VOYEUR...4 FEATURES...6 FOOD... 12 BOOKS...15 LGBT+...18 FASHION...20 Travel...28 PHOTOS...31 ARTS...34 MUSIC...38 Film...46
VOYEUR
YOUR TIME IS NOW UP. PLEASE PUT DOWN YOUR PEN. What I am about to say will make many of you out there hate me. Yesterday I had my last exam. Ever. When I placed that pen down and the women with the lisp stated in an unnecessarily aggressive tone that we were free to leave, for me at least, it wasn't simply leaving an exam, but rather leaving University. I ask myself what to do tomorrow. I do not know. Nor do I know what I am going to do for the next however many days. The rest of my life awaits, and its bloody scary stuff. The excitement only creeps in when I allow myself to ignore the numerous doubts, practicalities and logical advice everyone offers. But when I manage to dodge all the realities, freedom is (relatively) appealing. There are approximately four weeks left of term. There is not much time left. There is a lot to do. Cardiff is best in the summer, and with the sun only around the corner, or so I hope, the city is awaiting to come alive with sunshine and an increasing amount of free students, desperate for fun times after weeks of light deprived, revision intense library time. Days must be spent lounging in Bute, early evenings should be the realm of BBQs and evenings must be occupied doing the rounds of all the usual nightspots. Those venues that have not been graced with your presonly for old times sake. Fun Factory will receive its obligatory rise in attendance as those facing adulthood clamour to relive Freshers' week and drink snakebite while looking at each other mournfully, questioning where the time has gone. It's gone fast, this is true. But it’s not over yet. Quench. There is still one more to go. So I will save the true soppiness, and no doubt tears until this time in two weeks. Until that point, I have lie -ins, and nights at the Union to look forward to... and I very much hope that all not solo in the Kitchen, drinking cider on my lonesome. Dom Kehat
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vouyer@gairrhydd.com
Issue 109 May 29
I'm Lauren. Studying second year illustration. I am inspired by everything old, books, recycled materials, memories, stitch, childhood letters and envelopes. Here's my blog http://warfood.blogspot.com please have a look!
Quench Quickie The Ideal Exam Procrastinaction- We are talking about the FIVE MINUTE CHOCOLATE CAKE. We lie not.... Ingredients: 4 Tablespoons sugar 2 Tablespoons cocoa 1 Egg 3 Tablespoons milk 3 Tablespoons oil 1 Mug Instructions: Spoon in 1 egg Pour in milk and oil, and mix well Put in microwave for 3 minutes on maximum power (1000watt) Wait until it stops rising and sets in the mug Tip contents out of mug onto saucer and enjoy!
Urbane Dictionary
Celebration (noun)
VOYEUR
tured n some kind of struc my ramblings withi sk ma ces. to ten on sen ssi us mi noble love of pretentio As I rebegin my ever logophilia- excessive , the ve ded ha y en ma ow I eh nk som thi s (I m ha etymological whole strong thesis), my ter days have rentheses, it seems a . From nowhere my ay thd bir Judging from this pa my ’s ow orr tom d n, to the an tio na at, sti ch a cra for nic induced pro sun has popped out me ansfor mation from pa got tra y g bo tin ky for luc ) com ite the wr happened upon . But today’s (as I sed mi her pro rat s on the ati ve ebr rgi of cel ir meanings. Fo unexpected comfort e and transfor m the ths, ng tru ha l na exc s ba ay’ of r thd dle Bir a ped thinkin’ about how ce, I don’t want to be unfunny ng about that senten reading frustratingly d an t ha ed wistful wisdom floati con the in n ma the ay tod as but it doesn’t matter, .I . r-intuitive thing to do cards is Mr. Bob Dylan struck me as a counte lly ua ard us gu s ha the ay ts, thd bir rescreened concer Celebrating Dylan’s my e with it at first – the at com gry t an tha s tly ng gh thi sli l the yet fee tend to appreciate n musical sapience, ter ness recognition of my ow Lazy. Such endless bit it. d are sh I ian sized Posters, the see to ort eff e a perthe lik de r, ma da ve en ha cal ’t bly marked in the eli mum that she couldn ind d an y ererl eag that a day, so someone used as a ref aside, it strikes me be even winked at by t ’s no y he p, rel su sto ’t ld can cou e of us lm Tucker (“H sonal badge for most of cally powered Malco eti ies en cit spl the It’s to g of nin ick ur Th y ret ence point for The constantly; timelessl d classics Dylan.”) Dylan tours old songs – canonise o int life sh like a Shark of Bob fre ing ath bre rs gone ge, yea an ch of s of ost nt gea ever accruing signp the the world, ever a ser g tin No . ion vis his prismatic seen askew through in his footsteps. n of , seems not to follow lan h other’s proclamatio Dy for w no by – 70 hes which mirror eac inc still n n, um me col y al eer ctr ch ly spe ski the Yet, in spite of ntaries told by hu me cu do y io wa rad e its le yn od uff d the an the chance to sh this cultural event, an nature, I gave itunes in ary ma itr my arb g tin its of igh te del spi of can lies the music. So in n, as a personal way has an ssingly large) collectio scattergun approach the t, en gm through my (embarra jud ter bet ated my rel to un d ary an ntr e f. Co seemingly disparat man, if only to mysel ined, its own through the tw of en s rn lly tte ica pa og ing eal ue gen off-beat way of seg meaning, somehow same man ing spurs of far apart f invigorated as the sel my nd songs - the interlock fou I . nd mi ry’ rcu th Johnny wi me rs ld wi dee in and plaintively balla ly thanks to Dylan’s ‘th sal na n the the as, ntr rrealist ma variety of his styles, brusquely howling su ebration is not in the cel e the d sam an the er ng nd ari wo t the pleasure of he Cash minutes later. Ye ther, it’s the unifying an alRa t re. bu s, gen ng in s thi all zag to zig hand novelty of ad hoc effortlessly cast his It’s enough – not a God who can y invested in his art. erl utt yet man in all his works d an n ico ce on at accept my er; to lon e e com rat ve stiff-lippedly most impenetrably lite birthday plans, (I ha ll cope toe’s wi I yon nk an thi le I pp ay, cri ok y to existentiall ite this), but that’s wr I er aft e him.. lik day ite the qu d ise was going to say, I writing won’t be eulog ing to Bob Dylan – I ten lis d an nk dru g morrow by gettin LG.
FEatuRES
Squat
FEatuRES
FEATURES
ThE FAcTS Why do People Squat?
This is no easy question to answer. There are a multitude of reasons why an individual or group of people may come to live in another’s property. For some, it is a political act, a statement of defiance about ownership. Such people feel an outrage at a situation that sees people living on the streets while spaces across the UK remain empty, abandoned, and decaying. Anarchist squats are common, where strict rules may be imposed on living, such as fighting a political cause. With a strong artistic community among squatters, properties are often transformed into venues for public participation. Interesting spaces such as warehouses and churches have previously been transformed into theatres, art galleries and nightclubs. Such exhibitions are often used as a means of raising funds to maintain squatted buildings. Other squats can come to play significant parts in local communities, running a variety of workshops, projects or support services. However, possibly the most common type of squatter is doing so due to personal circumstance. Homelessness or family breakdown can often result in people seeking this alternative type of accommodation. Among these communities, drug and alcohol use can be prevalent, leading to the common stereotype of the squatter as societal dropout.
Is it Legal? The simple answer is that yes, squatting is in fact legal. The Criminal Law Act of 1977 made it possible for individuals or groups to inhabit an unoccupied building without consent. Section Six states that forced entry through violence or intimidation is illegal no matter who the occupants may be, creating a legal loophole. While this means squatters cannot ‘break and enter’, it also means that they are hard to get rid of. Even the building owner or police cannot gain entry without a warrant. Rather than an issue of criminality, it is a civil matter, to be decided between two people in the courts. If the occupants use utilities, such as electricity, they are legally obliged to pay for them, despite living rent-free. Should the property be badly treated, it is a matter of criminal damage and can only speed up an eviction process. The property must be occupied at all times, even if it is only by one person. Should the owner or the police gain access without force or violence, the squatters are then legally obliged to leave. In the likely case that there is objection to the occupation of the building by the owners, a court date will be set to discuss the matter. Should an eviction notice be served, the squatters can have as little as 24 hours in which to leave the property. However, should no objection be raised, a building can be squatted indefinitely. Although it is extremely rare, should this continue for very long periods, the inhabitants can attempt to claim adverse ownership under common law, potentially securing the building as their own. Scotland is the exception to the rule. Entering another’s property without permission is illegal and punishable by either a fine or imprisonment.
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FEATURES What is Squat living like? Often, it is a difficult lifestyle to lead. Basic utilities such as water, electricity and gas can be legally refused. The threat of eviction is ever present, with many spaces lasting a matter of days and weeks rather than being a long-term option. This can leave the inhabitants temporarily homeless until a new site is found. However, make no mistake, a respectful squatter working within the law can enjoy a home experience much like the next person. Space is often divided, giving the individual there own bedroom that can be furnished and decorated as one would in rented or owned accommodation.
