin itself can be expensive ,depending on color, the production of the luminaries is relative inexpensive as the molds are pvc tubing which can be reused.

Assemble geometric wheel to lever and fasten to base

screw points coincide with the foci points of the given geometries 2 hours- 2 days before soak wood completely in water

2 minutes later: Clamp # 1

Handle supplies leverage for bending wood against form

metal washers evenly distribute pressure

Clamp #2: drying time 4- 5 hours

3 different variations of form- 2 copies of each- staggered drying for production

MORPHING MECHANISM

The Process to the mechanism,

wood bending mechanism

The design of this mechanism is derived from the origin of each of the curved forms it creates, the ellipse, the parabola, and the circle. As seen in the sample diagram to the left, each of the carved holes coincides with the foci located off the center line of a circle which contributes to the transition of a parabola to an ellipse etc. These carved holes also function as the clamp points used to anchor the wood to the form. Each mechanism is designed to describe the way in which the resultant wood shape is geometrically derived.

The product of the mechanism: form/ conical extrusions

The biproduct of the mechanism is Light. By attempting to control light solely through the form is designing counter to the idea of light.

form was not speciďŹ c enough a term for the bent wood pieces produced by the mechanism. More accurately these pieces were geometric extrusions. Because of the nature of extrusions, the light condition lacked the three dimensionality.

[43]

[39]