Want to Know more? The Advisory Service for Squatters have lots of useful information on the practical and legal elements of squatting. Visit them at: http://www.squatter.org.uk/
ThE Symbol
To be scrawled on the sides of buildings internationally, the Squatter Symbol is the combination of three different Nodic symbols. The Circle is said to symbolise a dwelling, while the line piercing it represents power. The exiting arrow is Teiwaz, symbolic of victory.
widespread use to this very day.
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FEATURES
SqUAT SToRy We were young. It was the Summer between college and Cardiff, and Freddy had found us home for the following few months. I’m not sure I knew what to expect when I was informed our merry band of friends had squatted a school. I pictured linoleum tacked to the walls. I was to be proved wrong, very wrong. old at least, four storeys high and as many rooms deep. Entry was permitted through a stinking, unsanitary basement with an inch or two of stagstair-climb later and the underfoot conditions had were high and grand, the windows too. Exquisitely places, undoubtedly of considerable value. The rooms were allocated on shotgun rules, different members of our dissident crew claiming their space with a mattress and sleeping bag. The the communal living room, decorated with tiedye throws and mismatched furniture. The water off, then on; and it wasn’t costing us a penny. Among us, every person had a story, a different level of disconnection from his or her home, a diflives, some had nowhere else to live, and some were just looking for adventure. I was the worst squatwas my lovely, middle-class home, complete with lovely middle-class family and a lovely middleclass fridge, full of Waitrose goods. Unlike like the others, I had a sanctuary of calm to which I would retreat without notice. I have no doubt that some squats have succinct political motives, reclaiming space and the like, ours on the other hand was there for only one purpose; it was a space in which we could take copious amounts of drugs. Our weapon of choice? Ketamine. And so, it was the summer of 2008, in the beautiful habitat of Redcoat’s School for Girls, that I found myself living in the company of a dozen young people, all thoroughly addicted to K. It wasn’t long before the place started to fall into disrepair; the resident artists scrawled their
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Jack Doran describes his experience of squat living: parties, dangerous dogs and ketamine for breakfast.
barely legible tags on every surface, irrespective of the value or beauty of their canvas. With two new squatters came two new dogs; Butch, a terrifying pit-bull, raised on a diet of aggression; and Bumph, a puppy, white in colour and of the same breed, named after a colloquial term for a small amount of powdered narcotics. The building soon started to stink as the feral animals pissed and shat at every turn, there owners seemingly oblivious. One quickly learned not to sit there or to hold one’s nose there, for the excrement and urine would never be dealt with. The school started attracting attention from other local drop-outs. No longer would we leave our possessions lying around. A half-drunk bottle of attended had become fair game. Trust and respect were wavered as addiction was grasping us all by the throats. The drug use that had started as a bit mer went on. A trip to nearby Bristol and the squat would be restocked, half a kilo at a time, the ketaout of the twelve inhabitants of the school could be selling the drug, often at half the street price. Sleep would occur largely in the daytime hours, folwould melt, the ceilings fall away, as we sat and snorted into the early hours, conversation growing far beyond our means. As the end of August neared, a letter fell through the door. The owners of the school had requested our eviction, a court date had been set. With the fear of being held accountable for the great damage ing. Predictably, an eviction notice was served. The residents disbanded, some returning to their fam-
of the squatting lifestyle had left a bitter taste. Cardiff University was to provide a safe escape from a destructive lifestyle. My friends were not so lucky, falling further into the dark realms of addiction. I will remember the days of squat living with a strange mix of feelings, it was a time of uninhibited excesses. I made some good friends, and lost some too. Whilst communal living of some sort still holds great appeal, I shall not be seen wasting in a drug fuelled squat again.
FEATURES
FOOD
Super Foods Quench
can turbo-boost your
Blueberries Blueberries are high in both vitamin C, essential for boosting your body’s natural defences and repairs,
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Rosey Brown
Pomegranate Juice
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By Joanne Southerd
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food@gairrhydd.com
FOOD
Acai Berries Curiosity about the hype surrounding acai berries and their relatively new acclaimed 'superfood' status meant I was eager to try them for myself. Acai berries, which look like a darker blueberry, are native to South and Central America where they have been a staple part of the diet for years. They have an unusual taste: an amalgamation of sweet berry juice with a bitter cocoa like aftertaste, which is strangely
levels. Moreover, it also claims to help clear skin conditions; reduce bad cholesterol and even aid weight loss. There is an 'acai berry diet plan', as a fruiter alternative to its Special K counterpart. Impressive. Unsurprisingly, this comes at a price: roughly £8 to £20 for various products at health food retailers such as Holland and Barrett. I found it sold in its pure berry form, as capsules, smoothies and juices and as a supplement in cereals. A higher strength of acai will cost you a higher price. Overall, if acai can match outside of an average student price range for regular consumption. I could not afford to take it for long Gabi Ford
Watercress by-a-real-scientist yum berry. But we’re probably never going to see these marvellous fruits, let alone taste them, because we are students. And we are poor - for the foreseeable future, at least. However, superfoods are not as extravagant and exotic as we have been led to believe. In fact, a lot of them are hardly what you’d think as super at all: apples, tomatoes, eggs, oats and broccoli all make the super team. But here’s a sneaky one you may not have guessed: watercress. Apparently, gram for gram, watercress is a better source of Vitamins C, B1, B6, K and E, iron, calcium, magnesium, manganese and zinc than most of its other super-team mates. Compared to these other wonder foods, it has more than four times the amount of beta-carotene and vitamin A equivalents - some of them special antioxidants that people on our teleboxes won’t shut up about. This is good for your pretty skin and eyes, as well as detoxifying your kidneys and digestive system, which is incredibly useful considering that a standard university night is made up of consuming our well-loved toxic friend, alcohol; to wake up in the morning covered in permanent marker. At only 85 pennies a bag in Tesco, this is a bargain superfood. And if you are really keen you can get on watercress in 49.69 seconds, who described his technique as “chewing one bag at a time and swallowing it with large gulps of water". Right. You can just put a bit in sandwich and take your time if you want. Charlie Hammond
food@gairrhydd.com
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FOOD
Review Melissa Parry
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BooKS
CAllIng All PoTTER fAnS! Harry Potter
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REVIEWS... Joe Abercrombie The Blade Itself
Jayne Joso The Perfect Architect
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Niyi Ajuwon Craig McDowall books@gairrhydd.com
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An education in adaptation... An Education
Hannah Embleton-Smith
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BOOKS
books@gairrhydd.com
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LGBT+
This week we're back in search of some answers. What is it that makes people gay? Find out whether we can surprise you or at least trigger some new thoughts on the matter.
nature This week the LGBT+ section of Quench is going to take a (hopefully) light-hearted look at the ancient argument of nature vs. nurture, in light of what is probably the most interesting aspect of person that the readers of this section would select: homosexuality. So lets take a jab at it. What do we have? Well, on the Nature side, the obvious way to say that homosexuality is natural is to say it is written in your genetic code. So, how would we test for that? There are a few ways; personally, I feel a delightful elegance in twin studies. has split into two. So the genetic code is the same. So what we’ll do is watch these kids grow up and see who ends up gay and who doesn’t. But, I hear you cry, they’ll likely be raised by the same parents, in the same house, going to the same school and they’ll likely share a lot of the same childhood experiences! It could of course still be the nur-
similar genetics, and just like a set of regular siblings, they’ll probably have 50% of the same genes as each other. But they’ll be the same age, be surrounded by the same culture, grow up in the same area etc. etc. etc. So they’ll likely have the same nurturing…ish (of course each of us lives individual lives, twin or no twin, but they’ll be as similar as we can get to I’d imagine).
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LGBT+
A WORD WITH THE BOD The 'nature versus nurture' debate is currently something that seems to be coming up everywhere at the moment - you only have to listen to the radio to hear Lady Gaga's or to open a magazine (admittedly, I was reading argue one way, and social theorists the other, I like the idea of the answer being a mixture of the two. your sexual attraction? That would account for sexual attraction being something that arises with puYou see - I can't believe that biology has the only role to play - surely to have any kind of sexual attraction to others you need people around whom you orientate yourself. Personally, I tend to back up this a progressive all girls grammar school are many...) but I know others who disagree. Secondly, there's but until I knew what a lesbian was I didn't realise that there was any identity to embrace, other than heterosexuality. Then again - there are the kids who dress in drag and later come out to unsurprised families. The pected to wear, and those whose childhood memories tell them that even early in life they exhibited
Kate Boddington
vs nurture The results? I hear you gasp, of following our monozygotes and dizygotes. Well they’re pretty delicious. Some studies found that with our identical twins, if one was gay, the other one was 50% likely to be gay as well, in comparison to the dizygotes who were only 20% likely to be gay. This could suggest that our genes are up to something.
Most of the nurture debates revolve around family dynamics. Things such as absent fathers, overbearing mothers, and stuff like that seem to predominate the articles I scan with trepadation. Some claim that it comes with the behaviours we learn about masculinity and femininity. Have we seen a rise in homosexuality since it became more acceptable within the last few decades? Is this because as a society we are allowing our kids to see gays on TV? Psychologists say we learn our behaviours from those we have high regard for, and those we’re similar too. Well, is there a way people could learn to be gay?
plest explanation is usually a nice one. Anon
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FASHION
SUMMER STYLE: BY OCCASION Quench fashion brings you the essential styles you'll love to wear this summer, along with where you'll be wearing them.
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fashion@gairrhydd.com fashion@gairrhydd.com
FESTIVAL FASHION The Coachella Valley Music and Arts Festival kicked off the summer’s festival season in April with its tenth birthday celebrations. Coachella, along with other festivals, is not only about the amazing line up - it’s about the hottest and most stylish trend setters. The fashion at this year’s point. The likes of Alexa Chung, Kate Bosworth and Diane Kruger turned up in their ever so fashionable attire. So the key to festival fashion? Dress to impress. From boho skirts, to chic minimalist pieces, colour blocking, spots and stripes and of course some sheer skirts and shirts, the Coachella fashionistas were bang on trend. But, if it’s not British festival friendly, leave it at home! Make sure you’ve packed for all eventualities. If last year’s scorching Glastonbury festival taught us anything, it’s that British weather is seriously unpredictable. Hot, cold, rain or shine, you do not want to be caught out when it comes to festival fashion. up to any weather. If in doubt, don the denim shorts. Endorsed
FASHION
by the likes of festival veteran Kate Moss, they are always a classic standby. Miuccia Prada once said she gets dressed from her feet shoes. This is a great mantra for festival goers. Wellies or combat boots are a must for wading through the mud on those rainy essential if the weather takes a turn for the better. Above all, make sure that your footwear is comfortable before you set off. The last thing you want is to be crippled by blisters all weekend. Don’t be afraid to take inspiration from the catwalk. Nothing says festival chic like this season’s modern craft trend which was seen at the Gucci and Just Cavalli shows. Think tassels, feathers and homespun handicrafts to add movement if there’s one trend to stay clear of at all costs, it’s bright whites! After four days roughing it in a tent, your whites will be not-sobright. Grass stains, food stains and (worst of all) armpit stains are never a good look!!
Festival checklist: Sunglasses: aviator, oversized or retro, any sunglasses will do. But why not pay tribute to the music legend John Lennon and rock round frames this summer which are oh-so-on-trend. For more inspiration check out our 'Casual Affairs' essentials. Sea salt spray: smack on your hair for a boho look, without the hassle and effort of styling. Make-up wipes: keep your skin looking fresh and blemish free with a regular cleansing routine and minimal makeup. fashion@gairrhydd.com
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CASUAL AFFAIRS
Getting the balance right between looking dressed to the nines and ready to slob
Rebecca Taylor
Chanel Marc Jacobs
Rebecca Taylor
NEW LENGTHS
Rebecca Taylor
Chanel
Marc Jacobs
FLATFORMS
Chloe
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LAYER UP
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Christian Dior
Diane Von Furstenberg
Stella McCartney
SUNGLASSES
POSH PARTIES
There’s something about the summer which just demands posh parties. Whether it’s the weather, the The beginning of May was overloaded with such posh parties. The most sought-after invitation, however, was for the Costume Institute gala. This year, the gala honoured the life of the late British fashion designer Alexander McQueen. The event marked the opening of the Alexander McQueen: Savage Beauty exhibition. Naturally, the event was full of drama and decadence. And the guest list delivered.
Lucy Liu in Vionnet
Alexa Chung in Christopher Kane Florence Welsh in Yves Saint Laurent
Sarah Burton in Alexander Mcqueen
TEXTURE
Coco Rocha in Alexander McQueen
Chanel Iman in D&G
Why not take inspiration from the celebs if you’ve got a glamorous event to attend this summer?
Pleats, gathers, folds, lace or feathers, texture was clearly a way to make a statement at the
Kerry Washington in Escada
Diane Kruger in Jason Wu
CUT IT OUT
Karlie Kloss in Dior
Kate Winslet in Stella McCartney
Rihanna in Stella McCartney
Emma Roberts in Michael Kors
legs which will just allow the shape of your limbs to be recognised and show some skin.
Whether it's a split to the thigh, cut out at the waist or cut down to the navel, showing some all, follow Kate Winslet’s lead by covering the cut outs with lace panels.
NUDE HUES
Renee Zellweger in Carolina Herrera
Hailee Steinfeld in Stella McCartney
Blake Lively in Chanel
Melania Trump in Reem Acra
Naomi watts in Stella McCartney
Salma Hayek in Alexander McQueen
Catwalks this season were full of nude hues. This trend works perfectly for those red carpet occasions since it screams sex whilst the shape of the dress stays somewhat demure. Add interest to the trend with texture including beading, chiffon or lace.
FASHION
l u f i t u a e B H C BEA
As I’m writing this piece, I’m avidly awaiting the Chanel Cruise collection at Cap d’Antibes to
on a ridiculous diet or gruelling exercise regime
suits began the show, sauntering down an umbrella lined runway. This was without a doubt a summer collection. And then came the bathing costumes. Elegant one pieces and tankinis made their way down the runway. Some were all in
the sea shore.
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they wish they could change. Bigger lips, thin-
embrace your body this season, whatever your body shape or size.
models sporting them right now would disapNevertheless, the show has inspired me. Next time I head to the beach, I’m dressing undoubtedly, resonate in your attitude. Feeling sexy! But bearing all in a tiny two piece is a nowhere to hide. A bathing suit puts it all on show. But there is absolutely no need to embark
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page! >>>
FASHION The pear-shaped among us should go for plain, darker bikini bottoms and a patterned or bold coloured top to slim the lower body and add volume to the upper body. A large sarong in dark bold colours tied around the smallest part of the waist will lengthen and slim legs. Opt for nude coloured sandals or shoes to elongate legs.
If you're an apple girl, choose colourful bikini bottoms with a plainer top. Alternatively, one colour all over would be just as effective. Try a balconette style top which will lift and separate If you're conscious of your tummy, try a bikini bottom that sits stomach.
The hourglass beauty should keep the leg cut quite high on the bikini bottoms to avoid looking too wide on the hips. Halter neck styles look great on hourglass shapes. Deep V halter neck one pieces with a built in waist panel will really emphasise the hourglass shape, boosting the bust to perfection and cutting it at the waist. Kaftans with a cinched waist and low open neck will emphasise your shape nicely.
The petite girl should go for small prints and bright colours illusion of curves. Ties at the hips on the bikini bottoms will add width to hips and create more curves.
The tall chick can get away with anything when it comes to beach wear so go for bright, bold prints in interesting cuts, which will break up the length of the body. Look for swimsuits give the appearance of more curves.
The boyish body looks best with ruche details on tops and deau styles in a woven fabric which can give the illusion of sexy curves. Cut out and scoop side swimsuits and two tone one-pieces can add depth and curves. The boyish body is one of the few shapes that can get away with an extremely low cut v neck.
Boys. Unless you've got a body like the guy in the D&G advert, pull off ! Instead, opt for the safety of board shorts. Comfortable, and practical, this style is simple and will suit the majority of you.
fashion@gairrhydd.com
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FASHION
Fake it OR
Bake it? Gwennan Rees explores the delights and dangers of tanning.
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Sun, heat, light... they’re back!! It can only mean lented its grasp for another year! Hurrah! Tis the season to for bikinis falalalala lala la la. And don’t we know it! The clouds part for a second, showing glorious glimpses of blue skies and Cardiff students descend on the parks in full force. streets. Boys everywhere yell ‘SLEEVES ARE FOR WEEDS’ as they discard their shirts in favour of vests. Just as early religions worshiped the sun, we do ing out to soak up those decadent rays while they anything like me that is) you’re going to need sunglasses to shield your eyes from the glare of your milk-bottle-esque legs. The never-ending expanse of winter has stripped you of last summer’s golden glow. And so, the process starts right back at the beginning. Be aware that your winter skin won’t be as tough as you remember it. Constant care and vigilance is essential if your skin is to tan, not burn. In my younger, wilder days I avoided the protection of sunscreen at all costs. Wanting the best, brightest tan, I never heeded the boring warnings that were bombarding me left, right and centre. The result: burned, peeling, crispy skin. No matter how much time and effort I spent on my relationship with the sun, the bastard always betrayed me! Now that I’ve reached the grand old age of twenty one, I like to think I’m wise to his old tricks. This summer, I vow not to be seduced into thinking that he is anything but a sworn enemy. An enemy who should be kept at bay with multiple defences. And so, I prepare for battle. Armed with my trusty debit card I hit the highstreet in search of armour which will protect my pitiful skin. Ten minutes into scouring the sunfor me? Of course I’m aware that the higher the SPF the better. But do I really need to be slathering cream the consistency of yoghurt onto my skin to stay safe? Choosing sunscreen, it seems, is all about knowing your skin type. The more prone you are to burning, the higher the SPF you need. But even if you think you’re skin is tough, be aware that you still need to apply sunscreen regularly. Also be aware to choose a sunscreen which protects against UVA rays. They are harder to protect against as they don’t burn, but penetrate deep into the skin. They are responsible for cell damage which contributes towards ageing and skin cancer. UVA stars indicate the strength of the cream’s protection. According to the experts, the higher the SPF, the more UVA protection is needed to achieve the same amount of stars. So an SPF 30 sunscreen with three stars will have more UVA protection than an SPF 15 sunscreen with four stars. To stay safe this summer, make sure you apply the correct sunscreen for your skin type.
Act 2010 was passed, much to British teens dismay. The Act aims to disallow under 18s to use sunbeds. The intense bursts of UV radiation can cause damage to your skin after just one use. But even if you’re over 18, you’re still at risk of skin ures demonstrate that around two people under 35 are diagnosed with melanoma EACH DAY! The use in its highest risk category for cancer, alongside tobacco. So, why put your health at risk for a few moments in the strip lights? Your tanned skin will fade, but skin damage will last a life time. Still, I do love the feeling of golden skin. Clothes even feel healthier. With countless brands of fake tan on the market, it’s now quicker, easier and safer to get that gorgeous glow. But if I thought sunscreen was confusing, I’m in for a tough time when it comes to choosing fake tan. Wipes, gel, mist, milk, spray, mousse, airbrush - the options are endless. All I want is a tan which is easy to apply and looks somewhat natural. The last thing I want is streaky legs or patchy arms. And then there’s the colour: light, medium, dark, shimmer, matte, golden, bronze or natural? How dark is dark? How light is light? I don’t want to end up looking like an umpa lumpa. Then again, I don’t want to go through all the effort of application only to end up the exact same colour I was to begin with. It seems that the only way to get it exactly right is trial and error. Start off with a light-medium and then build invest in a mitt so that you’re hands are protected from stains. Also, heed the cardinal rule which states only apply after exfoliating - brown build ups are not a good look on anyone. Explore the realms to get carried away and end up looking like you’ve just been tangoed. Boring as it sounds, everything is enjoyed best in moderation. Tanning isn’t for everyone. The likes of Nicole Kidman, Kristen Stewart and Kirsten Dunst are fabulously pale all year round. So don’t be afraid to bear those milky legs. Stewart bagged R.Patts with those natural pins of hers. Who knows what you’ll be able to accomplish. Google results for the word ‘tanning’ were hilariously poignant: ‘tanning is the process of making leather.’ If you’re ever in doubt over whether to use sunscreen again, just take a look at your leather handbag and wonder if it’ll be just like looking into a mirror in a few years time. You’re bag may be gorgeous, but leather skin will never be in fashion – even if the likes of Cheryl Cole end up stamping it with their approval. So, get slathering that cream on!! Or better yet, get someone else to slather it on for you! For more information on safety in the sun visit www.sunsmart.org.uk
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MELA FESTIVAL
Despite being high up on my list of must-see destinations, I’ve not yet been to India, or anywhere in South Asia as a matter of fact. I have, however, been to Mela: a one day festival celebrating South Asian arts and culture, and enjoyed myself so much that I wore my stall-bought bindi for nearly a week postfestival. So, if you’re like me and your pockets aren't as deep as your love of South Asian music, dance, this is the international festival for you this summer. It’s held in a number of different towns and cities across Britain, including Edinburgh, London, Southampton (and even my lowly hometown, Swindon), and usually only costs between £5-£10 for a ticket. Not much when you’re welcomed with a bounty of huge tin pans of steaming rice and Buriyani and other Sri-Lankan-inspired cuisine like hot and spicy festivities until sundown - so you can practise your 'change the lightbulb' and 'pet the dog' dance moves till your heart's content. Simone Miche
WORLD
TRIBE OF DORIS
Like circle time as a child, but bringing together cultures rather than objects, the tribe of doris allows you to see, smell, and
tures, one race’ and aims to bring people together, raise awareness and encourage respect and understanding of different cultures and musical origins. Rather than standard festivals when you watch the music, here you become part of it. Although it may seem like a lot of money (£220), you can handpick from a breathtaking array of music, dance and drumming classes for all levels and ages. haps start the day with sunrise yoga, tai chai or rio de janerian capoeira, followed by Moroccan belly -
a previous camper stating it "challenges and supports you to go forward to discover what it means to new things, this is a big must for any traveller at heart, bringing the world to your doorstep for a much smaller price tag. Lucy Trevallion
TRAVEL
FESTIVALS NOTTING HILL
This Summer
CARNIVAL
Sawsen Al Abdullah
Sophie Watson
WOMAD
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TRAVEL TRAVEL
DO-GOODERS: HELP OUT THIS SUMMER
Here are two ways to volunteer without spending a fortune.
TEACHING IN CHINA... TEIC offers an opportunity to teach English in China for a year – and listen to the best part – you are paid to do it! The project is set up to allow postgraduates to experience the culture and customs of China, whilst at the same time helping Chinese students to learn English. The company is present in major cities such as Beijing, Shanghai, Chongqing, Anshan, Urumqi, Shijiazhuang and Changsha and it works with students from primary school to University level. Now here’s the clincher, as well gaining an opportunity to travel, learn there! The trip is certainly a challenge, but it is a great way to learn about yourself and also another culture.
ELEPHANT CENTRE: THAILAND... elephant rescue and rehabilitation centre close to Chiang Mai. During your week, accommodation is basic as you stay in wooden huts surrounded by the jungle. However, you spend most of your time in the central hut getting to know the small group of volunteers. Everyone is friendly and there for the same purpose, so meal times are sociable; three times a day, there is a traditional Thai buffet which never leaves you unsatismaintaining the camp and daily baths - where you can get up close and personal with your favourite 'ele’. Also, you get to trek up to a camp in the jungle and sleep under the stars with the Burmese elephant guides. Sometimes, the elephants are left to roam free and your morning task is to wander around the Thai jungle searching for the herd. This camp was set up to rescue elephants from the horrendous conditions they face from logging work and un-scrupulous tourist trekking. You learn about the conditions elephants face and truly help the centre working with a small group in people who have dedicated their lives to the park. Jack Hansen.
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PHOTOS
Once again, Eleanor Hughes
PHOTOS
Nigel Leach 2010
What is
Vijay Hawoldar 2009
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PHOTOS
s the David Manton 2010
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Phillipa Payne 2007
tomarathon should come as an exciting prospect. With twelve hours in which to pour your creative ability into twelve images across twelve given themes, the scope for exploration, expression and interpretation stems from a fantastic combination of opportunistic freedom and imaginative briefing. Taking place on June 11th and starting at the Wales Millennium Centre in the Bay, this rapidly growing event will see hundreds of photographers (almost 470 at the time of writing) taking to the blank canvas streets of Cardiff and enjoying the sociable side to what has to be one of the largest photographic events in the UK. Entry is ÂŁ15, which includes a public-transport day pass and printing of the photos, as every single one taken is exhibited at the Old Library in July. Plus, there are prizes for individual category and overall portfolio entries. All in all, a great way to do something truly cultural in Cardiff before that time when many of us scatter into the wind once again, leaving the city to enjoy the summer without us. More information is available at www.photomarathon.co.uk, as well as on Facebook and Twitter. To view more entries from previous years, check the Photomarathon group on Flickr (where all the photos on this page were sourced).
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ARTS
Spotlight Hidden away in the Vale of Glamorgan countryside, two miles from Culverhouse Cross and just off the A48, is a little piece of Welsh horticultural heaven. the premier gardens in Wales, the grade 1 garden has been continuously restored since 1997 to all its tic Pompeian to the classic country rose garden. The impressive mansion house overlooks a croquet quaint, yet majestic and all in all blissful - if you’re over sixty or Alan Titchmarsh! beautifully coiffured lawns it is picnic paradise. Take a basket, blanket and a ball and you and your want to play then it caters for privacy also. The labyrinth of walks and secluded zones provide havens of secrecy and seclusion where you can relax with your favourite book or boyfriend/girlfriend! Your folks will love it too. With a sunny cafe, patio area and decent toilets they will marvel at your new cultural inclination and acknowledge the positive effect of uni by increasing your allowance - or simply buying you tea and cake! There is even a play area and small assault course for your little brother or sister.
has a small but pricey shop and you have to pay to enter but they do offer a student discount.
Sue Goode
Cleopatra What is it about one woman, that two thousand years later, the legend can still captivate audiences? Maybe because as a woman of the ancient world Cleopatra unexpectedly rebelled against a world ruled by men overthrowing convention and so becoming a woman of power and ambition; enough to make any feminist proud. Cleopatra may be remembered as an icon and ruler of the ancient world, but avoiding clichés David Nixon’s adaptation reveals Cleopatra stripped down to simplicity as a human showing audience witnessed the exhilarating life of Cleopatra which encompasses love, lust and loss and gained an insight into her sensual, seductive and sinful nature. These themes naturally translated on stage and makes ballet a particular authentic representation of the legendary story as dance can passionately portray such themes. Watching the delicate yet potent movements of the dancers you cannot help but feel a little envious of their elegance and hypnotising quality. But what truly encompassed the power and seduction of the legend and mesmerised the mind was the music from composer Claude-Michel Schonberg (Les Miserables). This expressive fusion of music and dance empowers the stage and the audience for a unique retelling of this woman’s story; a vigorous attempt at satisfying the mystery. Asha Verma.
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ARTS
The Passion
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ARTS
If you missed out on the real thing, The Lady Gaga Experience is bringing its theatre tour to St Davids Hall in the ultimate tribute show to the ‘Gaga' herself. With hits such as Bad Romance, Pokerface, Telephone, Speechless, Just Dance, Alejandro, Monster, Teeth, Beautiful Dirty Rich, Donna Marie Treggo is set to blow audiences away with her dead on vocals but most importantly, her stunning, professionally handmade replicas of the Haus of Gaga wardrobe including the spark bra and yellow tape concotion! St Davids Hall, Thursday 2nd June, 7pm, Tickets are priced at £10.00 £15.00 VIP ticket includes meet and greet with
Previews The Lady Gaga Experience
photo
Bare Knuckle Theatre ... presents Romeo and Juliet. Book your tickets now to see the “company to contend with for both modern interpretation and imagination” present Romeo and Juliet at the Gate. A wildly successful début with ‘A Midsummer Night’s Dream’ in 2010 made the audience for ‘Twelfth Night’ rapidly grow in January 2011. They are now being described as “one of Cardiff ’s most up-and-coming companies.” The Gate, 28th June-2nd July, 7.30 pm, £8.00 student ticket.
Everyman Theatre Company Everyman Theatre Company’s Summer Theatre Festival Cardiff's renowned Everyman Theatre Company presents its Summer Theatre Festival at St Fagans, the Museum of Welsh Life. This year's programme offers a treat for everyone this summer. Now in its 29th year, the line up looks like this: 6-16 July The Pirates of Penzance by W.S. Gilbert & Sir Arthur Sullivan 20 - 30 July The Comedy of Errors by William Shakespeare 23 - 30 July Old King Cole
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MUSIC
Editorial
Yes it is exam period and yes we are stressed (me included) but that also means that it is the perfect time to find the best revision music. Everyone I meet seems to have a different view on whether music helps you to revise. Personally the sound of silence makes me feel a little uneasy; there is nothing worse than sititng in the library and either having to listen to people talk loudly about how much work they have (we know!) or the irritating scratching of pen to paper and flicking pages. Therefore plugging into my iPod is a godsend. Albums such as the XX's XX and Lykke Lii's Wounded Rhymes have helped me through difficult uni work times. So if revision is getting you down, find music to get in to and make it more bareable. In different news Bon Iver have released their long-awaited new single Calgary and announced dates for their UK tour. Finally Happy Birthday to Bob Dylan who celebrated his 70th birthday this month. I thought he was older. Emma Wilford
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Previews
The Subways
We Are Scientists
Public Image Ltd.
Millennium Music Hall Saturday 4th June
Millennium Music Hall Tuesday 31st May
Millennium Music Hall Thursday 2nd June
British garage indie/rock band The Subways are heading to the Millenium Music Hall ahead of the release of their third album titled Money and Celebrity in September this year. Having gained notoriety in 2004 from winning an unsigned band competition to play at Glastonbury, they have become regulars at Reading & Leeds Festival. Despite the lead singer's throat problems this band have managed to maintain a strong fanbase over the years. Fans of the hit TV show The OC will recognise songs such as Rock n Roll Queen, and, apprently, their songs have featured on Rimmel London adverts. That aside, this band will ensure an energy-filled show. Described as being an intimate preview to their new material produced by Stephen Street (he produced albums for Blur and Kasabian), what better way to spend a saturday night? Emma Wilford
Still riding on the back of the success of their 2010 album Barbara, We Are Scientists are returning to the UK to play a handful of intimite shows before the festival season kicks off. The Californian three-piece shot to success in 2005 with the release of their second album With Love And Squalor which
Before his residency as a competitor (and I use that description in the loosest possible sense) on the thinly veiled PR machine I'm a Celebrity. . . Get Me Out Of Here, and shamelessly plugging butter, John Lydon was once a forward thinking musician, even if his musical output was often overshadowed by his ostentatious, confrontational personality. Gasp. As a founding member of the
months. Barbara is We Are Scientists' fourth studio album, and Andy Burrows, who parted with Razorlight in 2009. Their live shows are notoribanter between the band and their devoted following. We Are Scientists will be playing a number of European festivals throughout June, including Rock am Ring, Isle of White and Rockness, before bringing their danceable rock music to South Wales once again for Beach Break Live. Joanne Southerd
Pistol and the archetypal postpunk band, PIL, Lydon was instrumental in both the construction and deconstruction of the British punk scene. Never one to be heard and not seen, Lydon will be gracing (and I use that description in its loosest possible sense) the Millennium Music Hall as part of an eagerly anticipated PIL reunion tour. Even if Lydon's ability to shock has waned somewhat, his showmanship is still above par. Jon Berry
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FOOD
Three Pairs of Shoes Having won the 2011 Live Music Society’s Battle of the Bands, local band Three Pairs of Shoes are heading to Beach Break in June. Emma Wilford caught up with band members Matt Tilling
There is no denying that Cardiff has an exceptional local music scene and this year's Battle of the Bands celebrated the wide array of talent.
What are your future plans for your music? Iain: We’re one track down in recording our upcoming mini-album. We've tried to be very
formed last year over their passion for traditional folk music. With Radio 1 airtime and appearances at several festivals, this band seem tipped for stardom.
september-time. How was it being played on Radio 1? Iain: It was surreal. Jen Long played us and gave us a nice introduction. We really appreciated it.
So how did you guys get started? Iain: We all lived in House 16 in Talybont South and Matt and I wrote a song together. Then we found a violinist downstairs (Livi Sinclair). We ended up writing two or three songs and that’s how Three Pairs of Shoes was born. Then we got Tom (cello) in and Katie (vocals) .
What's your favourite place to play in Cardiff ? Matt: I would have to say Ten Feet Tall as the sound is good and Undertone is also a fun place to play.
How did it feel to win Battle of the Bands? Iain: We weren't expecting it at all. We always have problems with soundchecking and people said the sound was a bit off. Matt: We had written it off. I was practising my loosing face!
Do you think Cardiff is a good place to be a up and coming band? Iain: The best place! It is small enough for you to do something and make an impact, whereas in London it is easy to slip into the cracks. From being in the circuit, you realise what a talented place it is and there is an explosive folk scene. Matt: You get to make friends with all the bands as well.
Are you excited to play Beach Break? Matt: Yes it's going to be great fun! Iain: We possibly get to meet Tinie Tempah, which will be amazing.
Matt: Rock n' roll - Led Zeppelin and early Kings of Leon for me. Iain: Sound-wise, acoustic bands around at the moment, such as Johnny Flynn and Mumford and Sons. Then more traditional folk music like Kate Rusby. We don’t want to be that niche nu-folk thing though. ing? Matt: Tales of love and loss and things that touch song Reddleman is based on Thomas Hardy's book Return of the Native.
What is your biggest dream for the band? Matt: Being able to play regularly and have people come and watch us really! Iain: If I could play Thekla in Bristol, I will be done! Who are your favourite artists in Cardiff at the moment whom you would recommend our readers give a listen to? Iain: Scriber Matt: Tigerline are awesome! Head to threepairsofshoes.co.uk to download a copy of their free EP. And if you're heading to Beach Break, they're on the Friday 16th June at 12pm on the Tropicana Stage, so check them out!
Here we are with Joe from Metronomy in the bin area of Welsh Club. So, Joe, are you excited about playing a sold-out show in the capital? Absolutely! Last time we were here was 3 years ago. But, yeah, a sold out show - it's wonderful! Well you guys are known for being a great live band. Well yeah, we like to put on a show and we have these little lights. We want you to feel that you haven’t wasted your money if you come watch us! Do those lights not get in you way or heat up? Nice lightweight LED lights. So the new singles such as The Look feel a bit more sombre and less upbeat than previous tracks like Radio Ladio, is this what we can expect from the new album? I wouldn’t say sombre, I’d say it’s a bit more atmospheric. I think it's probably more uplifting in a way it to have a different feel to Nights Out, so it’s a bit more… slow (laughs). Well I read that Nights out narrative.
Similar to the live shows, your videos have some great visual effects. How much of that is down to you? It really depends, a lot of the videos from Nights Out were kicked off from ideas that I had, but for the new album, I just have a starting point from where I think the band should be and leave it to the director. The more we do videos the more I realise it's best for me not to get involved. So how did the band come together, as Metronomy was originally a solo project? Well when I did it on my own I felt the live gigs were very false – it was just me with a laptop it wasn’t very lifefull at all. So I got Gabriel and Oscar involved to make it more of a show. But then Gabriel left to do his own stuff, and just because we thought we’d make it a positive change we got Gbenga and Anna involved. There’s no master plan; we just drift along. As you’ve done a lot of remixes in the past, if you got a missed call from Goldfrapp, Gorillaz and Kate Nash, who would you call, text and ignore? Id probably call Gorillaz, text Kate and ignore Goldfrapp; kinda depends what they’re calling about really. If I owe them money, I'd reject all.
I was going to make it into a story with a beginning
Does The English Riviera have a theme? It’s got an idea that ties it all together, but it's not a story. The idea is just music from the English Rivera, that’s the jist. It’s the only place in England you get to feel that you’re in a foreign country - it's almost glamorous.
Pip Paine Pay the 5000 you owe? No not me! There was this car in Devon that had that spray-painted on the side of it and every month it would change. It was this funny thing, and I don’t owe anyone money!
Phil Kenny sheds light on Devonshire indie-synth pop band Metronomy before their sold-out gig at Clwb.
Metronomy
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MUSIC
ALBUMS Beasts, Brothers and Friendly Fires. . .
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Wild Beasts Smother Domino
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9/10
is
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With -
Emma Wilford -
The Felice Brothers Celebration, Florida Team Love
8/10
of
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as
Loop the Loop, as Jon Berry -
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MUSIC
Mojo Fury
Visiting Hours of a Travelling Circus Graphite Records
7/10 You may fear the worst upon reading its title, but Visiting Hours is, in fact, an impressive debut from one of Northern Ireland’s rising stars. Following support slots with both And So I Watch You From Afar and Oceansize in the past year, Mojo Fury have built a considerable following and one that will no doubt be pleased with this polished release. Initial comparisons lie with the 90s grunge movement, the likes of Kill Cock Robin and Deep Fish Tank (Factory Settings) comfortably slotting into post-Nirvanashaped slots. Fortunately, variety comes in the form of keyboards and trumpets scattered across the
Frontman Michael Mormecha’s Irish twang, set against a backdrop of elaborate song structures, serves to differentiate the band from countless other 90s throwbacks, but attempts at "abstract" lyricism occasionwhich, lyrically, verge on the wrong side of teenage angst are present in We Should Just Run Away’s does-what-it-says-on-thetin imagery, as well as a slightly misguided and, yes, half-baked, cake metaphor in The Lemon Marine. Still, Visiting Hours ends in Electric Sea proves to be a poignant, building ballad that makes up for any faux pas that may have gone before. They might still be wearing training wheels, but Mojo Fury Michael Brown
Friendly Fires Pala Rough Trade
8/10
The Mann edge forward with a Nine Inch Nails grind, while postFriendly Fires describe their bled with in What A Secret before career as “a series of happy acmaking way for a ridiculously cidents”, though I beg to differ. Since the release of their debut catchy chorus.
album in 2008, the Hertfordshire trio have enjoyed nothing but success, which is no coincidence. Live Those Days Tonight, single from the new record, has been welcomed with open arms and I can’t imagine that follow-up album Pala will be received any differently. The songs are infectiously Hawaiian Air captures all the disco holiday escapism we’ve come to expect from Friendly Fires, while title track Pala provides a thoughtful low-tempo intermission. Particular highlights included True Love and album-closer Helpless, and I found myself singing along to Bring Me Back To Earth The album may be nothing spectacular, but is an authentic offering from a band who seem comfortable in their own genre. Rather than feel pressured to take some far-fetched new direction, Friendly Fires have delivered a second album of consistently authentic tunes, spicing up rock and indie roots with a tropical dance feel. Pala simply sounds like Friendly Fires, and I’d be disappointed if it didn’t. Could this be the soundtrack to my summer? Probably. Joanne Southerd gairrhyddmusic@gmail.com
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MUSIC
Live Yuck
Millennium Music Hall 15th May I was unsure about what to make of Yuck before seeing them. Back in the day, I was partial to Cajun Dance Party, but Yuck live at the Millennium Music Hall were a They shone in their slower moments with tracks such as the tender Suicide Policeman or the Rubber, showcasing the moody, darker side to the band, emphasised by low lighting and a vast amount of smoke and strobe lights. The slower, melodic guitar parts shone through on these tracks but on the more uptempo numbers it all felt a bit lost. Singles Suck and Get Away received the best crowd reaction but the band seemed unphased and nonplussed by it all; my reckoning is too much pot. A surprising highlight was B-side Milkshake, which, as one of the catchiest tracks of the night, should have been on the album. The set was in a strange order and would have worked better in reverse, especially if they had left the faster tracks for the end. Overall, however, it was a strangely enjoyable show put on by Yuck and I hope for a stronger second
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album. And wow, the drummer's afro is amazing: I couldn’t take my eyes off it. Benji Lamb
Bonobo Millennium Music Hall 29th April For anyone who knows of Bonobo, then no introduction is needed and for anyone who doesn’t, no amount of superlative meandering in this review will be able to describe the level of musical invention the man himself is able to pack into a single 90 minute set. Flying high on the critical acclaim of his most recent release on the Ninja Tune label, Black Sands, Bonobo has taken it upon himself to embark upon a live tour - not of the tried and tested one-man-show that he can undertake ever-so-well, but a full-blown band affair. The accompanying band in question are The Submotion Orchestra, but, as with anything Bonobo turns his hand to, all is not given away straight away. Bonobo enters, stage left, without lights The set bends, without effort, between soulful Jazz, minimalist electronica, and the downright experimental, representative of
the multitude of strings to Bonobo’s bow. The show indeed has something to please everyone. Although, the level of musicianship would keep even the most ardent musos drop-jawed, the overall groove and momentum of the set is never hampered by any single member of the band indulging in musical masturbation. The purpose of the night is, more than anything else, to have a good old -fashioned boogie, and Bonobo’s music achieves this, with footblistering effect. What is most obvious about the beatsmith himself is that he is completely without ego or pretence when in a live setting - an extremely admirable quality for a producer and conductor of his calibre. In fact, he seems joyous in taking a backseat, letting his band members of The Submorespective duties. There is always the danger when trying to reproduce that which has been recorded in a live, full band setting: the dynamics of the studio are completely different to that of the stage, but what Bonobo has been able to do is remove that distinction in its entirety. Stage or studio, Bonobo will have you dancing regardless. Jon Berry
And So I Watch You From Afar Clwb Ifor Bach 5th May Considering Clwb’s unassuming size and a performance of gargantuan proportions from the headline act, it’s unlikely that any audience members were actually (wait for it) watching from afar. In fact, it was impossible not to be drawn in by the Northern Irish instrumental heroes’ pounding riffage and elaborate rhythmic twists, so powerful was the insatiable energy and unconquerable enthusiasm emanating from the stage. Even before ASIWYFA made their entrance, the bar had been set to an imposingly high level with impressive support slots from foul-mouthed, dual-bassnational and fellow countrymen Mojo Fury. There are, however, very few bands who could compete with what ASIWYFA were about to unleash upon an already over-excitable, and frequently riotous, crowd. Opening their set with a trio of tracks from new album Gangs, ASIWYFA proved their reputation as one of the UK’s best live acts thanks to a vivacious rendition of the blissfully uplifting
BEAUTIFULUNIVERSEMASTERCHAMPION, soon juxtaposed with Search:Party:Animal’s relentlessly bombastic pace. Despite an all-instrumental line-up, the evening did allow for the odd singalong, with Don’t Waste Time Doing Things You Hate in particular featuring the raucous vocal talents of both the crowd and band in unison. From the angular robotics of Think:Breathe:Destroy, jazz interludes in D Is For Django the Bastard to Set Guitars to Kill’s siren wails, ASIWYFA proved that any praise heaped upon them is well-deserved: Thursday’s performance at Clwb was energetic, intense and emotive, all sensations shared by the enraptured audience. Michael Brown
City Stereo CIA 22nd March Salisbury-based band City Stereo burst onto the music scene in 2009 and established themselves as one of the most promising new pop-rock bands in the UK after achieving a headline spot on Glastonbury’s Q stage. Debut album Dance Like You Mean It was released in March 2010 and offers
a range of energetic pop-synth tracks. Currently supporting Mctime ahead as they are also working on their second record. With the CIA almost selling out its 7000 capacity, City Stereo had their work cut out to get the crowd enticed, in what was a fantastic and memorable show. The unsigned punk band from Wiltshire certainly made the most of their opportunity to support over a 14 date tour. Lead singer Russell James took to the stage and invited the crowd to join in the songs. Despite their very short performance, they managed to provide a taster of their album singing catchy songs such as The Rupture, Hit and Run and Masters of Disguise. New to the er, their latest single Master of Disguise was a hit amongst the young revellers. While the band's audience are mostly between 1315 years, they managed to keep me entertained and certainly did well to build up the atmosphere before the headline act. I thoroughly enjoyed their short but brilliant performance and they had me singing along to The Rupture, my personal favourite of the night. This band will not be unsigned for long! Eleri Mai Jones/Aysar Al-Rawi
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Film. News.
nearly come to its conclusion, giving a 'youth jury' the chance to judge new animations. Excitingly, as well as classics such festival has been showing the premiere of the latest Studio Ghibli, Arrietty , a tantiaizing update of The Borrowers. They have good 'remake' form too, what with Ponyo's glitteringly charming interpretation of The Little Mermaid. Despite principal photography only kicking off a fortnight
ago, Batman-at-helm Christoper Nolan has already put out a sneak peek of Tom Hardy's Bane character. Unlike the cartoonish version of the character seen in previous incarnations, Hardy looks all the more intimidating for not being so bulgingly large (relatively speaking, of course). Given that he will sport a Lecteresque face muzzle, it will be fascinating to see how he is pieced into the denouement of Nolan's franchise.
TRAILER The Tree of Life
#23
TRASH
Terence Malick's long-awaited epic starring Brad Pitt and Sean Penn wowed the critics at Cannes a few weeks back, and frankly, the trailer has done much to win this writer over on its own. Unapologetically meditative, it begins with Pitt's religious wife narrating the choices that their sons will have to make - the way of religious grace or Pitt's fearful realism. The pain his son Jack experiences between these choices is broadened and set against Kubrickian symbolism seen in the visions of geological time: epic and unintelligible non-narrative events which somehow strengthen the meaning of er Malick will live up to such grandiose ambition, but with cinematic non-events littering multiplexes, its great he has even tried. LG.
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Cannes-d Laughter: Terrance Malick's much -awaited The Tree of Life scuppered off with the coveted Palme whelming praise and is out this summer. Less lucky was Lars von Trier, who took his impetuous humour too far, declaring himself a Nazi and getting thrown out of the like when Uncle Phil chucks out Jazzy Jeff in The Fresh Prince, but sadly Cannes rarely caters for my 1990s humour. LG.
FILM
BEST
FOR...
...villainous absurdity
...weird word emphasis
..rubber faced loonery
Batman & Robin (1997)
Judge Dredd (1995)
The Mask (1994)
Casting Arnie as your Batman villain is one thing; painting him smurf blue, giving him a ridiculous toy suit and an encyclopaedia of ice-related one liners?...yeah that's something else. One of cinema's notorious disasters, Batman & Robin, is perhaps most infamous for its take on a goofy yet surprisingly tragic villain, turning the goofy up to 11 whilst still trying to retain the tragedy...and failing spectacularly. How can you even begin to sympathise with a guy who makes his cronies sing “I'm Mister Freeze, I'm Mister Snow” and crashes a party on the top ing spiky snowmobile? Yeah it's pretty hokey. Yet in-between claiming that the ice age killed the dinosaurs and freezing people with his ice bazooka, we're treated to a confusing tale of how he's trying to bring back his sort-of-dead-but-not-quite wife. Still, it's more bearable than Chris O'Donnel's whining. James Reid
Laaaaauggghww! A project lambasted in later life by Stallone himself, Judge Dredd was an incredibly odd mid 90s take on a well revered (if not dorky looking) comic hero. The 90s became a particularly dark time
Before Jim Carrey became victim to his own slap-schtick (plus a real actor in Eternal Sunshine), he spent most of the mid '90s being a wonderfully comedic actor. Here, he's Stanley Ipkiss, an awkward bank teller whose life
Dredd doesn't help with its lame story, cringe worthy acting and hokey dialogue. But more than
skin to mystical mask. Each set piece is rubber-stamped with from
for the way the characters simply say the word “law”. Stallone obviously has an accent, and I'm not here to make fun of that; but when a foreboding courtroom scene ends with him blurting “I am dah laaaaaaurgh!”...that's the point of no return; where bobbins. And it's done several times throughout; even a villain succumbs to peer pressure and does the “lauuuuuuurgh!”. But it is weirdly endearing, if only for its sincere daftness. “Laaaaugrh!” James Reid
police,
balloon-gunning
more than a vehicle for cliched visual gags; though it wanders tangentally to a predictable conclusion, that Ipkiss's subconmaniacal cartoonish expression means the story is as much about his own duality as the surrounding story. That, and also any hero who chats up women as me - I will reveal my croissant. I will spread your pate. I will dip A-R-T-Why? Cos ya' gotta'. film@gairrhydd.com
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FILM
Review: Hanna Dir: Joe Wright Cast: Saoirse Ronan, Cate Blanchett, Eric Bana
8/10 Hanna has been wrongly described as “a serious version of Kickass”. Not that that would be a bad thing, however, for such a uniquely crafted thrash through Europe it warrants its own place as a cultural reference. For a cast and crew predominately rooted in British talent, this film has a wonderful European element; most notably a substantial removal of all that is detestable about Hollywood cinema such as generic soulless sex scenes and puns at every turn. From its engaging creditless opening to its brutal take on sentimentality and relationships, Hanna is an unforgiving, fastpaced venture that somehow maintains a respectable plot with enthralling high budget scenes. Driven by the Chemical Brothers who provide an unusually varied soundtrack, they take you all the way from the backstreet electro-pop of Eastern Europe to the thumping unease of dockyard
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encounters. These encounters aren’t random fight scenes that throw a film out of a slow patch of gushy overromanticised interaction synonymous with Hollywood cinema, instead they are moments of faultless cinematography integral to the over-all pace and unrelenting bluntness that comes with genuine villains. The authenticity of which largely comes from one of Britain’s most understated actors; Tom Hollander’s portrayal of what can only be described as a neo-Nazi is so brutally undertaken you’d be forgiven for finding a delicious enjoyment in watching the punishing attributes of this character unfold. The harshness that is bred by a British director coupled with a British screenplay is really where the beauty of this film is developed. Giving two fingers to the American market, there is nothing better than going to the cinema and getting a fistful of sensations for your money. With all this in mind you may be surprised that the film is in fact only a 12A. It would be too much of a spoiler to now justify why this is one of the most amazingly misjudged certificates given to a movie of this nature, but a twelve year-old would need more than an adult to get you through this one. Tom Webb
Pirates of The Caribbean: On Stranger Tides Dir:Robert Marshall Cast: Johnny Depp, Penelope Cruz.
5/10
The news that Disney were making a fourth Pirates film provoked one of two reactions; either a groan and a skeptical remark or a genuine expression of excitement to see well-loved characters back on screen doing what they do best. While On Stranger Tides is by no means the best Pirates sequel, it perhaps doesn’t deserve the harsh reception that some are giving it. Any fans hoping to see a plethora of familiar old faces, however, may be disappointed. While there are a few cameos, nods and winks, there are no real tearful reunions with old characters of yore. The most noticeable losses to the usual cast, Orlando Bloom’s Will and Keira Knightly’s Elizabeth, aren't that much of a loss in terms of the plot; it’s actually quite refreshing to have a Pirates that isn’t weighted down with their serious-faced, tedious on-and-off romance, and Pene-
FILM
lope Cruz plays the sultry shepirate fairly well. Of course, this removal of the ‘main’ characters allows the spotlight to now focus on one of the franchises’ best loved icons; Jack Sparrow. Fortunately, Depp’s now practically undivided limelight isn't too overbearing in Stranger Tides the return of Geoffrey Rush as Barbosa is a stroke of genius, and prevents the fourth installment from simply becoming Pirates of the Caribbean: Jack Does Some Stuff. The cast at times, however, feels a little crowded; with three different teams of Captains and crews seeking the ‘fountain of youth’, Stranger Tides begins to feel a little more like a disjointed rat-race. Perhaps predictably for a sequel, the plot is fairly messy and a little weak in places; yet, there are some fantastic set pieces and side stories (including a romance between a mermaid and a Biblewielding missionary). While the 3D is perhaps not necessary and may be a little gimmicky at times (swords in your face, anyone?) it’s generally enjoyable and immersive. Ultimately, Stranger Tides needs to be taken for what it is: a breezy, piratey adventure with a few familiar faces and a predictable plot; but enjoyable for Pirate enthusiasts and casual audience members nonetheless. Beth Congdon Hogg
Attack the Block Dir: Joe Cornish Cast: Alex Esmail, Franz Drameh, Jodie Whittaker.
9/10 The directorial debut of Joe Cornish is a bizarre take on the old urban hoodie movie. Whereas the likes of Kidulthood took a gritty realistic angle, Attack the Block combines this with adventure, comedy, sci-fi and horror into a film that pits feral aliens against feral youths – a concept that’s as awesome and hilarious as it sounds. Set in a South London council estate, the film opens with our ‘heroes’ mugging a young nurse (Jodie Whittaker) before they're interrupted by the invasion of ruthless extraterrestrial monstrosities resembling huge black gorilla-wolves with glowing teeth. After the first invader has its head kicked in by the boys, chaos ensues as the young hoodies are pursued by the aliens, a second criminal gang and the fuzz. They enlist the aid of Nick Frost, a posh stoner and eventually the very woman they robbed. Pop
culture references are abound, with mentions of Pokémon, Harry Potter and FIFA tied into a sharp and witty script which helps the hooded protagonists raise several laughs. Cornish plays with the sympathies of the viewers as the hoodies develop from unlikable thugs straight from the tabloid headlines to fun and courageous characters. You’ll find it hard not to warm to the characters as they fend for their lives. The thick sarf London accents and heavy use of urban slang may put some viewers off, especially those from outside the UK. Yet they feel natural, as the largely-unknown cast of youths put in solid performances all round, conveying well-developed and believable characters. While the action sequences were never going to rival District 9 and Alien for scope, they thrill and excite while maintaining an authentic British charm. Violence and gore is delivered in plentiful amounts to satisfy horror fans. Despite the laughs, the film becomes progressively darker, and never aims to be the next Shaun of the Dead. Regardless, this is a hugely entertaining feature debut from Cornish that, despite budget constraints, is a cinematic thrill ride from beginning to end. Hugh Rodger film@gairrhydd.com
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FILM
how to be a hero
From comicbooks to cinema screens: Matt Ayres ages...
With the arrival of actual, real sunshine and the END OF EXAMS banner mere days away, I’m more than pleased to realise that summer is beginning. This presupposition is only bolstered by the arsenal of blockbuster trailers that have recently been unleashed upon our cinema screens, and unsurprisingly, many of the big ones feature ment are hardly a new invention, though; we’re getting bored with the same old formula, and with the staleness of the Spiderman trilogy needing an indie reboot, we’re seeing the beginning of a genre-bending transitional period for the superhero picture. in capes and lycra costumes began in comic books, it didn’t take Hollywood long to realise the potential for superheroes to make appealing protagothe superheroes of the 1940s were everything that a ten year old’s role model should be: larger than life with corny names and cornier catchphrases, the likes of Captain Marvel were regular weekend serials, brought to life in twelve part plots that provided weekend entertainment for boys and girls across America. Then along came Batman and Superman, and minus a bit of industry turmoil in the ‘50s putting and end to the comic book serial, the rest is history. Since then, each decade has spawned a new set Superman full-length, the ’80s saw Tim Burton’s delight-
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fully dark Batman and the ‘90s saw the cinematic incarnations of cult comics such as The Crow, transforming them into worldwide franchises. It was the new millennium, though, that really proved the popularity of superhero genre: studios buying the rights to comic books left right and centre turned cinema trips into a battleground of advertising for the hugely successful DC and Marvel Comic companies. As a result, characters like Hulk, Daredevil, Catwoman, The Fantastic Four, The X-Men, Watchmen and Ghostrider – to name but a few – all received the CGI treatment in the noughties, making or breaking the dreams of comic nerds worldwide with their varying degrees of critical success. Each of these paled, however, in comparison to the juggernaut releases of Spiderman and The Dark Knight, both securing superheroes a place in the history books for their scale of commercial success and proving that the realm of the masked vigilante has transferred from oneEntering the new decade, it’s a worthwhile question to ask what it will mean to be a superhero fan in the 2010s. This summer will doubtless shape our perceptions: the release of Thor has already given the standard framework a Nordic twist, and the likes of Captain America and X-Men: First Class will hopefully give us a new and inspiring angle on the seen-it-all genre. Some of the most recent suand what it would mean to be a superhero in the real world: with The Dark Knight Returns set for
FILM
...and not a zero. our screens in 2012, it’s hard to think of a more anticipated follow-up after the viscerally genuine performances of Christian Bale and Heath Ledger playing out DC comics’ most notorious rivalry, Batman vs. The Joker. Kick-Ass brought the focus even further into the real world with a slew of references to previous comic-book outings and posing the question of what it would really be like to be a superhero – i.e. to be beaten half to death with baseball bats and stabbed in the posed elsewhere, too; on TV in the form of dramas like and Heroes, and (alarmingly) in the real world with mysterious pseudonyms such as Angle-Grinder Man making British News – the his superhero prowess to free the Greater London area of clamped cars and other such parking attendant tyranny. All in all, the superhero needs a new spin to really grab our attention; whether that means bringing the heroics into the real world or turning the styles.
To celebrate the release of X-Men: First Class, Quench Film are giving away free @QuenchFilm with a 140 character review
the best three reviews in the next issue of
film@gairrhydd.com
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FILM
Chapter at 40
Just over the Taf and a short stroll from Canton, tucked away behind the high street, Chapter Arts Centre is without doubt the shining gem of Cardiff culture. Finding its home in the old Canton High School, in its forty years, Chapter has grown and expanded but always managed to retain its place most of all, an excellent place to have a drink. Chapter houses two cinemas, three theatre spaces, a gallery, two bars and a cafÊ, as well as rehearsal spaces, and artists’ studios. Visited by more than 750,000 people a year, Chapter has courted controversy in its time with off-the-wall art exhibitions. After a major refurbishment in 2008 and the recent appointment of a new director, Chapter has continued and continues to go from strength to strength, recently holding the premier Patagonia. With its intimate screening rooms and plush velvet seats, Chapter provides a cinematic experience otherwise absent in Cardiff. While you may local multiplex, Chapter ensures that it provides a diversity of choice unseen elsewhere, while still showing mainstream features. Regular screenings of old classics, forgotten gems and hilarious Bmovies means it never takes itself too seriously, and while it might be assumed otherwise all this comes at ticket price a lot cheaper than you'd expect. World choosing Chapter as a venue and regular Q&A sessions with icons of the screen, any cinephile in Cardiff who isn't visiting Chapter on an almost obsessive basis is missing out. If Chapter doesn't whet your appetite for what Cardiff culture has to offer, nothing will. Emily Kate Bater
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mieres. Bright lights, big city, and the piccadilian needed in a suburb of Cardiff that quietly whisthan our collective imagination. The opening of Patagonia just before Easter kicked off Chapter's 40th birthday celebrations with a whizz-bang. I've been lucky enough to see a couple of premieres in Cardiff, and Patagonia was by far the most pleasant experience of all. Not only one of the best works of Welsh cinema I've seen committed to Celluloid, Chapter's affair was all the more enlivening for its lack of pretence. The red carpet may've been unavoidably wide, looking towards prodigiously hewn glass doors that scale the height of the school exterior; yet children bounced down the carpet rather than gawping idly through mobile phone screens. Inside, there was all manner of distinctly Carguzzling free Welsh ale (guilty), stoic middle aged men unmoved by Duffy - such is their commitment to The Times crossword - and of course the detectno more or less than any amble toward cinematic Canton is. The gentle wander allows you to catch yourself before a breathtaking thriller or quietly let your heart settle into the slower rhythms of a French animation. It's all very Cardiff and very friendly, yet never strays into pretension or self-indulgence - Chapter is an institution for the challenging works it and showing classics that could quickly become forgotten such as Peeping Tom, as well as forward thinking experimentation such as Zwolf's splenetic electronic gig which was mashed over live
(...in which we reminice, repute and revere cinema's most
eponymous
)
Without doubt a cultural phenomenon, the impact and legacy of DC Comics’ most iconic creation cannot be understated. Although an immigrant, Superman was drawn into the heart of the American psyche and became the poster boy and go-to man for proof that the American Dream did exist. Originally incepted in the slump of the Great Depression, clad in his red, blue and yellow, Superman was a social activist, a pioneer of the under-dog. In the 1950s his role morphed into a hero for the Cold War era, and even since 9/11 he has been used a paragon for good and genuine heroism. With his alter ego Clark Kent, a bumbling country bumpkin who failed to impress Lois Lane, it was a constant debate which was his actual identity. Unlike Spiderman’s Peter Parker, Superman’s everyday manifestation was just as intriguing. Aside from the socio-contextual ideals being projected onto the character, his move to television and film has been ongoing and seemingly never ending. Played by George Reeves in his first manifestation, his move to film in the late 1970s made an icon in turn of Christopher Reeve. Including turns from Gene Hackman, Marlon Brando and Richard Pryor these original translations of the comic book onto film are both brilliant and sometimes cringe-worthy, but will always be paragons of the superhero genre. After a less than successful reboot in 2006, Superman is back next year in the form of British born Henry Cavill, but it remains to be seen if he can be restored to his former glory when stable mate Batman continues to be a Christopher-Nolan-helmed powerhouse. Regardless of the success of this new incarnation,the Man of Steel will doubtless remain the definition of a comic book super hero in the eyes of many. Emily Kate Bater
SUPER MAN
Defining Film: Superman (1978) Although it may seem the obvious choice, the original Superman of the most involving 'origin' superhero comic book Americana, with the groundbreaking special effects lifting it to a whole new level. Christopher Reeve is doubtless the greatest man to don the famous suit, balscend into giggles. film@gairrhydd.com
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The Team Editor Dom Kehat
Executive Editor Sarah Powell
Sub Editor Matt Wright
Arts Katie Haylock and Kirsty Allen
Books Greg Rees
Fashion Gwennan Rees and Lucy Trevallion
Features Jack Doran, Claire Dibben and Jenny Pearce
LGBT+ Anna Siemiaczko and Kate Boddington
Film Emily Kate Bater
Food Gav Jewkes, Jasmine Joynson and Melissa Parry
Music Michael Brown, Emma Wilford and Jon Berry
Photos Travel Clare Baranowski and Simone Miche